#..p.....9.pp..p​.0...

[kpop-locks]

QUIZ DIVERTIDO DE KPOP

1. Qual foi o primeiro grupo de kpop que vocês conheceram(mesmo que hoje em dia vocês não acompanhem mais)?

2. Se vocês pudessem ser apenas 1 idol fem/ma quem vocês seriam?

3. Qual o utt de vocês?

4. Qual a música de kpop que vocês dedicariam a alguém?

5. Qual seu grupo fav?

6. Qual grupo que antes você acompanhava, mas que hoje não acompanha mais?

7. Deem uma nota de 0 - 10 para 3 empresas de kpop que vocês conhecem.

8. Cada idol tem um animal de emoji,né? Do emoji de 🐰 que idol vocês seriam?

9. De cada 3 grupos de kpop que vocês gostam dê uma nota de 0 - 10

10. Com qual idol de kpop vocês amigariam fácil?

Por favor todas as adms tentem responder, vou gostar de ver as respostas de vocês 😄✨️

ok, vamos lá

1

maju: suju fui elf por 8 anos

bia: 2ne1 quando lançaram i am the best e a menina que estudava comigo na escola viciou a turma inteira

gabxs: tenho uns 99% de certeza que foi o exo (na época de call me baby quando lançou)

lara: super junior

day: bts e exo

lola: bigbang

gab: exo e bts

2

maju: eu seria a sua do dreamcatcher quem sabe sabe

bia: existem muitas opções, mas no momento eu iria de ningning

gabxs: taeyong (nct)

lara: nana do after school

day: wooyoung

lola: sinceramente acho q ngm

gab: jinyoung (imagina ter a bunda daquele tamanho) ou a irene (a mulher mais linda do mundo, amem)

3

maju: hanbin - zb1

bia: suho - exo

gabxs: antes de responder sou geminiana então escolher 1 só fica complicado, mas atualmente o Yeosang(ateez) e o Jaehyun(nct)

lara: jeno, ningning, anton, baekho, chanyeol, changmin, irene, yeri, seolhyun, hyunjin, chaein e julie

day: woosan

lola: ⁠leehan, yeeun, wooyoung, dk, vernon, seungkwan e o zb1 inteiro nn ironicamente

gab: jinyoung, jaebeom e mark tuan

4

maju: dedico im unhappy do aespa pp meu psiquiatra tenho que trocar o antidepressivo

bia: dedico fancy do twice pra minha amiga que tá morando na frança que é a unica musica de kpop que ela aguenta e tbm pq to com saudades

gabxs: aaaaa muito difícil escolher 1 só, mas sun&moon nct127 ou forever only - jaehyun

lara: i'll be your man do btob mt boa 👍🏻

day: thank u do ateez pras de vdd

lola: timeless do nct u

gab: não sei, nunca quis dedicar música a alguém

5

maju: zerobaseone (dreamcatcher pra ggs)

bia: exo, seventeen e newjeans

gabxs: meu top 3 pode ser? Nct127, ateez e exo

lara: nct, tvxq e aespa

day: ateez, aespa e riize

lola: . ⁠zb1 e bnd

gab: got7, ikon, exo, oh my girl, stayc e newjeans

6

maju: puts, vaaarios, mas o principal deve ser bts fui army do debut até wings chorava de amores

bia: puts tem muitos, mas acho que vou de monsta x

gabxs: bts

lara: ateez, bts, twice

day: bts, nct, exo, bp e vários outros KKKKKK

lola: bts

gab: dos que já foram grupos favs msm, acho que só o bts, mas já teve mt bg que jurava que ia virar fav mas enjoei

7

maju: pras empresas dou 0 pra todas

bia: mesma coisa que a maju

gabxs: não sei

lara: todas um 0 um grande cu

day: nota DÓ

lola: ai nn ligo p nenhuma

gab: vish, morro de raiva de todas porém jyp 0,0000000

8

maju: seria a nayeon velha rabugentinha e viada

bia: nayeon

gabxs: soobin

lara: irene

day: sei lá

lola: jiu

gab: irene

9

maju: meu top3 no momento: zb1: 100000, piwon: 1200, riize: 7 (pra não esquecerem quantos membros tem)

bia: exo, seventeen e zb1 nota 1000

gabxs: respondi na 5 sem saber

lara: nct 10 tvxq 10 aespa 10

day: ten TEN ACROSS THE BOARD

lola: ⁠se eu gosto eh nota 10 né fml

gab: todos os meus favs são 1000/10

10

maju: o theo do piwon, ele eh meio que gêmeos da lola e a lola eh minha amg acho queda certo

bia: acho que nenhum pq não sei fazer amizade, mas amaria ser amiga do kyungsoo ou do dk

gabxs: acho que eu seria muito best do haechan(nct)

lara: chanyeol

day: wooyoung pois ele é mt eu KKKKKK

lola: acho q a lily do nmixx a diva eh cronicamente online a gnt ia se dar bem ✋

gab: acho que o youngjae, suho, sumin (seria amg de todo o got7 porém paciência não é meu forte KKKKK)

[postsofbabel]

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[inspofromancientworld]

Chinese Historical Periods: Bronze Age to the Development of Writing

By Guss - Own work, after Li Liu, Archaeology in China, p.214, Public Domain, https://commons.wikimedia.org/w/index.php?curid=32701410

The Bronze Age Started around 3100 BCE in China and can be divided into three main periods: early, middle, and late. Some scholars prefer to divide the period between the Shang (about 1600-1046 BCE) and Zhou (11046-256 BCE) dynasties and the Warring States Period (476-221 BCE) into four parts, almost poetically called the heyday, the decadence, the mid-emergence, and the decline.

By Prof. Gary Lee Todd - [1], CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=31469658

The earliest culture that created bronze artifacts that we've found is the Majiayao culture near Gansu, which is near the upper Yellow River. The object found was a knife. From Majiayao, bronze working spread along the Yellow River through contact between cultures. It is also thought that domesticated animals may have entered China through this area, also called the Hexi Corridor, or possibly through the Mongolian plateau around 3500 BCE, so it's quite possible that there was communication between Eastern and Western Asia through this passage.

By Unknown author, Public Domain, https://commons.wikimedia.org/w/index.php?curid=9997728

The next major culture was the Erlitou culture, which was also focused around the Yellow River valley from about 1750-1530 BCE. They are considered to be the first true Bronze Age culture, being fully within it, and spread through hundreds of sites. Within this culture, the Xia dynasty ruled from about 2070 BCE through 1600 BCE, the first dynasty in Chinese history that we know about. Until 1959 CE, there weren't any sites discovered that were directly related to the Xia dynasty or a way of differentiating them from the Shang and Zhou dynasties. With improved technology, it became possible to separate out artifacts from the dynasties and establish the historicity of the Xia dynasty.

By rotated and cropped by Kanguole - This file was derived from: Shang Ox Scapula Oracle Bones 1.jpg by Gary Lee Todd, CC0, https://commons.wikimedia.org/w/index.php?curid=146266981

The final part of prehistoric Bronze Age was under the Shang dynasty. The center of the late Shang dynasty was around Xiaotun Village in modern day Henan. During this time, oracle bones scripts, usually carved on shoulder blades of oxen, began to appear, the earliest form of written Chinese that began to appear around 1250 BCE. There are 150,000 known pieces of oracle bones with about 5,000 different characters, of which 1,700 are recognizable to modern readers of Chinese. There is also a rich array of pottery, bronze ceremonial objects, carved jade, and many stone and bone tools, letting us develop a fuller picture of how people lived and what they valued during this time.

By Kanguole - Own workdesign based on Chang, Kwang-chih (1986) The Archaeology of Ancient China, p. 319 ISBN: 0-300-03784-8.rivers from Natural Earth 1:10mErlitou sites from Xu, Hong (2013) "The Erlitou Culture" Underhill, Anne P. , ed. , John Wiley & Sons, pp. 300–322 ISBN: 978-1-118-32578-0. p. 302, Figure 15.1.Xia capitals from Tan, Qixiang , ed. (1982) The Historical Atlas of China, 1, China Cartographic Publishing House Map 9–10., CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=111573260

Much work has been done to reconcile the received or traditional history with the archaeological record by a group called the Xia-Shang-Zhou Chronology Project. With the large gap between the Xia dynasty and the beginning of the use of oracle bones, there are schools of thought that doubt its existence, considering it only legendary. Using the best tools available, they're working on narrowing the range of artifacts to identify when they were made. Certain sites are identified with each dynasty as well as certain types of artifacts. By being able to tighten the dates that items found at the various sites, the project has been able to date the currently known sites and identified gaps in the cultural record (cultural transitions between dynasties and predominant technologies).

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[stopchildabuse]

Treating Survivors of Satanist Abuse

Copied with permission from http://childabusewiki.org/index.php/Treating_Survivors_of_Satanist_Abuse

Treating Survivors of Satanist Abuse

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Treating Survivors of Satanist Abuse discusses the clinical issues around the treatment of survivors of ritual Satanist abuse. Authors from the United States and the United Kingdom look at the historical foundations of ritual abuse and clinical accounts from children and adults. The book has definitions of ritual Satanist abuse. It discusses issues in psychotherapy involving clients suffering from ritual abuse.[1]

Valerie Sinason is the director of the Clinic for Dissociative Studies, London and a psychoanalyst and consultant research psychotherapist at the Psychiatry of Disability Department at St George's Hospital Medical School, London.[2]

The book has been reviewed by the International Journal of Psycho-Analysis[3], the British Journal of Psychotherapy[4] and Survivors of Spiritual Abuse[5].

References

↑ Sinason, V. Treating Survivors of Satanist Abuse Routledge, New York 1994 ISBN 0-415-10543-9

↑ Attachment, Trauma and Multiplicity Working with Dissociative Identity Disorder Valerie Sinason (editor)(2002) Brunner-Routledge, Hove, East Sussex, UK ISBN: 041519556X

↑ Johns, M. (1998) Treating Survivors of Satanist Abuse. Edited by Valerie Sinason. London: Routledge 1994. Pp. 320 International Journal of Psycho-Analysis Volume 79 p. 1255-1258 http://www.pep-web.org/document.php?id=IJP.079.1255A

↑ Black, D. M. (Autumn 1995). "Treating Survivors of Satanist Abuse edited by Valerie Sinason". British Journal of Psychotherapy 12 (1): 119-131. "Most of the book is written by therapists who have lived through a very real trauma themselves: that of slowly coming to believe that the appalling stories they are hearing may be literally true. Some therapists have further paralleled their patients' experience by meeting disbelief or dismissiveness in their professional colleagues. Far from an overeagerness to accept these stories, virtually every contributor describes initial extreme reluctance to believe them, only gradually overborne by the weight of the evidence....we also meet the courage and devotion of many impressive therapists, who have persevered and very often won through, and we are also, very practically, given a great deal of helpful and directly useful information: what to do and who to turn to if we think we may be faced with these issues. This book is not fun, but it is admirable and necessary." https://onlinelibrary.wiley.com/doi/10.1111/j.1752-0118.1995.tb00797.x

↑ Review of Treating Survivors of Satanist Abuse edited by Valerie Sinason

Related Pages

Breaking the Circle of Satanic Ritual Abuse

Cult and Ritual Abuse

Extreme Abuse Surveys

Hell Minus One

Ritual Abuse

Ritual Abuse in the Twenty-First Century

Ritual Abuse Torture

Satanic Ritual Abuse Evidence and Journal Articles

External Links

Valerie Sinason's Website

Clinic for Dissociative Studies

Major publications by Valerie Sinason

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I have 9 beautiful handsome partners 💕

I deeply love my platonic soulmate @/wardenruins, he doesn’t post stuff, he just on tumblr so that he can spy on my stuff, but ye, love you Warden <333

Trans (F->M) Who still comfortably identifies as a Butch ✨⚔️

I’m Agender, Xenogender & Neogender ✨

I LOVEEE Mascot Horror/Creepy games !! A few of my favs are Indigo Park, Kinitopet, Poppy Playtime, Little Nightmares, Dark Deception, Amnesia, Fnaf, Etc.

German is my native tongue but I’m also completely fluent in English, and I speak slight Spanish as well :D

I HAVE A PERSONA !! You can find its ref riiiight here i'll be drawing myself as it often and if not xem my Monster Sona riiight here

I LOVE LOVE LOVE MY MOOTS/FRIENDS/PARTNERS !!!!!!

A few of my other hyperfixations are : Regretavator, Hellsing, Scott Pilgrim, Qsmp, Bugbo, CVW, TSATWON, Sweet Tooth, Trigun, Kenny The Shark, Preassure, Phighting, Cult of the Lamb, Alfred’s Playhouse, HAND, Dungeon Meshi, FnF, CoS, DHMIS, FPE, Indigo Park, The D!ckheads, Souris, TDFWM, B & B, Flawless, TTWTBG, SMFT, FTP, TEP, Homesick, SHELTER, OWH, OOSOOB, ST, Welcome Home, Inanimate Insanity, etc.

Some of my fav bands/artists : Mindless Self Indulgence, Lemon Demon, Femtanyl, Alex G, Pompey, The Living Tombstone, Odetari, Penelope Scott, Ivycomb Music, Cave Town, BoyWithUke, Derivakat, Baby Bugs, Ryan Mack, Etc.!

Some of my fav Songs : Alien Blues, Body Terror, Pure as a Lamb, I Should've Stayed Home, LOVESICK CANNIBAL!, Two Moons, Haha Hi, Rockstar, Nosedive, P3t, Seriously?, Sex For Homework, Rät, Stupid MF, HELLO KITTY, Shut me Up, Fine Great, Get It Up, Devil Town, This is Home, Etc.!

Some Fandoms I'm In !! : Undertale, Utmv, Deltarune, WoF, WC, FPE, Indigo Park, Kenny The Shark, FnF, Trigun, CVW, DHMIS, Horrid Henry, Alfred’s Playhouse, LackaDaisy, Tmnt/Rottmnt, COTL, HAND, TSATWON, TOH, Sweet Tooth, Dungeon Meshi, Phighting , Amphibia, Ramshackle, BBU, Owls of Ga'hoole, Welcome Home, PP, Hellsing, WOTHH, Bee & Puppycat, Wednesday, Doom & Gloom, HH & HB, Pokemon, MD, Tadac, Monkey Wrench, Bluey, Sarah & Duck, Puffin Rock, Spooky Month, Fnaf, LMK, Animaniacs, Etc.

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✦ My Tags !!! (Wow I'm finally gonna be using tags crazy...)

#My Art - Art !!

#Crow reblogs - Reblogs !!

#Not Utmv - stuff/reblogs that aren’t Utmv 😔

#Crow Rambling - my weird rambles/random talking

#Crow Chatter - Me Interacting w/ ppl & answering asks

Alter Chatter - Asks that are either sent to the Alters or an ask that the Alter themselves have decided to become a part of <3

#inbox doodles - little doodles made for inbox answering

#Crow Simping - me loosing my marbles over a character I deem hot

#HEAVY Crow Simping - foaming at the mouth blue balled over a character

#F r i e n d 🫵 - Me interacting w/ my friends/Moots !!

#Crow on Crack - Me saying out of context things/or me being weird :)

#crow depression hour - Me being depressed

#Crow Vents - Me venting, vents will have different colors for different intensities of them, red being very heavy topics that could have quite a few context warnings, orange being semi heavy but not as bad, green being no heavy topics and fairly light weight stuff. If you wish to not see these I suggest blocking the tag.

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✦ . 　⁺ 　 . ✦ . 　⁺ 　 ✦ . 　⁺ 　 . ✦ ✦DNI.....

Lgbtq+ Phobes.

LITTLE KIDS (ppl under 12/13, basically if your not old enough to be on this site), I honestly would really prefer you not be on my blog as I have VERY vulgar language and honestly spread that shit around like wildfire. I will also very rarely if I’m in the mood to do so draw suggestive art, no lightsabers or stuff but perhaps thick as fuck skeletons, tits, etc.

Transphobics, Xenophobics, Etc...

Racists, Sexists, Discrimination, etc.

Invalidates a Person's Pronouns / Gender / Identity

Pedophiles, Sexualizes Minors, Jokes about Rape, etc.

Pro-Isreals.

People who Harass, Dox, tell ppl to kys, etc.

AntiFurries.

ZOOPHILES.

MAPS.

extremely problematic ppl, aka ppl who cause problems on purpose

People who ship Errorberry/Error x Swap, this is more of a Half joke but istg if you bring that SHIT up to me I will most likely block you. Regardless of our status.

Corvid haters of any kind, I’m so srs abt this fuck offf <333

Anti-Blm

Anti-Petre/Agere/Etc

Anti-Therian/Nonhuman/alterhuman/Etc

Slander of my interests/hyperfixations.

Mockery of Me, My Friends, My partners, or my mental illnesses.

Unwanted Criticism/Extreamly rude Criticism, unless I asked for it please don't.

People who think trauma is a joke & belittle it.

those who think neurodivergent ppl w/ BPD, Bipolar, etc are “Scary” and don’t belong. Andd that’s about the major people I will block! I also might have forgotten a few things/people who I DNI but uhh- I’m sure I’ll remember later :) Other than that I will freely block who I decide to and curate my own content! :)

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✦ Byi + Boundaries..

I have Autism + Alexithymia, Depression, Anxiety, ADHD, DID & BPD

We’re a DID system and use We/I/Me/Ours/Etc pronouns. i don't talk about my DID often because its kinda awkward :”). Our Alters consist mostly of Ink, Lust, CANON C!Nightmare, Error, Cross, & Killer. But there are many more and we are NOT our source. I am also in almost complete control of this sack of flesh xP, Tho 99% of the time I’m co-fronting with Ink!! *paint might get acrylics own text tags one day if color so desires <3*

I petre sometimes! Often times I am a crow, cat, or dog! And I purr and chirp/caw even out of petre <3

Tone tags are VERY VERY preferable! I am tone def a lot of the time so please use tone tags otherwise I will take it the wrong way and start to p a n i c

I'm an Irl + Fictkin (Ink sans) !!!

Yes I can be cringe and idc :)

i am VERY silly, expect maximum silliness from me at all times.

If you’re are uncomfortable with something you see block the tag and move on do not harass me.

Please do not ask personal info/give about me unless I'm willing to give or I give permission. This includes Name, Age, Basic stuff like that.

please do not mention topics of rape, sexual assault, plushophilla, grooming, Addiction, Animal mutilation/Murder, etc. these are very triggering topics for me and make me remember events forced on me in my life I do not want to remember.

DO. NOT. REPOST/TRACE. MY. ART. WITHOUT. PERMISSION. I will find you.

Inbox is always open! You can be as silly as you want or say the most random stuff! 99.99% of the time I’ll also answer with a little doodle! And if u want me to remember you add a little signature! Ex : 💥 anon or smth like that :D

Another thing! You can send asks/talk with the Alters! Cannot guarantee we will always reply as some of us may not wish to, but still! This being said..BE RESPECTFUL TO ALL OF US IF YOU DECIDE TO INTERACT!! If you are not you get the ban hammer<3. Sometimes Alters may take over an ask if they want to! Regardless if it’s unintended for them or if the other wishes not to answer so don’t be surprised if you see someone else instead of who you intended :)

My DMs are always open !! I love love love meeting new people and making friends (I DONT BITE!!!!) :]

I'm fine w/ tags, comments, & spam-likes/reblogs! They make me rlly happy :3

I might spam-like (I get a lil excited sometimes..especially if I REALLY like your stuff, if you don't like this please let me know and I'll stop!!)

We do make suggestive jokes and we are hypersexual but that doesn't mean we’re not sex-replused most of the time.

I'm Nonhuman !! Pls do not refer to me as human. I prefer Skeleton terms & Crow terms over everything else. I'm just your average Paint Drinking Souless Skeleton <3

We tend to make random remarks, say out of pocket things, have trouble w/ volume control/typing in all caps, making inappropriate jokes, flirt & tease (w/ my close close friends/moots) if you ever get disturbed by this please let us know & we’ll stop.

all flirting and teasing we do is NEVER romantic. If we do these things with you they are purely us being silly, never showing romantic interest. Do not think otherwise. If you do you’re blocked Immediately.

I am VERY Blunt. And might say something rude or offensive and if I do please let me know because my Alexithymia makes it hard for me to understand if I upset people.

I unapologetically ship the most toxic abusive ships I can, and idc <333

Don’t involve me in ship discourse man, I just wanna curate my own experience-

My blog, my rules!! <3333

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I work at my fathers store M -> F, so I won’t be on too often on those days :)

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Art requests are open and always open! Feel free to ask for whatever you like, ocs are included! I still have the right to delete a request if I’m not comfortable with it tho ;3

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more may be added in time.

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[radicaljinx]

Later Marriages in History

In contrast to other pre-modern societies—and for reasons that are subject to debate—Northwest Europe was characterized by relatively late marriages for both men and women, with both sexes commonly delaying marriage until their mid-20s or even 30s.[41][42][43] The data available for England suggest this was the case by the 14th century. The pattern was reflected in English Common Law, which was the first in Western Europe to establish statutory rape laws and ages of consent for marriage. In 1275, sexual relations with girls under either 12 or 14 (depending on the interpretation of the sources) were criminalized; a second law with more severe punishments for those under the age of 10 was enacted in 1576. In the late 18th and early 19th centuries, the British colonial administration introduced marriage age restrictions for Hindu and Muslim girls in the Indian subcontinent.[30]

Sources:

Levine, David (1977). Family Formation in an Age of Nascent Capitalism. Academic Press. p. 152. ISBN978-0-12-445050-9. Hajnal, John (1965). "European marriage pattern in historical perspective". In Glass, D. V.; Eversley, D.E.C. (eds.). Population in History. London: Arnold. pp. 101–143. Coontz, Stephanie (2005). Marriage, a History: From Obedience to Intimacy, or How Love Conquered Marriage. New York, New York: Viking Press, Penguin Group. pp. 125–129. ISBN978-0-670-03407-9.

[rodos-news]

Ο Δήμαρχος Ρόδου βράβευσε τον μάχιμο για πάνω από πενήντα χρόνια δημοσιογράφο Γιώργο Ζαχαριάδη

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[mirandamckenni1]

I Hate Memorising, so I Created a System to Remember Everything If you’re struggling, consider therapy with BetterHelp #ad. Click https://ift.tt/73wCiRD for a 10% discount on your first month of therapy with a credentialed professional specific to your needs 💚 🖤 The private heart-to-heart with my thoughts and advice on why and how to start therapy: https://youtu.be/XIjRXsyUk84 🩵 Link to the Notion page that summarises the learning points from the video and on starting therapy: https://ift.tt/ZePmLWh Moleskine Notebook link: https://amzn.to/4cjn06n (affilate link!) Leather pen holders link https://amzn.to/49ScEJ5 (affilate link!) The pen I use for everything: https://amzn.to/3wSsS6p (affilate link!) Studying doesn’t need to be as hard is it feels: after 5 years in medical school, I just finished my final exams, and this is the method I used to study. I’ve been avoiding lectures since my first year of medical school, and using just one notebook, I’ve managed somehow to learn and memorise everything I was expected to know to become a doctor. If you also struggle with memorising facts and mnemonics (like me), hopefully this will offer an alternative! Let me know what you think! Thanks for watching, and best of luck with any exams you have, may your university studies always be as un-stressful as possible 🩵 Sources mentioned: 1. Richardson, Virginia. (1997). Constructivist Teaching and Teacher Education: Theory and Practice. 2. Moon, J.A. (2000). Learning Journals: A Handbook for Reflective Practice and Professional Development (1st ed.). Routledge. 3. Eisner, E.W., 2017. The enlightened eye: Qualitative inquiry and the enhancement of educational practice. Teachers College Press. 4. Hoare, C. H. (2006). Handbook of adult development and learning. Oxford University Press, Chapter 4, pg 73-98 5. Getzels, J. W. (1974). Socialization and Education: A Note on Discontinuities. Teachers College Record, 76(2), 1-6. 6. Forms of Understanding and the Future of Educational Research, Elliot W. Eisner, Educational Researcher, Oct., 1993, Vol. 22, No. 7 (Oct., 1993), pp. 5-11 7. Kevin K. Birth: Objects of Time How Things Shape Temporality 8. Forgetting due to retroactive interference: A fusion of early insights into everyday forgetting and recent research on anterograde amnesia Michaela T. Dewar, Nelson Cowan, and Sergio Della Sala 9. The consequences of writing : enhancing learning in the disciplines by Parker, Robert P. (Robert Prescott), 1937 10. Josselyn SA, Frankland PW. Memory Allocation: Mechanisms and Function. Annu Rev Neurosci. 2018 Jul 8 PMID: 29709212; PMCID: PMC9623596. To make your life easier: 0:00 Intro 1:30 The Danger of Over-processed Source Material 5:03 BetterHelp and the value of therapy 8:00 The Learning and Memorising Side of the Notebook 18:26 The Daily Side of the Notebook WHO AM I: I'm Elizabeth, a medical student, painter and Podcaster in London. I love to think and talk about life, art, medicine, books and meaning. And also how to find the time to do those things. If you'd like to watch me paint and talk about life, I do that on my podcast (https://www.youtube.com/channel/UC5NsPe2poaBRA0IPdTxJTQA) and if you'd like to read my thoughts and book notes, I have a newsletter you can join (https://ift.tt/TOc3GzB). 👽 My Book on Organised Chaos: How to Succeed Without Habits or Consistency: https://ift.tt/jv9OVnb 🧠 My Notion Templates to Work Better With Yourself: https://ift.tt/pg1ULfr If you want to stay in touch: 💌 My Newsletter - https://ift.tt/TOc3GzB 🎙My Podcast - https://www.youtube.com/channel/UC5NsPe2poaBRA0IPdTxJTQA 📕 My Book Club - https://ift.tt/Vhsg4mA 📸 My Instagram - https://ift.tt/ArnK9ip 💻 My Website - https://ift.tt/3Eja6Zu 🐥 My Twitter - https://twitter.com/lizziefilips Or leave a comment, I (try to) read 100% of comments :) via YouTube https://www.youtube.com/watch?v=PjyMdQptGYI

[h34dsp4c3f4m1ly]

H3//0! My n4me 1$ M¥/4 1m 16 y34r$ 0/d 4nd ^s3 Th3¥/$h3/17/C4t/M3w/$0f7 pr0n0^ns 4$ ¥0^ c4n $33 1 ^$3 4 t¥p1n1ng q^1rk! 1 r3gr3$$ 3-7 ¥34r$ 0/d 4nd 70 4 p^pp¥ 4nd b34r c^b. 1 4m 4 r3g^/4r 0/d h^m4n b31ng /0/

(Translation: Hello! My name is Myla I'm 16 years old and use they/she/it/cat/mew/soft pronouns as you can see I use a typing quirk. I regress 3-7 years old and to a puppy and bear cub. I am a regular human being lol)

H3r3$ m¥ f4c3 cl41m (Translation: Here's my face claim)

Heya! I'm Alizza I'm 15 yearz old and my pronounz are Zhe/It/Love/🩷. I regrezz 2-4 yearz old and to a bunny fox and calf. I'm an elf in headspaze and would prefer to be referred to az zuch.

(Translation: Heya! I'm Alissa I'm 15 years old and my pronouns are She/It/Love/🩷. I regress 2-4 years old and to a bunny fox and calf. I'm an elf in headspace and would prefer to be referred to as such.)

Thiz Iz my face claim (Translation: This is my face claim)

H!! !m D@n! ! U§3 H3/Th3y/!t pr0n0^n§ @nd @m 15 y3@r§ 0ld. ! @m @ r3gr3ss0r @nd @m 5-9 wh3n l!ttl3 0r @ k!tt3n b@t @nd w0lf !n my p3tsp@ce. ! @m a v@mp!r3 and l!k3 b3!ng r3f3rr3d t0 @§ 0ne th@nk§

(Translation: Hii I'm Dani I use he/they/it pronouns and am 15 years old. I am a regressor and am 5-9 when little or a kitten bat and wolf in my petspace. I am a vampire and like being referred to as one thanks)

H3r3§ wh@t ! b@§1cally l00k l!k3 (Translation: Here's what I basically look like)

H11 1?? ??1//13 1?? 14 ¥3@($ 0/¢| ??¥ ∆(0?0^?$ @(3 17/$h3/7h3¥//0✓3/€^73/h3@?7/7h1?£/€?33∆/$7@/|\. 1 (3£(3$$ 1-3 ¥3@?$ 0/¢| @?¢| 70 @ /@??|>, |>3@? @?¢| ¢|33(. 1?? H^??4?.

(Translation: Hii I'm Millie im 14 years old my pronouns are it/she/love/cute/heart/thing/creep/stalk. I regress 2-3 years old and to a lamb, bear and deer. I'm human.)

H3(3 1$ ??¥ f4€3 €/41?? (Translation: Here is my face claim)

|-|11 1?? |=4+ 1?? 14 ¥34&$ 0/<| 4π<| ??¥ ∆&0π0^π$ 4&3 $|-|3/1+/×3/§3/[43/43/€^+3/|>^π/<|0///$0[+/π¥4/€4+/??3✓✓/€/0^<|/|~4€1/$1|~|~¥/|>0++/3/|>4|>¥//0✓3. 1 4?? 4 &3°|&3$$0& 4π<| 4?? 0-5 ¥34&$ 0/<| ✓✓|-|3π /1++/3 4π<| |~3+ &3°|3$$ +0 4 |~^|~|~¥, |=1++3π, €4/[, 4π<| [4✓✓π. 1?? 4π 4π°|3/ 4π<| ✓✓0^/<| |~&3[[3& +0 |>3 +&34+3<| /1|=3 0π3.

(Translation: Hii I'm Kat im 14 years old and my pronouns are She/It/Xe/Ze/Fae/Ae/Cute/Bun/Doll/Soft/Nya/Cat/Mew/Cloud/Paci/Sippy/Bottle/Baby/Love. I am a regressor and am 0-5 years old when little and pet regress to a puppy, kitty, calf, and fawn. I'm an angel and would prefer to be treated like one.)

|-|3&3$ |-|0✓✓ 1 /00|= (Translation: Here's how I look)

H!! my n@m£ !§ K@d£ ! ^§£ H£/§h£/Th£¥ Pr•n•^n§. !m @ fl!p and r£gr£§§ b£tw££n th£ @g£§ •f 4 @nd 13 @nd p£t r£gr£§§ t• @ w•lfd•g @nd b^nny. @§ f•r sp£c!£§ !m @ w£r£w•lf l•l.

(Translation: H!! my name is Kade i use He/She/They Pronouns. Im a flip and regress between the ages of 4 and 13 and pet regress to a wolfdog and bunny. As for species im a werewolf lol.)

Th!§ !§ h•w ! L••k (Translation: This is how I look)

HeLlo I'm OlIve mY prOnoUns ArE ThEy/shE/Pup/pInK/bLuE aNd iM 17 yEarS OlD. I Am a FliP anD RegReSs 3 tO 10 yEaRs Old aND to A RaccOon, FeRret, And HedGehOg. I Am A deMoN aNd Am okAy bEinG reFeRred To aS eIthEr a HumAn or a DemoN.

(Translation: Hello i'm olive my pronouns are they/she/pup/pink/blue and I'm 17 years old. I am a flip and regress 3 to 10 years old and to a raccoon, ferret, and hedgehog. I am a demon and am okay being referred to as either a human or a demon.)

HerE iS a PhotO oF mySelf (Translation: Here is a photo of myself)

Hey y'all! I'm Alison I'm 17 years old and my pronouns are She/They! I'm a caregiver so yea. I'm a fairy and am cool being referred to as that but also don't mind being called a human!

Here's the picture I'm using as a faceclaim haha

Hhelloo imm jjack iim 17 aand mmy pronounnss aaree he/iit/burnn/fflame/monsterr/eenergyy/hhyper/cooll/ccanddy/Sweet/soour/sceene. Iim a caregiver lool. Jjust youur avverage sccene boii.

(Translation: Hello im Jack im 17 and my pronouns are he/it/burn/flame/monster/energy/hyper/cool/candy/Sweet/sour/scene. Im a caregiver lol. Just your average scene boi.)

Hhere iss my facce claaim (Translation: Here is my face claim)

¥0 !m $4$h4 16¥0$ H3/$h3/Th3¥/!t pr0n0uns. !m a c4r3g!v3r Lmf40. !m 4n 3lf but ! 4ls0 !d3nt!fy 4$ hum4nk!n l0l s0 ju$t r3f3r t0 m3 4$ 4 hum4n.

(Translation: Yo im sasha 16yos He/She/They/It pronouns. Im a caregiver Lmfao. I a elf but i also identify as humankin lol so just refer to me as a human)

H4v3 4 p!c 0f h0w ! L00K (Translation: Have a pic of how I look)

We are bodily a minor specifically 17 and AFAB. We're autistic and ADHD. Our system is traumaendo lol collectively go by they/them.

[juarezesdeporte]

INDIOS SUCUMBEN EN CASA ANTE MAZORQUEROS

Ciudad Juárez, Chih., Sábado 22 de Julio, 2023.-En un juego mucho más cerrado que el primero de la serie, en el cual, el bateo a la hora buena de la tribu no llegó, hubo tres costosos errores a la defensiva y la salida de Rodolfo Aguilar fue menos que regular, los Indios de Ciudad Juárez cayeron anoche ante los Mazorqueros de Camargo siete carreras a tres

Así la batalla de la ronda de cuartos de final entre fronterizos y camarguenses está igualada ahora a una victoria por bando.

Frente al pitcher obregonense Kennet Sigman, los indígenas anotaron la carrera de la quiniela en la parte baja de la segunda entrada en los spikes de Miguel Rodríguez.

Con dos outs, James Cubillos pegó un batazo que el  jardinero central Rafael Almazán pidió, pero ni él ni Johas Armendáriz pudieron atrapar, la pelota picó y Rodríguez Méndez voló hacia la registradora.

Dado el primer golpe y arriba 1-0 en el score, los bateadores indígenas no pudieron encontrarle la pelota a Sigman, quien bajó la cortina y no permitió carreras por espacio de cuatro entradas

Acallados, los maderos indígenas rodaron cuatro veces para doble play con Sigman en la lomita de los disparos, quien se apuntó el triunfo.

En tanto, los Mazorqueros, quienes fueron dirigidos ayer por Francisco Mundo tras el despido de Alejandro Bobadilla, después de la derrota del viernes, le dieron la vuelta a la pizarra en la parte alta de la quinta entrada.

Un doble entre jardín izquierdo y central de Diego Mercado, el segundo mejor bateador en la pelota estatal detrás de Carlos ‘Hulk’ Díaz, mandó a la registradora a Almazán y a Irving Quintana para

la voltereta visitante, 2-1.

En la apertura del séptimo inning, los Mazorqueros timbraron tres veces más.

Tras un mal tiro del catcher Rodolfo Soto a la intermedia, con Irving Quintana y Armendáriz en posición de anotar, Mercado elevó al jardín derecho, en pisa y corre y en una buena barrida de Quintana en home, los visitantes incrementaron su ventaja, 3-1.

El juarense Kevin Robles dio rola a las paradas cortas, Julio Pacheco pifió y los camarguenses colocaron hombres en las esquinas.

Robles se fue al robo de la segunda colchoneta y en otro mal tiro de Soto, Armendáriz entró a la goma con la cuarta anotación mazorquera.

Enseguida, Miguel Angulo ejecutó un sorpresivo squeeze play y Robles timbró la quinta rayita de los visitantes.

Los Indios intentaron reaccionar en el cierre del octavo capítulo con sencillo del emergente Josué Gómez y doble productor de Pacheco Alday que movió el score cinco por dos.

En su último turno al bat, los Mazorqueros amarraron el éxito con batazos impulsores de Robles y Angulo que pusieron tierra de por medio con una ventaja de siete por  dos.

Los Indios intentaron armar una última rebelión, pero no bastó pese al aliento del público que registró otra buena entrada en el Estadio Juárez.

El emergente Óscar Sigala conectó tablazo al central y remolcó a Eudor García con la carrera que colocó el marcador final de 7-3.

Sigman se apuntó el triunfo y el revés fue a la cuenta del pitcher profesional Aguilar.

La serie se trasladará ahora a Camargo, donde el jueves y viernes, ambas novenas disputarán los juegos tres y cuatro de esta batalla a ganar tres de cinco duelos para avanzar a semifinales.

TIRILLA

Equipo 123 456 789

Mazorqueros 000 020 302

Indios 010 000 011

Equipo C H E

Mazorqueros 7 9 1

Indios 3 9 3

PG: Kennet Sigman. 6.0 IP. 5 H. 1 C. 2 BB. 2 P

PP: Rodolfo Aguilar. 4.2 IP. 6 H. 2 C. 1 BB. 5 P

Mejores bats

Indios Juárez:   

Julio Pacheco. 4-1. 1 RBI.

James Cubillos. 4-1. 1 RBI.

Óscar Sigala. 1.1. 1 RBI

Carlos Díaz. 3-2. 1 BB

Mazorqueros Camargo: 

Diego Mercado. 3-1. 3 RBI. 1 CA. 1 BB

Miguel Angulo. 4-4. 2 RBI.

Kevin Robles. 5-2. 1 RBI. 2 CA. 2 P

(Por Sergio Arturo Duarte Méndez)

[postsofbabel]

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[orange1896]

Z50B.2.1-19 pump wheel SINOMACH CHANGLIN

Z50B.2.1-19 pump wheel SINOMACH CHANGLIN

14405476 钢板t28*1130-SM490A B7-6235E 前车架线束 4120016788 胶管 6900019106 右动臂缸小腔钢管 4120007450 接头 F31N8-40310 SIDE PLATE GB70.1-M10*30EpZn- 4130015649021 Q/SC622-M8*12:六角法兰面螺栓B00002130 6900019608 o 型圈 3214531441 FXJBN-00162F 密封条 29360018971 涡轮出口接管C12BL-12BL610+A 4120016993026 软管LGB129-003450 28280005211 右操纵箱线束 6214000233 散热器进水管 4120007160004 固定板 14742127 发动机左后支架 26331013001 钢卷尺0-30m宁波长城 950B4.12.2.1.4 4110000184096 液压油箱 29370027281 变速箱总成 28280015031 油泥铲 VAY60*75*6 4110003435020 驾驶室本体装配件 28100010851 龙工专用液压油(BW) 29030020221 右框架总成 26330018231 左挡泥瓦 7100000491 胶管F481CACA121206-1050 4041000809 COUNTER WEIGHT 29151004921 左下隔板 14406066 台架-LG953N井下 4110015920 衬套 4110002016 泵轮座W020200051 6210000639 上电极 28370000251 调节器总成129423-77720 3090900014 屏蔽线RVVP4*1.5mm2 6900013111 铣刀盘螺钉 26331043541 液压油箱总成 28100008161 FUSE BOX_ASSY EDB JEM RELAY GB16674-M16*25EpZn 26330009601 卡环334546 29420004671 LG956L轮式装载机-5613115A29 26310101001 后车架附件 4120017521 风扇垫快 21909013081 发动机总成WD10G220E23(DHD10G0538) 3110900005 G9220 平地机 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14404970 操纵阀垫50 4110003445092 发动机支承座 4110001089086 继电器 4120008243002 支撑架 29250017561 垫圈667676 6270000231 套 4041002123 BUCKET 29370017841 齿轮ITX25 M2 Z25/34 CBGjA2040 26290017391 前钢板弹簧片 20903092 4130000200 10mm套筒 世达34403 20862028 29170057931 防尘密封圈 20405884 7300000467 剪锤切换开关CVV-00007359 29190013111 转斗油缸HSGF-210*110*570-1387 9751-11603 9100001012 吊环接块612600040232 21743197 6392201513 安装板 21376707 28250024011 丝座LGB306-M8*32 26360004481 垫片 22219283 969472 O形圈235368 21083549 29170052451 弯板LGB341-A10.5*44-18*20*2 14587635 4130002134 出水联接管座C5271638 16027236 LG918油缸总成（出口） 6270000013 停用-铝堵φ10×10 6105Q-1002022 5111000485 ADAPTER_TOOTH 29170050951 左助力器油管 4110000081158 发动机罩总成 11218665 发动机罩 4120004541014 停用-连接胶管H 3407-B1-22X29X50 1014013-52D 29140021131 停用-蓄电池盖板 6212000240 右支架 14577310 COVER_BATTERY 1690700008 空滤进气管 4120003040124 六角法兰面螺栓90011420015 29100017541 板 29170087042 转向泵总成 11223532 补水管 14400473 16032090 板 14400480 4110000726 筋板 14400481 4110015593017 台式机 14400541 28010014021 BRACKET_WA 14509197 29320009861 弹簧垫圈90014350003 14400560 29420007701 转斗缸总成 4110002409337 换挡手柄总成 4120002519 驾驶室装配总成 14402717 板 29330033781 活塞 6410005223 螺塞 4110002409343 P-水油散热器总成LG933L-SA 4120008300003 停用-支架 26170007501 O型圈 3701624-30D LG2830000432 盘 1013025A52D 12742951 PLATE 29130010711 接头体 ZL50F.2.2 6373400617 多用快换钻夹头及母体（J4320/3# Z3050*16） 4120007374005 软管LGB106-010126 6420001202 孔用弹性挡圈SRH20 11215158 ISO22241-1-车用尿素溶液 29050100101 左前侧门 14406507 套 14510560 6410003888 标志与标识 11152167 4110002126271 轴承 2310 3986351 29250021831 底板焊接总成 13965184 6430000946 软管LGB165-012075 13947902 2120400411 行车电缆YC3*6+1 959241 4120000087120 变速压力油管 11708246 ELG944MSK 聚丙烯熔喷滤芯 沁园LPP-PP-10 942978 4190001764 COUNTER WEIGHT_WA 26330032921 停用-盖板 LG2924002114 2 E6135F标识包 4110000186214 维修包Service kit 4081 0410 90 4120018837 驾驶室线束 21909012471 软管20411-26-08TZ/20411-22-08TZ*FC686-08*9 29050029481 右支架 4120001085101 操纵软轴 29370017051 标识包 4041015563 150*180*12油封副厂 26141005911 后盖 14405843 过渡接头 4043003561 接头体 14406801 胶管F462CACE151508-7900 13944926 6900020254 立板 F凯斯210-5 旋转斜盘总成 4120006672016 电磁阀 29450000351 防尘套 26410001661 停用-铲斗总成 28210014161 防静电镊子 世达03161 29010027721 LG953驾驶室布线 29370022521 胶管F7816A6A202020-980-FS980 29170123211 棚顶 29330085881 IDLER_ASSY 29290010881 冷凝风机GKL33-5.0H4-40 935269 4120017726007 水管 F11213127F 支架焊接部件LY-LG958-3-37-020 26380001171 管束部件18AB005 29010023381 板 4043002213 联接架（金漆） 4110015717 托板 992253 板 11221960 原色纸盒100*100*160 15053915 连杆机构 5602114G2908 PLATE_UPR RR 7.00M HD BOOM 26010021341 翻斗销 29250000151 灯泡24V 21W(P21W) 8GA 002 073-241 29010067081 旁通增压器A3960404A3960404 4110001089025 工作泵吸油胶管 28280006861 底座 14400446 6410006032 垫圈 6 14400721 4110000038139 活塞 14400790 29330068392 P-轴承GB277-50210 14403601 6900020060 排烟管D8YG0-1201200 28050000091 LG938轮式装载机 14403743 6231000347 支架 14403749 28809028560361 CROSSBEAM WELDING PARTS 4130001484 螺母GB889.1-M20flZnyc-8-480 14404485 4110001007096 加大斗1.0×2320 14404508 7300001296 锁紧板 8298026 消音器支架 3080900214 套 4130000315 排气门弹簧D30-1003118 612600020847 29250004071 CAB FRAMEWORK_WA 28210010972 斯太尔机油管长40 4110001923016 排气尾管952 937473 膜片（喷漆线用富阳诺尼韦尔ZMQP 气动阀DN65） 4011000568 12mm套筒 世达34405 FZ0000412 羽绒服集团LOGO-女XL（170#） 4110004080010 从动伞齿轮 26240022561 筋板 29170140171 原色纸箱1800*400*1400 914456 2110900063 PLATE 21846126 4130001713 板 21770981 29260102501 弯板 F81M8-14010 弹簧 21611489 29380009301 发动机进水管612600160042 21770957 11422125 右侧板 11110176 6294000005 连接管12272668 28230011791 PLATE_TURNING JOINT 21100410 6900018344 接头 21100407 FZ0001256 支承环GB/T15242.2-94 WZ25.11-9 26331028301 窗帘 29010035481 左链轨节ZL154MA-00011 21100405 29330019471 定位板 21196438 29070020351 仪表台线束总成 6900018282 左转向油缸HSGL-100*60*432-918 29141007651 左电瓶箱 21773991 7100000460 岗位式轴流风机（SF 流量14000立方/h 200帕 1千瓦 ） E235FL3484A09A0 Q/SC1092-70:弹簧卡箍B00001539 29040011461 冷凝器芯GKL33-5.0D-20 6900020135 垫圈85 513 043 6244000047 软轴总成4110003122-01 F407101B 左激振机构 6392201277 螺栓401900049 50F2111DA2 弯板 4190001793 铁木结合箱-7 1150*300*170 29340052221 直接头LGB120-43626 29240102281 垫片 26180011541 斗齿 4110002409191 收音机支板 GB882-B8*30EpZn-35 29040010331 前车架 421158 28430000283 标准气缸 亚德客SC-50×300-FBSC-50×300-FB 29341002121 支架 15021902 L956F配上柴油浴式空滤 612600040307 4120001739056 胶管 14508024 板 29170307741 异形梅花线号管(正品)1.0 mm2 26240000032 直型壳体总成 4110001017059 燃油凸轮轴组件1G831-16023 4120005047003 前车架线束 4190002479 散热器框架 29320009291 转向器BZZ3-100 28010002291 销 4021000062 端盖 4110001583006 LG936L双变总成 4110001002046 胶管F481CACA101005-2600 29171021181 下铰接销 4120010344045 高低速手球LGH9180002 4120004994012 筋板 4110001005082 优先阀进油钢管总成 JB8406-B16*2600 Read the full article

[goalhofer]

Every Goal Of The 2023 IIHF Worlds: Day 11

Denmark Vs. Sweden

#17 Nicklas Jensen (2) Ehlers (4) 3:39 1st (Denmark 1-0 Sweden)

#18 Dennis Everberg (3) Lindberg (2), Nylander-Altelius (2) 13:24 1st (Denmark 1-1 Sweden)

#20 André Petersson (2)(PP) Lindberg (3), Raymond (3) 12:20 2nd (Denmark 1-2 Sweden)

#23 Lucas Raymond (3) Berggren (5) 12:40 3rd (Denmark 1-3 Sweden)

#91 Carl Grundström (1) P. Lindholm (2), Petersson (3) 14:22 3rd (Denmark 1-4 Sweden)

Austria Vs. Hungary

#20 Sofron István (3) Csanád (2), B. István (1) 8:25 1st (Austria 0-1 Hungary)

#23 Marco Rossi (1)(PP) unassisted 12:45 1st (Austria 1-1 Hungary)

#20 Sofron István (4)(PP) Balázs (4), Stipsicz Bence (2) 19:21 1st (Austria 1-2 Hungary)

#33 Horváth Milán (1) P. Kristóf (2), Gergo (1) 4:11 2nd (Austria 1-3 Hungary)

#24 Steven Strong (1) P. Huber (2), Maier (2) 6:43 2nd (Austria 2-3 Hungary)

#21 Lukas Haudum (2)(PP) Zwerger (1), Reinbacher (1) 17:09 2nd (Austria 3-3 Hungary)

#91 Dominique Heinrich (2)(SO) (Austria 4-3 Hungary)

Canada Vs. Norway

#27 Andreas Martinsen (1) Olimb (1) 9:45 1st (Canada 0-1 Norway)

#13 Sondre Olden (1) Salsten (2) 1:52 2nd (Canada 0-2 Norway)

#17 Milan Lučić (2) Weegar (6), Middleton (3) 8:26 2nd (Canada 1-2 Norway)

#67 Lawson Crouse (4) Carcone (2) 19:48 3rd (Canada 2-2 Norway)

#18 Thomas Olsen (2)(SO) (Canada 2-3 Norway)

Kazakhstan Vs. Slovenia

#92 Anže Kuralt (2) unassisted 1:30 1st (Kazakhstan 0-1 Slovenia)

#10 Nikita Mikhailis (2)(PP) Rymarev (3), Beketatyev (1) 18:10 1st (Kazakhstan 1-1 Slovenia)

#92 Anže Kuralt (3) Ograjensek (2), Tičar (3) 1:06 2nd (Kazakhstan 1-2 Slovenia)

#81 Batyrlan Muratov (1)(PP) Orekhov (1), Savitski (1) 19:02 2nd (Kazakhstan 2-2 Slovenia)

#21 Jan Drozg (3) Simšič (2), Pance (2) 2:27 3rd (Kazakhstan 2-3 Slovenia)

#88 Evgeni Rymarev (3) Starchenko (5), Beketatyev (2) 11:52 3rd (Kazakhstan 3-3 Slovenia)

#23 Maxim Mukhametov (3) Mikhailis (3) 16:33 3rd (Kazakhstan 4-3 Slovenia)

[earosagarcia]

Archivo ARES. Estéticas, identidades y prácticas audiovisuales en España (2022)

Enlace al catálogo de publicaciones de la UJI: https://www.uji.es/serveis/scp/base/publ/proser/cataleg/

ISBN: 978-84-18951-69-5

DOI: http://dx.doi.org/10.6035/Humanitats.67

Publicación del volumen Archivo ARES. Estéticas, identidades y prácticas audiovisuales en España (Universitat Jaume I de Castelló, 2022), editado por Ana Martínez-Collado, Rosa García y José Luis Panea, en el marco del Proyecto MCIN de I+D+i EShID: Estéticas híbridas de la imagen en movimiento. Videoarte español y dinámicas identitarias en el mapa global (2019-2022) (Ref.: PGC2018-095875-B-I00).

Autores (p. o. aparición):

Ana Martínez-Collado, Rosa García, José Luis Panea, Francisco Holgado, Antonio Notario Ruiz, Salomé Cuesta, Bárbaro Miyares, Paula Fernández-Valdés, Ruth Sanjuán, Maribel Doménech, Rocíode la Villa, Marta Negre, Joan M. Marín, Juncal Caballero, Ruth Montiel Arias, Verónica Perales, Antoni Abad, Lúa Coderch, Estíbaliz Sádaba, Susana Blas, Pedro Ortuño, Marina Núñez, Laura Torrado, Francisco Ruiz de Infante, Menene Gras Balaguer.

Resumen:

El Archivo ARES. Estéticas, identidades y prácticas audiovisuales en España (https://aresvisuals.net/), desde su creación en 2016 hasta la actualidad, se propone como un espacio de reflexión en torno al videoarte español, comprometido con la idea de archivar no sólo como una necesidad de hacer memoria, sino también de activar imaginarios alternativos que visibilicen estéticas más inclusivas. Con este libro se pretende difundir las principales aportaciones realizadas durante estos años, dibujando una serie de itinerarios en relación a las temáticas nucleares sobre la identidad y situando las obras de artistas relevantes en referencia a estas cuestiones. Paralelamente, la publicación sistematiza los materiales derivados de las actividades de transferencia impulsadas desde el Archivo, como las propuestas teóricas y artísticas procedentes de los dos congresos internacionales celebrados o el Ciclo de visionado y diálogo con artistas.

Índice:

0. Ana Martínez-Collado, Rosa García, José Luis Panea. “Introducción. Estudio preliminar: el Archivo ARES, resultado de una década de investigación en el ámbito universitario” (pp. 11-28).

1. Ana Martínez-Collado. “La identidad cultural en el ámbito de las artes audiovisuales: un enfoque contextual” (pp. 29-68).

2. Ana Martínez-Collado, Rosa García, Francisco Holgado. “Los artistas del archivo” (pp. 69-172).

3. Rosa García, Francisco Holgado. “La cámara como registro de la intimidad: género y sexualidad a ambos lados de una misma frontera” (pp. 173-220).

4. Ana Martínez-Collado, José Luis Panea, Francisco Holgado. “Obras del Archivo ARES 2015-2022: itinerario nº 1” (pp. 221-306).

5. José Luis Panea. “Narrativas alternativas al relato global: etnicidad, nacionalidad, imagen en movimiento” (pp. 307-372).

6. Ana Martínez-Collado, José Luis Panea, Francisco Holgado. “Obras del Archivo ARES 2015-2022: itinerario nº 2” (pp. 373-482).

7. Antonio Notario Ruiz. “Creación, investigación y política desde las imágenes en movimiento” (pp. 483-504).

8. Salomé Cuesta Valera, Paula Fernández-Valdés, Bárbaro Miyares. “Preservación de videoarte en plataformas en línea: obsolescencia y futuro del Archivo ARES” (pp. 505-522).

9. Ruth Sanjuán. “Ciclo de Visionado y Diálogo con Artistas: una introducción” (pp. 523-534).

10. Maribel Doménech, Rocío de la Villa. “Sesión nº 1: El tejido del tiempo: movimientos de nuestro tiempo” (pp. 535-544).

11. Marta Negre, Joan M. Marín, Juncal Caballero. Sesión nº 2: Cápsulas audiovisuales: del vídeo reteniendo el fragmento” (pp. 545-554).

12. Ruth Montiel Arias, Verónica Perales. “Sesión nº 3: Márgenes de la violencia: revisitando el concepto de especie” (pp. 555-564).

13. Antoni Abad, Salomé Cuesta Valera. “Sesión nº 4: Cartografías de la accesibilidad: arte, acción directa y transformación social” (pp. 565-574).

14. Lúa Coderch, Ruth Sanjuán. “Sesión nº 5: Poéticas de lo humano y lo objetual” (pp. 575-584).

15. Estíbaliz Sádaba, Susana Blas. “Sesión nº 6: Cuerpo y casa, mujer y trabajo doméstico” (pp. 585-594).

16. Pedro Ortuño, Bárbaro Miyares. “Sesión nº 7: Cánones, latitudes, disidencias: estrategias representacionales e industria del entretenimiento” (pp. 595-606).

17. Marina Núñez, Laura Torrado. “Sesión nº 8: Individuo, abismo, interfaz” (pp. 607-618).

18. Francisco Ruiz de Infante, Menene Gras Balaguer. “Sesión nº 9: Los nuevos niños perdidos: metáforas del vuelo (y el aterrizaje) como crítica cultural” (pp. 619-638).

[justingershmanscad]

Justin Gershman

Anish Kapoor is a Indian born artist from Mumbai who moved to London to study art at the college of Hornsey. He learned at this college that he had a love for bright colours and using intense pigments. He was heavily inspired by Indian culture especially the holiday of Dewali. While at these festivities people will often have dyed water thrown over them in a stunning display of colour. He graduated from his college with a bachelor’s degree in fine art. He refers to himself as a painter that works as a sculptor. He was the artist who thought of the sculpture Cloud gate more commonly referred to as the bean in Chicago. He is well known for using very vibrant pigments in his works rarely using more than three different colours for one piece. When he creates sculptures he likes to go big and extravagant. He created pieces that take up entire 30 foot rooms all the way to creations that are 145,313 square feet in size. He works with all different kinds of mediums including powders covering polyester, wood, and cement as well as natural resources such as dust, water and metals. Recently Anish Kapoor has come under the spotlight of the public eye for buying the sole rights to a colour. This is something that has never really been done before. Being able to sue anyone who buys, sells, or uses this colour had sparked outrage among upcoming and well established artists alike. There were people who had exclaimed their concerns on social media and others who protested outside of his showings though that was much less common. There was another artist who was particularly upset with finding out that a colour which absorbs 99.96 percent of all light that goes into it was off limits to all people but one. The artist is named Stuart Semple, Stuart is an artist who had a hobby of creating pigments and decided to make his own absolute colour. He had created a colour called the pinkest pink and forbade Anish Kapoor from getting his hands on this super refined pink pigment. The feud between the two continued for a few months with them going back and forth with each other. Anish Kapoor had showed his distaste for Stuart and his dyes by dipping his middle finger in the pigment and flipping everyone off through a tweet on twitter. Stuart Semple of course had to respond to this rude gesture by creating a new glitter called diamond dust which was infused with fiberglass with the intention of Kapoor being unable to deface this statement with his finger. Stuart Semple had later gone on to create a pigment called Black 2.0. He marketed and sold this colour to everyone but Anish Kapoor. Their feud went to a standstill after a threat of a lawsuit from Anish Kapoor that never actually saw the courts.

Sources:

“EBSCOhost Research Platform: EBSCO.” EBSCO Information Services, Inc. | Www.ebsco.com, https://www.ebsco.com/products/ebscohost-research-platform.

anish kapoor to darkness svayambh by rainer crone alexandra von stosch

To Darkness

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https://stuartsemple.com/about/biography-2/.• “Black 2.0 - the World's Mattest, Flattest, Black

Art Material.” Stuart Semple: Official Homepage, https://stuartsemple.com/project/black-v1-0-beta-worlds-mattest-flattest-black-art-material/.• “EBSCOhost Research Platform: EBSCO.”

EBSCO Information Services, Inc. |Www.ebsco.com, https://www.ebsco.com/products/ebscohost-research-platform.• “The World's Most Glittery

Glitter & Why I'm Not Giving Anish Kapoor Any!” Stuart Semple: Official Homepage, 11 Jan. 2017, https://stuartsemple.com/worlds-glittery-glitter-giving-anish-kapoor-any/.• VAIZEY,

MARINA. “Anish Kapoor:London.” The Burlington Magazine, vol. 151, no. 1281,2009, pp. 855,57.JSTOR, http://www.jstor.org/stable/40601284. Accessed 17 Feb. 2023, Page 1,2