#04/08/1949

[carbone14]

Le cirque Ringling Bros. and Barnum & Bailey - Chicago - Etats-Unis - 04 août 1949

©Charles Weever Cushman

[margotfonteyns]

At The Christmas Ball: A Vintage Xmas Anthology

01 - At The Christmas Ball - Bessie Smith (1925) 02 - Santa Claus, Bring My Man Back To Me - Ozie Ware (1928) 03 - Papa Ain't No Santa Claus - Butterbeans & Susie (1930) 04 - It's Winter Again - Isham Jones & His Orchestra (1932) 05 - Jingle Bells - Benny Goodman & His Orchestra (1935) 06 - There's Frost On The Moon - Artie Shaw & His Strings (1936) 07 - I've Got My Love To Keep Me Warm - Mildred Bailey (1937) 08 - Christmas Morning The Rum Had Me Yawning - Lord Beginner (1939) 09 - Winter Weather - Fats Waller & His Rhythm (1941) 10 - Santa Claus Is Coming To Town - Bing Crosby & The Andrews Sisters (1943) 11 - Have Yourself A Merry Little Christmas - Judy Garland (1944) 12 - Let It Snow! Let It Snow! Let It Snow! - Connee Boswell (1945) 13 - Boogie Woogie Santa Claus - Mabel Scott (1948) 14 - Baby, It's Cold Outside - Pearl Bailey & Hot Lips Page (1949) 15 - All I Want For Christmas - Nat King Cole Trio (1949) 16 - What Are You Doing New Year's Eve? - The Orioles (1949) 17 - Midnight Sleighride - Sauter-Finegan Orchestra (1952) 18 - Silent Night - Dinah Washington (1953) 19 - White Christmas - The Drifters (1954) 20 - Rudolph The Red-Nosed Reindeer - The Cadillacs (1956) 21 - Warm December - Julie London (1956) 22 - Love Turns Winter To Spring - June Christy (1957) 23 - The Secret Of Christmas - Ella Fitzgerald (1959) 24 - The Christmas Song - Carmen McRae (1961) 25 - A Christmas Surprise - Lena Horne (1965) 26 - Santa Was Here - Lorez Alexandria (1968)

Download: flac / mp3

[hukouben]

开盒

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身份证号码320828194904223833

出生日期1949-04-22

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出生日期1948-07-28

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出生日期2007-01-07

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[lesser-known-composers]

Vítězslav Novák (1870-1949) - Pohádka srdce (Op. 8):

I. Písen melancholická 00:00 II. Zda není snem? 02:07 III. Vecer 04:56 IV. Podzimní nálada 06:28 V. Az prejde den 08:02

Magdalena Kozená -mezzosoprano & Malcolm Martineau -piano

[radondoran]

Happy birthday to my favorite radio actor, Larry Dobkin (September 16, 1919 – October 28, 2002)!

Character actor Lawrence Dobkin was a frequent supporting player in radio, with hundreds of credits across dozens of different programs. He appeared in over 170 episodes of Gunsmoke, playing all kinds of characters from gunmen to gentlemen. Other shows where he was often heard include Escape; Romance; Yours Truly, Johnny Dollar; The Whistler; Let George Do It; Frontier Gentleman; Fort Laramie; Have Gun, Will Travel; NBC University Theatre; etc.

Larry Dobkin's only leading role in a radio series was the title sleuth in Ellery Queen from February 1947 to April 1948—and even there he wasn't exactly a headliner, because, in keeping with the pseudonymous source material, the show tended to be coy about identifying the actors who played Ellery. You might recognize him as Lieutenant Matthews on The Adventures of Philip Marlowe, the first of three main Archie Goodwins on The New Adventures of Nero Wolfe, Dave on The Man From Homicide, or Pat McCracken (usually) on Johnny Dollar—and if you ask me, his most memorable and lovable radio character was Louie, the Brooklyn cabbie who sometimes played sidekick to Vincent Price on The Adventures of the Saint.

A graduate of the Yale School of Drama, Dobkin also played numerous roles on stage, film and television, and later did writing and directing work for television.

Here are a few of my favorite radio episodes featuring Larry Dobkin:

Ellery Queen 1947-12-04 "Man in the Street": A swindler is murdered before Inspector Queen and Ellery can put him in jail. Whodunit? There were only about ten thousand people with a motive!

The Saint 1950-11-19 "No Hiding Place": The Saint tries to help a young man who has escaped from prison after several attempts on his life. Who framed him, who's out to get him, and why? (Louie isn't in this episode as much as in some others, but the lines he does get include some of my favorite lines ever, and anyway I think it's one of the strongest episodes of the series.)

Escape 1949-07-07 "The Fourth Man": Dobkin narrates this classic story of three "civilized" men adrift on a raft in the tropics, battling thirst and one another while their "savage" pilot calmly sits by.

Richard Diamond, Private Detective 1949-07-09: An escaped convict, bent on revenge against Richard Diamond, kidnaps Diamond's girlfriend.

Philip Marlowe 1950-01-21 "The Bid for Freedom": A woman has escaped from an asylum, and now her husband is in danger. Or maybe it's not that simple.

Philip Marlowe 1950-07-28 "The Glass Donkey": Lieutenant Matthews calls to ask about a girl Marlowe used to date—a girl who's just been murdered. It's real personal as Marlowe offers his services to find out why a nice girl had to die.

Philip Marlowe 1951-08-18 "The Young Man's Fancy": There's no murder in this somewhat atypical Philip Marlowe episode by Kathleen Hite. Marlowe goes out for Moscow Mule ingredients, and gets involved in the family troubles of the nice old man from whom he buys his limes.

The Story of Dr. Kildare 1951-02-16: A madman with a gun is holed up inside a school building. Dr. Kildare goes in after him, while Dr. Gillespie scrambles to remotely diagnose a mental illness without ever talking to the patient.

Gunsmoke 1952-06-28 "The Ride Back": This recently rediscovered Gunsmoke episode is almost entirely a radio play for only two voices, as Marshall Dillon brings a twisted killer through hostile Indian country.

Gunsmoke 1952-08-02 "Renegade White": Matt goes after a white man who's been selling guns to Indians, and winds up a prisoner of the Indians himself.

Gunsmoke 1953-02-21 "Meshougah": Matt and Chester find a whole town held hostage by a crazed killer and his gang of outlaws.

Fort Laramie 1956-05-13 "War Correspondent": A smart newspaperman from the East tags along with Captain Quince, hoping to show the folks back home a fair picture of life on the frontier. He's got a lot to learn!

Fort Laramie 1956-06-03 "Don't Kick My Horse": One of Captain Quince's soldiers is a meek little man whose only friend is his horse. He's been in the cavalry ten years, and it's time for a new horse. Dude is not ready to accept this. Tragedy ensues.

Yours Truly, Johnny Dollar 1956-01-09 – 1956-01-13 "The Todd Matter": A tip on an old burglary leads Johnny into a very fresh shooting. Dobkin plays five roles in this story, and what always strikes me is that he doesn't do five radically different voices—he doesn't even change his accent very much! He just acts each character so completely that you're not even inclined to notice the actor.

Have Gun, Will Travel 1958-12-14 "The Outlaw": Paladin makes a deal with a convicted killer who wants to see his newborn son before being hanged.

Suspense 1954-07-27 "Destruction": "And it had a kind of warmth to it, this dying…" A strange, melancholy, poetic script by radio noir greats Fine and Friedkin, about a pathetic little man at the end of his rope.

[letsgethaunted]

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Everything You Don't Already Know About The Marilyn Monroe Conspiracy Photodump

Image 01: “Norma Jean” modeling on the beach for a postcard, 1940s Image 02-03: Marilyn Monroe and her agent Johnny Hyde, Palm Springs Racquet Club, 1949. Image 04: Marilyn at the “Call Me Madam” premiere, 1953. Image 05: Newlyweds Marilyn and Joe DiMaggio, 1954. Image 06: Spouses Marilyn and Arthur Miller outside park-side hotel, London, 1956. This revealing dress was criticized as being “too daring.” Image 07: Marilyn sparks affair rumors after she sings “Happy Birthday” to President JFK. May 19, 1962. Image 08: The only known existing photograph of Marilyn Monroe and the Kennedy brothers. May 19, 1962. Image 09: The death scene of Marilyn Monroe inside her LA home. August 4, 1962. Image 10: A police officer points to evidence of overdose on Marilyn’s nightstand.

[randomkiwibirds]

missavagardner:

↳ MissAvaGardner’s Top 100 Classic Motion Pictures These are my top 100 favorite classic films, the films I consider every classic fan should watch, its just my list and my opinion, I tried my best I love so many films and as a classic lover you always want to include more, for those who ask for movie recommendations this is for you. Please report any broken links and enjoy! 

01 | 1950 - All About Eve → WATCH & WATCH 02 | 1939 - Gone With The Wind → WATCH & WATCH 03 | 1966 - Who’s Afraid Of Virginia Woolf → WATCH & WATCH 04 | 1944 - To Have And Have Not → WATCH & DOWNLOAD 05 | 1938 - Bringing Up Baby → WATCH & DOWNLOAD 06 | 1959 - Some Like It Hot → WATCH & DOWNLOAD 07 | 1943 - Casablanca → WATCH & DOWNLOAD 08 | 1946 - Gilda → WATCH & DOWNLOAD 09 | 1934 - The Thin Man → WATCH & WATCH 10 | 1938 - Vivacious Lady → WATCH 11 | 1931 - City Lights → WATCH & DOWNLOAD 12 | 1951 - A Place In The Sun → WATCH & DOWNLOAD 13 | 1946 - Notorious → WATCH & DOWNLOAD 14 | 1940 - The Philadelphia Story → WATCH & WATCH 15 | 1965 - The Sound of Music → WATCH & DOWNLOAD 16 | 1953 - Roman Holiday → WATCH & DOWNLOAD 17 | 1947 - It’s a Wonderful Life → WATCH & DOWNLOAD 18 | 1961 - La Dolce Vita → WATCH PART 1 & PART 2 19 | 1953 - From Here To Eternity → WATCH & DOWNLOAD 20 | 1935 - Top Hat → WATCH & DOWNLOAD 21 | 1967 - The Graduate → WATCH & DOWNLOAD 22 | 1950 - Sunset Blvd → WATCH & DOWNLOAD 23 | 1965 - Doctor Zhivago → WATCH PART 1 & PART 2 24 | 1952 - Singin’ in the Rain → WATCH & DOWNLOAD 25 | 1957 - An Affair to Remember → WATCH 26 | 1940 - Waterloo Bridge → WATCH 27 | 1951 - An American in Paris → WATCH 28 | 1936 - Camille → WATCH 29 | 1955 - Rear Window → WATCH & DOWNLOAD 30 | 1950 - In A Lonely Place → WATCH 31 | 1932 - Red Dust → WATCH 32 | 1963 - 8½ → WATCH 33 | 1958 - Cat on a Hot Tin Roof → WATCH & DOWNLOAD 34 | 1942 - Now Voyager → WATCH & DOWNLOAD 35 | 1954 - Dial M for Murder → WATCH & WATCH 36 | 1945 - Leave Her to Heaven → WATCH 37 | 1955 - To Catch a Thief → WATCH & DOWNLOAD 38 | 1959 - North by Northwest → WATCH & WATCH 39 | 1936 - Swing Time → WATCH 40 | 1957 - Pal Joey → WATCH 41 | 1951 - A Streetcar Named Desire → WATCH 42 | 1956 - Giant → WATCH & WATCH 43 | 1968 - Funny Girl → WATCH & DOWNLOAD 44 | 1939 - The Wizard of Oz → WATCH & DOWNLOAD 45 | 1959 - Pillow Talk → WATCH & WATCH 46 | 1960 - Psycho → WATCH & DOWNLOAD 47 | 1934 - It Happened One Night → WATCH & WATCH 48 | 1959 - On The Beach → WATCH PART 1 & PART 2 49 | 1954 - Phffft! → NETFLIX 50 | 1962 - Whatever Happened to Baby Jane? → WATCH & WATCH 51 | 1945 - Mildred Pierce → WATCH 52 | 1966 - Un homme et une femme → WATCH 53 | 1951 - The African Queen → WATCH & DOWNLOAD 54 | 1961 - West Side Story → WATCH & DOWNLOAD 55 | 1964 - My Fair Lady → WATCH & DOWNLOAD 56 | 1957 - 12 Angry Men → WATCH & DOWNLOAD 57 | 1936 - My Man Godfrey → WATCH & WATCH 58 | 1944 - Meet Me in St Louis → WATCH 59 | 1939 - Dark Victory → WATCH & DOWNLOAD 60 | 1945 - The Lost Weekend → WATCH & DOWNLOAD 61 | 1953 - Mogambo → DOWNLOAD 62 | 1944 - Laura → WATCH & DOWNLOAD 63 | 1954 - The Last Time I Saw Paris → WATCH 64 | 1940 - His Girl Friday → WATCH & DOWNLOAD 65 | 1937 - The Awful Truth → WATCH 66 | 1941 - Ball of Fire → WATCH 67 | 1960 - The Apartment → WATCH & WATCH 68 | 1944 - Arsenic and Old Lace → WATCH & DOWNLOAD 69 | 1942 - To Be or Not to Be → WATCH 70 | 1955 - This Property Is Condemned → WATCH & DOWNLOAD 71 | 1941 - Citizen Kane → WATCH & DOWNLOAD 72 | 1939 - The Women → WATCH 73 | 1961 - One, Two, Three → WATCH 74 | 1941 - Suspicion → WATCH & DOWNLOAD 75 | 1927 - Wings → WATCH 76 | 1949 - The Heiress → WATCH & WATCH 77 | 1941 - The Lady Eve → WATCH 78 | 1940 - Rebecca → WATCH & DOWNLOAD 79 | 1941 - Little Foxes → WATCH 80 | 1942 - Cat People → WATCH & DOWNLOAD 81 | 1944 - Double Indemnity → WATCH & DOWNLOAD 82 | 1946 - The Big Sleep → WATCH 83 | 1954 - A Star Is Born → WATCH 84 | 1967 - Belle de Jour → WATCH 85 | 1952 - The Quiet Man → WATCH 86 | 1958 - Vertigo → WATCH 87 | 1961 - Splendor in the Grass → WATCH 88 | 1955 - Rebel Without a Cause → WATCH 89 | 1954 - Sabrina → WATCH & DOWNLOAD 90 | 1962 - Lawrence of Arabia → WATCH PART 1 & PART 2 91 | 1954 - On The Waterfront → WATCH 92 | 1960 - A Bout de Souffle → WATCH 93 | 1963 - Love With The Proper Stranger → WATCH & DOWNLOAD 94 | 1942 - Woman of The Year → WATCH 95 | 1937 - Stage Door → WATCH 96 | 1967 - Cool Hand Luke → WATCH 97 | 1967 - Bonnie & Clyde → WATCH 98 | 1964 - The Night of the Iguana → WATCH 99 | 1962 - Lolita → WATCH 100 | 1961 - Breakfast At Tiffany’s → WATCH

[merunicornwithbooks]

Time for my 31 Days of Halloween movie/show/short film/whatever I feel like watching I do every year! I'm going to do what I did last year and just make this a pinned post that I'll add to.

01. The Sentinel (1977)

02. The Curse of Frankenstein (1957)

03. The Revenge of Frankenstein (1958)

04. The Evil of Frankenstein (1964)

05. Frankenstein Created Woman (1967)

06. Frankenstein Must Be Destroyed (1969)

07. Talk to Me (2022)

08. Lemora: A Child's Tale of the Supernatural (1973)

09. Frankenstein and the Monster from Hell (1974)

10. The Black Cat (1941)

11. Dead of Night (1945)

12. Silly Symphonies "The Skeleton Dance" (1929)

13. Garfield's Halloween Adventure (1985)

14. Betty Boop's Halloween Party (1933)

15. The Menu (2022)

16. The Nightmare Before Christmas (1993)

17. The Skeleton Frolic (1937)

18. The Worst Witch (1986)

19. Night On Bald Mountain - Fantasia (1941)

20. Halloween is Grinch Night (1977)

21. Walt Disney's The Old Mill (1937)

22. The Black Cat (1989)

23. The Comedy of Terrors (1963)

24. The Tale of The Bookish Babysitter (Are You Afraid of the Dark) 1994

25. Hellraiser (1987)

26. It's the Great Pumpkin, Charlie Brown! (1966)

27. The Adventures of Ichabod and Mr. Toad (1949)

28. The Curse of Dracular (2024)

29. The House that Dripped Blood (1971)

30. I Saw the TV Glow (2024)

31. Dracula (1931)

[darry-rules]

SCP-004 The 12 rusty keys and the door

SCP-004-1

Item #: SCP-004

Object Class: Euclid

Special Containment Procedures: When handling items SCP-004-2 through SCP-004-13, proper procedure is vital. The items are not permitted to be moved off-site unless accompanied by two Level 4 security personnel. Under no circumstances should any other component of SCP-004 be taken through SCP-004-1. The effects of doing so are as yet unknown, and the current cost of experimentation makes further research impractical. Should any of the objects contained within SCP-004-1 breach containment, or the facility be breached, the keys must be brought inside and the door closed prior to activation of Site 62’s on-site warhead. Unauthorized removal of keys from the testing area is grounds for immediate termination.

Level 1 clearance is required for basic access to SCP-004-1; Level 4 clearance is required for use of SCP-004-2 to -13.

Description: SCP-004 consists of an old wooden barn door (SCP-004-1) and a set of twelve rusted steel keys (SCP-004-2 through SCP-004-13). The door itself is the entrance to an abandoned factory in [DATA EXPUNGED]. Chronological History

07/02/1949 : A group of three juveniles trespassing on federal property near ██████████ find the door. According to their testimony, they found a set of rusted keys in an iron lockbox and determined what door the keys unlock. The juveniles are taken into custody after they contact Sheriff █████████████████ when one of their friends (SCP-004-CAS01) goes missing.

07/03/1949 : Local authorities find the severed right hand of SCP-004-CAS01 eight kilometers from SCP-004-1. Other parts of SCP-004-CAS01's body are found scattered as far as 32km from the factory. Under interrogation, the apprehended juveniles tell authorities that upon opening the door with one of the keys, SCP-004-CAS01 was torn into several pieces, each of which disappeared. At this point, the SCP Foundation takes over the investigation.

07/04/1949 : SCP Agent █████ obtains the keys from the local authorities to begin testing. Tests show that SCP-004-2 through SCP-004-13 all fit into a single lock on the large barred door. 12 Class D personnel are assigned to test the effects of the door. Of the twelve test subjects each trying a different key to enter the room, only two survive. Opening the door with any key except SCP-004-7 or SCP-004-12 caused the test subjects to be torn apart in multiple directions; however, no dismembered parts were found until later. At the time of writing, only two parts of each subject have been recovered (with the exception of the subject using SCP-004-█, whose pieces were scattered in close proximity). The others have, for all intents and purposes, vanished from existence.

Of the two surviving subjects, only one (having used SCP-004-7) returned unharmed. The other came back in a near-catatonic state, able only to remove himself from the room and then collapse on the floor, and had to be restrained to prevent him from gouging out his eyes (see Appendix A: Mental Health Effects of SCP-004). The subject using SCP-004-7 said that he had entered a large room, impossibly big for the size of the attached building. After his exit, SCP-004-1 was propped open and an armed squad of Level 3 personnel entered. The size of the room is impossible to measure and the door frame and the individuals in the room are the only part of the room that can be felt or illuminated.

07/16/1949 : The juvenile suspects and Sheriff █████████████████ are terminated.

08/02/1949 : █████████████████ is declared a hazardous area and fences erected in order to prevent civilian ingress. Tests to determine safety of exposure to environment behind SCP-004-1 begin.

12/01/1950 : Space-time anomalies resulting from exposure to SCP-004 are confirmed. Testing is suspended until further notice.

07/02/19██ : The unaccounted-for remains of SCP-004-CAS01 appear unexpectedly outside SCP-004-1. Despite being killed decades before, the remains of SCP-004-CAS01 are not decomposed in any manner and are still warm to the touch. Blood remains uncoagulated. The remains are remanded for testing.

07/04/19██ : The unaccounted-for remains of one of the twelve (12) original test subjects appear in similar manner to those of SCP-004-CAS01. The remains have been designated SCP-004-CAS02. Records suggest that both SCP-004-CAS01 and CAS02 used SCP-004-██.

03/21/1999 : With the massive proliferation of nuclear weapons and World War III only ██ years away, construction has begun on a site inside SCP-004-1. The site is to stock supplies for ███████ person-days.

04/21/1999 : █████████████████ has ordered the site inside SCP-004-1 to be expanded to include emergency storage for all mobile SCP-███ specimens and a ██-petabyte database for the storage of all SCP data. The facility is now referred to as Site-62.

09/25/2000 : Site-62 is operational. Labs and containment units are complete and can contain the most dangerous specimens. Backup of the SCP database has begun.

01/25/2001 : Due to time anomalies (see “Space-Time Anomalies” below), all personnel working at Site-62 are now required to reside on-site permanently. Families of personnel are to be informed that loved ones perished in an industrial accident. Cloned bodies have been prepared for funeral.

08/14/2003 : Massive power outage across Northeast United States and through Canada. Due to the initial failure of multiple SCP generators, Site-62 was without power for fifty-three (53) minutes. During those fifty-three (53) minutes, those on site were completely without any source of light. They reported were of humanoid size but otherwise similar to the massive green creature described. Space-Time Anomalies

SCP-004 seems to propagate spatiotemporal anomalies. Personnel leaving the facility report losing time. Those who have been in the site for weeks insist that they had only been in the facility for several days, and records of work completed and supplies consumed support their claims. Other temporal anomalies involve SCP-004-2 through -13, especially the reappearance of SCP-004-CAS01 and SCP-004-CAS02 exactly ██ years after using SCP-004-██. ████████████████████ has been assigned to investigate all aspects of these time anomalies. Spatial anomalies include the impossibly large dimensions of the area opened by SCP-004-7. Similarly, the 2003 blackout incident suggests that there exists an alternate plane of existence within the same space that Site-62 occupies. Additional Notes

Testing on SCP-004 reveals that ten of the keys open SCP-004-1 on a dimension where the laws of physics and topology are significantly different than those of our home dimension. Test subjects meeting these hostile conditions are torn apart, their body parts deposited in various locations, only three of which have been verified to be on Earth. Material deposited at two of these points appears immediately; material deposited at the third appears exactly ██ years into the future. The other seven locations are currently unknown.

Current testing focuses on two avenues of research. The first is finding ways to survive SCP-004’s hostile topologies. The second [DATA EXPUNGED] suggest that SCP-004-2 through -13 may open doors other than SCP-004-1. Appendix A: Mental Health Effects of SCP-004-12

All Class D personnel using SCP-004-12 return in a catatonic state, unable to speak. Some may have enough energy left to try to claw out their eyes. Of the 16 subjects, only 4 have survived. Only one has regained speech, following long-term psychotherapy. He was able to tell the psychiatrist that he saw a massive green creature, so large that much of its body extended beyond his field of view. He reported innate fear and sudden recognition, “as if it were something buried deep in [his] primal fears,” and forced implantation of “incomprehensible” memories. Subject displays acute anterograde and retrograde amnesia. Appendix B: Additional Information

Item #: SCP-004-14

Date of Discovery: 09/02/1950

Origin of Object: Object was discovered elsewhere in factory area, in the previously undiscovered manager's office.

Description: Object appears as a large, unvarnished wooden box. The box may be unlocked by the keys (see Document SCP-004-1).

Upon unlocking SCP-004-14 with SCP-004-7, the box opens automatically on hinges. The volume of the space inside is precisely five times greater than the outer dimensions imply. Items placed within while the lid remains open do not affect the weight or any other properties of the box. When the lid is closed and locked, however, all items inside vanish irretrievably. Personnel locked inside the box are also irretrievable, although losing personnel in this fashion appears to affect significantly the dreams experienced by [DATA EXPUNGED]

[solareclipses-lunareclipses]

Eclipses Lunares e Eclipses Solares: São Paulo

1900 - 1909

12 - 13/06/1900: Eclipse Lunar Penumbral 03/05/1901: Eclipse Lunar Penumbral 22/04/1902: Eclipse Lunar Penumbral 17/10/1902: Eclipse Lunar Total 11/04/1903: Eclipse Lunar Parcial 01 - 02/03/1904: Eclipse Lunar Penumbral 14 - 15/08/1905: Eclipse Lunar Parcial 09/02/1906: Eclipse Lunar Total 10/07/1907: Eclipse Solar Parcial 24 - 25/07/1907: Eclipse Lunar Parcial 13/07/1908: Eclipse Lunar Penumbral 07/12/1908: Eclipse Lunar Penumbral 23/12/1908: Eclipse Solar Parcial 03 - 04/06/1909: Eclipse Lunar Total 27/11/1909: Eclipse Lunar Parcial

1910 - 1919

23 - 24/05/1910: Eclipse Lunar Total 16/11/1910: Eclipse Lunar Total 13/05/1911: Eclipse Lunar Penumbral 01/04/1912: Eclipse Lunar Parcial 17/04/1912: Eclipse Solar Parcial 10/10/1912: Eclipse Solar Parcial 11 - 12/03/1914: Eclipse Lunar Parcial 31/01/1915: Eclipse Lunar Penumbral 24/08/1915: Eclipse Lunar Penumbral 20/01/1916: Eclipse Lunar Parcial 14 - 15/07/1916: Eclipse Lunar Parcial 08/01/1917: Eclipse Lunar Total 04/07/1917: Eclipse Lunar Total 28/12/1917: Eclipse Lunar Parcial 24/06/1918: Eclipse Lunar Penumbral 03/12/1918: Eclipse Solar Parcial 14 - 15/05/1919: Eclipse Lunar Penumbral 29/05/1919: Eclipse Solar Parcial 07/11/1919: Eclipse Lunar Parcial 22/11/1919: Eclipse Solar Parcial

1920 - 1929

02 - 03/05/1920: Eclipse Lunar Total 22/04/1921: Eclipse Lunar Total 01/10/1921: Eclipse Solar Parcial 16/10/1921: Eclipse Lunar Parcial 28/03/1922: Eclipse Solar Parcial 11/04/1922: Eclipse Lunar Penumbral 05/04/1922: Eclipse Lunar Penumbral 02 - 03/03/1923: Eclipse Lunar Parcial 17/03/1923: Eclipse Solar Parcial 26/08/1923: Eclipse Lunar Penumbral 14/08/1924: Eclipse Lunar Total 08/02/1925: Eclipse Lunar Parcial 04/08/1925: Eclipse Lunar Penumbral 28/01/1926: Eclipse Lunar Penumbral 25/06/1926: Eclipse Lunar Penumbral 25/07/1926: Eclipse Lunar Penumbral 19/12/1926: Eclipse Lunar Penumbral 03/01/1927: Eclipse Solar Parcial 15/06/1927: Eclipse Lunar Total 03/06/1928: Eclipse Lunar Penumbral 27/11/1928: Eclipse Lunar Parcial 16/11/1929: Eclipse Lunar Penumbral

1930 - 1939

13/04/1930: Eclipse Lunar Parcial 07/10/1930: Eclipse Lunar Penumbral 02/04/1931: Eclipse Lunar Parcial 26/09/1931: Eclipse Lunar Parcial 11/10/1931: Eclipse Solar Parcial 14/09/1932: Eclipse Lunar Parcial 24/02/1933: Eclipse Lunar Parcial 11 - 12/03/1933: Eclipse Lunar Penumbral 05/08/1933: Eclipse Lunar Penumbral 04/09/1933: Eclipse Lunar Penumbral 15 - 16/07/1935: Eclipse Lunar Total 27 - 28/12/1936: Eclipse Lunar Penumbral 25/05/1937: Eclipse Lunar Penumbral 18/11/1937: Eclipse Lunar Parcial 14/05/1938: Eclipse Lunar Total 29/05/1938: Eclipse Solar Parcial 07/11/1938: Eclipse Lunar Total 28/10/1939: Eclipse Lunar Parcial

1940 - 1949

21 - 22/04/1940: Eclipse Lunar Penumbral 01/10/1940: Eclipse Solar Parcial 16/10/1940: Eclipse Lunar Penumbral 27/03/1941: Eclipse Solar Parcial 02 - 03/03/1942: Eclipse Lunar Total 25 - 26/08/1942: Eclipse Lunar Total 19 - 20/02/1943: Eclipse Lunar Parcial 15/08/1943: Eclipse Lunar Parcial 25/01/1944: Eclipse Solar Parcial 09/02/1944: Eclipse Lunar Penumbral 06/07/1944: Eclipse Lunar Penumbral 18 - 19/12/1945: Eclipse Lunar Total 14/06/1946: Eclipse Lunar Parcial 20/05/1947: Eclipse Solar Parcial 03/06/1947: Eclipse Lunar Penumbral 12/11/1947: Eclipse Solar Parcial 28/11/1947: Eclipse Lunar Penumbral 17 - 18/10/1948: Eclipse Lunar Penumbral 12 - 13/04/1949: Eclipse Lunar Total 06 - 07/10/1949: Eclipse Lunar Total

1950 - 1959

02/04/1950: Eclipse Lunar Parcial 25 - 26/09/1950: Eclipse Lunar Total 23/03/1951: Eclipse Lunar Penumbral 16 - 17/08/1951: Eclipse Lunar Penumbral 10 - 11/02/1952: Eclipse Lunar Parcial 05/08/1952: Eclipse Lunar Parcial 20/08/1952: Eclipse Solar Parcial 29 - 30/01/1953: Eclipse Lunar Total 26/07/1953: Eclipse Lunar Penumbral 18 - 19/01/1954: Eclipse Lunar Total 15/07/1954: Eclipse Lunar Parcial 18/11/1956: Eclipse Lunar Total 13/05/1957: Eclipse Lunar Total 04/04/1958: Eclipse Lunar Penumbral 24/03/1959: Eclipse Lunar Penumbral 16 - 17/09/1959: Eclipse Lunar Penumbral

1960 - 1969

13/03/160: Eclipse Lunar Total 05/09/1960: Eclipse Lunar Penumbral 11/08/1961: Eclipse Solar Parcial 25 - 26/08/1961: Eclipse Lunar Parcial 31/10/1961: Eclipse Solar Parcial 15/08/1962: Eclipse Lunar Penumbral 09/01/1963: Eclipse Lunar Penumbral 25/01/1963: Eclipse Solar Parcial 06/07/1963: Eclipse Lunar Parcial 24 - 25/06/1964: Eclipse Lunar Total 18 - 19/12/1964: Eclipse Lunar Total 13 - 14/06/1965: Eclipse Lunar Parcial 04/05/1966: Eclipse Lunar Penumbral 29/10/1966: Eclipse Lunar Penumbral 12/11/1966: Eclipse Solar Parcial 18/11/1967: Eclipse Lunar Parcial 12 - 13/04/1968: Eclipse Lunar Total 11/09/1969: Eclipse Solar Parcial 25/09/1969: Eclipse Lunar Penumbral

1970 - 1979

21/02/1970: Eclipse Lunar Parcial 16 - 17/08/1970: Eclipse Lunar Parcial 10/02/1971: Eclipse Lunar Total 06/08/1971: Eclipse Lunar Parcial 30/01/1972: Eclipse Lunar Penumbral 26/07/1972: Eclipse Lunar Parcial 04/01/1973: Eclipse Solar Parcial 18/01/1973: Eclipse Lunar Penumbral 15/06/1973: Eclipse Lunar Penumbral 30/06/1973: Eclipse Solar Parcial 09 - 10/12/1973: Eclipse Lunar Parcial 24/12/1973: Eclipse Solar Parcial 04/06/1974: Eclipse Lunar Parcial 25/05/1975: Eclipse Lunar Total 18/11/1975: Eclipse Lunar Total 13/05/1976: Eclipse Lunar Penumbral 06/11/1976: Eclipse Lunar Penumbral 03 - 04/04/1977: Eclipse Lunar Parcial 18/04/1977: Eclipse Solar Parcial 27/09/1977: Eclipse Lunar Penumbral 16/09/1978: Eclipse Lunar Penumbral 13/03/1979: Eclipse Lunar Parcial 06/09/1979: Eclipse Lunar Penumbral

1980 - 1989

01/03/1980: Eclipse Lunar Penumbral 10/08/1980: Eclipse Solar Parcial 25 - 26/08/1980: Eclipse Lunar Penumbral 20/01/1981: Eclipse Lunar Penumbral 16 - 17/07/1981: Eclipse Lunar Parcial 09/01/1982: Eclipse Lunar Penumbral 06/07/1982: Eclipse Lunar Total 25/06/1983: Eclipse Lunar Parcial 19 - 20/12/1983: Eclipse Lunar Penumbral 14 -15/05/1984: Eclipse Lunar Penumbral 04/05/1985: Eclipse Lunar Parcial 17/10/1986: Eclipse Lunar Penumbral 29/03/1987: Eclipse Solar Parcial 13 - 14/04/1987: Eclipse Lunar Penumbral 06 - 07/10/1987: Eclipse Lunar Penumbral 27/08/1988: Eclipse Lunar Penumbral 16 - 17/08/1989: Eclipse Lunar Total

1990 - 1999

26/01/1990: Eclipse Solar Parcial 09/02/1990: Eclipse Lunar Penumbral 30/01/1991: Eclipse Lunar Penumbral 26 - 27/06/1991: Eclipse Lunar Penumbral 11/07/1991: Eclipse Solar Parcial 14 - 15/06/1992: Eclipse Lunar Parcial 30/06/1992: Eclipse Solar Parcial 09 - 10/12/1992: Eclipse Lunar Total 29/11/1993: Eclipse Lunar Total 24 - 25/05/1994: Eclipse Lunar Parcial 03/11/1994: Eclipse Solar Parcial 18/11/1994: Eclipse Lunar Penumbral 29/04/1995: Eclipse Solar Parcial 03 - 04/04/1996: Eclipse Lunar Total 26 - 27/09/1996: Eclipse Lunar Total 23 - 24/03/1997: Eclipse Lunar Total 16/09/1997: Eclipse Lunar Penumbral 12 - 13/03/1998: Eclipse Lunar Penumbral 07 - 08/08/1998: Eclipse Lunar Penumbral 28/07/1999: Eclipse Lunar Penumbral

2000 - 2009

21/01/2000: Eclipse Lunar Total 09/01/2001: Eclipse Lunar Penumbral 21/06/2001: Eclipse Solar Parcial 24/06/2002: Eclipse Lunar Penumbral 19 - 20/11/2002: Eclipse Lunar Penumbral 15 - 16/05/2003: Eclipse Lunar Total 08 - 09/11/2003: Eclipse Lunar Total 04/05/2004: Eclipse Lunar Total 27 - 28/10/2004: Eclipse Lunar Total 24/04/2005: Eclipse Lunar Penumbral 14/03/2006: Eclipse Lunar Penumbral 22/09/2006: Eclipse Solar Parcial 03/03/2007: Eclipse Lunar Total 28/08/2007: Eclipse Lunar Parcial 11/09/2007: Eclipse Solar Parcial 20 - 21/02/2008: Eclipse Lunar Total 16/08/2008: Eclipse Lunar Parcial 07/07/2009: Eclipse Lunar Penumbral 05/08/2009: Eclipse Lunar Penumbral

2010 - 2019

26/06/2010: Eclipse Lunar Penumbral 21/12/2010: Eclipse Lunar Total 15/06/2011: Eclipse Lunar Total 04/06/2012: Eclipse Lunar Penumbral 25/04/2013: Eclipse Lunar Penumbral 25/05/2013: Eclipse Lunar Penumbral 18/10/2013: Eclipse Lunar Penumbral 15/04/2014: Eclipse Lunar Total 08/10/2014: Eclipse Lunar Penumbral 04/04/2015: Eclipse Lunar Penumbral 27 - 28/09/2015: Eclipse Lunar Total 10 - 11/02/2017: Eclipse Lunar Penumbral 06/02/2017: Eclipse Solar Parcial 07/08/2017: Eclipse Lunar Penumbral 27/07/2018: Eclipse Lunar Total 21/01/2019: Eclipse Lunar Total 02/07/2019: Eclipse Solar Parcial 16/07/2019: Eclipse Lunar Parcial

2020 - 2029

05/06/2020: Eclipse Lunar Penumbral 05/07/2020: Eclipse Lunar Penumbral 30/11/2020: Eclipse Lunar Penumbral 14/12/2020: Eclipse Solar Parcial 26/05/2021: Eclipse Lunar Penumbral 19/11/2021: Eclipse Lunar Parcial 15 - 16/05/2022: Eclipse Lunar Total 08/11/2022: Eclipse Lunar Penumbral 14/10/2023: Eclipse Solar Parcial 28/10/2023: Eclipse Lunar Penumbral 25/03/2024: Eclipse Lunar Penumbral 17 - 18/09/2024: Eclipse Lunar Parcial 02/10/2024: Eclipse Solar Parcial 14/03/2025: Eclipse Lunar Total 03/03/2026: Eclipse Lunar Penumbral 27 - 28/08/2026: Eclipse Lunar Parcial 06/02/2027: Eclipse Solar Parcial 20/02/2027: Eclipse Lunar Penumbral 17/08/2027: Eclipse Lunar Penumbral 11 - 12/01/2028: Eclipse Lunar Parcial 26/01/2028: Eclipse Solar Parcial 06/07/2028: Eclipse Lunar Penumbral 25 - 26/06/2029: Eclipse Lunar Total 20/12/2029: Eclipse Lunar Total

[dailybhakthimessages]

🌹 26, JANUARY 2023 FRIDAY ALL MESSAGES శుక్రవారం, భృగు వాసర సందేశాలు 🌹

🍀🌹 26, JANUARY 2023 FRIDAY ALL MESSAGES శుక్రవారం, భృగు వాసర సందేశాలు 🌹🍀 1) 🌹 26, JANUARY 2023 FRIDAY శుక్రవారం, భృగు వాసరే, నిత్య పంచాంగము Daily Panchangam🌹

🌹🍀 భారత గణతంత్ర దినోత్సవం శుభాకాంక్షలు అందరికి, Bharat Republic Day Greetings to All. 🍀🌹 ప్రసాద్ భరద్వాజ

2) 🌹. శ్రీమద్భగవద్గీత - 492 / Bhagavad-Gita - 492 🌹 🌴. 12వ అధ్యాయము -భక్తియోగము -23 / Chapter 12 - Devotional Service - 23 🌴 🌹. శ్రీ శివ మహా పురాణము - 847 / Sri Siva Maha Purana - 847 🌹 🌻.బ్రహ్మవిష్ణువులకు శివుని ఉపదేశము - 2 / Śiva’s advice to Viṣṇu and Brahmā - 2 🌻 3) 🌹. ఓషో రోజువారీ ధ్యానాలు - 105 / Osho Daily Meditations  - 105 🌹 🍀 105. ప్రపంచాన్ని మార్చడం / 105. CHANGING THE WORLD 🍀 4) 🌹. శ్రీ లలితా చైతన్య విజ్ఞానము - 524 - 528 - 8 / Sri Lalitha Chaitanya Vijnanam - 524 - 528 - 8 🌹 🌻 521 to 528 నామ వివరణము - 8 / 521 to 528 Names Explanation - 8 🌻

🍀🌹🍀🌹🍀🌹🍀🌹🍀🌹 🍀🌹🍀🌹🍀🌹🍀🌹🍀🌹

🌹 26, జనవరి, JANUARY 2024 పంచాంగము - Panchangam 🌹 శుభ శుక్రవారం, భృగు వాసరే, Friday 🍀 భారత గణతంత్ర దినోత్సవం శుభాకాంక్షలు అందరికి, Bharat Republic Day Greetings to All. 🍀 మనందరికి ఈ రోజు కాలము, ప్రకృతి అనుకూలించాలి అని పరమాత్మని స్మరిస్తూ - ప్రసాద్ భరద్వాజ

🌻. పండుగలు మరియు పర్వదినాలు : భారత గణతంత్ర దినోత్సవం, Bharat Republic Day 🌻

🍀. శ్రీ లక్ష్మీ సహస్రనామ స్తోత్రం - 45 🍀

46. సపర్యా గుణినీ భిన్నా నిర్గుణా ఖండితాశుభా । స్వామినీ వేదినీ శక్యా శాంబరీ చక్రధారిణీ ॥

🌻 🌻 🌻 🌻 🌻

🍀. నేటి సూక్తి : యోగదర్శన వైవిధ్యం : వివిధ యోగదర్శన విశేషముల మధ్య కచ్చితమైన అనురూపతను సర్వత్రా నిరూపించడానికీ వలను పడదు. ఏలనంటే ఒక విషయాన్ని భిన్న దృక్పథాల నుండి చూచి, భిన్న రీతులుగా అనుభవాన్ని వ్యక్తీకరించడం వాటి యందు జరుగుతుంది. దేని నిర్మాణ ప్రణాళిక దానిదే. దేని సాంకేతిక విధానములు దానివే. 🍀

🌷🌷🌷🌷🌷

విక్రమ: 2080 నల, శఖ: 1945 శోభన కలియుగాబ్ది : 5124, శోభకృత్‌, హేమంత ఋతువు, ఉత్తరాయణం, పౌష్య మాసం తిథ��: కృష్ణ పాడ్యమి 25:21:45 వరకు తదుపరి కృష్ణ విదియ నక్షత్రం: పుష్యమి 10:29:28 వరకు తదుపరి ఆశ్లేష యోగం: ప్రీతి 07:41:02 వరకు తదుపరి ఆయుష్మాన్ కరణం: బాలవ 12:20:56 వరకు వర్జ్యం: 24:38:36 - 26:24:48 దుర్ముహూర్తం: 09:04:54 - 09:50:08 మరియు 12:51:06 - 13:36:21 రాహు కాలం: 11:03:39 - 12:28:29 గుళిక కాలం: 08:14:00 - 09:38:50 యమ గండం: 15:18:08 - 16:42:58 అభిజిత్ ముహూర్తం: 12:06 - 12:50 అమృత కాలం: 03:29:48 - 05:14:36 సూర్యోదయం: 06:49:10 సూర్యాస్తమయం: 18:07:47 చంద్రోదయం: 18:43:34 చంద్రాస్తమయం: 07:18:02 సూర్య సంచార రాశి: మకరం చంద్ర సంచార రాశి: కర్కాటకం యోగాలు: ఉత్పాద యోగం - కష్టములు, ద్రవ్య నాశనం 10:29:28 వరకు తదుపరి మృత్యు యోగం - మృత్యు భయం దిశ శూల: పశ్చిమం ✍️. శ్రీ వక్కంతం చంద్రమౌళి

🌻 🌻 🌻 🌻 🌻

🍀. నిత్య ప్రార్థన 🍀 వక్రతుండ మహాకాయ సూర్యకోటి సమప్రభ నిర్విఘ్నంకురుమేదేవ సర్వకార్యేషు సర్వదా యశ్శివో నామ రూపాభ్యాం యాదేవీ సర్వ మంగళా తయో సంస్మరణాత్పుంసాం సర్వతో జయ మంగళం తదేవ లగ్నం సుదినం తదేవ తారాబలం చంద్రబలం తదేవ విద్యాబలం దైవబలం తదేవ లక్ష్మీపతే తేంఘ్రి యుగం స్మరామి. 🌹🌹🌹🌹🌹

🍀🌹🍀🌹🍀🌹🍀🌹🍀🌹 🍀🌹🍀🌹🍀🌹🍀🌹🍀🌹

🌹🍀 భారత గణతంత్ర దినోత్సవం శుభాకాంక్షలు అందరికి, Bharat Republic Day Greetings to All. 🍀🌹 ప్రసాద్ భరద్వాజ

🇮🇳. రిపబ్లిక్ డే.. జనవరి 26నే ఎందుకు? భారత చరిత్రలో ఆ రోజుకు ఎందుకంతటి విశిష్టత? 🇮🇳

దేశానికి 1947 ఆగస్టు 15న స్వాతంత్రం వచ్చింది.. అలాగే 1950 జనవరి 26 నుంచి రాజ్యాంగం అమల్లోకి వచ్చింది… కాబట్టి ఏటా అదే తేదీన రిపబ్లిక్ డే జరుపుకుంటున్నామని భావిస్తారు. ఇందులో కాస్త నిజం లేకపోలేదు. అయితే దీని వెనుక బలమైన కారణం ఉంది. వాస్తవానికి భారత రాజ్యాంగాన్ని 1949 నవంబరు 26నే ఆమోదించారు. దీనిని అమలు చేసే తేదీకి ఒక ప్రాముఖ్యత ఉండాలనే ఉద్దేశంతో రెండు నెలలు వేచి ఉన్నారు.

లాహోర్ వేదికగా 1930 జనవరి 26న కాంగ్రెస్ పార్టీ జాతీయ సమావేశంలో తొలిసారిగా పూర్ణ స్వరాజ్యం తీర్మానం చేశారు. నెహ్రూ సారథ్యంలో రావీ నది ఒడ్డున త్రివర్ణ పతాకం ఎగురవేసి భారతీయుల స్వాతంత్ర సంకల్పాన్ని బ్రిటిషర్లకు గట్టిగా వినిపించారు. అప్పటి దాకా కేవలం రాజకీయ, ఆధ్యాత్మిక స్వాతంత్రం వస్తే చాలు, సంపూర్ణ అధికారం భ్రిటిష్ వారి చేతుల్లోనే ఉండి, దేశం సామంత రాజ్యంగా మిగిలిపోయినా ఫర్వాలేదనుకునేలా ఉన్న రాజకీయ నేతల వైఖరిని జలియన్‌వాలాబాగ్ ఉదంతం ఒక్కసారిగా కళ్లు తెరిపించింది.

నాడు సుభాష్ చంద్రబోస్, జవహర్‌లాల్ నెహ్రూ లాంటి నేతలు కాంగ్రెస్ పార్టీలో వేడి పుట్టించి పూర్ణ స్వరాజ్య తీర్మానం ప్రకటన చేయించడంలో సఫలమయ్యారు. ఆ రోజునే స్వాతంత్ర దినోత్సవంగా పరిగణించాల్సిందని కాంగ్రెస్ పార్టీ కూడా దేశ ప్రజలకు పిలుపు ఇచ్చింది. అంతటి చారిత్రక ప్రాధాన్యం ఉన్న తేదీకి చిరస్థాయి కల్పించాలన్న సదుద్దేశంతో నవభారత నిర్మాతలు రాజ్యాంగ రచన 1949లో పూర్తయినా.. మరో రెండు నెలలు ఆగి 1950 జనవరి 26 నుంచి దానిని అమల్లోకి తెచ్చారు.

జనవరి 26, 1950 నుంచి బ్రిటీష్ కాలంనాటి భారత ప్రభుత్వ చట్టం -1935 రద్దయ్యింది.. భారతదేశం సర్వసత్తాక, సామ్యవాద, లౌకిక, ప్రజాస్వామ్య, గణతంత్ర రాజ్యంగా అవతరించింది. స్వాతంత్య్రం వచ్చిన తర్వాత దేశ రాజ్యాంగ రచనకు ఎంతోమంది మేధావులు వివిధ దేశాల రాజ్యాంగాలను పరిశీలించి, అధ్యయనం చేసి ప్రజాస్వామ్య విధానంలో రూపొందించారు. అనేక సవరణల అనంతరం, 1949 నవంబర్‌ 26న దీనిని రాజ్యాంగ పరిషత్‌ ఆమోదించింది.

భారత రాజ్యాంగానికి 1935 భారత ప్రభుత్వ చట్టం మూలాధారం అయినప్పటికీ, అందులోని అనేక అంశాలను ఇతర రాజ్యాంగాల నుంచి గ్రహించారు. బ్రిటీష్ పరిపాలన నుంచి విముక్తి పొందిన తరువాత భారత పౌరులందరిని ఒక ప్రజాస్వామ్య వ్యవస్థలో నడిపించడానిక���, స్వాతంత్ర్య పోరాట ఆశయాలను నెరవేర్చడానికి, రాజ్యాంగ పరిషత్తును ఏర్పాటు చేసి, ప్రపంచంలోనే అతిపెద్ద ప్రజాస్వామ్య రాజ్యాంగాన్ని రూపొందించారు. ఇది జనవరి 26, 1950 నుంచి అమలులోకి వచ్చింది. ఈ రోజున భారత ప్రజలందరూ సంపూర్ణ స్వేచ్ఛ, సమానత్వం, లౌకికతత్వం, న్యాయాన్ని పూర్తి స్థాయిలో ఒక హక్కుగా పొందడం జరిగింది.

ఈ ఏడాది గణతంత్ర దినోత్సవం వేళ గణతంత్ర పరేడ్‌కు పోటీగా అదేరోజున సాగు చట్టాలకు వ్యతిరేకంగా భారీఎత్తున రైతుల పరేడ్‌ నిర్వహించడం గమనార్హం. ప్రజలు పోరాడి సాధించిన ఈ గణతంత్రంలో రైతులు, కార్మికులు లేకుంటే కండపుష్టి వచ్చేది కాదని, ఆ రోజు స్వాతంత్య్రం తెచ్చిందీ రైతులే.. ఈ 74 ఏళ్ల స్వతంత్ర భారతం యొక్క మనుగడను కాపాడుతున్నదీ రైతులే అని ప్రజాస్వామ్యవాదులు అంటున్నారు. ఇలా 26 జనవరి నాడు, స్వతంత్ర దేశంగా పురుడు పోసుకుని ప్రపంచ దేశాల కూటమిలో సంపూర్ణ స్వతంత్ర దేశంగా భారత్ చేరింది. 🌹🌹🌹🌹🌹

🍀🌹🍀🌹🍀🌹🍀🌹🍀🌹 🍀🌹🍀🌹🍀🌹🍀🌹🍀🌹

🌹. శ్రీమద్భగవద్గీత - 492 / Bhagavad-Gita - 492 🌹 ✍️. శ్రీ ప్రభుపాద, 📚. ప్రసాద్ భరద్వాజ

🌴. 13వ అధ్యాయము - క్షేత్ర క్షేత్రజ్ఞ విభాగ యోగం - ప్రకృతి, పురుషుడు, చైతన్యము - 03 🌴

03. క్షేత్రజ్ఞం చాపి మాం విద్ధి సర్వక్షేత్రేషు భారత | క్షేత్రక్షేత్రజ్ఞయోర్ జ్ఞానం యత్తద్ జ్ఞానం మతం మమ ||

🌷. తాత్పర్యం : ఓ భరత వంశీయుడా ! సర్వదేహములందును నేను కూడా క్షేత్రజ్ఞుడనని నీవు తెలిసికొనుము. దేహమును మరియు దాని నెరిగిన క్షేత్రజ్ఞుని అవగాహన చేసికొనుటయే జ్ఞానమని నా అభిప్రాయము.

🌷. భాష్యము : దేహము మరియు దేహము నెరిగినవాని గూర్చియు, ఆత్మ మరియు పరమాత్ముని గూర్చియు చర్చించునపుడు భగవానుడు, ��ీవుడు, భౌతికపదార్థమనెడి మూడు అంశములు మనకు గోచరించును. ప్రతి కర్మక్షేత్రమునందును (ప్రతిదేహమునందును) జీవాత్మ, పరమాత్మలను రెండు ఆత్మలు గలవు. అట్టి పరమాత్మ రూపము తన ప్రధాన విస్తృతాంశమైనందున శ్రీకృష్ణభగవానుడు “నేను కూడా క్షేత్రజ్ఞుడను. కాని దేహము నందలి వ్యక్తిగత క్షేత్రజ్ఞుడను కాను. పరమజ్ఞాతయైన నేను పరమాత్మరూపమున ప్రతిదేహము నందును వసించియున్నాను” అని పలికెను. భగవద్గీత దృష్ట్యాఈ కర్మక్షేత్రమును మరియు కర్మక్షేత్రము నెరిగినవానిని గూర్చిన విషయమును సూక్ష్మముగా అధ్యయనము చేయువాడు సంపూర్ణజ్ఞానమును పొందగలడు.

“ప్రతిదేహమునందును నేను కూడా క్షేత్రజ్ఞుడనై యుందును” అని శ్రీకృష్ణభగవానుడు పలికియున్నాడు. అనగా జీవుడు తన దేహమును గూర్చి మాత్రమే ఎరిగియుండును. ఇతర దేహముల జ్ఞానమతనికి ఉండదు. కాని సర్వదేహముల యందు పరమాత్మ రూపమున వసించు శ్రీకృష్ణభగవానుడు మాత్రము సర్వదేహములను గూర్చిన సమస్త విషయములను మరియు వివిధ జీవజాతుల వివిధ దేహములను సంపూర్ణముగా ఎరిగియుండును. 🌹 🌹 🌹 🌹 🌹

*🌹 Bhagavad-Gita as It is - 492 🌹 *✍️ Sri Prabhupada, 📚 Prasad Bharadwaj*

🌴 Chapter 13 - Kshetra Kshtrajna Vibhaga Yoga - Nature, the Enjoyer and Consciousness - 03 🌴

03. kṣetra-jñaṁ cāpi māṁ viddhi sarva-kṣetreṣu bhārata kṣetra-kṣetrajñayor jñānaṁ yat taj jñānaṁ mataṁ mama

🌷 Translation : O scion of Bharata, you should understand that I am also the knower in all bodies, and to understand this body and its knower is called knowledge. That is My opinion.

🌹 Purport : While discussing the subject of the body and the knower of the body, the soul and the Supersoul, we shall find three different topics of study: the Lord, the living entity, and matter. In every field of activities, in every body, there are two souls: the individual soul and the Supersoul. Because the Supersoul is the plenary expansion of the Supreme Personality of Godhead, Kṛṣṇa, Kṛṣṇa says, “I am also the knower, but I am not the individual knower of the body. I am the superknower. I am present in every body as the Paramātmā, or Supersoul.”

One who studies the subject matter of the field of activity and the knower of the field very minutely, in terms of this Bhagavad-gītā, can attain to knowledge. The Lord says, “I am the knower of the field of activities in every individual body.” The individual may be the knower of his own body, but he is not in knowledge of other bodies. The Supreme Personality of Godhead, who is present as the Supersoul in all bodies, knows everything about all bodies. He knows all the different bodies of all the various species of life. 🌹 🌹 🌹 🌹 🌹

🍀🌹🍀🌹🍀🌹🍀🌹🍀🌹 🍀🌹🍀🌹🍀🌹🍀🌹🍀🌹

🌹 . శ్రీ శివ మహా పురాణము - 847 / Sri Siva Maha Purana - 847 🌹 ✍️. స్వామి తత్త్వ విదానంద సరస్వతి 📚. ప్రసాద్ భరద్వాజ

🌴. రుద్రసంహితా-యుద్ద ఖండః - అధ్యాయము - 31 🌴

🌻.బ్రహ్మవిష్ణువులకు శివుని ఉపదేశము - 2 🌻

వారు సిగ్గుతో కలవరపడిన మనస్సు గలవారై నా ఎదుట దైన్యముతో వృత్తాంతమునంతనూ చెప్పి 'రక్షింపుము, రక్షింపుము' అని పలికిరి (9). అపుడు భవుడనగు నేను సంతసిల్లి వారితో నిట్లంటిని ; ఓ కృష్ణా! మీరందరు నా ఆజ్ఞచే భయమును విడనాడుడు (10). నేను సర్వదా ప్రేమతో మిమ్ములను రక్షించెదను. మీకు మంచి మంగళము కలుగ గలదు. ఇది అంతయూ నా ఇచ్ఛచేతనే జరిగినది. సందేహము లేదు (11). నీవు రాధతో మరియు నీ అనుచరునితో గూడి నీ స్థానమునకు వెళ్లుము. ఈతడు భారతదేశములో దానవుడై జన్మించును గాక! దీనిలో సంశయము లేదు (12).

నేను సమయము వచ్చినపుడు మిమ్ములనిద్దరినీ శాపమునుండి ఉద్ధరించెదను. నా ఈ మాటను రాధాకృష్ణులిద్దరు శిరసా వహించిరి (13). బుద్ధిమంతుడగు శ్రీకృష్ణుడు చాల సంతసించి తన స్థానమునకు వెళ్లెను. వారిద్దరు భయపడుతూ నా ఆరాధనయందు నిష్ఠ గలవారై అచటనే మకాము చేసిరి (14). సర్వము నా ఆధీనములో నున్నదనియు, తమకు స్వాతంత్ర్యము లేదనియు వారు గుర్తించిరి. ఆ సుదాముడు రాధయొక్క శాపముచే దానవవీరుడై జన్మించెను (15). ధర్మవివేకము గల ఆ దానవుడు శంఖచూడుడను పేర ప్రసిద్ధిని గాంచి దేవతలకు ద్రోహమును తలపెట్టినాడు. ఆ దుష్టుడు దేవగణములనన్నింటినీ సర్వదా బలాత్కారముగా కష్టములకు గురిచేయుచున్నాడు (16). నా మాయచే మిక్కిలి మోహితుడై యున్న ఆ శంఖచూడునకు దుష్టులగు మంత్రులు తోడగుచున్నారు. మీరు వెనువెంటనే భయమును విడనాడుడు. నేను రక్షకుడను ఉన్నాను గదా! (17)

సశేషం…. 🌹 🌹 🌹 🌹 🌹

🌹 SRI SIVA MAHA PURANA - 847 🌹 *✍️ J.L. SHASTRI, 📚. Prasad Bharadwaj *

🌴 Rudra-saṃhitā (5): Yuddha-khaṇḍa - CHAPTER 31 🌴

🌻 Śiva’s advice to Viṣṇu and Brahmā - 2 🌻

Overwhelmed by shame they told me all the details. Dejected, they lamented before me saying the words “Save us, O save us.”

Then I, becoming delighted, told them these words, Kṛṣṇa, you forget your fear at my behest.

I am the protector, always infused with love. Good will befall you. All this has happened at my will. There is no doubt in it.

Go to your abode along with Rādhā and your comrade. He will become a Dānava here in Bhārata, certainly.

13-14. At the proper time I shall redeem you from the curse”. What I told thus Śrīkṛṣṇa and Rādhā accepted readily. Śrīkṛṣṇa the intelligent rejoiced and returned to his abode. There they engaged themselves in propitiating me and bidding their time.

Realising that everything is subject to my control and his will is not independent, Sudāmā became the lord of Dānavas as a result of the curse of Rādhā.

The virtuous demon Śaṅkhacūḍa distresses and harasses the gods always with his might. He is evil-minded to this extent.

He has been deluded by my deception and hence he seeks the help of evil ministers. But myself being the chastiser of the wicked you can get rid of his fear quickly”.

Continues…. 🌹🌹🌹🌹🌹

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🌹. ఓషో రోజువారీ ధ్యానాలు - 105 / Osho Daily Meditations  - 105 🌹 ✍️. ప్రసాద్ భరద్వాజ

🍀 105. ప్రపంచాన్ని మార్చడం 🍀

🕉 మీరు మీ ప్రపంచం, కాబట్టి మీరు మీ వైఖరిని మార్చుకున్నప్పుడు మీరు ఉన్న ప్రపంచాన్నే మార్చుకుంటారు. మనం ప్రపంచాన్ని మార్చలేము - రాజకీయ నాయకులు యుగయుగాలుగా చేయడానికి ప్రయత్నిస్తున్నారు మరియు వారు పూర్తిగా విఫలమయ్యారు. 🕉

ప్రపంచాన్ని మార్చడానికి ఏకైక మార్గం మీ దృష్టిని మార్చడం, మరియు అకస్మాత్తుగా మీరు వేరే ప్రపంచంలో జీవిస్తారు. మనం ఒకే ప్రపంచంలో జీవించడం లేదు మరియు మనమందరం సమకాలీనులం కాదు. ఒకరు గతంలో జీవిస్తూ ఉండవచ్చు--అతను మీ సమకాలీనుడు ఎలా అవుతాడు? అతను మీ పక్కన కూర్చుని గతం గురించి ఆలోచిస్తూ ఉండవచ్చు; అప్పుడు అతను మీ సమకాలీనుడు కాదు. ఒకరు భవిష్యత్తులో ఉండవచ్చు, ఇంకా లేని దానిలో ఇప్పటికే ఉండవచ్చు. అతను మీ సమకాలీనుడు ఎలా అవుతాడు? ప్రస్తుతంలో నివసిస్తున్న ఇద్దరు వ్యక్తులు మాత్రమే సమకాలీనులు, కానీ ఇప్పుడు వారు లేరు-ఎందుకంటే మీరు మీ గతం మరియు మీ భవిష్యత్తు. వర్తమానం నీది కాదు, నీతో సంబంధం లేదు.

ఇద్దరు వ్యక్తులు ఖచ్చితంగా ఇక్కడ మరియు ఇప్పుడు ఉన్నప్పుడు, వారు కాదు ఉన్నది, దేవుడు. మనం భగవంతునిలో జీవించినప్పుడు మాత్రమే మనం అదే ప్రపంచంలో జీవిస్తాము. మీరు మరొక వ్యక్తితో సంవత్సరాలు జీవించవచ్చు మరియు మీరు మీ ప్రపంచంలో జీవిస్తారు ఆమె తన ప్రపంచంలో నివసిస్తుంది - అందుకే రెండు ప్రపంచాల నిరంతర ఘర్షణ. క్రమంగా, ఈ తాకిడిని ఎలా నివారించాలో ఒకరు నేర్చుకుంటారు. దానినే మనం కలిసి జీవించడం అని పిలుస్తాము: ఘర్షణను నివారించడానికి ప్రయత్నించడం, ఘర్షణకు రాకుండా ప్రయత్నించడం. కుటుంబం, సమాజం, మానవత్వం… అన్నీ వట్టిదే అంటున్నాం! మీరిద్దరూ దేవునిలో జీవిస్తే తప్ప మీరు నిజంగా ఒక పురుషునితో లేదా స్త్రీతో ఉండలేరు. వేరే ప్రేమ లేదు, ఇతర కుటుంబం లేదు మరియు ఇతర సమాజం లేదు.

కొనసాగుతుంది… 🌹 🌹 🌹 🌹 🌹

🌹 Osho Daily Meditations  - 105 🌹 📚. Prasad Bharadwaj

🍀 105. CHANGING THE WORLD 🍀

🕉 You are your world, so when you change your attitude you change the very world in which you exist. We cannot change the world — that’s what politicians have been trying to do down through the ages, and they have utterly failed. 🕉

The only way to change the world is to change your vision, and suddenly you will live in a different world. We don't live in the same world, and we are not all contemporaries. Somebody may be living in the past--how can he be your contemporary? He may be sitting by your side and thinking of the past; then he is not your contemporary. Somebody may be in the future, already in that which is not yet. How can he be your contemporary? Only two people who live in the now are contemporaries, but in the now they are no more-because you are your past and your future. The present is not of you, it has nothing to do with you.

When two people are absolutely in the here and now, they are not-then God is. We live in the same world only when we live in God. You may live with another person for years, and you live in your world and she lives in hers--hence the continuous clash of two worlds colliding. By and by, one learns how to avoid this collision. That's what we call living together: trying to avoid the collision, trying not to come to a clash. That's what we call family, society, humanity … all bogus! You cannot really be with a man or a woman unless you both live in God. There is no other love, no other family, and no other society.

Continues… 🌹 🌹 🌹 🌹 🌹

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🌹. శ్రీ లలితా చైతన్య విజ్ఞానము  - 521 - 528 - 8 / Sri Lalitha Chaitanya Vijnanam  - 521 - 528 - 8 🌹 🌻. లలితా సహస్ర నామముల తత్వ విచారణ 🌻 ✍️. సద్గురు శ్రీ కంభంపాటి పార్వతీ కుమార్ సేకరణ : ప్రసాద్ భరద్వాజ 🍁. మూల మంత్రము : ఓం ఐం హ్రీం శ్రీం  శ్రీమాత్రే నమః 🍁

*🍀  ఆజ్ఞా చక్రాబ్జనిలయా, శుక్లవర్ణా, షడాననా ॥ 107 ॥ *108. మజ్జాసంస్థా, హంసవతీ ముఖ్యశక్తి సమన్వితా ।* హరిద్రాన్నైక రసికా, హాకినీ రూపధారిణీ ॥ 108 ॥ 🍀

🌻 521 to 528 నామ వివరణము - 8 🌻

శ్రీమాత ఆరాధకులు అనుగ్రహము పొందుటకు, పసుపుతో కూడిన అన్నమును ఈమెకు నైవేద్య మొసగి తాము భుజింతురు. శ్రీమాతకు పసుపు అన్నము అనినచో యిష్టము. ఆమె హరిద్రాన్నైకరసికా'. వారమున కొకమారైననూ పసుపు అన్నము భుజించుట వలన శరీరమందలి రుగ్మతలు నశించునని ఆయుర్వేదము తెలుపుచున్నది. ఈ ఆజ్ఞా పద్మమందలి శ్రీమాతను 'హం' అను శబ్దముతో ఆరాధించుట సంప్రదాయము. 'హం' అనునది మూల ప్రకృతికి సంబంధించిన శబ్దముగను, 'సం' అను శబ్దము మూల పురుషునికి సంబంధించిన శబ్దముగను ఋషులు గుర్తించి కీర్తించిరి.

సశేషం… 🌹 🌹 🌹 🌹 🌹

🌹 Sri Lalitha Chaitanya Vijnanam  - 521 - 528 - 8 🌹 Contemplation of 1000 Names of Sri Lalitha Devi ✍️ Prasad Bharadwaj

🌻 aagynachakrabja nilaya shuklavarna shadanana ॥ 107 ॥ 108. Majasansdha hansavati mukhyashakti samanvita haridranai karasika hakinirupa dharini  ॥ 108 ॥ 🌻

🌻 521 to 528 Names Explanation - 8 🌻

Devotees of Sri Mata offer her turmeric rice and eat it to get her grace. Srimata likes yellow rice. She is Haridrannaikarasika'. Ayurveda says that by eating yellow rice atleast once a week, body diseases will be destroyed. It is a tradition to worship this Srimata at Agnya chakra with the sound of 'Hum'. The sages recognized and glorified that 'Ham' as the root of nature and 'Sam' as the root of Purusha.

Continues… 🌹 🌹 🌹 🌹 🌹

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[svetlonadyatlovpass]

Čagin (přehled)

└ Spis Složka 1 Složka 2 Radiogramy Protokoly Vyšetřovatelé Pitvy Svědkové Články k tématu dle data počínaje nejstarším: 1930-05-08 Šejnin, L. R.: Zápisky kriminalistovy – Smrt v tundře (případ) (zobrazit detailně) 1937-04-10 Askinadzi, Vladimír Michailovič (Askinadziho pátrací skupina) (zobrazit detailně) 1949-07-24 Akce Jizerka, ČSSR 1948 (případ) (zobrazit…

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Swjatoslaw Richter LIVE - Spielen Beethoven (Moskau, 1976)

Table of Contents

Swjatoslaw Richter LIVE - Klavier Spielen Beethoven (Moskau, 1976)

https://www.youtube.com/watch?v=gAiYa15aE6c

Piano Sonata No. 1 in F minor, Op. 2, No. 1 00:07​ I Allegro 05:50​ II Adagio 10:15​ III Menuetto – Allegretto 13:57​ IV Prestissimo Piano Sonata No. 7 in D major, Op. 10, No. 3 21:30​ I Presto 28:28​ II Largo e mesto 37:01​ III Menuetto: Allegro 40:04​ IV Rondo: Allegro Piano Sonata No. 9 in E major, Op. 14, No. 1 45:14​ I Allegro 52:17​ II Allegretto 58:13​ III Rondo – Allegro comodo Piano Sonata No. 12 in A-flat major, Op. 26 "Funeral March" 01:01:46​ I Andante con variazioni 01:08:29​ II Scherzo: Allegro molto 01:11:32​ III Marcia funebre sulla morte di un eroe: Maestoso andante 01:17:35​ IV Allegro 01:21:35​ Bagatelle in G major, op.126 no.1 (Andante con moto, Cantabile e compiacevole) Recorded live at the Great Hall of the Moscow Conservatory, 15 October 1976

Swjatoslaw Teofilowitsch Richter

(ukrainisch Святослав Теофілович Ріхтер),(russisch Святослав Теофилович Рихтер) Er tritt seit mehr als 60 Jahren auf und seine Technik ist unübertroffen, zusätzlich zu seinem großen Respekt vor jedem Autor, den er spielte. Er wurde am 20. März 1915 in der Nähe von Schytomyr (Ukraine) geboren. Sein Vater war Organist und brachte ihm die Musik näher. Als junger Mann war er Autodidakt und entwickelte seine außergewöhnliche Technik durch das Spielen verschiedener Stücke. Er hatte die Fähigkeit, sich jedes Stück zu merken, indem er es einmal gesehen hatte.

Sviatoslav Richter wuchs in Odessa auf, wo sein Vater Professor am Konservatorium war. Er debütierte als Solist am 19. Februar 1934 im Engineering Center dieser Stadt. Auf dem Programm standen ausschließlich Werke von Chopin: die Ballade Nr. 4, das Scherzo in E-Dur und eine Auswahl von Nocturnes, Etüden und Präludien, alles Werke von großem Schwierigkeitsgrad. Das Recital war ein Erfolg und seine Karriere als Tastenvirtuose hatte begonnen. 1937 ging Richter nach Moskau, um bei dem großen Pianisten und Pädagogen Heinrich Neuhaus zu studieren. Er hörte ihn spielen und sagte: „Hier ist der Schüler, auf den ich mein ganzes Leben gewartet habe. Meiner Meinung nach ist er ein Genie.“ Jahre später schrieb Neuhaus: „Ich habe niemanden getroffen, der seine Qualitäten so sehr zu nutzen wusste.“ Am 26. November 1940 gab Richter, noch während seines Studiums am Moskauer Konservatorium, sein Moskauer Debüt. Damals präsentierte er Prokofjews Sonate Nr. 6 zum ersten Mal öffentlich und hinterließ großen Eindruck auf das Publikum und den Komponisten selbst. Als Prokofjew 1942 seine siebte Sonate fertigstellte, übergab er sie Richter zur Uraufführung. Er studierte es in nur vier Tagen und präsentierte es im folgenden Januar. Später tat er dasselbe mit der achten und neunten Sonate, von denen ihm der Autor die letzte gewidmet hatte. Richters erster Wettbewerbssieg kam 1945 beim Union Performers Meet. Die Jury wurde von Dmitri Schostakowitsch geleitet, auch Emil Gilels nahm teil. Richter bekam den ersten Preis. Schostakowitsch schrieb später: „Richter ist eine außergewöhnliche Erscheinung. Die Größe seines Talents ergreift und taumelt. Alle Tonkunst ist ihm zugänglich.“ Richter gewann 1949 den Stalin-Preis und erhielt allerlei Auszeichnungen und Auszeichnungen der Sowjetregierung. 1945 begleitete er die russische Sopranistin Nina Dorliak in einem Programm mit Liedern von Rimski-Korsakow und Prokofjew. Dies war der Beginn einer Partnerschaft, die ein Leben lang andauern sollte. Richter und Dorliak waren nie offiziell verheiratet, aber sie waren unzertrennliche Gefährten. Mit ihrer Sachlichkeit brachte sie Richters impulsive Natur ins Gleichgewicht. Sie half ihm, seinen Zeitplan zu organisieren, erinnerte ihn an seine Termine und kümmerte sich um seine beruflichen Verpflichtungen. Als er 1958 als Juror beim Ersten Tschaikowsky-Wettbewerb in Moskau diente, war Richter von Van Cliburns Leistung so beeindruckt, dass er 100 weitere Punkte (als das Maximum 10 war) und 0 für den Rest vergab. Cliburn gewann, aber Richter wurde nicht mehr zum Geschworenendienst eingeladen. Durch seine Aufnahmen aus den 1950er Jahren bekamen westliche Musikfans zum ersten Mal die Gelegenheit, Richter zu hören, und sein Ruf unter Fachleuten wuchs schnell. Als Gilels 1955 durch die USA tourte, antwortete er auf Kritiker, die seine Leistungen lobten: „Warte, bis du Richter hörst!“. Der Unternehmer Sol Hurok versuchte, eine Tour zu arrangieren, aber die Sowjetregierung genehmigte sie nur wenige Jahre später. In den 1950er Jahren tourte Richter durch die kommunistischen Länder Osteuropas. Im Mai 1960 durfte er in den Westen reisen, aber nur bis Helsinki. Fünf Monate später gab er sein Debüt in Chicago. Er spielte das Zweite Brahms-Konzert unter der Leitung von Erich Leinsdorf. Eine am folgenden Tag entstandene Aufnahme dieser Arbeit ist noch im Katalog erhalten. Sein New Yorker Debüt war eine Reihe von sieben Recitals in zehn Tagen in der Carnegie Hall (Oktober 1960). Die leitende Klavierlehrerin der Juilliard School, Rosina Lhevinne, lobte ihn mit den Worten: „Richter ist ein inspirierter Dichter der Musik, ein außergewöhnliches Phänomen des 20. Jahrhunderts.“ Sviatoslav Richter war ein gefragter Musiker für Aufführungen und Aufnahmen. Er tourte um die Welt und trat mit den größten Orchestern auf, aber er entschied bald, dass er diese Art von Leben nicht wollte. Es war gegen seine Natur, Jahre im Voraus Verpflichtungen einzugehen. Er folgte lieber seinen Impulsen und erkundete neue Repertoires. 1964 gründeten Sviatoslav Richter, die Familie van de Velde und der EMI-Plattenproduzent Jacques Leiser ein jährliches Festival: die Musikfestivals in Touraine (Grange de Meslay, in der Nähe von Tours). Richter sollte jeden Sommer auf dem Land in Frankreich verbringen und einige Recitals mit anderen Musikern geben, darunter Benjamin Britten, David Oistrach und Pierre Fournier. Richter liebte Frankreich und verbrachte dort dreißig Sommer. Neben seiner Laufbahn als Pianist widmete sich Richter der Malerei. Er fertigte einige herrliche Aquarelle an. Aufgrund einer leichten Fingerverletzung trat er 1952 auch als Regisseur auf. Richter fürchtete, nie wieder Klavier spielen zu können, und studierte einige Wochen Dirigieren. Aber sein Finger erholte sich schnell und nach einer Aufführung von Prokofjews Sinfoniekonzert mit Mstislaw Rostropowitsch kehrte er an die Klaviatur zurück. Er liebte die Opern von Wagner, Tschaikowsky und Verdi. Er mochte das Telefon nicht, weil er die Person, mit der er sprach, nicht sehen durfte. Außerdem mochte er auch keine Flugzeuge und reiste lieber mit dem Auto oder mit dem Zug. Aber er liebte das Reisen: 1986 fuhr er von Moskau nach Wladiwostok im Pazifik und gab unterwegs in einigen kleinen Städten Konzerte. Sviatoslav Richter hat es genossen, seine Kunst in einem Alter, in dem viele Kollegen aufhören, seine Kunst in die Kleinstädte Sibiriens zu bringen. Er gab auch immer Konzerte, bei denen er sein ganzes Prestige riskierte, indem er Aufnahmen für die spätere Massenverbreitung zuließ. In seinen letzten Lebensjahren erwarb er sich den Ruf eines Künstlers, der Verpflichtungen stündlich, ohne Vorankündigung und aus einer Laune heraus kündigen kann. Richter folgte seiner Muse und führte ein unsicheres Leben: „Wenn er Geld brauchte, gab er ein Konzert“, so Francis van de Velde. Richters letztes Konzert war Ende März 1995 in Lübeck (Deutschland). Er war 80 Jahre alt. Auf dem Programm standen drei Haydn-Sonaten und Max Regers Variationen über Beethoven-Themen. Richter starb am 1. August 1997 in Moskau im Alter von 82 Jahren an einem Herzinfarkt. ÜBER SVIATOSLAW RICHTER (1915-1997) – Der italienische Kritiker Piero Rattalino hat behauptet, dass die einzigen mit Richter vergleichbaren Pianisten in der Geschichte des Klavierspiels Franz Liszt und Ferruccio Busoni waren. – Glenn Gould nannte Richter einen der „mächtigsten musikalischen Kommunikatoren unserer Zeit“. – Van Cliburn nahm 1958 an einem Richter-Konzert in der Sowjetunion teil. Berichten zufolge weinte er während des Konzerts und beschrieb nach seiner Rückkehr in die Vereinigten Staaten Richters Spiel als „das kraftvollste Klavierspiel, das ich je gehört habe“. – Arthur Rubinstein beschrieb seinen ersten Kontakt mit Richter wie folgt: „Es war wirklich nichts Außergewöhnliches. Dann merkte ich irgendwann, wie meine Augen feucht wurden: Tränen liefen mir über die Wangen.“ – Heinrich Neuhaus beschrieb Richter wie folgt: „Seine einzigartige Fähigkeit, das Ganze zu erfassen und dabei keines der kleinsten Details einer Komposition zu übersehen, legt den Vergleich mit einem Adler nahe, der aus großer Höhe bis zum Horizont und doch sehen kann das kleinste Detail der Landschaft hervorzuheben.“ – Dmitri Schostakowitsch schrieb über Richter: „Richter ist eine außergewöhnliche Erscheinung. Die Ungeheuerlichkeit seines Talents taumelt und verzückt. Alle Phänomene der Tonkunst sind ihm zugänglich.“ – Vladimir Horowitz sagte: „Von den russischen Pianisten mag ich nur einen, Richter“ – Pierre Boulez schrieb über Richter: „Seine Persönlichkeit war größer als die Möglichkeiten, die ihm das Klavier bot, weiter als das Konzept der vollständigen Beherrschung des Instruments.“ – Der Grammophonkritiker Bryce Morrison beschrieb Richter wie folgt: „Sviatoslav Richter bleibt einer der größten Erholungskünstler aller Zeiten.

Yuri Borísov über Sviatoslav Richter: „Dialogues with Sviatoslav Richter“.

Ein außergewöhnliches Buch über einen einzigartigen Künstler: Yuri Borísov (Kiew, 1956 – Moskau, 2007) hat über die jahrelange Freundschaft mit dem Pianisten Sviatoslav Richter (Khtomir, Ukraine, 1915 – Moskau, 1997) Notizen gemacht und daraus ist dieses Buch entstanden. Richter war ein einzigartiger Fall, in dem Kunst, wahre Kultur und Talent jede repressive Bremse oder falsche Macht brechen. Er lebte in den harten Jahren in einer Sowjetunion, er überlebte viele Repressalien seiner Generation, er spielte mit Noten, er reiste mit seinem Klavier und seinem Stimmgerät, er wollte Maler werden. Sein riesiges Repertoire steht am Ende dieser Ausgabe, gelehrt erweitert und lässt uns den erhabenen Grund für seine immerwährende Maxime einschätzen: „Es ist wichtig, Werke zu spielen, die selten aufgeführt werden“. Borisov strebte nie nach biografischem Schreiben; er wusste, dass er ein unersetzliches Material in seinen Händen hielt, das er aus der Poesie oder aus den Schatten von Richters schwer fassbarer Persönlichkeit weben musste. Auf diese Weise faltet sich das Chronologische fast bis zum Ende zum Thema, auf der Suche nach diesem gewaltigen Künstlermonolog, der seinen gesamten Körper bedeckt und den Leser mit zwei grundlegenden Eindrücken hinterlässt: der trostlosen Seele der Musik und der prismatischen Persönlichkeit eines Interpreten der seine Legende weit übertroffen hat. Richter diktiert Borisov: „Die Biografie ist die niedrigste, die es gibt. Reiner Klatsch. Und die Realität, die sie umgibt, ist noch abscheulicher. Kennen Sie die Biographie von Brahms gut? Lange hat er Clara verfolgt, aber was weiß er noch? Und die Biographie von Franck? Sie verschwinden in seiner Musik, sie müssen sich vom Leben verschließen. Können Sie sich Schubert mit einem Telefon vorstellen? (…) Es muss mehr Mysterium geben. Wissen wir, ob es Shakespeare gab? Das stört mich nicht.“ Es gibt wenige Fotos, auf denen Richter lacht. Jener bittere Rictus, der keine Verachtung, sondern eine abgrundtiefe Einsamkeit impliziert und das geistige Labyrinth selbst, das sich in seiner Spielweise entfesselt hat und nun zwischen den Zeilen dieses Buches wiederfindet. Zwischen dem Foto auf dem Cover des Bandes von Cliff und den neuesten Bildern des Tänzers Vaslav Nijinski besteht eine beunruhigende und beunruhigende Ähnlichkeit, auch wenn dies für den Betrachter nur subjektiv sein könnte, die Wahrheit ist, dass Ricther auch von seinem verfolgt wurde Geister bis zuletzt, dass ihm in der Sowjetunion, wo er die klinische Behandlung seiner immer mehr werdenden Depressionen erleben musste, schon ein Stigma an sich war, neben dem des Schwulen, Ukrainers und Halbdeutschen noch ein weiteres . In Borisovs Buch wird die Rolle seiner treuen Begleiterin, der Sängerin Nina Dorliak (1908-1998), einer lebenslangen Verbündeten, mit der er Zeit, Vertrauen und Kunst teilte, sehr deutlich. Alles, was dieses Buch erzählt, ist so russisch!, ein etwas tschechowischer Stil, und wo Gógol auch seine Rolle spielt, nicht nur als inspirierende einige Phrasen, etwas, das der Übersetzer bei seiner Übersetzung ins Spanische und bis auf die idiomatische Distanz gewissenhaft respektiert hat. Es gibt eine Art wiederkehrender medullärer Traurigkeit, eines rhythmischen Liedes oder Monologs, in dem sich der Künstler auflöst, sich der Enthüllung seines Instinkts unter einem Licht hingibt, das die Atmosphäre gelb färbt und das von dünnen Votivkerzen zu kommen scheint. Jenseits der Mitte des Buches ist Kapitel XVII (Ich habe eine Glocke verschluckt) schockierend. So anschaulich und düster wie eine Szene aus Tarkovsky, der Spaziergang, der im Besuch des Nowodewitschi-Friedhofs gipfelt, bringt die Dinge an ihren richtigen Platz. Dort hat er zwischen dem Grab seines Lehrers Neuhaus und dem von Skrjabin Zeit, sich zu erinnern, wie Fischer-Dieskau Totengräbers Heimweh, Schubert, begleitet von ihm am Klavier, sang. Dann summt Richter: "Meine Zeit wird kommen, und wer wird mich begraben?" Auf Richters Weg findet sich eine Liste seiner Geschmäcker und Vorlieben: Kirchen mit Buntglasfenstern, Friedhöfe, Museen, fast ausschließlich russische Malerei, Proust, Maskeraden … und er war immer stolz auf seine anfängliche Selbstbildung. Hinzu kommt ein Humor, der von uneingestandener Nostalgie, zerbrochenen Leidenschaften, Verschwiegenheit und einem gewissen Sarkasmus durchzogen ist („Das Beste an Djagilews Grab ist, dass es auf einer Insel liegt“ oder „Einmal sagte ich zu Nina Dorliak: ‚Lass uns ein Kind bekommen! ' Und ich wollte es wirklich. 'Aber, Nina, versuche, einen neunjährigen Jungen zur Welt zu bringen! Es ist so eine Tortur, dass sie so lange brauchen, um erwachsen zu werden und zur Besinnung zu kommen!' Wenn ihn eine bescheidene Strenge der ästhetischen Wurzeln dazu veranlasste, das Komponieren sofort aufzugeben („Es hat keinen Sinn, mehr schlechte Musik in diese Welt zu bringen“), pflegte er große Freundschaften, wie die zwischen Benjamin Britten und seinem Partner, dem Tenor Peter Pears (zu deren Begleitung er kam) oder die von Marlene Dietrich. Sein Status als mehr oder weniger anerkannter Homosexueller und sein Ruhm als Rebell, den er seit seiner Zeit als Student am Moskauer Konservatorium angehäuft hat, sind Themen, die Borisov nicht berührt, aber wesentlich für das, was Sviatoslav Teofilovich Richter so sehr hasste: Biographie . Dies ist eines dieser Bücher, die immer zur Hand sein werden, es macht Lust, viele Platten zu kaufen, diese monumentale Plattenbibliothek anzuhäufen, die Richter zitiert, summt, einschränkt oder empfiehlt. Aus jedem dieser Stücke, ob Dur oder Moll, hinterlässt der Pianist mindestens eine suggestive Phrase, einen kraftvollen Abschnitt, der, wenn er nicht zusammengefasst wird, einen fruchtbaren Weg der Interpretation eröffnet. Und sicher ist, dass dieses Buch uns zu mehr Liebhabern des Klaviers und der Musik machen wird und dass wir in den harten und reifen Fällen darauf zurückgreifen werden. Richter spielte zum letzten Mal am 16. und 17. Februar 1995 in Madrid, zuerst in einem besonderen Konzertgeschenk im Prado-Museum, das von der Musikhochschule Reina Sofía organisiert wurde und wo er Stücke von Haydn, Prokofjew und Ravel aufführte, und das nächste Mal Tag im National Auditorium; als Elisabeth Leonskaja (die sie als ihre ästhetische Erbin betrachtete) im Sommer 2010 im Victoria Eugenia Theater in San Sebastián Schumanns Symphonic Studies Opus 13 spielte, schwebte etwas von Richter im Raum, weil er sie auch spielte und liebte. spricht in dem Buch mit Borisov Es ist kein Mythos, dass Richter in seinem Haus in Moskau starb, während er Musik lernte und studierte. Borísov breitet einen Mantel über die letzten Jahre, den von Depressionen belagerten Nebel des Menschen. Read the full article

[hukouben]

户主 汤加树

身份证号码 320828197311203814

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[dragonomatopoeia]

Working Bibliography

This is a (currently incomplete) inventory of the sources I'm pulling from when researching material for Counter/Feint. It will be divided into three sections: General References (for things like sewage treatment, state laws, tax codes, white collar crime, etc), Original Media (for comics, episodes, movies etc), and In-Line References/Allusions (for when a character's narration makes a literary allusion, uses jargon, or directly quotes a line from part of the source material)

some of them will be in MLA format and some won't because i am prone to arbitrary whims

General References

“A Fix for Combined Sewers — The Cost of Cleanliness.” PBS, 8 June 2022, https://www.pbs.org/show/a-fix-for-combined-sewers-the-cost-of-cleanliness/. Accessed 5 Sept. 2022.

Collins, Chuck. The Wealth Hoarders: How Billionaires Pay Millions to Hide Trillions. Polity, 2021.

Delaware's Regulatory Provisions Concerning Public Health

Delaware Solid Waste Auth. v. News-Journal Co., 480 A.2d 628 (Del. 1984)

Hanley, Tim. Investigating Lois Lane: The Turbulent History of the Daily Planet's Ace Reporter. Chicago Review Press, 2016.

Houston, Brant, et al. The Investigative Reporter's Handbook: A Guide to Documents, Databases and Techniques. Bedford/St. Martin's, 2002.

Kurkjian, Stephen A. Master Thieves: The Boston Gangsters Who Pulled off the World's Greatest Art Heist. Public Affairs, 2016.

Kent County, Delaware's Sewer Regulations

Michel, Casey. American Kleptocracy: How the U.S. Created the Greatest Money-Laundering Scheme in History. Scribe, 2021.

Murphy, Jarrett. “Through Illegal Pipes and Improper Dumping, Homes and Businesses Pollute NYC Waterways.” City Limits, 17 Jan. 2018, https://citylimits.org/2018/01/16/in-unknown-numbers-and-often-unwittingly-homes-and-businesses-pollute-city-waterways/.

Planet Princeton's award-winning series of investigative pieces on the Princeton Sewer Operating Plant bribery case, including this piece: https://planetprinceton.com/2020/03/08/state-fined-municipality-of-princeton-35000-for-operating-illegal-dump-at-sewer-facility/

Ritter, Roy H. “The Wilmington, Delaware Sewerage System.” Sewage and Industrial Wastes, vol. 28, no. 5, 1956, pp. 644–50. JSTOR, http://www.jstor.org/stable/25033068. Accessed 5 Aug. 2022.

Original Media

Superman: The Animated Series- "World's Finest" - This one started the whole exercise because I thought it was hysterical that Lois had dated Bruce/ found out he was Batman WAY before she learnt anything about Superman's identity. Hilarious.

Superman: TAS- "The Late Mr. Kent"- This one's important to me and my characterization of Clark for about one million separate reasons

Batman: TAS- All of it

Batman #177- notable for Bruce Wayne's love of cubist expressionism and also the character of Roy Rennie who shows up here and never again. He wants to be the Alfred Foundation's publicist so, so, so bad. I have realized his dream

chapter 2 edit: this is also where the Lathrop Gallery comes from! In the comics, the Lathrop Gallery received an endowment from the Alfred foundation

Fraction, Matt, et al. Superman's Pal, Jimmy Olsen: Who Killed Jimmy Olsen? DC Comics, 2020.- This is in MLA again because it's physically in front of me. It has a profound impact on my characterization, especially Lois's. Her disdain for conspiracy theories and insistence on using the term 'sociogram' over 'conspiracy board' comes from this. It's also the origin of Janie Olsen

Superboy (1949)- I think it's funny to pick and choose elements from this and incorporate it into Clark's backstory arbitrarily. I also think it's funny that I first wrote the line about Clark wanting to kiss Superman if he hadn't BEEN superman before i started reading Superboy because guess what. He forgets he's superboy constantly. and what does he immediately do. Start sighing over superboy. I am SO good at comics

Superboy #85- Especially notable for the appearance of Mightyboy! "Who is Mightyboy?" you might ask. As well you should, since he appeared once in 1960 and never again. However!!!! This is a surprise tool which will help us later because he lives in my brain and also Clark's backstory

World's Finest #285-288- There's just. A lot to unpack here. But I sure have incorporated it into characterization and quirks! Still undecided on if I want Clark to have super hypnosis or not because I think it would be characterful for him to have it and not use it. and also it's extremely stupid as a concept and i love stupid. but also i hate hypnosis

World's Finest #84- Spoiler for the fic, but this premise was so hilarious to me that I immediately decided to replicate it, but with a twist that is typical of my ethos: making bruce step directly onto a rake

Ironically enough, a similar story was presented in Adventure Comics #275, but again. It does not make Bruce step on enough rakes for my taste. Still works as inspiration though!

Superman Annual #11- For the man who has everything. I love this one so so so so much. It greatly informs my understanding and portrayal of Superman, but also it's just a really tight narrative. Also!!! Jason Robin is there!!! Every day I regret placing this fic on a timeline that doesn't align with Jason making an appearance. Lad of all time.

Also important from Superman Annual #11 is the imagery of Batman pathetically presenting a designer rose he had commissioned special for his boy bestie, only for it to be crushed underfoot in the wake of a battle. now there's some symbolism. there's some pathos. there's some grade a pathetic bruce-isms.

Yang, Gene Luen, and Janice Chiang. Superman Smashes the Klan: The Graphic Novel. DC Comics, 2020. - Absolutely phenomenal work that digs into the diaspora elements of Superman's narrative and grapples with The American Ideal, racism, and what it means to stand for your community against violent bigotry. Also the art is soooo charming. I reference this one a bunch because I love it. It's got everything I love about Superman

There's way more to add but I'm tired and this is a working bibliography. I promise more will come

In-Line References/Allusions

Because comics are the way they are, I wanted to make this fic feel like it existed in a bunch of overlapping time periods all at once.

This means that instead of refraining from making references to broader pop culture like I do with other fics, I'm leaning into them instead. Therefore, some of these are going to be deliberate references that I thought would be characterful. Especially since Lois and Clark are reporters, and Jimmy and Bruce went to fancy schools for fancy little lads

"You're killing me, Smalls"- A famous line from The Sandlot (1993). I am unable to resist the pull of low-hanging fruit

"he could always depend on the kindness of strangers"- semi-ironic deployment of a line from A Streetcar Named Desire. on one hand, Clark genuinely trusts in and relies on mankind's desire to do right by each other. on the other, he thinks bruce wayne is a complete and utter tool here. he's being a bit tongue in cheek about how he's relying on a jackass to help him out

"the pale blue light of a sympathetic moon" is from The Drowsy Chaperone. It's such an evocative phrase. I think Clark would enjoy musicals

"Saint Laurent"- Listen. I read fashion blogs for this. I asked my friends who lose their minds over fashion on the regular. I looked through ready to wear collections and slide shows. And while I want to have faith in the Bruce Wayne that lives in my head and nowhere else, I understand that the search for an ethical designer label is a fruitless one. All I can do is say "in this universe, YSL was never acquired by Gucci, and yet it still, inexpicably, has the insufferable ready to wear collection that includes the ugly fucking gentrified rodeo wear."

also a lot of the outfits look like they're designed for haunted little victorian boys. which. [gestures at him]

"Dorothy [...] you're not in Kansas anymore"- I think this one's obvious, but it's a Wizard of Oz reference

“Is there a ‘c’ in ‘absence’?”- Lois's habit of frequently misspelling words comes up in a lot of adaptations and runs, and I think it's incredibly charming

"There better be a thirty on your buyback piece!"- Traditionally, -30- marks the end of copy that's been submitted for editing

Backfielding- Another term for conducting line edits

Ron Troupe- Political analyst for the daily planet. In comics, he was introduced RIGHT before Superman died but I'm playing calvinball here and I like him :) so

Adam Grant- Cat's son! I'm not killing him off, unlike the comics. There's a lot re: The Toyman where i'm just. y'know. i'm just not gonna. look. at whatever's going on there. So it goes with comics

"the gentle way the strongman had spoken to him, telling him about the disarming power of a silly costume, the way performance became its own kind of strength"- referencing a sequence from Superman Smashes the Klan. This will not be the last time

Lan-Shin Lee- For instance, Lan-Shin is from Superman Smashes the Klan! At the end of the original work, she becomes a cub reporter

Carmine Falcone- I still have never read a frank miller comic and you can't make me. but i will steal the occasional character. for flavor. anyway he's either one of the biggest or the biggest ringleader of organized crime in Gotham, depending on the run and adaptation

“While discontinuous in action, perceived surveillance—”- Bruce is paraphrasing a bit of Discipline & Punish here, specifically the part about panopticism

“Have you tried committing a felony?”- This line comes directly from the World's Finest episodes of Superman: the animated series that first inspired this fic

Superman Signal Watch- this one's a classic. As seen in Superman's Pal Jimmy Olsen, the watch works just as the fic describes

[arabicroyalfamily]

Featuring members of the Al Maktoum family.

Family of HH Sheikh Rashid bin Saeed bin Maktoum Al Maktoum (born in 1912 - 07/10/1990)

Wife: Sheikha Latifa bint Hamdan bin Zayed Al Nahyan (- 1983)

Father: Sheikh Saeed bin Maktoum bin Hasher Al Maktoum

Mother: Hessa bint Al-Mor bin Hariz

Sons 👇🏼👇🏼👇🏼

1) HH Sheikh Mohammed bin Rashid bin Saeed Al Maktoum (born in 15/07/1949) - Wife: HH Sheikha Hind bint Maktoum bin Juma Al Maktoum

2) HH Sheikh Maktoum bin Rashid bin Saeed Al Maktoum (born in 15/08/1943 - 04/01/2006) - Wife: Sheikha Alia bint Khalifa bin Saeed Al Maktoum (born in 01/05)

3) HH Sheikh Ahmed bin Rashid bin Saeed Al Maktoum

4) HH Sheikh Hamdan bin Rashid bin Saeed Al Maktoum (born in 25/12/1945 - 24/03/2021)

Daughters 👇🏼👇🏼👇🏼

1) HH Sheikha Fatima bint Rashid bin Saeed Al Maktoum - Husband: Sheikh Rashed bin Khalifa bin Saeed Al Maktoum

2) Sheikha Maryam bint Rashid bin Saeed Al Maktoum (no images) - Husband: Sheikh Ahmed bin Ali bin Abdullah Al Thani (Qatar)

3) Sheikha Shaikha bint Rashid bin Saeed Al Maktoum (no images) - Husband: Prince Abdulaziz bin Saud bin Mohammed Al Saud (Saudi Arabia)

4) Sheikha Hessa bint Rashid bin Saeed Al Maktoum (born in 10/10) - Husband: Sheikh Ahmed bin Maktoum bin Juma Al Maktoum (born in 14/01/1947)