#127mm film

[rz-jocelyn]

[NEWS] Musical Touken Ranbu: Goods for the "Musical Touken Ranbu ~Michi no Oku Hitotsu Hachisu~" have been Announced

GOODS (FEATURING SATO RYUJI AS KASHUU KIYOMITSU)

Pamphlet

A4, 42 pages

Price: 2,200 yen

NOTE: A digital version of the pamphlet will also be sold starting on May 08, 2024.

Bromide (Touken Danshi, Battle and Uchiban Version)

7 sets (3 bromides per set)

Price: 600 yen

NOTE: The bromide will be sold as individual sets at the venues. For online purchases, all 7 sets will be sold together.

B4-size Main Visual Poster

For fans who buy all 7 sets of bromides (battle and uchiban version), a bonus B4-size main visual poster will be included.

Price: 4,200 yen

Penlight with Strap

7 colours

Price: 3,000 yen

Penlight Film (Battle Version)

7 designs

Price: 400 yen

Multi-strap Wrap Set

7 designs

Price: 2,800 yen

Random Can Badge (Battle Version)

65mm

Price: 500 yen

Random Can Badge (Uchiban Version)

65mm

Price: 500 yen

Random Film (Battle Version)

127mm x 89mm

Price: 400 yen

Random Film (Uchiban Version)

127mm x 89mm

Price: 400 yen

NOTE: Goods featuring the live outfits will be revealed/sold during the Tokyo Gaisen performance.

ONLINE SALES INFORMATION

Sales Start Date: February 20, 2024

Sales Start Time: 1.00pm (Japan time)

NOTE: Links to purchase the goods will be updated when sales open.

Source(s): ( x , x , x , x )

[bzjphotos]

I've converted a Polaroid 110a to take 4x5 sheet film - here's one of my first test images to see if I calibrated the rangefinder correctly. Seems good!

127mm f4.7 Rodenstock-Ysarex lens, at about f7, 1/125sec

Tmax400, developed in D76 1+1

[jrphotographybc]

From the archives, Mamiya RB67 ProS, likely the 127mm, a day at Royal Roads; for a time I went through an obsession of scanning the frame of the negatives to show what film it was.

[666blackpanther]

オオサカ・フィルムフォトウィーク2023

LimeLight先陣切ってスタートしました

マルチフォーマット展2023

2023.9.24-9.30

いろいろなフィルムフォーマットでの写真展示を開催します

定番のフォーマットからレアフォーマットに絶滅したフォーマットまで参加フォーマットは21フォーマットです

展示の並びはフィルム画面の総面積です

35ｍｍフィルム

ハーフサイズ(24ｍｍ×18ｍｍ)：松浦恵

35mm判(24mm×36ｍｍ）：Jun Kyo

35mmパノラマ（24mm×58ｍｍ）：三浦吉幸

120サイズ(ブローニー)

＊短辺統一56ｍｍとして長辺は一般的に言われている記載で統一

＊メーカーによって同じフォーマットでも長辺に差があるため

6×4.5 (56mm×41.5ｍｍ）：キシノユイ

6×6 (56mm×56ｍｍ）：門脇大敬

6×7 (56mm×70ｍｍ）：藤田莉江

6×8 (56mm×80ｍｍ）：兒嶌秀憲

6×9 (56ｍｍ×90ｍｍ）：兒嶌秀憲

6×12 (56mm×120ｍｍ）：兒嶌秀憲

6×17 (56mm×170ｍｍ）：兒嶌秀憲

大判(シートフィルム)

4×5インチ (101.6mm×127mm)：兒嶌秀憲

5×7インチ(12.7cm×17.8cm）：田浦ボン

8×10インチ（20.3cm×25.4cm）：兒嶌秀憲

特殊フィルムサイズ＊ほぼ絶滅危惧種

ミノックスサイズ　8×11ｍｍ：田浦ボン

ラピッドフィルム　35ｍｍフィルム使用24×24ｍｍ：兒嶌秀憲

絶滅種のフィルムフォーマット

4cm×5cm：（6×6サイズのカメラをメーカーが改造）：兒嶌秀憲

大名刺判(6.5ｃｍ×9ｃｍ)：田浦ボン

手札判(8.2ｃｍ×10.8ｃｍ)：田浦ボン

大陸手札(9ｃｍ×12ｃｍ)：田浦ボン

カビネ判(12cm×16.5ｃｍ)：田浦ボン

八つ切り判(16.5cm×21.6ｃｍ)：田浦ボン

＊何故か2名だけ異様に展示の名前が多いのは摩訶不思議なデキゴトです

＊空前絶後の21フォーマット展示

＊参加者様は兒嶌を含め8名です

簡単ですが展示動画公開中です

[studyblrz]

08.05.21

Some more pictures of things I will miss when I leave this place. Taken with a Kodak Brownie from the 60s (was given to me after my great uncle's death last summer) and ReraPan 400 film. Had a lot of fun taking these, and I think my great uncle would've liked them

[hyuniivision]

dream

[pabarri-blog]

[jeffdwoodward]

A 127mm camera shot by a 35mm camera. Is that meta?

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#documentingspace #vintagecamera #filmcamera #127mm #ishootfilm

[mysteriouscam]

Swannanoa ghost bride

A kind German couple permitted me to photograph this beautiful ghost. Tachihara 4x5, Kodak Ektar 127mm, Catlabs X 80 film in D-76 On Flickr © Eben Ostby August 22, 2021 at 07:01PM. All rights reserved

[analogsolace]

Here's a photo I took awhile back with my intrepid 4x5 and wwii era Kodak ektar 127mm f4.7 lens. I'll get a photo of this lens posted soon. It is gorgeous and unique because it was painted black for the US military. The out of focus parts of the composition are my favorite. I think I shot this wide open or maybe 5.6. The in-focus tree is remarkably sharp, and draws in the eye. Rollei RPX 25 film

View this post on Instagram

A post shared by Brendon Wilson (@analogsolace)

[elementoftheeye]

Just so negative A technique I have been working on for some time is called Paper Negative Photography. I have posted a few here and there but probably never really explained what it is about. So in a small nutshell here it is. The camera is a large format 1950's Speedgraphic. Everything is stock on the camera, the standard lens is the Ektar 127mm. This camera shoots a 4"x5" negative. The thing is instead of using a 4"x5" sheet of film I use photographic paper in the film carrier, not to be confused with Photo paper for an inkjet, this paper is coated with a light sensitive emulsion. To create this "selfie" I had to: +Set the camera on a tripod. +Pre-focus using a string +Set-up powerful photographic lights +take a light reading and dial in the settings f/stop +attach a long cable release to the lens +put the film carrier in the camera +cock the shutter +pull the dark slide +take my seat and measure using the string to my eye +be still while pressing the cable release +fire the lights with a remote (I use my light meter) +release the cable release +replace the dark slide

  Sound like a lot? Not done yet...

  +Pull the film carrier from the camera +take it into the darkroom (already setup and waiting) +pull the exposed paper negative from the carrier +place it into the developer and start a timer +for around 2 or 3 minutes carefully move the negative +pull it out and place it in Stop Bath for 30 Seconds +then place it into the Fixer for 5 minutes +then into water bath for a minimum of 10 minutes +pull and hang to dry Is it worth it? I think it is. It is original it is one of a kind. The paper has texture, you get an experience. I am showing the original scanned negative and the inverted positive.... kind of unique..

[everydreamhome]

Conspiracy of Cartographers

Douglas County, Washington

I drove by this scene and nearly passed by without shooting it. It's one of those places where you just need to take it in. This is something surreal. The ball resting on the ground, top off, surrounded by crumbling basalt rocks and dried grasses. A copse of ponderosas peers over the ridge beyond.

And while the ball (actually a sphrical propane tank) is the star of the show, the trees are what gives the scene its alien feel.

Let me explain.

A lot of people enjoy listening to Krafterk, preferring to hear them in the original German. I get it, but that's not how I like it. To me, Kraftwerk seems other-dimensional, foreign, very out of place. Listening to them in the original German makes sense. It's all of a piece.

But when I listen to them in English, with thick accents and klunky translations, it makes it seem like visitors from another world are communicating with us. The English - a touch of something familiar - is off-putting. It gives to it enough familiarity to be uncanny. Kraftwerk is more unsettling in English.

Here, that is the job of the trees. The trees make sense. Look, there are trees in the distance, just like normal, just like every photograph you've ever seen.

The trees ground us to a very familiar reality. Meanwhile, this shingin metal sphere is out of place. It's looming. It is unsettling on its own, but the comfort and shade of the trees makes it more so. To get to the trees, you have to somehow outrun this Rover-like object.

As for the shot itself, I botched the focus. The camera is incredibily difficult (for me) to focus. I must have figured that "infinity" would do. But with this camera, "infinity" just won't.

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'Each Rejoins Arms'

Camera: Graflex RB, Series B; 2x3

Lens: Kodak Ektar 4.5/127mm

Film: Kodak Pro 400 (PPF); x-01/1997; 50iso

Process: DIY ECN-2

Douglas County, Washington

March 2021

[panatomic-x]

Kodak Ektar 127mm F4.7

Kodak Ektar 127mm F4.7 in No.2 Kodak Supermatic Shutter.

#cameras #vintage #lens #filmphotography

#largeformat #speedgraphic #film #kodak #ektar #graflex #industrialdesign

[fhardel-blog]

ESCARGOT ET MOLUSQUE ETUDE SIPIRAL par François Hardel Via Flickr : BACKGROUND WHITE GLOSSY NATURAL LIGHT FILTER BY TRANSLUCIDE WHITE DISK AND REFLECTED WHITE DISK IN OPPOSITE SIDE. Camera: Mamiya RB67 Pro, 6x7 120 back, 127mm f/3.8 lens Film: FOMAPAN 100 + iso 80 120 roll film Developing: RODINAL 1+50 9 MINS Negative photographed off lightpad and inverted. inprouve on NX2

[hyuniivision]

K

[byungwookann]

Activate Me,  Graflex XL + Noritar 80mm/f2.8

Taken withMamiya Sekor 127mm/f4.7 + Mamiya Universal Press + Polaroid Back with Fujifim FP-3000B