#11 apr 21 | Explore Tumblr posts and blogs

mostlysignssomeportents · 9 months ago

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How to shatter the class solidarity of the ruling class

I'm touring my new, nationally bestselling novel The Bezzle! Catch me WEDNESDAY (Apr 11) at UCLA, then Chicago (Apr 17), Torino (Apr 21) Marin County (Apr 27), Winnipeg (May 2), Calgary (May 3), Vancouver (May 4), and beyond!

Audre Lorde counsels us that "The Master's Tools Will Never Dismantle the Master's House," while MLK said "the law cannot make a man love me, but it can restrain him from lynching me." Somewhere between replacing the system and using the system lies a pragmatic – if easily derailed – course.

Lorde is telling us that a rotten system can't be redeemed by using its own chosen reform mechanisms. King's telling us that unless we live, we can't fight – so anything within the system that makes it easier for your comrades to fight on can hasten the end of the system.

Take the problems of journalism. One old model of journalism funding involved wealthy newspaper families profiting handsomely by selling local appliance store owners the right to reach the townspeople who wanted to read sports-scores. These families expressed their patrician love of their town by peeling off some of those profits to pay reporters to sit through municipal council meetings or even travel overseas and get shot at.

In retrospect, this wasn't ever going to be a stable arrangement. It relied on both the inconstant generosity of newspaper barons and the absence of a superior way to show washing-machine ads to people who might want to buy washing machines. Neither of these were good long-term bets. Not only were newspaper barons easily distracted from their sense of patrician duty (especially when their own power was called into question), but there were lots of better ways to connect buyers and sellers lurking in potentia.

All of this was grossly exacerbated by tech monopolies. Tech barons aren't smarter or more evil than newspaper barons, but they have better tools, and so now they take 51 cents out of every ad dollar and 30 cents out of ever subscriber dollar and they refuse to deliver the news to users who explicitly requested it, unless the news company pays them a bribe to "boost" their posts:

https://www.eff.org/deeplinks/2023/04/saving-news-big-tech

The news is important, and people sign up to make, digest, and discuss the news for many non-economic reasons, which means that the news continues to struggle along, despite all the economic impediments and the vulture capitalists and tech monopolists who fight one another for which one will get to take the biggest bite out of the press. We've got outstanding nonprofit news outlets like Propublica, journalist-owned outlets like 404 Media, and crowdfunded reporters like Molly White (and winner-take-all outlets like the New York Times).

But as Hamilton Nolan points out, "that pot of money…is only large enough to produce a small fraction of the journalism that was being produced in past generations":

https://www.hamiltonnolan.com/p/what-will-replace-advertising-revenue

For Nolan, "public funding of journalism is the only way to fix this…If we accept that journalism is not just a business or a form of entertainment but a public good, then funding it with public money makes perfect sense":

https://www.hamiltonnolan.com/p/public-funding-of-journalism-is-the

Having grown up in Canada – under the CBC – and then lived for a quarter of my life in the UK – under the BBC – I am very enthusiastic about Nolan's solution. There are obvious problems with publicly funded journalism, like the politicization of news coverage:

https://www.theguardian.com/media/2023/jan/24/panel-approving-richard-sharp-as-bbc-chair-included-tory-party-donor

And the transformation of the funding into a cheap political football:

https://www.cbc.ca/news/politics/poilievre-defund-cbc-change-law-1.6810434

But the worst version of those problems is still better than the best version of the private-equity-funded model of news production.

But Nolan notes the emergence of a new form of hedge fund news, one that is awfully promising, and also terribly fraught: Hunterbrook Media, an investigative news outlet owned by short-sellers who pay journalists to research and publish damning reports on companies they hold a short position on:

https://hntrbrk.com/

For those of you who are blissfully distant from the machinations of the financial markets, "short selling" is a wager that a company's stock price will go down. A gambler who takes a short position on a company's stock can make a lot of money if the company stumbles or fails altogether (but if the company does well, the short can suffer literally unlimited losses).

Shorts have historically paid analysts to dig into companies and uncover the sins hidden on their balance-sheets, but as Matt Levine points out, journalists work for a fraction of the price of analysts and are at least as good at uncovering dirt as MBAs are:

https://www.bloomberg.com/opinion/articles/2024-04-02/a-hedge-fund-that-s-also-a-newspaper

What's more, shorts who discover dirt on a company still need to convince journalists to publicize their findings and trigger the sell-off that makes their short position pay off. Shorts who own a muckraking journalistic operation can skip this step: they are the journalists.

There's a way in which this is sheer genius. Well-funded shorts who don't care about the news per se can still be motivated into funding freely available, high-quality investigative journalism about corporate malfeasance (notoriously, one of the least attractive forms of journalism for advertisers). They can pay journalists top dollar – even bid against each other for the most talented journalists – and supply them with all the tools they need to ply their trade. A short won't ever try the kind of bullshit the owners of Vice pulled, paying themselves millions while their journalists lose access to Lexisnexis or the PACER database:

https://pluralistic.net/2024/02/24/anti-posse/#when-you-absolutely-positively-dont-give-a-solitary-single-fuck

The shorts whose journalists are best equipped stand to make the most money. What's not to like?

Well, the issue here is whether the ruling class's sense of solidarity is stronger than its greed. The wealthy have historically oscillated between real solidarity (think of the ultrawealthy lobbying to support bipartisan votes for tax cuts and bailouts) and "war of all against all" (as when wealthy colonizers dragged their countries into WWI after the supply of countries to steal ran out).

After all, the reason companies engage in the scams that shorts reveal is that they are profitable. "Behind every great fortune is a great crime," and that's just great. You don't win the game when you get into heaven, you win it when you get into the Forbes Rich List.

Take monopolies: investors like the upside of backing an upstart company that gobbles up some staid industry's margins – Amazon vs publishing, say, or Uber vs taxis. But while there's a lot of upside in that move, there's also a lot of risk: most companies that set out to "disrupt" an industry sink, taking their investors' capital down with them.

Contrast that with monopolies: backing a company that merges with its rivals and buys every small company that might someday grow large is a sure thing. Shriven of "wasteful competition," a company can lower quality, raise prices, capture its regulators, screw its workers and suppliers and laugh all the way to Davos. A big enough company can ignore the complaints of those workers, customers and regulators. They're not just too big to fail. They're not just too big to jail. They're too big to care:

https://pluralistic.net/2024/04/04/teach-me-how-to-shruggie/#kagi

Would-be monopolists are stuck in a high-stakes Prisoner's Dilemma. If they cooperate, they can screw over everyone else and get unimaginably rich. But if one party defects, they can raid the monopolist's margins, short its stock, and snitch to its regulators.

It's true that there's a clear incentive for hedge-fund managers to fund investigative journalism into other hedge-fund managers' portfolio companies. But it would be even more profitable for both of those hedgies to join forces and collude to screw the rest of us over. So long as they mistrust each other, we might see some benefit from that adversarial relationship. But the point of the 0.1% is that there aren't very many of them. The Aspen Institute can rent a hall that will hold an appreciable fraction of that crowd. They buy their private jets and bespoke suits and powdered rhino horn from the same exclusive sellers. Their kids go to the same elite schools. They know each other, and they have every opportunity to get drunk together at a charity ball or a society wedding and cook up a plan to join forces.

This is the problem at the core of "mechanism design" grounded in "rational self-interest." If you try to create a system where people do the right thing because they're selfish assholes, you normalize being a selfish asshole. Eventually, the selfish assholes form a cozy little League of Selfish Assholes and turn on the rest of us.

Appeals to morality don't work on unethical people, but appeals to immorality crowds out ethics. Take the ancient split between "free software" (software that is designed to maximize the freedom of the people who use it) and "open source software" (identical to free software, but promoted as a better way to make robust code through transparency and peer review).

Over the years, open source – an appeal to your own selfish need for better code – triumphed over free software, and its appeal to the ethics of a world of "software freedom." But it turns out that while the difference between "open" and "free" was once mere semantics, it's fully possible to decouple the two. Today, we have lots of "open source": you can see the code that Google, Microsoft, Apple and Facebook uses, and even contribute your labor to it for free. But you can't actually decide how the software you write works, because it all takes a loop through Google, Microsoft, Apple or Facebook's servers, and only those trillion-dollar tech monopolists have the software freedom to determine how those servers work:

https://pluralistic.net/2020/05/04/which-side-are-you-on/#tivoization-and-beyond

That's ruling class solidarity. The Big Tech firms have hidden a myriad of sins beneath their bafflegab and balance-sheets. These (as yet) undiscovered scams constitute a "bezzle," which JK Galbraith defined as "the magic interval when a confidence trickster knows he has the money he has appropriated but the victim does not yet understand that he has lost it."

The purpose of Hunterbrook is to discover and destroy bezzles, hastening the moment of realization that the wealth we all feel in a world of seemingly orderly technology is really an illusion. Hunterbrook certainly has its pick of bezzles to choose from, because we are living in a Golden Age of the Bezzle.

Which is why I titled my new novel The Bezzle. It's a tale of high-tech finance scams, starring my two-fisted forensic accountant Marty Hench, and in this volume, Hench is called upon to unwind a predatory prison-tech scam that victimizes the most vulnerable people in America – our army of prisoners – and their families:

https://us.macmillan.com/books/9781250865878/thebezzle

The scheme I fictionalize in The Bezzle is very real. Prison-tech monopolists like Securus and Viapath bribe prison officials to abolish calls, in-person visits, mail and parcels, then they supply prisoners with "free" tablets where they pay hugely inflated rates to receive mail, speak to their families, and access ebooks, distance education and other electronic media:

https://pluralistic.net/2024/04/02/captive-customers/#guillotine-watch

But a group of activists have cornered these high-tech predators, run them to ground and driven them to the brink of extinction, and they've done it using "the master's tools" – with appeals to regulators and the finance sector itself.

Writing for The Appeal, Dana Floberg and Morgan Duckett describe the campaign they waged with Worth Rises to bankrupt the prison-tech sector:

https://theappeal.org/securus-bankruptcy-prison-telecom-industry/

Here's the headline figure: Securus is $1.8 billion in debt, and it has eight months to find a financier or it will go bust. What's more, all the creditors it might reasonably approach have rejected its overtures, and its bonds have been downrated to junk status. It's a dead duck.

Even better is how this happened. Securus's debt problems started with its acquisition, a leveraged buyout by Platinum Equity, who borrowed heavily against the firm and then looted it with bogus "management fees" that meant that the debt continued to grow, despite Securus's $700m in annual revenue from America's prisoners. Platinum was just the last in a long line of PE companies that loaded up Securus with debt and merged it with its competitors, who were also mortgaged to make profits for other private equity funds.

For years, Securus and Platinum were able to service their debt and roll it over when it came due. But after Worth Rises got NYC to pass a law making jail calls free, creditors started to back away from Securus. It's one thing for Securus to charge $18 for a local call from a prison when it's splitting the money with the city jail system. But when that $18 needs to be paid by the city, they're going to demand much lower prices. To make things worse for Securus, prison reformers got similar laws passed in San Francisco and in Connecticut.

Securus tried to outrun its problems by gobbling up one of its major rivals, Icsolutions, but Worth Rises and its coalition convinced regulators at the FCC to block the merger. Securus abandoned the deal:

https://worthrises.org/blogpost/securusmerger

Then, Worth Rises targeted Platinum Equity, going after the pension funds and other investors whose capital Platinum used to keep Securus going. The massive negative press campaign led to eight-figure disinvestments:

https://www.latimes.com/business/story/2019-09-05/la-fi-tom-gores-securus-prison-phone-mass-incarceration

Now, Securus's debt became "distressed," trading at $0.47 on the dollar. A brief, covid-fueled reprieve gave Securus a temporary lifeline, as prisoners' families were barred from in-person visits and had to pay Securus's rates to talk to their incarcerated loved ones. But after lockdown, Securus's troubles picked up right where they left off.

They targeted Platinum's founder, Tom Gores, who papered over his bloody fortune by styling himself as a philanthropist and sports-team owner. After a campaign by Worth Rises and Color of Change, Gores was kicked off the Los Angeles County Museum of Art board. When Gores tried to flip Securus to a SPAC – the same scam Trump pulled with Truth Social – the negative publicity about Securus's unsound morals and financials killed the deal:

https://twitter.com/WorthRises/status/1578034977828384769

Meanwhile, more states and cities are making prisoners' communications free, further worsening Securus's finances:

https://pluralistic.net/2024/02/14/minnesota-nice/#shitty-technology-adoption-curve

Congress passed the Martha Wright-Reed Just and Reasonable Communications Act, giving the FCC the power to regulate the price of federal prisoners' communications. Securus's debt prices tumbled further:

https://www.govtrack.us/congress/bills/117/s1541

Securus's debts were coming due: it owes $1.3b in 2024, and hundreds of millions more in 2025. Platinum has promised a $400m cash infusion, but that didn't sway S&P Global, a bond-rating agency that re-rated Securus's bonds as "CCC" (compare with "AAA"). Moody's concurred. Now, Securus is stuck selling junk-bonds:

https://www.govtrack.us/congress/bills/117/s1541

The company's creditors have given Securus an eight-month runway to find a new lender before they force it into bankruptcy. The company's debt is trading at $0.08 on the dollar.

Securus's major competitor is Viapath (prison tech is a duopoly). Viapath is also debt-burdened and desperate, thanks to a parallel campaign by Worth Rises, and has tried all of Securus's tricks, and failed:

https://pestakeholder.org/news/american-securities-fails-to-sell-prison-telecom-company-viapath/

Viapath's debts are due next year, and if Securus tanks, no one in their right mind will give Viapath a dime. They're the walking dead.

Worth Rise's brilliant guerrilla warfare against prison-tech and its private equity backers are a master class in using the master's tools to dismantle the master's house. The finance sector isn't a friend of justice or working people, but sometimes it can be used tactically against financialization itself. To paraphrase MLK, "finance can't make a corporation love you, but it can stop a corporation from destroying you."

Yes, the ruling class finds solidarity at the most unexpected moments, and yes, it's easy for appeals to greed to institutionalize greediness. But whether it's funding unbezzling journalism through short selling, or freeing prisons by brandishing their cooked balance-sheets in the faces of bond-rating agencies, there's a lot of good we can do on the way to dismantling the system.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/04/08/money-talks/#bullshit-walks

Image: KMJ (modified) https://commons.wikimedia.org/wiki/File:Boerse_01_KMJ.jpg

CC BY-SA 3.0 https://creativecommons.org/licenses/by-sa/3.0/deed.en

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teaweltzer · 20 days ago

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2024 Tumblr Top 10

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Well this lineup is no surprise lol

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#tumblrtop10 #critical role fanart

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mooreaux · 23 days ago

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#tumblrtop10 #well well well if it isn't my hyperfixations #dunmeshi #bg3 #dragon age the veilguard #my art

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uwhe-arts · 5 days ago

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Tumblr Top 10 Photos 2024

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Created by TumblrTop10

. . . uwhe-arts - Tumblr Top 10 in 2024

Thanks everyone for the flying hearts, reblogs, likes and comments! Many thanks also to the curators for their constant support of the photographers on tumblr! Cheers and a Happy New Year! Many thanks also to

. . . @Kyle Bonello

for this marvelous feature of the Tumblr Top 10!

#tumblrtop10 #jetblackcode #top10 #photographers on tumblr #original photographers #uwhe-arts #top 10 2024 #kyle bonello #tumblr top 10

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buboplague · 10 days ago

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2024 Tumblr Top 10

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#tumblrtop10 #most of these posts have multiple images #thanks for the support and love

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verstappen100 · 11 days ago

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An ongoing Daniel Ricciardo video collection ❤️🍯🦡☀️

adding links to vimeo and youtube finds (under the cut, so it'll update reblogs as I add more links over time!)

hello!! This is definitely not a comprehensive list, mostly filing under things that are just new to me as a more recent fan! it's cool when I stumble upon a vid I haven't seen or one I recognize from a gif set! so I'm adding them in a list of links here in case anyone else is curious ❤️ some are like 30 second commercial spots & others are longer interviews, most so far from 2014-2020 🎥🎤✨

okay allons-y!!

Sourced from Vimeo

not chronologically organized (yet!) so I've just added the upload date atm for a date approximation; have yet to look into all the uploading accounts, too, so there is definitely way more out there to see!

📍Update 01-01-2025:

Btw if you click a link in the tumblr app and it shows a tumblr page saying "There's nothing here" sadly many of the vimeo links are not redirecting correctly atm 😭

the videos are still up and available (thankfully!! and they can be found by searching the titles on vimeo [which are listed for each vid before the upload date part below]) but!! I will be making like a Google doc with all the links, since tumblr insists on adding this redirect bologna and I'm not tech savvy enough to know why its not working hehe 🙃 I'll be back this weekend with a fix and the new link list!

lastly here's the link for DR's brand vimeo which also has the overall site search option at the top for easy access 🔍 not linked but copy-and-pastable into Google or Safari etc: https://vimeo.com/user50821531

thanks y'all!! ❤️

update 01-05-2025 I'm sorry y'all!! I have been fighting a fever all weekend 😭 so I have yet to compile everything, but the Google doc with all the working links will be here asap!! ❤️

definitely starting with the dozens of videos on DR's official brand Vimeo (which has the delightful Sunday Night Flights series of casual post-race recaps) link

Daniel Ricciardo and Max Verstappen paint Aston Martins in Hosier Lane - Uploaded on Mar 21, 2018 - link

Daniel Ricciardo - T Magazine Aus BTS spot - Uploaded on Jan 14, 2023 - link

Ricciardo, favorito para el GP de Singapur - Uploaded on Oct 25, 2016 - link

Red Bull - Camper Race BEHIND THE SCENES | Max Verstappen und Daniel Ricciardo - Uploaded on May 29, 2017 - link

Red Bull InFrames - Singapore GP with Daniel Ricciardo - Uploaded on Oct 25, 2017 - link

Daniel Ricciardo drives Renault Clio - Uploaded on Jul 24, 2014 - link (ah the image in the collage above is for the other Clio commercial linked below and vice versa!! I got them mixed up when adding screenshots hehe. Pobody's nerfect)

Daniel Ricciardo | Race Service (parallel parking with some slightly haunting editing) - Uploaded on May 22, 2022 - link

Season Break - Daniel Ricciardo - Uploaded on Jan 30, 2020 - link

Daniel Ricciardo x Hilton - Uploaded on Feb 7, 2023 - link

Optus TVC Daniel Ricciardo - Uploaded on Dec 17, 2024 - link

Fox Sports - I Am Daniel Ricciardo (bananas editing /positive) - Uploaded on Apr 9, 2017 - link

ESPN AUSSIES ABROAD: DANIEL RICCIARDO - LIFE IN THE FAST LANE Opener - Uploaded on Apr 21, 2016 (I have yet to watch the full documentary!) - link

ESPN AUSSIES ABROAD- DANIEL RICCIARDO - LIFE IN THE FAST LANE Preview 2 - Uploaded on Apr 21, 2016 - link

Daniel Ricciardo: Uncut (😳🥴 sorry mind in the gutter, this is a longer interview tho!) - Uploaded on Sep 17, 2017 - link

Daniel Ricciardo Feature - Uploaded on Mar 28, 2018 - link

Renault Clio I Ricciardo I Augusto Gimenez Zapiola - Uploaded on Sep 3, 2020 - link

Sky Sports Ident - F1 - Ricciardo - Uploaded on Jan 5, 2018 - link

PIRELLI: DANIEL RICCIARDO P ZERO WORLD - Uploaded on Aug 12, 2016 - link

C4F1 Daniel Ricciardo Interview Australia 2019 - Uploaded on Mar 20, 2019 - link

Daniel Ricciardo_comp_1005 - Uploaded on Dec 11, 2017 - link

Daniel Ricciardo x Artura - Uploaded on Feb 10, 2021 - link

Daniel Ricciardo drives the Triple Eight Project Sandman V8 Supercar - Uploaded on Mar 16, 2016 - link

Red Bull Racing x PUMA USGP Launch at Austin Speed Shop - Uploaded on Mar 7, 2017 - link

TAG Heuer Aston Martin Red Bull Racing 2018 Global Commercial - Uploaded on Jul 12, 2019 - link

Red Bull : One day in the life of Daniel Ricciardo - Uploaded on Apr 15, 2016 - link

Carsales // Celebrity Drive with Daniel Ricciardo - Uploaded on Aug 1, 2023 - link

On_set_with_Daniel_Ricciardo.mov - Uploaded on Nov 22, 2021 - link

Castrol EDGE Daniel Ricciardo Live on The Edge - Uploaded on Jun 4, 2020 - link

Aston Martin Racing - Daniel Ricciardo vs Darren Turner - Uploaded on Dec 17, 2021 - link

Red Bull Racing Daniel Ricciardo Photoshoot - Behind the scenes - Uploaded on Sep 16, 2020 - link

Dan Ricciardo and Alissa Smith - Silverstone 2018 Interview - Uploaded on Apr 14, 2019 - link

YouTube

omg I have yet to properly dive into YouTube! probs this section will just be as I come across things (Vimeo is much more manageable for perusing)

[2017 F1]日本GP ダニエル・リカルド&マックス・フェルスタッペントークショー Daniel Ricciardo & Max Verstappen's talk show - 10-08-2017 - link

Added 01-01-2025 - Daniel Ricciardo on Malaysian GP - 09-27-2017 - link

Added 01-02-2025 - Q & A with Tonio Liuzzi and Daniel Ricciardo - 08-31-2011 - link

Added 01-05-2025 - Trackwalk with Daniel Ricciardo, Korea - 10-17-2011 - link

more to come soon!! ❤️ thank you for stopping by!

#daniel ricciardo #autumn posts #filing under things that are just new to me #will update over time!!

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camilicy · 1 year ago

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2023 Tumblr Top 10

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thank you to everyone for a wonderful year full of art, thank you for the ongoing support i luv u all MWAH <3

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dbdpromptober · 2 months ago

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Dead Boy Detectives Promptober 2024

Catch-up Calendar

The participation this October has been beyond my wildest dreams, but if you didn't manage to keep up with the daily prompts, don't worry! I've set up this weekly calendar to catch-up with the ones you've missed, or to start the challenge from scratch at a more relaxed pace.

The prompts are the same, but this time you'll have a whole week to fulfill each of them.

The rules are also the same:

- creative works can be of any type (fanart, fic, poetry, cosplay, photography... Anything you can think of!);

- post them on the week of the prompt or afterwards on Tumblr, Instagram, Twitter and/or AO3 tagging this account and adding the hashtag #dbdpromptober2024;

- you don't have to do all the prompts, just have fun!

More info on the original post:

The prompts:

1. Mirrors (November 11 - 17)

2. Death (November 18 - 24)

3. Eternity (Nov. 25 - Dec. 1)

4. Light (December 2 - 8)

5. Magic (December 9 - 15)

6. Books (December 16 - 22)

7. Blood (December 23 - 29)

8. Hell (Dec. 30 - Jan. 5)

9. Past (January 6 - 12)

10. Lantern (January 13 - 19)

11. Dream (January 20 - 26)

12. Eight ball (Jan. 27 - Feb. 2)

13. Demons (February 3 - 9)

14. Sorrow (February 10 - 16)

15. Crow (February 17 - 23)

16. Knives (Feb. 24 - Mar. 2)

17. Mushroom (March 3 - 9)

18. Friendship (March 10 - 16)

19. Forest (March 17 - 23)

20. Investigate (March 24 - 30)

21. Lighthouse (Mar. 31 - Apr. 6)

22. Downtime (April 7 - 13)

23. Sight (April 14 - 20)

24. Cats (April 21 - 27)

25. Dandelions (Apr. 28 - May 4)

26. Bones (May 5 - 11)

27. Snow (May 12 - 18)

28. Tricksters (May 19 - 25)

29. Doll (May 26 - Jun. 1)

30. Love (June 2 - 8)

31. Spooky (June 9 - 15)

#dbdpromptober2024 #dead boy detectives #edwin payne #charles rowland #save dead boy detectives #dbda #dbda fanart #dead boy detective agency #payneland #renew dead boy detectives #dbda fic

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henrykathman · 6 months ago

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youtube

The Miraculous Horror of Stop Motion

From the same artform that brought you Coraline and Rudolph the Red-Nosed Reindeer, comes three stories that evoke the existential fear of art.

Original Music by Molly Noise

Bibliography below

Atrocity Guide. “The Animators Who’ve Spent 40 Years on a Single Film.” YouTube, 9 Oct. 2021, www.youtube.com/watch?v=73hip3pz0Xs&pp=ygUMdGhlIG92ZXJjb2F0. Accessed 19 June 2024.

Brubaker, Charles. “The Japanese Studios of Rankin/Bass.” Cartoon Research, Jerry Beck, 14 Apr. 2014, cartoonresearch.com/index.php/the-japanese-studios-of-rankinbass/.

Bute, Paris. “Introduction to “a Rankin/Bass Retrospective from a New Perspective.”” Citizen Jane, Stephens College, 19 Nov. 2021, www.citizenjane.org/home/cwwicd2ucb2fvs64kgfaocfykjhaum. Accessed 19 June 2024.

Crome, Althea. “Coraline.” Althea Crome | Micro Knitter, 2012, www.altheacrome.com/coraline. Accessed 19 June 2024.

Harold Halibut. Directed by Onat Hekimoğlu, Slow Bros., 16 Apr. 2024.

Hekimoglu, Onat, and Gabriel Schmitz. “Unite Berlin 2018 - Harold Halibut and Making a Stop Motion Game.” Unity, YouTube, 6 Aug. 2018, youtu.be/9usssSQc0wQ. Accessed 6 May 2023.

Jon "Sikamikanico" Clarke. “The Making of Harold Halibut.” XboxEra, YouTube, 21 Mar. 2024, youtu.be/WMyxM9t3o7A. Accessed 19 June 2024.

LAIKA Studios. “Sweater and Gloves: Knitting Coraline by Hand.” YouTube, 11 July 2017, youtu.be/zUvkfcGR-7U. Accessed 19 June 2024.

Mad God Productions. “Phil Tippett’s “Mad God.”” Kickstarter, 17 May 2012, www.kickstarter.com/projects/madgod/phil-tippetts-mad-god/posts.

Olson, Mathew. “Report: Michel Ancel Accused of Abusive, Disruptive Practices on beyond Good & Evil 2.” VG247, 25 Sept. 2020, www.vg247.com/report-michel-ancel-accused-of-abusive-disruptive-practices-on-beyond-good-evil-2. Accessed 19 June 2024.

Ono, Kosei. “Tadahito Mochinaga: The Japanese Animator Who Lived in Two Worlds.” Animation World Network, AWN, Inc, 1 Dec. 1999, www.awn.com/animationworld/tadahito-mochinaga-japanese-animator-who-lived-two-worlds.

Orland, Kyle. “Claptrap Voice Actor Accuses Gearbox CEO of Assault, Underpayment.” Ars Technica, 7 May 2019, arstechnica.com/gaming/2019/05/claptrap-voice-actor-accuses-gearbox-ceo-of-assault-underpayment/. Accessed 19 June 2024.

Pilling, Jayne. A Reader In Animation Studies. Indiana University Press, 1998. Project MUSE muse.jhu.edu/book/40033.

Prehistoric Beast. Directed by Phil Tippett, Tippett Studios, 1984. https://www.youtube.com/watch?v=hlaXIRTjNfo

Randles, Jonathan. “VFX Studio with Star Wars, Jurassic Park Credits Goes Bankrupt.” Bloomberg Law, 1 May 2024, news.bloomberglaw.com/bankruptcy-law/vfx-studio-with-star-wars-jurassic-park-credits-goes-bankrupt. Accessed 19 June 2024.

Shanley, Patrick. “Gearbox Software CEO Accused of Contempt in Latest Filing.” The Hollywood Reporter, 27 Aug. 2019, www.hollywoodreporter.com/business/digital/gearbox-software-ceo-accused-contempt-latest-filing-1235064/. Accessed 19 June 2024.

The Making of “Jurassic Park.” Directed by John Schultz, Amblin Entertainment, 1995. https://youtu.be/8r01mk6F_Pk

The Making of Mad God. Directed by Maya Tippett, Shudder, 2021. https://youtu.be/sfUOHh0xmwc

The Tale of the Fox. Directed by Irene Starewicz and Ladislas Starevich, UFA GmbH, 10 Apr. 1941. https://youtu.be/Us_Pn6Q1dBQ

Wikipedia contributors. "List of films with longest production time." Wikipedia, The Free Encyclopedia. Wikipedia, The Free Encyclopedia, 12 Jun. 2024. Web. 19 Jun. 2024.

Wikipedia contributors. "List of media notable for being in development hell." Wikipedia, The Free Encyclopedia. Wikipedia, The Free Encyclopedia, 19 Jun. 2024. Web. 19 Jun. 2024.

Wikipedia contributors. "List of Rankin/Bass Productions films." Wikipedia, The Free Encyclopedia. Wikipedia, The Free Encyclopedia, 9 Jun. 2024. Web. 19 Jun. 2024.

Wikipedia contributors. "Tadahito Mochinaga." Wikipedia, The Free Encyclopedia. Wikipedia, The Free Encyclopedia, 28 Nov. 2023. Web. 19 Jun. 2024.

Wilson, Josh. “Phil Tippett: 24 Frames per Second < the Fabulist Words & Art.” The Fabulist Words & Art, 5 Nov. 2021, fabulistmagazine.com/24-frames-per-second-the-phil-tippett-interview/.

Worse than the Demon. Directed by Maya Tippett, Shudder, 2013. https://youtu.be/ghKqvDNRe4c

#video #video essay #youtube #stop motion #harold halibut #Mad God #phil tippett #Rankin Bass #laika studios #Animation #The Overcoat #yuri norstein #Francheska Yarbusova #Youtube

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2-years-of-kp · 10 months ago

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Happy two years of KinnPorsche The Series and welcome to this year's anniversary event!

In celebration of the show and us as a fandom, this event will host prompts and a rewatch, so we can enjoy the show once more, and to encourage creativity and new creations for its second anniversary. Starting from April 9th, the event will run across 28 days; dedicating two days to each episode and one prompt pair as listed below.

Any and all creations are welcome! You don't have to follow the prompts, they are just here to give you some inspiration if you'd like.

Make sure to use the tag #kpanniversary2024 on any anniversary-related posts so we can reblog them to this blog and feel free to add your writing to the Kinnporsche Two Year Anniversary collection on AO3 as well!

Got any questions? Feel free to send an ask!

REWATCH SCHEDULE

Apr 9-10: Episode 1

Apr 11-12: Episode 2

Apr 13-14: Episode 3

Apr 15-16: Episode 4

Apr 17-18: Episode 5

Apr 19-20: Episode 6

Apr 21-22: Episode 7

Apr 23-24: Episode 8

Apr 25-26: Episode 9

Apr 27-28: Episode 10

Apr 29-30: Episode 11

May 1-2: Episode 12

May 3-4: Episode 13

May 5-6: Episode 14

PROMPTS

List 1: Your Favourites

Ep 1 - Apr 9-10: Favourite Main Character

Ep 2 - Apr 11-12: Favourite Supporting Character

Ep 3 - Apr 13-14: Favourite Episode

Ep 4 - Apr 15-16: Favourite Location/Set

Ep 5 - Apr 17-18: Underrated Character

Ep 6 - Apr 19-20: Favourite Romantic Relationship

Ep 7 - Apr 21-22: Favourite Platonic/Familial Relationship

Ep 8 - Apr 23-24: Favourite Scene

Ep 9 - Apr 25-26: Favourite Outfit

Ep 10 - Apr 27-28: Underrated Ship

Ep 11 - Apr 29-30: Favourite Family

Ep 12 - May 1-2: Favourite Parallel

Ep 13 - May 3-4: Underrated Quote

Ep 14 - May 5-6: Your Choice!

List 2: Your Interpretation

Ep 1 - Apr 9-10: Fate

Ep 2 - Apr 11-12: Misfit

Ep 3 - Apr 13-14: Heroes

Ep 4 - Apr 15-16: Tension

Ep 5 - Apr 17-18: Regret

Ep 6 - Apr 19-20: Comfort

Ep 7 - Apr 21-22: Heist

Ep 8 - Apr 23-24: Haunting

Ep 9 - Apr 25-26: Trust

Ep 10 - Apr 27-28: Manipulate

Ep 11 - Apr 29-30: Villains

Ep 12 - May 1-2: Identity

Ep 13 - May 3-4: Secrets

Ep 14 - May 5-6: Legacy

RULES AND GUIDELINES

Any kind of creations (fics, drabbles, fanart, edits, gifs, videos, etc.) are welcome!

Use the tag #kpanniversary2024 so your creation can be reblogged to this blog.

Be respectful of other people; this event is no space for negativity.

Mature and NSFW content is welcome, but must be tagged properly - both on Tumblr and on AO3.

Feel free to skip days, only participate for one day, etc. however you like!

You can participate in the prompts, the rewatch or both - it is up to you!

Late submissions are allowed.

One prompt or a combination of both prompts can be used, and all prompts are open to personal interpretation.

Multiple creations per prompt/prompt pair are welcome!

You do not have to follow the prompts, any creations during the course of the event are welcome.

Since this event is meant to celebrate the show itself, no actor content or behind the scenes content will be reblogged.

DISCLAIMER

This event has drawn inspiration from the previous year's anniversary event, as well as Kinnporsche Week in 2022.

Happy creating!

#announcement #kinnporsche #kinnporsche the series #vegaspete #kimchay #kimporchay #kinnporsche event #kpanniversary2024 #kinnporche the series #kpts #kpedit #kinnporscheedit

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isbergillustration · 10 days ago

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2024 Tumblr Top 10

1. 5,284 notes - Oct 11 2024

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3. 4,408 notes - Sep 8 2024

4. 2,898 notes - Apr 29 2024

5. 2,512 notes - Apr 23 2024

6. 2,496 notes - Aug 31 2024

7. 2,376 notes - Jun 12 2024

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10. 2,031 notes - Jul 12 2024

Created by TumblrTop10

#tumblrtop10 #artists on tumblr #my art #some questionable choices here #and it has been a worse year for art reach than before despite like tripling my follower count this year but #tumblr works in mysterious ways #long post #i'll try and do better stuff next year

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mostlysignssomeportents · 9 months ago

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Too big to care

I'm on tour with my new, nationally bestselling novel The Bezzle! Catch me in BOSTON with Randall "XKCD" Munroe (Apr 11), then PROVIDENCE (Apr 12), and beyond!

Remember the first time you used Google search? It was like magic. After years of progressively worsening search quality from Altavista and Yahoo, Google was literally stunning, a gateway to the very best things on the internet.

Today, Google has a 90% search market-share. They got it the hard way: they cheated. Google spends tens of billions of dollars on payola in order to ensure that they are the default search engine behind every search box you encounter on every device, every service and every website:

https://pluralistic.net/2023/10/03/not-feeling-lucky/#fundamental-laws-of-economics

Not coincidentally, Google's search is getting progressively, monotonically worse. It is a cesspool of botshit, spam, scams, and nonsense. Important resources that I never bothered to bookmark because I could find them with a quick Google search no longer show up in the first ten screens of results:

https://pluralistic.net/2024/02/21/im-feeling-unlucky/#not-up-to-the-task

Even after all that payola, Google is still absurdly profitable. They have so much money, they were able to do a $80 billion stock buyback. Just a few months later, Google fired 12,000 skilled technical workers. Essentially, Google is saying that they don't need to spend money on quality, because we're all locked into using Google search. It's cheaper to buy the default search box everywhere in the world than it is to make a product that is so good that even if we tried another search engine, we'd still prefer Google.

This is enshittification. Google is shifting value away from end users (searchers) and business customers (advertisers, publishers and merchants) to itself:

https://pluralistic.net/2024/03/05/the-map-is-not-the-territory/#apor-locksmith

And here's the thing: there are search engines out there that are so good that if you just try them, you'll get that same feeling you got the first time you tried Google.

When I was in Tucson last month on my book-tour for my new novel The Bezzle, I crashed with my pals Patrick and Teresa Nielsen Hayden. I've know them since I was a teenager (Patrick is my editor).

We were sitting in his living room on our laptops – just like old times! – and Patrick asked me if I'd tried Kagi, a new search-engine.

Teresa chimed in, extolling the advanced search features, the "lenses" that surfaced specific kinds of resources on the web.

I hadn't even heard of Kagi, but the Nielsen Haydens are among the most effective researchers I know – both in their professional editorial lives and in their many obsessive hobbies. If it was good enough for them…

I tried it. It was magic.

No, seriously. All those things Google couldn't find anymore? Top of the search pile. Queries that generated pages of spam in Google results? Fucking pristine on Kagi – the right answers, over and over again.

That was before I started playing with Kagi's lenses and other bells and whistles, which elevated the search experience from "magic" to sorcerous.

The catch is that Kagi costs money – after 100 queries, they want you to cough up $10/month ($14 for a couple or $20 for a family with up to six accounts, and some kid-specific features):

https://kagi.com/settings?p=billing_plan&plan=family

I immediately bought a family plan. I've been using it for a month. I've basically stopped using Google search altogether.

Kagi just let me get a lot more done, and I assumed that they were some kind of wildly capitalized startup that was running their own crawl and and their own data-centers. But this morning, I read Jason Koebler's 404 Media report on his own experiences using it:

https://www.404media.co/friendship-ended-with-google-now-kagi-is-my-best-friend/

Koebler's piece contained a key detail that I'd somehow missed:

When you search on Kagi, the service makes a series of “anonymized API calls to traditional search indexes like Google, Yandex, Mojeek, and Brave,” as well as a handful of other specialized search engines, Wikimedia Commons, Flickr, etc. Kagi then combines this with its own web index and news index (for news searches) to build the results pages that you see. So, essentially, you are getting some mix of Google search results combined with results from other indexes.

In other words: Kagi is a heavily customized, anonymized front-end to Google.

The implications of this are stunning. It means that Google's enshittified search-results are a choice. Those ad-strewn, sub-Altavista, spam-drowned search pages are a feature, not a bug. Google prefers those results to Kagi, because Google makes more money out of shit than they would out of delivering a good product:

https://www.theverge.com/2024/4/2/24117976/best-printer-2024-home-use-office-use-labels-school-homework

No wonder Google spends a whole-ass Twitter every year to make sure you never try a rival search engine. Bottom line: they ran the numbers and figured out their most profitable course of action is to enshittify their flagship product and bribe their "competitors" like Apple and Samsung so that you never try another search engine and have another one of those magic moments that sent all those Jeeves-askin' Yahooers to Google a quarter-century ago.

One of my favorite TV comedy bits is Lily Tomlin as Ernestine the AT&T operator; Tomlin would do these pitches for the Bell System and end every ad with "We don't care. We don't have to. We're the phone company":

https://snltranscripts.jt.org/76/76aphonecompany.phtml

Speaking of TV comedy: this week saw FTC chair Lina Khan appear on The Daily Show with Jon Stewart. It was amazing:

https://www.youtube.com/watch?v=oaDTiWaYfcM

The coverage of Khan's appearance has focused on Stewart's revelation that when he was doing a show on Apple TV, the company prohibited him from interviewing her (presumably because of her hostility to tech monopolies):

https://www.thebignewsletter.com/p/apple-got-caught-censoring-its-own

But for me, the big moment came when Khan described tech monopolists as "too big to care."

What a phrase!

Since the subprime crisis, we're all familiar with businesses being "too big to fail" and "too big to jail." But "too big to care?" Oof, that got me right in the feels.

Because that's what it feels like to use enshittified Google. That's what it feels like to discover that Kagi – the good search engine – is mostly Google with the weights adjusted to serve users, not shareholders.

Google used to care. They cared because they were worried about competitors and regulators. They cared because their workers made them care:

https://www.vox.com/future-perfect/2019/4/4/18295933/google-cancels-ai-ethics-board

Google doesn't care anymore. They don't have to. They're the search company.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/04/04/teach-me-how-to-shruggie/#kagi

#pluralistic #john stewart #the daily show #apple #monopoly #lina khan #ftc #too big to fail #too big to jail #monopolism #trustbusting #antitrust #search #enshittification #kagi #google

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