#1461

[mapsontheweb]

The affirmation of the Capétiens and the expansion of the royal domain in France (987-1461)

« Atlas historique mondial », Grataloup, Les Arènes, 2019

via cartesdhistoire

In 987, the royal domain (the lands on which the King of France directly exercises his power) was limited to the 98le-de-France. Elsewhere, his dominance rests on more or less strong feodo-vassal links.

Between the Xth and 12th centuries, the king must compose with the influence of the great princes of the kingdom (dukes, counts). They are the ones who elect Hugues Capet to succeed in 987 the last Carolingian, Louis V. Certainly, the Capetians have strengths, starting with the sacred, and they manage to expand their area of influence, but some princes manifest desires for autonomy, such as the Count of Flanders or the Plantagenêts, whose domains extend in 1170 from Normandy to Gascon.

The reigns of Philippe Auguste (1180–1223), Louis VIII (1223–1226) and Saint Louis (1226–1270) mark the affirmation of Capetian power. The former extends his influence in Flanders and Champagne. He triumphs over the Plantagenêts and integrates Normandy, Anjou, Maine (1204) as well as a part of the Auvergne (1213). He starts a push towards the Languedoc pursued by his son Louis VIII. These conquests are then consolidated by St. Louis.

In the 13th century the share of the royal domain in the kingdom increases and with it the direct influence of the king. Less taxable the ties between men and men, his power is increasingly territorialized.

In 1328, the death without heir of Charles IV, the last son of Philippe IV the Bel, raises the question of the royal succession; grafted on the old Franco-English rivalry, it leads to the Hundred Years War (1337-1453). Charles VII wins and conquers the entire kingdom except Calais. Despite hardships, war helps strengthen the royal ideology (a very Christian and divine lawful king) and the royal state (especially in its ability to collect taxes). At the end of the Middle Ages, the indirect branch of the Valois thus holds the kingdom firmly.

[dailysmilingnatsume]

[my-chaos-radio]

Release: October 7, 1983 (April 20, 1992)

Lyrics:

With the fire from the fireworks up above me

With a gun for a lover and a shot for the pain at hand

You run for cover in the temple of love

You run for another but still the same

For the wind will blow my name across this land

In the temple of love you hide together

Believing pain and fear outside

But someone near you rides the weather

And the tears he cried will rain on walls

As wide as lovers eyes

In the temple of love: Shine like thunder

In the temple of love: Cry like rain

In the temple of love: Hear my calling

In the temple of love: Hear my name

And the devil in black dress watches over

My guardian angel walks away

Life is short and love is always over in the morning

Black wind come carry me far away

With the sunlight died and night above me

With a gun for a lover and a shot for the pain inside

You run for cover in the temple of love

You run for another it's all the same

For the wind will blow and throw your walls aside

With the fire from the fireworks up above

With a gun for a lover and a shot for the pain

You run for cover in the temple of love

I shine like thunder cry like rain

And the temple grows old and strong

But the wind blows longer cold and long

And the temple of love will fall before

This black wind calls my name to you no more

In the black sky thunder sweeping

Underground and over water

Sounds of crying weeping will not save

Your faith for bricks and dreams for mortar

All your prayers must seem as nothing

Ninety-six below the wave

When stone is dust and only air remains

In the temple of love: Shine like thunder

In the temple of love: Cry like rain

In the temple of love: Hear the calling

And the temple of love is falling

Down

In the temple of love: Shine like thunder

In the temple of love: Cry like rain

In the temple of love: Hear my calling

In the temple of love: Hear my name

In the black sky thunder sweeping

Underground and over water

Sounds of crying weeping will not save

Your faith for bricks and dreams for mortar

All your prayers must seem as nothing

Ninety-six below the wave

When stone is dust and only air remains

the only haven you can trust

And the devil in black dress watches over

My guardian angel walks away

Life is short and love is always over in the morning

Black wind come carry me far away

With the fire from the fireworks up above

With a gun for a lover and a shot for the pain you

You run for cover in the temple of love

I shine like thunder cry like rain

And the temple grows old and strong

But the wind blows longer cold and long

And the temple of love will fall before

This black wind calls my name to you no more

In the temple of love you hide together

Believing pain and fear outside

But someone near you rides the weather

And the tears he cried will rain on walls

As wide as lovers eyes

Songwriter: Andrew Eldritch

In the temple of love: Shine like thunder

In the temple of love: Cry like rain

In the temple of love: Hear my calling

And the temple of love is falling

Down

SongFacts:

👉📖

Homepage:

Sisters Of Mercy

[nikolamga]

[oldcountrybearloveselle]

ELLE No.1461 - 17 December 1973 - Photographed by Sarah Moon

[hcgsstore]

Check out this listing I just added to my Poshmark closet: Funko Pop! Vinyl: Disney Stitch in Costume - Stitch as Simba (,NEW).

[freshthoughts2020]

[s1mont]

#CLOT #DR.MARTENS #CLOT×DR.MARTENS #1461 #HongKong #FASHION #STYLING

[wrongwarp]

[mwilkyway]

i’m debating on whether to get 8053 or 1461 doc martens and if platform (i’m 5’3 btw but i’ve never had platforms shoes im afraid ill break something LOL)

does anyone have advice?? 😊😊

[earlycuntsets]

love what mark hoppus said about gerard:

2013 kerrang #1461

[highk-ay]

lost in the clouds… or the bookstore …either or

[wonder-worker]

Thinking about Elizabeth Woodville as a gothic heroine is making me go insane. She entered the story by overturning existing social structures, provoking both ire and fascination. She married into a dynasty doomed to eat itself alive. She was repeatedly associated with the supernatural, both in terms of love and death. Her life was shaped entirely by uncanny repetitions - two marriages, two widowhoods, two depositions, two flights to sanctuary, two ultimate reclamations, all paralleling and ricocheting off each other. Her plight after 1483 exposed the true rot at the heart of the monarchy - the trappings of royalty pulled away to reveal nothing, a never-ending cycle of betrayal and war, the price of power being the (literal) blood of children. She lived past the end of her family name, she lived past the end of her myth. She ended her life in a deeply anomalous position, half-in and half-out of royal society. She was both a haunting tragedy and the ultimate survivor who was finally free.

[elusiiev]

OMORITOBER DAY 5: ACROPHOBIA

omori x ikea 3008

YAYYYYY THIS TOOK A PRETTY LONG TIME!! 5 HOURS EVEN THO THE CHARACTERS ARE MORE CHIBI BUT ITS OK THERES A LOT HERE!! PLUS I DONT DO BACKGROUNDS TOO FREQUENTLY!

i was really excited for today's prompt isnce i saw it and immediately thought of Severe Acrophobia which is the name of one of the tracks on the 3008 ost :D so i decided to do a little merge and drew neighbors room as like a little sky base in 3008 :3

thanks for @/ntrogensolar for the omoritober prompt list!

[grrl-beetle]

Supreme x Dr. Martens