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yurimother · 5 years ago

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The Best Yuri of 2019

2019 was a challenging year for many, in and out of the anime community, which is still reeling from the horrific attack at Kyoto Animation’s first studio in July that killed 36 people. However, I want to take this moment, as we start a new decade, to reflect on some of the greatest achievements in Yuri.

2019 marked the genre’s 100th anniversary, 100 years since Nobuko Yoshiya released her landmark lesbian novel Yaneura no Nishojo that shaped and created Yuri as we know it. It was possible Yuri’s best years ever, as more incredible titles were released and localized, we experienced fantastic events and moments, and more. This article is part of my continuing celebration of all things Yuri!

Note that many of the works mentioned came out before 2019, but they either were first released in English during 2019 or hit particular high points during this year. Now then, here is the best of Yuri in 2019!

15: SukeraSparo

This Japanese Yuri visual novel developer is starting to reach new heights as they set their sights on releasing new and innovate Yuri titles. The English release of The Expression Amrilato, an educational Yuri visual novel that teaches the player Esperanto, was one of the most unique and creative works I have the pleasure of playing this year. But, they outdid themselves this year, releasing a sequel, Itsuka no Memorajxo, creating one of the most beautiful Yuri games in Folklore of Kudan, and founding a sister brand, SukeraSomero, “to fill the world with YURI!”

The Expression Amrilato is available in English for PC on Steam and Mangagamer

14: Mage & Demon Queen

This outrageous and vivacious webcomic hits its stride in Season 2. After setting a solid foundation, this masterpiece by Kuru “Color-LES” is finally able to explore some more interesting plot lines such as its characters’ pasts, conflicts between the demons and humans, and figuring out who’s gonna be the bottom (it’s Malori, it was always going to be Malori). It is chock full of modern humor and moments I can only describe as hilariously kinky, while rarely feeling gross of sleazy. I can only wait to see what is next for these star-crossed lovers.

Mage & Demon Queen: is available to read in English on Webtoon

13: Yuri Anthologies

In 2018, Yen Press gave us the first hint of some Yuri anthologies starting to squeak into the West with Éclair, but 2019 threw the floodgates open! New works are coming out in both Japan and the West, featuring multiple artists coming together to create works featuring workplace romance, isekai, first-time stories, and even MARRIAGE!! Additionally, creators released volumes collecting their various short stories, like Rouge Nagashiro’s Eve and Eve, and some series saw multiple artists contribute to an already established world such as in the Bloom Into You Anthologies.

12: SHWD

Sono’s science fiction Yuri doujinshi series, published in English by Lilyka, is everything I did not know I wanted in a Yuri series. It showcases pulse-pounding action as the women of the “Special Hazardous Waste Disposal” fight to take down the horrific Dynamis. It has musclebound beasts of women that exude strength, power, and femininity at all times. And it has a compelling story about overcoming personal conflicts and learning to rely on others.

SHWD is available digitally on Lilyka

11: If I Could Reach You

No other series this year delivered an emotional gut-punch like If I Could Reach You. This tragic and beautiful manga by tMnR follows a young girl as she attempts hopelessly to overcome her attraction to her brother’s wife. Everything from the artwork to the dialogue masterfully communicates the devastation and pain that the protagonist Uta feels. It is beautiful and devastating, and I carry every awesome moment on my mind continuously.

If I Could Reach You is available digitally and physically in English from Kodansha: https://amzn.to/36vsYPe

Honorable mention: SQ/Tamen de Gushi/Their Story

2019 was a little bit of a slow year for Tan Jiu’s webtoon, thanks to an extended hiatus, especially when compared to 2018’s triumphant and spectacular storyline. However, small moments of genius like Sun Jing’s father’s phenomenal visual monologue keep this work in peak form top and my heart. I hope that its recent Japanese serialization on Comic Walker help even more people enjoy it.

10: Still Sick

In my recent review, I called this workplace romance a “Yuri manga for Yurijin,” and there is no way I could come up with a more apt description. Still Sick surprised me with its self-awareness, knowledge, and commentary on the genre. It has an incredibly deep story about two complex and layered characters that ignite each other’s passion, in more ways than one.

Still Sick is available digitally and physically in English from Tokyopop: https://amzn.to/2rVRH07

9: Going Beyond Girl Meets Girl

Yuri stories tend to repeat the same story, two girls meet, they fall for each other, they get together, THE END! The past decade or so has finally seen more stories adding sexual elements, in contrast to earlier S works, and some even explored the dating life of two schoolgirls. However, we have recently seen something remarkable: works featuring couples “graduating” (literally or metaphorically) and enter the real world. Series like Citrus, Kase-san, and, briefly, Bloom Into You explore the relationships as they exit the honeymoon phase and get into the meat of lesbian livelihood.

Kase-san and Yamada is available for English preorder: https://amzn.to/2MXnp4w

8: Nagata Kabi

Over the past few years, Nagata Kabi has redefined what the Yuri genre can be. Her powerful autobiographical manga essays My Lesbian Experience With Loneliness, My Solo Exchange Diary, and Genjitsu Touhi Shitetara Boroboro ni Natta Hanashi communicate her experiences with queer identity, mental illness, and alcoholism. No work of fiction could ever hope to reach Nagata’s strength and crushing honesty. Nagata’s manga has and will continue to change readers and the genre for years to come.

My Lesbian Experience with Loneliness is available digitally and physically in English from Seven Seas: https://amzn.to/2MZ7DWJ

7: Bloom Into You

Nakatani Nio’s popular Yuri series Bloom Into You crushed it in 2019. It concluded serialization, ending on an incredibly high note, and dominating the market in both English and Japanese, selling over one million copies (well deserved). Additionally, Sentai Filmworks released an excellent collector’s edition of the 2018 television anime adaption that is now a must-have for Yuri collectors. But my favorite aspect of this series is the spin-off light novel series featuring one of its best characters, which have already begun English release.

Bloom Into You: Regarding Saeki Sayaka is available digitally and for physical preorder from Seven Seas: https://amzn.to/2SVPVHG

6: Heart of the Woods

When I heard that one of the co-creators of Highway Blossoms, one of the better English Yuri visual novels, was creating his own studio, I was pretty excited. But nothing could have prepared me for Studio Élan's first release, Heart of the Woods, which blew me away. The enchanting adventure full of exceptionally queer characters shattered every expectation I had. I am looking forward to its Switch port and voice acting patch, as well as more titles from Élan.

Heart of the Woods is available for PC on Steam. Switch edition coming later this year.

Honorable mention: Hayama-sensei to Terano-sensei wa Tsukiatte iru

Oui Pikachi’s manga about two teachers navigating a new relationship is one of my new favorites. Everyone is so supportive of the title characters as they stumble their way through an honest and mature love. However, I am only giving it an honorable mention this year, as I am sure it will be on this list next year after Seven Seas releases the first volume in English as The Gym Teacher and School Nurse are Dating!

The Gym Teacher and School Nurse are Dating! is available for preorder in English from Seven Seas: https://amzn.to/39JhXMs

5. Sexiled

Ameko Kaeruda’s spectacularly feminist and outrageously funny light novel series Sexiled is could ever ask for and more. I feel in love with its compelling female characters and their riveting battle against the sexist conventions of their society, all of which painfully mirror reality. This work is cathartic, empowering, and so very, very gay.

Sexiled is available digitally in English from J-Novel Club. Physical edition coming later this year: https://amzn.to/35u6NaW

4: Yuri Life

I adore domestic Yuri. Granted, I love a good romance and fantasy, but so many of these stories exist that it feels overwhelming, and sometimes it is just good to sit down and read about two women who love each other living their everyday adult lives in bliss. Kurukuruhime’s Yuri Life, which I have enjoyed ever since it was first uploaded to Pixiv and am so proud to own in print, is precisely that. Nine couples being cute and living together in a variety of humorous, scandalous, and adorable situations. Yuri cohabitation has never been so good! Now, if I could only get some Yuri titles about women raising kids together…

Yuri Life is available digitally and physically in English from Yen Press: https://amzn.to/35stSLg

3: Children’s Cartoons

For the past several years, children’s cartoons and media have slowly begun to allow bits of queer representation onto the screen. While we are still a long way from having Elsa kiss a girl, the small and large victories on children’s television give me hope. Some of my personal favorites include an episode of Nickelodeon’s The Loud House about a lesbian date, a lesbian couple and agender character (using they/them pronouns) in Craig of the Creek, the female protagonist of Twelve Forever developing a crush on another girl, and of course the unbelievable amount of queerness that She-Ra and Steven Universe shove into every moment. I wish I had more series like these when I was young, and I am thrilled that my students get to grow up with them.

2: Our Dreams at Dusk (Shimanami Tasogare)

Yuhki Kamatani’s Our Dreams at Dusk is easily 2019’s best manga. The incredible story explores many real aspects of LGBTQ identities, gay, lesbian, trans, non-binary, and asexual included, in an emotional and resonating masterpiece. The artwork is stunning and more expressive than words could ever be. I stand by what I said in my review, that Our Dreams at Dusk is the greatest manga I have ever read and wholeheartedly believes that it was deserving of the only 10/10 score I gave in 2019.

Our Dreams at Dusk is available digitally and physically in English from Seven Seas: https://amzn.to/2s282AE

Honorable mention: ‘The Conditions of Paradise’ Licensed

One of the best moments of this year came out of Anime Expo when Seven Seas announced that they had licensed Morishima Akiko’s Rakuen no Jouken and would be releasing it as The Conditions of Paradise in 2020. Not only is The Conditions of Paradise a fantastic and mature work of Yuri literature, but it is also over a decade old, having been published originally in 2007. This license, more than anything else, helped me realize how far Yuri came this year. Not only is the hottest new series being adapted, but a historic and profound classic of the genre.

The Conditions of Paradise is available for preorder in English: https://amzn.to/2FjTE9M

1: Yuri Publishers

Not too long ago, it was rare for us to see more than a few Yuri manga releases in a year if any, but now we are at the point where a publisher can do an event announcing five Yuri licenses in a single day! As of this year, all the major publishers, and plenty of smaller ones, are actively licensing, adapting, and publishing amazing Yuri works: Yen Press, Viz, Kodansha, Seven Seas, Tokyopop, Renta, J-Novel Club, and more keep giving us incredible Yuri. I also have to mention the incredible work Lilyka Manga is doing, working directly with mangaka to adapt Yuri doujinshi titles into English, something I would have never dreamed of a few years ago.

As Yuri enters its second century, we are staring down the rest of 2020, a year that will no doubt go down in current Yuri history. The year will see a record number of Yuri manga releases both in Japan and from licensed series in the West. We are getting several promising anime series like Adachi to Shimamura, Magia Record, Oshi ga Budoukan Ittekuretara Shinu, a Princess Principal movie, and more. I cannot wait to see what this year will hold for YuriMother and the Yuri genre. I hope you all stick with me through it as we navigate the waters of a newer, gayer, and greater world of Yuri.

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cricketnationrise · 4 years ago

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Books I read in quarantine: Part 1

So on Friday, March 13, 2020 something not that chill happened. We all know what that was. Anyway for me the silver lining was that I got a lot of my TBR knocked out by not being at work. I read over 150 books from mid-march to mid-october.

1. We Should All Be Feminists by Chimamanda Ngozi Adichie: yes, it had been on my list for a while, yes it was awesome, yes, its still worth the read

2. Dragonquest by Anne McCaffrey: eh. listen. she’s one of the most prominent women in fantasy/sci-fi writing and that’s great. and maybe some the later books aren’t quite such a product of their time. but there are some aspects to the dragon “bonding” that feel especially uncomfortable and there’s a lot of violence toward women. so.

3. Briar’s Book by Tamora Pierce: I was in the midst of a Circle of Magic reread. Unfortunately for me, this one is about a plague. It’s still one of the best CoM books and I enjoy it immensely. Its definitely going to be harder to read from now on

4. The Tiger’s Daughter by K. Arsenault Rivera: loved this. empress and ruler of the steppes as lesbians that also battle demons? i needed a family tree, but that’s normal for me. still need to get to the next one in this series.

5. Fablehaven by Brandon Mull: middle grade fantasy novel. i hesitate to say lighthearted because there are definitely some heavy themes, but all the fantasy creatures you encounter are cool AF and this one at least doesn’t end on a cliffhanger.

6. Magic Steps by Tamora Pierce: less strong than some of the others in the Emelan series, but has some cool worldbuilding that got better fleshed out in the Beka Cooper Tortall books. featuring UNMAGIC. v dark. also dance magic. and romance between two older characters

7. The Bookshop on the Corner by Jenny Colgan: delightful romance, not super explicit, very wish fulfillment if your wish is to run away from your life in london and live off the proceeds of a mobile bookstore in a tiny town. which. is not unappealing.

8. Street Magic by Tamora Pierce: features 9 cats, street urchins, and a VERY TERRIFYING wealthy widow straight up murdering kids for fun and games, stone magic

9. Scythe by Neal Shusterman: okay so take our world and then solve all physical ailments and have everything run by the cloud. except that death is still a thing but only if you are picked by a Scythe. first book in a trilogy. fast paced, amazing, violent (someone gets their head cut off), standard dystopia stuff. you’ll want to have the next two books ON YOUR SHELF

10. Wink Poppy Midnight by April Genevieve Tucholke: there is definitely someone out there who will like this more than me. one of them is my roommate. it was just too dark of a friendship/enemyship for me. lots of unreliable narrators. and like, they were just kind of horrible to each other? the actual plot was kinda cool and i definitely would have liked it more if it ended lighter

11. The Word for World is Forest by Ursula K. LeGuin: a giant of fantasy and science fiction. this was my first of her sci-fi stuff and the first of the hainish cycle that i’ve read. quick read. definitely makes you think.

12. The Haunting of Tram Car 015 by P. Djèlí Clark: number two in a series, but i didn’t know that going in. absolutely going to read the others. a cairo where all sorts of spirits and demons exist and actively interact with the “normal” world.

13. The Girl Who Reads on the Métro by Christine Féret-Fleury: i’ve never been to france but this feels VERY french. magical realism about bringing the right book to the perfect reader. super cute.

14. Fire Starter by P. Anastasia: first of a series. i wanted to like this better based on the magic system. romance felt forced. also it turned out to be aliens. which like, not a problem, but don’t spend 100 pages telling me its magic and then boom alien virus. maybe the others are better, but i’m not going to find out.

15. The House on Mango Street by Sandra Cisneros: i had to read this in middle school and definitely didn’t appreciate it enough. highly recommended.

16. A Witch’s Guide to Escape: A Practical Compendium of Portal Fantasies by Alix E. Harrow: a fantastic short story about reading, libraries, magic and supporting teenagers who need it. you can read it online or as part of Apex Magazine Issue 105 from Feb 2018.

17. On a Sunbeam by Tillie Walden: really long graphic novel about a found family in space trying to do a good job repairing various buildings and stuff. enough queer content for anybody really. gorgeous art.

18. Doughnut by Tom Holt: book 1 in the YouSpace series. very discworld-esq except that its our own world plus a pocket dimension that’s only accessible with a lot of math and a prayer. hilarious at times, but a decidedly darker tone than discworld so just be aware if that’s not what youre looking for

19. The Girl Who Could Move Sh*t with Her Mind by Jackson Ford: teenage girl in california has powers that let her move things with her mind. works as part of a government program with a whole band of misfits. she thought she was the only one and then someone else starts doing crime (TM) and murder with telekinesis and she has to stop them. found family toward the end. graphic violence toward the end. wildfires.

20. Ballad of the Whiskey Robber: A True Story of Bank Heists, Ice Hockey, Transylvanian Pelt Smuggling, Moonlighting Detectives, and Broken Hearts by Julian Rubinstein: what it says on the tin, basically. NONFICTION. this dude in europe had way too many day jobs that were actually crime and his story is WILD. last update i saw was that he was still alive, paroled from jail, and making pottery??

21. The Priory of the Orange Tree by Samantha Shannon: 800+ pages of epic eastern fantasy. some dragons. a witchy big bad. betrayal. queer romance as a main plotline. magic. seriously good.

22. Transcription by Kate Atkinson: flashback within a flashback within a flashback and reversing that path as you move through the book. woman just wants a secretary job during the war. somehow ends up as a spy??? i liked it, i keep meaning to get more of her books

23. Every Heart a Doorway by Seanan McGuire: first in the wayward children series. under 200 pages if you’re looking for a quick read. what happens to kids that have gone through a door, had an adventure, and then forced back into our world? they don’t quite fit. and when that happens they go to Eleanor West’s School. fantastic series that is still being added to (number 7 comes out next year). can be very dark/sinister at times. but theres a lot of queer representation and found family stuff to balance out.

24. Down Among the Sticks and Bones by Seanan McGuire: book 2 in the wayward children series. focuses on Jack and Jill’s backstory of their time before book 1. they are from The Moors where a Vampire Lord and a Mad Scientist are battling against each other to keep the balance of the world with a village of innocents between them

25. Go Fish by Ian Rogers: short story published on Tor.com about a group of paranormal investigators. there’s a fish factory that no one will go in because it’s haunted and/or cursed and people have been dying from going in there

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yabookers · 8 years ago

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Done Dirt Cheap by Sarah Nicole Lemon

Tourmaline Harris’s life hit pause at fifteen, when her mom went to prison because of Tourmaline’s unintentionally damning testimony. But at eighteen, her home life is stable, and she has a strong relationship with her father, the president of a local biker club known as the Wardens. Virginia Campbell’s life hit fast-forward at fifteen, when her mom “sold” her into the services of Hazard, a powerful attorney: a man for whom the law is merely a suggestion. When Hazard sets his sights on dismantling the Wardens, he sends in Virginia, who has every intention of selling out the club—and Tourmaline. But the two girls are stronger than the circumstances that brought them together, and their resilience defines the friendship at the heart of this powerful debut novel.

Disclaimer: I received this free via NetGalley for review purposes.

Tourmaline Harris is the daughter of the leader of the town’s infamous biker club known as the Wardens. She’s got a good home life, a good relationship with her father. But at 15 she unintentionally sent her mother to prison. Virginia Campbell was ‘sold’ into the service of Hazard – a sleazy but powerful (&criminal) attorney. Virginia is sent to infiltrate the Wardens under the orders of Hazard because he wants them gone. Virginia has every intention of going through with her orders, but after meeting Tourmaline, she starts to have second thoughts. The two girls friendship blossoms, each gaining strength and confidence from each other.

Done Dirt Cheap is a novel about friendship and the girl’s defying the expectations placed upon them. Done Dirt Cheap is a refreshing read in the sense that it offers something a lot of books don’t really offer – an authentic and complex female friendship. Both Tourmaline and Virginia are fully formed, messy, and contradictory female characters. They would seem like unlikely friends, complete polar opposites, but they make it work and while they don’t always get along, they know they need each other and they help each other navigate the complicated and dangerous landscape of their lives.

“We’re friends because when girls – women – are alone in this world, they’re easier to pick off.” …“When girls stick together in this world, they’re harder to pick off.”

One thing I loved about Tourmaline and Virginia is that they subverted the typical female character tropes that we often see in YA. The ‘good girl’ and the ‘bad girl’. Tourmaline has always tried to be likeable and good, but that isn’t who she really is. Tourmaline was placed into her dangerous drug dealing life, it wasn’t one she chose. But each girl wants something different, and they help each other to get it. So there was some really great character development.

I absolutely adored the romance. If you love age-gap romances I do highly recommend this. (Don’t worry, both Tourmaline and Virginia are 18). Tourmaline’s relationship with Cash was my favourite – it was a forbidden romance and fantastically written. Virginia’s relationship with Jason felt a little rushed and insta-lovey but I loved it nonetheless.

If you are looking for a feminist and female empowered book, with a complex and central female friendship where they always try to uplift each other and not tear each other down, then I do highly recommend Done Dirt Cheap.

Also, Biker Girls, need I say more?

RATING: ★★★★★

Buy now from Book Depository

#done dirt cheap #sarah nicole lemon #netgalley #megreviews

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sthayil · 5 years ago

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2019 Reading Goal Outcomes

Goal: 52 Books in 2019, no romances, no rereads

Result: 61

Summary: This was a year of fantasy, with the Throne of Glass series as hands-down the best one. I almost entirely read fiction, so will try for more non-fiction in 2020.

1. Reader, I Married Him - Stories Inspired by Jane Eyre, by Tracy Chevalier.

Short stories again, dipping my feet in the water of getting the reading habit up and going again. I read this entire book over the course of various subway rides.

2. Ahead of the Curve, by Joseph H. Ellis.

A business investing textbook that Ryan wanted me to read. Pretty interesting, nice explanation of the fundamentals, but limited applicability as it only pertains to certain cyclical industries.

3. Anya’s War, by Andrea Alban Gosline.

A lovely young adult story set in 1940s Shanghai in the Jewish community there, all the refugees fleeing Europe. Didn’t know about all the Jews who lived in China. They later left for the US.

4. The Silver Swan, by Elena Delbanco.

Father and daughter famous cellists, story about love, loss, legacy, and genius.

5. Redeeming Love, by Francine Rivers.

A very Christian novel, based on the Biblical story of Hosea. It was quite a moving story, but now I want to read some of her secular novels, just to see the difference. It was one of the books on my Kindle, recommended to me by Nicole.

6. Balzac and the Little Chinese Seamstress, by Dai Sijie.

Two adolescent boys sent to rural China for re-education during the Cultural Revolution. Translated from the French.

7. Tarnsman of Gor, by John Norman.

A sci-fi novel about a planet like Earth on the other side of the sun. The first in the series. Found this in our Edinburgh Airbnb.

8. Dear Mr. You, by Mary-Louise Parker.

A collection of letters to all the men in her life. I liked most the ones to the uncle of her adopted Ethiopian daughter, and then one at the very end to the oyster picker who picked her father’s last meal.

9. Lady of the Snakes, by Rachel Pastan.

A look at life as a female academic, trying to find the balance between her career and her family. I wonder if I ever feel as passionately about something as the protagonist, who is dedicated to a single famous author in Slavic literature, and his wife who is secretly the real author. The whole book made me remember the feminist comic about the mental load in a family.

10. Trespassing Across America, by Ken Ilgunas.

One man’s journey through the middle of America as he followed the path of the Keystone XL pipeline, and his reflections on the environment, our role, travels, midwestern folk, and long walks. Very gentle reading, and I definitely was surprised by some of the research that he has done about the history of the Great Plains. I didn’t realize what a drain on the US economy the farmers are, and that they are basically welfare farmers.

11. Bakhita, by Veronique Olmi.

The sorrowful story of one of the modern saints, a Sudanese slave who came to Italy. The story of her life, with the backdrop of colonization, slavery, and the world wars.

12. Plenty, by Alisa Smith and J. B. Mackinnon.

The two authors decide to maintain a 100-mile diet for a year. Interspersed with recipes every chapter, and alternates between their voices. A delicious and thoughtful journey, that made me want to leap into the kitchen and start canning and pickling.

13. Assassin’s Blade, by Sarah J. Maas.

Collection of short stories leading up to the first Throne of Glass novel.

14. Throne of Glass, by Sarah J. Maas

15. Crown of Midnight, by Sarah J. Maas

16. Heir of Fire, by Sarah J. Maas

17. Queen of Shadows, by Sarah J. Maas

18. Empire of Storms, by Sarah J. Maas

19. Tower of Dawn, by Sarah J. Maas

20. Kingdom of Ash, by Sarah J. Maas. This was one of the best high fantasy series I have read in a long time. Epic battles, intrigue, loss, love, courage, everything. I kept rereading my favourite sections for the rest of the year.

21. Haiku Love, The British Museum, by Alan Cummings.

Beautifully illustrated by mostly woodblock prints, I took photos of my favorites, from mainly the new love section.

22. My Last Love Story, by Falguni Kothari.

A cancer love story revolving around a love triangle in a Gujarati diaspora community.

23. Unaccustomed Earth, by Jhumpa Lahiri

Haven’t read anything by Lahiri since Interpreter of Maladies, so I’m glad to jump into more short stories. Fantastic, as expected.

24. The Grift, by Debra Ginsberg.

Fortune telling and human weakness.

25. A Court of Thorns and Roses, by Sarah J. Maas

26. A Court of Mist and Fury, by Sarah J. Maas

27. A Court of Wings and Ruin, by Sarah J. Maas.

I liked the Throne of Glass series better, but this was still good. There is one more novelette but it is supposed to be a bridge to a new spinoff series, and I would rather just wait for everything to be out and binge read them all at once. So I will stop here with this series.

28. Radiance, by Grace Draven.

29. Night Tide, by Grace Draven

30. Eidolon, by Grace Draven

31. In the Darkest Midnight, by Grace Draven.

Another epic fantasy, but in the end Draven is a bit heavier on the romance.

32. Master of Crows, by Grace Draven.

Series unfinished and hard to get a hold of.

33. A Little Life, by Hanya Yanagihara.

A devastating novel about friendship and trauma and New York City. Unforgettable. I read Veasna’s copy which has been making the rounds in our circle of friends and leaving us all ashes in its wake.

34. Graceling, by Kristin Cashore

35. Fire, by Kristin Cashore

36. Bitterblue, by Kristin Cashore

Another young adult fantasy series, again a pretty good one. This seems to be the theme of this year.

37. Look Who’s Back, by Timur Vermes.

A satire on the media focused world we live in, through the eyes of Hitler who woke up in the modern world.

38. Crazy Rich Asians, by Kevin Kwan

39. China Rich Girlfriend, by Kevin Kwan.

Both are fun and fluffy reads. I can see why they became so popular.

40. Before She Sleeps, by Bina Shah.

Dystopian, Handmaids Tale, with a South Asian setting and characters.

41. When Churchill Slaughtered Sheep and Stalin Robbed a Bank, by Giles Milton

Lovely collection of historical anecdotes.

42. Enemy Women by Paulette Jiles.

The American civil war was so bloody. I think Americans would have a better understanding of war if they fought wars on their own lands again.

43. The Hundredth Queen, by Emily R. King

44. The Fire Queen, by Emily R. King

45. The Rogue Queen, by Emily R. King

46. The Warrior Queen, by Emily R. King.

The premise was such a good one, and it was fun to be able to read fantasy in a South Asian setting, but the writing was flat and the characters annoyingly indecisive. They all seem to stumble from predicament to predicament, reacting endlessly but never able to do anything properly. By the second book I just wanted the story to end.

47. The Place of Shining Light, by Nazneen Sheikh.

A moving thriller about trying to smuggle an ancient Buddha statue from Afghanistan into Pakistan, and the stories of the people along the way of the journey.

48. Grave Mercy, by Robin LaFevers

49. Dark Triumph, by Robin LaFevers

50. Mortal Heart, by Robin LaFevers.

A fun trilogy set in historical times, with three different female protagonists who are also trained as assassins by a convent. Found it through a list of books recommended as similar to the Throne of Glass series, but it was different enough to still be enjoyable and not compared in my mind while I was reading.

51. Queen Song, by Victoria Aveyard

52. Steel Scars, by Victoria Aveyard

53. Red Queen, by Victoria Aveyard

54. Glass Sword, by Victoria Aveyard

55. King’s Cage, by Victoria Aveyard

56. War Storm, by Victoria Aveyard.

Again, this is a series I found because of my suffering from Throne of Glass withdrawal. The story is interesting enough, and decent attention to detail and logic with a lot of the action/battles. The protagonist did start to get on my nerves as annoyingly helpless and indecisive, but then the author started changing the points of view in the last couple of books, and some of the other characters found the protagonist as annoying as I did, so that was refreshing to read and gave me the stamina to finish the series. There are a few more novellas but I’m not interested/invested enough to find them. I’ll stop here.

57. Pick-up, by Charles Willeford.

Good old fashioned American crime novel from the 60s with a few unexpected twists.

58. Notes on a Banana, by David Leite. Memoir on food, love, and manic depression. The highs/manic parts sound blindingly productive. Glad for him that he sequestered himself during the whole AIDS thing. Wish there were some recipes, I might go look at his blog.

59. The Young Elites, by Marie Lu

60. The Rose Society, by Marie Lu

61. The Midnight Star, by Marie Lu.

A refreshing series with a true anti-heroine. You despise her so much almost throughout the series.

#reading readinggoals newyearresolution throneofglass sarahjmaas fantasy epicfantasy

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dazzledbybooks · 5 years ago

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Editor: Christina Boyd Narrator: Victoria Riley Length: 18 hours and 3 minutes Series: The Quill Collective, Book 3 Publisher: The Quill Ink, LLC Released: Jul. 18, 2019 Genre: Anthologies ��But I hate to hear you talking so, like a fine gentleman, and as if women were all fine ladies, instead of rational creatures. We none of us expect to be in smooth water all our days.” (Persuasion, Jane Austen) Jane Austen: True romantic or rational creature? Her novels transport us back to the Regency, a time when well-mannered gentlemen and finely-bred ladies fell in love as they danced at balls and rode in carriages. Yet her heroines, such as Elizabeth Bennet, Anne Elliot, and Elinor Dashwood, were no swooning, fainthearted damsels in distress. Austen’s novels are timeless classics because of their biting wit, honest social commentary - because she wrote of strong women who were ahead of their day. True to their principles and beliefs, they fought through hypocrisy and broke social boundaries to find their happily-ever-after. In the third romance anthology of The Quill Collective series, 16 celebrated Austenesque authors write the untold histories of Austen’s heroines, brave adventuresses, shy maidens, talkative spinsters, and naughty matrons. Peek around the curtain and discover what made Lady Susan so wicked, Mary Crawford so capricious, and Hettie Bates so in need of Emma Woodhouse’s pity. Rational Creatures is a collection of humorous, poignant, and engaging short stories set in Georgian England that complement and pay homage to Austen’s great works and great ladies who were, perhaps, the first feminists in an era that was not quite ready for feminism. “Make women rational creatures, and free citizens, and they will become good wives; - that is, if men do not neglect the duties of husbands and fathers.” (Mary Wollstonecraft) Stories by: Elizabeth Adams, Nicole Clarkston, Karen M Cox, J. Marie Croft, Amy D’Orazio, Jenetta James, Jessie Lewis, KaraLynne Mackrory, Lona Manning, Christina Morland, Beau North, Sophia Rose, Anngela Schroeder, Joana Starnes, Brooke West, and Caitlin Williams CHRISTINA BOYD wears many hats as she is an editor under her own banner, The Quill Ink, a contributor to Austenprose, and a commercial ceramicist. A life member of Jane Austen Society of North America, Christina lives in the wilds of the Pacific Northwest with her dear Mr. B, two busy teenagers, and a retriever named BiBi. Visiting Jane Austen’s England was made possible by actor Henry Cavill when she won the Omaze experience to meet him in the spring of 2017 on the London Eye. True story. You can Google it. Website⎮Twitter⎮Facebook⎮Goodreads⎮Amazon⎮Instagram Victoria Riley is a British voiceover artist and audiobook narrator. Originally trained as a theatre actor, she gradually moved into voice work and is now happiest behind the mic. She loves classic literature and travelling the world. If she isn't recording, she's probably lying in a hammock in some far-flung place, reading book after book after book. Website⎮Twitter I received this audiobook as part of my participation in a blog tour with Audiobookworm Promotions. The tour is being sponsored by Christina Boyd. The gifting of this audiobook did not affect my opinion of it. Rational Creatures: Stirring of Feminism in the Hearts of Jane Austen's Fine Ladies, the Quill Collective, Book 3 by Joana Starnes, Amy D'Orazio, Caitlin Williams, Karen Cox, Jenetta James, Beau North, Chistina Morland, Nicole Clarkston, Elizabeth Adams, J. Marie Croft, Jessie Lewis, Kara Lynne Mackrory, Lona Manning, Sophia Rose, Anngela Schoreder, and Brooke West. Now that is a lot of names. Each of these writers brought you a story about a different Austen character. 1. Self-Composed by Christina Morland. (Elinor Dashwood.) 2. Every Past Affliction by Nicole Clarkston. (Marianne Dashwood.) 3. Happiness in Marriage by Amy D'Orazio. (Elizabeth Bennett.) 4. Charlotte's Comfort by Joana Starnes. (Charlotte Lucas.) 5. Knightly Discourse by Anngela Schroeder. (Emma Woodhouse.) 6. The Simple Things by J. Marie Croft. (Hetty Bates.) 7. In Good Hands by Caitlin Williams. (Harriet Smith.) 8. The Meaning of Wife by Brooke West. (Fanny Price.) 9. What Strange Creatures by Jenetta James. (Mary Crawford.) 10. An Unnatural Beginning by Elizabeth Adams. (Anne Elliot.) 11. Where the Sky Touches the Sea by KaraLynne Mackrory. (Sophia Croft.) 12. The Art of Pleasing by Lona Manning. (Penelope Clay.) 13. Louisa by the Sea by Beau North. (Louisa Musgrove.) 14. The Strength of Their Attachment by Sophia Rose. (Catherine Morland.) 15. A Nominal Mistress by Karen M. Cox. (Eleanor Tilney.) 16. The Edification of Lady Susan by Jessie Lewis. (Lady Susan.) This collection of stories is taking a deeper dive into Austen’s greatest female characters. I thought it was definitely interesting to see someone else’s take on these characters. We had a variety of characters from the heroines to the minors. A lot of the ideas behind these short stories come the feminist ideas that are discussed in Mary Wollstonecraft’s A Vindication of the Rights of Women. The narrator was such a perfect match for this book. I loved how she performed all the different characters. She was so easy to listen too. I thought that her British accent fit so well. She put so much life into these stores that I felt I was really able to get to know these characters. I thought the writers and narrator did a fantastic job with the story collection mash up. I thought the stories were fun and engaging. The audiobook kept me listening for hours. Over 18 hours. I thought this was a fantastic edition. I found that I really enjoyed this collection. . Interview with Narrator: Victoria Riley. 1.When did you know you wanted to be an audiobook narrator? Well, I've always said that I'd be happy to just sit in a cupboard all day reading books. I didn't know that I could actually do that and get paid for it. Dreams do come true, folks. 2. How did you wind up narrating audiobooks? Was it always your goal or was it something you stumbled into by chance? I'm actually a classically trained actress and was originally interested in theatre. When I started out, audiobooks weren't really a big thing and it didn't occur to me as a career. I gradually veered into voiceover and my first audiobook was through my VO agent. I then set up my own studio at home and audiobooks are just one of the things I work on. 3. A lot of narrators seem to have a background in theatre. Is that something you think is essential to a successful narration career? I wouldn't say it's essential, but it really, really helps. We've been trained to analyse scripts and characters, to convey nuance and emotion. With audiobooks, you have to do it all with your voice, though, so it is an added skill. However, I do think that some people are natural storytellers. My Mum worked as a primary school teacher and I still remember the way she read books to me before bed. 4. What about this title compelled you to audition as narrator? I LOVE Jane Austen. I love her female characters with their fire and intelligence. To have such strong minds, but be so restricted with their options in life. For marriage to be your only way forward when you have so much to offer the world. It makes me feel claustrophobic just thinking about it. From a working perspective, this is also my first collection of short stories. Short stories are a real art form. You have to draw the reader (or listener!) into the tale very quickly and make them care about the characters without the luxury of a whole novel in which to do it. I really enjoyed each one being a separate little project, so I had a sense of closure and achievement after each one. 5. What types of things are harmful to your voice? I wouldn't say I'm that careful with it to be honest. I've had vocal training drummed into me for decades, so I think it really comes naturally to me to support my voice well and to speak from the diaphragm. I've been trained to project to the back of a theatre, without a microphone, night after night after night. Some narrators get tired voices, but you can't shut me up! 6. Who are your “accent inspirations”? Absolutely everybody! I love accents. I have a broad Lancashire accent myself. I hope you can't tell from 'Rational Creatures'! If I hear a good accent, someone on TV or in real life, I'll be there mouthing the words, fascinated by how they're forming the sounds. Penelope Keith is a good one for very upper class ladies. Pam Ayres for West Country. Some elude me, though. My Cockney wanders all over the place, though you get a snippet of it in 'Rational Creatures'. My boyfriend has a London accent and sometimes he helps me with pronunciations. I'll be texting him asking things like 'Transport or traaaahnsport??'. 7. How did you decide how each character should sound in this title? Well, a lot of the characters are very well-known anyway, which helps. I didn't feel as though I was creating them from scratch. Most of them just jump off the page too. There are simple things like class to consider. Also character traits, like arrogance, pomposity, shyness or humility, which affect voice and delivery. I love a character that you can really embody. When it's so obvious how they should sound that you don't even really have to think about it. 8. How does audiobook narration differ from other types of voiceover work you've done? It takes a REALLY long time, especially if you're fully producing the work yourself. It takes around six hours to produce one hour of finished audio, sometimes longer. That doesn't even include all the prep work you have to do first, reading the work in full, researching characters and pronunciations, deciding on voices. Editing takes forever, combing through the recording, editing out little sounds like mouth clicks or any particular noisy breaths. I also regularly do radio jingles, which is a good comparison, because it takes no time at all! Audiobooks are not for the faint-hearted. 9. If you could narrate one book from your youth what would it be and why? Apart from absolutely everything by Jane Austen? I have so many author heroes! However, if it's from my youth, then I'm going to plump for Roald Dahl's 'The Witches'. His stories are so evocative and he doesn't shy away from darker themes. I was born in Pendle Witch country, so this one struck a particular chord with me. 10. Any funny anecdotes from inside the recording studio? We've all done silly things. Giving an Oscar-worthy performance, then realising you haven't pressed record. Stuffing a cushion up your jumper to stop tummy rumbles reaching the mic. Gradually getting more naked as you stifle in the booth in summer. We've all done it. 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hermanwatts · 5 years ago

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Men are From Cimmeria, Women are From Earthsea

There has been round of blog posts in the wake of an interview I had at Jared Trueheart’s Legends of Men blog. That interview spurred a response by Jason Ray Carney who disputes that sword and sorcery is man’s fiction. Daniel Davis joined in at his Brain Leakage blog. Jason Ray responded to that. Go read these posts. Jason said that Jared, Daniel, and I were hysterical. You are not subjective when you are the object of comment. Comment if you find where any of us were “hysterical.” Jason states that sword and sorcery is “gender neutral.”

Gender neutrality: Are we talking androgyny, hermaphrodites, eunuchs, or neuters?

Sword and sorcery got its start in Weird Tales magazine with a few stories in its competitors Strange Tales and Strange Stories. I have already written on female readers of Weird Tales push back against Robert E. Howard once the Conan series got rolling. E. Hoffmann Price wrote later in Amra that Conan saved Weird Tales more than once.

Farnsworth Wright knew his readers.

Let us look at some random issues of Weird Tales. September 1932– twelve stories and one poem. Two stories by women and one poem. October 1935– nine stories, three poems; one story by a woman. March 1938– 10 stories, two poems; one story by a woman. So, the average female percentage as writer is around 10%.

Now to the letters section, “The Eyrie,” to get an idea of female readership. August 1932– 12 letters, all from men. March 1934– 3 out of 19 letters by women. September 1938– 3 out of 23 letters by women. So, female readership of Weird Tales hovered somewhere around 12-15%. This is probably a higher percentage than the science fiction magazines of the period.

Weird Tales used Margaret Brundage as the almost exclusive cover artist from 1933-1936. Most of her paintings have nubile, beautiful young women in various stages of undress. Editor Farnsworth Wright who was notoriously nervous about not alienating readers had no problem with art that would be considered offensive today. He must have had an idea of gender breakdown of readers.

The case of C. L. Moore is used as a battle cry as a True Cross for Amazon equality crusaders. I first read about Jirel and C. L. Moore from Avon’s Reader’s Guide to Fantasy in the early 80s. Ace Books did a mass market paperback collection in November 1982. I remember distinctly buying it along with two Fritz Leiber paperbacks in mid-May 1983. Back then, you could go to the local B. Dalton or Waldenbooks and get the paperback Conans, Elric, Fafhrd & the Gray Mouser, Kane, some Brak, David C. Smith, and even the Timescape Clark Ashton Smith. I tore in Jirel of Joiry finding “Black God’s Kiss” on the slow side. “Black God’s Shadow” even slower and then just bogging down and scanning through the stories. This past winter, I sat down and reread in detail and it was not a pleasant experience. Moore’s prose is painfully slow and overwritten. Her narrative also had a habit of turning into word salad at crucial scenes.

“Around the dark image a mist was swirling. It was tenuous and real by turns, but gradually she began to make out a ring of figures–girls’ figures, more unreal than a vision–dancing girls who circled the crouching statue with flying fee and tossing hair–girls who turned to Jirel her own face in in as many moods as there were girls. Jirel laughing, Jirel weeping, Jirel convulsed with fury, Jirel honey-sweet, Jirel convulsed with fury, a riot of flashing limbs, a chaos of tears and mirth and all humanity’s moods. The air danced with them in shimmering waves, so that the land was blurred behind them and the image seemed to shiver within itself.”

W.T.F?

There is one scene at the beginning of “Jirel Meets Magic” where Jirel handles a sword. That is it. She deals with adversaries as a vehicle using supernatural third parties. When you look at the plots of the stories, “Black God’s Kiss” is a captivity/kidnapping narrative. It is The Sheik with hallucinogenic passages. “Black God’s Shadow” is the second half of a romance arc. As a friend of mine said, Jirel was treated rough by Guillaume and she liked it. “Jirel Meets Magic” is Alice in Wonderland. “The Dark Land” is another captivity story. “Hellsgarde” is a haunted house story. Moore did not seem comfortable writing scenes of physical combat as I could find only one brief scene with no carnage depicted, just Jirel flailing around with her sword.

There have been three mass market and one trade paperback printings of the Jirel stories, each over a decade apart. That puts her a notch ahead of reprints of Norvell Page’s “Prester John” series. If Jirel is such an iconic series, why hasn’t the book been in continuously in print? People like the idea of Jirel, many just don’t like reading Jirel.

I was thinking of Moore’s influence through the Jirel series. The only thing that came to mind were two stories by Tanith Lee in the Amazons! Anthologies featuring “Jaisel” that read like homages to Moore. C. L. Moore’s writing style would change. Some stories reprinted in the collection Judgement Night are listed under Moore’s name instead of “Lawrence O’Donnell.” “Paradise Street,” “Heir Apparent,” and her novel Doomsday Morning are written in a stripped-down hard-boiled manner.

CL. Moore was a gracious and lovely lady from what anyone who met her has told me. One friend did tell that in the late 1970s at a science fiction convention, she laughed at the idea she was some sort of feminist icon.

If you add up the writers of sword and sorcery in the 1930s- Robert E. Howard, Clark Ashton Smith, H. Warner Munn, Nictzin Dyalhis, Clifford Ball, David H. Keller, Seabury Quinn, Henry Kuttner, Lloyd Arthur Eshbach, Fritz Leiber, Norvell Page, and C. L. Moore, you come up with a little under 10% female participation rate, a percentage that equals that of Weird Tales and a little under the readership.

There is a type of story found mainly in Planet Stories that is not technically sword and sorcery but has the attitude of it. Poul Anderson’s “Virgin of Valkarion” is Exhibit A. Leigh Brackett was a writer for Planet Stories in the 1940s with a few stories in the 1950s. Her writing style is a cross between Edgar Rice Burroughs and Dashiell Hammett. It is an interesting case of gender ventriloquism. Brackett wrote in a faux-masculine style most of the time. Every now and then the mask would slip as in “All the Colors of the Rainbow.” I can remember sending a Leigh Brackett book to a friend of mine. He returned it unimpressed. He pointed out a fight scene where Brackett had two guys rolling around in the dirt and the emphasis was on how they were getting their clothes dirty instead of physical damage. I can remember the first Brackett I ever read was “The Secret of Sinharat” and being disappointed at the rather tame ending. I was expecting Eric John Stark (aka N’Chaka) was pile up the bodies at the climax. The follow up “People of the Talisman” was more blood and thunder. That was the story that was rewritten by Brackett’s husband, Edmond Hamilton and expanded by 40%. I need to compare the texts someday.

If we look at writers of sword and super-science for Planet Stories, the list includes: Gardner F. Fox, Bryce Walton, Emmett McDowell, Ross Rocklynne, Basil Wells, Erik Fennel, Alfred Coppel, Stanley Mullen, Poul Anderson, and Leigh Brackett. Again, the female participation rate is around 10%.

There were a few sword and sorcery stories that filtered out in the 1950s with E. E. “Doc” Smith, John Brunner, L. Sprague de Camp, and of course Jack Vance. The 1960s gave us Roger Zelazny, John Jakes, Michael Moorcock, Lin Carter, Gardner F. Fox, Ben Haas as “Richard Meade” and “Quinn Reade.” You did have Jane Gaskell’s “Atlan” books shoe horned into the genre. Those are Perils of Pauline type books featuring Cija. They are not very good but always seemed to have great covers whether by Frank Frazetta, Jeff Jones, Boris Vallejo, or James Gurney.

Leigh Brackett could have written a bona fide sword and sorcery story with an antediluvian setting and supernatural elements. Editors would have snapped up anything she wrote. She didn’t but she at least gave us the excellent Skaith trilogy which had its share of physical action.

Sword and sorcery spread out into popular culture starting around 1966 with the paperback books and the Warren magazines. You could buy Frank Frazetta posters at a lot of record stores. Bands like Nazareth were using sword and sorcery imaging on their record album sleeves.

Ted White became editor of Fantastic Stories in 1969. The magazine was a grab-bag of different types of stories. Sword and sorcery did have an increasing presence. White tapped into all sorts of artists talent and you had very traditional sword and sorcery type covers by Jeff Jones, Esteban Maroto, Doug Beekman, and especially Steve Fabian who painted idealized female bodies. Ted White must have known who was buying the magazine.

Ted White knew his readers.

In the middle 1970s, you had the next great female talent, Tanith Lee. I have written on her sword and sorcery when she died. She was unique. I prefer her stories to her novels, but her novels are preferable to much other out there.

Not Sword and Sorcery

Lee showed up in the original sword and sorcery anthologies of the late 1970s. Swords Against Darkness ran for five volumes 1977-1979. It had a total of 57 stories, seven stories and one poem by females for a participation rate of 14%. Heroic Fantasy (D.A.W. Books, 1979) had 17 entries (including some non-fiction pieces), two were by female for a participation rate of 11.7%. Tanith Lee was present in five out of six of those anthologies.

Jessica Amanda Salmonson edited to Amazons! Anthologies (1979 and 1982). Technically, they are not sword and sorcery but amazon anthologies. She was able to invert the 10% number that keeps popping up. Amazons II had 12 stories, three by men so the ratio rose to 25%. Salmonson probably took the series as far as she could though she edited two more anthologies for Ace (Heroic Fantasy).

Marion Zimmer Bradley edited the Sword and Sorceress anthology for D.A.W. Books. It has all the appearance of continuing the idea of Salmonson’s Amazons! But with an in-house writer. The books were not so much sword and sorcery but fantasy of all sorts with a feminist orientation. The first volume had 15 stories, six by men for a 40% participation rate. That would shrink in subsequent volumes. It has a type of fiction that I call “femizon” which split off into its own genre the same way Glen Cook did with military fantasy around the same time.

One last example. My favorite sword and sorcery anthology of the past 10 years is Rogue Blades’ Entertainment’s Return of the Sword. The stories were by amateurs and small press people. It has heart and sincerity. 21 stories by 22 authors, one female for a 4.5% participation rate.

Not Sword and Sorcery

A personal observation: I have known two women personally that like reading Robert E. Howard’s Conan stories. One is mid-50s, the other around 60. One is a pharmacist, the other a nurse that runs a hospital operating room. So, just like the authors, the XX chromosome readers are on the rare side. I think most women are not particularly interested in reading fiction with lots of scenes of intense physical action.

I will give an anecdote that forms opinions. About 15-16 years ago, my office manager’s high school aged daughter read The Lord of the Rings. I thought I would build on that. I lent her one of L. Sprague de Camp’s sword and sorcery anthologies, either Sword & Sorcery or The Spell of Seven. Either of those books are excellent introductions to the genre. She did not like the book as she has problems with the vocabulary. She was constantly going to the dictionary to look up the meaning of words. If you want your kid to score high on the English potion of the S.A.T test, have them read sword and sorcery fiction. Then I lent her Poul Anderson’s The Broken Sword. She did not like that at all. It really upset her. Sword and sorcery is not going to pass through the feminine filter of a good portion of the fairer sex.

This came to me this week. A good portion of women like horror especially that more in the Gothic fiction end of the spectrum. Horror light if you will. There might have been an opportunity for a clever editor to sell sword and sorcery disguised as gothic romance to women readers. Phyllis Whitney did have a story in Weird Tales in the 1930s.

Here is a writing exercise of high school or college students. Have them start with a scene of traveler in the woods looking for shelter and finding a manor or castle. See how the story breaks down between the sexes.

So to wrap this up. My friend, the late Steve Tompkins used a phrase “the exception that proves the rule.” Crunching some numbers swerves that way. The history of sword and sorcery has had a few female outliers who wrote in the genre but the 10-12% rule appears consistent for decades.

Where’s the Sword and Sorcery?

Sword and sorcery fiction may not be totally male, but it skews heavily in the XY chromosome end of the spectrum. Women were not excluded but participation was also for the most not much beyond token entries. I think gender skewed, not gender neutral is a better way to describe the genre. I think editors like Don Wollheim, E. F. Benson, Larry Shaw, and Roy Torgeson were quite happy to pick up a few female readers along the way, but they knew which side their bread was buttered on when publishing sword and sorcery. If the genre is gender neutral, why did the incoming female editors such as Betsy Wollheim at D.A.W. Books and Susan Allison at Ace Books pretty much kill off publishing sword and sorcery? Wouldn’t all the female readers keep it going? I was there, there was a K-T event in 1985. A few books that were already probably slated made it into the later 1980s, but the genre was decapitated. David Gemmell adapted by writing 300 page + novels with an ensemble cast and lost of domestic goings on but the efficient 60,000 word novel featuring one hero was gone.

This is an example our modern society’s obsession with equalitarianism. De-gendering the genre strikes me as post-modernism. It is also risible. A few weeks ago, an endocrinologist was telling me about hormone supplementation for trans-gendering. The men upon getting estrogen become emotional and weepy. The women getting testosterone develop a sense of humor and are generally less depressed.

I can sympathize with Jason Ray Carney. He teaches at a college. If he were outed that he is interested in what is perceived as masculine fiction, outside of a few sane colleges like Hillsdale or Grove City, he would be hauled up against a tribunal by the commissars for Wrong Think.

Gender Neutral

Men are From Cimmeria, Women are From Earthsea published first on https://sixchexus.weebly.com/

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