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renthony · 6 months ago

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Nimona: a Story of Trans Rights, Queer Solidarity, and the Battle Against Censorship

by Ren Basel renbasel.com

The 2023 film Nimona, released on Netflix after a tumultuous development, is a triumph of queer art. While the basic plot follows a mischievous shapeshifter befriending a knight framed for murder, at its heart Nimona is a tale of queer survival in the face of bigotry and censorship. Though the word “transgender” is never spoken, the film is a deeply political narrative of trans empowerment.

The film is based on a comic of the same name, created by Eisner-winning artist N.D. Stevenson. (1) Originally a webcomic, Nimona stars the disgraced ex-knight Ballister Blackheart and his titular sidekick, teaming up to topple an oppressive regime known as the Institution. The webcomic was compiled into a graphic novel published by Harper Collins on May 12, 2015. (2)

On June 11, 2015, the Hollywood Reporter broke the news Fox Animation had acquired rights to the story. (3) A film adaptation would be directed by Patrick Osborne, written by Marc Haimes, and produced by Adam Stone. Two years later, on February 9, 2017, Osborne confirmed the film was being produced with the Fox-owned studio Blue Sky Animation, and on June 30 of that same year, he claimed the film would be released Valentine’s Day 2020. (4)

Then the Walt Disney Company made a huge mess.

On December 14, 2017, Disney announced the acquisition of Twenty-First Century Fox, Inc. (5) Industry publications began speculating the same day about Blue Sky’s fate, though nothing would be confirmed until after the deal’s completion on March 19, 2019. (6) At first it seemed the studio would continue producing films under Disney’s governance, similar to Disney-owned Pixar Animation. (7)

The fate of the studio—and Nimona’s film adaptation—remained in purgatory for two years. During that time, Patrick Osborne left over reported creative differences, and directorial duties were taken over by Nick Bruno and Troy Quane. (8) Bruno and Quane continued production on the film despite Blue Sky’s uncertain future.

The killing blow came on February 9, 2021. Disney shut down Blue Sky and canceled Nimona, the result of economic hardship caused by COVID-19. (9) Nimona was seventy-five percent completed at the time, set to star Chloë Grace Moretz and Riz Ahmed. (10)

While COVID-19 caused undeniable financial upheaval for the working class, wealthy Americans fared better. (11) Disney itself scraped together enough to pay CEO Bob Iger twenty-one million dollars in 2020 alone. (12) Additionally, demand for animation spiked during the pandemic’s early waves, and Nimona could have been the perfect solution to the studio’s supposed financial woes. (13) Why waste the opportunity to profit from Blue Sky’s hard work?

It didn’t take long for the answer to surface. Speaking anonymously to the press, Blue Sky workers revealed the awful truth: Disney may have killed Nimona for being too queer. The titular character was gender-nonconforming, the leading men were supposed to kiss, and Disney didn’t like it. (14) While Disney may claim COVID-19 as the cause, it is noteworthy that Disney representatives saw footage of two men declaring their love, and not long after, the studio responsible was dead. (15) Further damning evidence came in February of 2024, when the Hollywood Reporter published an article quoting co-director Nick Bruno, who named names: Disney’s chief creative officer at the time, Alan Horn, was adamantly opposed to the film’s “gay stuff.” (16)

Disney didn’t think queer art was worthy of their brand, and it isn’t the first time. “Not fitting the Disney brand” was the justification for canceling Dana Terrace’s 2020 animated series The Owl House, which featured multiple queer characters. (17) Though Terrace was reluctant to assume queerphobia caused the cancellation, Disney’s anti-queer bias has been cited as a hurdle by multiple showrunners, including Terrace herself. (18) The company’s resistance to queer art is a documented phenomenon.

While Nimona’s film cancellation could never take N.D. Stevenson’s comic from the world, it was a sting to lose such a powerful queer narrative on the silver screen. American film has a long history of censoring queerness. The Motion Picture Production Code (commonly called the Hays Code) censored queer stories for decades, including them under the umbrella of “sex perversion.” (19) Though the Code was eventually repealed, systemic bigotry turns even modern queer representation milestones into battles. In 2018, when Rebecca Sugar, creator of the Cartoon Network series Steven Universe, succeeded in portraying the first-ever same-sex marriage proposal in American children’s animation, the network canceled the show in retaliation. (20)

When queer art has to fight so hard just to exist, each loss is a bitter heartbreak. N.D. Stevenson himself expressed sorrow that the world would never see what Nimona’s crew worked so hard to achieve. (21)

Nimona, however, is hard to kill.

While fans mourned, progress continued behind the scenes. Instead of disappearing into the void as a tax write-off, the film was quietly scooped up by Megan Ellison of Annapurna Pictures. (22) Ellison received a call days before Disney’s death blow to Blue Sky, and after looking over storyboard reels, she decided to champion the film. With Ellison’s support, former Blue Sky heads Robert Baird and Andrew Millstein did their damnedest to find Nimona a home. (23)

Good news arrived on April 11, 2022, when N.D. Stevenson made a formal announcement on Twitter (now X): Nimona was gloriously alive, and would release on Netflix in 2023. (24) Netflix confirmed the news in its own press release, where it also provided details about the film’s updated cast and crew, including Eugene Lee Yang as Ambrosius Goldenloin alongside Riz Ahmed’s Ballister Boldheart (changed from the name Blackheart in the comic) and Chloë Grace Moretz as Nimona. (25) The film was no longer in purgatory, and grief over its death became anticipation for its release.

Nimona made her film debut in France, premiering at the Annecy International Animation Film Festival on June 14, 2023 to positive reviews. (26) Netflix released the film to streaming on June 30, finally completing the story’s arduous journey from page to screen. (27)

When the film begins, the audience is introduced to the world through a series of illustrated scrolls, evoking the storybook intros of Disney princess films such as 1959’s Sleeping Beauty. The storybook framing device has been used to parody Disney in the past, perhaps most famously in the 2001 Dreamworks film Shrek. Just as Shrek contains parodies of the Disney brand created by a Disney alumnus, so, too, does Nimona riff on the studio that snubbed it. (28)

Nimona’s storybook intro tells the story of Gloreth, a noble warrior woman clad in gold and white, who defended her people from a terrible monster. After slaying the beast, Gloreth established an order of knights called the Institute (changed from the Institution in the comic) to wall off the city and protect her people.

Right away, the film introduces a Christian dichotomy of good versus evil. Gloreth is presented as a Christlike figure, with the Institute’s knights standing in as her saints. (29) Her name is invoked like the Christian god, with characters uttering phrases such as “oh my Gloreth” and “Gloreth guide you.” The film’s design borrows heavily from Medieval Christian art and architecture, bolstering the metaphor.

Nimona takes place a thousand years after Gloreth’s victory. Following the opening narration, the audience is dropped into a setting combining Medieval aesthetics with futuristic science fiction, creating a sensory delight of neon splashed across knights in shining armor. It’s in this swords-and-cyborgs city that a new knight is set to join the illustrious ranks of Gloreth’s Institute, now under the control of a woman known only as the Director (voiced by Frances Conroy). That new knight is our protagonist, Ballister Boldheart.

The film changes several things from the original. The comic stars Lord Ballister Blackheart, notorious former knight, long after his fall from grace. He has battled the Institution for years, making a name for himself as a supervillain. The film introduces a younger Ballister Boldheart who is still loyal to the Institute, who believes in his dream of becoming a knight and overcomes great odds to prove himself worthy. In the comic, Blackheart’s greatest rival is Sir Ambrosius Goldenloin, with whom he has a messy past. The film shows more of that past, when Goldenloin and Boldheart were young lovers eager to become knights by each other’s side.

There is another notable change: in the comic, Goldenloin is white, and Blackheart is light-skinned. In the film, both characters are men of color—specifically, Boldheart is of Pakistani descent, and Goldenloin is of Korean descent, matching the ethnicity of their respective voice actors. This change adds new themes of institutional racism, colorism, and the “model minority” stereotype. (30)

The lighter-skinned Goldenloin is, as his name suggests, the Institute’s golden boy. He descends from the noble lineage of Gloreth herself, and his face is emblazoned on posters and news screens across the city. He is referred to as “the most anticipated knight of a generation.” In contrast, the darker-skinned Boldheart experiences prejudice and hazing due to his lower-class background. His social status is openly discussed in the news. He is called a “street kid” and “controversial,” despite being the top student in his class. The newscasters make sure everyone knows he was only given the chance to prove himself in the Institute because the queen, a Black woman with established social influence, gave him her personal patronage. Despite this patronage, when the news interviews citizens on the street, public opinion is firmly against Boldheart.

To preserve the comic’s commentary on white privilege, some of Goldenloin’s traits were written into a new, white character created for the film, Sir Thoddeus Sureblade (voiced by Beck Bennett). Sureblade’s vitriol against both Boldheart and Goldenloin allowed Goldenloin to become a more sympathetic character, trapped in the system just as much as Boldheart. (31) This is emphasized at other points in the film when the audience sees Sureblade interact with Goldenloin without Boldheart present, berating the only person of color left in the absence of the darker-skinned man.

The day Boldheart is to be knighted, everything goes wrong. As Queen Valerin (voiced by Lorraine Toussaint) performs the much-anticipated knighting ceremony, a device embedded in Boldheart’s sword explodes, killing her instantly. Though Boldheart is not to blame, he is dubbed an assassin instead of a knight. In an instant, he becomes the most wanted man in the kingdom, and Queen Valerin’s hopes for progress and social equality seem dead with her. Boldheart is gravely injured in the explosion and forced to flee, unable to clear his name.

Enter Nimona.

The audience meets the titular character in the act of vandalizing a poster of Gloreth, only to get distracted by an urgent broadcast on a nearby screen. As she approaches, a bystander yells that she’s a “freak,” in a manner reminiscent of slurs screamed by passing bigots. Nimona has no time for bigots, spraying this one in the face with paint before tuning in to the news.

“Everyone is scared,” declare the newscasters, because queen-killer Ballister Boldheart is on the run. The media paints him as a monster, a filthy commoner who never deserved the chances he was given, and announce that, “never since Gloreth’s monster has anything been so hated.” This characterization pleases Nimona, and she declares him “perfect” before scampering off to find his hiding place.

It takes the span of a title screen for her to track him down, sequestered in a makeshift junkyard shelter. Just before Nimona bursts into the lair, the audience sees Boldheart’s injuries have resulted in the amputation of his arm, and he is building a homemade prosthetic. This is another way he’s been othered from his peers in an instant, forced to adapt to life-changing circumstances with no support. Where he was so recently an aspiring knight with a partner and a dream, he is now homeless, disabled, and isolated.

A wall in the hideout shows a collection of news clippings, suspects, and sticky notes where Boldheart is trying to solve the murder and clear his name. His own photo looks down from the wall, captioned with a damning headline: “He was never one of us—knights reveal shocking details of killer’s past.” It evokes real-world racial bias in crime reporting, where suspects of color are treated as more violent, unstable, and prone to crime than white suspects. A 2021 report by the Equal Justice Initiative and the Global Strategy Group compiled data on this phenomenon, focusing on the stark disparity between coverage of white and Black suspects. (32)

Nimona is not put off by Boldheart’s sinister media reputation. It’s why she tracked him down in the first place. She’s arrived to present her official application as Boldheart’s villain sidekick and help him take down the Institute. Boldheart brushes her off, insisting he isn’t a villain. He has faith in his innocence and in the system, and leaves Nimona behind to clear his name.

When he is immediately arrested, stripped of his prosthetic, and jailed, Nimona doesn’t abandon him. She springs a prison break, and conveys a piece of bitter wisdom to the fallen knight: “[O]nce everyone sees you as a villain, that’s what you are. They only see you one way, no matter how hard you try.”

Nimona and Boldheart are both outcasts, but they are at different stages of processing the pain. Boldheart is deep in the grief of someone who tried to adhere to the demands of a biased system but finally failed. He is the newly cast-out, who gave his entire life to the system but still couldn’t escape dehumanization. His pain is a fresh, raw wound, where Nimona has old scars. She embodies the deep anger of those who have existed on the margins for years. Where Boldheart wants to prove his innocence so he can be re-accepted into the fold, Nimona’s goal is to tear the entire system apart. She finds instant solidarity with Boldheart based solely on their mutual status as outsiders, but Boldheart resists that solidarity because he still craves the system’s familiar structure.

In the comic, Blackheart’s stance is not one of fresh grief, since, just like Nimona, he has been an outsider for some time. Instead, Blackheart’s position is one of slow reform. He believes the system can be changed and improved, while Nimona urges him to demolish it entirely. In both versions, Ballister thinks the system can be fixed by removing specific corrupt influences, where Nimona believes the government is rotten to its foundations and should be dismantled. Despite their ideological differences, Nimona and Ballister ally to survive the Institute’s hostility.

The allyship is an uneasy truce. During the prison break, Nimona reveals that she’s a shapeshifter, able to change into whatever form she pleases. Boldheart reflexively reaches for his sword, horrified that she isn’t human. She is the exact sort of monster he has been taught to fear by the Institute, and it’s only because he needs her help that he overcomes his reflex and sticks with her.

Nimona’s shapeshifting functions as a transgender allegory. The comic’s author, N.D. Stevenson, is transgender, and Nimona’s story developed alongside his own queer journey. (33) The trans themes from the comic are emphasized in the film, with various pride flags included in backgrounds and showcased in the art book. (34) Directors Bruno and Quane described the film as “a story about acceptance. A movie about being seen for who you truly are and a love letter to all those who’ve ever shared that universal feeling of being misunderstood or like an outsider trying to fit in.” (35)

When Boldheart asks Nimona what she is, she responds with only “Nimona.” When he calls her a girl, she retorts that she’s “a lot of things.” When she transforms into another species, she specifies in that moment that she’s “not a girl, I’m a shark.” Later, when she takes the form of a young boy and Boldheart comments on it, saying “now you’re a boy,” her response is, “I am today.” She defies easy categorization, and she likes it that way.

About her shapeshifting, Nimona says “it feels worse if I don’t do it” and “I shapeshift, then I’m free.” When asked what happens if she doesn’t shapeshift, she responds, “I wouldn’t die-die, I just sure wouldn’t be living.” Every time she discusses her transformations, it carries echoes of transgender experience—and, as it happens, Nimona is not N.D. Stevenson’s only shapeshifting transgender character. During his tenure as showrunner for She-Ra and the Princesses of Power (Netflix/Dreamworks, 2018-2020), Stevenson introduced the character Double Trouble. Double Trouble previously existed at the margins of She-Ra lore, but Stevenson’s version was a nonbinary shapeshifter using they/them pronouns. (36) While Nimona uses she/her pronouns throughout both comic and film, just like Double Trouble her gender presentation is as fluid as her physical form.

Boldheart, like many cisgender people reacting to transgender people, is uncomfortable with Nimona. He declares her way of doing things “too much,” and insists they try to be “inconspicuous” and “discreet.” He worries whether others saw her, and, when she is casually in a nonhuman form, he asks if she can “be normal for a second.” He claims to support her, but says it would be “easier if she was a girl” because “other people aren’t as accepting.” His discomfort evokes fumbled allyship by cisgender people, and Nimona emphasizes the allegory by calling Boldheart out for his “small-minded questions.” While the alliance is uneasy, Boldheart continues working with Nimona to clear his name. They are the only allies each other has, and their individual survival is dependent on them working together.

When the duo gain video proof of Boldheart’s innocence, they learn the bomb that killed Queen Valerin was planted by the Director. Threatened by a Black woman using her influence to elevate a poor, queer man of color, the white Director chose to preserve the status quo through violence.

Nimona is eager to get the video on every screen in the city, but Boldheart wants to deal with the issue internally, out of the public eye. He insists “the Institute isn’t the problem, the Director is.” This belief is what also leads the comic’s Blackheart to reject Nimona’s idea that he should crown himself king. He is focused on reforming the existing power structure, neither removing it entirely nor taking it over himself.

Inside the Institute, the Director has been doing her best to set Goldenloin against his former partner. Despite his internal misgivings and fear of betraying someone he loves, Goldenloin does his best to adhere to his prescribed role. As the Director reminds the knights, they are literally born to defend the kingdom, and it’s their sacred duty to do so—especially Goldenloin, who carries Gloreth’s holy blood. This blood connection is repeated throughout the film, and used by the Director to exploit Goldenloin. He’s the Institute’s token minority, put on a gilded pedestal and treated as a symbol instead of a human being.

Goldenloin is a pretty face for propaganda posters, and those posters can be seen throughout the film. They proclaim Gloreth’s majesty, the power of the knights, and remind civilians that the Institute is necessary to “protect our way of life.” A subway PSA urges citizens, “if you see something, slay something,” in a direct parody of the real-world “if you see something, say something” campaign by the United States Department of Homeland Security. (37)

The film is not subtle in its political messaging. When Boldheart attempts to prove his innocence to Goldenloin and the assembled knights, he reaches towards his pocket for a phone. The Director cries that Boldheart has a weapon, and Sureblade opens fire. Though the shot hits the phone and not Boldheart, it carries echoes of real-world police brutality against people of color. Specifically, the use of a phone evokes cases such as the 2018 murder of Stephon Clark, a young Black man who was shot and killed by California police claiming Clark’s cell phone was a firearm. (38) The film does not toy with vague, depoliticized themes of coexistence and tolerance; it is a direct and pointed allegory for contemporary oppression in the United States of America.

Forced to choose between love for Boldheart and loyalty to the Institute, Goldenloin chooses the Institute. He calls for Boldheart’s arrest, and this is the moment Boldheart finally agrees to fight back and raise hell alongside Nimona. When Goldenloin calls Nimona a monster during the ensuing battle, Boldheart doesn’t hesitate to refute it. He expresses his trust in her, and it’s clear he means it. He’s been betrayed by someone he cared about and thought he could depend on, and this puts him in true solidarity with Nimona for the first time.

During the fight, Nimona stops a car from crashing into a small child. She shapeshifts into a young girl to appear less threatening, but it doesn’t work. The child picks up a sword, pointing it at Nimona until an adult pulls them away to hide. When Nimona sees this hatred imprinted in the heart of a child, it horrifies her.

After fleeing to their hideout, Nimona makes a confession to Boldheart: she has suicidal ideations. So many people have directed so much hatred toward her that sometimes she wants to give in and let them kill her. In the real world, a month after the film’s release, a study from the Williams Institute at the UCLA School of Law compiled data about suicidality in American transgender adults. (39) Researchers found that eighty-one percent have thought about suicide, compared to just thirty-five percent of cisgender adults. Forty-two percent have attempted suicide, compared to eleven percent of cisgender adults. Fifty-six percent have engaged in self-harm, compared to twelve percent of cisgender adults.

When Boldheart offers to flee with her and find somewhere safe together, Nimona declares they shouldn’t have to run. She makes the decision every trans person living in a hostile place must make: do I leave and save myself, or do I stay to fight for my community? The year the film was released, the Trans Legislation Tracker reported a record-breaking amount of anti-trans legislation in the United States, with six hundred and two bills introduced throughout twenty-four states. (40) In February 2024, the National Center for Transgender Equality published data on their 2022 U.S. Transgender Survey, revealing that forty-seven percent of respondents thought about moving to another area due to discrimination, with ten percent actually doing so. (41)

Despite the danger, Nimona and Boldheart work diligently against the Institute. When they gain fresh footage proving the Director’s guilt, they don’t hesitate to upload it online, where it garners rapid attention across social and news media. Newscasters begin asking who the real villain is, anti-Institute sentiment builds, and citizens protest in the streets, demanding answers. The power that social media adds to social justice activism is true in the real world as it is in the film, seen in campaigns such as the viral #MeToo hashtag and the Black Lives Matter movement. (42) In 2020, polls conducted by the Pew Research Center showed eight in ten Americans viewed social media platforms as either very or somewhat effective in raising awareness about political and social topics. In the same survey, seventy-seven percent of respondents believed social media is at least somewhat effective in organizing social movements. (43)

In reaction to the media firestorm, the Director issues a statement. She outs Nimona as a shapeshifter, and claims the evidence against the Institute is a hoax. Believing the Director, Goldenloin contacts Boldheart for a rendezvous, sans Nimona. From Goldenloin’s perspective, Boldheart is a good man who has been deceived by the real villain, Nimona. He tells Boldheart about a scroll the Director found, with evidence that Nimona is Gloreth’s original monster, still alive and terrorizing the city. Goldenloin wants to bring Boldheart back into the knighthood and resume their relationship, and though that’s what Boldheart wanted before, his solidarity with Nimona causes him to reject the offer.

Though he leaves Goldenloin behind, Boldheart’s suspicion of Nimona returns. Despite their solidarity, he doesn’t really know her, so he returns home to interrogate her. In the ensuing argument, he reverts to calling her a monster, but only through implication—he won’t say the word. Like a slur, he knows he shouldn’t say it anymore, but that doesn’t keep him from believing it.

Boldheart’s actions prove to Nimona that nowhere is safe. There is no haven. Her community will always turn on her. She flees, and in her ensuing breakdown, the audience learns her backstory. She was alone for an unspecified length of time, never able to fit in until meeting Gloreth as a little girl. Nimona presents herself to Gloreth as another little girl, and Gloreth becomes Nimona’s very first friend. Even when Nimona shapeshifts, Gloreth treats her with kindness and love.

Then the adults of Gloreth’s village see Nimona shapeshift, and the word “monster” is hurled. Torches and pitchforks come out. At the adults’ panic, Gloreth takes up a sword against Nimona, and the cycle of bigotry is transferred to the next generation. The friendship shatters, and Nimona must flee before she can be killed.

After losing Boldheart, seemingly Nimona’s only ally since Gloreth’s betrayal, Nimona’s grief becomes insurmountable. She knows in her heart that nothing will ever change. She’s been hurt too much, by too many, cutting too deeply. To Nimona, the world will only ever bring her pain, so she gives in. She transforms into the giant, ferocious monster everyone has always told her she is, and she begins moving through the city as the Institute opens fire.

When Ballister sees Nimona’s giant, shadowy form, he realizes the horrific pain he caused her. He intuits that Nimona isn’t causing destruction for fun, she’s on a suicide march. She’s given up, and her decision is the result of endless, systemic bigotry and betrayal of trust. Her rampage wouldn’t be happening if she’d been treated with love, support, and care.

Nimona’s previous admission of suicidal ideation repeats in voiceover as she prepares to impale herself on a sword pointed by a massive statue of Gloreth. Her suicide is only prevented because Ballister steps in, calling to her, apologizing, saying he sees her and she isn’t alone. She collapses into his arms, once again in human form, sobbing. Boldheart has finally accepted her truth, and she is safe with him.

But she isn’t safe from the Director.

In a genocidal bid she knows will take out countless civilian lives, the Director orders canons fired on Nimona. Goldenloin tries to stop her, finally standing up against the system, but it’s too late. The Director fires the canons, Nimona throws herself at the blast to protect the civilians, and Nimona falls.

When the dust settles, the Director is deposed and the city rebuilds. Boldheart and Goldenloin reconnect and resume their relationship. The walls around the city come down, reforms take hold in the Institute, and a memorial goes up to honor Nimona, the hero who sacrificed her life to reveal the Director’s corruption.

Nimona, however, is hard to kill.

Nimona originally had a tragic ending, born of N.D. Stevenson’s own depression, but that hopelessness didn’t last forever. (44) Though Nimona is defeated, she doesn’t stay dead. Through the outpouring of love and support N.D. Stevenson received while creating the original webcomic, he gained the community and support he needed to create a more hopeful ending for Nimona’s story—and himself.

The comic’s ending is bittersweet. Nimona can’t truly die, and eventually restores herself. She allows Blackheart to glimpse her, so he knows she survived, but she doesn’t stay. She still doesn’t feel safe, and is assumed to move on somewhere new. Blackheart never sees Nimona again.

The film’s ending is more hopeful. There is a shimmer of pink magic as Nimona announces her survival, and the film ends with Boldheart’s elated exclamation. Even death couldn’t keep her down. She survived Gloreth, and she survived the Director. Though this chapter of the story is over, there is hope on the horizon, and she has allies on her side.

In both incarnations, Nimona is a story of queer survival in a cruel world. The original ending was one of despair, that said there was little hope of true solidarity and allyship. The revised ending said there was hope, but still so far to go. The film’s ending says there is hope, there is solidarity, and there are people who will stand with transgender people until the bitter end—but, more importantly, there are people in the world who want trans people to live, to thrive, and to find joy.

In a world that’s so hostile to transgender people, it’s no wonder a radically trans-positive film had to fight so hard to exist. Unfortunately, the battle must continue. As of June 2024, Netflix hasn’t announced any intent to produce physical copies of the film, meaning it exists solely on streaming and is only accessible via a monthly paid subscription. Should Netflix ever take down its original animation, as HBO Max did in 2022 despite massive backlash, the film could easily become lost media. (45) Though it saved Nimona from Disney, Netflix has its own nasty history of under-marketing and canceling queer programs. (46)

The film’s art book is already gone. The multimedia tome was posted online on October 12, 2023, hosted at ArtofNimona.com. (47) Per the Internet Archive’s Wayback Machine, the site became a Netflix redirect at some point between 10:26 PM on March 9, 2024 and 9:35 PM on March 20, 2024. (48) On the archived site, some multimedia elements are non-functional, potentially making them lost media. The art book is not available through any legal source, and though production designer Aidan Sugano desperately wants a physical copy made, there seem to be no such plans. (49)

Perhaps Netflix will eventually release physical copies of both film and art book. Perhaps not. Time will tell. In the meantime, Nimona stands as a triumph of queer media in a queerphobic world. That it exists at all is a miracle, and that its accessibility is so precarious a year after release is a travesty. Contemporary political commentary is woven into every aspect of the film, and it exists thanks to the passion, talent, and bravery of an incredible crew who endured despite blatant corporate queerphobia.

Long live Nimona, and long live the transgender community she represents.

_ This piece was commissioned using the prompt "the Nimona movie."

Updated 6/16/24 to revise an inaccurate statement regarding the original comic.

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Notes:

1. “Past Recipients 2010s.” n.d. Comic-Con International. Accessed June 10, 2024. https://www.comic-con.org/awards/eisner-awards/past-recipients/past-recipenties-2010s/.

2. Stevenson, ND. 2015. Nimona. New York, NY: Harperteen.

3. Kit, Borys. 2015. “Fox Animation Nabs ‘Nimona’ Adaptation with ‘Feast’ Director (Exclusive).” The Hollywood Reporter. June 11, 2015. https://www.hollywoodreporter.com/movies/movie-news/fox-animation-nabs-nimona-adaptation-801920/.

4. Riley, Jenelle. 2017. “Oscar Winner Patrick Osborne Returns with First-Ever vr Nominee ‘Pearl.’” Variety. February 9, 2017. https://variety.com/2017/film/in-contention/patrick-osborne-returns-to-race-with-first-vr-nominee-pearl-1201983466/; Osborne, Patrick (@PatrickTOsborne). 2017. "Hey world, the NIMONA feature film has a release date! @Gingerhazing February 14th 2020 !!" Twitter/X, June 30, 2017, 3:16 PM. https://x.com/PatrickTOsborne/status/880867591094272000. ‌

5. “The Walt Disney Company to Acquire Twenty-First Century Fox, Inc., after Spinoff of Certain Businesses, for $52.4 Billion in Stock.” 2017. The Walt Disney Company. December 14, 2017. https://thewaltdisneycompany.com/walt-disney-company-acquire-twenty-first-century-fox-inc-spinoff-certain-businesses-52-4-billion-stock-2/.

6. Amidi, Amid. 2017. “Disney Buys Fox for $52.4 Billion: Here Are the Key Points of the Deal.” Cartoon Brew. December 14, 2017. https://www.cartoonbrew.com/business/disney-buys-fox-key-points-deal-155390.html; Giardina, Carolyn. 2017. “Disney Deal Could Redraw Fox’s Animation Business.” The Hollywood Reporter. December 14, 2017. https://www.hollywoodreporter.com/news/general-news/disney-deal-could-redraw-foxs-animation-business-1068040/; Szalai, Georg, and Paul Bond. 2019. “Disney Closes $71.3 Billion Fox Deal, Creating Global Content Powerhouse.” The Hollywood Reporter. March 19, 2019. https://www.hollywoodreporter.com/news/general-news/disney-closes-fox-deal-creating-global-content-powerhouse-1174498/.

7. Hipes, Patrick. 2019. “After Trying Day, Disney Sets Film Leadership Lineup.” Deadline. March 22, 2019. https://deadline.com/2019/03/disney-film-executives-post-merger-team-set-1202580586/.

8. Jones, Rendy. 2023. “‘Nimona’: Netflix’s Remarkable Trans-Rights Animated Movie Is Here.” Rolling Stone. July 3, 2023. https://www.rollingstone.com/tv-movies/tv-movie-features/nimona-netflix-trans-rights-animated-movie-lgbtq-riz-ahmed-chloe-grace-moretz-1234782583/.

9. D’Alessandro, Anthony. 2021. “Disney Closing Blue Sky Studios, Fox’s Once-Dominant Animation House behind ‘Ice Age’ Franchise.” Deadline. February 9, 2021. https://deadline.com/2021/02/blue-sky-studios-closing-disney-ice-age-franchise-animation-1234690310/.

10. “Disney’s Blue Sky Shut down Leaves Nimona Film 75% Completed.” 2021. CBR. February 10, 2021. https://www.cbr.com/nimona-film-abandoned-disney-blue-sky-shut-down/; Sneider, Jeff. 2021. “Exclusive: Disney’s LGBTQ-Themed ‘Nimona’ Would’ve Featured the Voices of Chloë Grace Moretz, Riz Ahmed.” Collider. March 4, 2021. https://collider.com/nimona-movie-cast-cancelled-disney-blue-sky/.

11. Horowitz, Juliana Menasce, Anna Brown, and Rachel Minkin. 2021. “The COVID-19 Pandemic’s Long-Term Financial Impact.” Pew Research Center’s Social & Demographic Trends Project. March 5, 2021. https://www.pewresearch.org/social-trends/2021/03/05/a-year-into-the-pandemic-long-term-financial-impact-weighs-heavily-on-many-americans/.

12. Lang, Brent. 2022. “Disney CEO Bob Iger’s Rich Compensation Package Revealed, Company Says Bob Chapek Fired ‘without Cause.’” Variety. November 21, 2022. https://variety.com/2022/film/finance/bob-iger-compensation-package-salary-bob-chapek-fired-1235439151/.

13. Romano, Nick. 2020. “The Pandemic Animation Boom: How Cartoons Became King in the Time of COVID.” EW.com. November 2, 2020. https://ew.com/movies/animation-boom-coronavirus-pandemic/.

14. Strapagiel, Lauren. 2021. “The Future of Disney’s First Animated Feature Film with Queer Leads, ‘Nimona,’ Is in Doubt.” BuzzFeed News. February 24, 2021. https://www.buzzfeednews.com/article/laurenstrapagiel/disney-nimona-movie-lgbtq-characters.

15. Clark, Travis. 2022. “Disney Raised Concerns about a Same-Sex Kiss in the Unreleased Animated Movie ‘Nimona,’ Former Blue Sky Staffers Say.” Business Insider. https://www.businessinsider.com/disney-disapproved-same-sex-kiss-nimona-movie-former-staffers-say-2022-3.

16. Keegan, Rebecca. 2024. “Why Megan Ellison Saved ‘Nimona’: ‘I Needed This Movie.’” The Hollywood Reporter. February 22, 2024. https://www.hollywoodreporter.com/movies/movie-news/megan-ellison-saved-nimona-1235832043/.

17. St. James, Emily. 2023. “Mourning the Loss of the Owl House, TV’s Best Queer Kids Show.” Vanity Fair. April 6, 2023. https://www.vanityfair.com/hollywood/2023/04/loss-of-the-owl-house-tvs-best-queer-kids-show.

18. AntagonistDana. 2021. “AMA (except by ‘Anything’ I Mean These Questions Only).” Reddit. October 5, 2021. https://www.reddit.com/r/TheOwlHouse/comments/q1x1uh/ama_except_by_anything_i_mean_these_questions_only/; de Wit, Alex Dudok. 2020. “Disney Executive Tried to Block Queer Characters in ‘the Owl House,’ Says Creator.” 2020. Cartoon Brew. August 14, 2020. https://www.cartoonbrew.com/disney/disney-executives-tried-to-block-queer-characters-in-the-owl-house-says-creator-195413.html.

19. Doherty, Thomas. 1999. Pre-Code Hollywood : Sex, Immorality, and Insurrection in American Cinema, 1930-1934. New York: Columbia University Press. 363.

20. Henderson, Taylor. 2018. “‘Steven Universe’s’ Latest Episode Just Made LGBTQ History.” Pride. July 5, 2018. https://www.pride.com/stevenuniverse/2018/7/05/steven-universes-latest-episode-just-made-lgbtq-history; McDonnell, Chris. 2020. Steven Universe: End of an Era. New York: Abrams. 102.

21. Stevenson, ND. (@Gingerhazing). 2021. "Sad day. Thanks for the well wishes, and sending so much love to everyone at Blue Sky. Forever grateful for all the care and joy you poured into Nimona." Twitter/X, February 9, 2021, 3:32 PM. https://x.com/Gingerhazing/status/1359238823935283200

22. Jones, Rendy. 2023. “‘Nimona’: Netflix’s Remarkable Trans-Rights Animated Movie Is Here.” Rolling Stone. July 3, 2023. https://www.rollingstone.com/tv-movies/tv-movie-features/nimona-netflix-trans-rights-animated-movie-lgbtq-riz-ahmed-chloe-grace-moretz-1234782583/.

23. Keegan, Rebecca. 2024. “Why Megan Ellison Saved ‘Nimona’: ‘I Needed This Movie.’” The Hollywood Reporter. February 22, 2024. https://www.hollywoodreporter.com/movies/movie-news/megan-ellison-saved-nimona-1235832043/.

24. Stevenson, ND. (@Gingerhazing). 2022. "Nimona’s always been a spunky little story that just wouldn’t stop. She’s a fighter...but she’s also got some really awesome people fighting for her. I am excited out of my mind to announce that THE NIMONA MOVIE IS ALIVE...coming at you in 2023 from Annapurna and Netflix." Twitter/X, April 11, 2022, 10:00 AM. https://x.com/Gingerhazing/status/1513517319841935363.

25. “‘Nimona’ Starring Chloë Grace Moretz, Riz Ahmed & Eugene Lee Yang Coming to Netflix in 2023.” About Netflix. April 11, 2022. https://about.netflix.com/en/news/nimona-starring-chloe-grace-moretz-riz-ahmed-and-eugene-lee-yang-coming-to-netflix.

26. “’Nimona’ Rates 100% on Rotten Tomatoes after Annecy Premiere.” Animation Magazine. June 15, 2023. https://www.animationmagazine.net/2023/06/nimona-rates-100-on-rotten-tomatoes-after-annecy-premiere/

27. Dilillo, John. 2023. “’Nimona’: Everything You Need to Know About the New Animated Adventure.” Tudum by Netflix. June 30, 2023. https://www.netflix.com/tudum/articles/nimona-release-date-news-photos

28. Reese, Lori. 2001. “Is ‘“Shrek”’ the Anti- Disney Fairy Tale?” Entertainment Weekly. May 29, 2001. https://ew.com/article/2001/05/29/shrek-anti-disney-fairy-tale/.

29. Sugano, Aidan. 2023. Nimona: the Digital Art Book. Netflix. 255. https://web.archive.org/web/20240309222607/https://artofnimona.com/.

30. White, Abbey. 2023. “How ‘Nimona’ Explores the Model Minority Stereotype through Its Queer API Love Story.” The Hollywood Reporter. July 1, 2023. https://www.hollywoodreporter.com/movies/movie-features/nimona-eugene-lee-yang-directors-race-love-story-netflix-1235526714/.

31. White, Abbey. 2023. “How ‘Nimona’ Explores the Model Minority Stereotype through Its Queer API Love Story.” The Hollywood Reporter. July 1, 2023. https://www.hollywoodreporter.com/movies/movie-features/nimona-eugene-lee-yang-directors-race-love-story-netflix-1235526714/.

32. Equal Justice Initiative. 2021. “Report Documents Racial Bias in Coverage of Crime by Media.” Equal Justice Initiative. December 16, 2021. https://eji.org/news/report-documents-racial-bias-in-coverage-of-crime-by-media/.

33. Stevenson, N. D. 2023. “Nimona (the Comic): A Deep Dive.” I’m Fine I’m Fine Just Understand. July 13, 2023. https://www.imfineimfine.com/p/nimona-the-comic-a-deep-dive.

34. Sugano, Aidan. 2023. Nimona: the Digital Art Book. Netflix. 259-260. https://web.archive.org/web/20240309222607/https://artofnimona.com/.

35. Sugano, Aidan. 2023. Nimona: the Digital Art Book. Netflix. 7. https://web.archive.org/web/20240309222607/https://artofnimona.com/.

36. Brown, Tracy. 2019. “In Netflix’s ‘She-Ra,’ Even Villains Respect Nonbinary Pronouns.” Los Angeles Times. November 6, 2019. https://www.latimes.com/entertainment-arts/tv/story/2019-11-05/netflix-she-ra-princesses-power-nonbinary-double-trouble.

37. Department of Homeland Security. 2019. “If You See Something, Say Something®.” Department of Homeland Security. May 10, 2019. https://www.dhs.gov/see-something-say-something.

38. University of Stanford. n.d. “Stephon Clark.” Say Their Names - Spotlight at Stanford. https://exhibits.stanford.edu/saytheirnames/feature/stephon-clark.

39. Kidd, Jeremy D., Tettamanti, Nicky A., Kaczmarkiewicz, Roma, Corbeil, Thomas E., Dworkin, Jordan D., Jackman, Kasey B., Hughes, Tonda L., Bockting, Walter O., & Meyer, Ilan H. 2023. “Prevalence of Substance Use and Mental Health Problems among Transgender and Cisgender US Adults.” Williams Institute. https://williamsinstitute.law.ucla.edu/publications/transpop-substance-use/.

40. “2023 Anti-Trans Bills: Trans Legislation Tracker.” n.d. Trans Legislation Tracker. https://translegislation.com/bills/2023.

41. James, S.E., Herman, J.L., Durso, L.E., & Heng-Lehtinen, R. 2024. “Early Insights: A Report of the 2022 U.S. Transgender Survey.” National Center for Transgender Equality, Washington, DC.

42. Myers, Catherine. 2023. “Protests in the Age of Social Media.” The Nonviolence Project. February 11, 2023. https://thenonviolenceproject.wisc.edu/2023/02/11/protests-in-the-age-of-social-media/.

43. Auxier, Brooke, and Colleen McClain. 2020. “Americans Think Social Media Can Help Build Movements, but Can Also Be a Distraction.” Pew Research Center. Pew Research Center. September 9, 2020. https://www.pewresearch.org/short-reads/2020/09/09/americans-think-social-media-can-help-build-movements-but-can-also-be-a-distraction/.

44. Stevenson, N. D. 2023. “Nimona (the Comic): A Deep Dive.” I’m Fine I’m Fine Just Understand. July 13, 2023. https://www.imfineimfine.com/p/nimona-the-comic-a-deep-dive.

45. Chapman, Wilson. 2022. “HBO Max to Remove 36 Titles, Including 20 Originals, from Streaming.” Variety. August 18, 2022. https://variety.com/2022/tv/news/hbo-max-originals-removed-1235344286/.

46. Iftikhar, Asyia. 2023. “Netflix CEO Slammed by LGBTQ+ Fans over Cancellation Comments: ‘They Are NOT Allies.’” PinkNews. January 24, 2023. https://www.thepinknews.com/2023/01/24/netflix-ceo-ted-sarandos-cancelled-shows-lgbtq-fans-reactions/.

47. Lang, Jamie. 2023. “Netflix Has Released a 358-Page Multimedia Art of Book for ‘Nimona’ - Exclusive.” Cartoon Brew. October 12, 2023. https://www.cartoonbrew.com/books/nimona-art-of-book-aidan-sugano-netflix-233636.html.

48. “Wayback Machine.” n.d. The Internet Archive. Accessed June 10, 2024. https://wayback-api.archive.org/web/20240000000000.

49. Lang, Jamie. 2023. “Netflix Has Released a 358-Page Multimedia Art of Book for ‘Nimona’ - Exclusive.” Cartoon Brew. October 12, 2023. https://www.cartoonbrew.com/books/nimona-art-of-book-aidan-sugano-netflix-233636.html.

#original essays #original post #nimona #nimona movie #nimona 2023 #nimona film

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couldeatthatgirlforlunch · 4 months ago

Text

A Day in Life

Synopsis: A day in the life of Jason Todd. Also, he's a househusband now. Oh, and a little plot twist.

Pairing: Househusband!Jason Todd X Gn!Reader; Platonic!Batfam

Tw: Canon level angst for Jason; Some sexual innuendos; Writer apparently doesn't know how to finish a story anymore; This is pretty slice-of-life so maybe boring?; English is not my first language.

Word count: 3,8k

Requested? No.

General masterlist | A Day in Life - Series masterlist

Wake up, make out, get up. First steps of your everyday routine. Sometimes making out turns into something more, but not today.

From his past life, as Robin, Jason learned a lot about discipline. As much as he tried to forget everything and everyone from his past before you, some habits die hard, although with time, with you and with therapy, he accepted that not all of his experience was bad or should be thrown away just because of one sociopathic clown who hurt him. Yes, Jason died, came back angry and did a lot of shit. But he was still alive and this could be a second chance.

While you, his darling spouse, get ready for work, Jason gets up, puts on his apron, fills the dog bowl for Daphne — your little brown dachshund that you adopted together four months after getting married —, opens the doors to the garden, so the dog can do whatever, and finally starts making breakfast and lunch. Breakfast so you two can eat together and lunch for you to eat at work. Sometimes you both meet up and eat together at your office or a restaurant. Today, that's not the case.

Simple yogurt with fresh fruits and nuts, coupled with a slice of chocolate cake he baked the day prior, eggs, toast and coffee for breakfast. As for your lunch box, a natural sandwich, salad, fruits and juice. He also fills up your two liter water bottle, so you feel pressured have no excuse but to stay hydrated.

Food. Until he was 12 his relationship with food was complicated, to stay the least. At first, his beloved but troubled mom would be in no condition to cook him three or more nice and fulfilling meals a day for a growing boy, he either had to learn and make do with quick instant food, eggs and old bread, or starve, since money was something he only saw when it was being handled to her drug dealer. His father was even worse. Jason loved his mom. Still suffers for her. He hated his father who was the one making her addiction worse. He’s still happy he died.

Living on the streets, food was a dream. A bad dream. It either came from trash or he had to do things that made him feel humiliated and guilty just to get some. And it was gone in a flash, he was so hungry he devoured it all in a second, and then his belly hurt.

Then he came. Jason loved his new father. Loved his new grandfather. Loved their food. So healthy, abundant and full of taste. So fun to prepare. He learned a lot from Alfred because he loved to spend time with him, play with the ingredients and make everyone and himself happy with the results.

But then he had those memories wiped out of his mind, (un)fortunately they came back, but at that time food was in the back of his mind. Sure, he didn't have to worry about starving, crime paid more than enough for that, but he didn't put much thought into any of it.

Now, with you, he's making new memories with food. He cooked and baked a lot with you and for you throughout all your relationship, and you did the same for him. He loves his kitchen, just like the rest of your house. The pantry and fridge are always full thanks to you. You take good care of him. You make his trust in you be worth it. And he reciprocates it. Healthy and nice food that brings comfort and makes you roll your eyes. Especially after he started frequenting cooking classes as a hobby, again, thanks to you.

After you are gone with a full belly and a pet in the ass (just like him, honestly), he continues his routine. He changes clothes and goes to the gym. Jason never stopped exercising, but the lack of all the activity vigilantism entails and with all the treats you two have, he started getting more soft. You loved it, he hated it. — Okay he didn't hate it, he just wasn't the most happy with it. Roy thought it was kinda funny, until Jason pointed out he also got softer after Lian. You honestly couldn't see why all that softness they were talking about was so bad since they were still very muscular and defined, just less dry and more snuggly. You honestly thought your Jaybird could go even further. — So the addiction of yoga to his routine happened.

After that, he goes straight home, eats, showers, takes care of his appearance to keep looking like a proper hubby that you can shove on your bitter frenemies faces, and makes sure to keep the maintenance of the house, so you can come back tired from work and enjoy a perfect house to rest on.

Hygiene. Another things that was complicated with his biological family. His father wouldn't touch a single plate or broom, and would beat and scream at his mom if she didn't put her high (again, because of him) ass up and did the labor. Most often than not, their house was messy, had a bad smell that his little nose was so used to that it's not like he minded, and had insects around. His clothes were dirty hand-me-downs, some fit him, some didn't, a lot of them had holes. His hair tangled and itchy.

When he went to the streets, it just got worse.

Bruce and Alfred fixed that. He finally learned what stink was because he only knew good and neutral scents. His clothes fit him. Everything around him was clean and well-kept. No holes, no stains. Hair always trimmed, soft and clean. Well maintained.

When he came back, cleanliness was basic. Of course he is gonna keep everything around him clean. Habit and common sense, you know? Clothes his size because why the hell would he use hand-me-downs when he can just buy his own? And they had to be the right size for his new 6’2 and almost 200 lbs body. Hair? Whatever. Always washed but as long as it didn't look ridiculous he didn't have time to put much thought on his appearance. He was genuinely surprised you were attracted to him at first sight.

Being with you, he learned to enjoy the little things in life again. Sometimes he finds himself unmoving in front of a random room of the house, or in front of the mirror, trying to grasp if it's all real, If this is really his life, if that's how he looks. His mind flashes memories of his childhood home and his current home. He ignores the memories of the manor not only because of the betrayal he felt for Bruce, but also because the manor was from the Wayne's. He was a Wayne. He is not anymore. This is him. His new house, with you, is what he wished he had growing up. What he always dreamed of. Love. Company. And comfort. He felt all of that while being a Wayne, until he despised the Wayne's. Not the couple that died decades ago or the centuries old descendants. But his father and his siblings.

On days where he doesn't take care of the house, he practices his hobbies. He now has time to do it all, surprising you, his therapist, Roy, and himself, he did cooking, gardening, pottery, crocheting and of course, reading. You paid for all his classes, praised him on his achievements, added his creations to the decor of the house, accompanied him on any event or place related to his interests, gave him his own library in one of the rooms in the house. He even made some friends between middle-aged women and the only other househusband and stay-a-home dad that frequented those places.

It was very funny and cute seeing rough, huge, leather jacket wearing and scarred Jason Todd telling jokes to 50-year-old white moms/grandmas and sometimes even babysitting their kids, pets and plants. You knew he could be a good dad one day if you decided to have kids. He was also more than happy to have just you, Daphne and good friends. And plants.

Warmth. When he was a kid his parents broke the heater during a fight, he wondered if they didn't have money to fix it, even with his father's activities, or if his father just refused to fix it. Anyhow, it was always cold in Gotham, freezing on winter, his dirty clothes with holes didn't help much. The streets didn't seem much different in that aspect. The manor kept him warm when he wasn't seven feet under the dirt, in a casket. When he came back, Jason always wore the warmest of clothes, even while sweating, he didn't know why. Now he did. Your house is always warm. Your body is always warm. Comfort. Your love gave him comfort. Warmth. A reason to live.

Love. His mom. Bruce and Alfred. You.

After he was done and rested for a little, Jason took Daphne for a walk in the way to the grocery shop. He wanted to try a new receipt you saw on tiktok today for dinner and had to get more flour and something for the filling.

After a few minutes of walking on his perfectly nice looking and safe neighborhood — nothing like crime alley. The type of neighborhood he saw on the television and imagined those other happy kids his age living and envied them. Dreamed of being adopted into one of their families while jumping from orphanage to orphanage. It never happened. He just got more abused. And then the manor was so isolated that you could only see mansions and plants all around. So big and far away that they looked empty of life. — he got there and strapped the dog to a post, next to a smiley golden retriever.

He got in and- fuck it, I'm going home. The empanadas can wait another day.

— Jason? Oh my god. Jason! Is that you?! — The infuriatingly familiar loud voice calls out from the middle of the shop and all heads turn to look. Shit, he can't go now without embarrassing himself in front of the cashier of his favorite and most visited shop. So he just nods, takes a basket and walks as if there was nothing interesting happening. It worked with the others costumers, unfortunately, Dick thought it was way too interesting and forgot his own basket that only contained eggs and cereal, and started following him around, this time, with a less surprised tone.

— Hey, Dick. — Jason idly muttered, that just made his coff coff brother indignant.

— Hey, Dick?! What the hell? Where were you? It's been three years! We thought you were dead! Or kidnapped! We never stopped looking for you! We were worried! We mourned! What happened? — Was it bad that Jason didn't want to give him a real answer? Probably. Especially with how much his therapist, who he saw on the days he didn't go to the gym, told him he should try to mend things with his family. So much so that he started actually contemplating it recently. But if he did it, it was going to be on his own time. Not by bumping into them in the grocery store. Oh, well. Jason was always good at adapting. The best.

And wow, three years had passed? Makes sense. Recovery does take time and he's been really happy for a while. Jason still remembers the day he decided to quit everything. It was the same day he decided you were the one, truthfully he always knew you were marriage material, the perfect one for him, out of his league, straight out of his most amazing dreams, peak goal for him, but he wasn't sure if he deserved to be the one you should be stuck with forever. He desperately wanted to, but he had to commit. Ride or die. He loved you, now more than ever, and didn't want to waste your time. He was still a bit messy at the time, but you made it all better, he was a lot better than he was before you came into the picture. You were the right choice. Jason always took you seriously, he was just insecure. So, while still in around eight months of relationship, he quit everything.

He quit his family. He quit vigilantism. He searched for recovery. And a year and a half later, with a little more than two years of dating, he made the big proposal. You married on your three-year anniversary. Got Daphne four months later. It's been around three or four months ever since.

While Dick’s math might not be exact, it is not necessary in this context, the point came across just fine.

He also knew that the fact that you both decided to not leave Gotham was going to bite him in the ass one day. One way or another.

— What happened? Oh, well. I retired. Got married. And now I'm a dad. — Daphne was like a daughter to him, so it was the same, right?

His nonchalant reply didn't seem to satisfy the other, though. Todd could see it, the urge to strangle him in his eyes. Dick wouldn't strangle his dead missing little brother, would he?

— You… You what? — Dick was in disbelief.

— You guys searched for me? Thanks, I guess? It means a lot. — Jason just sniffed and went on his way, leaving Grayson behind, paralyzed.

Maybe he could be fast enough and get out of there before the older one got a grasp of his senses back and followed him out. Part of him felt hope, the other heard yours and his therapist voices in his head, and the nagging was annoying. Maybe he never stopped being a “grump”, like you always amusedly said.

Oh, no. Here he comes again. Jason suppresses an eye-roll.

— Stop. Can you really explain? — The mix of emotions was almost overwhelming, an urge to cry, punch a wall, punch Jason's face, scream and who knows what more was running through Dick's body.

Jason sighed and finally addressed him completely. Tone lower so no one could hear.

— Okay. I met someone… Someone good. Someone special. A civilian. I was tired of everything. So I decided to retire and made sure none of you could find me. I'm surprised Roy and Lian kept the secret from you, though. Anyway. Now I'm a stay-at-home hubby, have a dog and go to therapy. You happy? — A beat of silence. — Hey, don't make that face… I was going to tell you guys eventually… When I felt like it… It's not like you guys saw me a lot. How much time did it take for you all to miss me? I made an appearance once in a while when someone asked for help and that's it. Alfred knew everything so if you’re gonna be mad at anyone, be at him too, not just me… And Roy. Don't forget Roy.

— A-Are you kidding me? Oh, yes, blame the butler! You couldn't even tell us? Like “hey guys, I'm gonna retire and take some time for myself for a while. Also, come to my wedding!” I wanted to be invited, you know?! Why didn't you invite me? Did you at least invite Alfred? Did- — Jason rolled his eyes and cut his rant.

— Yes, Alfred was there. Front row and everything. — Dick shrieked.

— T-That’s not the point! — His voice raised slightly from exasperation and both of them checked around for anyone's attention, then came back to the conversation.

Jason raised a hand to interrupt him and took a deep breath.

— Look. I wasn't in a nice place at the time, okay? I'm better now… And I was going to talk to you guys sooner rather than later… — Jason let a moment of vulnerability shine, hoping that would melt his brother's heart and fix things. It did. — We will have a second wedding when we renovate our vows in our 5th anniversary. You can be there… Everyone can be there. — Jason cleared his throat to interrupt the other again. — But now I have to get home in time to make dinner for my honeyboo, so why don't we… Stay in contact and… One of those days everyone can have dinner together and catch up, huh?

Dick took one of the deepest breaths of his whole life. Jason pursed his lips.

— Okay… — He stuck a finger in his face roughly. — But don't disappear again. Or else I promise I’m gonna personally make everyone track you down, understood? — Jason snorted. As if Tim and Bruce wouldn't do it already once they knew everything. As if Bruce didn't secretly keep track of him this whole time. Unless… Unless everyone changed and he didn't know his… His family anymore.

Why did it make him feel weird?

— Yes, boss. — Jason saluted him and left.

— Relax… — You elongated the word. — Nothing bad it's gonna happen… — You went behind Jason and tried rubbing his broad shoulders to chase the tenseness away. The sight and feel of his muscles almost made you drool, and you blinked to focus again.

— How do you know? — You pursed your lips and went to his side to try to make him take his eyes off of cleaning the countertop for the 4th time due to anxiety.

— Because they love you. And they care about you. And they miss you. — Jason deadpanned you. — Just give it a chance. If anything goes wrong, we will just kick them out and you never have to talk to them, ever again. We can even move if you want. Or go on a vacation to the same place we had our honeymoon, I can wear that skimpy piece you like… Spoil you rotten… — Your voice lowered seductively and you pressed your body to his side, running your hand up and down his arms with some pressure.

Jason’s mind went blank and he was speechless for a few seconds. Your eyebrows raised with a small, convincing smile that made all his worries go away. He sighed.

— Okay… Okay, you’re right… — He leaned down and sneaked an arm around your waist. You both shared a slow and wet kiss, bordering between sensual and calming. Unfortunately, he had to wait a few hours before having some action. He pulled his face away a few centimeters, looking you in the eyes. — I thought I had ripped that thing. — You blinked.

— You just might have. But I bought another one because I looked too good on it not to wear it again. — You shared a chuckle when the doorbell rang. You both looked at the door, then at each other. — Want me to get it? — You ran a hand through his hair, trying to calm the last of his nerves. Jason swallowed.

— No. Have to get it over with. — He took a deep breath and then let out. Pulling away from your embrace. — Put the juice on the table for me, please? — You hummed and nodded.

Without giving a second thought, he walked in long strides and abruptly opened the door.

It was like that scene in Avengers: End Game when on one side there was just Captain America against the whole Thanos's army, just staring at each other.

— Are you wearing an apron? — Damian snarked with an eyebrow raised. Jason looked down. Yes, he was. Good start.

— Take your shoes off, there’s other shoes for you all there. And here I was having hope that at fifteen you wouldn't be a demon anymore. — Jason said sarcastically and gave them space to enter.

As soon as they got in the neighborhood they were all already skeptical. If you were the only one working, how much do you earn to live in such a nice area and with this nice house? They could even see a pool in the backyard and there were TWO expensive cars in the driveway. Jason said he quit all of the crime lord thing, did he keep the savings? Did he invest?

The little dog came running and barking, taking their attention away from the house and their shoes, Damian immediately crouched to pet her. Jason let a side of his lips go up. At least that hasn't changed.

— Her name is Daphne. — Jason spoke over the cooing of Duke and Cass at the dog. He locked eyes with Bruce who had an unreadable expression on his face. He looked older, Jason didn't know how to feel about that. Then gazed at Dick, who had a shit eating grin, Alfred, whose satisfied smile warmed his heart, and Tim, who was analyzing the space while changing shoes.

— Nice place. So, what does your partner do? — Are they committing fraud? — You appeared from the corner and replied for him.

— I direct the Queen Industries’s Gotham’s office. — You answered softly with a polite smile, stopping besides Jason, who wrapped an arm around you. Everyone's gaze turning on you made you feel shy, but you held on with confidence.

— Oh, wow, so Jason really is a malewife. — Your eyes widened in surprised and you couldn't hold back a laugh. Jason let a small smile graze his lips, coaxing the easiness out of him.

— I offered to pay cleaning and cooking service, but he wanted to do things himself. — You say, a little afraid they would get angry at you for “slavering” their Jason.

— Did you buy those cars outside? — Wow, Tim really was as skeptical as Jason had said.

— Hmhmm. — You nodded simply, as if it was nothing.

Jason's siblings raised their eyebrows and Bruce cleared his throat, and took a step forward, feet clad in fluffy slippers. He offered a hand and presented himself politely to you. You wondered how much of that was his persona and how much was just a father meeting his son's partner.

While giving them a tour of the house, the family — aside from Alfred who already knew it all — observed the details, happy memories in the form of pictures of trips, your marriage, birthdays, anniversaries, Daphne's growing stages, spontaneous moments that just deserved to be eternalized, trinkets, handmade pots, plants, Daphne’s toys, and the decor that was just a mix of you both. No guns in the walls, no corpses buried in the backyard, no blood stains. The only signals that it was their Jason living here and not a clone were the books, pictures and hidden security measures.

It was… Good. Peaceful. Clearly the change in scenario helped him. It hurt them a little, some more than others, that it took him cutting them off for him to start healing, although, maybe opening up this new side of him for them meant that it wasn't just that. And it wasn't. The fault didn't fall completely on them. Nor on Jason. And one person, you, can't be the solution for all global crisis. Mental health is complex. Trauma is complicated. Past can't be changed, but the future can.

That night, everyone enjoyed Jason's cooking, Daphne and the new future.

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