#14/04/2015

[mostlysignssomeportents]

AI “art” and uncanniness

TOMORROW (May 14), I'm on a livecast about AI AND ENSHITTIFICATION with TIM O'REILLY; on TOMORROW (May 15), I'm in NORTH HOLLYWOOD for a screening of STEPHANIE KELTON'S FINDING THE MONEY; FRIDAY (May 17), I'm at the INTERNET ARCHIVE in SAN FRANCISCO to keynote the 10th anniversary of the AUTHORS ALLIANCE.

When it comes to AI art (or "art"), it's hard to find a nuanced position that respects creative workers' labor rights, free expression, copyright law's vital exceptions and limitations, and aesthetics.

I am, on balance, opposed to AI art, but there are some important caveats to that position. For starters, I think it's unequivocally wrong – as a matter of law – to say that scraping works and training a model with them infringes copyright. This isn't a moral position (I'll get to that in a second), but rather a technical one.

Break down the steps of training a model and it quickly becomes apparent why it's technically wrong to call this a copyright infringement. First, the act of making transient copies of works – even billions of works – is unequivocally fair use. Unless you think search engines and the Internet Archive shouldn't exist, then you should support scraping at scale:

https://pluralistic.net/2023/09/17/how-to-think-about-scraping/

And unless you think that Facebook should be allowed to use the law to block projects like Ad Observer, which gathers samples of paid political disinformation, then you should support scraping at scale, even when the site being scraped objects (at least sometimes):

https://pluralistic.net/2021/08/06/get-you-coming-and-going/#potemkin-research-program

After making transient copies of lots of works, the next step in AI training is to subject them to mathematical analysis. Again, this isn't a copyright violation.

Making quantitative observations about works is a longstanding, respected and important tool for criticism, analysis, archiving and new acts of creation. Measuring the steady contraction of the vocabulary in successive Agatha Christie novels turns out to offer a fascinating window into her dementia:

https://www.theguardian.com/books/2009/apr/03/agatha-christie-alzheimers-research

Programmatic analysis of scraped online speech is also critical to the burgeoning formal analyses of the language spoken by minorities, producing a vibrant account of the rigorous grammar of dialects that have long been dismissed as "slang":

https://www.researchgate.net/publication/373950278_Lexicogrammatical_Analysis_on_African-American_Vernacular_English_Spoken_by_African-Amecian_You-Tubers

Since 1988, UCL Survey of English Language has maintained its "International Corpus of English," and scholars have plumbed its depth to draw important conclusions about the wide variety of Englishes spoken around the world, especially in postcolonial English-speaking countries:

https://www.ucl.ac.uk/english-usage/projects/ice.htm

The final step in training a model is publishing the conclusions of the quantitative analysis of the temporarily copied documents as software code. Code itself is a form of expressive speech – and that expressivity is key to the fight for privacy, because the fact that code is speech limits how governments can censor software:

https://www.eff.org/deeplinks/2015/04/remembering-case-established-code-speech/

Are models infringing? Well, they certainly can be. In some cases, it's clear that models "memorized" some of the data in their training set, making the fair use, transient copy into an infringing, permanent one. That's generally considered to be the result of a programming error, and it could certainly be prevented (say, by comparing the model to the training data and removing any memorizations that appear).

Not every seeming act of memorization is a memorization, though. While specific models vary widely, the amount of data from each training item retained by the model is very small. For example, Midjourney retains about one byte of information from each image in its training data. If we're talking about a typical low-resolution web image of say, 300kb, that would be one three-hundred-thousandth (0.0000033%) of the original image.

Typically in copyright discussions, when one work contains 0.0000033% of another work, we don't even raise the question of fair use. Rather, we dismiss the use as de minimis (short for de minimis non curat lex or "The law does not concern itself with trifles"):

https://en.wikipedia.org/wiki/De_minimis

Busting someone who takes 0.0000033% of your work for copyright infringement is like swearing out a trespassing complaint against someone because the edge of their shoe touched one blade of grass on your lawn.

But some works or elements of work appear many times online. For example, the Getty Images watermark appears on millions of similar images of people standing on red carpets and runways, so a model that takes even in infinitesimal sample of each one of those works might still end up being able to produce a whole, recognizable Getty Images watermark.

The same is true for wire-service articles or other widely syndicated texts: there might be dozens or even hundreds of copies of these works in training data, resulting in the memorization of long passages from them.

This might be infringing (we're getting into some gnarly, unprecedented territory here), but again, even if it is, it wouldn't be a big hardship for model makers to post-process their models by comparing them to the training set, deleting any inadvertent memorizations. Even if the resulting model had zero memorizations, this would do nothing to alleviate the (legitimate) concerns of creative workers about the creation and use of these models.

So here's the first nuance in the AI art debate: as a technical matter, training a model isn't a copyright infringement. Creative workers who hope that they can use copyright law to prevent AI from changing the creative labor market are likely to be very disappointed in court:

https://www.hollywoodreporter.com/business/business-news/sarah-silverman-lawsuit-ai-meta-1235669403/

But copyright law isn't a fixed, eternal entity. We write new copyright laws all the time. If current copyright law doesn't prevent the creation of models, what about a future copyright law?

Well, sure, that's a possibility. The first thing to consider is the possible collateral damage of such a law. The legal space for scraping enables a wide range of scholarly, archival, organizational and critical purposes. We'd have to be very careful not to inadvertently ban, say, the scraping of a politician's campaign website, lest we enable liars to run for office and renege on their promises, while they insist that they never made those promises in the first place. We wouldn't want to abolish search engines, or stop creators from scraping their own work off sites that are going away or changing their terms of service.

Now, onto quantitative analysis: counting words and measuring pixels are not activities that you should need permission to perform, with or without a computer, even if the person whose words or pixels you're counting doesn't want you to. You should be able to look as hard as you want at the pixels in Kate Middleton's family photos, or track the rise and fall of the Oxford comma, and you shouldn't need anyone's permission to do so.

Finally, there's publishing the model. There are plenty of published mathematical analyses of large corpuses that are useful and unobjectionable. I love me a good Google n-gram:

https://books.google.com/ngrams/graph?content=fantods%2C+heebie-jeebies&year_start=1800&year_end=2019&corpus=en-2019&smoothing=3

And large language models fill all kinds of important niches, like the Human Rights Data Analysis Group's LLM-based work helping the Innocence Project New Orleans' extract data from wrongful conviction case files:

https://hrdag.org/tech-notes/large-language-models-IPNO.html

So that's nuance number two: if we decide to make a new copyright law, we'll need to be very sure that we don't accidentally crush these beneficial activities that don't undermine artistic labor markets.

This brings me to the most important point: passing a new copyright law that requires permission to train an AI won't help creative workers get paid or protect our jobs.

Getty Images pays photographers the least it can get away with. Publishers contracts have transformed by inches into miles-long, ghastly rights grabs that take everything from writers, but still shifts legal risks onto them:

https://pluralistic.net/2022/06/19/reasonable-agreement/

Publishers like the New York Times bitterly oppose their writers' unions:

https://actionnetwork.org/letters/new-york-times-stop-union-busting

These large corporations already control the copyrights to gigantic amounts of training data, and they have means, motive and opportunity to license these works for training a model in order to pay us less, and they are engaged in this activity right now:

https://www.nytimes.com/2023/12/22/technology/apple-ai-news-publishers.html

Big games studios are already acting as though there was a copyright in training data, and requiring their voice actors to begin every recording session with words to the effect of, "I hereby grant permission to train an AI with my voice" and if you don't like it, you can hit the bricks:

https://www.vice.com/en/article/5d37za/voice-actors-sign-away-rights-to-artificial-intelligence

If you're a creative worker hoping to pay your bills, it doesn't matter whether your wages are eroded by a model produced without paying your employer for the right to do so, or whether your employer got to double dip by selling your work to an AI company to train a model, and then used that model to fire you or erode your wages:

https://pluralistic.net/2023/02/09/ai-monkeys-paw/#bullied-schoolkids

Individual creative workers rarely have any bargaining leverage over the corporations that license our copyrights. That's why copyright's 40-year expansion (in duration, scope, statutory damages) has resulted in larger, more profitable entertainment companies, and lower payments – in real terms and as a share of the income generated by their work – for creative workers.

As Rebecca Giblin and I write in our book Chokepoint Capitalism, giving creative workers more rights to bargain with against giant corporations that control access to our audiences is like giving your bullied schoolkid extra lunch money – it's just a roundabout way of transferring that money to the bullies:

https://pluralistic.net/2022/08/21/what-is-chokepoint-capitalism/

There's an historical precedent for this struggle – the fight over music sampling. 40 years ago, it wasn't clear whether sampling required a copyright license, and early hip-hop artists took samples without permission, the way a horn player might drop a couple bars of a well-known song into a solo.

Many artists were rightfully furious over this. The "heritage acts" (the music industry's euphemism for "Black people") who were most sampled had been given very bad deals and had seen very little of the fortunes generated by their creative labor. Many of them were desperately poor, despite having made millions for their labels. When other musicians started making money off that work, they got mad.

In the decades that followed, the system for sampling changed, partly through court cases and partly through the commercial terms set by the Big Three labels: Sony, Warner and Universal, who control 70% of all music recordings. Today, you generally can't sample without signing up to one of the Big Three (they are reluctant to deal with indies), and that means taking their standard deal, which is very bad, and also signs away your right to control your samples.

So a musician who wants to sample has to sign the bad terms offered by a Big Three label, and then hand $500 out of their advance to one of those Big Three labels for the sample license. That $500 typically doesn't go to another artist – it goes to the label, who share it around their executives and investors. This is a system that makes every artist poorer.

But it gets worse. Putting a price on samples changes the kind of music that can be economically viable. If you wanted to clear all the samples on an album like Public Enemy's "It Takes a Nation of Millions To Hold Us Back," or the Beastie Boys' "Paul's Boutique," you'd have to sell every CD for $150, just to break even:

https://memex.craphound.com/2011/07/08/creative-license-how-the-hell-did-sampling-get-so-screwed-up-and-what-the-hell-do-we-do-about-it/

Sampling licenses don't just make every artist financially worse off, they also prevent the creation of music of the sort that millions of people enjoy. But it gets even worse. Some older, sample-heavy music can't be cleared. Most of De La Soul's catalog wasn't available for 15 years, and even though some of their seminal music came back in March 2022, the band's frontman Trugoy the Dove didn't live to see it ��� he died in February 2022:

https://www.vulture.com/2023/02/de-la-soul-trugoy-the-dove-dead-at-54.html

This is the third nuance: even if we can craft a model-banning copyright system that doesn't catch a lot of dolphins in its tuna net, it could still make artists poorer off.

Back when sampling started, it wasn't clear whether it would ever be considered artistically important. Early sampling was crude and experimental. Musicians who trained for years to master an instrument were dismissive of the idea that clicking a mouse was "making music." Today, most of us don't question the idea that sampling can produce meaningful art – even musicians who believe in licensing samples.

Having lived through that era, I'm prepared to believe that maybe I'll look back on AI "art" and say, "damn, I can't believe I never thought that could be real art."

But I wouldn't give odds on it.

I don't like AI art. I find it anodyne, boring. As Henry Farrell writes, it's uncanny, and not in a good way:

https://www.programmablemutter.com/p/large-language-models-are-uncanny

Farrell likens the work produced by AIs to the movement of a Ouija board's planchette, something that "seems to have a life of its own, even though its motion is a collective side-effect of the motions of the people whose fingers lightly rest on top of it." This is "spooky-action-at-a-close-up," transforming "collective inputs … into apparently quite specific outputs that are not the intended creation of any conscious mind."

Look, art is irrational in the sense that it speaks to us at some non-rational, or sub-rational level. Caring about the tribulations of imaginary people or being fascinated by pictures of things that don't exist (or that aren't even recognizable) doesn't make any sense. There's a way in which all art is like an optical illusion for our cognition, an imaginary thing that captures us the way a real thing might.

But art is amazing. Making art and experiencing art makes us feel big, numinous, irreducible emotions. Making art keeps me sane. Experiencing art is a precondition for all the joy in my life. Having spent most of my life as a working artist, I've come to the conclusion that the reason for this is that art transmits an approximation of some big, numinous irreducible emotion from an artist's mind to our own. That's it: that's why art is amazing.

AI doesn't have a mind. It doesn't have an intention. The aesthetic choices made by AI aren't choices, they're averages. As Farrell writes, "LLM art sometimes seems to communicate a message, as art does, but it is unclear where that message comes from, or what it means. If it has any meaning at all, it is a meaning that does not stem from organizing intention" (emphasis mine).

Farrell cites Mark Fisher's The Weird and the Eerie, which defines "weird" in easy to understand terms ("that which does not belong") but really grapples with "eerie."

For Fisher, eeriness is "when there is something present where there should be nothing, or is there is nothing present when there should be something." AI art produces the seeming of intention without intending anything. It appears to be an agent, but it has no agency. It's eerie.

Fisher talks about capitalism as eerie. Capital is "conjured out of nothing" but "exerts more influence than any allegedly substantial entity." The "invisible hand" shapes our lives more than any person. The invisible hand is fucking eerie. Capitalism is a system in which insubstantial non-things – corporations – appear to act with intention, often at odds with the intentions of the human beings carrying out those actions.

So will AI art ever be art? I don't know. There's a long tradition of using random or irrational or impersonal inputs as the starting point for human acts of artistic creativity. Think of divination:

https://pluralistic.net/2022/07/31/divination/

Or Brian Eno's Oblique Strategies:

http://stoney.sb.org/eno/oblique.html

I love making my little collages for this blog, though I wouldn't call them important art. Nevertheless, piecing together bits of other peoples' work can make fantastic, important work of historical note:

https://www.johnheartfield.com/John-Heartfield-Exhibition/john-heartfield-art/famous-anti-fascist-art/heartfield-posters-aiz

Even though painstakingly cutting out tiny elements from others' images can be a meditative and educational experience, I don't think that using tiny scissors or the lasso tool is what defines the "art" in collage. If you can automate some of this process, it could still be art.

Here's what I do know. Creating an individual bargainable copyright over training will not improve the material conditions of artists' lives – all it will do is change the relative shares of the value we create, shifting some of that value from tech companies that hate us and want us to starve to entertainment companies that hate us and want us to starve.

As an artist, I'm foursquare against anything that stands in the way of making art. As an artistic worker, I'm entirely committed to things that help workers get a fair share of the money their work creates, feed their families and pay their rent.

I think today's AI art is bad, and I think tomorrow's AI art will probably be bad, but even if you disagree (with either proposition), I hope you'll agree that we should be focused on making sure art is legal to make and that artists get paid for it.

Just because copyright won't fix the creative labor market, it doesn't follow that nothing will. If we're worried about labor issues, we can look to labor law to improve our conditions. That's what the Hollywood writers did, in their groundbreaking 2023 strike:

https://pluralistic.net/2023/10/01/how-the-writers-guild-sunk-ais-ship/

Now, the writers had an advantage: they are able to engage in "sectoral bargaining," where a union bargains with all the major employers at once. That's illegal in nearly every other kind of labor market. But if we're willing to entertain the possibility of getting a new copyright law passed (that won't make artists better off), why not the possibility of passing a new labor law (that will)? Sure, our bosses won't lobby alongside of us for more labor protection, the way they would for more copyright (think for a moment about what that says about who benefits from copyright versus labor law expansion).

But all workers benefit from expanded labor protection. Rather than going to Congress alongside our bosses from the studios and labels and publishers to demand more copyright, we could go to Congress alongside every kind of worker, from fast-food cashiers to publishing assistants to truck drivers to demand the right to sectoral bargaining. That's a hell of a coalition.

And if we do want to tinker with copyright to change the way training works, let's look at collective licensing, which can't be bargained away, rather than individual rights that can be confiscated at the entrance to our publisher, label or studio's offices. These collective licenses have been a huge success in protecting creative workers:

https://pluralistic.net/2023/02/26/united-we-stand/

Then there's copyright's wildest wild card: The US Copyright Office has repeatedly stated that works made by AIs aren't eligible for copyright, which is the exclusive purview of works of human authorship. This has been affirmed by courts:

https://pluralistic.net/2023/08/20/everything-made-by-an-ai-is-in-the-public-domain/

Neither AI companies nor entertainment companies will pay creative workers if they don't have to. But for any company contemplating selling an AI-generated work, the fact that it is born in the public domain presents a substantial hurdle, because anyone else is free to take that work and sell it or give it away.

Whether or not AI "art" will ever be good art isn't what our bosses are thinking about when they pay for AI licenses: rather, they are calculating that they have so much market power that they can sell whatever slop the AI makes, and pay less for the AI license than they would make for a human artist's work. As is the case in every industry, AI can't do an artist's job, but an AI salesman can convince an artist's boss to fire the creative worker and replace them with AI:

https://pluralistic.net/2024/01/29/pay-no-attention/#to-the-little-man-behind-the-curtain

They don't care if it's slop – they just care about their bottom line. A studio executive who cancels a widely anticipated film prior to its release to get a tax-credit isn't thinking about artistic integrity. They care about one thing: money. The fact that AI works can be freely copied, sold or given away may not mean much to a creative worker who actually makes their own art, but I assure you, it's the only thing that matters to our bosses.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/05/13/spooky-action-at-a-close-up/#invisible-hand

[lilyrizzy]

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2021

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2022

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& 2023

“Max,” Daniel calls to him from the bedroom, just as he is rinsing the shampoo from his hair. Not wanting shampoo in his eyes or his mouth, Max keeps them all firmly shut.

“Baby?” Daniel says again, louder.

The warm water is a gentle relief running over his sweat sticky skin, nowhere near the scalding temperatures Daniel sets their shower to at home. It’s why Max had insisted that they clean off separately, the Austin heat far too much for Max to endure boiling water too, despite Daniel’s pouting and dramatic insistence that Max couldn’t just ‘fuck and flee.”

“Yes,” he calls when all the suds are safely sliding past his shoulders, but he didn’t need to shout. When he opens his eyes he sees Daniel leaning against the doorway with a smirk, still wearing his unbuttoned satin shirt, cowboy hat and nothing else. His wedding ring sits heavy on his finger, and Max thumbs over the matching one on his own hand.

Max’s come is a shiny presence he can still see smeared between Daniel’s thighs.

The sight of him makes Max’s dick twitch. Daniel notices and his grin only widens.

“Baby,” he says again, too sweet. “Baby, why is your most recent Google search is it weird that my husband saying yeehaw makes me come?”

And just like that, Max suddenly longs for a hot shower, an excuse for why his cheeks start to burn red.

“Why are you snooping through my phone?” He demands, forcing himself not to turn away casually and instead keep rubbing the hotel’s own body wash under his armpits.

“I wasn’t snooping,” Daniel says easily, “I was looking to get us some ribs delivered, my phone died at the track, remember?”

Max makes a noncommittal noise because vaguely he does remember Daniel saying he needed to put it on charge. That was before Max started pawing at him the moment the hotel door shut behind them though, and then it had been forgotten by both of them.

There’s just the noise of the extractor fan whirring for a moment, but Daniel doesn’t move. When Max sneaks a glance at him, he’s still leaning against the door frame looking amused.

“Sooo.” He drawls out the word in the stupid Texas accent that Max wishes he didn’t find so strangely sexy. “Are we going to talk about this, little lady, or-“

“Nope,” Max says firmly, turning off the shower.

Daniel nods. It makes the lights of the bathroom catch on his chain and Max- Max really wants to fuck him again.

“What about the one below it?” He asks, “Daniel Ricciardo Austin 2023 photos?”

“Nope,” Max says again, stepping out of the shower and reaching for his towel. He’s smiling now too, because he knows that beneath Daniel’s teasing that one will have made him happy to see.

“Okay,” Daniel says, then he unlocks Max’s phone. “What about how to ask my husband to-“

“Daniel,” Max interrupts, taking the phone from his hand and putting it into the empty sink. “Do you want to read more of my internet history, or do you want to get back on the bed and play good cowboy, bad cowboy again?”

Daniel grins, takes the cowboy hat from his head and puts it onto Max’s. When his arms wind around Max, the silky fabric of his shirt presses cool against Max’s shower-warm skin, his nipples.

“Well, when you put it like that,” Daniel says, leaning in to put his mouth on the skin just beneath Max’s ear. “Yeehaw, baby.”

Max laughs and pinches Daniel’s ass, at the same time as his dick twitches again. Backing him out of the bathroom, towards the bed, his phone is forgotten in the bathroom.

Google never had all the answers when it came to them, anyway.

[37sommz-archive]

✼. THRU SPACE 'N TIME | PROFILE.

Born in Gold Coast, Australia on December 23, 1999, Michaela Sommers was introduced to the world of motorsports from a early age. Her father, Tobias, and his younger brother, Travis Sommers, were avid Formula racing fans who idolized the likes of Senna, Schumacher, and Lauda. The motorsports bug skipped over Sommers' older sister, Samantha, before biting her at the mere age of six. By her ninth birthday, Michaela was competing in karting championships along the Australian east coast.

Despite her natural aptitude for racing, Michaela recalls facing discrimination for both her race and gender quite early on while karting. Despite the negativity that would swirl around her reputation, the young driver would win her first national championship at the age of twelve with plenty of rumors circling concerning her future in the sport. Sommers would attempt to enter her first international competition, but was barred from entry after her father lost his job in the summer of 2012.

Without much hope, Michaela would step back from racing for nearly six months before eventually deciding to join her uncle who had moved to England after his marriage just years prior. Travis then became Michaela's manager, working endlessly to ensure his niece would be able to continue climbing the karting ladder. Shortly after her move to England, her uncle would connect with Australian F1 driver Mark Webber who would travel to watch her race in a regional competition in 2013. Stunned by her potential, Webber helped the young girl to catch the attention of a racing team competing in the Ginetta Junior Championship alongside future McLaren teammate Lando Norris. Sommers' transition to racing cars would prove successful, securing a junior championship at just 14 years old.

Sommers would continue working through the ranks, receiving extensive media attention and comparisons to Lewis Hamilton as a teenager. Spending one year at the Formula 3 level, Michaela would race for British team Jagonya Ayam in 2015 finishing fifth in the championship and second in the rookie cup, both below Charles Leclerc. Her performance would catch the attention of Italian team Prema Racing who signed her to development for higher formulae alongside Pierre Gasly for the 2016 season.

Despite an average result, ending her rookie season in sixth place, Prema would resign the Australian who would be simultaneously be selected to join the Ferrari driver development program for the 2017 season. That same year, Sommers would wrap up her Formula 2 season in second place, once again behind Charles Leclerc.

Eventually, Michaela would finally secure a Formula 2 championship in 2018 while signing on as a reserve driver for Ferrari. Her official Formula One debut came after Sommers signed on to be Alfa Romeo's second-seat driver for the 2019 season, securing one-point in her debut race before finishing her rookie season in eighth place.

✹.⠀⠀،،⠀THE BASICS.

birth name: michaela jeanette sommers alias: mickey sommers date of birth: december 23, 1999 zodiac sign: capricorn hometown: gold coast, australia ethnicity: australian & xhosa nationality: australian, south african languages: english, italian weight: 121 lbs (55 kg) height: 5'7" (169 cm) dominant hand: left family: tobias sommers, miriam sommers, samantha sommers faceclaim: tinara westbrook

✹.⠀⠀،،⠀THE FORMULA CAREER.

01. GINETTA JUNIOR CHAMPIONSHIP (2014). ✼.⠀team: jhr developments ✼.⠀number: #72 ✼.⠀teammates: alex sedgwick, dan zelos, jamie chadwick, senna proctor ✼.⠀highest race finish: 1st (x7) ✼.⠀championship standing: 1st

02. FORMULA THREE (2015). ✼.⠀team: jagonya ayam ✼.⠀number: #54 ✼.⠀teammates: gustavo menezes, ryan tveter ✼.⠀highest race finish: 1st (x1) ✼.⠀championship standing: 5th

03. GP2 SERIES (2016). ✼.⠀team: prema racing ✼.⠀number: #20 ✼.⠀teammates: pierre gasly ✼.⠀highest race finish: 1st (x3) ✼.⠀championship standing: 6th

04. FORMULA TWO (2017). ✼.⠀team: prema racing ✼.⠀number: #2 ✼.⠀teammates: charles leclerc ✼.⠀highest race finish: 1st (x5) ✼.⠀championship standing: 2nd

05. FORMULA TWO (2018). ✼.⠀team: prema racing ✼.⠀number: #3 ✼.⠀teammates: nyck de vries ✼.⠀highest race finish: 1st (x7) ✼.⠀championship standing: 1st

06. FORMULA ONE (2019). ✼.⠀team: alfa romeo racing ✼.⠀number: #37 ✼.⠀teammates: kimi raikkonen ✼.⠀highest race finish: 4th (x1) ✼.⠀championship standing: 7th

07. FORMULA ONE (2020). ✼.⠀team: alfa romeo racing ✼.⠀number: #37 ✼.⠀teammates: kimi raikkonen ✼.⠀highest race finish: 3rd (x2) ✼.⠀championship standing: 7th

08. FORMULA ONE (2021). ✼.⠀team: mclaren ✼.⠀number: #37 ✼.⠀teammates: lando norris ✼.⠀highest race finish: 1st (x1) ✼.⠀championship standing: 4th

09. FORMULA ONE (2022). ✼.⠀team: mclaren ✼.⠀number: #37 ✼.⠀teammates: lando norris ✼.⠀highest race finish: 1st (x2) ✼.⠀championship standing: 4th

10. FORMULA ONE (2023). ✼.⠀team: aston martin ✼.⠀number: #37 ✼.⠀teammates: fernando alonso ✼.⠀highest race finish: 2nd (x7) ✼.⠀championship standing: 3rd

✼. view:⠀navigation page⠀⸻⠀join the taglist⠀⸻⠀request.

[melluvsuu]

“ 𝐋𝐈𝐌𝐈𝐓𝐋𝐄𝐒𝐒 𝐂𝐎𝐍𝐓𝐑𝐎𝐋 . ”

CHAPTER 01 ──── GOOD ASSISTANT ! ‹3

characters : gojo, makima, megumi, nobara, yuji

context : you start to meet this strange lady, odd enough she takes interest in you, and this random white haired guy too. sooner or later you a 'jujutsu sorcerer' and meet sukunas vessel. twins!!

authors notes : this better blow up or im crying...

warnings : ooc, male!reader, male pronouns, reader referred as 'you', chapter takes place in ep 1 of jjk, plus extra non canon stuff, mistakes probably..

,, 𝐌𝐎𝐑𝐄 𝐔𝐍𝐃𝐄𝐑 𝐓𝐇𝐄 𝐂𝐔𝐓. 𝜚

UNKNOWN LOCATION

JANUARY 7 , 2009 04:32:18

You wake up to the cool sensation of grass beneath your fingers, soft and damp from the night air. It’s dark—so dark that you can barely make out your surroundings. A thick, inky blackness stretches out in every direction, swallowing the horizon. The sky above has doors—different shapes, sizes, and colours, each standing upright without walls or frames to support them. Some are tall and imposing, carved from dark wood with intricate patterns.

“[Name]-kun.”

You blinked, trying to process the voice. “Who is this?”

A figure stepped into view, you can’t make out the details. It’s human, or atleast looks human. Feminine body, and glowing spiral yellow eyes, “My name is Makima. I assume you're [Name]? Correct.”

You narrowed your eyes, “Yes… Where are we.?”

“My ‘domain’. Hell. There’s really nothing here but us, don’t worry about that white albino paintbrush listening in. Let’s chat!”

She sits down near your head as your body automatically seem to get closer to her lap. She rests her hands on your hair, gently stroking it.

“Let’s make a contract–binding vow, shall we? We’ll discuss this topic at a different time, but for now we can just get to know one another.”

You considered her words, the weight of the offer sinking in.“Alright.”

TOKYO METROPOLITAN CURSE TECHNICAL COLLEGE

JUNE 14, 2015 , 07:27:02

“Wakey-wakey, eggs and bakey~!” The white-haired, blindfolded man exclaimed, turning toward you with a playful grin.

Who is this guy? You thought, feeling the tight ropes binding you and surrounded by a chaotic mix of talismans. As your vision slowly cleared, you studied him closely—he seemed oddly familiar. Why?

“Why am I here?” You managed to ask, still trying to regain your bearings.

The blindfolded man flashed an infuriating smirk, ” Great, just what I needed…” You thought, annoyed.

“For your execution, of course!”

“My execution?”

“Yup, yours! But…”

“But?” you echoed, your confusion deepening.

You watched as he stood up, crossing his arms with a confident air. “You won’t be executed if you agree to be my assistant, [Name]-chan.”

“What—who the hell are you?” You asked, tilting your head slightly to get a better look.

“It’s me, Gojo Satoru. If you accept my offer, you can live. What do you say, hm?”

You sat in silence as he leaned in closer, his breath warm against your ear. “I really need a strong assistant, [Name]-chan.”

“Ugh, fine! Just don’t touch my ear, you weirdo,” you replied, instinctively leaning away from him.

“Fantastic!” he exclaimed, his excitement palpable.

YOKOHAMA , SANKEIEN GARDEN

JUNE 5, 2018 21:48:29

BANG—!

You stepped down hard on the curse’s head, the sickening crunch echoing in the stillness of the night. Disgust twisted your features as you felt the remnants of the creature’s essence ooze beneath their boot.

“Gross.” You spat. You glanced up at the sky, now draped in deep shades of indigo and very few shades of orange.. It was a beautiful scene, the upcoming stars twinkling like distant memories. You could enjoy this scene…

“[Name]-chan, look here!” Gojou shouted.

Nevermind.

“Gojo-sa—”

“Call me Satoru, silly!” he interrupted.

With a resigned sigh, you replied, “Satoru-san, why did you let me exorcize such a weakling?” They removed their black coat, using it to wipe the blood splatter from their face, feeling both exhilarated and slightly exasperated.

“Well, I like seeing you like this!” he said with a smirk, his eyes glinting with mischief.

Noticing a streak of the curse’s blood on Gojou’s cheek, You pointed at it, a playful glint in their eye. “Something wrong, [Name]-chan?”

Gojou looked at the finger pointing at his cheek, and it suddenly clicked for him—you wanted a kiss! Of course, who wouldn’t want to kiss the great Satoru Gojo? He leaned down, dramatically pressing his lips against the spot, a teasing grin on his face. “Is that what you wanted?”

Annoyance flashed in your eyes as they rolled them. “No. There was some blood on your cheek.” You wiped the blood away, their voice steady. “And we have another ‘mission’, we found Sukuna's finger.”

“Well then, let’s get going! Ooh! I also want to stop by a famous mochi restaurant on our way!” Gojo exclaimed, grabbing your wrist and leading them away with an eager tug.

As you walked toward the train station, you felt a sudden presence behind you. A familiar weight settled as someone clung their arms around their neck.

“[Name]-kun,” Came the sultry voice, dripping with irritation. You recognized it instantly—Makima, she was not pleased. “Why did that man kiss you?” She rested her head against his shoulder.

“I… didn’t expect him to do it, so shut up...” You mumbled, swatting her away with a half-hearted gesture

JUNIOR HIGH SCHOOL

JUNE 5, 2018 22:02:01

“Under Jujusten Regulation, Itadori Yuji, I will exorcise you as a curse!” Megumi declared.

“Hold up, I’m fine!” Yuji replied, raising his hand in a gesture of reassurance. “Besides, both of us are kinda beaten up,” he added, glancing down at his body where the tattoos—symbols of his connection to Sukuna—began to slowly fade away, like shadows dissipating at dawn.

“We should go to the hospital,” Yuji suggested, his tone shifting to one of concern.

Megumi hesitated, his mind racing, ‘I can’t tell if it’s really him or if it’s the special grade object influencing him, he thought anxiously. Damn, what should I do?’

Just then, a white-haired figure appeared seemingly out of nowhere. “What’s the situation?” he asked nonchalantly, as if he hadn’t just materialised from thin air.

“Gojo-sensei? [Name]-sama? What are you both doing here?” Megumi stammered, momentarily caught off guard.

Gojo chuckled, a mischievous glint in his eyes, although hidden by the blindfold, you could sense it. “Well, I heard from a little birdie that Sukuna’s finger was in the area,” he explained, his tone teasing as he reached for his phone.

He was interrupted as you snatched the device from his hands. “Plus, the higher-ups wouldn’t stop nagging about a missing special-grade object!” Gojo continued, unperturbed. “And I dragged [Name] along while I was out sightseeing. By the way, did you manage to find it?”

“Uh… I ate it,” Yuji confessed sheepishly.

A stunned silence fell over the group. “For real?” You and Gojo echoed simultaneously, eyes wide in disbelief.

“For real,” Yuji and Megumi parroted back.

Gojou strode over to Yuji, bending down to examine him closely. “Hmm, you really did merge with it?” He chuckled as he straightened up, clearly amused by the situation. “Is there anything wrong with your body?”

“Nope,” Yuji replied.

“Can you swap out with Sukuna?” You interjected.

“Sukuna?” Yuji’s brow furrowed in confusion.

“Yeah, the curse you ingested,” You clarified.

“Oh, right! I think I can do that!” Yuji said, giving a thumbs up.

“Alright, give him about ten seconds, then take control back,” You instructed, offering a half-hearted smile to lighten the mood.

“But—” Yuji started, but you cut him off.

“Don’t worry; I’m the strongest,” Gojou smirked, his trademark bravado eliciting groans from both you and Megumi.

“Megumi, hold this!” Gojou tossed a bag into his hands.

“What’s this?” Megumi asked, perplexed.

“Kokufuku from Kikusuian! It’s Sendai’s specialty, and it’s absolutely delicious! I highly recommend the Zunda and Cream flavour!” Gojo exclaimed, his excitement palpable.

As Gojo continued to yap on about his trip and the delicious treats, [Name] couldn’t resist the urge to snag a piece of his Kokufuku. It was every bit as good as he’d claimed, the flavours dancing on your tongue.

“Hey! [Name]-chan, don’t eat my food! That’s really rude!” Gojo whined, eyes wide in faux betrayal.

“Hey, behind you!” Megumi shouted, you pulled him back by his collar just as a special grade cursed spirit lunged at Gojo. You instinctively tensed, knowing all too well how this would end—Gojo would emerge victorious once again because, as he liked to remind everyone, he was ‘the strongest.’

“Look, that kid is still alive after being thrown into a building,” You said sarcastically, feeling the exhaustion seeping into your bones.

“Yeah, it’s about time,” Gojou replied, as if on cue.

As if in response to Gojo's words, Yuji’s tattoos faded once more, his body slumping as Megumi let out a sigh of relief. “Colour me impressed!” Gojou exclaimed, hovering above Yuji. “You can really control it!”

“Yeah, but he’s kind of annoying,” Yuji muttered, aggressively patting his own head, “I can hear his dumb voice in my head.”

“It’s a miracle that’s all he’s doing,” Gojou remarked casually, poking Yuji’s forehead with two fingers, which caused him to immediately pass out.

“What did you do?” Megumi asked, his tone a mix of exasperation and curiosity.

“He knocked him out, Megumi-kun,” You replied, leaning back against the nearby railing, fatigue washing over you. “Can I go home, please? I’m tired.”

“Not just yet, [Name]-chan. If he isn’t possessed by Sukuna when he wakes up, he might have potential as a vessel,” Gojou said, the seriousness of his tone cutting through the lighthearted banter.

“I have a question for you! What should we do with him?” Gojou turned to Megumi, his expression contemplative.

After a moment of thought, Megumi replied, “If he is a vessel, Jujutsu regulations demand that Itadori be executed. However, I don’t want him to die.”

“Is that a personal opinion?” Gojou raised an eyebrow, his smirk fading slightly.

“Yes. It’s a personal opinion. Please do something about it,” Megumi insisted, the weight of his words hanging in the air.

“Well, if it’s a request from a precious student, leave it to me! Now, someone carry Yuji. It seems my beloved future husband has fallen asleep!” Gojou declared with exaggerated enthusiasm.

Megumi turned to you, noticing that you had indeed succumbed to fatigue and drifted off, your head lolling to the side. You must have been really tired—or just really lazy.

“—Wait. Future husband? [Name]-san doesn’t even like you,” he deadpanned, disbelief etched across his face.

“Nuh-uh! He does! He let me kiss him before we came here,” Gojou retorted proudly, a goofy grin plastered across his face. Megumi’s frustration bubbled beneath the surface, and he couldn’t help but feel a strong urge to punch Gojou right then and there.

additional notes : if it has mistakes idc,, uhm yeah woohoo

word count : 1.7k

dont steal or repost my stuff that makes me go crazy!

[calderacitylovers]

Zutara SlowBurn FanFiction: Personal Favs, part I

·        I AM STILL HERE by owedbetter Published: 2017-10-09 | 77K words | 7 Chapters

After the Last Agni Kai K heals Z with the help of bloodbending. Very sweet.

 ·        THE SUMMIT by AJLenoire

Chronicles post-war years, as Gaang and other characters gather for annual summits to keep peace and build relationships between the Four Nations. Katara yearns for a bigger purpose than the Avatar’s companion and slowly grows into a shrewd diplomat. Very sweet slow burn ZK story. Has mature scenes.

 ·        CLOTHE ME IN SEASONS, DRESS ME IN SNOW by sadladybug Published: 2015-01-05 | 62K words | 7 Chapters

Follows old Zuko as he reflects on his life and what would have been if he kept Katara closer. Absolutely beautiful, but also a devastatingly heart-breaking story about loss and pain.

 ·        SILENT DECLARATIONS by Megara Pike (Megara_Pike) Published: 2021-01-20 | 2,6K words

A short story based on animation by Hayley Wong. Z finds K asleep in her study and carries her to bed. Very sweet, gentle story.

 ·        COVERED IN YOU by evergreenonthehorizon Published: 2021-04-02 | 55K words | 14 Chapters

Eight years after the war Z convinces K to take on a role of a Southern Water Tribe ambassador in the Caldera city. Both are completely clueless about each other’s feelings. Features political talks, big gestures, and a ball. Very cute, sweet slow-burn story. Has mature scenes.

 ·        TEN STRIDES IN THE RIGHT DIRECTION by evergreenonthehorizon Published: 2021-04-03 | 29K Words | 12 Chapters

A collection of short stories filling in the gaps between some of the events of ATLAS3 and up to the Last Agni Kai. Features accidental cuddling, embracing in the rain, sharing a bed for warmth, post-Ember Island Theater discussions, being discovered, waiting to be kissed, Suki & Katara being good friends, battle plans, Zuko & Sokka getting drunk, slow burn & angst. Very sweet.

 ·        THE SWAY OF THE SUN by TheBlackBriarSparrow Published: Published: 2019-10-14 | 102K Words | 27 Chapters

Two years post-war Gaang reunites in Caldera city for a secret party in honor of the overworked Fire Lord’s birthday. Rebels attack the palace setting a thrilling consequence of events in motion. Adventures, investigations, and fights ensue. Z & K work together and enlist old friends to help find missing people. Beautiful slow-burn story with an exciting plot.

·        A WARM EMBRACE by ewinkie Published: 2020-10-06 | 19K Words | 7 Chapters

An ATLAS3 rewrite from Southern Riders to the Last Agni Kai. Katara and Zuko have to hide in a cave following their encounter with Yon Rha. Comforting turns to cuddling, which turns to waking up on Appa's tail in each other's arms. Katara is shocked at how comfortable she is. Zuko is shocked that Katara doesn't hate him for it. Features sharing a bed, being discovered, slowburn, and lots of teenage silliness.

 ·        FOLLOWING BLUE by Boogum Published: 2018-11-07 | 39K Words | 10 Chapters

ATLA S2 rewrite. After Katara falls from Appa’s saddle during a pursuit, the Blue Spirit becomes her reluctant companion and helps her reunite with her friends. Ba Sing Se scenes are completely rewritten, and Z ends up joining the Gaang much earlier. Thrilling beginning, sweet middle, average ending.

 ·        ANOTHER WORD FOR ALCHEMY by FanPanda13 Published: 2014-08-19 | 108K words | 24 Chapters

Five years post-war Aang summons old friends for a summit and invites them on a trip to investigate mysterious locations where he experiences loss of bending. Features Gaang setting Z & K up, travelling on Appa like in the olden days, lots of sparring, royal courting, magnificent navy ships & war ballons. Thrilling story with fun banter between old friends. Slowburn, mature content.

 ·        CONSUME ME WITH FIRE, FLOOD ME WITH DESIRE by Dacamia Published: 2020-08-14 | 86K words | 24 Chapters

Steamy ATLAS2 and ATLA S3 rewrite. Z & K accidentally meetup on their way to Ba Sing Se and decide to travel together. Features aged-up characters, lots of intimate scenes, staying in a beautiful cave, helping villagers, betrayal in Ba Sing Se, reunion, forgiveness, etc. Explicit mature content.

 ·        ROOTS AND WINGS by zukoscomet Published: 2020-08-14 | 250K words | 25 Chapters

A series of short stories of Z & K as they grow closer, confess their love for one another and start a family.

 ·        THOSE WHO FAVOR FIRE by hiwasseelane Published: 2021-05-02 |29K Words | 13 Chapters

An ATLAS3 rewrite. Sweet, teen-appopriate.

Here’s a link to Part II of my personal favs.

Here’s a link to Wholesome Zutara Short Stories.

[myreia]

Sketches of Times Lost

ao3 | tumblr tag | my writing

short stories include spoilers from a realm reborn to endwalker. all stories are set in aureia malathar's canon. [❤] = fave entry/fic that I am proud of [g] = general (all audiences), [t] = teen (some language, more difficult themes), [m] = mature (implied sex, sensuality, strong language, and/or violence), [e] = explicit (mature themes, explicit sex scenes)

Week I

— 01. Steer | [G] Ryne x Gaia | 943 words — 02. Horizon | [G] Alisaie x Tesleen | 2298 words [❤] — 03. Tempest | [M] Sadu x Y'shtola | 1489 words — 04. Reticent | [G] Minfilia x Aureia | 964 words — 05. Stamp | [T] Fordola x Aureia | 1945 words [❤] — 06. Halcyon | [E] Igeyorhm x Iphigeneia (Azem) | 5424 words — 07. Morsel | [G] Alisaie x Tesleen | 967 words

Week II

— 08. Collapse [FREE DAY] | [T] Thancred POV | 1561 words — 09. Lend an Ear | [T] Aymeric x Aureia | 1617 words — 10. Stable | [T] Sidurgu x Aureia, Rielle | 2086 words [❤] — 11. Surrogate | [E] Thancred x Hilda | 2306 words [❤] — 12. Quarry | [G] Thancred & Ryne | 1408 words [❤] — 13. Butte | [T] Aureia & Avi'li | 820 words — 14. Telling | [T] Aymeric & Artoirel | 1600 words

Week III

— 15. Replacement [FREE DAY] | [G] Emet-Selch POV | 973 words — 16. Third-rate | [G] Lyse & Fordola | 1864 words [❤] — 17. Sally | [T] Rielle POV | 2200 words [❤] — 18. Hackneyed | [G] Thancred x Aureia | 1868 words — 19. Taken | [G] Thancred x Aureia | 1219 words — 20. Duel | [G] Alisaie & Aureia | 2189 words — 21. Shade | [M] Sidurgu x Aureia | 2015 words [❤]

Week IV

— 22. Threshold [FREE DAY] | [M] Aymeric x Aureia | 1273 words [❤] — 23. On Cloud Nine | [E] Aymeric x Aureia | 2504 words — 24. Bar | [E] Fordola x Aureia | 1522 words [❤] — 25. Perpetuity | [T] Hythlodaeus & Iphigeneia (Azem) | 1589 words — 26. Zip | [G] Thancred POV | 1294 words — 27. Memory | [T] Meteion & Aureia | 2135 words [❤] — 28. Deleterious | [G] Venat & Iphigeneia (Azem) | 1409 words — 29. Evaporate | [E] Thancred x Aureia | 2010 words — 30. Two Heads Are Better Than One | [M] Sidurgu x Aureia | 2795 words

[thescaryhyperfem]

New sona. Stupid alien!!!!

Resume:

Name: Xem / Zip / SCP-3214-J

Pronouns: any

From: SCP-321-J (The Awesome Universe)

Gender: alien

Sex: "quem é vc"

Sexuality: No attraction, Yes relationship. (I hope there's a term for this)

Text Transcript:

SCP-3214-J "With the power of PLUR!"

Containment Class: Euclid

Secondary Class: Joke

Risk Class: Caution

Disruption Class: Vlam

Special Containment Procedures:

SCP-3214-J is kept in a bedroom cell in Site-19, as requested by the anomaly. The room must be refilled with 2000s or 'scene' aesthetic related things every month, or the anomaly will start to get less happy over time. The room must be cleaned every day, but nothing in it sha'll be taken from the room besides trash.

Internet access and free roams around the facility are allowed unless unsupervised by a higher up.

Description:

SCP-3214-J is a white, bald and fat humanoid creature with green alien-like antenna on top of it's head. The only faces they make resemble old online memes, such as the troll face. SCP-3214-J seems to take a big interest in old media and memes, and also things that relate to what the anomaly describes as "PLUR" media.

SCP-3214-J is a peaceful creature, as it doesn't show any type of aggression, anger or sadness. who claims to be from SCP-321-J but somehow landed here.

SCP-3214-J's anomalous properties comes in when they physically interact with anybody of any species. The touched person will feel an immediate wave of peace and a calming feeling, and they will forget everything stressful for them for aa certain amount of time, which seems to be controlled by the anomaly.

SCP-3214-J is also able to shoot rainbow lasers out of it's body, causing the shot individual to be stunned, and then happy for a few seconds.

SCP-3214-J is often used as a therapeutic object for other foundation personnel. The anomaly is as helpful as SCP-999 when it comes to free therapy.

SCP-3214-J is capable of speaking every language, including the ones that are no longer spoken and alien speech. The anomaly's accent resembles that of Dr. Gears, but if it was "mixed in a blender".

Addendum 1 (12/11/2015):

SCP-3214-J was found wandering around in Japan, trying to buy candy from a local store. The anomaly was forcefully captured, but people were sad about the foundation's decision.

SCP-3214-J was locked in a cell in Site-##, where multiple tests were made.

Addendum 2 (01/01/2016):

SCP-3214-J breaches containment, releasing multiple rainbow lasers at whoever tries to attack it with a smile on it's face.

SCP-3214-J ran to the O5's council, then begged to be taken to Site-19, while speaking fluent English, shocking the O5.

Addendum 3 (02/01/2016):

SCP-3214-J was relocated to Site-19 at a common cell, where it started to attempt more containment breaches. It was, apparently, trying to get the materials to decorate the wallpapers.

Addendum 4 (12/02/2016):

Its room is decorated. It is happy.

Addendum 5 (13/04/2016):

Tests were made regarding relationships. Any attempts of sexual, romantic or other interactions were met with a big hug, which made people forget what they were doing.

Addendum 5-1:

SCP-3214-J tells the foundation regarding it's orientation. It says, in German, that it doesn't feel attraction but does enjoy relationships of any kind.

Addendum 6 (14/04/2016)

SCP-3214-J starts going by the name of "Xem" and "Zip", and starts using any pronouns.

Addendum 7 (16/04/2024):

haiiiiii intermnet!!?

- Xem, 2024

Addendum 7-1:

Xem was allowed to have internet access.

(the numbers on the image were slightly wrong)

[seoul-bros]

Jikook Week 18 Complete ✔️(09/04-16/04/2024)

Their eighteenth week in the military is now complete. It's time to celebrate this milestone with a look back at this week in 2020.

The world was at the beginning of the COVID pandemic lockdowns and nations across the world were seeing a sharp rise in fatalities from the disease. The US leg of the Map of the Soul tour was on indefinite hold and to fill the gap, on 09/04, BTS announced Bang Bang Con a streaming event of their concerts between 2015 and 2018 to be held on 18th -19th April 2020.

On 14/04, the one hundredth episode of Run BTS was released. BTS had hired out the whole arena used for the ISAC games (IYKYK hee hee). It was sponsored by and they were all kitted out in FILA.

As with most BTS big days there was a cake to celebrate. Jimin suggested they cut the cake together (like VIPs) which was a cute idea but didn't quite work so the maknae had to do the honours and promptly got told off by RM for turning his back to the camera. The injustice!

Then it was on to team selection. A quiz about previous episodes of Run BTS was held to see who would be the team leader.

Taehyung wiped the floor with everyone. He really was the Run BTS mastermind. He then got to pick his team - JK, Jin and Jimin. It was rap line (100 jin) against vocal line (seok 100).

The teams have to play badminton with weird rackets.

All is going well until Suga hits JK's team members twice in a row. The first time it was Jin and the second it was Jimin. At this point JK springs into protective mode and I wouldn't have wanted to be Suga at this point. Check out Hobi's reaction.

Cr. to OP

First round the rapline dominate but the vocal line stage a comeback and take all three games and the match. Man of the Match though has to be J-Hope whose skill with the pot cover was outstanding. The 95 line really enjoyed it.

The second game was Foot Volleyball. It was the hopeless three moment for 100 jin. Needless to say seok 100 won again.

Finally this week, Boyfriend had Jimin choosing their massage chair over JK's capable hands. Yeah that's believable (heavy sarcasm) 🤣😂🤣😂

Post Date: 16/04/2024

[djuvlipen]

07/04/2024, Chief Saidou Kabore ousts child marriage from his community

In Burkina Faso, in 6 years, child marriage rate fell from 51.3% to 38.2% among women married before the age of 18, and from 8.9% to 7.8% among women married before the age of 15.

“If we had three or four young women from the village in the civil service, our village would be more developed. Women would care about our well-being more than men. This is my vision of girls’ empowerment,” says Saidou Noom Kaboré, community leader in Bagma, some 20 kilometers south the Burkina Faso’s capital, Ouagadougou.

The 65-year-old man has always worked to ensure that girls from his village go as far as possible in school. For several years, he has been resolutely committed to end child marriage, a scourge that could prevent his community from thriving.

Chief Kaboré is on crusade against child marriage

Whenever he has the opportunity, the charismatic community leader brings men, women, boys and girls together under the palaver tree in the middle of the village to discuss girls’ education, which he easily contrasts with child marriage.

“My wish is that our girls succeed because the success of a girl, of a woman, benefits her entire community. That’s why nowadays no girl at school age stays at home. We support them as best we can after they enroll in school,” says Kaboré, standing in the middle of the circle.

At the audience in awe Chief Kaboré explains how to protect girls up to the age of 18 and even beyond, for them to have a happy marriage.

“A girl should not be given into marriage early, much less by force. Even if she is old enough to get married, she should not be given into marriage against her will. Girls are sometimes forced to marry old men. We must let the young girl choose her husband. Thus, her marriage will be filled with love and happiness,” he explains. 

In Burkina Faso, the efforts of the government, civil society, communities and community leaders like Kabore have yielded good results. From 2015 to 2021, the proportion of women aged 20 to 24 married before turning 18 fell from 51.3% to 38.2% and that of women aged 20 to 24 who married before the age of 15, fell from 8.9% to 7.8%.

Chief Kaboré works with the NGO Voix Des Femmes [in English, Women’s Voices], thanks to funds from the UNFPA-UNICEF Global Programme to End Child Marriage. The programme was launched in 2016 in 12 of the most high-prevalence or high-burden countries, including Burkina Faso. It promotes the rights of adolescent girls to avert marriage and pregnancy and enables them to achieve their aspirations through education and alternative pathways.

In Chief Kaboré’s village, everyone, girls and boys alike, understand the risks of child marriage and the consequences that result from it. Veronique Nikiema, a 14-year-old girl, is keen on her studies and believes that getting married before majority means jeopardizing your future.

“In my opinion, early marriage has many negative consequences. You can't do long studies. At this age, you are not able to carry a pregnancy, nor take good care of yourself, or a baby. You will no longer be able to obtain a degree that will allow you to have a good job,” she explains. 

Chief Kaboré’s success is recognized outside Burkina Faso

Saidou Noom Kaboré has saved many girls from child marriage, and his success is known beyond the borders of Burkina Faso. In 2019, Nafissa Ouedraogo fled neighboring Cote d’Ivoire to Bagma to escape child marriage, knowing that Chef Kaboré, who is also her uncle, would protect her.

“I was 14 when I was introduced to a 42-year-old man who already had two wives. I refused his advances. My parents therefore decided to forcefully marry me to this man they had chosen,” says Nafissa, now 19 years old.

When Nafissa's parents went to the village of Bagma to bring her back to Cote d’Ivoire, Kaboré made made them aware of the dangers of child marriage. Later, the man who tried to marry Nafissa was prosecuted for child enticement and sent to jail.

Kaboré's message is heard and assimilated by members of the community and relayed by the young people. For Thomas Kaboré, a young man of 30, thanks to awareness raising, no one will agree to give their daughter into early or forced marriage.

“Some of our aunts and older sisters fled forced marriage. They no longer speak with their families and have never come back to the village. Their children won’t know their maternal families,” he complains.

With UNICEF’s support, Nafissa Ouedraogo followed training sessions and strated her own business, a very popular one with young girls in the village.

“The NGO Voix Des Femmes helped me get started with saponification. I produced and sold liquid soap. I wasn't making huge profits. So, I gave it up and learned how to do henna tattooing,” she says.

Building on his succes, Saidou Kaboré will continue his fight against child marriage. He wants the girls of Bagma to complete their higher education, have university degrees and contribute to building the Burkina Faso of tomorrow.

[jesse-eisenberg-interview]

A list of Jesse Eisenberg's writing

I made a list of Jesse Eisenberg's writing.

2009

NOV 30 Manageable Tongue Twisters.

2010

FEB 24 Marxist-Socialists Jokes

2011

JUL 21 A Post Gender Normative Man Tries to Pick Up a Woman at a Bar

DEC 07 ACTOR & PLAYWRIGHT JESSE EISENBERG ON THE THRILL OF THE STAGE

2012

JAN 25 Courage Is Just an Act

FEB 15 Jeremy Lin Has Helped Me Through Some Pretty Tough Times

MAR 12 Jesse Eisenberg on His Lifelong Aversion to Youth Culture

MAY 24 Sushi Nozawa

JUN 06 Masgouf

JUL 09 The Whiskey Blue Bar at the W Hotel

AUG 01 TCBY

AUG 20 Robert Frost Elementary School Cafeteria

OCT 02 Organix vs. the San Gennaro Street Festival

NOV 21 Thanksgiving With Vegans

DEC 11 Body Rituals Among the Lauxesortem

2013

FEB 22 Matthew’s House

MAR 17 Marv Albert Is My Therapist

APR 15 The League, Passed Down

APR 17 I Didn’t Win Any Pulitzer Prizes This Year

APR 25 A Marriage Counselor Tries to Heckle at a Knicks Game

JUN 03 Fuddruckers and an Unreliable New Friend

JUN 24 Separation-Anxiety Sleepaway Camp

AUG 06 A Crawfish Boil and Dad’s New Family

SEP 09 A Bully Does His Research

OCT 02 A Post Gender Normative Woman Tries to Pick Up a Man at a Bar

OCT 07 Final Conversations at Pompeii

NOV 01 The Museum of Natural History and Making Compromises

NOV 12 Alexander Graham Bell’s First Five Phone Calls

DEC 12 The Ashram and Mom

2014

JAN 20 If I Was Fluent in . . .

JUN 10 Carmelo Anthony and I Debrief Our Friends After a Pickup Game at the Y.M.C.A.

2015

MAY 25 Men and Dancing

SEP 01 My Nephew Has Some Questions

SEP 09 My Spam Plays Hard to Get

NOV 22 THE GUY WHO HATED NOW YOU SEE ME, A SHORT STORY

NOV 23 An Honest Film Review

2016

JAN 27 What Do You Do When Your Mother Won’t Shut Up at The Ballet?

FEB 04 Act Like You Know

FEB 12 Why I Broke Up with the Little Mermaid

MAY 19 My Cousin Recently Became A Realtor

NOV 04 SELF-DEPRECATING HEROES

DEC 11 LOW TALK IN HIGH PLACES

2017

JAN 23 YOU NEVER REALLY KNOW

JAN 25 My Very Good Friend

FEB 01 发现肉——致中国读者

MAR 04 HAVE YOU DINED WITH US BEFORE?

NOV 14 Mongolia

2018

JAN 15 Sad Stuff on the Street

MAR 20 Thanks, Giving

MAY 14 My N.B.A. Knowledge Comes In Handy

MAY 18 One Small Blow Against Encroaching Totalitarianism: The Natural Order of the World Depends On It

MAY 31 Jesse Eisenberg on the Relentless Work Ethic of Philip Roth

DEC 05 The Cast Members and Their Crew

2019

JAN 03 MY SISTER PUSHES THE LOBSTER

NOV 21 My Two-Year-Old Requests Just One More Song Before Bed

NOV 23 Jesse Eisenberg: Recommends four contemporary plays

2021

MAR 02 Writer Courtney Zoffness and Jesse Eisenberg on the Radical Compassion of Art

2022

NOV 07 Content Warning

2023

FEB 20 A G.P.S. Route for My Anxiety

[wellthatwasaletdown]

To support you @wellthatwasaletdown - I would just like to add whoever that anon was she was right

Rape and trafficking - In regards of Olivia Wilde and her association with Harvey Weinstein and Red Hot Chili Peppers and Kroll Family. Everything is on the internet. Just see what RHCP did-🤮 yikes.

I don't think many people read articles or ignore it because they don't want their favourite and the guilt that comes with associating their favourite with these controversies. Allegations on Harvey Weinstein started in 2011- there are close pictures of OW with HW in 2012, 13, 14, 15.

Also, Azoff was accused of molestation charge and rape of a south american model in 1996, unfortunately it has been scrubbed of the internet I can't find it. Rest all I have provided the links.

https://www.gettyimages.in/detail/news-photo/olivia-wilde-and-harvey-weinstein-attend-tribeca-film-news-photo/862567254

https://www.etonline.com/music/191207_olivia_wilde_on_directing_red_hot_chili_peppers_music_video?amp=

https://faroutmagazine.co.uk/red-hot-chili-peppers-singer-anthony-kiedis-truth/#:~:text=In%201989%2C%20in%20a%20separate,woman's%20face%20against%20her%20wishes.

https://www.newyorker.com/news/news-desk/harvey-weinsteins-army-of-spies

(Kroll Family is mentioned, this actually happened- Harry and Nick Kroll hung out even after DWD.)

https://www.vanityfair.com/hollywood/2017/11/harvey-weinstein-bury-sexual-misconduct-allegations

https://www.theguardian.com/film/2011/sep/15/close-up-harvey-weinstein-butter

(even in 2009 , a case was registered against HW- It was quite public)

https://boundingintocomics.com/2022/09/08/former-harvey-weinstein-ally-olivia-wilde-says-dont-worry-darling-villain-is-based-on-insane-pseudo-intellectual-hero-to-the-incel-community-jordan-peterson/

https://www.tiktok.com/@nopecantdothis/video/6997881737032273158

https://x.com/hotrocklwt/status/1478413104845398021?t=baP47Mrml60OEp5fIX36pQ&s=19

(spread your legs - that's where power comes from)

https://cubazinsight.s3.uk.io.cloud.ovh.net/were-olivia-wilde-and-harvey-weinstein-friends.html (just a blog - not official media source- but it just stated and known facts)

https://www.nytimes.com/2018/08/14/nyregion/harvey-weinstein-sex-trafficking-lawsuit.html

Also, on a side note - many models/actress who don't have industry background - had been introduced to Harvey Weinstein via Olivia Wilde - she would encourage Young models to build connection with HW - two Victoria Secret Models spoke about it.

https://x.com/oliviawilde/status/917567150252052480?t=t9RbiDMDbs9kT7SfWtYF1g&s=19

The audacity to make such a statement - that she never witnessed "HW"'s conduct.

https://www.indiewire.com/features/general/harvey-weinstein-sexual-harassment-1201884525/

The Azoff -

https://www.dailymail.co.uk/news/article-11864971/Wife-Irving-Azoff-allegedly-subjected-female-housekeeper-sadistic-sexual-assault-campaign.html

https://www.billboard.com/business/legal/msg-ceo-james-dolan-sexual-assault-lawsuit-eagles-masseuse-1235582126/

(Azoff individually isn't named, but you can draw the connection.)

https://pagesix.com/2015/04/24/irving-azoffs-wife-threatened-sony-after-movie-snub/ (the snake 🐍 story almost everyone knows)

https://music.mxdwn.com/2014/11/25/news/mark-ronson-joined-by-registered-sex-offender-mystikal-for-new-song-feel-right/

(this was in 2014, Mark Ronson -who runs in Harry's circle)

https://www.nzherald.co.nz/entertainment/james-corden-boasts-about-bedding-women-amid-weinstein-joke-backlash/BS74GEQC6WULLDUJP5YDBLKO5E

I apologise for the long post - it is totally up to you to share - but to think Harry wasn't aware about all this when everything is on the internet and being an apologist for him doesn't stand right with me.

This is coming from a "once upon a time - Harry stan". To give the benefit of doubt to that anon - because I don't want the anon to feel bad - maybe she wasn't aware about all this - hope this helps the anon.

Also, Harry has made it impossible to cancel him - because of TPWK and his mother coming to his defense every time, it gets hard to troll when you have mummy by your side because people are sentimental - they will always go - that's his family so ya in a way things are messed up for Harry and why should we bothered if he isn't - this fandom - has victimized Harry for long, only blogs like yours are becoming a safe space to speak out, so yeah! I don't have anything else to say.

P.S - I FELT THIS WAS ABSOLUTELY NECESSARY.

.

[chlorinebaby]

29 reasons why katie ledecky is a sporting icon: a reminder

she is the most decorated individual world champion of all time

she is the 2nd most decorated individual champion (behind only phelps) in the history of olympic swimming

she has set 14 individual world records in the olympic pool (2nd most all time behind, you guessed it—phelps). her biggest rivals, summer mcintosh and ariarne titmus, have set 2 each.

her first world record in the 800 free would no longer podium at the 2023 world champs. she still won this year by 4.5 seconds.

she has gone undefeated in the 800 free since london 2012...

...and undefeated in the 1500 free since barcelona 2013.

she won the singular 1500 freestyle at the 2014 pan pacific championships by 26 seconds, which the national team director called the best race he'd ever seen in his 50 years in the sport

she is the only swimmer to win four individual freestyle events (200, 400, 800, 1500 free in 2015) at a single world championships...

...and split a 52.7 100 free (same as olympic champion penny oleksiak) on the way to olympic silver in the 4x100 free relay.

she went a 3:56 400 free when everyone else was going 4:01

she went an 8:04 800 free when everyone else was going 8:16

she is still going 15:2X in the 1500 free when only one other woman in history has broken 15:40.

when she broke the 800 free WR in jan 2016, olympic finalist and worlds medallist leah smith had just turned for her final 50.

you think she only wins by big margins because she swims longer events? the men's 1500 at worlds was won by 0.05 seconds. ledecky won by 17.

what about in 2022, when gregorio paltrinieri routed the field on his way to the (then-)second fastest swim of all-time? he won by 4 seconds. in the women's race, ledecky won by 14.

she had an off meet at worlds in 2017 and won five gold medals.

she was hospitalised at worlds in 2019 and still won gold in the 800 free, in a time that was faster than anyone else in history.

she had an off Olympic meet, adding a combined 25 seconds in the 800 and 1500 free, and still won two individual gold medals.

people expected her to break the short course world record the first time she swam the 1500 scm freestyle. she defied expectations and ended up breaking it by nearly ten seconds.

she swam the third-fastest performance of all time in the short course 800 free...on her way to that world record swim in the 1500. to the feet.

TEN MINUTES LATER, she went a personal best 1:52.3 in the 200 free, becoming the third-fastest american of all time.

you still think she's washed in the sprints? her 200 relay split in tokyo was the fastest out of not just the US team, or the medalling teams, but out of all 32 swimmers in the final.

...and she went even faster in budapest 2022.

as a bonus, she's a national champion in the 400 IM — her fifth best event? that time would've won a world championship medal, and she doesn't even swim the event internationally.

hell, she was the one to break katinka hosszu's all-time record in the 400 yard IM and is still the #2 performer in history

and she's still getting better in her main events. ten years after her first WR, ledecky reset her us open record in the 1650 yard free ... which was the fastest in the country by 42 seconds.

at an age where most female distance swimmers have retired, she won the 2023 world championship in the 1500 free in a time that was two seconds faster than her world record in 2014.

because who else would not be at her best and still win AP Female Athlete (athlete, across all sports) of the Year?

because no one else has ever owned an event as she has in the 800 free. no one else, in anything, has ever had the top 29 times in history.

[this-daydream-is-dangerous-13]

Taylor says that she chose “September” for sentimental reasons. She’s always loved the classic tune by Earth, Wind & Fire, and notes that the month of September is especially meaningful to one of her relationships. An added layer of sentiment came from being able to record the song in a Nashville studio, the city Taylor moved at age 14 to pursue country music.

https://www.spin.com/2018/04/taylor-swift-september-28-theory/

Which relationship 🤔

Any links to this post ?https://twitter.com/erodalighthouse/status/1572677399753494528?t=PIJFqUuMr2C-Izp5--HxGw&s=19

Great ask, Anon. I had another ask (was it you?) early in September that touched on this but was saving it for Sept 28th! The 21st of September is as good as any, in light of the LK post, posted last year (as a nod to the Earth, Wind, and Fire original date referenced in the song) and retweeted today:

(thanks to the 7 or 8 of you Anons who sent the link!! Eyes everywhere, I love it!)

I also love the ellipses. They’re often in HS song titles…

So here is the original SPIN article to which you linked, but it only goes back to Taylor’s life in 2015:

Another Anon (thanks Anon!) linked to this article:

Which only considers 2016. To be honest: that was also what I guessed at first too. But then…I remembered some other stuff.

@womanexile covered it earlier today in her Anon reply, but back in 2013, Harry tweeted lyrics from My Old Man, a beloved Joni Mitchell song about her charming English partner Graham Nash. Here’s her post:

The theory is he is calling back to an anniversary date, since the Joni lyrics are a nod to their unmarried partnership. Look at the two of them in their heyday!

Remind you of anyone?

Here’s the 2013 tweet:

1D were touring at the time, so he was tweeting from Australia.

And here are the lyrics:

As womanexile notes, L*rries think Sept 28th is a date of significance for them starting in 2012, but there is another theory.

At the bottom of this post about the timing of the Begin Again MV, I lay out a prospective HS timeline for late September, early October 2012:

Basically:

Sept 28 - H photographed inside a UK airport sending his Mom off on a Kilimanjaro fundraising hike. He is INSIDE the airport (so seemingly travelling too). He then disappears.

Oct 1 - HS is spotted in LOS ANGELES, then home of Blondie. He’s with Ed; he is backstage for Ed’s concert.

Blondie films the Begin Again MV in Paris this day, heading to London for October 4. HS is spotted also in London the morning on October 4th.

So: his presumed arrival date in LA (before vanishing, then resurfacing October 1?): the 28th of September.

Though the official CK breakup doesn’t get announced until later, Blondie sees him for the final time mid-September. So I think Sept. 28th? Is the date TS and HS “locked it down” as described in Cowboy Like Me.

As such - the EWF cover date she sang? Could very well be Haylor and their dating anniversary in 2012.

Thanks for all the asks, besties!

[shinigami-striker]

Evolution of Knuckles | Friday, 02.02.24

Here's an evolution of Knuckles the Echidna throughout the Sonic video game franchise (since his debut in 1994 with the North American of Sonic the Hedgehog 3) down below.

1994

Sonic the Hedgehog 3 (GENESIS, 02/02/1994)

Sonic & Knuckles/Sonic 3 & Knuckles (GENESIS, 10/18/1994)

Sonic the Hedgehog: Triple Trouble (GAME GEAR, 11/15/1994)

1995

Sonic Drift 2 (GAME GEAR, 03/17/1995)

Knuckles' Chaotix (SEGA 32X, 04/20/1995)

1996

Sonic the Fighters (ARCADE, May 1996)

Sonic 3D Blast (GENESIS/SATURN, 11/09/1996)

Sonic Blast (GAME GEAR/MASTER SYSTEM, 12/12/1996)

1997

Sonic R (SATURN, 11/18/1997)

1998

Sonic Adventure (DREAMCAST, 12/23/1998)

1999

Sonic the Hedgehog: Pocket Adventure (NEO GEO POCKET COLOR, 12/20/1999)

2000

Sonic Shuffle (DREAMCAST, 11/13/2000)

2001

Sonic Adventure 2 (Battle) (DREAMCAST/GAMECUBE, 06/19/2001)

Sonic Advance (GBA, 12/20/2001)

2002

Sonic Advance 2 (GBA, 12/19/2002)

2003

Sonic Pinball Party (GBA, 06/01/2003)

Sonic Battle (GBA, 12/04/2003)

Sonic Heroes (MULTI-PLATFORM, 12/30/2003)

2004

Sonic Advance 3 (GBA, 06/07/2004)

2005

Shadow the Hedgehog (MULTI-PLATFORM, 11/15/2005)

Sonic Rush (DS, 11/15/2005)

2006

Sonic Riders (MULTI-PLATFORM, 02/21/2006)

Sonic the Hedgehog (2006) (PS3 & XBOX 360, 11/14/2006)

Sonic Rivals (PSP, 11/16/2006)

2007

Sonic & The Secret Rings (WII, 02/20/2007)

Sonic Rivals 2 (PSP, 11/13/2007)

2008

Sonic Riders: Zero Gravity (PS2/WII, 01/08/2008)

Sonic Chronicles: The Dark Brotherhood (DS, 09/25/2008)

2009

Sonic & The Black Knight (WII, 03/09/2009)

2010

Sonic & Sega All-Stars Racing (MULTI-PLATFORM, 02/19/2010)

Sonic Free Riders (XBOX 360, 11/04/2010)

Sonic Colors (Nintendo DS version) (DS, 11/11/2010)

2011

Sonic Generations (MULTI-PLATFORM, 11/01/2011)

2012

Sonic & All-Stars Racing Transformed (MULTI-PLATFORM, 2012)

2013

Sonic Dash (MOBILE, 03/07/2013)

Sonic Lost World (10/18/2013)

2014

Sonic Boom: Rise of Lyric (WII U, 11/11/2014)

Sonic Boom: Shattered Crystal (3DS, 11/11/2014)

2015

Sonic Runners (MOBILE, 02/25/2015)

Sonic Dash 2: Sonic Boom (MOBILE, 07/01/2015)

2016

Sonic Boom: Fire & Ice (3DS, 09/27/2016)

2017

Sonic Mania (Plus) (MULTI-PLATFORM, 08/15/2017)

Sonic Forces: Speed Battle (MOBILE, 09/08/2017)

Sonic Forces (MULTI-PLATFORM, 11/07/2017)

Sonic Runners Adventure (MOBILE, 12/20/2017)

2019

Team Sonic Racing (MULTI-PLATFORM, 05/21/2019)

Sonic Racing (APPLE ARCADE, 09/19/2019)

2022

Sonic Frontiers (MULTI-PLATFORM, 11/08/2022)

2023

The Murder of Sonic the Hedgehog (PC, 03/31/2023)

Sonic Superstars (MULTI-PLATFORM, 10/20/2023)

Sonic Dream Team (APPLE ARCADE, 12/05/2023)

2024

Sonic X Shadow Generations (MULTI-PLATFORM, Fall 2024)

and many more to come soon...

[shy-bee]

saiko family

notes - to keep track

father Sumio 39 <- stepfather

previous husband Ura (went missing)

mother Tsukasa 45

2 daughter Mikan 24 (works as a nurse)

2 son Ryuta 17

^poured food on Sumio’s face

^probably into something pervert (prediction had before 20:20)

3 daughter Rie 16

^beats up Sumio

4 daughter Remon 13

4 son Dan 12

5 daughter Sumomo 6 (Sumio’s)

5 son Raichi 5 (Sumio’s)

(prediction at 10:28 the new husband killed the first husband and forced his way into the family)

(prediction at 13:28 the not-husband-husband does something creepy behind close doors that it creeps the children out but they can’t say. the mother can’t say any since she needs his help to pay for the kids)

1 son Gouki 23

(prediction at 15:04 something sus is up with the 1st son. maybe possessed, is the ‘real’ man of the house that the younger ones look up to)

???? Ringo

^maybe the oldest sister? she’s ‘missing’

1 daughter Ringo 25

^left hole after graduating from high school to go to university

^found work in Tokyo (3 years ago)

^stop contact 6 months ago

^she was against the marriage

^maybe works at a brothel (22:26)

(prediction at 22:56 Sumio probably did something to the oldest daughter so she runs away from home to get away from him, traumatised. he -Sumio- gets caught on a ‘dirty’ site and pretends it’s a lead on the oldest daughter)

(24:50 i don’t want to watch this 😭😭😭 this is so weird!! why would you book a from, at a brothel house, with your supposed daughter??? that’s so wrong, if you where worried try contacting the place or wait until her shift is over and try to talk to her!! don’t book an appointment!! 🤢🤢🤢!!!!)

(26:02 this is so awkward i wanna die, what the hell 🤢)

(prediction at 33:16 is he going g to slowly ‘kill’ off the other kids until is only his two kids?)

(prediction at 35:24 he hurt the 2nd son you be able to get the 1st daughter back)

Ringo

^got scammed into the industry

(prediction at 38:58 he’ll kill the boyfriend to bring her home?)

(40:46 i hope they expect her!! QAQ!!)

(41:41 please give her a hug!!! QAQ)

(43:56 …… no surprised)

(46:48 .. somethings fishy..)

(prediction at 46:50 i don’t think the mother wanted the marriage, maybe she agreed because or the film crew… she doesn’t seem happy, or he told her to shut up and stop talking)

(46:51 … or am i being too harsh on him. sure going to a brothel to see you step daughter is weird, very weird, but maybe he’s a good person….? we’ll see)

(48:54 not cookie… oh gosh, don’t say that infront of the kids, when they’re eating!! 😭)

(49:49 reminds me of that case where everyone was scared/revered the oldest daughter and they turned a blind eye to her madness and even put lotion in her even after she died)

(50:30 not the children crying 😭😭😭😭!! what a background noise to see hands gently caring for the planets!)

(52:14 aren’t you over spraying that plant?)

(54:14 did his tell his wife that? was he hoping the 3rd to leave? you just got back the eldest why ask is they want to leave?)

(prediction 54:56 the 3rd daughter is possessed)

(prediction at 55:22 or the oldest son?)

(prediction at 55:38 maybe something bad happens every year? like a once a year curse? but the children brought up a ghost so i don’t know what specifically it is)

3rd Son with first husband Tuakaharu (don’t know if i spelt that right) died at the age 9 (in 2001, don’t know when this is set but was made published on youtube in 2015 so give or take a year)

(57:16 oh sh!t i think it is something once a year!)

2001 - son dies

2002 - husband goes missing

???? - Ringo being tricked

???? - Gouki’s mental state

???? - Rie’s hostility/domestic violence

???? - Remon’s (?) bike accident

^one year the cat dies

Present - Ryuta’s fall from roof

(01:01:32 maybe the photo he wanted was the ‘ghost’ photo? he seems to be more down on the ground about that’s possible)

(01:01:46 oh!! maybe the head injury ‘cleared’ his head so he can think more clearly?)

(01:02:24 a g-g-g-ga-ghost! hahahaha… sorry)

(01:02:28 hopefully we can see the photo, or the spooky of the ‘unknown’ is scarier. allowing us to imagine what scary thing is shown in the image, because everyone has different tolerances to different things)

(01:02:40 never-mind 😭 spoke too soon!)

(01:02:46 pffftttt! hahahahaha, hahahahahahahahaha!!! thanks to that zoom hahhahaha i thought it was a normal photo pffft so thanks! hahahaha)

(01:03:00 oh lord she’s become a ghost hunter hahaha! with that look maybe she’s the one behind it! hahaha! her voice suits the lazy fill of how this documentary would’ve been made if it where a real one!

… i fill a bit bad. i keep pausing to type, it’s probably keeping from getting sucked into the story! sorry! but i’m going to continue doing this!)

(01:03:08 burn the photo?)

(01:93:14 hahahhaahahahHahahHhHhhaahahah a omfg hahahahahahaha)

(01:04:48 a nice homely vide it wraps you up in a nice warm blanket!)

(01:05:44 hehehe sneaky cameraman!)

(01:06:18 👀☕️)

(01:07:08 it is nice to see that the children are more happy! but i have a feeling Rie is about to rock the boat. maybe the older siblings have a plan or something to mess with the new dad?)

(01:07:30 … what a waste of food. and i was right)

(01:08:02 i feel like i shouldn’t be watching this…

since it’s real acting though these fight seems are a bit funny looking since the kicks/punches look weak but the father is good at acting hurt)

(01:08:37 EYH!! oh my… that one he definitely didn’t actually touch her, but still bloody hell!)

(01:09:12 …pfft… sorry i just can’t help but think about the cameraman standing up close a personal at this scene through his camera lens being like ‘good sh!t’ while his face stays in moved)

(01:09:22 …hmmm oof line… i’ll keep watching but i do think this father isn’t as innocent as he seems)

(01:09:44 …. now i feel bad QAQ)

(01:11:00 how much do you how much do you bet that she’s gone missing just poped out from existence like the father?)

(01:11:18 maybe call the police or something?)

(01:12:28 don’t push her of the bridge! don’t! i see you! don’t you dare!)

(01:012:40 i was about to say you don’t need to apologise… but they both should really, neither are really in the right here.)

(01:13:18 wow “you are… Nothing.” wow! i should get that tattooed one me pffft)

(01:14:09 what does this mean?)

(01:14:30 (?) good question)

(01:16:22 awh 😭😭😭)

(01:17:50 i guess she needed the slap of reality? there is still 20 minutes so i’m uneasy)

(01:18:14 MISS!!! it’s not you place! it’s bad enough you’ve filmed all of this, don’t poke your nose into who’s calling who father!!)

(01:19:04 with what money??? you can afford a house but a nice van for a camping trip??

what are you kidnapping them???)

(01:19:22 oh my! that sure was a jump-scare!! was not expecting to see him outside of that room!)

(01:19:30 … wait why does he has his bat with him? does it bring him comfort after facing a traumatic experience so he brings it around with him to feel safe? i don’t know… i feel uneasy again, sorry big brother!)

(01:20:07 so cute!!! heart is melting!!!)

(01:20:28 eh! put both poles in before you bend it! you’re making it harder for yourselves!!)

(01:21:56 omfg lady!! don’t ask such a question! they are two different people, two different fathers! they’d be different so don’t compare them! ehy!

before she asked that though it’s nice to see the children except him! they have seen him put his foot down, so i can see how that gave them some reassurance!)

(01:22:20 awh her smile!! QAQ!!! so precious!)

…. that poor gosh!! 🤢😭 sorry had to skip that

(01:23:24 awh..! to have them all day that T^T i’m not crying you are!)

(01:23:42 pfffft hahahaha then it just pans to her awkwardly/creepily watching from a distance… ha…

maybe she should had a series where she stays with a family for a month and buy the end of the month they are all sawn together with her magic hands)

hehehe!! ✨fire✨

(01:24:08 are they really a family? i feel after all this they’ll be close together and have a bond no? a bit like the weasley family. to act like a family for so long you’d have an emotional connection to them so maybe the joy they’re showing is real?)

tbh i thought the announcement was going to be another child lmao

(01:24:24 maybe the oldest son did have something happen, the way he’s acting makes me think maybe he has something, not in like a mean/bad way.

it nice that he’s being included into the family’s things now :D)

(01:24:55 protect the fire from the rain QAQ)

(01:25:33 i wonder if they planned the weather)

(01:26:15 oh gosh 😭😭😭😭 so precious)

(01:26:27 why am i waving goodbye?)

(01:27:40 what’s going on??)

(01:27:55 oooo that neat! to have the ‘open door’ button on the floor, stops the germs from getting in the hands!

but what about escapees who scroll on the floor and people with no legs/in a wheelchair)

(01:28:30 …. that sight brings back memories)

(01:29:24 … sus … did he push her down so he could get her and her husbands life insurance?)

(01:31:26 maybe that was the ghosts plan, to now keep sending you to the hospital to make you stay in the house. the injuries becoming -worse?- so it’s gets more power and causes you to stay longer and it continues)

(01:31:51 ah! the eldest boy! eating with the family! very proud!)

(01:33:02 awh he’s also out there with the father!

i’m just worried the reason why i watched this was because another youtube video said that there was horror, or something like that and to watch it before the video, maybe i missed something in all this.. if so, oof!)

(01:33:19 pffft nothing to the actor, her dead eyes as selling this… well

01:33:22-24 i guess you could say there is warmth her looking at a family endearingly)

(01:33:28 the deadpan voice- so i’ve tried not to talk about it much- pffft-)

[animefeminist]

Chatty AF 188: 2023 Spring Wrap-Up

Vrai, Alex, and Peter (with a guest appearance by Toni) try to cover the wealth of excellent titles in the 2023 Spring season!

Note: During this episode Vrai mistakenly attributes Yurikuma Arashi (2015) as having been partly inspired by the 1995 sarin gas attacks; the series that pulled inspiration from that event was Penguindrum (2011). We regret the error.

Episode Information

Date Recorded: July 22nd 2023 Hosts: Vrai, Alex, Peter

Episode Breakdown

0:00:00 Intros/Content warning Yellow Flags 0:03:25 Tengoku Daimakyou (Heavenly Delusion) 0:11:32 My Love Story with Yamada-kun at Lvl999 0:14:33 Dead Mount Death Play 0:17:38 The Dangers in My Heart Neutral Zone 0:20:58 Why Raeliana Ended Up at the Duke’s Mansion 0:24:19 Otaku Elf 0:29:11 Hell’s Paradise It’s Complicated 0:36:32 Oshi no Ko 0:48:08 Insomniacs After School Feminist Potential 0:52:34 Yuri is My Job! 0:55:44 Skip and Loafer Sequels & Carryovers 1:00:53 The Ancient Magus’ Bride Season 2 1:04:34 Birdie Wing: Girls’ Golf Story 1:08:27 Mobile Suit Gundam: The Witch from Mercury 1:11:50 Tokyo Mew Mew New 1:15:15 VINLAND SAGA Season 2 1:20:45 Outro

Further Reading

2023 Spring Premiere Digest

2023 Spring Three-Episode Check-In

2023 Spring Mid-Season Check-In

Yuri is My Job! Retrospective