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dunmeshistash · 2 months

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Ryoko Kui Q&A (part of the Autograph event in Shanghai, China)

Here's the full Q&A copied from the post by Minute_Profession_34 on reddit

Original on weibo

About Ryoko Kui

Q: You have created a lot of interesting short manga in the past, do you have any favorite short manga by other artists?

A: A classic choice though, I think it's the collection of short stories by Fujiko F. Fujio. Other impressive works include "Hanshin: Half-God" by Moto Hagio, "Hanashippanashi " by Daisuke Igarashi, "茄子" by 黑田硫黄, "Skygrazer" by Ishiguro Masakazu, and "Tabi (The Journey of Life)" by Irie Aki. However, I haven't really read many short manga compilations.

Q: Do you prefer to create short manga or longer ones?

A: Long manga.

Q: Do you have a game that you highly recommend to fans?

A: Although not a game title, Steam Deck is the best thing I have bought in the last few years.

Q: What kind of music genre do you like?

A: I'm really not a music person and don't listen to music at all. Sometimes I listen to something like Tropical House.

About the creation & worldview of Dungeon Meshi

Q: Is the main storyline of the comics conceived at the beginning? Is the final ending adjusted during the serialization process?

A: I decided everything from the beginning. It may sound overly pretentious to say that, but I am the type of person who cannot move forward with each and every story unless I have decided on the main flow of the story. Of course, there are parts that I changed during the process because I thought, "I was going to do it this way, but it might not be natural," and there are parts that didn't work out the way I wanted them to. However, I think the story turned out to be roughly what I had in mind at the beginning.

Q: Will people outside of the dungeon incorporate the use of magic into their daily lives?

A: It would depend on the region. There are many sorcerers in elven and gnome cultures, but I don't think you will find many in dwarf and most short-lived cultures.

Q: What secrets of ancient magic are the elves hiding? Why would one be punished for doing anything related to ancient magic?

A: It is about the existence of Demon. They restricted that information because they didn't know what effect it would have on the world if the existence of Ddemon became known.

Q: How do adventurers know the time? Is there any dungeon having a different time flow from the normal world?

A: Some people bring things like clocks, but most only use their biological clock. There are also Dungeons where the flow of time is different from that on the ground.

Q: In the world of Dungeon Meshi, how do you deal with natural disasters, what would Laios or Marcille or Canaries do when there's a drought or a storm?

A: I don’t think it is so different from us.

About characters in Dungeon Meshi

Q: It’s about to give the new puppy a name again. Can Laos still beat Falin?

A: 7 out of 10, Laios will win. Or it may be decided by rock-paper-scissors or a raffle.

Q: Who will inherit the Golden Land after the passaway of Laios? The children and grandchildren of Yaad? Or the descendants of Laios? Or will there be a new Devourer?

A: Maybe the descendants of the Laios will inherit it, or maybe it will be passed on to someone with no blood ties at all. Or perhaps the monarchy will be abolished.

Q: Will Laios continue to eat monsters in the castle? And who will cook, maybe someone better than Senshi?

A: Many people in Merini are good cooks, but Senshi's cooking must be special to Laios. He may invite Senshi to cook from time to time.

Q: Where will Falin prefer to travel to?

A: She may prefer places where she can see landscapes and cultures she has never seen before.

Q: Would Marcille befriend a half-elf, such as Fionil? Since half-elves shouldn't think too much about longevity amongst themselves. Or would they not consider race as a factor to make friends but by fate?

A: Because mixed species in this world grow at very different rates and have very different abilities from person to person, there is often not much of a sense of sameness when you first meet them. They may or may not become friends as a result of interacting with each other as we would with any other human being.

Q: Is there any special meaning of Marcille and her mother's ribbons on the neck? And what about Cithis’s ribbon?

A: In elven culture, people with magic tattoos on their necks sometimes wear decorations covering their necks to hide the tattoos (mainly military personnel) This has spread to the general population, and many people wear decorations on their necks even if they do not have neck tattoos. Marcille and her mother's ribbons are just for fashion. While Cithis may have something special.

Q: Why wouldn’t Cithis wear a gorget? Or she’s not afraid of Dungeon Rabbits?

A: Maybe it’s suffocating or simply not liking it? The head-cutting Dungeon Rabbit is a fearsome monster, but it is not the first thing for the rear guard to be on the lookout for.

Q: How will Izutsumi and Falin get along with each other?

A: They may work together if necessary, but I doubt that Izutsumi will actively show interest in Falin (as she does with everyone).

Q: Itsuzumi has a beast soul mixed with a small amount of human soul, and does she shapeshift between a beast-man and a beast form like Lycion?

A: It can be done, but once transformed, she may no longer want to return to her human form.

*This Q&A seems to be strange

Q: What would Thistle do if he attended the former dungeon masters meetings?

A: Perhaps he would feel angry at the incompetence of other masters (their dependence on the devil).

Q: How did Milsiril accept Helki to stay by her side? After all, she hated elves and was bullied by her Canary teammates.

A: In the past, Helki was abandoned by his comrades for various reasons, and she could not leave him alone.

Q: Has Kabru ever had a real relationship with a girl? If so, what race or personality type of the girl was she?

A: I don’t think he cares about race, etc...

Q: What kind of soba will Mithrun make?

A: I hope he can make delicious soba.

Q: I would like to know the name of Mithrun’s brother or his brother’s crush!

A: His brother's name is Obrin (オブリン). I haven't thought of a particular name for his brother’s crush, so I'll name her appropriately now. Hmmm. Sultha (スルスハ).

Q: Since Mithrun used to assist Canary from behind, I wonder what kind of weapons he was good at using? Or was he good at using no weapons? (this is new info from the Korean Q&A)

A: He used a magic staff similar to that used by Pattadol. He was issued with the same one by the team. However, he no longer carried it because he lost it easily.

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whumptober · 1 year

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Whumptober 2023

Welcome to Whumptober 2023 — the sixth year running!

COMPLETIONISTS/PARTICIPANT BADGES CAN BE FOUND HERE

To those of you who participated last year, welcome back! To everyone joining this year, welcome!

Please make sure to read the Event Info carefully, as most of your questions will be answered there already. For everything else, you are welcome to come to our ask box or ask questions in our Discord server here.

This year’s AO3 Collection can be found here.

And this years playlist can be found here.

There are 139 prompt options in total this year - this is including the alternatives list! A special thanks goes out to those who took part in our trope vote back in July. From the 1526 responses to our list of 223 tropes, we looked through the popularity results, as well as your honourable mentions, and were able to produce this years prompts list. Stay tuned, as we will be posting some of the results at a later date!

We’re very excited to see the community come together once more and be a wild, chaotic bunch of creators and consumers of whump. Go wild with the prompts, and support your fellow creators - we wish you all the fun!

Best of luck and happy whumping,

Mods Vanne, Yenn, Kitty and Surro

(All 31 Themes + Prompts, Event Information and FAQs are posted below the cut!)

Whumptober 2023 Prompt List

No. 1: “But now this room is spinning while I’m trying just to fill in all the gaps.”

Safety Net | Swooning | “How many fingers am I holding up?”

No. 2: “I’ll call out your name, but you won’t call back.”

Thermometer | Delirium | “They don't care about you.”

No. 3: “Like crying out in empty rooms; with no-one there except the moon.”

Journal | Solitary Confinement | “Make it stop.”

No. 4: “I see the danger, It’s written there in your eyes.”

Cattle Prod | Shock | “You in there?”

No. 5: “You better pray I don't get up this time around.”

Debris | Pinned Down | “It's broken.”

No. 6: “Do or die, you’ll never make me; Because the world will never take my heart.”

Recording | Made to Watch | “It should have been me.”

No. 7: " “I paced around for hours on empty; I jumped at the slightest of sounds.”

Alleyway | Radio Silence | “Can you hear me?”

No. 8: “I’ve got soul, but I’m not a soldier.”

Overcrowded ER | Outnumbered | “It’s all for nothing.”

No. 9: “Learning everything ain't what it seems, that's the thing about these days.”

Polaroid | Mistaken Identity | “You're a liar.”

No. 10: “Can’t you see that you’re lost without me?”

Broken Phone | Stranded | “You said you'd never leave.”

No. 11: “All the lights going dark and my hope’s destroyed.”

Animal trap | Captivity | “No one will find you.”

No. 12: “I haven't slept in days but who's counting?”

Red | Insomnia | “I’m up, I’m up.”

No. 13: “It comes and goes like the strength in your bones.”

Cold Compress | Infection | “I don’t feel so good.”

No. 14: “Feed me poison, fill me ‘till I drown.”

Flare | Water Inhalation | “Just hold on.”

No. 15: “I don't need you to help me I can handle things myself.”

Makeshift Bandages | Suppressed Suffering | “I’m fine.”

No. 16: “Would you lie with me and just forget the world?”

Gurney | Flatline | “Don’t go where I can’t follow.”

No. 17: “You’re the lump in my throat and the knot in my chest.”

Collar | Touch Aversion | “Leave me alone.”

No. 18: “I tend to deflect when I’m feeling threatened.”

Blindfold | Tortured For Information | “Hit them harder.”

No. 19: “I’ll take one final step, all you have to do is make me.”

Floral Bouquet | Psychological | “I’m not as stupid as you think I am.”

No. 20: “People don’t change people, time does.”

Blanket | Found Family | “You will regret touching them.”

No. 21: “See the chains around my feet.”

Vows | Restraints | “Don't move.”

No. 22: “They never saw us coming, ‘til they hit the floor.”

Glass Shard | Vehicular Accident | “Watch out!”

No. 23: “It’s gonna get me by the end of the night.”

Shadows | Stalking | “Who’s there?”

No. 24: “I’ve got a head full of chemicals; mouth full of ridicule.”

Goodbye Note | Neglect | “I thought they were with you.”

No. 25: “You’re not delivering a perfect body to the grave.”

Storm | Buried Alive | “They’re not breathing!”

No. 26: “Sometimes I get so tired; I don’t even know myself.”

Seeing Double | Working To Exhaustion | “You look awful.”

No. 27: “You drew stars around my scars; But now I’m bleeding.”

Matches | Scars | “Let me see”

No. 28: “We might not make it to the morning; so go on and tell me now.”

Bloody Knife | Sacrifice | “You'll have to go through me.”

No. 29: “I only sink deeper the deeper I think.”

Scented Candle | Troubled Past Resurfacing | “What happened to me?”

No. 30: “It’s okay, just to say, ‘I’m not okay’.”

Borrowed Clothing | Bridal Carry | “Not much longer...”

No. 31: “I thought that I was getting better.”

Emptiness | Setbacks | “Take it easy.”

Alternatives List:

Betrayal

Aftermath of Failure

Brass Knuckles

Decoy

Body Modification

Playing Cards

Examination

Hunting

Drugging

Shaking

Panic

Broken

Miscommunication

Lab Rat

Reluctant Whumper

Event Info & Rules

~ Please read our extensive event info posts before sending us an ask ~

WHUMPTOBER is a month-long, prompt-based creation challenge (think: Inktober, but whumpier). There are 31 official themes this year - one for each day of the month - which can be used, skipped, or combined in any way you’d like. The 'theme' of each day is the line of lyrics.

The prompts are merely to serve as inspiration without being taken literally (e.g. you don’t have to include the exact wording of prompts into your work). Feel free to run rampant on interpretation. For example, if the prompt is "flame", you could create something with reference to a candle/campfire, your character could have suffered a burn, or the flame could be related to the 'spark' of a relationship. It's truly up to you!

In total, there are 4 prompts for each day: there's lyrics, an object, a trope and a line of dialogue to choose from. We want to give everyone as much creative freedom as possible, as well as increase event accessibility for folks with triggers and squicks.

Creators can PRODUCE work in any media they choose, including but not limited to: writing, visual artwork, photo/video/audio edits, paper crafts and elaborate recommendation lists (not just a list of links). Creators can PARTICIPATE as much or as little as they want (i.e. you don’t have to do ALL the prompts if you don’t want to) and prompts can be used in any order. They are also free to use even after the event ends.

When uploading Whumptober content to your blog, be sure to tag the with:

#whumptober2023 …..(the event tag)

#no.1, #no.2, #no.3, …..(day number)

#lyric, #bruises, #stabbing, …..(the theme or specific prompt you chose)

#fandom or #OC, … (ironman, originalcontent, oc …)

#medium …..(gifs, fic, podcast, art, etc.)

#teeth, #gore tw, #etc …..(trigger warnings & any additional tags. Add "tw" AFTER the trigger/content warning. )

#nsfwhump …..(only for nsfw content)

#your own tags go here

PLEASE BE DILIGENT WITH YOUR TAGGING. Only properly tagged posts are considered for archiving on the official @whumptober-archive blog. They must be tagged in the order above. An elaborate post about our tagging system can be found [here]

Unfortunately, due to the sheer number of participants in recent years, we cannot guarantee your work will be archived. A random selection of properly tagged posts from all genres will be reblogged each day.

Whumpers who produce content for 31 total theme days are considered event completionists and will be tagged in a masterpost at the end of the month. A form will be published at the beginning of November asking you to tell us if you completed the event. You do not need to post anything you have created, we rely on trust and we will not check this.

Questions not addressed in one of our many event info posts can be directed to this blog. We will not answer any questions that have been answered in the FAQs or rules already.

Frequently Asked Questions

Q. How does this year’s prompt list work? What do I have to choose?

You can create something based on:

The overall theme/lyric of the day

Prompt 1, 2 or 3

One or several of the alternative prompts

A combination of the above

Q. Is [specific anything] allowed?

When in doubt: JUST DO IT!

Q. Do I have to do all 31 days?

Participate as much or little as you like! Just be sure to tag your posts properly (ex. #no.7, #radio silence). If you create works for 31 total theme days you will become a completionist. But apart from that, there are no repercussions if you don’t fill prompts for each day.

Q. Can I post early/late?

Yes, you can post whenever you want. We will only reblog posts during October, but you can use our prompts all year round. The day you post will only affect your probability of being reblogged.

Q. Will you reblog my post?

Due to the sheer number of content posted during Whumptober we can’t promise to reblog every single post. We will make a random selection trying to capture a wide variety of content. The following will increase your chances at being reblogged:

tag your post properly

post within 2-3 days of the theme you want to fill: if you fill the prompt for Day 1 your chances of being reblogged during October 1st to 3rd are highest and will go towards zero afterwards.

Q. What if I don’t understand a prompt/theme?

Send us an ask! We’re happy to help with wild, unhelpful clarifications or brainstorming. That being said, the themes are entirely up for interpretation. Don’t take them too literally. For example: You can be choking on a cherry, someone else can choke you or you could be choked up on emotions, etc.

Q. What kind of content can I make? Can it be NSFW?

This is a MIXED MEDIA event! You can write fic, post meta, doodle or paint, create a gifset or photo edit, link a song, or get crafty with video - anything goes. As for NSFW, make what you like, we just hope that you’ll tag your work accordingly so that others participating in the event can stay safe.

Q. Can I combine Whumptober with other creation challenges?

Absolutely, as long as the other challenges allow it too.

Q. Can I upload/repost my Whumptober content to other social media platforms?

Of course! You can post your own content wherever you like (or you can opt to not publish it at all). Additionally we’ve created an AO3 Collection to archive any fics posted there. It can be accessed here. The tumblr blog @whumptober-archive is the official archive, so please respect the boundaries of any closeted whumpers in your social circle.

Q. Can I use prompts to write a new chapter for an existing fic?

Yes.

Q. An existing fic I am currently writing contains many of the Whumptober prompts, can I use it?

If you are actively writing this fic at the moment with the Whumptober prompts in mind, yes. If you’ve previously posted something that checks the boxes, we ask that you not include it retroactively for this current year. You can, however, add new chapters relating to one or more of the prompts.

Q. What kind of characters can I write for?

Fandom characters, OC characters, human, furry, alien, cyborg, RPF, whoever you like. You can use the generic “whumpee” character or have specific ones.

Q. Does it have to take place in a specific fandom?

No, you can create works for your own worlds or for fandoms or for both. You can also create more generic or pan-fandom works. You can do cross-overs or use OCs, whatever you want.

Q. Can I use a prompt multiple times?

Yes, but it only counts once towards being a completionist.

Q. If I’m not comfortable with one day’s prompts can I use a prompt of a different day as a substitute and still be a completionist?

No, you can’t exchange prompts for different days. However, if all four prompts of a specific day make you uncomfortable, we have created an alternate prompts list that you can draw from. You can exchange any prompt with these, but please make sure not to use them twice.

Q. Where can I post my work?

Post where and how you want. You don’t have to (cross)post it to Tumblr or at all. Just keep in mind if it’s not on Tumblr we will not be able to add it to the blog archive.

Q. Can I start posting early?

You can, but this is an October event and wouldn’t it be more fun with everyone doing it at the same time? That being said, you can post early, but we won’t be reblogging any work predating October 1st.

Q. Do I have to finish a fic I started/can I post WIP’s?

Yes you can post WIPs. And you’re not obligated to finish it in October for it to count towards being a completionist.

Q. Is co-writing allowed?

Yes, absolutely, and it would count towards being a completionist for both/all of you.

Q. Do I have to create 31 standalone pieces to be considered a completionist or can I write one continuous story?

One continuous story is fine. The challenge is to write something for 31 prompts. If that’s spread over 31 fics or just one, you are still considered a completionist. (The same goes for every other media you choose.)

Q. Is there a min/max limit on word count?

There is no limit.

Q. Can I combine prompts? Is there a limit on how many?

No limit and combine as many as you’d like.

Q. Is a hc/angst/emotional whump focus ok?

Of course! We are not going to establish a threshold for whumpiness. If you think it’s whumpy enough, then it’s whumpy enough. It can be physical, psychological, emotional, or any combination of the three.

Q. What’s considered nsfw?

See this post

Q. What is whump?

Typically the genre includes situations where a fictional character is hurt, be it emotionally, psychologically, or physically. Fanlore provides information here.

Q. My interpretation of the prompt isn’t whumpy at all, does that count?

If you don’t think your interpretation is whumpy, then it doesn’t count for Whumptober. Remember that whump comes in many forms, though, and that we don’t have a whump-checker or a threshold for how much whump needs to be included. If you think your interpretation contains enough whump to count, then it does.

Q. Can I start working on the prompts before October?

Absolutely! That’s why we post the prompts a month in advance. We recognise how difficult it can be creating for 31 days in “real time” so feel free to start creating early!

Q. How do I tag triggers?

tw at the end of the word, ex. #gore tw

Q. Do I have to use your tags?

Yes, if you want your work archived on the blog. If not, feel free to use whatever tags you want.

Q. Does combining prompts count towards completion?

Yes

Q. Can we @ you?

Yes but we mostly rely on the #whumptober2023 tag.

Q. Is there anything we are absolutely not allowed to write?

There are no rules, but please make sure to properly tag your trigger warnings. And keep in mind Tumblr’s policies if you are posting it here (or the policies for whatever site you use).

Q. Where can I go for brainstorming help?

Here on Discord or come into our ask box.

Q. My characters are minors, is that ok?

Yes, but as with everything else, use clear and descriptive tags.

Q. Can I cross post on other blogs?

Yes, multiple platforms and blogs are perfectly acceptable. You can also post different works to different accounts under different names, without posting them everywhere at once.

Note: This is a creation challenge, please don’t repost your old work under our tags (unless it’s been changed or edited for the event).

Thanks for reading, and happy whumping!

#whumptober2023 #whumptober 2023 prompts list #whumptober #prompts list #long post

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elumish · 7 months

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In the wake of what's going on in the world, I see a lot of rhetoric that basically boils down to the idea that everyone has a responsibility to watch every bad thing that's going on in the world all the time. That awareness itself is a responsibility that everyone has always.

I'm not going to say that people do or don't have a responsibility to be aware of things, but I want to talk about how to take care of yourself and others while doing so.

For some context, I spent close to a year and a half reading about every terrorist attack in the world as part of my work on the Global Terrorism Database. It was 2015/2016, so this was the height of ISIS/Daesh, it was a major time for Boko Haram, and it was when there was a lot of political violence that we weren't sure how to classify in places like Yemen, Crimea, and Libya (stuff the GTD didn't know how to classify had all of is information recorded, and then it went into purgatory until someone above my paygrade decided what to do with it). What this means is that I was spending 10-20 hours a week reading about hundreds or thousands of attacks a month and, in my case, recording infomation about the type of attack and the type of weapon. Much of my life was reading terrible things.

Limit what you do in isolation. One of the worst changes for me during that time, mental health-wise (even though it was great for my commute) was when I went from working in-person to working remotely. With other people, there are ways to diffuse the pain. A burden shared is a burden halved and all that. That may mean talking about it, or joking about it, or finding some other way to engage with it that isn't just reading about the most horrible things in the world and then stewing in your own thoughts about them.

Find something to do that's totally unrelated. I highly recommend finding something to do with your hands, if you can (knitting, Lego, cooking, whatever), but regardless of what it is, you should have some time when you entirely switch away to something different. During a fair amount of my time with the GTD, I was also doing my undergrad thesis about terrorism on TV, so a huge amount of my life was about terrorism in some way. The only other thing I watched was Great British Bake Off, and I would just rewatch the episodes, over and over.

Be compassionate about how you share information and with whom. Use trigger warnings, and consider using consistent tagging on places like Tumblr so people can blacklist it if they need to. Also consider whether it's appropriate or necessary to share photos of bodies or other results of horrible violence. What is it accomplishing, to show that? Can that goal be accomplished other ways that don't require the equivalent of jumpscares of unexpected photos of dead or brutalized people? Are you just showing it because you think that everyone should have to see it? If you are showing it, are there ways to mitigate against harm it may do?

Do what you can to avoid an echo chamber. Sometimes, when everyone around you is upset or angry about the same thing, it just amplifies itself, and you all get angrier and more upset in perpetuity without accomplishing anything.

Work towards action. Watching terrible things happen for the sake of saying that you haven't looked away isn't as meaningful as taking action in some way. Write to your Congressperson. Donate. Do whatever is appropriate for the thing you want to stop. But penance via watching terrible things happen doesn't accomplish anything.

Recognize compassion fatigue and do what you can to mitigate it. If you spend long enough doing this, you start to lose context, and you start to become less able to have compassion about things. If you're reading about attacks with dozens or hundreds of deaths regularly, five can start to not seem like that many. If you're reading only about the worst suffering in the world, "lesser" suffering of those around you can start to seem unimportant and petty. Do what you can to mitigate that.

Be kind to yourself. You do nobody any good if you burn out. Look away, if you need to. Take a break. Do things so you can enjoy life, because otherwise you are just another person suffering in the world. Other people's pain isn't a hair shirt for you to wear.

#elumish blogs #compassion fatigue #activism

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sarah-yyy · 4 months

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Jie jie, what is The Double about?

hahahahahaha i was waiting for someone to ask!! mr r has bailed on me at work again and bossman has the man flu so it's just. me at the office today. working my ass off for partners who are trying to Kill Me™.

what: period cdrama // completed // 40 eps, roughly 45 mins each where: youku (standard disclaimer that i don’t watch with subs so i don’t speak to the quality of eng subs) // i think viki is picking this up?

this is xue fangfei. daughter of a small town magistrate. married a poor scholar for love against the wishes of her dad. this turns out to be a bad, bad, bad decision because he ends up burying her alive in the mountains sometime post-marriage. :)

this all happens in like ep 1, we're just getting started.

xff ends up being rescued by jiang li, who is the prime minister's kinda-sorta-exiled daughter. jl has been stuck in a kinda-sorta-nunnery in the mountains for the past 10 years because of her evil stepmother.

i'll skip past all the other bits because there is a bit of a backstory about what happened to jl, but long story short!! jl dies (kinda-sorta-because of xff). xff decides to get justice for both herself and jl. her plan is:

1. become jiang li 2. go back to the capital 3. ?????? 4. profit make everyone pay

this is xiao heng a.k.a. su-guogong (the translation is duke su but it sounds weird to me so i'm going to stick with su-guogong). he chances upon xff while he's trying to catch a criminal.

xff, who is in the process of executing her Escape Plan, decides eh, any way to escape will do and lets s-gg arrest her to take her back to the capital for interrogation.

(yes, this is wang xingyue who played zhang zhe in kunning palace. yes he looks a++++++ in this show. i am obsessed.)

side bar, counsels, for a bit of very important information -

su-guogong recognises xue fangfei!! he knows 100% that she is not jiang li and that she is going to cause some chaos. he is Committed™ to watching this drama play out.

ANYWAY. this is the loose premise of the show. it's been fun to watch, and i'm enjoying this a lot!! why should you watch the show?

wang xingyue looks so good in this!! the fans? the capes?? i am obsessed!! everyone in the costumes department deserves a raise.

the story moves quickly and doesn't really drag on. so far, it's been nothing complicated and interesting to watch - i wouldn't say this is a plot-heavy show, just a v good 宅斗 for now, but i'm only like 10 eps in.

the torture my ex-husband who murdered me by showing up in front of him and saying all the right things to remind him of me and the fact that he killed me is so good - normally when this happens, the person looks nothing like their former self, but!! xff's looks haven't changed!! so she's just out here going - hi i am jiang li now and oh btw do you know how cold it is in the mountains where you killed me :)

look i'm......intrigued by this whole shen yurong (ex-husband) and the zhang-gongzhu storyline. i want to see how this whole thing plays out!!

eta: quick post-watch thoughts (may contain spoilers)

a v enjoyable drama!! this is a 爽剧 for reals, like all the plot points get wrapped up and we get a few cute snippets into their happily ever after!! i'm a bit :/ about the way the last few scenes were done in ep 40 (the side character deaths??? extremely unnecessary 🙄🤬 actually the whole war scene was unnecessary but i'm not complaining too much because it gave us That Scene), tbh the whole thing looked more OE leaning BE than HE to me, so the 番外 was quite important to me!! glad we got that!!

shen yurong and zhang-gongzhu both turned out to be so much more interesting than i thought!! a+++ villains, v well-written, and both actors played them beautifully 👏🏼

still an 8.5/10 rec tbh, started strong and held my interest the entire way through

#tv rec #the double #cdrama

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headspace-hotel · 1 year

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so many of us haven't seen it

we don't encounter it, we can't imagine it, we can't get out of the tomb of apathy because we haven't seen the wonders just beyond their line of sight

I talk about this all the time, but it's because I think about it all the time

There are likely thousands of plants native to the area you live in, and chances are you have never even seen most of them, in your entire life.

Not even rare orchids that only bloom at midnight on a blood moon or some shit—regular flowers. Weeds. They have been systematically eliminated from every single place you ever set foot in, and you have to have a special hobby or line of work to ever even rest your eyes upon the flowers that used to bloom for no one on every hill, or in every valley, or beside every stream

There are a few hundred birds that live where I live. I have never seen most of them before. I have never seen a Kentucky Warbler, and I have lived in Kentucky for what...twenty years?

I have never seen a rosy maple moth. When I saw one on the internet, I didn't even think it was real.

I've become a deeply weird person over the past couple years. Tasting even a little bit of the Wonders changes you. I wouldn't have thought blue bees were real, or the fantastically rainbow-colored dogbane beetles.

I have seen the world beyond the wasteland, and that glimpse makes you crazy.

You or I may have never seen a truly mature tree. A fraction of a percent of the old growth forest of the Eastern USA remains. Once there were tulip poplars over 6 feet in diameter and sycamores well over 10 feet in diameter. Only a few remain, in secret locations. Imagine walking through a forest where the tree trunks are over 3-4 feet wide.

The forest where I work is 100 years old. That's a baby forest.

Knowing that, being aware of that, it's maddening.

Central Kentucky has disproportionately few endemic plants. Almost none. Central Kentucky was the first area west of the Appalachians settled by European colonizers. The Bluegrass was once described as having the most peculiar plant life anywhere in the East, but now, there are no species known that are unique to that area.

Colonization destroyed the canebrakes. (Did you know that we had vast forests of bamboo full of carnivorous plants?) The bamboo is barely hanging on. It destroyed the sycamores so enormous you could use the hollow center of one as a stable for animals. It introduced invasive grasses to feed cattle and horses. It destroyed the rich lush topsoil. Most of the ancient oaks were cut down or died when housing developments were built on top of their roots.

What happened to the endemic species, never recorded in books of herbs, never sketched by a European naturalist.

Either gone forever...or hiding in a sinkhole on a backroad somewhere, not even yet discovered.

So much has been lost for eternity. So much still could be lost.

Some days it's hard not to wail and scream. There are herbicides in your drinking water. When you spread honey on toast, you likely also spread neonicotinoid pesticides, which testing has confirmed to be present in something like 45% of honey. In many areas, insects are immersed in the presence of chemicals designed to kill them in every drop of water, every leaf, every square inch of soil.

When games, animations, and illustrations envision the outdoors, they cover the ground with a short, uniform carpet of green, because that is what we see, no matter where we go: turfgrass cut by a lawn mower. Where I live, there are no natural environments that resemble this, remotely. The closest thing we have to turf-forming grass is our wealth of native sedges, most of which are rare or endangered.

I talked to a man who had devoted his life to studying the American bamboo, Arundinaria gigantea, and he had never seen a canebrake larger than 200x500 feet. Canebrakes once covered ten million acres, and now the bamboo exists in short, straggly clumps instead of dense bamboo forests up to 40 feet tall.

I want to cry and scream. The grief will tear me to pieces. I live in a post-apocalyptic wasteland, surrounded by people who can't even grieve, because they have been so completely severed from everything that was lost that they don't even know it was real.

It hurts. It hurts, and we have to live with it. It hurts, and the grief is all-consuming.

There is the agony, and there are the Wonders. Both are true at the same time. It is because nothing around us is standing still; everything in nature is always moving, iterating, becoming. Something is pulling and nudging at our species, urging us to move, to iterate, to become.

So much has been lost. Even more is not lost.

The trees, the bamboo, the sedges, the Kentucky warblers and rosy maple moths.

They are not lost. We are lost.

This is the hard part. The grief is hard, but this is somehow harder for us. We are lost, and it is time to come home.

Not to a physical place, but to a way of living: interconnected, mutualistic, interdependent. Symbiosis. In the forest, no one is separate from anyone else, everyone is linked and dependent on the community. Trees help each other, they support each other, they protect and shelter and feed one another and all living things, and together they are a forest. I don't really consider myself religious, but I have to reserve something in my head for how it felt to realize what Forest was.

When I noticed the little plants popping up in the sidewalk cracks and gravel paths, the tough weeds holding on in the lawns and pavement, something in my brain began to change dramatically and permanently.

They're still here. The trees. Even in the pavement and lawns. The dandelions have come, adapting rapidly, helping the bees hold on. The wildflower seeds are still sprouting in this depleted ground. Waiting for us to recognize them. Life is everywhere. The Forest is everywhere. It felt like they were waiting. We're here. We have not abandoned you. We are resilience, persistence, survival, adaptation. This is not death. This is Chaos. Come home. Come home. Come home.

I saved little plants from the roadside and tended them in plastic cups. I didn't think it would work. I don't know why I tried. I was acting as something bigger than only myself, responding to a call that moves throughout all of nature. But they survived, and growing and tending to my little plants and trees, I—understood.

I don't know if I believe in God, but I believe in Something, whatever it was that seemed to whisper like a secret: Welcome home, Caretaker.

And honestly, truth shone through then from relics of religion I hadn't touched in ages; God put Adam in a garden, not a suburb, a mall, or a Walmart. This is who you are. Not a Consumer, but a Caretaker.

And when the threat of the Flood loomed, God told Noah to start building a fucking boat.

In ecology, the plants we know as "weeds" are pioneer species: the first species to return to an area after a natural disaster or mass extinction. They survive in the harshest conditions, and prepare the land for regeneration. This is who you must become.

Look to the Dandelion—in just a few hundred years on this continent, Dandelion has risen to the highest calling of a Weed: first survive where the others can't, and then help the others survive. If the human species is to survive, you must be a weed species. You must adapt relentlessly, resist eradication, and protect and nurture other life forms by your very nature. You must be tough as nails, and make the world a gentler place through your survival.

Have you heard the saying that grief is love with no place to go?

That's the hard part.

We must grieve, but it is not yet time to grieve. It is time to love.

#plants #native plant gardening #weeds #we are a weed species #gardening #wonders of the world #nature

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dresshistorynerd · 7 months

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The Real Cost of the Fashion Industry

Atacama Desert, in Alto Hospicio, Iquique, Chile. (source)

The textile industry is destroying the world. The industry is wasting massive amounts of energy and materials, and polluting the air, the ground and the water supplies. It overwhelmingly exploits it's labour and extracts wealth from colonized countries, especially in Asia. I assume we all broadly understand this, but I think it's useful to have it all laid out in front of you to see the big picture, the core issues causing this destruction and find ways how to effectively move forward.

The concerning trend behind this ever-increasing devastation are shortening of trend cycles, lowering clothing prices and massive amount of wasted products. Still in year 2000 it was common for fashion brands to have two collections per year, while now e.g. Zara produces 24 collections and H&M produces 12-16 collections per year. Clothing prices have fallen (at leas in EU) 30% from 1996 to 2018 when adjusted to inflation, which has contributed to the 40% increase in clothing consumption per person between 1996 and 2012 (in EU). (source) As the revenue made by the clothing industry keep rising - from 2017 to 2021 they doubled (source) - falling prices can only be achieved with increasing worker exploitation and decreasing quality. I think the 36% degrees times clothing are used in average during the last 15 years (source) is a clear indication on the continuing drop in quality of clothing. Clothing production doubled between 2000 and 2015, while 30% of the clothes produced per year are never sold and are often burned instead (source), presumably to prevent the returns from falling due to oversupply.

These all factors are driving people to overconsume. While people in EU keep buying more clothes, they haven't used up to 50% of the clothes in their wardrobe for over a year (source). This overconsumption is only made much worse by the new type of hyper fast fashion companies like SHEIN and Temu, which are using addictive psychological tactics developed by social media companies (source 1, source 2). They are cranking up all those concerning trends I mentioned above.

Under the cut I will go through the statistics of the most significant effects of the industry on environment and people. I will warn you it will be bleak. This is not just a fast fashion problem, basically the whole industry is engaging in destructive practices leading to this damage. Clothing is one of those things that would be actually relatively easy to make without massive environmental and human cost, so while that makes the current state of the industry even more heinous, it also means there's hope and it's possible to fix things. In the end, I will be giving some suggestions for actions we could be doing right now to unfuck this mess.

Carbon emissions

The textile industry is responsible for roughly 10% of the global CO2 emissions, more than aviation and shipping industry combined. This is due to the massive supply chains and energy intensive production methods of fabrics. Most of it can be contributed to the fashion sector since around 60% of all the textile production is clothing. Polyester, a synthetic fiber made from oil which accounts for more than half of the fibers used in the textile industry, produces double the amount of carbon emissions than cotton, accounting for very large proportions of all the emissions by the industry. (source 1, source 2)

Worker exploitation

Majority of the textiles are produced in Asia. Some of the worst working conditions are in Bangladesh, one of the most important garment producers, and Pakistan. Here's an excerpt from EU Parliament's briefing document from 2014 after the catastrophic Rana Plaza disaster:

The customers of garment producers are most often global brands looking for low prices and tight production timeframes. They also make changes to product design, product volume, and production timeframes, and place last-minute orders without accepting increased costs or adjustments to delivery dates. The stresses of such policies usually fall on factory workers.

The wage exploitation is bleak. According to the 2015 documentary The True Cost less than 2% of all garment factory workers earned a living wage (source). Hourly wages are so low and the daily quotas so high, garment workers are often forced through conditions or threats and demand to work extra hours, which regularly leads to 10-12 hour work days (source) and at worst 16 hour workdays (source), often without days off. Sometimes factories won't compensate for extra hours, breaching regulations (source).

Long working hours, repetitive work, lack of breaks and high pressure leads to increased risks of injuries and accidents. Small and even major injuries are extremely common in the industry. A study in three factories in India found that 70% of the workers suffered from musculosceletal symptoms (source). Another qualitative study of female garment workers and factory doctors in Dhaka found that long hours led to eye strain, headaches, fatigue and weight loss in addition to muscular and back pains. According to the doctors interviewed, weight loss was common because the workers work such long hours without breaks, they didn't have enough time to eat properly. (source) Another study in 8 factories in India found that minor injuries were extremely common and caused by unergonomic work stations, poor organization in the work place and lack of safety gear, guidelines and training (source). Safety precautions too are often overlooked to cut corners, which periodically leads to factory accidents, like in 2023 lack of fire exists and fire extinguishers, and goods stacked beyond capacity led to a factory fire in Pakistan which injured dozens of workers (source) or like in 2022 dangerous factory site led to one dead worker and 9 injured workers (source).

Rana Plaza collapse in 2013 is the worst industrial accident in recent history. The factory building did not have proper permits and the factory owner blatantly ignored signs of danger (other businesses abandoned the building a day before the collapse), which led to deaths of 1 134 workers and injuries to 2 500 workers. The factory had or were at the time working for orders of at least Prada, Versace, Primark, Walmart, Zara, H&M, C&A, Mango, Benetton, the Children's Place, El Corte Inglés, Joe Fresh, Carrefour, Auchan, KiK, Loblaw, Bonmarche and Matalan. None of the brands were held legally accountable for the unsafe working conditions which they profited off of. Only 9 of the brands attended a meeting to agree on compensation for the victim's families. Walmart, Carrefour, Auchan, Mango and KiK refused to sight the agreement, it was only signed by Primark, Loblaw, Bonmarche and El Corte Ingles. The compension these companies provided was laughable though. Primemark demanded DNA evidence that they are relatives of one of the victims from these struggling families who had lost their often sole breadwinner for a meager sum of 200 USD (which doesn't even count for two months of living wage in Bangladesh (source)). This obviously proved to be extremely difficult for most families even though US government agreed to donate DNA kits. This is often said to be a turning point in working conditions in the industry, at least in Bangladesh, but while there's more oversight now, as we have seen, there's clearly still massive issues. (source 1, source 2)

One last major concern of working conditions in the industry I will mention is the Xinjiang raw cotton production, which is likely produced mainly with forced labour from Uighur concentration camps, aka slave labour of a suspected genocide. 90% of China's raw cotton production comes from Xinjiang (source). China is the second largest cotton producer in the world, after India, accounting 20% of the yearly global cotton production (source).

Pollution

Synthetic dyes, which synthetic fibers require, are the main cause of water pollution caused by the textile industry, which is estimated to account for 20% of global clean water pollution (source). This water pollution by the textile industry is suspected of causing a lot of health issues like digestive issues in the short term, and allergies, dermatitis, skin inflammation, tumors and human mutations in the long term. Toxins also effect fish and aquatic bacteria. Azo dyes, one of the major pollutants, can cause detrimental effects to aquatic ecosystems by decreasing photosynthetic activity of algae. Synthetic dyes and heavy metals also cause large amounts of soil pollution. Large amounts of heavy metals in soil, which occurs around factories that don't take proper environmental procautions, can cause anaemia, kidney failure, and cortical edoem in humans. That also causes changes in soil texture, decrease in soil microbial diversity and plant health, and changes in genetic structure of organisms growing in the soil. Textile factory waste water has been used for irrigation in Turkey, where other sources of water have been lacking, causing significant damage to the soil. (source)

Rayon produced through viscose process causes significant carbon disulphide and hydrogen sulphide pollution to the environment. CS2 causes cardiovascular, psychiatric, neuropsychological, endocrinal and reproductive disorders. Abortion rates among workers and their partners exposed to CS2 are reported to be significantly higher than in control groups. Many times higher amounts of sick days are reported for workers in spinning rooms of viscose fiber factories. China and India are largest producers of CS2 pollution, accounting respectively 65.74% and 11,11% of the global pollution, since they are also the major viscose producers. Emission of CS2 has increased significantly in India from 26.8 Gg in 2001 to 78.32 Gg in 2020. (source)

Waste

The textile industry is estimated to produce around 92 million tons of textile waste per year. As said before around 30% of the production is never sold and with shortening lifespans used the amount of used clothing that goes to waster is only increasing. This waste is large burned or thrown into landfills in poor countries. (source) H&M was accused in 2017 by investigative journalists of burning up to 12 tonnes of clothes per year themselves, including usable clothing, which they denied claiming they donated clothing they couldn't sell to charity instead (source). Most of the clothing donated to charity though is burned or dumbed to landfills (source).

Most of the waste clothing from rich countries like European countries, US, Australia and Canada are shipped to Chile (source) or African countries, mostly Ghana, but also Burkina Faso and Côte d'Ivoire (source). There's major second-hand fashion industries in these places, but most of the charity clothing is dumbed to landfills, because they are in such bad condition or the quality is too poor. Burning and filling landfills with synthetic fabrics with synthetic dyes causes major air, water and soil pollution. The second-hand clothing industry also suppresses any local clothing production as donated clothing is inherently more competitive than anything else, making these places economically reliant on dumbed clothing, which is destroying their environment and health, and prevents them from creating a more sustainable economy that would befit them more locally. This is not an accident, but required part of the clothing industry. Overproduction let's these companies tap on every new trend quickly, while not letting clothing the prices in rich countries drop so low it would hurt their profits. Production is cheaper than missing a trend.

Micro- and nanoplastics

There is massive amounts of micro- and nanoplastics in all of our environment. It's in our food, drinking water, even sea salt (source). Washing synthetic textiles accounts for roughly 35% of all microplastics released to the environment. It's estimated that it has caused 14 million tonnes of microplastics to accumulate into the bottom of the ocean. (source)

Microplastics build up into the intestines of animals (including humans), and have shown to probably cause cause DNA damage and altered organism behavior in aquatic fauna. Microplastics also contain a lot of the usual pollutants from textile industry like synthetic dyes and heavy metals, which absorb in higher quantities to tissues of animals through microplastics in the intestines. Studies have shown that the adverse effect are higher the longer the microplastics stay in the organism. The effects cause major risks to aquatic biodiversity. (source) The health effects of microplastics to humans are not well known, but studies have shown that they could have adverse effects on digestive, respiratory, endocrine, reproductive and immune systems. (source)

Microplastics degrade in the environment even further to nanoplastics. Nanoplastic being even smaller are found to enter blood circulation, get inside cells and cross the blood-brain barrier. In fishes they have been found to cause neurological damage. Nanoplastics are also in the air, and humans frequently breath them in. Study in office buildings found higher concentration of nanoplastics in indoor air than outdoor air. Inside the nanoplastics are likely caused mostly by synthetic household textiles, and outdoors mostly by car tires. (source) An association between nanoplastics and mitochondrial damage in human respiratory cells was found in a recent study. (source)

Micro and nano plastics are also extremely hard to remove from the environment, making it even more important that we reduce the amount of microplastics we produce as fast as possible.

What can we do?

This is a question that deserves it's own essays and articles written about it, but I will leave you with some action points. Reading about these very bleak realities can easily lead to overwhelming apathy, but we need to channel these horrors into actions. Whatever you do, do not fall into apathy. We don't have the luxury for that, we need to act. These are industry wide problems, that simply cannot be fixed by consumerism. Do not trust any clothing companies, even those who market themselves as ethical and responsible, always assume they are lying. Most of them are, even the so called "good ones". We need legislation. We cannot allow the industry to regulate itself, they will always take the easy way out and lie to their graves. I will for sure write more in dept about what we can do, but for now here's some actions to take, both political and individual ones.

Political actions

Let's start with political actions, since they will be the much more important ones. While we are trying to dismantle capitalism and neocolonialism (the roots of these issues), here's some things that we could do right now. These will be policies that we should be doing everywhere in the world, but especially rich countries, where most of the clothing consumption is taking place. Vote, speak to others, write to your representative, write opinion pieces to your local papers, engage with democracy.

Higher requirements of transparency. Right now product transparency in clothing is laughably low. In EU only the material make up and the origin country of the final product are required to be disclosed. Everything else is up to the company. Mandatory transparency is the only way we can force any positive changes in the production. The minimum of transparency should be: origin countries of the fibers and textiles in the product itself; mandatory reports of the lifecycle emissions; mandatory reports of whole chain of production. Right now the clothing companies make their chain of production intentionally complex, so they have plausible deniability when inevitably they are caught violating environmental or worker protection laws (source). They intentionally don't want to be able to track down their production chain. Forcing them to do so anyway would make it very expensive for them to keep up this unnecessarily complex production chain. These laws are most effective when put in place in large economies like EU or US.

Restrictions on the use of synthetic fibers. Honestly I think they should be banned entirely, since the amount of microplastics in our environment is already extremely distressing and the other environmental effects of synthetic fibers are also massive, but I know there are functions for which they are not easily replaced (though I think they can be replaces in those too, but that's a subject of another post), so we should start with restrictions. I'm not sure how they should be specifically made, I'm not a law expert, but they shouldn't be used in everyday textiles, where there are very easy and obvious other options.

Banning viscose. There are much better options for viscose method that don't cause massive health issues and environmental destruction where ever it's made, like Lyocell. There is absolutely no reason why viscose should be allowed to be sold anywhere.

Governmental support for local production by local businesses. Most of the issues could be much more easily solved and monitored if most clothing were not produced by massive global conglomerations, but rather by local businesses that produce locally. All clothing are made by hand, so centralizing production doesn't even give it advantage in effectiveness (only more profits for the few). Producing locally would make it much more easier to enforce regulations and it would reduce production chains, making production more effective, leaving more profits into the hands of the workers and reducing emissions from transportation. When the production is done by local businesses, the profits would stay in the producing country and they could be taxed and utilized to help the local communities. This would be helpful to do in both exploited and exploiter countries. When done in rich countries who exploit poorer ones, it would reduce the demand for exploitation. In poor countries this is not as easily done, since poor means they don't have money to give around, but maybe this could be a good cause to put some reparations from colonizers and global corporations, which they should pay.

Preventing strategic accounting between subsidiaries and parent companies. Corporate law is obviously not my area of expertise, but I know that allowing corporations to move around the accounting of profits and losses between subsidiaries and parent companies in roughly 1980s, was a major factor in creating this modern global capitalist system, where corporations can very easily manipulate their accounting to utilize tax heavens and avoid taxes where they actually operate, which is how they are upholding this terrible system and extracting the profits from the production countries. How specifically this would be done I can't tell because again I know shit about corporate law, so experts of that field should plan the specifics. Overall this would help deal with a lot of other problems than just the fashion industry. Again for it to be effective a large economic area like EU or US should do this.

Holding companies accountable for their whole chain of production. These companies should be dragged to court and made to answer for the crimes they are profiting of off. We should put fear back into them. This is possible. Victims of child slavery are already doing this for chocolate companies. If it's already not how law works everywhere, the laws should be changed so that the companies are responsible even if they didn't know, because it's their responsibility to find out and make sure they know. They should have been held accountable for the Rana Plaza disaster. Maybe they still could be. Sue the mother fuckers. They should be afraid of us.

Individual actions

I will stress that the previous section is much more important and that there's no need to feel guilty for individual actions. This is not the fault of the average consumer. Still we do need to change our relationship to fashion and consumption. While it's not our fault, one of the ways this system is perpetuated, is by the consumerist propaganda by fashion industry. And it is easier to change our own habits than to change the industry, even if our own habits have little impact. So these are quite easy things we all could do as we are trying to do bigger change to gain some sense of control and keep us from falling to apathy.

Consume less. Better consumption will not save us, since consumption itself is the problem. We consume too much clothing. Don't make impulse purchases. Consider carefully weather you actually need something or if you really really want it. Even only buying second-hand still fuels the industry, so while it's better than buying new, it's still better to not buy.

Take proper care of your clothing. Learn how to properly wash your clothing. There's a lot of internet resources for that. Never wash your wool textiles in washing machine, even if the textile's official instructions allow it. Instead air them regularly, rinse them in cool water if they still smell after airing and wash stains with water or small amount of (wool) detergent. Never use fabric softener! It damages the fabrics, prevents them from properly getting clean and is environmentally damaging. Instead use laundry vinegar for making textiles softer or removing bad smells. (You can easily make laundry vinegar yourself too from white vinegar and water (and essential oils, if you want to add a scent to it) which is much cheaper.) Learn how to take care of your leather products. Most leather can be kept in very good condition for a very long time by occasional waxing with beeswax.

Use the services of dressmakers and shoemakers. Take your broken clothing or clothing which doesn't fit anymore to your local dressmaker and ask them if they can do something about it. Take your broken and worn leather products to your local shoemaker too. Usually it doesn't cost much to get something fixed or refitted and these expert usually have ways to fix things you couldn't even think of. So even if the situation with your clothing or accessory seems desperate, still show it to the dressmaker or shoemaker.

If it's extremely cheap, don't buy it. Remember that every clothing is handmade. Only a small fraction of the cost of the clothing will be paying the wages of the person who made it with their hands. If a shirt costs 5 euros (c. 5,39 USD), it's sewer was only payed mere cents for sewing it. I'm not a quick sewer and it takes me roughly 1-2 hours to cut, prepare and sew a simple shirt, so I'm guessing it would take around half an hour to do all that for a factory worker on a crunch, at the very least 15 minutes. So the hourly pay would still be ridiculously low. However, as I said before, the fact that the workers in clothing factories get criminally low pay is not the fault of the consumer, so if you need a clothing item, and you don't have money to buy anything else than something very cheep, don't feel guilty. And anyway expensive clothing in no way necessarily means reasonable pay or ethical working conditions, cheep clothing just guarantee them.

Learn to recognize higher quality. In addition to exploitation, low price also means low quality, but again high price doesn't guarantee high quality. High quality allows you to buy less, so even if it's not as cheep as low quality, if you can afford it, when you need it, it will be cheaper in long run, and allows you to consume less. Check the materials. Natural fibers are your friends. Do not buy plastic, if it's possible to avoid. Avoid household textiles from synthetic fibers. Avoid textiles with small amounts of spandex to give it stretch, it will shorten the lifespan of the clothing significantly as the spandex quickly wears down and the clothing looses it's shape. Also avoid clothing with rubber bands. They also loose their elasticity very quickly. In some types of clothing (sport wear, underwear) these are basically impossible to avoid, but in many other cases it's entirely possible.

Buy from artisans and local producers, if you can. As said better consumption won't fix this, but supporting artisans and your local producers could help keep them afloat, which in small ways helps create an alternative to the exploitative global corporations. With artisans especially you know the money goes to the one who did the labour and buying locally means less middlemen to take their cut. More generally buy rather from businesses that are located to the same country where the production is, even if it's not local to you. A local business doesn't necessarily produce locally.

Develop your own taste. If you care about fashion and style, it's easy to fall victim to the fashion industry's marketing and trend cycles. That's why I think it's important to develop your personal sense of style and preferences. Pay attention at what type of clothes are comfortable to you. Go through your wardrobe and track for a while which clothing you use most and which least. Understanding your own preferences helps you avoid impulse buying.

Consider learning basics of sewing. Not everyone has the time or interest for this, but if you in anyway might have a bit of both, I suggest learning some very simple and basic mending and reattaching a button.

Further reading on this blog: How to see through the greenwashing propaganda of the fashion industry - Case study 1: Shein

Bibliography

Academic sources

An overview of the contribution of the textiles sector to climate change, 2022, L. F. Walter et al., Frontiers in Environmental Science

How common are aches and pains among garment factory workers? A work-related musculoskeletal disorder assessment study in three factories of south 24 Parganas district, West Bengal, 2021, Arkaprovo Pal et al., J Family Med Prim Care

Sewing shirts with injured fingers and tears: exploring the experience of female garment workers health problems in Bangladesh, 2019, Akhter, S., Rutherford, S. & Chu, C., BMC Int Health Hum Rights

Occupation Related Accidents in Selected Garment Industries in Bangalore City, 2006, Calvin, Sam & Joseph, Bobby, Indian Journal of Community Medicine

A Review on Textile and Clothing Industry Impacts on The Environment, 2022, Nur Farzanah Binti Norarmi et al., International Journal of Academic Research in Business and Social Sciences

Carbon disulphide and hydrogen sulphide emissions from viscose fibre manufacturing industry: A case study in India, 2022, Deepanjan Majumdar et al., Atmospheric Environment: X

Microplastics Pollution: A Brief Review of Its Source and Abundance in Different Aquatic Ecosystems, 2023, Asifa Ashrafy et al., Journal of Hazardous Materials Advances

Health Effects of Microplastic Exposures: Current Issues and Perspectives in South Korea, 2023, Yongjin Lee et al., Yonsei Medical Journal

Nanoplastics and Human Health: Hazard Identification and Biointerface, 2022, Hanpeng Lai, Xing Liu, and Man Qu, Nanomaterials

Other sources

The impact of textile production and waste on the environment (infographics), 2020, EU

Chile’s desert dumping ground for fast fashion leftovers, 2021, AlJazeera

Fashion - Worldwide, 2022 (updated 2024), Statista

Fashion Industry Waste Statistics & Facts 2023, James Evans, Sustainable Ninja (magazine)

Everything You Need to Know About Waste in the Fashion Industry, 2024, Solene Rauturier, Good on You (magazine)

Textiles and the environment, 2022, Nikolina Šajn, European Parliamentary Research Service

Help! I'm addicted to secondhand shopping apps, 2023, Alice Crossley, Cosmopolitan

Addictive, absurdly cheap and controversial: the rise of China’s Temu app, 2023, Helen Davidson, Guardian

Workers' conditions in the textile and clothing sector: just an Asian affair? - Issues at stake after the Rana Plaza tragedy, 2014, Enrico D'Ambrogio, European Parliamentary Research Service

State of The Industry: Lowest Wages to Living Wages, The Lowest Wage Challenge (Industry affiliated campaign)

Fast Fashion Getting Faster: A Look at the Unethical Labor Practices Sustaining a Growing Industry, 2021, Emma Ross, International Law and Policy Brief (George Washington University Law School)

Dozens injured in Pakistan garment factory collapse and fire, 2023, Hannah Abdulla, Just Style (news media)

India: Multiple factory accidents raise concerns over health & safety in the garment industry, campaigners call for freedom of association in factories to ‘stave off’ accidents, 2022, Jasmin Malik Chua, Business & Human Rights Resource Center

Minimum Wage Level for Garment Workers in the World, 2020, Sheng Lu, FASH455 Global Apparel & Textile Trade and Sourcing (University of Delaware)

Rana Plaza collapse, Wikipedia

Buyers’ compensation for Rana Plaza victims far from reality, 2013, Ibrahim Hossain Ovi, Dhaka Tribune (news media)

World cotton production statistics, updated 2024, The World Counts

Dead white man’s clothes, 2021, Linton Besser, ABC News

#fashion #fashion industry #sustainability #sustainable fashion #sustainable clothing #environment #climate change #i will be continuing the series of how to see through fashion industry propaganda at some point #i just felt compelled to write this because i feel like people so often miss the forest for the trees in this conversation

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reflections-in-a-critical-eye · 1 month

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Are You Sure?! Episode 3 observations

6/10 ☆

The entire theme and purpose of AYS has been changed in the Jeju segment. It seems there is no connection to the previous episodes. What was supposed to be a travel show through which Jimin and Jungkook would allow themselves to idealize their trip to become this memory of youthfulness right before enlistment, it has now turned into a Run BTS episode. One that has been made and edited with an entire different audience in mind.

The Connecticut episodes showed two adult men acting like adults. Goofy at some points, but it was something catered towards an adult audience as well. That was evident from the conversations they were having as well.

The Jeju episode so far seems completely disconnected through two means: a larger focus on activities mixed with child-like down time and the difference in dynamics between JM and JK in what is conceptually their show as a pair and how it has to adapt in the presence of a guest.

AYS somehow managed to show in the first two episodes a bit of a more complex look at the Jimin and Jungkook relationship that also included an element of intimacy that was heavily present throughout their trip. Once in Jeju with their guest, it quickly became apparent that for those familiar with BTS variety content before the hiatus, that the audience will not witness anything new that they haven't seen before. The trio vminkook in 2023 was the same as the one doing a wlive a couple of years before or paired in a run bts episode. It remains a surface-level dynamic that has barely changed because it is not meant to show that when they know the usual recipe works for the fandom at large. Acting as buffoons is what army wants. (Consequently, the Jeju episodes might have the biggest ratings due to that exact reason).

Nevertheless, small comments and more subtle things have made some cracks that open a door into what might exist right underneath the surface.

Demanding to be on a trip two days before the flight had obviously led to changes in itinerary and sleeping arrangements. It had also showed that there was a push for the guest to be on the show coming from him and a bit of displease with that, disguised as jokes and subtle jabs throughout the first day on the island.

Jimin being sick again and suffering from nausea in the first part of the day had a contribution to how the activities moved forward. It became apparent that he is not only the glue of the trio, but also the one constantly aware that they are in the role of entertainers. Even so, sickness can do enough that his energy level in the afternoon was clearly low. Tagging along and being half enthusiastic to an activity-packed day.

Depending on the context and the people surrounding him, it's interesting to notice Jungkook's level of involvement and the way he chooses to behave. Theme park and water guns in the situation in which he's influenced to goof around are quite different than a trip in which he can show more of his mature side with someone that is on his wavelength.

#m thoughts #jikook #jikook travel show #jikook are you sure

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sonysakura · 3 months

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🚫 My Sonic Big Bang 2024 Experience

...Or how a few months of my life were severely negatively impacted by someone else's bad management. See for yourself.

Proof of the rule they're speaking about being actively hidden from the participants to this day: FAQ – archived link, screenshot with "Who can participate?" on top, screenshot with "explicit" word search, screenshot with "nsfw" word search; Master Guide – screenshot with "explicit" word search, screenshot with "nsfw" word search; server rules – long screenshots of General Server Rules and StH Big Bang Specific Rules: Mar 12 and Jul 01, screenshots of Strike Policy: Mar 12 and Jul 01, long screenshot of General Guidelines, long screenshot of Collaboration Thread Guidelines.

I feel like this is extremely unfair 😭 One moment I was participating in the event I dreamed about for years, and the next moment I'm thrown out into the cold when I did nothing wrong. I need to get it off my chest...

Below, more about my experience with the event, though it ended up a little vent-y, a detailed (and verified!) record of what exactly happened in private thread #48, the aftermath and some fun facts I discovered or want to share:

First things first! Yep, I signed up for Sonic BB as a Writer back in January. I didn't talk about it outside of my server 'cause I wanted it to be a surprise – when I roll out a lo-o-ong illustrated fic without a warning. I'll admit, I always wanted to participate in a Big Bang for this fandom, it was a dream of sorts. And still, before sending my form in, I carefully read all of the Master Guide and the FAQ both. Seeing as how for my neurodivergent brain the rules and regulations are important, that's what I usually do for events, and this one wasn't an exception. Confident that I understand what the event would require of me, I signed up.

First month of the event went well. My questions were answered (even though I wondered why some of the things I asked couldn't have been in the Master Guide from the beginning), I wrote my fic summary and submitted it without many problems, etc. There was a small hiccup at the very beginning of March when I noticed how strict the management seemed to be (no changes or adjustments allowed), and my anxiety got the best of me, so I asked the mods if there's a plan in case a collab team doesn't work out: screenshot of my message in #writers-info-and-questions, pulled from my Discord data; screenshot of my detailed explanation in DMs; screenshot of Mod Joy's reply. Here are the most important quotes from his reply:

I understand wanting to plan for the worst case scenarios, but I would caution you not to freak yourself out over what all could go wrong! There are some absolutely lovely artists in this event who are excited to work with the writers. Odds are, things will go off without a hitch.

We are highly encouraging that no one drops out after the assignments, especially writers, unless due to extenuating circumstances.

We want to make everything as fun and stress-free for everyone. Know that we will be around to moderate threads and dissolve any tensions that arise,..

In short, I was placated with reassurances of careful moderation, not dropping writers and ✨positivity✨. I decided to stay and challenge myself since originally BB is meant to be a challenge and all...

For those of you who haven't participated: the way it is supposed to go is that writers submit short summaries of their stories, these summaries are stripped of the writers' names and given to artists to pick through. The artists then have to list their Top 10 stories to illustrate during the claims period. After the claims, private collab threads are made for each writer and their artists with a couple of mods. So no one else could see what happens in these threads.

Now flashforward to March 11th and the threads being created. Obviously I don't have screenshots of that due to being kicked off the server without any warning and before any chance of communication, unable to delete my personal information or save anything that might be used against me which was a case of poor management at best and a deliberate move at worst, so I'm retelling as faithfully as possible. It also has been verified by [artist 1] and according to them, this is exactly what happened.

My fic was in the 4-8k range, and I got two artists. I was asleep when the thread opened, and they talked about how excited they are for my fic before I came in. Both of them are 18, young but adults. I’ll call them [artist 1] (they're cool), and the other one is [artist 2]. Both artists seemed to talk to me normally.

Oh, I have to point out that there were hmm, Mods Chaz, Joy, Summers and Frostios in my thread. I think only four of them, but I know for sure Mod Summers was reading our conversation at least in the beginning because I noticed my fic's Warnings saying "None" (the original summary I submitted had Warnings: Discussion of Homophobia, Slight Internalised Homophobia), and I pointed out that there are warnings, though I don't know if they were lost just now or weren't in the sheet available to the Artists either, and whether they were actually lost or mods didn't consider it a big enough warning to keep... I still don't know. Mod Summers just silently pinned my message.

I mentioned how I'm in one of the Asian timezones geographically, so I might be awake or asleep at unconventional times, and they told me their timezones (I didn't ask!), so I figured I can make a timebuddy chart for easy tracking what time it is for everyone. Made one, sent the link to the thread, Mod Summers asked me if I want it pinned, too, and then a couple of hours later (I think?) [artist 1] came and said it's very helpful. This is my evidence for at least Mod Summers probably reading the conversation that followed but also maybe not. I think all of the mods were online or at least visually online when it was happening.

This is where I reveal that the entire conversation happened in like... one afternoon 🥲 Roughly 7 pm to 2 am for me.

Back to the conversation itself. There were a few questions I had so I started with them, basically 1) if they've read my fics before (explained that I'm asking so I know whether I need to tell them about my writing style and Sonadow dynamics I write); 2) do they want me to send in scenes as I write them or they want a full draft; 3) if they have any immediate questions for me. Question 1) is what we need. Both of them said they've never read my stuff before, and that they don't have any questions now but they want art to be as close to text as possible, so they will ask in the future. This is how it went down after (as per my memory, artist rendition I guess):

[artist 1]: I haven't read your fics but I'd like to! Your Ao3 is the same as your handle? [no link]

Me: It isn't a requirement, you don't have to! But that's right. I have to warn you though that I usually rate my Ao3 profile as 18+ when I link it, though 33/36 of my Sonic fics are rated G and T, and I feel like a warning is in order anyway so people don't accidentally stumble upon something they don't want to see and know what to avoid/filter out. [I didn't post any links or encouraged the artists to read my profile, just made a warning to be cautious]

We go into discussion of how long I have been writing, [artist 1] shows no problems with knowing my Ao3 has 3 Mature fics, I describe what series my fic will be for [the series is completely SFW, and even then I didn't post the link to it] and go into details of how I write Sonadow dynamics in my fics without mentioning the NSFW ones obviously, we speak about Question 2).

[artist 2]: [replying to my warning about my Ao3] ooohh so you write gore sometimes?

Me: Nah, I don't actually, I'm pretty uncomfortable with it tbh, so no, I don't. Some blood and a quick description of Maria's dead body is the most I have ever done 😅 All the angst I make characters go through is emotional rather than physical!

[artist 2]: oh I shouldn't have assumed, sorry. It's just the first thing my mind went to

Me: It's okay! I've been a medical student at some point and I think I've just had enough of that - one of the main reasons I'm not a doctor but a linguist.

[artist 1] gets excited about this for some reason, and we chat about it for a moment.

Normal conversation continues like...

Me: Okay, where were we

[artist 2]: i wasn't paying attention errr

Me: Me neither! But it's Question 3)

I go into saying how them wanting to draw as close to the text is 💯 what I wanted to hear because for me my texts are an extension of my soul, I'm fragile about them, and I'd prefer the art to be exactly according to it blah-blah-blah, I describe my thoughts about a plan of work for us and how I'm going to share pieces of my fic according to their respective wishes.

[artist 1]: Sounds great!

[artist 2]: yeah, sounds good

[artist 1] says something else which I just react with an emoji to, and I start getting ready for sleep because it's almost 2 am, and I have to get up at 6 am.

Nothing else was said in the thread. That's it.

I got to bed and as most people nowadays I check my phone one last time. I see [artist 2] requesting a mod they can DM to, but I don't think much of it…

So 6 am. I wake up and again, as most people nowadays, I check my phone. I went to sleep in a good mood, seemingly in good relations with my artists, excited for the collab and having a solid plan everyone agreed to, so I eagerly open Discord to see if they wrote anything new in the thread. I see no Sonic Big Bang 2024 server.

I will not go into too much detail about my state, but I have an extremely acute reaction to stress very similar to a panic attack that lasts for hours. So with shaking fingers I open my DMs to see the message from that first screenshot I started my post with. The following exchange with me learning about the hidden rule happens the next day. Unfortunately, before that I still have to go to work for a full day in that very same mental state, oof. Plus I have no breaks on Tuesday... I go back and forth all day with my friends about how shitty this situation is, and one of them asks me how [artist 1] reacted. I say that I don't know, but they still follow me on Tumblr so I go and message them, and from what they tell me, it sounds like a mod pretended to them that I was removed because of an existing rule that's stated somewhere. They didn't argue with that, and that's understandable of course.

At home, I notice one of the event mods blocked me.

It is difficult to explain what's happening in my mind without going into details of what my [disorders] are, but things that are unfair, things that are injustice put my brain in a loop until all wrongs are righted. I'm ranting about it to friends, and I think about it day and night. On March 14th I vent about it in the tags of a related reblog, and this is the only instance of me talking about StH BB on my blog. Next morning I'm blocked by the event blog and over the next 2 weeks – by two more mods, while another mod speaks to me passively-aggressively in a shared Discord server. Then I'm shown a screenshot where one of the mods claims I offered my Ao3 to my artists (I didn't) and implies everyone who writes NSFW is dangerous. And then I receive a hate ask about the event, calling me "creepy"... All this time, my brain is still stuck in a loop, and let me tell you – it's not fun. It doesn't help that my first reaction to everything that makes me feel bad is always to assume I'm at fault for everything, and seeing how hostile people are to me, I'm drowning in self-blame. Without going into any more detail, it takes me 2 months and a lot of help to somewhat recover, so I finally send my reply to Headmod Chaz and receive one back:

If you got to this part, you know that half of Headmod Chaz's reply is simply untrue since there were no "multiple instances", and in any case I was never asked to keep quiet about my ban (and why should I?). I sent another reply a month later expressing my confusion and wondering when the messages will be removed (only my intro was removed). As of today, that reply is still ignored, and the messages aren't removed 🤷

And this is the entirety of my Sonic Big Bang 2024 experience. Now for some Q&A:

Why did you wait so long to make this post? I didn't want to put any participants under fire, particularly my friends because I'll admit, the mods seem like petty people. And also I was worried about throwing shade on other participants (people associating their works with this) or spoiling the event for people who were genuinely having fun with it. Thus, I waited until it was over!

Is this a callout post? According to definition as "public criticism or asking someone to explain their actions", I think it is – in terms of calling out bad management. It is definitely not a call for harassment. There is a reason I censored some names and left vague who reported me, blocked me, was hostile to me or spread rumours about me. Please don't bother anyone, and if the mods decide to engage with this, they can post their own statement.

Aside from the above reasons, why make a post at all? Two reasons: a personal one and an altruistic one. Firstly, I hope to get closure this way since I still feel like I was unjustly thrown away when I was just being a dutiful person. Secondly, while Headmod Chaz said they will be transparent about this rule next time they run an event, as you can see they fully ignored my suggestion of doing it now, and in general keeping a rule hidden to such an extent where you lie in your FAQ is pretty shady... I don't trust them not to do it again next year.

Is it okay to reblog the post/reply to it, what about sending an ask or a PM? Yes to all. I don't expect anyone to reblog, though if you think it's necessary, go on. I'm posting it to the event tags, so-o I think people who need to see it – will see it. If you decide to be negative or call me names, however, be prepared to be blocked by IP or username.

Finally, fun facts as promised 🔥

There are other participants out there who have had negative experiences with BB or were made uncomfortable by the way it was managed, but I'm not going to speak for them;

There was this whole thing with hypocrisy and possible favouritism;

Despite the mods insisting on ME being quiet about my ban, it's now known that they shared information about it outside the mod group;

Out of 6 mods: 5 have me blocked, 2 were passive-aggressive with 1 of them going as far as verbally lash out at me in DMs, and only 1 mod gave me a human apology (not pictured in screenshots);

I saw 3 NSFW writers and at least 2 NSFW artists participating in BB just by scrolling through my dash, without seeking them out, and this is not counting people I noticed in the server prior to me being banned;

Some people are posting Mature and Explicit extras and sequels/prequels to their BB stories already;

The artist who reported me seems to have dropped out anyway;

There's a joke reason why I'm making a post, too: I have to earn being blocked from the event blog since they said they did it because of multiple instances of me talking about my removal;

I'm actually grace and most of the time write my characters as aspec, and I'm exploring what sexuality and intimacy mean for me through writing, so this situation felt a little... like gatekeeping;

My fic was #48 under the title Chao Care 101, and I want you to give me a high five if you had it among your top choices 🖐

Originally, I wasn't going to complete my BB fic because it made me feel bad, but now I've decided I want to reclaim it, so I'm writing it now. Almost 8k words at the moment. It will be published. And it will be illustrated;

Meanwhile, what came out of this disaster is Sonic Supernova 2025, and I recommend you all to keep an eye out for this inclusive Big Bang-like event 🌟

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blanketforcas · 1 year

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🚩Cult and cultlike/toxic behavior: red flags in fandom 🚩

A non-exhaustive list inspired by my 10+ years of experience in fandom, both personal and second-hand. By sharing this, I hope to make other people more aware and able to protect themselves in the future. No fandom space or friend group is worth your mental health.

They claim they have secret information and use that to lure you in

They might either lovebomb you at first or make you (feel like you have to) prove your worth

The leader(s) of the group might not feel super approachable, at least not without fear of saying the wrong thing

They seem to create or point out a divide in fandom you’d never noticed before. Likely this divide isn’t actually there in wider fandom, or the need for it is wholly unnecessary.

They create an us vs them (outsiders) situation. Their group has the most knowledge and expertise, if others critique them it’s simply cause they must’ve heard false rumors. They are always the ones who are “misunderstood”.

Questioning statements from leaders/people with high regard in the group, is not without risk. You can get dogpiled, your intelligence put into question and gaslit about your own words and feelings.

You see discussions happen and get more heated, and at the end of that discussion the person on the receiving end of the things mentioned above ^ starts apologizing profusely and/or believes they are indeed stupid. However, if this person does keep defending their stance, they might get bullied or kicked out of the server/group chat

Too much emphasis on Being Right/having the correct take or theory – it may seem it has a higher priority than empathy and tactful communication

You need to have an opinion (their opinion), because silence equals condoning or agreeing with the “other side”

Everything is a moral issue. When everything is made out to be a high-stakes issue or reflective of everyone as a person, it's easier for the leader(s) to manipulate you.

You find yourself excusing people’s behavior because you agree with their point. The way they bring their argument forward and the tone they use, become subordinate to finding out the truthTM

There is such a thing as The TruthTM in every theory, discussion or analysis

If you don't Get It, it's cause you haven't "worked on yourself enough". Or it's cause you're not trying hard enough, or you haven't done enough reading, or you have blind spots only they can see.

There is a lot of conspiratorial thinking – maybe actors are trying to send us secret messages, maybe there is a Whole Lot You Don’t Know But We Do, Trust Us, maybe this or that person in fandom has tried to attack us and are planning a bigger attack,…

You barely/don’t have fandom friends outside of this group and if you do, you tend to intentionally (whether subconsciously or not) hide your experience from them. They wouldn’t understand the way they talk, they wouldn’t understand the way it works etc

They want to know a lot of your personal information. - might only happen once you get into higher ranks

You might get (more and more) specific “tasks”, it starts becoming a part-time job instead of a hobby/fun space to hang out with friends

Of course, these red flags are not always immediately visible let alone advertised when you join a group chat/discord server/twitter or tumblr bubble. They can also be nonexistent at first and show up later. Here are some general ways to stay vigilant:

Periodically check in with your values, if they might be changing & how you feel about that.

Keep an eye on the way people (and yourself) are being treated. Is it kind? Is it fair? Do you feel on edge all the time when you’re having conversations? Is your body more tense when you’re in this online space or when certain people are around? Be honest with yourself here.

Ask yourself: Is this space becoming my only coping mechanism? Am I spending too much time here? There’s no shame in spending a lot of time on things you enjoy, but do check in with yourself sometimes whether you are actually still having fun and if you are taking things too seriously or parasocialising a lot.

There's a lot of fun to be had in fandom and a lot of good that comes out of it - don't forget that. Keep seeking that. It's why we're here!

#destiel #supernatural #<- tagging these cause spnblr we got a problem (always have)#and ofc i could tag every fandom here #but that's impossible lol

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lukolabrainrot · 22 days

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The "Boyfriend" Pics of L on N's IG

I thought we needed a little good energy after the week we had. So I have compiled all the "boyfriend" pics of L on N's grid from this year. I might have missed some, and I didn't include the pics of any of the promo shoots (except one from Milan because it had a vibe). But there are soooo many photos of L on her grid. The man is ALLL over her page. Yes, some of that is due to the fact that they were promoting the show. However, all of these particular images below have a very certain energy... I'll talk more about my thoughts on these pics at the end.

N posted on her grid 4-29-24 (Bridgerton Season 3 BTS)

N posted on her grid 5-3-24 (Bridgerton Season 3 BTS)

N posted on her grid 5-11-24 (Italy stop of the WT)

N posted on her grid 5-16-24 (Bridgerton Season 3 BTS)

N posted on her grid 5-17-24 (Bridgerton Season 3 BTS)

N posted on her grid 5-19-24 (Bridgerton Season 3 BTS)

N posted on her grid 5-30-24 (Brazil stop of the WT)

N posted on her grid 6-2-24 (Bridgerton Season 3 BTS)

N posted on her grid 6-10-24 (Ireland stop of the WT)

N posted on her grid 6-11-24 (Bridgerton Season 3 BTS)

N posted on her grid 6-18-24 (Bridgerton Season 3 BTS)

N posted on her grid 7-4-24 (Bridgerton Season 3 BTS)

N posted on her grid 7-16-24 (Bridgerton Season 3 BTS)

N posted on her grid 8-22-24 (Bridgerton Season 3 BTS)-> This is the same pic from the polaroid above from 5-16-24, just a different pose, which I found interestingggg 🤔

Alright, here are my thoughts/theories:

We know photos are one of N's love languages, and she communicates through them. L WAS NEVER GOING TO BE POSTING A BUNCH OF PICS OF N ON HIS GRID RN. For LOTS of different reasons. However, these type of pics started popping up at the end of April, which is when the WT really started picking up. I think N was using these types of pics to communicate with us on her feelings for L, and how she sees him. She wanted us to see him through HER lens (if that makes sense). These photos signal trust, comfort, love, joy, silliness, safety, connectedness/intimacy etc. Regardless of the public optics of what was going on, N wanted us to know that she and L have a very special connection 😍

She also doesn't have pics like this of ANYONE else on her grid this year (I haven't looked through her whole grid, so I don't know about posts from before this year, except that one of her and L after his play that blew up lol). Now yes, like I mentioned, a lot of the pics N has of L on her grid from this year is Bridgerton Season 3 promotional material, but there was something different about these photos. I have a lot of theories on why N decided to post these, but this is what I will say. I think these photos served as a message that things were changing for L/N BTS during the WT, and tbh, I think she wanted to show him off on her grid 😉 She just did it by hiding behind Polin and the tour, so there was plausible deniability.

I also found it VERY interesting that L seemed fine with N posting all these specific photos the last few months, but A could only post his freaking hand. This could have been for a lot of different reasons, but I just find it very interestingggg 🤔 I just feel like I know who has L's heart, and hint, it's not 🐜.

Also, some of these photos were actually taken with a camera that L gifted TO N, so he knows how important photos are to her, and that it is one of the ways she communicates and shows her love 🤔

Lastly, ALL of these photos are still on N's grid. Just saying...

#lukola theories #just my thoughts #a picture is worth a thousand words #non verbal cues #body language

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repulsiveliquidation · 9 months

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earmuffs

Aitana Bonmatí x Reader [BLURB! angst.]

hey y'all! first work of the year! thank you all for being patient with me, i haven't been active one bit but hope you enjoy this one!

also send in more long aitana fic ideas! i have some blurb ones and one fic i have in my WIPs but i'd love to write more!

It’s New Year’s Eve in Barcelona and the whole team is together at Ona and Lucy’s house for the countdown. You’ve begrudgingly attended, your secret new girlfriend was insistent that you come before dragging you out of your house the day of. You’ve always hated fireworks, an accident when you were a kid in England that hurt your little brother still traumatized you despite it being years ago. The loud noises and the screaming didn’t help; you much preferred to be at home with all the windows locked tight and not a single curtain opened to hide under the blankets until the colorful lights were over.

"come on everyone, the countdown is in 10 minutes!”

Aitana stands, reaching out for your hand to help you up. She smiles softly before her face changes into one of confusion.

“Aren’t you coming?” she asks, reaching down to take your hand. You cringe and smile awkwardly, shaking your head.

“No, you go ahead Tana. I want to sit in here.”

“Bebita, it’s the uh fireworks! It’s pretty no? You can’t miss it, bebé.”

She tries to pull you up and you follow her, she walks ahead with a big smile as she joins the rest of your teammates on the deck.

You’re already trembling, reaching for the wicker chair on the deck to sit on. Kiera is beside you, she also happens to be the only one who knows about you and Aitana. She sees that scared look on your face, immediately rubbing your back as you sit.

“You okay, kid?”

“Uh, yeah. Just tired, that’s all.”

“You look like you’ve seen a ghost, kiddo.”

Suddenly, Lucy is yelling while looking at her watch.

“3, 2, 1, HAPPY NEW YEAR!!!!”

The team erupts in cheers and they start to light all their fireworks. Lucy managed to find big and loud ones this year, along with many long ones that you could hold and have them shoot out. You yelp in surprise when the first one goes off, a big box of 30 rounds blowing up in the middle of the garden. Aitana, who was watching you the entire time, hoping for a New Year’s kiss, saw the fear in your eyes before anyone else did. Her hands immediately pressed against your ears and they pulled you into her stomach as she stood between your legs and kissed your head. She leaned down and whispered in Catalan, you didn’t understand a thing but her soothing voice calmed you immediately. Tears streamed down your face but you held onto her, she didn’t move an inch until the fireworks stopped and the girls had retreated inside.

“Amor?” she said as she knelt, hands moving away from your ears to hold your wet face.

“Sorry, it’s stupid,” you begin, pushing her hands away and wiping the tearstains off your face. She huffs, grabbing your face again. She looks deep into your eyes with tears. You begin to panic, cooing at her to not cry. She sits beside you and takes your hands in hers.

“It’s not stupid, amor. You were panicking.”

“I’m a grown fucking adult, I shouldn’t feel this way,” you say with gritted teeth, wiping away frustrated tears as you stand and try to walk away from her. She’s small but defiant, grabbing your arm to make you face her. she’s got an angry look on her face that immediately disappears when she meets your eyes.

“Talk to me, amor. What’s going on, sí? I’ve never seen you like this before,” she says, pulling your body close to her. you’re just a foot taller, she tucks her face into your neck and leaves soft kisses.

The team watches from the inside with deep concern for their teammates, when suddenly everyone's phones are blowing up. Lucy opens her phone from where she’s sitting on the counter with Ona between her legs and gasps in shock. Patri had posted a New Year Instagram story and there was a brief two-second pan towards you and Aitana where she pecked your lips to calm you as her palms pressed against your ears.

“Patri, you idiot!” Alexia yells, chewing her out. There was no point in deleting it, the whole world knew that you were together.

Back outside, you and Aitana had moved to the stairs leading up to the porch to sit and talk. She held your hand in her lap, softly rubbing the back and occasionally kissing it. you leaned into her, head resting on her shoulder as you told her about your fear of fireworks.

“My cousins were being rough and not careful. Their parents told them they couldn’t play with it on New Year till my father got home but they didn’t listen. They lit one and pointed it right at me when my little brother jumped in front of one and got second-degree burns because his sweater caught on fire.”

Aitana listens carefully, eyes widened in shock when she learns the reason behind your fear. She leans in and kisses you softly, taking your hand in hers tighter.

“I wish you told me, cariño. I would have stayed home with you.”

“But you love the fireworks, I thought I could handle it; not. I’m sorry you couldn’t watch them.”

“No bebita, you were more important. Thank you for trusting me.”

"Te amo Tana, gracias por estar ahí para mí".

"Yo también te amo, mi niña.”

You two walk back inside where Alexia still hasn’t finished chewing Patri out she’s almost red in the face.

“What’s going on?” Aitana asks, gently guiding you into the kitchen where everyone is.

“Have you checked your phones, both of you?” Ona asks Alexia, taking a break and being handed a glass of water by Lucy.

“No,” you both say, pulling out your phones to see what’s all the fuss about.

“Oh fuck,” you whisper, hand going over your mouth in shock. The two-second clip of you and Aitana kissing while you were having a meltdown is going viral, already trending on X.

“Patri!” Aitana starts, already marching towards the much taller Spaniard. You stop her, grabbing her forearm. She turns around with rage in her eyes, fiercely wanting to protect your privacy more than hers. She softens when she sees the affection in your eyes, letting herself be pulled back to you.

“I don’t want to hide anymore, mi amor.”

“But bebita,” she begins, you cup her cheek and lean in to kiss her before she can finish her sentence. The whole room erupts with cheers and laughter, María capturing another picture of you two. She airdrops it to you as soon as you pull away from Aitana, Alexia already giving Patri a big hug and apologizing for yelling at her.

Back home that night, you post the picture María took and make it official. The world goes crazy, but you and Aitana knew that only the two of you mattered.

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