#....no because that's so very cruel

[lucyvaleheart]

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[lucabyte]

On autonomy, and what it means to be Obliged to Help.

Bonus:

[ministarfruit]

day 12: karma ♡

(femslashfeb prompt list)

[bigfatbreak]

How does nooroo feel about Tom in your villian dad au?

After initial introductions, Tom basically thinks Nooroo is a figment of his imagination and a testament to his mind crumbling from the grief of losing Sabine. Nooroo gets an inside look on what really matters to tom, though

Tom uses the butterfly miraculous not for himself, but for the benefit of his daughter. The vengeance he's trying to take on "Hawkmoth" isn't quite as simple as "you're responsible for the death of my wife," it stems from a very, very different source - which makes Nooroo more sympathetic to helping him.

He's still not thrilled, but, Marinette and Tom are so kind to him, he really can't find it in himself to complain.

[beargregor]

wait i'm curious, what makes you say that gregor doesn't like everyone else (if i read that post right)? just curious since i've never seen anyone else say that

i don't necessarily think gregor dislikes everyone else at lcb but i do think that gregor is an incredibly petty person that isn't nearly as close to the rest of the sinners and even outright dislikes some of them cough cough rodya cough cough which a lot of people just Refuse to see because he's as much of a doormat as he is. there's several examples i could get into to try and prove my point however i'll just focus on what i personally think to be the biggest ones.

additionally, this is going to be kind of long, so i'm adding a read more. read more! read it. sorry for being so wordy. i have several diseases.

Pt1. gregor is the type to try and get along at least decently with everyone, especially if he gets a good first impression from them.

this is less a point in favor of gregor's distance w/ the rest of the sinners and more just a contributing factor to it. once again there's several examples i could point to here but i think the most in your face one happened in canto I with yuri, as several people have pointed out. even before gregor comes clean about growing attached to her as quickly as he did because she reminds him of his sister, we get this interaction.

i'll go ahead and make the disclaimer now that i don't necessarily think gregor is the most reliable of narrators, especially when it comes to his feelings and interactions with most people, but from the way he acts when the topic of yuri comes up (and the way we still see him act even all the way up to c7, nearly a whole year after yuri's death) i don't see reason to question his sentiment here. gregor immediately got that aya and yuri were close, potentially even taking note of their traded belts, and went out of his way to get something nice for yuri despite hardly knowing her.

i feel like a lot of people have forgotten as much, especially since it's been so long since c1, but gregor actually spent a good bit of season 1 doing the exact same thing with the other sinners! gregor reads a connection between him and ishmael pretty quickly despite getting off to a rocky start

mostly because gregor can tell that ishmael is pretty sardonic in a very similar way to him. there's been multiple instances where ishmael and gregor have essentially expressed the same sentiment at different moments, most notably gregor's little argument after ishmael got shot with a decay ampule in c4

and ishmael's response to pilot talking about self-sacrifice in c5

i could go ahead and pull up more examples, but in general pm has gone out of their way to show us that gregor and ishmael are pretty similar, so it makes sense for gregor to assume that they're friends, right?

this will be pushpin 1. keep note of this for Later.

ishmael's only the first sinner we see gregor trying to do this with in s1, we also see him try it out with heathcliff, sinclair, and ryoushuu

he's tried to get along with charon, being one of very few sinners that we've seen actually try to establish a connection with her at all

even rodya, despite my insistence that gregor doesn't like her nearly as much as the fandom thinks he does

all of these seem pretty fine and dandy, right? sure it frequently leans towards self-degradation, micromanaging, and commiseration, but gregor can at least be pretty chummy with most of the sinners, can't he?

Pt2. hell's chicken was more than just comic relief guys please

i'm fully aware that this is quite the hot take, but i think hell's chicken deserves a lot more credit for character writing than the fandom gives it. hell's chicken gave us foreshadowing for several events, such as the donqui bloodfiend reveal

heathcliff's distortion in c6 (as well as hong lu's highly speculated distortion at some point in the future)

and ryoushuu and sinclair's continued connection by making him the odd one out on her team

which, hey! that implies something about gregor's odd one out, don quixote, too, doesn't it? yes. yes it does. that's pushpin 2. keep note of that for later.

speaking of pushpins, hey! that's pushpin 1!

splitting into teams is one of the major events in hell's chicken, and most of the sinner's choices are either motivated by very little, backhanded, or motivated primarily by not wanting to be on the opposite leader's side. i didn't include all of the picks, just because i feel like including most of them already gets this across, but i think gregor took one major thing from this: most of the sinners, when push comes to shove, will only side with gregor when they refuse to or can't take his opponent's side.

now, don't get me wrong, i'm fully aware that this is primarily intended to be comedic relief, but when gregor is being described as having his trust broken by ishmael or nearly crying because no one on his team properly sided with him for him, i feel like it's pretty fair to read into this.

something that i think is pretty important to remember in conjunction with this is that we know that gregor is the type to hold a grudge, both from his general attitude towards the G corp soldiers in c1 as well as his continued distaste for vergilius

even beyond the splitting into teams of hell's chicken, the sinners have given gregor plenty of reasons to feel bitter. i feel like this is something people have noticed but haven't really put a finger on, but it's kind of wild just how often the rest of the sinners make gregor the butt of the joke

and sure, we could argue that a fair few of these aren't really made with any ill intent. quite a bit of it could have been meant as harmless teasing, but with gregor being more sensitive than most, it coming from nearly all sides, and as often as it does? yeah, i think he's prone to taking it a bit personally.

Pt3. yes i do still think gregor was the third most important character in canto VII you guys gotta hear me out okay

of course, all of this leads up to the bit of the story i highlighted, doesn't it? c7? i totally get why people haven't really picked up on all the gregor things i did in it, seeing as they were mostly not *directly* said about him or by him.

personally, i think that gregor's distaste for talking about himself on any serious level and thus leading to him getting sort of "sidelined" narratively (which i take issue with that claim, but still. it's effective for getting what i mean across atm) is supposed to lead players to take a deeper look at the times gregor gets held up to other characters and compare and contrast what's being said about them by the matchup. as i showed earlier with his immediate latching onto ishmael, i think this is something gregor himself is at least partially aware of too.

so, that begs the question, who was gregor compared to in canto VII that makes me think it's one of the most critical pieces in understanding his character?

really, i'd like to avoid getting too lost in the analysis of this canto specifically, since i'd like to do a proper post about this later, but i figure i can bury the lede a little before doing it properly.

c7 features several characters being made to perform in sansón's play, acting out the relevant backstory for this segment of the plot. a lot of these characters have rather direct, degrading reasons for playing the roles they do.

outis, a character with an inflated ego who wants her journey to have a purpose, is made to play an aimlessly wandering villager with a single line.

hong lu and ryoushuu, two characters for whom families and the expectations placed upon them are likely going to play a major role, are made to play bloodfiends.

rodya, a character who resents her lot in life and is constantly shown to be eager to leave her destitution behind her and become someone special, is made to play a helpless villager that's too poor to even offer any money to the hero that saves her.

heathcliff, a character that has spent most of his life getting dehumanized by comparing him to beastly animals, is made to play a literal bear whose sole purpose in the plot is to get beat up and then quickly left by the wayside.

sinclair, a character that has two opposed parties essentially treating him as a macguffin to procure for their side, is made to play the character who was arguably the catalyst for this entire canto, not to mention playing a decently major role in ruina.

our star don quixote is made to play her father, the first kindred, but there's someone by their side the entire time, isn't there? don quixote's dear, steadfastly loyal companion. a character which don quixote has tasked themself with getting to come out of their shell?

hello again, pushpin 2.

gregor has been made to play our unreachable star, sancho. someone had to, of course. you can't really tell a story without it's main character, now can you?

now, i should once again give a disclaimer. i am not trying to say that i think adapting what happens to donqui/sancho in c7 to gregor is the road pm is going to take here, not only would that toe a bit past the line of foreshadowing, but it'd also just amount to rehashing that plotline again, which i don't think would make for a particularly exciting story.

what i DO think is that we can take a lot of the things that are said to either directly be the case for sancho and use them to inform how we see gregor.

and god, does playing sancho have some fucking implications for our favorite ossan archetype.

starting off, the earliest moment we get to see of sancho is quite literally her just waiting for death to take her in a pile of ashes.

which, i should remind everyone, is actually pretty damn close to what happens to gregor's literary counterpart at the end of the metamorphosis. gregor samsa experiences one final breaking point that pushes him over the edge and makes him decide to just wait for starvation to take him.

gregor and sancho both consider themselves to no longer be human, something which sancho goes out of her way to highlight repeatedly throughout the canto and gregor is quick to get defensive on her behalf for when outis starts really tearing into her

sancho spends quite a lot of this story denying herself the joys of community and friendship, despite knowing that, even with the rest of the sinners frequently making jokes at her expense and outright insulting her, they were things that she desperately craved.

and, while this is getting into my "outis is a red herring meant to distract us from gregor's eventual betrayal" theorizing, i also think it's worth noting for this discussion that sancho's fellow kindreds, her family, all seem to be under the impression that she dislikes them and ultimately her departure was an act of betrayal

and that, despite gregor being one of LCB's resident mood makers and attempted conflict de-escalators, one of the sinners that's most prone to making appeals to the bonds they've all forged together, only him and faust remained silent during everyone's speech

so yeah, i think there's quite a lot of little details and hints building up to the reveal that gregor's not quite as fond of everyone as he presents himself to be. i do think a lot of this ultimately comes down to gregor getting in the way of his own happiness, similarly to donqui, particularly because he's been frequently portrayed as something of a self fulfilling prophecy, especially by giving him as many christ allegories as they have by way of priest and garden of thorns. gregor is convinced that the rest of the sinners don't like him because he's not convinced anyone could like him, so he convinces himself that he hates them because why should he care if someone that he hates hates him too?

a lot of this ultimately ties back to my personal interpretation of what happens in the metamorphosis as well as my own theories regarding all the times gregor has made weird callbacks and references to lobcorp and ruina, but yeah. i think about this guy and his deeper characterization a fairly normal amount, i think.

to end this off i'll highlight one of my favorite little "gregor is fucking seething and trying so hard to keep it cool" moments, in the credits CG for c7 we see rodya teasing him by drawing a little horse on his window and actively pointing and laughing at it, which gregor really doesn't seem all too pleased about.

i personally think this ties into the other cruel part of sansón forcing gregor to play rocinante, which is the more literal "he's actually just straight up playing rocinante" side of things. gregor was quite literally made to play something less than human, less than even animal really, as he was reduced to nothing more than the shoes don quixote wore as she got to play the leading role. sansón directly makes jokes about gregor being nothing more than shoes in the play twice, which adds to this reading, i think.

this, imo, really plays into the adaptation of the metamorphosis! i've seen a lot of readings for the book that posit that, despite being the protagonist, gregor samsa can't really be considered the main character due to nearly everything he experiences in it being used to further his family's character development at his expense, which i think fits nicely with limbus gregor seemingly having the most said about him through indirect means by holding him up to other characters. also it's rodya carelessly making fun of His Big Major Insecurities™ again like she did in c1 which i always find fun. rodya i love you but god you're the worst.

[starry-bi-sky]

jason and danny childhood friends au memes (mild spoilers)

[imissthembutitwasntadisaster]

You're President Snow and it's the 50th Hunger Games and you're like ok cool big one quarter quell big deal for sure for sure, twice as many tributes, probably someone from the 1st or 2nd districts will win but it'll be more exciting, and there's this one tribute from really the worst district out there who refuses to try to kill people and you're like ok well he'll be killed soon I hope, and then somehow everyone else keeps murdering each other but this one boy keeps surviving because he just refuses to interact with the other tributes and you're like hmm we should get on that but we probably have time and you get distracted by the other events and then the numbers keep dwindling and dwindling and this boy btw he holds his friend as she dies, so sad, so emotional, it's fine we can switch cameras and all but there are now only like two tributes left and one of them??? is that weird pacifist district twelve kid? hello? the whole point of this year of games was for additional violence and he's still here? and then he wins and he barely even does it on purpose he just uses the forcefield he doesn't even fight and you have to go and congratulate him on winning and your whole special year is ruined by this teenager. Anyway Haymitch winning must have been a real kick in the teeth.

[vigilskept]

i know it would've been difficult for them to tackle, but it absolutely kills me thinking about the missed opportunities of getting into religious angle of everything that's going on in veilguard.

because it's insane, right? that there are gods in this game. and the game will tell you over and over that they aren't gods, that they're Just Mages, but that's actually not precisely true. they're something very different from what a tevinter magister is, at least, and not only on a power-scale.

powerful spirits are gods in this setting. that was the religion ascribed to by most of humanity, before andraste. the avvar and chasind still ascribe to that belief.

a lot has been said already about how the game fails to engage with belief for dalish characters, and i agree. i think the game also really fails its andrastian characters here though because this is actually huge.

it's not just whether the golden/black city is/was the seat of the maker. it's the very meaning of what god is that's at stake here.

the maker has abandoned humanity. only through the pleas of his prophet andraste is he willing to consider the idea of offering a second chance to his creation. he will not respond to your prayers, and he will not give you answers. his will is inscrutable, to be interpreted only through the words of his prophet which have been changed over the centuries.

and if you are a mage, you are taught that this maker has cursed you. your very being is a curse.

and then you meet elgar'nan. and then you meet ghilan'nain.

they are not your maker. not really. not even if you're an elf.

but these gods are knowable. they will speak to you, personally. they may even do so with kindness. they will tell you what you could do to please them, and even offer you something in return.

and what they ask is terrible. maybe even unfathomable. but in a world where exalted marches have been called in the name of the maker and entire circles annulled, isn't that enough to give you a little pause?

[chessb0r3d]

i cracked the code.

[msfcatlover]

Commissioned the amazing @magua-vida to draw my original Princesses, The Dancer & The Dream! I'm absolutely delighted with how they came out, they both look so pretty and bursting with personality!

For anyone who doesn't want to click through, you get the Dancer if you unlock the Princess's cuff & die of a heart attack, making her flighty but concerned, fussing over your health & safety. The Dream is Dancer's unique Chapter 3, who you get if you fall asleep in the cabin with Dancer fussing over you, and is smotheringly protective to the point of aggression & possessiveness while acting manipulatively sweet & fragile.

She just wants to take care of you... even (or especially) if it means chaining you up to keep you safe.

[twentyfivemiceinatrenchcoat]

one thing i really wish people wouldn’t forget when it comes to suguru’s character is that his core desire is just to have a family. not in a nuclear family way, but in a “i want a place where i belong / i want to protect the ones i love” way…… literally everything else is just an extension of that desire. a means to meet that end. he broke down after being forced to realize that staying with his family meant having to watch them die, so he left and made a new one. and he got stronger. and his core wish was always, always always to create a world where he’d finally be able to protect them :(((((((((

[codenamesazanka]

What Deku doesn't understand is that the “League of Villains” encapsulates exactly who Tenko - the Crying Child Deku was so adamant about saving - is. He thinks reaching out a hand, smashing that hatred, and saving Tenko means getting Tenko to abandon the League. He is completely wrong - and he would've realized this if he just talked to Shigaraki in all the time he fought against Shigaraki. And listened to what Tenko said in Chapter 418.

The League of Villains is the group Shigaraki Tomura created in order to wreck shit and kill All Might and bring down Hero Society. Shigaraki picked the name and picked the purpose and picked its members and he leads them towards the apocalypse—

—and this is also the group of outcasts that are his comrades and friends; that he gathered and created a place for, where they can be themselves in a society that ruthlessly denied them that. He accepted Twice without care for his insanity and inability to use his quirk, never pushed Twice to do more than he was able to. He accepted Spinner despite being a Stain fanboy and having a weak, nearly useless quirk, and promised him the destruction of the world that hurt him; for all of League. When Toga was pushed by the other members to choose a Villain name despite wanting to live as herself, as Toga Himiko, Shigaraki spoke up in indirect defense of her choice, providing himself as an example of someone who didn't use a Villain name, and who can override the boss' words? Dabi was allowed to come and go as he pleased, and although he was the most aloof member, by the end, he was declaring the world burn for "our" sake - plural; the League's. Mr. Compress believed in Shigaraki enough to entrust an ancestor's dream and family legacy to him; when surrounded by Heroes at Jaku, he was willing to die to save Shigaraki, to let him escape.

The League is a collection of people that Shigaraki cares for - that he saved. That was always the surest sign that ‘Tenko’, sweet and kind and hero-aspiring boy, was alive inside.

Without the League, without having seen the time Shigaraki spent with the League, a reader can just write off Shigaraki and say there’s nothing left in there worth saving. The League is literally the evidence for Tenko have still existed and that Shigaraki was "worth" saving, long before we ever saw ‘Inner Tenko’.

But Deku doesn't understand that.

To go further: outside of the League, Shigaraki still had his distorted but undeniable kindness and fairness. I've spoke about it before, and sorry for repeating myself, but even towards his Villain enemies, he gives them consideration: Shigaraki left Overhaul crippled, but 100 chapters later, he's still continuing Overhaul's work - the quirk erasing bullets - and even laments that Overhaul would be disappointed when Shigaraki sees some of the bullets destroyed. All For One at Jaku tries to take over his body, at the time seemingly only a phantom voice in his head, but Shigaraki still acknowledges that he's grateful AFO took him in. It's only when AFO oversteps that again and again, taking possession of his body, that Shigaraki would tear the AFO vestige from inside out and mock him when the opportunity arises.

And there's ReDestro, and the importance of the ending of MVA. RD and his army picks a fight with Shigaraki - something that Shigaraki explicitly points out; the blame for what happened to Deika is on largely them. RD challenged Shigaraki and the League; blackmailed them, kidnapped their broker, and attacked their pitiful 6-member team with a town-sized militia; insulted Shigaraki, destroyed The Hands, tried to kill him. Shigaraki had every reason to just dust RD while the man was sitting there bleeding out with his legs cut off. Just finish him off without even giving the guy last words. It was more than fair.

But Shigaraki didn't. He went and talked to RD. To mock him for picking this fight, but it was still a talk. And when RD acknowledge his defeat and kowtowed, Shigaraki let him live. Took over his army and resources, but RD was still alive and even made lieutenant.

Without this - if Shigaraki had just dusted RD after defeating him - we would have only seen Shigaraki as a conquerer and not someone who can be reasoned with. He would just be AFO with different minions. And Shigaraki wasn't.

He can be brutal, and he seems like he's destroying for evil fun; but Shigaraki has his compassion and justice. A Villainous Hero for the Villains. It's why he destroys; it's why he doesn't regret his actions, why he wishes good luck to Deku to continue it, even after Deku smashed his core of anger and hatred. Shigaraki saved his League, and he refuses to disavow doing so. Because he shouldn't.

And Deku just doesn't understand that.

[kelocitta]

There is currently a rather large discussion ongoing about the RW fandom behavior, drama, etc. I am not going to talk about the specifics of whats happened for a number of reasons. But what I do want to say is that if at any point you've harassed people over it, whether that be through anon asks or public posts- you did nothing but damage the ability for people to correctly process what is happening. You contributed nothing but harm to an already delicate situation. It does not matter what "side" you were on and I will not tolerate further interaction with me or my work if I found out you did such. If you let your personal hate for anyone boil over into threats, wishes for long term harm and petty comments meant to contribute nothing but slander or mental distress for the individuals involved who were already distressed (or acting irrationally) you did nothing but make it harder for people to process their emotions, thoughts and behaviors constructively. Regardless of who you think was in the right, who fucked up, whatever. It doesn't matter if they deserved it, or earned it, or if its an eye for an eye. Its difficult enough as it is to think clearly when presented with any kind of stressful situation and heckling people does nothing but make it worse and harder for them to explain themself in any capacity. I don't want you anywhere near me if you think that is an acceptable way to act.

[naamahdarling]

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[mayasaura]

not to throw another coal on the discourse fire but the overwhelming whiteness of the tlt fandom and the series itself being clearly white written makes me particularly averse to certain people reading the whiteness as john's fault. "if john is so indigenous, why is the series classically themed 😏" nevermind all the immediate answers to that (and the immediate optics of that when you have white people questioning people's indigeneity based on their education and background, which happens all the damn time irl, and especially since those same bloggers do it to real indigenous bloggers who disagree with them LOL), do you know how CORNY it would be if white as driven snow muir was like here's my protagonist… Hinenui o te Iwa

Zjdhdg okay but hold on. That. That is a very good point.

Hinenui o te Iwa taught the Cohort haka, reinvented tāmoko, and organized the peoples into waka instead of houses. He summoned the heirs of each rangatira to Kurawaka to become atua. Which are of course identical to lyctors except in name.

[valtsv]

cannot decide if this moment in my fic drafts is real as fuck or a category twelve she would not fucking say that moment (for context, she's talking to the cairn maiden and projecting HARD in her grief-wracked rage and self-loathing)