#-about the likes and shares thing' it literally means so much

[snakeunderyourboot]

we should talk about malevolent but soulmates au, especially in the context of Jarthur

Imagine the situation when your soulmate is not only some eldritch being BUT ALSO someone you have to share a body with. Also, it could be both romantic and platonic

like....there are many different versions of how soulmates work. There could be soulmate marks, or being colorblind and only seeing color when you met your soulmate, the timer that runs out when you see your soulmate, the first phrase they are going to say to you, some tatoo, or even just a name etc etc. All of those are potentially interesting, ESSPECIALLY if we apply them to jarthur

Soulmate marks, where Arthur left pinkie has a darker color. Or his eyes are. Or all parts that John would later come to possess have darker color. OR Arthur has weird scars that no human has ever seen before and could not be explained by any human logic. It is almost like they are divine in nature.

Seeing color when you first meet your soulmate, where Arthur has never in his life seen color. He has no idea what John means when he says that something is yellow, because what the fuck yellow even means. Sure, he knows that the sun is yellow or dandelions are yellow, but he doesn't understand. He would probably think that John is able to see colors because he is outwordly being so he doesn't apply by the same rules mortals do. And if it is true, what if John being able to see color is his proof that he is human, that he is no longer God. Or if it is NOT true and gods do have soulmates, what if Kayne or King in Yellow mention something about it?

Would Yellow see color? Would he see it with Larson? Would he see it later in Dreamlands, whenever he is?

The timer that runs out when you meet your soulmate, what if Arthur's timer is all fucked up, with strange symbols, that are always changing? And what if the second he picked up the book his timer abruptly stopped on zero? What if John later asks what the strange line of zeroes means and Arthur wouldn't know what to even say to that. What if in Addison his timer is back again to being all fucked up and Larson notices it and recognizes some of the symbols? What if after he has Yellow, his timer is also all fucked up?

The first phrase your soulmate is going to say to you, where Arthur doesn't have "Don't you remember?" INSTEAD he has "Arthur? Arthur!" because that is the first thing JOHN tells him after a coma? I just think it would be neat if the prase is from John when he is John, and not the Entity. You know what, we can even play it out to episode 43, where Arthur has tattooed the first words John says to him when he is resurrected. ORRR what if it's the first words John says after he has his own body?

In the same way, John doesn't have the soulmate mark until they are in the hospital or in the witch's lair? Or what if it is different, what if the words tattoed on your skin are the words your soulmate says when they realize they love you. Would then Arthur's words be "I suppose so" (when he talks to the King in Yellow in s2 finale) while John has "Because I care about him?"(from s4 finale)?? What if he only understands what the words mean when they are confronting the Witch?

This is actually my favorite variant because THERE IS SO MUCH that could be said.

A tattoo where again Arthur's tattoo is all fucked up, some weird sign that he knows nothing about. He starts looking, finds some mentions of eldritch gods, and decides that NOPE he is out of here. And then he meets John?

Or even just a regular name, where life is so much more complicated for Arthur. I would say homosexuality would be acceptable much earlier in human history if soulmates were a thing, but I would say he still would have a hard time with it. John is one of the most common names, but the problem is also that the name "John Doe" is literally given to people who are not identified. Can you imagine how long Arthur needs to search for his soulmate? And then in the hospital when John asks to be called by John and Arthur is just head in hands??

And you could say even MORE I just listed the most popular and the ones that come first to my mind. We should talk about malevolent soulmates au because this is an entirely new level that is so interesting to talk about

EDIT: also I did not mention Arthur relationship with love BUT we could play it out too. Arthur could be completely ignorant of the soulmarks. Or he could think that soulmarks mean only romantic love. Or both of these or neither or something completely different!

[zvtara-was-never-canon]

https://www.tumblr.com/burst-of-iridescent/769146448190324736/you-know-what-i-still-find-it-beyond-weird-that?source=share

I thought about it, but do fn and water tribe have cultural similarities that secretly point to zutara??

1 - Nothing in the show is EVER "secretly pointing to Zutara." You can like the ship, but it is pure fanon that the lead writer didn't care for and that the creators/showrunners clearly don't like. Everything was always pointing to Kataang and Maiko. Again, you don't have to like it, but it is an undeniable fact.

2 - The only things the Fire Nation and BOTH water tribes, as well as the Earth Kingdom, have in common are "The kids are not raised communally, but rather by typical nuclear family (mom and dad)" and "they're not literal nomads." Something SO general that applies to literally everyone except airbenders simply cannot be used as a real parallel between these two nations.

Katara is from a tribal culture where chiefs are chosen by the people, they're all trying to survive a genocide, and they have a very strong sense of community. Zuko is from a industrialized, imperialistic nation that is actively banning/killing it's own culture (kids not knowing traditional dances, dragons being killed, spirituality being neglected) with a royal family that is in power because "divine right to rule", and their approach to "community" is based on royals using "peasant" as an insult and killing their own relatives for power, or disfiguring their own children, in public, because said kid spoke out of turn. HOW are these cultures simmilar?

3 - Aang not liking the food is not the same as him hating Katara's culture, and the ONE time he ever said something genuinely passive-aggressive about their practices was in the Bato episode, and it was clearly just him being a 12-year-old that didn't like feeling left out. That same episode has him engaging with a traditional ritual of ice-dodging in which Sokka is supposed to "become a man", and oh, yeah, KATARA'S ROLE IN THE STORY IS TEACHING HIM WATERBENDING. Ya know. Bending. The thing that is canonically tied to a nation's culture and spirituality?

The closest Zuko got to enganging with Katara's culture that way was by learning lightining redirection from Iroh - something that he developed by "observing" waterbender. Now ask yourself, in what context did a general from the Fire Nation "observe" a waterbender's fighting style? Could it have been during one of the raids on the South Pole or at least fighting people like Hakoda, who weren't home but were still trying to prevent the Fire Nation from killing everybody? Not exactly a heartwarming thought of cultural exchange, is it?

4 - Katara and Aang's cultures might not be that simmilar, but they have WAY more in common with each other than with the Fire Nation, hence Aang being so immediately beloved by Katara's tribe (and immediately being willing to sacrifice himself for them) and water being the element he struggled with the least. Not to mention the whole experience of "we're both trying to survive a genocide here" which literally unites the whole world AGAINST the Fire Nation. And on the personal level instead of broader, cultural one, both Katara and Aang long for a home, while also craving adventures far away every now and then. THE perfect compromise between life just at the tribe and life just traveling.

5 - Even if the Fire Nation and the South Pole WERE super simmilar culturally: that doesn't mean Zuko and Katara would inevitably develop feelings for each other, much like their cultural differences were not the reason why said feelings didn't exist in canon. Cultural clashes pushing lovers apart is a thing that CAN happen but it's not a guarantee because, at the end of the day, people fall in love with PEOPLE, not the nation/culture they're from.

Katara didn't help struggling Fire Nation citizens because "they're just like me!", she was just a compassionate person. Zuko didn't regret his role in the war because "the water tribe is not that different from my home", he just finally realized "Holy shit, they're HUMANS, not just obstacles in my path" and wouldn't have been able to live with himself if he continued to hurt them. Their cultures are really different, and that doesn't prevent them from being friends - but the fact that neither would ever permanently leave their home is one of the core things that would have made them incompatible as a couple, not because they simply see things differently, but because their PERSONAL goals and attachments in life push them in opposing directions

[valkyriesno1fan]

Hi! I want to start by saying that I'm an Elriel, but my question is meant with literally zero hate. I don't want to start any more conflict, and I hope this doesn't come across like that. I'm just very curious about something.

When Gwynriels talk about Gwynriel's/Gwyn's book, what do you mean exactly? Because I really don't understand. Are you saying you think the next book will have Gwyn/Az as main characters (like Nessian in ACOSF), or that it'll be another Nesta book and therefore Gwyn will have a very important role in it and we'll see her relationship with Az grow "in the background" (as in we won't get their pov, just Nesta's)? Because ACOTAR (as a series) is at its core about the Archeron sisters. Or do you think there will be an Elucien book (so every sister will have a book) and then a spin-off/novella about Gwynriel with their pov?

I'm genuinely curious about this because I never saw any further explanation on the topic. Also, English isn't my first language so I really hope I don't sound accusing/aggressive or anything like that. Forgive me if that's the case and thank you for reading/answering 😊

hi! great question! you don’t sound aggressive at all don’t worry! i like to have normal civilized discussions about books, so thanks for asking your question:)

first i want to start by saying that it has never been stated by sjm or sjms team that the series is at its core about the archeron sisters. i don’t know where this idea came from. the only thing we know, is that there will be 2 more novels, and one novella. sjm has said that each book will follow one couple and their journey/story. so it’s literally impossible for the series to be only about the archeron sisters since we need at least 1 more novel about a character who is not an archeron.

i’m not saying elain won’t get a book. it’s been very clear that she will. i’m just not sure her book will be the next one, or the one after that, to wrap up the series. sjm said, when talking about the spin offs, that she wants to tell elains story, mors story and azriels story. i think it’s very interesting that she said it like that. why separate azriel and elain if they have the same story to tell? if they share the same book? i think one book will be elains (with lucien as other MC) and the other one will be azriels (with Gwyn as Mc). we could get the novella about mor (and emerie?).

i think where you, and a lot of other elain and azriel shippers get confused, is that it may seem we think it will be gwyns book. while i think gwyn will be the supporting love interest, i think it’s very clearly going to be azriels book. just like how cassian was the second pov/MC, but it was still clearly nestas book.

i’ve also seen the argument that sjm doesn’t write male centered book, which is why azriel won’t get a book. this also isn’t true. she wrote tower of dawn, a tog book, which was centered around chaol and advertised as such.

i think that if there’s one male character in acotar that has to get their own book it’s azriel. azriel has so many problems and issues with self worth/obsessions etc. that i think he really needs his own book. his issues are too big to be a supporting main character (like how cassian was with nesta). gwyn also has healing to do of course, but it’s not as drastic and big as azriel. her healing is the perfect amount for the supporting love interest.

same with lucien. lucien also needs to go on a healing journey, but elain has bigger issues, which is why the book will be centered around her.

it’s why i don’t think azriel and elain work, writing wise. they both have too much healing to do on their own, that if it’ll be elains book, azriels healing will be drowned out and if it’ll be azriels book, elains healing will be drowned out.

i hope this explains jt well. feel free to ask another question or message me :)

[pathetic-life-form]

More potential comment options for those interested in spreading love, joy, and happiness in the world:

"OBSESSED with this, thank you so much for sharing!"

"This absolutely warmed my heart!"

A literal essay. Quote your favorite sections, ramble about all your favorite parts, go completely all-out. If your adoring comment has paragraphs the writer will love you for all eternity and beyond

"This is literally the sweetest thing ever!" (for fluff, adorable slice of life, etc.)

"AUGH my HEART how could you do this to me??? Crying on the floor rn, your writing is incredible" (or other variations of admiringly expressing whatever fic-induced trauma you have just sustained. Angst/tragedy/etc writers often take great pleasure in knowing they have successfully broken their readers hearts in the best way possible)

"One of my favorite fics ever! All the kudos to this one!"

Compliment their writing style!! Tell them how much you love the way the sentences flow together, or the vivid descriptions, or the poignant way they write dialogue. Each writer's voice is unique, and it means a lot to hear that not only does someone love WHAT you wrote, they also love that YOU wrote it!

Go crazy with the emojis, the italics, and the random uses of ALL-CAPS. Use every kind adjective in the book. Write them a sentence, or write them a novel, whatever feels right to you! Feedback like yours is what keeps fandoms alive.

Go forth and comment, my friends!

With comments, it can sometimes be hard to know what to say, but as an author who adores every comment I’ve ever received, I can confirm how much it means to writers, and I’m so happy @justleaveacommentfest is encouraging people to write even more of them! If you still feel lost, here are some things to try:

A string of emojis. ❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️ is a perfectly valid comment!

HMHHKJJFGJD THIS IS AMAZING/INCREDIBLE/WHATEVER NICE WORDS YOU HAVE TO SAY

"AO3 wont let me leave more kudos so here are more: ❤️❤️❤️❤️"

(incoherent excited screaming)

Pick the part of the story that made you feel the strongest emotions. Let them know how absolutely adorable it was to see the characters holding hands, or how you nearly burst into tears on public transport while reading their fic and are thankful for it

"Reread!" comments! Let them know this is the second, third, fourth, or millionth time you've come back to reread their fic! It brings an extra level of joy to authors to know that their fics are worth reading not once, but twice, or even more!

Quote a favorite line and tell them how it made you laugh/cry/stare at your screen in awe and then reread the same line three times on account of its brilliance.

Literally any other compliment you can think of

Any combination of or all of the above!

So yes. Smash your face into the keyboard, highlight a favorite moment, or tell them it's 4 am in your timezone but you absolutely could not stop reading because it was so good. It means the world to hear positive feedback from readers, and it's encouragement for authors to share more works in the future!

[lyrakanefanatic]

https://www.tumblr.com/inheritance-games-confessions/771938521146687488/i-just-found-this-blog-and-ive-been-needing-to?source=share

i love this take!!! it’s SO accurate, and i honestly don’t see how people can say they’re “twins” or how “lyras a copy of avery”.

also, if they’re a bit alike, that doesn’t mean that graysons just trying to chase a girl similar to avery. he has a type!! so what!!!

and i hate to bring up grayson when her character doesn’t revolve around him, but i honestly have to. every OBSESSED grayson fan out there has made it their life mission to hate on lyra all because she is a new character who isn’t quite what they’re used to in jlb’s fmc’s. because lyra is graysons new love interest, it puts so much more pressure on her as a new character.

lyra is an emotional girl at heart. even with her “new personality” (DEPRESSION. AND. PTSD.) from her repressed childhood trauma finally coming back to her, that doesn’t completely change her. the “old lyra” was implied to be soft, and empathetic, and although lyra’s current self has hardened up quite a bit and has become more closed off to the people around her, that doesn’t change the emotional aspect to her. every choice she makes is revolved around how she feels. her emotions are in control of her actions, and you can see this in both positive ways, and in her flaws. both contribute to her character.

and just because i haven’t seen anybody really mention this, her way of remembering things or engraving pictures/text into her mind is SO unique, and unlike anything ive seen in a character before. her memory revolves around physical touch. she uses haptic memory to recall certain things or moments in her mind, which helps her put a picture to things when she quite literally cannot, as she has aphantasia. (the inability to see pictures in one’s mind)

she’s honestly a really unique character, and people need to remember that she still needs time to grow. she’s still at square 1 in her growing process, and honestly, given the fact that we still haven’t really learned much about her father and will probably learn SO much shit about his relationship with alice in the next book(s), she could only become more hurt from this point on. although im going to REALLY hope she doesn’t, because she’s my girl and i want her to start healing. ❤️‍🩹<3

but yeah, thank you for the ask as i love going on little rants like these 💗💗 love u anon!!!

[xclowniex]

https://www.tumblr.com/vilecrocodile/771953086752292864?source=share

Thoughs on this review of The Brutalist ( recent movie about the creation of Israel from an architectural standpoint)?

Okay so I hadn't heard of the movie when I saw this ask but the cinema across the road is showing it and I had nothing planned during the day so I went and saw it.

That review is just literal brainrot. The best way i can sum it up is "i dont view the holocaust as traumatic and i think that israel only exists to kill Palestinians. To disect it bit by bit

"There are no mentions of Palestinians already living there" - the focus on the movie is not the creation of Israel. It's a sub plot. In movies, subplots aren't always fleshed out in every possible way, this is the norm with movies. The focus and point of the story is following a holocaust survior immigrate to Amercia and through his experiences in the US, his decision of leaving to try to build a life in the newly formed state of Israel or stay in an already established country where he experiences oppression, but could make more money and better support himself than if he went to Israel. The creation of Israel is not the main or even b plot, its the c plot of the movie.

"As we move forward in time, we are presented with scenes whose ideological purpose is to convince you that life in Amercia is too hard" - literally am begging the writer to read any jewish literature on how it was being jewish in Amercia after the holocaust. Jews were treated as immigrants as jews in that time period WERE immigrants. All the bigotry targeted towards immigrants also affects jews. Then you also have antisemitic hate crimes being a common thing during that time. Just because the US fought Nazi's, doesn't mean the US government or its citizens liked jews.

The antisemitic slur kike is literally born from amercian antisemitism. It is derived from the Yiddish world for circle, as when jews immigrated, they couldn't sign their name at the x, as the x meant a cross, as in a Christian cross, so had to sign next to a circle.

But of course considering they went into the movie with bias, I am unsurprised that they are uneducated on jewish oppression in Amercia.

"Nothing about how the act of moving to partake in the act of genocide" - because people didn't move to genocide Palestinians. The state of Israel's reason for existence has literally nothing to do about palestinians. It's about jewish self determination. That we should be able to govern ourselves, especially when every government in the world apart from a handful has tried to kill us at some point in time. Palestinians are only relevant when we get into discussions of how to execute this self governing, because it does affect them too.

And it all honestly stems back to Nazi propaganda. The Nazi party was inspired by the protocols of the elder Zions, which is fictional antisemitic minutes of the real first zionist meeting. The first antizionists couldn't give two shits about palestinians, it was about preventing jews from having a safe haven so it was easier to kill us. By spreading falsehoods about why Israel exists and lying and saying Amercia has always been 100% safe for jews, you are simply upholding the original values of the first antizionists. That it's much better for the world if we live in places which are unsafe and people want to kill us rather than compromise with palestinians and have a peaceful two state solution which the original UN proposal which everyone agreed upon was back in 1947. And this also erases the indigenousness of jews to eretz yisrael which was also widely accepted by most countries at the time period.

Next bit is too long to quote so here is a picture

The movie was in the works before oct 7th. Again, Israel as a country was not formed to murder Palestinians. And then they're also engaging in the "all jews are rich" trope by acting as if all zionists, so therefore 90% of jews are rich. I know more zionist jews who aren't rich than those who are rich. I myself am not rich. Zionism also has nothing to do with how much money one has. The movie also is LITERALLY a critique of capitalism. Like the movie goes "capitalism bad" but I guess because it's about da evil rich money hoarding joos, it's actually a pro capitalism movie 🙄.

Oh wow an individual architect who engages in brutalist architecture doesn't want to be political!!! Oh the horror! I cannot believe that people don't all fit into these neat categories!!!!! Everyone must adhere to strict definitions of what it means for a person who is interested in a thing!

Like genuinely wtf is wrong with this person. Brutalist architecture being a political statement AND a dude exploring his trauma and PTSD from literally being in a concentration camp but not wanting to be political can both coexist. They aren't competing ideas. God forbid anyone tries to work through their trauma in a nonharmful way (designing architecture) which doesn't adhere to your specific ideas of working through trauma.

"Later brutalist works are left out of the film" God forbid a movie doesn't go on a tangent and have a documentary within the movie.

Also the mental gymnastics to go "this man turning to brutalist architecture as a way to deal with holocaust ptsd is obviously him stealing brutalist architecture, just like how jews stole hummus"

Also have you even seen a kibbutz???? Literally fits your community orientation that you're going on and on about.

This whole review is literally someone who only wants their perspective or one they can relate to shared in media.

And that is honestly dangerous to media. We should be depicting various experiences and perspectives through media, even ones we don't agree with. Wanting only a highly specific perspective shown in media is literally media control. No one is forcing you to watch media you don't like. I myself am personally not a fan of the movie as I found it too long with slow pacing and not of a genre I enjoy, but I'm not going to spew propaganda about the movie.

[lavender-butterfly-cookie]

I literally made a post on Tumblr about this idea but thought I'd actually share it here but decided to make a more special version:

The y/ns one day going into a throw down to see who is the best y/n...the superior y/n...like the embodiment of the song 'the ultimate showdown'...Or, if you want another version I think is also super fun...'the ultimate smash bros' lol...

And can imagine the cookies standing idly by in shock as they see things like streamer cookie throwing a left hook at alien y/n or entity y/n going John Cena on timid y/n...oooor the cookies, when they notice the y/n show down, start trying to stop it, loving all the y/ns and not wanting them to destroy each other lol!

Decided to write this bonus with the version where cookie are trying to stop the fight...just various scenarios that are happening all at once because of the number of y/ns lol:

Entity, in a tree about to jump from it elbow first onto timid y/n: AND THEIR NAME IS ENTITY Y/N COOKIE!

Regular, seeing entity jump right at them: OH DEAR WITCHES-

pure vanilla, quickly running up to push timid y/n out of the way and then catch entity so they don't take fall damage: BOTH OF YOU, STOP! WE LOVE YOU EQUALLY!!!

Meanwhile:

Streamer, holding a modified keyboard to work both as a keyboard and a blunt weapon in their hands: LET'S FUDGING DO THIS!

Alien, with a blunt alien weapon: COME AT ME, YOU COWARD!

Caramel arrow: OK, BREAK IT UP YOU TWO!

Meanwhile:

Timid y/n and shy y/n...really not wanting to fight but know this is a free for all and both immediately think the other is gonna kick their butt: .....

Both immediately start crying.

Cream ferret rushes up, trying to calm them both down: shh shh it's OK you don't have to fight, let's go for hot chocolate instead...doesn't that sound nicer?

They both go off with cream ferret.

Just pure chaos heh...sorry if this idea sounds stupid just with the y/n tag having so many different kinds of y/n cookies...having a creative mind and listening to these songs all combined really makes ya think XD

Let's- Lemme just list how many Y/N cookies I've made just to be sure what I'm getting into=

Ancient Y/N- virtue of patience

Beast Y/N- Shadow of wrath

Child ancient Y/N- Virtue of innocence

Child beast Y/N- Shadow of grief

Male batman Y/N

Entity Y/N

Alien Y/N- (No stories on them yet)

Robot Y/N

Streamer Y/N

Timid Y/N

Shy Y/N

Ghost Y/N

Merchant Y/N

Isekai'd Y/N

Baker Y/N

Tarzan Y/N

Child of White Lily cookie Y/N

Yeah- I'm gonna figure out how to do all of them T T oh boy-

Y/N cookie showdown!

On a random day of a random week on a random month in a random year, the Y/N cookies found themselves in a predicament. They wanted to be the best Y/N cookie. But what happens when everyone wants to be the best? They argue and fight to claim that title. And unfortunately for the cookies, these 17 cookies were no different.

Ancient Y/N cookie and Beast Y/N cookie are trying to stangle each other

Ancient Y/N: DIE, FOWL BEAST!

Beast Y/N: TASTE MY WRATH, STUPID COPY!!!!

Pure Vanilla cookie and Shadow Milk cookie are tying their hardest to pull the two apart.

The Children aren't exactly any better, even if they aren't fighting physically since Mystic Flour cookie and White Lily cookie are holding them back.

Ancient child Y/N: Crybaby!

Beast child Y/N: Goody two shoes!

Both stop talking for a moment, before crying to the adults.

Both: They were being mean to me!

Mystic Flour cookie: There there,

White Lily cookie: It's ok little one.

Male Batman Y/N: *Holding merchant Y/N in a choke hold* Admit your defeat!

Merchant Y/N: *Wheezing* Over my dead body!

Male Batman Y/N: That can be arranged!

Black Raisin cookie: *Trying to push them apart* No! Stop fighting! I love you both too much to lose any of you! Stop!

Streamer Y/N: *Hitting Alien Y/N with their keyboard* Be gone!

Alien Y/N: *Behind a shield* Like your father?!

Caramel Arrow cookie: No no- no insults! Stop fighting before any of you get hurt!

Robot Y/N: *Trying to shoot entity Y/N* STOP MOVING SO I CAN ELIMINATE YOU!!!

Entity Y/N: *Moving in all kinds of inhumane ways* MAKE ME, METAL HEAD!

Agent Jjajang cookie: No- don't taunt each other! Just behave for witches sake!!!

Baker Y/N: *The only sensible one at the moment* Guys- there isn't a best Y/N, stop fighting-

Ghost Y/N and Isekai'd Y/N: SHUT UP!

Isekai'd Y/N: I'm about to exorcise a stupid ghost!

Ghost Y/N: Not if I hit you with another truck first!

Pumpkin pie cookie: No! Stop fighting! You'll end up hurting yourselves! Please stop!

Tarzan Y/N: *Casually holding child of White Lily cookie (COWL) Y/N by their ankle* Hahahahahaha

COWL Y/N: Put me down you brute! Put me down right now!

Cherry Blossom cookie: Aye! put them down!- put- Hey! Put them down and stop fighting this instant!

Shy Y/N: *Thinking they're done for*

Timid Y/N: *Thinking it's over for them*

Both begin crying and Cream Ferret cookie rushes to them both.

Cream Ferret cookie: Hey hey, it's ok. You don't have to fight. You're safe. Come on, let's get you some ice cream and candy for the other two crying over there.

Both nod as they follow Cream Ferret cookie.

[obsidianpen]

NG Hypothesis: I am strongly suspicious that Bellatrix is going to end up serving Harry, in some shape or form.

The justification behind this is fairly thin and circumstantial, as with all good conspiracy theories, but fundamentally hinges on the fact that 1) Bellatrix is Hermione's narrative parallel in NG, and 2) Voldemort has recently forced her to vow to treat Harry with respect and deference. In combination, I feel like the two are leading up to a shift in Bellatrix's existing relationship with Harry.

Bellatrix and Hermione being narrative parallels is easy enough to justify -- thanks to Harry's aura-sight, we can already confirm that the two witches share literally identical auras, something that no other pair of characters thus far share (not even the Weasley twins). They both serve as the right hands and functional generals to our main protagonists, are both highly respected women in male-dominated wartime spaces, and both are flawlessly loyal in defending their respective protagonist while still being willing to openly disagree about things they consider to be wrong decisions (Bellatrix's frequent and open critiques of Snape's loyalty are a good example of this). While in the original books Bellatrix's narrative foil is clearly intended to be Ginny, it is useful to understand that in reference to No Glory that role has been very clearly supplanted by Hermione (as the original romantic pairings of Harry/Ginny and Voldemort/Bellatrix do not apply, weakening the foil of Ginny to Bellatrix overall).

Voldemort's marking and then subsequent promotion of Hermione to his personal assistant is a continuation of one of the core themes of No Glory: "Keep your friends close, but your enemies closer." Voldemort clearly respects Hermione in ways that he certainly doesn't respect most others and treats her like a legitimate threat to his rule if left unsupervised (which, frankly, is valid). He holds an outsized quantity of animosity towards her, as shown by how badly he wanted her executed before Harry was able to bargain for the lives of her and Ron, but the secret of Harry's horcrux status has paradoxically promoted her to an almost confidant-tier by being one of only two people who know that Harry is Voldemort's last Horcrux and don't want him dead because of it (that club consisting exclusively of Hermione and Voldemort -- Harry, by contrast, is absolutely willing to commit suicide if it means taking Voldemort down with him).

This is a state-level secret, i.e. something that could absolutely topple the government if it even became widely speculated, let alone confirmed. The day that the Wizarding World learns that Harry is the last tether to life for the much-loathed domestic terrorist and now dictator Voldemort is probably one of the last days that Harry (and by consequence, Voldemort) have to live. No matter how much they hate each other, that secret is so powerful that Voldemort and Hermione become bound together by default simply because of their shared desire to not see the truth get out; it becomes a fundamental part of how Voldemort can trust having her in his service at all.

There is only one other secret that Voldemort is similarly desperate to supress, even if it might not lead to his explicit demise in exactly the same way: the secret of Ruination, and his rape (and near-murder) of Harry on the Malfoy Manor grounds during Ron and Hermione's wedding.

This is critical, specifically because his reign is extremely unstable currently, and also because Harry is an extremely beloved, teenage, public figure. In a country where Voldemort is desperate to keep up the charade of his own sanity (something which tends to wax and wane fairly regularly), there is no version of this that comes out even remotely well for him. The man who spends hours in the Wizengamot lecturing about the importance of improved rule of law cannot simultaneously be admitted to raping defenseless teenagers whenever he feels like it, much less teenagers that he himself had described as "merely [...] a victim" not even a month before. It destroys faith in both rule of law and Voldemort's stability, i.e. his ability to at least be a consistent leader even if he'll never be a moral one. Instability, by contrast, frequently discourages businesses, drives population exoduses, and generates political unrest, literally none of which Voldemort can afford right now. It wouldn't be as immediate a death as the reveal of the horcrux information, but that doesn't mean it wouldn't have the power to be deadly all the same.

Returning to the subject of Bellatrix, then, it is useful to remember that only three people currently have first-hand knowledge of what happened that night: Voldemort, Harry, and Bellatrix, who modified Ginny's memory. (Luna, naturally, knows everything due to Harry's confession to her, but did not experience it first-hand). If this pattern of secret-keeping feels familiar, it should: it's an exact parallel of the dynamic currently keeping Harry's status as a horcrux a secret. Going a level deeper, we may also recall what Voldemort said when he confirmed that Hermione knew about Harry's horcrux:

"She has known for some time, truthfully, though she did not accept it as a reality until very recently." - Voldemort to Harry, ch. 30: Violent Violet

It is never addressed what, if anything, Bellatrix believes the necessity of her altering Ginny Weasley's memory to be about. It would not be unreasonable for a suspicious Bellatrix (especially in the wake of her newest vows) to comb over her memories of prior orders Voldemort had given her regarding Harry and begin to put the pieces together. Much like Hermione, she is written as a very intelligent (if considerably less sane) woman. Once she begins asking more questions, it would not at all be shocking for her to end up in a similar position to the one Hermione did: knowing that something you consider to be horrible is true, but refusing to accept it as reality.

There are a number of different ways such a revelation could go, but the final piece of evidence supporting her eventually serving Harry comes from her most recent vows to him: that she will treat him henceforth with "respect and deference." This is, from a story perspective, basically the closest that Harry could ever get to putting his own version of a Dark Mark on someone. Powerful, binding magics driving someone to (at least nominal) servitude, with no way of removing or undoing them for the rest of the recipient's natural life. Much like Hermione, she may hate her new "master", but the eventual revelation of Ruination will likely drive them closer together just by being people who share the same damning secret.

Similarly to Voldemort's original outsized hatred (and murderous intent) for Hermione, I expect Harry's hatred of Bellatrix to also eventually cool one he stops allocating much of the rage that he truly feels towards Voldemort onto her. It's unlikely that she'd ever actively prefer him to Voldemort, but she may get upgraded from "an enemy Harry would murder in broad daylight with his bare hands" to "an enemy Harry can afford to keep close." When exactly such a shift would occur is obviously still unclear, but it's evident that deference and secret-sharing make for a promising start.

I so almost didn’t post this but it’s just too nicely written and thought out. Fucking detectives man

[inchidentally]

this is such a sweet quote and Lando's said exactly the same as well <3<3

but askfgsalfg why is this proving what I've kinda been suspecting and Zak doesn't rly fit in with landoscar and has largely not had as much to do w the driver partnership as he used to

we already knew from Andrea that Lando and Oscar do their own little separate debriefs and they were so excited about getting their own door separating them from everyone where it used to be in a shared hallway (including Zak)

but the golf, the dinners and the marketing stuff is all referring to Carlos' and Daniel's eras. Oscar couldn't even be bribed to play golf, is literally famous for not wanting to do marketing/contrived PR content and not being good at it, and the only "dinner" situation after Hungary was Lando and Oscar eating fast food with other drivers and then playing board games with Alex on the flight home ?? we also know that these debrief dinners don't happen otherwise bc Oscar usually goes home to sleep or out with Lily and Lando goes out being a very single guy or gaming w Max and BanKai etc. that post race debrief finishes and those two peace OUT. and tbh the amount that they've chosen to fly together to and from things now Oscar lives in Monaco, they've taken even more of that debriefing into their own hands!

like I just get the vibe that Zak doesn't rly have the boys club anymore and Andrea being Dad to his two kids is how things are rly being managed. even down to him sometimes wanting to be the bad guy that the two kids bond over hating sometimes even tho they love Dad really. that's just not a dynamic I see Zak fitting into. (and ngl probably some of the Daniel era in particular those tensions needed to be managed between him and Zak but aaaaaanyway)

I say this as someone who fully expects Lando and Oscar to have normal teammate fights at some point where there's the strong words to the media and angry radios etc etc - the fact that they decided so early on in their relationship to do a teammate version of 'private but not secret' couple thing of keeping fans and media out of their business, both good and bad, means they're absolutely discussing and strategizing about this (bc especially after alpinegate and taking Daniel's seat, it would've been very handy and easy for them to go a bromance angle!). which as a charlos veteran and also someone who knew the Max and Lando fight would blow over faster than anyone thought it would, I'm never going to be fazed by a fight between Lando and Oscar - but I'm also just not sold on it ever getting as out of control as so many people want/expect it to. and I feel that way partly at least bc I think there's been sort of a gen z gender neutralling happened to McLaren bc of this partnership (not as much of the usual of masculine/boys being boys energy*)

but also bc there's only one big personality/celebrity instead of two. off the track, Lando and Oscar perfectly compliment each other's personalities including how their friendship is a quiet thing rather than a big media-beloved bromance so they don't have the burden of managing fan expectations and reactions about it. you can kind of parallel it with the Lando and Max fight last season bc those two are genuinely involved in each other's lives as friends and spend the most time with each other than any other driver, including Lando being a regular fixture in Max's little family - but Max doesn't do PR at all so a lot of people still don't know how close they are. so the assumption was that their fight was this massive thing and the end of their relationship but a lot of us were like pfffff this'll blow over and Penelope's uncle will be back before she could even notice.

in the same way, Lando and Oscar doing all their bonding time out of the public eye and being the only two people who truly know how they feel about each other at any time means they are the only authority anyone should listen to! when they say 'fight over' they mean fight over! when they giggle and laugh waiting for a plane together after Monza or smile in relief at each other immediately after getting out of the cars in Hungary, then that's the truth! they're choosing not to let fans and the media in on this so that fans or the media can't feel they know better and contradict them!

and that's where I think Zak is more on the outside of things too. when even Andrea is like yea these boys are talking about things before speaking to their own teams then it feels like that's a real shift away from the explosive teammate dynamics everyone keeps referring to.

*which I'm not saying is inherently bad or toxic! esp since the dynamic of it with Lando and Carlos and Daniel was of scrungly little brother and adoring loud big brother <3

[eddiebabygirldiaz]

rules: you will be given a word. then you share one sentence/excerpt from your wip(s) that starts with each letter of your word!

tagged by @rathockey @midsummersmorn @hippolotamus @absolutelybifurious @try-set-me-on-fire

my words are far, best, water, wait, choke which is a lot asdfghjkl but work has been slow so here ya go. all of this is from my death wish love sequel fic with buddie fwb (sorta) and eddie leaving for texas

FAR

F-Finally, a wound Buck refused to pick at.

A-After he hid his bold eyes which always give him away. After he cleaned Buck off of himself. After he had a brief taste of something new and fun, something a little joyful, and decided it wasn’t for him.

R-Right. It was right in so many ways. But not in a forever kind of way.

BEST

B-Buck is viscerally, near painfully aware of how new this is, how different. Not strange exactly, but unknown. He’s just started skimming the surface of what kissing Eddie is like. And he never really thought he’d be here in this position, both figuratively and literally.

E-Except, y’know, how it actually is all of that and more because Buck is a goddamn liar and is about constantly breaking open with the intensity of every emotion that seems to build into a crescendo in his blood before spilling out into the world, unstoppable and loud.

S-Should he have endured the bite? Stayed put and let Eddie sink into his flesh hard enough to bruise and break skin? Buck wanted to, but–

T-Then everything went back to normal. Except for how horribly not normal it was, but neither of them were owning up to that, no way. Buck was lucky to get what he did and he wasn’t gonna push it, not with Eddie.

WATER

W-Well, he firmly dug this grave so he might as well get comfortable in it.

A-A misplaced, twisted pride that Buck can’t discard. Because Eddie rarely allows such a thing from anyone, but he allowed it with Buck. Took it from Buck. Gave it to Buck.

T-Truly sick. Rotting away on the inside. Indulging in these images of Eddie and himself, swallowing down a poison that tastes so sweet but has a bitter, stinging edge that eats eats eats away at the rest of him.

E-Eddie is backed up against the counter, a long, lean, strong line of tension held between Buck’s palms, arched up into Buck like he’s something to embrace, to reach out for, to submerge into.

R-...yeah i got nothing

WAIT

W-Wet. Hot silk that runs over Buck’s teeth and flicks across the roof of his  mouth and sucks on his own tongue. Somehow connected to that spot hidden in the core of him, between his stomach and pelvis. The one where tension coils tightly The one where glitter bubbles and sparkles. The one where every sensation in his body gathers in preparation of exploding outward.

A-Already his head is spinning. Already he is lost. Already he wants more, and is afraid he won’t get it.

I-It has an effect on Eddie though, who whimpers as if gloriously wounded and takes Buck’s mouth again. Kissing him like it’s a battle, like it’s a claim, like it’s a piece of joy he can’t help but chase.

T-Teeth. Eddie’s teeth, biting into Buck’s bottom lip. Latching on and pulling, gentle but fierce. Then suction. Another bite. Tiny nibbles that are cute and soft.

CHOKE

C-Cozy and thrilling. White-hot and velvety. Spearing through every vein and across every nerve. Swelling up inside of him so much he’s sure he is gonna burst, all the pulpy mess of him going everywhere and soaking Eddie to the bone.

H-His heart jumping and dancing, acting like it’s trying to escape and curl up in the center of Eddie’s palm. He wonders if Eddie would take it. Isn’t sure what it means that he thinks Eddie would, careful as he is with any love that’s given to him.

O-Of course they were headed here again. Buck has wanted it, sure. Buck has doubted it would happen again, definitely. Even then, it still makes sense. Where else is there for them to go?

K-Kisses him again. Stops again. Bastard.

E-Eddie hums. Sighs. Sweet and pliant and open. Then he puts a gentle, open hand against Buck’s throat, pushing him away.

well if you made it this far i love you <3

tagging @spaceprincessem @shitouttabuck @colonoscopys @bigfootsmom @spotsandsocks @lemonzestywrites @shyaudacity @sibylsleaves @capseycartwright @honestlydarkprincess @lonelychicago @exhuastedpigeon @transboybuckley and your word is DARLIN if you wanna give it a go!

[imagionationstation]

Hey so sorry to bother you but… just saw you listen to Epic??? I know you’re a turtle nerd, as am I but… I NEED to know your favorite Epic song/favorite character right NOW PLEASE! You’re like one of the coolest people so to find out you also listen to Epic is…. Mmmmmmmm anyways I hope this isn’t weird or anything but PLEASE I NEED TO KNOW😭🙏🏻❤️

NOT WEIRD! LOVE THIS ASK! THANK YOU!

SERIOUSLY! I WOULD BE RANTING ABOUT EPIC 24/7 IF THIS WASN’T A TURTLES BLOG BELIEVE YOU ME

Alike to turtles, I have problematic views!! I look at things that 3/4 of the fandom shares a view in and go: That’s not what’s happening.

The people in my life have heard me ramble I cannot shut up:

I went to this event months ago and it did Trivia and a round was Greek Mythology and everyone in my group was like, “Neko, this is all on you. Don’t let us down” and I got 9/10 right. Go me ✨

Gonna see my bested friend soon! We never get to see each other so we’re making a day out of hanging out. We’re gonna watch the full saga. All of the two hours of it. I am collecting animatics. Silly goose thinks it’s an optional suggestion (it’s not <3)

(Don’t worry, I’m exploring outside interests too. It’s mutual 😜)

Asking me to pick a favorite song is like asking me to pick a favorite fanfiction child. All my children have gifts of their own to share and I love them all with everything that I have!!!

But if you’re asking what song I most commonly have played on repeat and/or belted on the top of my lungs when I’m alone…

I’m Not Sorry For Loving You tops everything else.

Based off this, I wanna say that Calypso is my favorite character. 🤔

I mean, I created a blog where our only purpose in life is to be safe in our horror and empathy for her situation and to acknowledge that she has so much nuance that the fandom doesn’t touch.

But I think if I’m being honest, it’s not her.

At the end of the day, my angsty heart is drawn to Athena.

DISCLAIMER: Controversal opinions ahead. Do not come yell at me if you do not agree. Tell me why I’m wrong, absolutely! But do it kindly and thoughtfully, and maybe we can have a conversation :D

I am passionate about this character. No aggression to the musical. Every song in the musical rocks. It’s merely my passion speaking.

Everything about her breaks my heart. She’s a goddess in a disfunctional family who doesn’t understand mortal ways.

Also, her dad is the most toxic dude alive.

I mean, there’s this one line that people portray in so many ways, but you watch how Zeus interacts with her and recall the fact that he literally didn’t want her to live when she was conceived- he is SUCH a bully and her respect only stems from him being ‘king of the gods’.

None of the gods step in during God Games. At no point does anyone go “dad you can’t threaten your daughter because she did exactly what you asked her to do”. Not even ARES.

He’s the one who says, mortified, “is she dead?” So he didn’t WANT that turn of events. He cares about her and her state of being.

She’s the only one willing to challenge Zeus and he literally says, “you won, I don’t care, I’m going to heavily punish you because I’m unhappy that you said a true statement I didn’t like”

I've no respect for bullies, those who impose their will I've seen plenty enough to truly understand this kind of filth

DO YOU SEE MY VISION?

Literally her entire life- no one’s been on her side! NO WONDER she doesn’t want to take Ody’s offer of friendship. Clearly no one has ever really given her trust or empathy that she can lean on.

She expects people to lack empathy. She doesn’t understand that he’s not that kind of person and her lessons won’t click.

Have you forgotten to turn off your heart? This is not you I see you changing from how I've designed you

Why would she trust a moral when she can’t trust the gods?

And she has such a temper which is so relatable.

They were in two different spectrums and that’s why they clashed.

She was running off of a mentor mindset. He was running off a friendship mindset. Neither was doing what the other needed for the relationship because they were not on the same page.

And then they hit the ditch in the road and everything cracked.

I mistook you for a general What a waste of effort spent

I'll remind you I saw you as a friend But now we're done

And Athena’s proclamation literally is a prediction for herself:

One day, you'll hear what I'm saying One day, you might understand One day, but not today

Time skip: the way that Athena talks to Telemachus says that she’s been stewing in regret because she KNOWS they were good friends and she didn’t want to admit it to herself. She understands why they clashed and now she doesn’t know what to do about it.

So this kid is like “I think you should help him even if he hates you. If he won’t accept your friendship then I’ll be here waiting.”

(*insert waiting, waiting, waiting mantra*)

AND THAT’S LITERALLY EXACTLY WHAT SHE NEEDED TO HEAR?

SHE LITERALLY JUST NEEDED TO KNOW SHE HAD ONE PERSON ON HER SIDE? ONE FRIEND WHO CARED ABOUT HER?

I’m a sucker for ‘doing everything for the people you care about but platonically’ and Athena is the PICTURE of ‘oh wait I would platonically die for my friend’ and like?? That’s beautiful??? 😭

My only qualm with EPIC is the way that the Ithaca Saga handled Athena because you cannot convince me that it did not do her dirty. I have read and scrolled and chewed on all the arguments.

That. Beautiful. Goddess. Went. Above. And. Beyond. To. Mend. Her. Mistake and he outright denied her friendship.

That was not a “oh yeah we can be friends later” very well.

That’s a voice cracking, heartbroken: “I took a thunderbolt for you and you don’t want me in your life” very well. LIKE.

Yes. Oddy went through a lot. No denying that.

But he called out for HER. After everything, he called out for HER HELP. Showed a belief in her. Counted on her to save him

AND SHE DID WHAT HE NEEDED. TOOK A THUNDERBOLT. BEGGED ON HER KNEES WHILE SUFFERING AND IN AGONY.

I can't help but wonder What this world could be If we all held each other with a bit more empathy I can't help but feel like I led you astray What if there's a world where we don't have to live this way?

{I messed up. I want to do better. Is that still possible?}

If that world exists It's far away from here It's one I'll have to miss For it's far beyond my years You might live forever So you can make it be But I've got one endeavor There's a girl I have to see

{No. You have thousands of years to make other friends. There’s no world where we can mend who we used to be. You do what you need to do. My only want is to be with my wife.}

LIKE if they were going to try, the song would SAY that they plan to try. Jorge is not afraid to strongly imply things or outright say them. Ody doesn’t WANT to try and be friends. All he wants is wife. Which would be valid if SHE DIDN’T TAKE A THUNDERBOLT FOR HIM

ONE THAT SCARRED HER EYE AND KNOCKED HER OUT FOR SEVERAL SONGS SO SHE COULDN’T BE THERE TO HELP

There was no reason, no obligation, nothing but her love and affection for him that drew her to take that punishment from Zeus.

There is no way, after everything, she’s asking him to be her warrior.

She’s literally saying she messed up. She wants to mend their relationship. She wants to do better for him.

He could have said, “I’m not a man who does empathy anymore but we can try” instead of “I have other plans, gonna have to miss this friendship train” because that is an awful diss. Straight painful.

This amazing song did her so dirty and I will never get over it.

Thank goodness for Telemachus. She’ll needs his optimism and joy and willing friendship after the sting from that bite.

[therealkaidertrash21]

Here's a list of my favorite songs from each EPIC saga

Of course, this isn't definitive

The Troy Saga

• Warrior of the Mind & Just a Man: I know these are the most popular ones but wotm is addictive and I love how it comes back throughout the musical and Taegan's voice is top tier. The same with Just a Man, I love how he hear it throughout the musical and how important it is, also poetically it's beautiful.

The Cyclops Saga

• My Goodbye: this is the right answer. I love this song.

The Ocean Saga

• Luck Runs Out: This song is also so important to the musical and to Eurylochus as a character. Ofc I love it musically as well and all the fun fact Jay has shared about it. I also love Storm but this one is my fave of the saga.

The Circe Saga

• Puppeteer: I love Talya's voice so much, all of her songs are amazing, but this one is just so cool. There are other ways is like my top two of this saga

The Underworld

• The Underworld: it's really hard to choose because they are all so good but I love how so many songs come back in this one (is it too obvious I like when that happens?) and all the dead mean singing omg, also JORGE'S MUM IS HEARTBREAKING.

The Thunder Saga

• Suffering: Suffering is just brain scratching. I love it so much, I'm literally obsessed with it. I also LOVE mutiny and thunder bringer but suffering is just sooooo good. I love Anna's voice too.

The Wisdom Saga

• God Games: do I really have to explain myself? I mean we get Athena and the other gods and that's just SO cool, I love all of their voices and the music that represents them. I'm a sucker for this song

The Revenge Saga

• Six Hundred Strike: UGHHH I love Poseidon's voice so much and the last lines are Cheff kiss

The Ithaca Saga

• Would You Fall in Love with Me Again?: again, do I have to explain? Best closure to the musical possible, the whole bed thing, waiting, everything is JUST. SO.GOOD. top tier song you do not understand. Also, I've cried to this song SO MANY TIMES it's not even funny. Again, I love Anna's voice, I love Jay's voice as well, and it's so poetic too, the lyrics are amazing. This is not even a song it's an experience. If this wasn't such a great song, maybe The Challenge would be my fave from the saga, it's definitely my second. Like, Penelope is just so good and sad I love it.

[theohshit-r-official]

Long-as-hell OOC post incoming

So, I feel I should probably clarify this, on account of shit going on in the zeitgeist re: Lancer RP on here, and because I and this blog am not an entrenched figure in the community here, so it pays to be as clear as possible what I am here for:

First, let me clarify: this is not about anyone in particular, and god knows I'm guilty of not doing some of the shit I'm going to recommend here. Second, this is, in addition to not being about any one person but instead the different microcultural elements I've noticed on here, mostly a post to explain what *I* am going for with this blog so that *YOU* can decide if or how you want to engage with it and me.

The primary purpose of this blog is as follows and as I will elaborate on here:

To serve as a place for people to dump their shitposts, serious opinions, and in-world takes they don't necessarily want to put out via an established character blog or their main in a more centralized place. This means I WILL publish most shit people send, even if some of the implications are not so great, though I won't publish some of the more egregious shit on account of it sucks. See this article [LINK HERE] for an example of something similar being done by a real world political figure (notably, a known inspiration for the Ungratefuls' Tyrannocleave) for a much better purpose than mine.

This ALSO means I will likely be publishing from people not immersed in the community or party to your established norms. I understand that online spaces largely run on reputation, but I, out of character as well as to some extent in, am an academic and I'm pretty well informed of both positive and negative consequences of this, and this is an intentional choice. DM me or send an ask labeled as OOC if you want to talk about this, I'm happy to discuss it, I'm just not likely to change my stance on it on account of "This is a heavily established, pretty well-researched concept in human social dynamics" so don't expect me to change what I'm doing from the jump. With that being said, let's lay out the motivation a bit:

Part of the appeal of LANCER that was explicitly intentionally designed by its creators is that there are both large structures of recalcitrant, sticky politics (see: Albatross hunts pirates, a group known to exist largely due to economic suffering, for a megacorp that sells weapons to pirates; the KTB is required to maintain an absurd level of extractive industry by Union, which favors their most abjectly fucking awful major house politically; etc) that serve as a shared bedrock for engagement and are pointedly shitty as hell *AND* large swathes of space where you can largely do pretty much whatever you want and have things be as good or as bad as you want so long as you avoid having them be run directly and heavy-handedly by the major players (as a brief sidebar, if you want an example of someone doing an excellent job of navigating the intersection of the larger players and the open, freer space and a damn good homebrew module, I highly recommend Vex Werewolf's In Golden Flame Act 1 [LINK HERE]). LANCER is a game where both the narrative impetus and mechanics are intrinsically tied to political context and dynamics, and the way LANCER allows for space from that for players and GMs is to have a lot of literal space unaccounted for.

The implication of this, of course, is that it is intended to be an equally valid mode of enjoyment to get really into the weeds of the established politics (hello, Siren Song, cannot WAIT to play an idiot in you and see how you break her) OR to not do that and avoid it entirely, but, and this is key, you cannot really feasibly do both at once reliably at scale without a lot of care and awareness, and I do not think that that is a reasonable expectation to have of total strangers on Tumblr. The official Discord community for this game has a rule to the effect of "Do not use your comfort to stifle political discussion unless ABSOLUTELY necessary" (very, very roughly paraphrased), and instead encourages disengaging from shit you do not want to deal with. To give an example of how that translates to practical domains, in the context of the game, if you didn't want to have to deal with Harrison culture, you wouldn't play a game on Ras Shamra, so why would you choose to pursue a conversation with someone playing a proud character from Ras Shamra on here if you don't want to hear what that character would say?

A lot of the conflict on here seems to stem from people being frustrated with people from one side of the aisle or the other interacting with them without establishing rules of engagement and/or where they stand on "I want to enjoy a sci-fi power fantasy without thinking too much about the implications" versus "I really want to dig in on the psyche of a proud Harrison soldier," both of which are equally valid ways to engage with the setting and the game. They come into conflict in no small part because many people in the prior category are expressly interested in using the mechanics of a mecha setting to tell a mostly feel-good story without the political meat and grit of the original setting materials, which, I'll especially note, is not something people coming from other mecha contexts are likely to expect. This means that you have a conflict between people interested in one mode of engagement (which, if I had to guess, comes more frequently from a general tabletop gaming background) and others interested in a very different mode of engagement coming from differing backgrounds, including but not limited to the broader world of mecha fans.

(NOTE: I am not saying that these groups are totally distinct or that this is the sole reason conflict happens, I'm just trying to give a more fleshed out example for people who are less familiar with the draw of the grit. I think the mecha community is a good example for this, as it is both something that a lot of people are peripheral to AND a cultural context a lot of people really don't understand from the outside)

Let me elaborate a little here on where the mecha side of things is coming from, for those of you less familiar. The arguable single most influential piece of mecha media in much of the world (Neon Genesis Evangelion) is in part an express exploration of the ethics of military recruitment and the use of child soldiers. The fact that this piece of media has recently been used to sell McDonald's does not change that weight in the culture of mecha media, nor does it change that, historically, mecha is a genre about war. The most prolific mecha series by far is Gundam, whose villains famously have a point and whose protagonists infamously tend to develop through deeply traumatic realizations that they may not be the unambiguous good guys they thought they were. Mecha media, on the whole, pointedly cultivates a strong sense of engagement in setting geopolitics, the ethics and process of war, and the role of individuals as vehicles of violence, and people coming from a heavy mecha background are likely to be invested in exploring these themes.

That being said, I totally respect wanting to engage with it from another angle, but you can see how people wanting a more free-form, canon-lite experience and people who are coming from a mecha background looking for the nitty gritty of the established, shared setting could come into conflict, particularly when it comes to making claims about established parts of the setting. Of course, in character conflict is fine and well and dandy if that's what you're going for, no shame in that, this is more to do with the out of character aspects, including how you respond to and handle in character conflict.

Here's the thing: this dichotomy of interest does not favor a single, fully connected network of people heavily interacting. It does not favor a community with a single set of hard norms. It favors a lot of individual level variation, it favors many smaller sets of norms between individuals, and it favors good communication about those differences. I am aligned with the creators of LANCER in that I think both approaches to engaging with the material have value, and I want there to be space for both here, and I agree with them that the two are not always compatible. To preserve space for both, we need to prioritize curating our own experience over policing others', which, I know, shocking that the person who linked Anarchists Welcome would make a statement about taking an anarchistic approach to maintaining a stable, healthy social context which allows for conflict.

This is one of the reasons that I, in running this blog, have consciously chosen to almost exclusively respond to other people's posts who I actually have spoken to out of character, despite Umommiest being an extremely vocal HORUS shitposter, because I often cannot tell from character blogs what their relationship to the shared text is and their interest in different modes of interaction. This is ALSO why I'm going to be fairly indiscriminate in publishing asks and submissions, and only have Umommiest respond to what gets sent in when either prompted directly by the material or when it is plainly a shitpost that allows for some play (see also: the 8 year old seeking liberation via artillery platform and soft target elimination frames). As is quite well known in the kink community, consent does not occur in character, and personal norms and interests should be established outside of them. If there is a character blog on here that you have concerns about or want to interact with but are unsure how to proceed, DM them and check in, the same way that you would talk to someone if you wanted to join a game of pickup basketball or something. This is a social activity, social activities have fairly well established means by which to initiate them in a more intentional manner, let's make a point to start using them more consistently.

With that being said, if there is a character blog that you do not want to see, block them. There will be characters that people choose to play that you personally A will not like and B may not wish to engage with. Use the curation tools you have rather than relying on norms all the time, as norms develop from consensus and require other people to change to work. You don't have to put it on others to tailor your experience. I will go somewhere else rather than deal with somebody I don't want to talk to at a bar, and this is a similar sort of interaction. Blocking is not a condemnation, it is a choice to not engage with someone or something you do not want to. On my end, I will be doing my best to consistently tag in-character posts, reblogs, etc with ohshitumommiest going forward so you can block the tag as described here [LINK HERE] if you want to see what people are submitting without any of Umommiest's commentary, responses, etc. I'm also thinking I'll move towards initially publishing even the shitpostier things without commentary and then following up with a reblog with the commentary (so if you want to see just what other people make and not her bullshit, that's cool, too).

For the record, I *am* personally interested in the politics of the setting and Umommiest is a character that is heavily written based on the canon. She is also, frankly, a HORUS shitposter of the highest and worst degree, if you can't tell from her demeanor, and will engage with people who comment in character on posts here as would reflect a highly informed, terminally online political agitator with no formal affiliation to anyone who sees all of her speech as largely without personal consequence. Part of the purpose of the ohshitumommiest tag is to allow you to engage with the submitted material without having to see if and how she replies to you if you are not interested in that. If you are, hey! Looking forward to having some fun together with this horrible girl I've made!

Frankly, I don't care where you fall on the spectrum/split of hard text engagement versus loose text as inspiration, but I do care that everyone has an outlet for shitposts and other art/thought pieces on the setting that they think are gold or at least fun but don't have a place for personally. I think Lancer fucking rules, and people have a lot of cool, funny, and beautiful thoughts and ideas on it regardless of affiliation on these grounds, and I want to make this a place to share them without too much worry of how they fit a given blog.

If that nondiscriminatory approach to publishing is unacceptable to you, cool, I don't care, block this blog. Maybe read the linked article first and see if that helps you see a different perspective a little, but, please, use the basic curation tools available to you on this site to help maintain a diverse community that reflects the varied appeal of LANCER's setting.

With that said, play ball, and I'm looking forward to continuing to see the awesome, wild, wonky, and frankly unhinged shit this community continues to create!

PS: if you want to anonymously publish something with a link or an image via this blog, please DM me and I will effectively spoof a submission so your blog does not have to be attached. You run the risk of me knowing that you sent it, but it doesn't get broadcast to the world.

PPS I know that there are some other folks on here who engage with other LANCER online communities (e.g., the official Discord) who share much of the opinions I expressed here, particularly the "Hey there are different, conflicting way to enjoy the setting, and having some understanding around that is healthy for the community" stance, so feel free to share this around as you like.

[ziekaramaik]

Before You Jump, Tell Me What You Find

(Word count: about 1700)

(Sorry for the wait. Wasn't sure I'd continue it at all, but @shadybisexualpirate and @psychicsolanum asked for it. Also, @maro0on and @ssherbet-shares )

It had been a week since I was at William's house. Mr. and Mrs. Kaplan seemed happy to see me again. I guess the no-visitors-while-grounded rule was less strict after the first week.

Or maybe it was never a rule and William was just using it as an excuse to avoid me. But I didn't ask or start an argument. We were already past that.

We left the door to his bedroom open a crack, as usual. William pulled out his desk chair for me, and he took the bed. We sat down facing each other.

I'm no mind reader, but I knew exactly how he was feeling. The awkwardness was written all over his face. "I guess I should start with--"

"Can I say something first?" I interrupted.

"Of course."

"I was kind of being a hypocrite earlier," I admitted. "You know, about how boyfriends shouldn't keep secrets. There are things I don't talk to you about. And that should be okay -- everyone deserves a little privacy."

"I totally agree," he said eagerly. "And I've tried to respect your privacy as much as I can, I promise--"

"Let me finish… I'm not trying to be the possessive type of boyfriend that makes you tell me everything you do. I was only upset earlier because it felt like you were ghosting me. Now something obviously happened to you that day. And it's still bothering you. But I'm not forcing you to talk about it if you don't want to. I'm only asking 'cause I'm worried. And… I can't shake the feeling that you're getting involved in something dangerous."

He listened to me, and he nodded. "You're not wrong. I wanna tell you, it's just hard. A big reason I haven't told anyone is because it's all so unbelievable. Like, seriously, Eddie. It is literally crazy. But then again… We live in a world after The Snap, and with the Avengers, and Norse gods, and all that. So…"

He looked at the tiny opening at his door, double-checking that his parents weren't listening outside. And then he softly said, "The first thing I should tell you is, I have special powers."

My eyebrows shot up. "Really?" It was a surprise. But for me, maybe not as unbelievable as he expected.

William reached out towards his bookshelf. In front of his palm, in the air, a blue circle appeared, like a hologram. A second later, a book shot out from the shelf, passed through the circle, and landed in his hand. The glow faded away.

"Whoa." I blinked. "That is… not where I expected this conversation to go. Was that, like, magic? Is THAT why you're into," I waved my hand around, gesturing vaguely to all the posters and notes taped to his walls, "all this witchy stuff?"

He nodded. "Kinda." He shook his head. "I mean, no. This is new. I mean--" He winced. "It's complicated. There's stuff that happened three years ago. And stuff that happened last week. And it's all connected. I didn't know where to start, but I think I can explain to you without using words."

He leaned forward. "I learned a new spell for this. It's kinda like the spell Agatha used to see Wanda's past, but in the opposite direction. I can send my memories directly into your mind. That way you'll immediately understand where I went last week and everything that happened to me. Will you give me permission to do that? Will you allow me to put those memories into your mind?"

I stared at him with a little confusion. "I dunno. Will it hurt?"

He stared back at me. "It's not… supposed to?"

In other words, he never tried it before.

I stared a bit longer. Then I nodded. "Okay."

William got off the bed and kneeled down directly in front of me. He placed his hand on the side of my head and closed his eyes. It was very "Vulcan mind meld".

Williams whispered, "Non quarere, non dico mendacium."

A second after that, memories of the day of the car accident, meeting Agatha Harkness, gathering the coven, and the Witches' Road appeared in my mind. It was like my brain was an internet browser and a dozen different tabs opened up all at once. It was overwhelming.

A second after that, I got up, ran to the bathroom and puked into the toilet.

A little later, after a concerned Mrs. Kaplan heard me and checked in, and I told her I just ate something earlier that disagreed with me, and William backed up my story and told her not to worry, I got a glass of water to rinse my mouth out and returned to William's room.

"Are you okay?" William asked gently.

I was rubbing my head. "First time magically downloading memories. It feels like a headache, a hangover, and staying up all night to cram for a big test all at once. Next time, we're doing it the slow way."

"Sorry."

I slowly sifted through the info-dump. "Okay… So… Your soul was created by Wanda Maximoff."

"And the Vision. Technically."

"Yes. Okay. And Vision. And when the original William Kaplan died, your soul took over his body."

"That's the theory, at least. It's a little ambiguous."

"You have a twin brother--"

"Tommy."

"--Who's been reincarnated somewhere in someone else's body."

"Uh-huh."

"You met up with a bunch of witches -- real witches -- and your magic powers created the Witches' Road -- by accident -- and most of those witches died there."

"…Yes."

"And speaking of died, Death is a person. And a lesbian."

"Now do you understand why it was so difficult for me to talk about this?"

Yeah, if he simply said all this, I probably wouldn't have believed it. But it was hard to argue with the memories in my own head.

The magic-hangover was mostly gone by now. The info-dump had settled.

I looked up at Wil -- No, at Billy. He called himself Billy now.

He's a mind-reader, I thought. I knew he couldn't help it, but now that I knew, I couldn't help but feel exposed in front of him.

"It's not like I hear every thought," he said defensively. "Only the loud stuff in the front of your mind. I don't go snooping, I promise."

No wonder he always seemed to understand me so well. And now, I understood him in a way no one else did.

I sat right next to him on the mattress. I grabbed his hand, and entwined my fingers with his. "It's not your fault they died, you know," I said.

"What?"

"Mrs. Davis and the others. You made that place. But what they did there -- that's not on you."

He calmly replied, "Thanks for saying so. But if an architect builds a house, and people die because it collapses, it's absolutely the architect's fault."

"Hey, listen." I looked him right in the eyes. "It was awful. But it was an accident, Billy. Nothing more."

I really thought that. So I knew he knew I meant it.

He stared at me. His eyes started watering. Then he looked away, smiled, and rubbed his nose. "I don't deserve a boyfriend like you."

"Yeah, well, you're stuck with me."

"Am I though?" he asked, his smile faltering.

"What?"

He spoke nervously. "Today at school, you didn't want to break up. But… You thought I was a normal boyfriend. You never signed up for all this craziness."

"Bill--"

"A-And it's not just the witchcraft and the mind-reading and looking for Tommy. I have to warn you: the Personification of Death doesn't like me very much. She agreed to let me go for now. But if you stick too close to me, you might get into trouble."

"That… is a scary thought…"

"Like I said, you didn't sign up for this, Eddie. If you want to ghost me this time… I'll understand."

I confess, I did think about it. The death thing aside, I spent a long time wishing for a normal life.

I loved this boy. But when I said that, there was a lot I didn't know about him. Just like he said: He was like a different person now.

But now that I did know who he was… I didn't not still love him.

I came to a decision. Holding his hand a little tighter, I told him, "I try not to think about this too often -- which is, apparently, why you never knew it -- but even if I left you, my life still wouldn't exactly be normal."

Billy's face looked into mine. I fought down the urge to kiss him and continued, "You know how I'm adopted? My mom found me and raised me on her own?"

"Yeah."

"Well, she adopted me from… a lot farther away than I led you to believe."

I held up my hand, the one that was still holding his. I concentrated, and my hand turned green. The skin became thicker and harder, like leather, or scales. We stared at my green fingers intertwined with his pale pink fingers. And then I made my hand and forearm look human again.

I nervously looked back at Billy's face. He stared at our hands in shock for several long moments.

"Well, say something," I blurted.

Finally, he grinned and said, "That is so cool."

I giggled from relief. I leaned in and was just about to kiss him when--

"Huh, a shapeshifting alien," said the ghost that appeared RIGHT BEHIND ME.

"YAH!" I fell off the mattress.

"Yeah, she does that sometimes," said an unamused Billy.

"I knew an alien once," the ghost said. "We almost made a movie together. Long story."

I got to my feet and stared at the translucent woman. I recognized her from Billy's memory.

"Agatha, this is Theodore Altman," Billy said. "He used to go by Teddy, but people kept making Grey's Anatomy jokes, so now it's just Eddie. Eddie, this is Agatha Harkness. My semi-evil, semi-dead, witchcraft mentor."

"Uh… Hi?"

"Good choice for a boyfriend, Billy," Agatha said with a smirk. "Shapeshifting will keep things fresh."

"So you're his… familiar?" I looked from Agatha to Billy. "That's the term, right? You're a witch now, and she's your familiar."

Billy smiled at that. Agatha did not.

"I take it back. You have horrible, horrible taste in boyfriends."

"Glass houses and stones, Agatha," Billy replied.

Can You Read My Mind?

(Spoilers for Agatha All Along)

(Word count: about 1500)

William was missing all night. Then all day. And then all night again.

At first he declined my calls. Then the phone just kept ringing. My texts were left unread.

I was totally prepared for something bad to happen to him while we were in a parking garage to meet a stranger from the internet. Except that turned out to be nothing. The guy was a paranoid nut, but harmless. It was after William dropped me off at home and drove away safely that he went missing. I didn't know what to think.

After a full day of worrying, he finally called me back early next morning.

"Are you okay?!" I asked.

"I'm fine," he said, sounding completely exhausted. "Well -- Yeah, I'm -- I'm fine."

"Where have you been? I've been trying to call."

"I know. I'm sorry. It's been a crazy day. And night." He mumbled to himself, "Did all of that happen in just one night? Oh man, what day is it?"

"You've been missing for over twenty-four hours," I explained. "Your parents are probably ten seconds away from calling the police."

"Yes, I'm sorry for scaring them. I'm driving home right now. And… Look, Eddie. Can you do me like a really, really, really huge favor? …Can you please tell my mom and dad that I was with you the whole time?"

"Actually, no. Because they already called me, and I told them I had no idea where you were."

"Oh… Right…"

There was a pause.

"Are we just skipping the part of the conversation where you tell me what happened?" I asked. "You didn't meet that Ralph guy again, did you?"

"No, it wasn't Ralph."

"Then where--"

"Eddie, I do not even know where to begin. I promise I'm okay, but I'm tired. And I really shouldn't be on the phone while driving in the first place. All I wanna do right now is get home, shower, and maybe take a nap. Can we please talk about it later?"

I didn't want to, but I said, "Okay. Later." Then I said, "I love you."

"Me too. Bye." And he hung up.

Only we didn't talk later.

William was grounded. He couldn't use his phone and I couldn't visit him. Or at least, that's the excuse he gave me when I saw him at school. I couldn't shake off the feeling he was lying.

He wouldn't talk to me at school either. Any time I tried, he made some excuse and took off. "Later. Promise." He stopped coming to the GSA too. Not because of his parents, he said he was too busy for it.

Once I caught him on a computer in the school library. Looking over his shoulder, I saw that he was searching news websites. But it wasn't about the Westview incident this time. He was looking up articles from all over the country about people who drowned, or nearly drowned.

When I asked him about it, all he would say was, "I'm trying to find someone." He was frustrated. "They're all dead ends. It probably didn't make the news."

I tried to get him to talk more, but it was about time for next period. He had to go. Again.

Whenever I saw him in the hallways, he gradually looked worse. He had stopped putting effort into his hair and make-up. His black nail polish was old and chipped. Instead of eyeliner he had dark bags under his eyes. I could tell he hadn't been sleeping well.

This went on for a week.

"You're avoiding me," I said. It wasn't a question.

I cornered him at his locker. He looked back at me and said, "I'm not avoiding you, Eddie," in a calm tone that completely contradicted his deer-in-the-headlights expression.

"You really sort of are."

He sighed. Struggled to say something. "I -- I'm sorry. I've just been really distracted lately. I'll explain everything later. I promise."

"You've been promising that all week. Frankly, it's not good enough anymore."

That's when the school bell rang. Everyone around us headed for class.

William looked at me guiltily and said, "I'm really sorry."

He tried to walk away, but I grabbed his sleeve. "Eddie, we're gonna be late for cla--"

"Then we'll be late!" I snapped. "This is important."

He stopped protesting after that. I let go, and even as the hallway nearly emptied, he didn't run off.

"William, be honest with me," I pleaded. "Is this because I told you I love you?"

"What?"

"Because I can't help but notice this radio silence started right after that. I came along with you to meet Crazy Ralph. But then as soon as you don't need me any more, you suddenly want more space." I meant to sound angry. I hated how pathetic and desperate I sounded instead. But I kept going with, "Don't say you love me back just 'cause you don't want to hurt my feelings. If I scared you off, just say so."

Is it wrong that I felt a little bit relieved when I saw how heartbroken William looked?

"No. No, Eddie. It's not like that. I promise." He held both my hands. "I love you too. Seriously, if I could, I would be with you all the time. It's just that I really am busy now."

"Where did you go missing that day?" I asked point-blank.

He looked guilty again. Hesitated. Then he answered point-blank, "I can't tell you."

"What have you been so busy with all week long?"

"I can't explain that either."

The hallway was empty by now, except for us.

"I'm sorry, but that's not good enough," I said. "You go missing for almost two days, scaring the hell out of me and your parents. You're meeting strangers from the internet. You look like you haven't slept through the night in ages. Something is obviously wrong, William. Tell me."

He rubbed his face, exhausted. "Listen. A lot of different things happened. There's a lot that's still going on right now, and every part of it is really difficult to talk about. I know I'm not being fair, but can I please keep this to myself for a while longer?"

"If we love each other, we shouldn't keep secrets. I don't keep any secrets from you."

I shouldn't have said that, I thought guiltily. It's a lie. I'm keeping a huge secret from him.

William furrowed his eyebrows. "That's a lie?!"

I froze. Clearly, my poker face wasn't nearly as good as I thought.

"I'm -- I'm not lying," I said lamely.

He was both angry and confused. "How are you keeping a secret from me? I've never heard any--"

"We're not talking about me," I said defensively. "I get that you're going through an identity crisis. I get that it's complicated, and you think researching all this conspiracy stuff will help. I've been extremely supportive and patient with you -- And a lot of boyfriends wouldn't have."

"Do you think I enjoy keeping this all bottled up?! I don't! It's giving me nightmares, Eddie. I keep seeing their faces and thinking it's my fault--" He caught himself and stopped abruptly. "I want to tell you. I just can't."

"Why? What could possibly be so bad that you can't tell me? Did you kill someone?!"

I said it sarcastically, but William froze.

A second later he pressed his eyes shut and put his hands on his head. "I can't have this conversation right now…"

"Willia--"

"JUST LEAVE ME ALONE!"

The lights flickered a bit as he yelled that, but I didn't pay attention.

Once the lights returned to normal, I turned on the spot and walked away from him.

"Eddie? Where are you…?"

I didn't answer him. I just walked away.

I didn't know where I was walking to. I was thinking… Actually, I don't remember what I was thinking in that moment… I wasn't thinking much of anything. Except leaving him alone.

"Oh my god," William said. "No, no, no! Snap out of it!"

He ran behind me and grabbed my hand. The moment he touched me, I stopped and blinked. I hadn't even realized how badly I was spacing out, but suddenly I was alert again.

William ran around to face me and grabbed my head in his hands. "I'm sorry, Eddie," he said quickly. "I'm so, so, so, so, so, so, sorry. I didn't mean to do that, I swear." His eyes were watering.

It seemed like a pretty extreme reaction for shouting at me. "I-It's okay," I mumbled.

I grabbed his hands and gently pulled them away from my head. "Are you ready to talk now?" I asked.

He stared at me, still on the verge of tears. His mouth trembled. But after a second, he nodded.

"Yes… You're right, I can't keep this bottled up… Just, can we please not get into it right this second, in the middle of school? Come over to my place this afternoon. I'll tell you everything then."

"All right. When I come over, are you actually gonna be there this time?"

He looked guilty at that, and nodded again. "Yes."

"Okay."

"I'll explain everything today, Eddie. All of it. I promise. For real this time."

[shuploc]

Can you please draw Peter B again? I loved the way you drew him a while ago. If not that's okay I love your Miguel pieces. Keep up the good work!

Hehe, yeah, for sure! I'm actually gonna start working on two pieces for the SpiderDads zine soon (one of them NSFW), and both will of course have Miguel and Peter in them

If I didn't have to do commissions and other types of work to make ends meet, then you would have seen so much more Peter stuff from me, but unfortunately I can't pay rent with likes and shares (I really wish I could though 😅)

[tomwambsgans]

greg said actually i wanna take YOU out and I'M gonna pay for it