#- of worldbuilding! but i do wish there was more worldbuilding in object shows. probably is; haven't watched that many shows

[wheucto]

i think in ii, culture has no effect on what type of object an object is

[tossawary]

I'm reviewing episode transcripts from "Merlin" to build up my worldbuilding document (character list, mostly) and, a little ways into S2, I'm kind of feeling like the show is actually quite mean to Arthur as a character sometimes? S1 E14: "To Kill the King" is one of those episodes where I forget how badly it pissed me off until I run into it again.

Like, don't get me wrong, Arthur can be a bully, entitled, hotheaded, and reckless, but he's also at this point risked his own life to save people multiple times. Both individuals whose lives were "worth less" than his own (getting the Mortaeus flower for a poisoned Merlin, smuggling Mordred out of the city, protecting Ealdor from bandits) and also Camelot as a whole (fighting the plague-causing monster in the sewers, fighting the mam-eating griffin, drinking poison to lift the unicorn curse).

Arthur is giving me vibes of being both bored and frustrated (and probably not able to name those feelings or exactly why he has them) because he wants so badly to do good things, but he's not really sure how to go about it because (no one ever tells him anything, he almost NEVER knows what's really going on to make informed choices, and) he's also stuck under the thumb of his tyrannical father, who spends most of their scenes together berating Arthur for being too merciful, for not being dutiful enough, and/or not finding sorcerers for execution fast enough. When Arthur tries to be fair-minded and compassionate, Uther often essentially tells him that he's going to be a weak king with that attitude.

Arthur's pathways to betterment are limited, his parent and role model and boss here is an AWFUL person, but he's trying!

So, it's quite frustrating to get to this one episode where characters like Gaius (extremely biased, admittedly, clearly not an objective individual) are saying things like: "Arthur's not ready. The responsibility would be too great. Brave though he may be, he lacks experience, he lacks judgement."

Like, I don't know, Arthur may be only 21 and kind of a dipshit, but I personally think he'd still do a better job than the guy who tried to kill a kid (Mordred) just for existing a few episodes ago? Maybe? Gwen's father, who wasn't even a sorcerer or knowingly working with one, is dead explicitly because of Uther's awful laws. Did everyone in this episode forget that Uther tried to BURN GWEN ALIVE AT THE STAKE not that long ago (Episode 3)?

ARTHUR: "[Morgana]'s right, Father. You hear the word magic, you no longer listen."

UTHER: "You saw it for yourself. She used enchantments."

ARTHUR: "Yes, maybe. But to save her dying father, that doesn't make [Gwen] guilty of creating a plague. One's the act of, of kindness, of love, the other of evil. I don't believe evil's in this girl's heart."

UTHER: "I have witnessed what witchcraft can do. I have suffered at its hand. I cannot take that chance. If there is the slightest doubt about this girl, she must die or the whole kingdom may perish."

ARTHUR: "I understand that."

UTHER: "One day you may become King. Then you will understand. Such decisions must be made. There are dark forces that threaten this kingdom."

ARTHUR: "I know. Witchcraft is an evil, father. So is injustice. Yes, I am yet to be King, and I don't know what kind of king I will be, but I do have a sense of the kind of Camelot I would wish to live in. It would be where the punishment fits the crime."

UTHER: "I fear you're right. She's played with fire, and sadly she must die by fire."

When the adult druid (Cerdan) accompanying Mordred is killed (Episode 8), Arthur objects afterwards! On his own! While Arthur is sometimes an active participant in Uther's tyranny and otherwise complicit, he's been told all of his life that magic is inherently evil and corrupting, he was raised by the very man spreading this hateful philosophy, he should probably hate magic more than anyone after Uther, and yet he still disagrees with Uther's methods and judgments. Even though Uther is apparently VERY willing to lock both his son (Episode 4) and his ward (Episode 8) in the dungeons for disagreeing with him and disobeying him!

ARTHUR: The Druid was only in Camelot to collect supplies. He meant no harm. Is it necessary to execute him?

UTHER: Absolutely necessary. Those who use magic cannot be tolerated.

ARTHUR: The Druids are a peaceful people.

UTHER: Given the chance, they would return magic to the kingdom. They preach peace, but conspire against me. We cannot appear weak.

ARTHUR: Showing mercy can be a sign of strength.

UTHER: Our enemies will not see it that way. We have a responsibility to protect this kingdom. Executing the Druid will send out a clear message. Find the boy. Search every inch of the city.

Obviously, running a kingdom is complicated! Uther apparently won Camelot by conquest and is in conflict with many of the neighboring kings, including Odin and Cenred, and likely has more of the respect of the local nobility than young Arthur does. Uther's death would create some instability! (Agravaine de Bois hasn't been created yet, but let's assume there are many other potential vultures.)

But the show generally isn't pushing that angle. This isn't really about smooth transitions of power. Personally, concerning Arthur's "lack of judgment", I do find his ready conviction that it is his duty to die for Camelot's honor if necessary (he says as much to Merlin explicitly before fighting Valiant in Episode 2, then again before fighting the Black Knight in Episode 9) more than a little concerning, but that doesn't seem to be angle pushed here either.

The show has characters (Merlin, Gwen, Gaius) suggesting that offing the King, who regularly kills innocent people whether they have magic or not, who has forbidden use of the tool that might have saved innocent people from Nimueh's plague or the wraith of Tristan de Bois, would be wrong! It would be murder and murder is bad! It would make (in the words of a grieving Gwen) her "just as bad" as him.

Even though Merlin has at this point already killed Aulfric and Sophia (Episode 7), as well as Mary Collins (Episode 1) because they were trying to kill Arthur. And arguably got an assist with Valiant (Episode 2). And will kill many more as the show goes on. This conversation with Kilgharrah in S1 E14 is in many ways so, so funny:

KILGHARRAH: Well, young warlock, what is it you come to ask of me?

MERLIN: I need your help.

KILGHARRAH: Of course you do, but this time, will you heed my words?

MERLIN: The sorcerer Tauren is plotting to kill the King. He's made an ally of Morgana. I don't know what to do!

KILGHARRAH: Do… nothing.

MERLIN: What do you mean? If I do nothing, Uther will die.

KILGHARRAH: Don't you want Uther dead? It is Uther that persecutes you and your kind, Merlin. It is Uther that murders the innocent…

MERLIN: But surely that doesn't make it right to kill him.

KILGHARRAH: Only if Uther dies can magic return to the land. Only if Uther dies will you be free, Merlin. Uther's reign is at an end. Let Arthur's reign begin. Fulfil your destiny!

[The dragon flies off.]

MERLIN: Wait! Where does it say my destiny includes murder?

KILGHARRAH: Free this land from tyranny, Merlin! Free us all!

I feel for Kilgharrah here. He was VERY straightforward. I don't know how he could have been clearer about this.

I won't say that Merlin's character writing doesn't make ANY sense here (I do think the character writing in this show is NOT amazingly consistent), because... he IS being influenced by Gaius, who is, unfortunately, a bootlicker and also probably extremely traumatized by all of the death he's seen (big contributor of the bootlicking) (also, apparently Gaius only becomes a "freeman" at the end of Episode 6, so there's that). And Merlin is also being heavily influenced by Arthur, who loves his father, despite everything. For Arthur's sake, if no one else's, Merlin will go out of his way to save Uther. Sure! That tracks!

Merlin spends a lot of time in this show protecting a terrible status quo under some assumption that Camelot will... somehow suddenly become better under Arthur? Instead of perhaps eventually just trusting Arthur and talking to him after their years of knowing each other? There are several, in-world reasons for this and I don't think they're all unrealistic! It's tense! It's thrilling sometimes!

(Though I am ultimately a little annoyed that Merlin's many secrets never really come out and get dealt with by the characters, because that would have been fun drama and some resolution to all the tension, even if the story did still end in death.)

There's some tasty tragedy in this silly show, in many ways. Merlin is confused and conflicted and scared and without clear guidance in many ways. Kilgharrah is mysterious and not at all reassuring. Gaius is complacent and (very reasonably) incredibly secretive. Merlin doesn't get to see many of the moments where Arthur speaks up for magical people and tries to talk Uther down. Morgana and Arthur are both stuck here in a "The hands that cradled you are covered in an unimaginable amount of blood." "But they cradled me, yes?" nightmare scenario. (There's also a sexist element where male characters like Gaius and Merlin won't let Morgana know about her own powers "for her own good" in a gaslight-y way that's fascinating to me in how it creates a villain.)

But, also, the compelling tragic elements here don't make certain episodes any less frustrating to watch in their execution. (I don't think villains being frustrating to watch or read necessarily makes them effective villains, especially when what I really find annoying here is the heroes' reactions to the villain. Uther has killed SO MANY PEOPLE! FOR NO REASON!) Especially when a lot of the overall results of this show often feel more accidental than purposeful. I do understand why the writers keep Uther around! He's a formidable antagonist to have looming all over the place and the actor is fun.

But OOF, I felt that "Do... Nothing".

Merlin! MERLIN! LISTEN TO THE SCARY DRAGON! MERLIN, REMEMBER THAT TIME UTHER TRIED TO BURN GWEN ALIVE??? JUST BECAUSE GWEN IS TOO NICE TO GO AFTER UTHER WITH A KNIFE AND TAKE REVENGE, IT DOESN'T ACTUALLY MEAN KILLING HIM MAKES YOU "JUST AS BAD"!!! MERLIN!!! YOU HAVE ALREADY MURDERED MULTIPLE PEOPLE WHO KILLED WAY LESS PEOPLE THAN UTHER!!!

In Episode 4, Morgana says to Uther: "You can't chain [Arthur] up every time he disagrees with you." This implies to me that Uther has had Arthur thrown in the dungeons before. In Episode 3, Arthur says to Morgana: "Father will slam us both in chains if he knew I'd endangered you," and maybe he wasn't at all joking with that? Arthur is rattling the bars of his cell here, apparently fairly ready to be aimed wherever Merlin points him, bucking against being aimed at innocents by his tyrant of a father.

But nooo, Gaius says Arthur is "not ready yet" because...??? He seems less hotheaded than Uther to me, honestly. Are his tax policies not up to par yet? You can hire a guy for that. Suggesting that Arthur would be in any way worse than His Majesty "Anyone Who Talks To A Sorcerer Gets Executed Even If They Didn't Know They Were A Sorcerer" feels quite mean to Arthur, really. I think he'd do alright, in comparison, Gaius who lies to the King every single day, but I suppose you sometimes want to be a loyal friend to good ol' King "Made Merlin Drink Poison That One Time And Wouldn't Let Anyone Go Get The Cure". Good for you. Bad for everyone else.

Like, I know, I know this show is not very deep. I like that all of the characters are flawed and fumble a lot! I even kind of enjoy that it ultimately ends in death with so many loose emotional threads. It is a weekly burst of fantasy nonsense that is not especially concerned with consistency in worldbuilding or characters from episode to episode. But the executive discrepancies here are, like the ones in "Star Wars", weirdly fascinating with all of the holes and wobbly bits it creates.

This show: "Yes, our hero has once again saved the tyrannical king who kills innocents! Preventing the oblivious prince from assuming the throne and trying to do better as he so clearly wants to do! Good work, Merlin, taking the high road (which involved murdering the rightfully angry people trying to kill the tyrannical king) again!"

Me, every time: "...I am genuinely not sure how the show wants us to interpret this. What did they think they were doing with this? Was this always meant to be a tragedy from the first season? Because personally, I'm getting some kind of tragedy from this."

[touchstoneaf]

So, I finally finished the book. And, well... I kind of wish I had read it before I saw the show, because I can't fully appreciate it for what it is now. I feel as if I would have been able to get more out of it before I had watched the show, but because that isn't the case, and because we now have such a wealth given to us in the show, such extra depth and so many beautiful little touches, so much love and interaction with so much gratifying fanservice ad representation, that I can't fully enjoy the novel for what it is. Which is kind of sad, but also it's pretty amazing, what we have now.

This is one of the very few times in my life where I would actually say that I think the TV production or film is objectively *better* than the book. I am also a film buff... but despite that, I very seldom say that. I'm usually a snooty purist who tends to prefer books above and beyond anything you could remotely produce using a camera... but this time, and given the way it all comes together, I don't think I can say that.

I do believe that given with the subtext-hunting (which I think becomes quite blatant at the end of the book if nowhere else), it would have been one of my favorites for searching for that sort of thing, if not as textual as for instance the victorious book that is Fried Green Tomatoes at the Whistle Stop Cafe, wherein the film couldn't go as hard as the book did (because 80s). It's sort of the opposite experience in that in this case, we had to wait for the show to give it to us flat out, whereas in the other example, the book gave it to us flat out, while the film had to make it an interpretation situation where you could as easily say, 'yes, they could be best friends, or they could be a couple?'

It's just...

I'm just so *glad* we have what we have now. I still can't fathom people complaining about what we have gotten. I love this show SO much that I can't imagine loving the book more, and that's almost incomprehensible to me.

I enjoyed the novel for what it does. It's irreverent, it's entertaining, clever and witty...it was a nice way to pass a few days and get my head on straight... but it wasn't as.... meaty. I probably would never have treasured it to the level I treasure the show even if I had seen it first. Because while subtext-hunting is its own reward, and I've spent a lifetime doing it gleefully... sometimes you want something more deliciously real; something you can wallow in. Like the last couple seasons of Xena, for instance. Or this show.

There's just something so very special about the blatant love story going on here, and how it's one of the best of those ever scripted (because honestly, it has everything), and certainly one of the best ever acted. There's so much about the worldbuilding, the scope, the focus on characters who in the book were more of a Rosencrantz and Gildenstern than they were main characters (because that's who the audience connected with, and you want your audience to continue to connect in the show, so you give them more of what they already connected with. Perfectly done), and the extra information about the passage of time that makes it a wonder.

Eventually I also hope to be able to listen to the radio production, but... I am extremely grateful... No, grateful doesn't even cover it. There's not a word for the fact that Neil went in full-bore and gave us so much MORE than we had with the book. Such a feast to linger over for as long as we wish, seeking out all the little flavors and all the clever bits we might have missed the first time... or the fifth time.

I definitely don't regret reading the novel, And it was certainly a nice first taste of Terry, because I haven't gotten to him yet... and while I do wonder what my experience of it would have been if I had read it years ago, since I didn't, all I can say is that for now, it's a nice companion novel with a Douglas Adams kind of feel... but the show is one of the best things I've ever experienced in my entire life. Period. It was, and remains, a life-changing event, and I simply I cannot wait to get more from this piece of media and this team; this loving, wondrous group of dedicated people who are giving us such a beautiful, one-of-a-kind gift.

[mcalhenwrites]

I think your writing is great, and I wish I could write as well as you! I especially love your worldbuilding.

If anyone is giving you concrit that makes you feel demoralized, then they don’t know how to give concrit. Constructive criticism should always in the end leave you encouraged to keep writing and improve. They probably just aren’t your audience and don’t realize that their tastes aren’t objective truth.

I can only really talk about ao3, but it’s really difficult to get readers for original works that aren’t straight up porn. Even with fanfic, stats will always be better for a poorly written fic in a popular ship with popular tropes than a masterfully written fic in a dead fandom or unpopular ship. I really wish there was a place with the openness of ao3 for original works! But as it is, please don’t let stats affect your confidence in your writing.

-Your fan :)

Thank you ;A; I don't think the intention is to leave CONcrit so much as just tear me down. I know with the fandom situation (will not go into it too deep, but that affected tons of authors of the same ship) was more about a territorial pissing contest that made it hard to want to publicly share anything I wrote for the ship. Other writers were viewed as a threat and competition to be smothered out... and I just don't have the spoons on any given day to do more than crawl backwards into my cave and let them have their damn spotlight. Wasn't in it for the spotlight when I used to have panic attacks (and still do) if I get TOO much attention. xD; (I want my writing to be popular, but also I do not want to be perceived, and I want my writing to be just enough to make a living.) Funny enough, that experience was such an outlier for fandom experiences. I spent a lot of time in the Tales of Xillia fandom, where most of the artists and writers were cheering on others and inspiring them. It was such great energy. I was so clueless for someone in his 30s that fandom could be that hostile, which is saying a lot since I've been into FF7 and Kingdom Hearts since the early '00s... (iykyk...) My AO3 stats are mostly fine. Seasons didn't even have any smut and is my most popular work ever, even over anything I wrote in fandom. I noticed a dip in readership as it continued, but that became more about my worries that it had gotten too big, plus... I have been told frequently that my endings are always messy and often rushed. I've worked hard on fixing that, but maybe now they're too slow. Or I just haven't done as good at improving my endings as I thought I had? I don't know. And yes, there's a huge lack of comments on AO3 too. That's a general thing, not just my experience. One reason why I'm determined to always leave comments as best I can, even if I have low spoon days and can only just leave a short one. (I also... postpone reading a lot if I'm low on spoons, bc if I am too out of it to comment, I won't read until I CAN do that...) But like... the kudos and bookmarks are not bad. Generally. Especially for my original works. They're better than expected in some cases, disappointing in others... I don't think reception is ever consistent to be fair. :') The main thing is that I post to the void of social media, and social media never interacts. My average interaction to my writing-related posts is 0 notes/likes/etc. That should say something about how much it's worth to other people. (To myself, it's the world. I think the only thing that bothers to keep me alive, is that I can write.) I really wanted to publish some of my original stories and at least contribute a little to my financial situation, but if no one is showing interest in my writing, why would they buy it? Not really difficult to think they wouldn't. (And as far as the whole "why not just write as a hobby and get a job" argument: I'm disabled and have no skills, and I do not handle being under pressure with serving the public whatsoever, I just cry or get flustered and break down, and if I see anyone get mad at a child in a store, I just SPIRAL. As for the skills, I'm not kidding: I do not have any. I never went to college or trade school, I've never had a single extracurricular... I'm honestly surprised I went to public school, considering my dad didn't want to buy school supplies and said education was stupid. So almost everything I've learned is by sheer willpower, because I struggled in school with almost nothing but Fs from 6th grade until my last three years of alternative high school... and I went an extra year.) I'm just desperate to survive at this point, and writing is the one thing I can do... (Or thought I could...)

I want to add that I'm still writing. I've been working on my stories and even editing some of the older ones to polish them. A part of me doesn't want to give up the dream of at least self-publishing and selling even 50 copies of each book I release (better than nothing), but... another part of me is also like... Hahaha keep it to yourself, Cal. I've been told that I should plenty of times. That it should be enough that I even wrote in the first place. But... weird, that comes from people who constantly post their own writing. As if they also want readers. Huh.

[betawooper]

rating every demon fight in kny bc i can

non-biased, completely objective rating (more or less) of every significant demon fight in kny based on a number of factors, including:

cleverness of fighting tactics

placement in the story’s timeline

integration of character backstories

cohesive themes between characters

etc

by non-biased and objective i mean i’m not skewing the rating if a death felt fair or whatever

everything past where the anime ended will be under a read more so anime onlys who havent watched mugen train, youre safe lol

oh and i reread the manga like 20+ times (reread the latter arcs at least 40 times, haha hyperfixations am i right?) so be rest assured im not pulling these ratings out of my ass

also ill randomly be bolding certain phrases just to improve readability

anyways let’s gooooo

VS NEZUKO

[Image Description: Manga panel of Kamado Tanjirou and Nezuko. Tanjirou is fending her off by putting the axe handle in her mouth, keeping her from eating him. End Image Description.]

10/10

i like how realistic it is, because yeah tanjirou would react the way to he did with zero fighting skills against a demon

very clear why tanjirou is fighting nezuko and shows a bit of worldbuilding on how normal people react to their family becoming demons

always nice to see worldbuilding

giyuu is the perfect example of a seasoned demon slayer who’s good at his job, and he juxtaposes tanjirou very well in that aspect

my only complaint is not directly in this fight itself but how nezuko is handled throughout the story as a whole

like bro, it is literally never explained why nezuko is different from demons

could have been easily explained if maybe her family’s ghosts like slapped her hand every time she wanted to eat a person but nope

she’s just built different lol

so yeah youll see future ratings get points docked off bc nezuko unlocks some secret power with no prior explanation other than she angy >:3

VS TEMPLE DEMON

[Image Description: Manga panel of a demon. The demon has a sharp-nailed hand over his neck and there are four text bubbles around him saying “But a wound like this... will heal in no time! See? The bleeding already stopped!” End Image Description.]

10/10

may be more forgettable compared to like rui but still good

tanjirou did exceptionally well in this fight and his ability to think on his feet is once again beautifully illustrated here (trapping this dude’s head against the tree trunk with the axe)

very clever

again, establishes more demon worldbuilding regarding regeneration and still being able to move without their head

and the demons burning in the sunlight thing since nezuko wasn’t able to show that

the ending where tanjirou hesitates to kill the demon also serves to show his sympathetic nature towards demons that will last throughout the entirety of the first 60-ish chapters

:)

we’ll talk about what the hell happens to tanjirou after that

or not, it could honestly be its own post

VS HAND DEMON

[Image Description: Manga panel of a many-handed demon. He has six hands around him, three of them covering his mouth while he chuckles, two of them grabbing his cheeks, and one holding on to the top of his head. There are two text bubbles saying “That’s how many of Urokodaki’s students I have eaten! I’ve decided to kill all of his students!” End Image Description.]

10/10

ooooh probably the first big fight against a demon in the series

oh yeah not doing the two random demons tanjirou one shot in a single blow bc eh

anyways hand demon’s pretty goddamn scary, considering the fact that this is the 5th demon or whatever tanjirou has had to face so far

very nice way to show us how much tanjirou’s innate intuition and all his other random abilities (sense of smell, hard forehead) can come together and help him decapitate this guy

i liked the mini history with urokodaki this dude had and why he had beef with our favorite mentor figure, it establishes that urokodaki was in fact a super good demon slayer and its cool to see that actually shown

i also liked that small moment of compassion tanjirou gave this demon, staying consistent with tanjirou’s established kindness

the demon’s sad tale with killing his own brother very much humanizes him when all the reader has seen up to this point is that this guy is a monster who eats people

sets up the theme of demons just being humans but being victims of circumstance that unfortunately doesn’t hold up as well in arcs past mugen train

VS SWAMP DEMON

[Image Description: Manga panel of Kamado Tanjirou fighting off three horned demons as they appear from below. There is a spiky text bubble saying “Three of them!!!” End Image Description.]

10/10

not my most favorite fight but it still portrays everything alright and im not allowed to let my personal opinions mess with the rating so

i like how tanjirou mentioned the fact that he trained in conditions similar to the bog and explains how he pulled off the whirlpool form

using past experiences to aid him in the present, nice nice

tanjirou and nezuko dont quite work together very well but its yknow the first mission so ill chalk it up to simple inexperience

also the way the muzan curse thingie was hinted at here? fantastic way of showing that little bit of demon worldbuilding

...

oh god, it mentions nezuko being stronger than normal demons

ok its not a problem here per say since i can still suspend my disbelief, but later on it just becomes a glaring problem that gets worse over time

VS SUSAMARU AND YAHABA

[Image Description: Manga panels of Susamaru and Yahaba. The first one is a joyful Susamaru about to throw a temari ball. There is floating text saying “Is she one of Kibutsuji’s minions?!” The second image is an annoyed Yahaba, holding one of his eye-hands to cover himself. There are two text bubbles around him saying “My kimono got all dusty. Tch!” End Image Description.]

9/10

why dont these bitches have a good looking panel together dammit

anyways amazing entrance, the way yahaba used his hand eyes to track down tanjirou is really neat

the synergy yahaba and susamaru have is incredible, its awesome dude, they work extremely well together and it shows

tanjirou actually mixing his water breathing forms together is a god tier move and i absolutely love how he can show off his ability to think on his feet once again

establishing how yushiro’s bda works early on is really well done

establishing tamayo as a fugitive this early on is also super well done

not to get into spoiler territory but both these things pay off

how tamayo ended up defeating susamaru is literally awesome in so many ways

shows off both how smart she is by exploiting the muzan curse

and speaking of the muzan curse, we actually get to see what happens to demons who even say his name, back when it was hinted with the swamp demon

tamayo is amazing dude, and we get some real evidence of the horrible suffering demons go through if they even accidentally attempt to betray muzan :D

...

now heres what keeps this fight from being perfect

nezuko somehow grew stronger against susamaru’s temari

with no explanation

which could have been easily explained if tamayo was like “oh yeah the drug also boosts a demon’s strength temporarily”

but nope

god, i just dont like how gotouge handles nezuko’s power boosts throughout the series bc like i said before

no explanation is given anywhere

this is a huge issue, this isnt a pokemon game, you cant just kill demons and get exp at the end of every battle, level up, get some sweet stat bonuses and move on

(actually if gotouge established that this is how nezuko grew in power, than all my complaints about this would be gone, im not even joking)

anyways i get that nezuko is supposed to be “special” but thats too vague of a descriptor

how the hell is she special? ya gotta be more specific and stick with that explanation or that suspension of disbelief is going to disappear

VS TONGUE DEMON

[Image Description: Manga panel of a four-eyed demon with horns and a long tongue. He is crawling in an awkward position, one foot in front of his tilted head. There are two text bubbles around him saying “Heh, heh! I’ll slurpy slurp your brains out through you ear!” End Image Description.]

10/10

not much to say, showcases zenitsu’s true abilities really well

nicely done

VS HORNED DEMON

[Image Description: Manga panel of a big, single-horned demon. There are three text bubbles saying “You dodged! You’re awfully lively for a human! It’ll be a treat to carve away your flesh!” End Image Description.]

10/10

would have ignored this fight if not for the fact we havent seen inosuke fight before

it definitely shows how very fast-paced and wild inosuke is

no complaints here lol

VS KYOGAI

[Image Description: Manga panel of Kyogai, a demon with tsuzumi drums attached to his shoulders. There are four text bubbles around him saying “Why?! Why does everyone keep sneaking through my house? It’s so aggravating. It’s my prey! It’s my prey! Found in my territory!” End Image Description.]

10/10

establishes marechi blood pretty early on, once again expanding the worldbuilding of kny which is always cool

interesting terrain where it’s always shifting, tanjirou once again proves his ability to adapt really quickly by altering one of his forms to work with the turning room

(man, i wish the form mixing/form modification thing carried on throughout the rest of the story, but it really didnt which is just a shame)

the injuries tanjirou had prior to this mission actually affecting him was a nice touch

oh yeah, kyogai gives us more worldbuilding (which is always nice) regarding the 12 kizuki, and the aspect of him being cast out due to being weak shows a lot about muzan’s indifference towards his own demons if they arent strong

his backstory being a failed writer once again humanizes kyogai as a former human being and not just a monster

tanjirou shows his sympathy and compassion again by not stepping on his written work and complimenting his bda

well, tbh tanjirou’s actions kinda came out of nowhere but its a very minor thing and not enough to dock a point off, like it didnt affect the outcome of the fight that much if at all

(so if you see future battles where points are docked off for things not logically making sense, its bc whatever nonsensical concepts were integrated into the fight actually turned the tide of the battle and thats a big no-no)

very good fight and if you remember how kinda bad tanjirou was at accurately slicing the swamp demon, you can see that he’s already improved leaps and bounds

im so proud of him

VS MOTHER SPIDER DEMON

[Image Description: Manga panel of Kamado Tanjirou and the Mother Spider Demon. There is a light shining down from the top right on to the demon as Tanjirou slices her head off, rain following in his wake. There is floating text saying “Water Breathing: Fifth Form - Blessed Rain After the Drought!” around them. End Image Description.]

10/10

i mean does anyone disagree?

all the demon slayers getting their necks snapped by her threads was pretty horrific, probably more horrifying than anything else we have seen in the entire series if im gonna be honest

the death scene is probably the most beautiful one in the series

it reveals a water breathing form that we havent seen before thats the 5th form

as far as i know, no other breathing style has this merciful sword stroke so it shows a lot about the original water breather and what they might have been like

but enough about them, really the focus is on tanjirou bc this is like the best example by far of how kind and sympathetic he is to demons

dunno what else to say, its perfect

VS SON SPIDER DEMON

[Image Description: Manga panel of Agatsuma Zenitsu performing Thunder Breathing 1st Form: Sixfold on a spider-like demon. Zenitsu is crashing through the roof of a shed, and a zig-zag path is left behind. There are sound effects all over the panel, saying “Bam!” in large font. End Image Description.]

10/10

chose a picture without a huge spider on it bc i would like to not scare myself half to death

anyways extremely amazing fight, showcases zenitsu’s immense talent and skill, adapting the 1st form of thunder breathing to be a more versatile move

theres a moment where his backstory with kuwajima and kaigaku were revealed and his hidden insecurities are out in the open which is super nice and further develops a character weve only considered as comedic relief until now

the anime made the backstory scenes and the killing scene so much cooler

while there is no thematic connection between zenitsu and the demon, it really isnt necessary to keep this fight interesting

anyways another pretty much perfect fight

VS FATHER SPIDER DEMON

[Image Description: Manga panel of Kamado Tanjirou and Inosuke slashing at the Father Spider Demon. The demon has blocked Tanjirou’s sword with his arm, and Inosuke is slamming both his blades down on the demon’s other hand. End Image Description.]

10/10

again, not my most favorite fight but it does everything right

i do have to say it was excellent how gotouge hyped up the father spider demon to be the big bad, only just so the plot twist later takes the readers by surprise

nicely done

VS DAUGHTER SPIDER DEMON

[Image Description: Manga panel of Kochou Shinobu and the Daughter Spider Demon. Shinobu’s back is seen and her haori looks like a butterfly’s wings keeping her afloat as she holds her stinger blade out to the side. The demon looks surprised as blood gushes from her side, arm, shoulder, chest, neck, and forehead. There is floating text on the panel, saying “Insect Breathing - Butterfly Dance - Caprice!” End Image Description.]

10/10

first time weve seen shinobu and her fighting style

what i love most about this is how much it shows her true character, appearing as a carefree and naive individual so she seems underwhelming

then bam, reveals exactly how dangerous and uncaring she is of demons, listing out the specific ways she would torture the daughter spider demon in grotesque detail

her using poison to take demons by surprise is also super clever and brings back the worldbuilding established way earlier about wisteria being poisonous to demons

amazing integration of that concept

anyways this fight really encapsulates who shinobu is as a character and thats why it gets a perfect score

VS RUI

[Image Description: Manga panel of Rui holding his hand out directly towards the viewer. There are two text bubbles around him, saying “Give me your sister. If you hand her over quietly, I’ll spare your life.” End Image Description.]

8/10

not only is it a super scary fight but there is a deeper conflict between rui and tanjirou, what it means to be family

they are opposites in the sense that while tanjirou believes love is what makes a family, rui’s subconscious desperation for an unbreakable bond drives him to use fear to keep his “family” together

excellent juxtaposition of their values, and this is only further emphasized when rui expresses out loud what he was going to do to nezuko

i also like the symbolism regarding rui’s bda, how he uses threads or the “familial” bonds to cut up his fake family with it if they act out of turn or annoy him

super neat detail

alright what i dont like about this fight is nezuko (again)

mostly her unlocking her bda to turn the tide of the battle bc her mom was like “yo, wake up, your brother is going to be killed”

feels... forced ig

her bda in general is confusing and not consistent

man, i wish i could make a stronger argument for this but i do believe the problem stems from the fact that we dont ever know what nezuko is thinking, and what she thinks of tanjirou specifically

if she even cares for him as a sibling or if shes only going along with what her family is saying to her, things like that which would have been fixed if gotouge actually gave her thoughts some screen time

so the action feels pretty shallow

im also conflicted over tanjirou somehow remembering how dance of the fire god works

on one hand, hes using past information and applying it in the current setting so he doesnt die, which is understandable

but on the other hand, this was a teeny bit random?

i think what could have fixed this is if there was a scene in the beginning of the series where tanjirou was performing it himself, like practicing before he actually had to do it for new years

so that when the rui fight rolls around, it would have felt less like throwing dry spaghetti at a wall

but yeah

overall super good fight, giyuu ending up having to kill rui instead of tanjirou was super good in that tanjirou didnt become a pillar this early in the series and to show how strong giyuu is

there are some odd bits regarding the ultimate “beheading” of rui using nezuko and tanjirous supposed bonds but it doesnt kill the fight entirely so it deserves its pretty high score

***under read more is manga-only fights so beware***

VS ENMU

[Image Description: Manga panel of Enmu holding his hand out directly at the viewer, with a mouth on the back of it. There is floating text to the top right of Enmu that says “Whispers of Forced Unconscious Hypnosis!” End Image Description.]

9/10

id say this fight is definitely overshadowed by the dream stuff prior to this but its pretty good in its own right

enmu fusing with the train was kinda confusing, like when was it established that demons could fuse with objects?

this worldbuilding element doesnt even appear again so yeah thats why it loses a point

how the kmbk gang end up defeating enmu is pretty sweet though, tanjirou using dance of the fire god to sever the neck bone was really nice and shows that him using the breathing style in the rui fight wasnt a one time thing

while kyojuro’s role was smaller in this part, the next part makes up for it so i cant complain

anyways ye, almost perfect score but its pretty good

VS AKAZA (MUGEN TRAIN)

[Image Description: Manga panel of Akaza holding his hand out to the viewer’s left. There is a text bubble saying “Why don’t you become a demon?” End Image Description.]

10/10

this encounter is literally amazing okay?

after the crew kills the big bad, it seems like everything is fine

but plot twist, upper moon 3 appears out of nowhere

this is the first time the reader has seen an upper moon, let alone the 3rd/4th strongest demon in existence and the way gotouge handled this twist is fucking amazing

kyojuro’s death scene really shows just how human even the strongest pillars are against demons with incredible power

its just

amazing

VS OBI DEMON

[Image Description: Manga panels of the obi-like demon. The first image shows the obi hung in the air and strung over each other like decorations, with women-shaped patterns in its folds. The second image is Hashibira Inosuke fighting the Obi demon which now has lips and eyes. There is floating text in that panel saying “Breath of the Beast: Sixth Fang - Jagged Gnaw!!” End Image Description.]

10/10

on to red light district

this fight is admittedly super forgettable and not very interesting at least compared to the main fight with daki and gyutaro

but it wraps up the sub plot of the women and uzui’s wives going missing so it gets a perfect score for not messing that up

oh and it establishes the stretchy neck thing daki has going on which is very good

VS DAKI AND GYUTARO

[Image Description: Manga panel of Daki and Gyutaro. Daki is sitting on Gyutaro’s shoulders. There is a text bubble on the top right that says “The two of us are one, after all.” as well as floating text that reads “The power of the irregular siblings...!? Next issue lead color and the fight reaches its climax!!” End Image Description.]

8/10

love how this battle challenges tanjirou’s sympathy and kindness towards demons, just simply bc daki and gyutaro are horrible people

(too bad nothing came of this, which ill explain in the hantengu portion)

daki and gyutaro are very good villains and kept this fight super interesting from start to finish

uzui acting as a foil to gyutaro is nicely integrated and properly shown with how jealous gyutaro gets over seeing uzui’s perfect form and stature

tanjirou not only mixes forms but mixes breathing styles as well, which is so fucking awesome

(too bad it was only used like once throughout the entire series, its quite unfortunate)

the super high tension right after inosuke gets stabbed and tanjirou wakes up was expertly portrayed and handled, it felt like the kmbk gang and uzui were actually going to lose

super awesome

the tanjirou and gyutaro parallels are expertly portrayed, with how gyutaro taunts tanjirou over failing to protect his little sister, and the more visual thing where tanjirou imagined his own neck underneath his blade, that was super duper nice

the ending is extremely tense and emotionally gripping, gotouge did a really good job with that artistically too

the demon mark acquisition scene was surprisingly not frustrating, considering that it wasnt really explained prior to the battle

i do think it has to do with how it was explained later just exactly how they worked so its not just some random thing gotouge pulled out of their ass

so pretty good

/

what i dont like is nezuko and her full power demon form

first of all where the fuck did that come from? she just got angry and suddenly shes as powerful as an upper moon

like

how?

that doesnt make sense???

her extremely quick regeneration makes no sense

her ability to manipulate her blood’s properties makes no sense

and it doesnt even appear again so what was the point of that existing

none of this is even explained later which annoys me

that one part where tanjirou sings a lullaby to her to calm her down was alright ig but nezuko in this fight makes me extremely irritated and frustrated

just ugh

VS HANTENGU

[Image Description: Manga panel of Hantengu opening a shoji door. He is crawling inside, his hand in a gnarled, unnatural position. There is a text bubble saying “Eeeeeeek.” End Image Description.]

1/10

swordsmith village

this fight can go fuck itself /j

no but seriously it has so many problems that it would be shorter to name its redeeming qualities (which ill do later)

first off, the nezuko full power form thing again

i hate it so much with a passion

again, where did her ability to regenerate instantly even come from???? this is never explained, ever

and why did she cut herself on tanjirou’s sword anyway

did she somehow know that it was going to turn red if she burned it?

gotouge what the fuck, there is literally no reason why nezuko would do that and we cant even read her mind to see her thought process

gotouge hates nezuko, i swear

/

remember when i said uzui is meant to be a foil to gyutaro in the rld fight? its pretty obvious that those two are opposites, it was nicely done

... what the hell does mitsuri’s insecurities about strength have to do with whatever the fuck hantengu has going on (which is basically nothing)?

so no meaningful connection between mitsuri and hantengu

theres no meaningful connection between tanjirou and hantengu other than tanjirou getting pissed off for like the second time

also tanjirou’s thing with being kind and sympathetic to demons was entirely dropped at this point

but instead of it leading up to a corruption arc of some sorts, it just doesnt

like honestly if something actually came of that anger he exhibited in this arc and from red light district from this point forward story-wise, i would have counted this as an amazing writing decision

but it literally doesnt so who cares

(god, i really start to hate what happened to his character after this )

and genya’s revealed motivation also doesnt fit at all with hantengu’s thing, he’s not a foil, not a parallel, nothing, there is nothing

/

tanjirou being the catharsis for development for mitsuri and muichirou, who he has only talked to like twice

theres definitely a better way to handle those two’s developments without his help

like gotouge, you have a big cast of characters, use them lol

/

i want to kick hantengu in the face for being boring as fuck (at least his clones have cool looking weapons)

doesnt even have a proper backstory, just a single spread of him being blamed for shit as a human

like... thats it? this is upper moon 4 what the hell

/

theres no clever form mixing here at all (regarding tanjirou) which probably would have helped with foreshadowing the 13th form for dance of the fire god/sun breathing better

also gotouge established that as tanjirou’s thing and now he doesnt do that stuff anymore which sucks

/

oh hey remember when tanjirou actually learned how to do zenitsu’s speed boost thing?

if you didnt, i dont blame you bc it literally doesnt appear again, ever

you could argue that he adapted it into his “waltz flash” technique or whatever the fuck that is but the way it was integrated into this fight was like throwing dry spaghetti at a wall

which is just a shame bc its meant to be representative of how tanjirou and zenitsu are good pals but the way it was utilized is forgettable as hell

/

i absolutely loathe the crimson blade concept as a whole and im mentioning this now bc its going to come into play why future instances where this goddamn thing comes up again causes points to be lost

its inconsistent as fuck ill tell you that

/

at least some yoriichi stuff appeared here and not shoved into the final battle with everything else

so the yoriichi stuff later didnt come out of absolute nowhere

genya and mitsuri’s unique fighting styles expand the kny worldbuilding just a little more which is always nice

tanjirou got a cool sword out of this which would have been cooler if him and yoriichi had a deeper connection that was actually explored

but we didnt get shit so whatever

other people getting demon marks being revealed here is also okay so that again, the final battle isnt filled with absolutely everyone getting their marks at once

demon marks have their own slew of problems but its not as bad as the fucking crimson sword shit

god i hate the crimson sword shit

...

dude this section needs a tldr, even i cant sit and read through my shit

TL;DR - this fight sucks and crimson swords are bullshit (more on this later)

VS GYOKKO

[Image Description: Manga panel of Tokitou Muichirou and Gyokko. Muichirou is looking to the left while Gyokko is looking to the right, both with their backs to each other. There are mist clouds billowing in the foreground and background, as well as a slash mark going across Gyokko’s neck. End Image Description.]

7/10

this fight suffers from the same lack of cohesive themes through characters like the hantengu battle bc the antagonist is given nothing

but its better

we havent actually seen mui fight before so theres no consistencies that the reader has to keep track of for now

and there arent like 10 characters in the fight so this fight gets a lot of points just for being a lot more coherent

i do like that this fight shows just how good mui is that he can defeat an upper moon by himself

mui’s backstory is neat

gyokko’s bda is very interesting too

... thats pretty much it lol

ye, anyways not the best fight but not the worst fight either

VS KAIGAKU

[Image Description: Manga panel of Kaigaku holding the hilt of his blade with one hand. There is two text bubbles around him, saying “...As usual, you’re still shabby. It’s been a while, Zenitsu.” End Image Description.]

9/10

alright on to final battle arc

theres some good fights and then some really sucky ones, but this one was pretty incredible and very emotionally charged

theres a clear reason why zenitsu and kaigaku are battling each other (kai betrayed the corps and inadvertantly caused the only parental figure in zenitsu’s life to die, and zenitsu is rightfully pissed off about that)

the visual yin-yang symbolism is awesome too

zenitsu winning due to using the 7th form he created himself (which i have reason to believe was inspired by tanjirou) was the perfect ending to the fight, really couldnt ask for anything better and is a perfect example of how much of an effect tanjirou has had on zenitsu

the 7th form is what tanjirou’s waltz flash should have been lol

/

what keeps this fight from being absolutely perfect is lack of development prior to this conflict

(since the final battle arc is basically a culmination of all the hinted developments through the series, im going to actually factor in how much and how well these conflicts were foreshadowed)

anyways if we had actually seen zenitsu, kaigaku, and kuwajima actually interacting with each other and showing how they were essentially a family (not just through flashbacks), it would have made zenitsu placing the responsibility of killing kai onto himself a lot more tragic

but like, apart from brief flashbacks where zenitsu actually met kaigaku off screen and that one thing all the way back in natagumo where both kuwajima and kai were introduced, thats pretty much it in terms of thunder family development

so yeah its underdeveloped for sure

also one random thought, i personally think zenitsu should have gotten his demon mark in this fight, it would have been cool to see

VS AKAZA (INFINITY FORTRESS)

[Image Description: Manga panel of Akaza’s face. There are two text bubbles around him, saying “Okay, let’s get started. It’s time for the feast.” There is also floating text saying “The inspection of the strong has begun...” as well as a simple box on the lower left, denoting its the end of chapter 147. End Image Description.]

6/10

oh god please dont hate me for this

ill list the good things first how about that

this conflict was foreshadowed perfectly in mugen train, you bet the readers were expecting a tanjirou vs akaza battle after the death of kyojuro and gotouge delivered

akaza’s power is shown extremely well with how many close calls tanjirou and giyuu had while fighting him

akaza eventually giving up on his own volition was really nice and fit into the context of the battle very very well, like sure tanjirou and giyuu wouldnt understand why he gave up but us readers do know

akaza is a really good character and a good villain

/

now notice how im only mentioning akaza and not giyuu or tanjirou in the good aspects

bc those two are eh

no form mixing at all from either tanjirou and giyuu

i know i said form mixing was kind of tanjirou’s thing but you’d think giyuu would have gotten more creative with his moves once akaza said that he was getting predictable

(well he said he “ran out of water breathing forms” but same thing)

so its kinda bland lol

speaking of giyuu, his whole thing with his insecurities of being weak wasnt handled well (it was sort of immediately brushed off in pillar training, and its unclear what part of his character arc he was in)

like sure him announcing that he’s going to protect tanjirou is cool but it feels like he was haphazardly dropped into the tanjirou and akaza conflict

isnt he supposed to be both their foils? that wasnt really explored that well in this fight and theres no deep meaning behind him even being here just analyzing what he did in it

he could have been handled better or even given more focus is what im saying

the anatta state came out of nowhere, im sorry okay? just bc inosuke like barely hinted at not being able to sense grandma hisa bc she had no fighting spirit and tanjurou magically taught his son how to achieve this state doesnt mean it was properly integrated into the fight

if the anatta state was actually explored prior to this battle, i would have given it a pass but it just feels like a cheap and poorly developed trick to get around akaza’s technique development (which is overpowered as fuck might i add)

gotouge should have just given akaza a plausible weakness to his technique development instead, especially since they dont use or even mention the anatta state after this

the transparent world shit makes no sense but ill elaborate on that in the koku battle analysis

oh and this thing doesnt affect the score but why wasnt there a “yoriichi visage overlapping” moment when tanjirou was fighting akaza? hes an upper moon, he should have gotten those visions but he didnt

for some reason

anyways this battle was alright and has good set up but the middle and end parts didnt hold up as well bc random concepts were thrown at us without prior explanation or development

VS DOUMA

[Image Description: Manga panel of Douma licking Shinobu’s butterfly pin. There are two text bubbles around him saying “Anyway, tonight is a good night. Such fine feasts keep showing up one after another.” End Image Description.]

9/10

damn, such an amazing fight

the build up to this was properly foreshadowed

shinobu finally showing her true anger after hiding it for so long is amazing

douma is a super interesting character and fantastic villain

shinobu showing off her true power and determination against douma was sooooo nice

shinobu’s poisonous body plan is so clever and so interesting

if i was to rate the shinobu part of the fight alone, it would have gotten a 10/10 no question

the reason why its knocked down a point is because of the kanao and inosuke part

dont get me wrong, the way kanao is able to hold her own against douma by herself is pretty cool, how shes meant to parallel douma with their similar struggles surrounding human emotions and demonstrate how she has grown as a person, how she regains the ability to cry

that shit is cool, inosuke also getting in touch with his emotions after learning what happened to his mom was super neat as well

however

bc this battle takes place in the final arc with everything else, there wasnt proper build up regarding many things, the kotoha reveal especially

so inosuke feels kinda forced into the kanao shinobu and douma conflict, similar to how giyuu felt forced into the tanjirou and akaza conflict

its quite unfortunate bc if the kotoha stuff was actually explored prior to the confrontation, this “forced” feeling would have disappeared

i know some people have suggested that the douma fight should have just been its own arc, and i very much agree, it would have certainly helped fix this problem regarding inosuke and kotoha

last random thought, i wish shinobu, kanao, and inosuke got their demon marks

VS KOKUSHIBOU

[Image Description: Manga panel of Kokushibou looking directly at the viewer, holding the hilt of his blade as if he’s going to pull it out. There are text boxes around him saying “This... is Upper Moon One... He’s so different compared to the other Upper Moons. He looks so dignified and majestic.” The text boxes are narrated by Tokitou Muichirou. End Image Description.]

5/10

this fight is... mediocre

at least theres a more tangible connection between muichirou and kokushibou

even though that was handled kinda poorly

tbh there really was no point to revealing that mui is koku’s descendant like at all, it just had no significant bearing to the plot of the fight

sanemi’s backstory being here is... okay ig?

idk the whole shinazugawa conflict has fundamental problems that i just cant think of any other place to put it without changing the entirety of canon

the marechi blood concept coming back was nice though

genya is there

him getting his bda was cool and helped turn the tide of the battle in a satisfying way (before kicking the bucket but thats not the focus here)

gyomei is a hollow husk of a character who barely got anything at all

but his fighting style is extremely cool and conveys his immense power very well

oh and him and sanemi are amazing at working together, like better than giyuu and tanjirou, and better than kanao and inosuke

theyre that good yet pretty much nobody acknowledges it which is sad

koku himself is pretty interesting and pretty tragic, very nice villain

but everyone together?

gonna be honest but this is such a random collection of characters, there was basically no foreshadowing that these four were going to go up again kokushibou, they are not that connected very well

i know there was this one post that focused on the theme of family that was common in all 5 characters in the fight but its just not enough

it would have been more cohesive if gotouge emphasized gyomei, mui, sanemi, and genya being like different aspects of yoriichi coming together to kill kokushibou hundreds of years after yoriichi failed to kill him

lmao its not like the 4 of them defeated koku with the power of family or friendship, they just smacked him over and over with a flail, shot him with magical bullets, and stabbed a crimson sword into his abdomen

wouldnt have been too hard to switch over to koku’s pov and go “damn these bitches are like my stupid brother”

...

speaking of crimson swords

i fucking hate the crimson sword concept oh my god can i complain about it now? im gonna complain about it now

unlike demon marks, the crimson blades werent even given any proper conditions, you just hold the stupid thing hard enough and it somehow imbues it with magical properties with no logic behind those properties

what part of crimson swords completely destroys a demon’s body in an instant? even muzan didnt go through that process when he was almost killed by yoriichi so where in the goddamn fuck did it come from

it could be explained bc the sword was left in the same spot for a long time but this tactic doesnt even appear again in a meaningful way (didnt kill muzan when tanjirou and giyuu held the sword together) so what the fuck was the point of having this even exist

its so underdeveloped and confusing and i hate it

the transparent world stuff is also confusing as shit and its pretty much never explained how they work aside from the vague “close your mind” advice, like why did it exist, it did nothing to help the present day demon slayers

its just so... poorly integrated

yeah anyways this is around the same rating as the akaza fight but a little worse bc there wasnt that strong set up beforehand

VS KOKUSHIBOU (SENGOKU ERA)

[Image Description: Manga panel of a bag getting ripped open, pieces of a wooden flute tumbling out. End Image Description.]

10/10

easily 10/10

this fight shows the tragedy of kokushibou giving in to his envy and hatred, when yoriichi cries over seeing his own family commit terrible attrocities against the people he wanted to protect

and yoriichi dies, now carrying the fact that he couldnt even save his own brother from the influence of muzan on his conscious forever

what a sad ending for yoriichi

and after koku angrily slashes apart yoriichi’s corpse, having him find and keep the flute he gave to him when they were kids to the present day gives him a small shred of humanity in the midst of his monstrous anger

VS NAKIME

[Image Description: Manga panels of Nakime. The first one shows a low quality version of her playing her biwa. The second one is a close up of her eye. There are spiky text bubbles saying “It’s Upper Rank... 4!” End Image Description.]

0/10

no nakime backstory

not even a goddamn fight

forgettable

useless

VS MUZAN

[Image Description: Manga panel of Kibutsuji Muzan in his white-haired, mouth-covered form. There are text bubbles around him saying “Not a single one was of use to me. I will crush the demon hunters tonight. I’ll massacre them all right now.” End Image Description.]

1/10

._.

i have many complaints but ill try my best to not make this another hantengu rant section lol

first off, obanai deserved better

im serious, this poor dude was forgotten until pretty much the end when we finally get a backstory out of him

and then he died

what a waste of a potentially amazing character

mitsuri getting taken out early was ehhh

pretty sure someone else made a post about her supposedly being extremely strong but she was nerfed in this battle which i agree with

literally none of the pillars work together very well, like remember how i praised sanemi and gyomei for being super coordinated? lmao that doesnt exist anymore

you could say this is caused by desperation though and you wouldnt be wrong, its just boring to sit through

that causes issues bc this now basically requires the crimson sword and transparent world concepts to be there to spice things up

but in this fight, they do nothing in the long run (except for tanjirou using the crimson sword at the very very end)

youve already heard me talk about why those two things are super shittily integrated and i cant be bothered repeating myself so moving on

kanao, inosuke, and zenitsu

they... exist? they didnt do much tbh, which i guess is the point but like, now its boring again

nezuko could have been used as a potential way to raise the stakes and make things interesting again (like “ah shit, muzan might actually be unkillable if he gets nezuko but its okay bc shes not here- oh fuck shes here this is not good”)

but nothing came of her running off except confirmation that she became human again so whatever

uzui and shinjuro are useless, why werent they at the fight?

like they could have followed nezuko and contributed to the battle even a little but they just didnt and now theres literally no point to them appearing in this arc at all

wasted potential

tanjirou

i wish him going absolutely apeshit had actual substance behind it, like it being a part of his character arc or something

i remember having this one theory that he had a corruption arc (due to dropping his kindness thing towards demons) and i wanted this to be true so badly

but it doesnt exist

not with how the series ended

god

the only thing that saves this fight from being complete trash is tamayo’s poison thing being amazingly executed

and the part where everyone got blasted away, losing limbs and shit, that made things a little more interesting again

but thats it

VS MUZAN (SENGOKU ERA)

[Image Description: Manga panels of Kibutsuji Muzan, Tamayo, and Tsugikuni Yoriichi. The first one has Muzan and Tamayo, while the second one has Yoriichi pulling out his sword. There are text boxes saying “And the moment I met him, I understood that I was born into this world to defeat this man.” End Image Description.]

9/10

finally something good again

while short, that’s just the nature of all of yoriichi’s battles with demons

anyways pretty nice, theres a clear reason why this battle exists (shows the scenario that made the original breather get super close to defeating muzan in detail)

adding tamayo here was a nice touch

my only complaint is that it seemed extremely coincidental that yoriichi somehow developed a breathing style specifically countering muzan’s multiple organs without even knowing prior that he had all those brains and hearts floating around freely in his body

like thats kind of ridiculous, even for yoriichi whos supposed to be “blessed by the gods”

could just be me though

VS TANJIROU

[Image Description: Manga panels of Kamado Tanjirou in his demon form. The first image has his eyes closed. The second image has his eyes opened and the tumor on his face almost completely faded. There are text boxes around him saying “You will destroy the demon hunters in my stead.” End Image Description.]

1/10

hoo boy

ok first off, demon tanjirou lasted for 2 chapters

thats it

2 chapters

so thats already a problem

i am aware its meant to parallel the beginning of the series but also its ridiculous how completely vague and rushed this entire thing was

nezuko doesnt do shit through not just this battle but this entire arc which i already explained so not gonna go into it further

kanao magically having a demon cure on her made very little sense

the scene where tanjirou leaves muzan in purgatory is pretty but if you look at it in the context of everything else, its ambiguous and confusing

(if someone could explain it and see how it connects to the original theme of “demons just being victims of circumstance,” i would love to hear it)

/

actually you know what makes me so mad about this “fight” as a whole? there was so much potential to do more with this concept

and im not talking about him escaping and nezuko becoming a demon slayer roleswap au (even though its a pretty cool concept)

him becoming a demon could have been a metaphor for his lost kindness and sympathy towards demons halfway through the series

it could have been a punishment for letting his anger towards muzan cloud his judgement

it could have symbolized literally anything about him losing his humanity as he got stronger

but those three things are just scenarios from my head, they dont exist in this series just based off of what weve seen from these two chapters

its disappointing

the only thing keeping this from getting a 0 is the one part where inosuke couldnt chop off tanjirou’s head bc he cared about him too much

that at least shows inosuke had grown as a character

everything else is just meaningless and convoluted garbage and “convoluted” is not what you should be aiming for if this is supposed to be the ending of your series

IN SUMMARY

early kny is very good, later kny is questionable and the ending is just a mess of wasted potential and disappointment

i get why gotouge had to have the transparent world ability, crimson blade ability, and the demon marks appear before they all appeared on yoriichi but theyre all just so underdeveloped and terribly handled in the battles they are used, it makes me want to kick a wall

like lmao, i could literally think of so many ways they could have been properly integrated, hell, im even writing a whole goddamn rewrite using my ideas for these three things (link to that is in my pinned)

just, god

if you want to debate over these ratings, my ask box is open ig? idk

[tsuki-sennin]

Mina-san, bonne lecture~! (Tsuki recaps his feelings about Kamen Rider Saber, a personal essay.)

So, Saber... what a wild ride it's been, huh? Just a quick heads up, this is very long and rambling, and also contains spoilers for everything in Saber. It's fine if you don't wanna read all this, but I just wanted to get my thoughts out there.

TL:DR, Kamen Rider Saber's an undercooked hot mess I absolutely adore, warts and all.

Speaking as objectively as possible, it's a 6/10. Probably closer to a 5 than a 7... it's not great: All the different plot elements are cluttered and weirdly paced; character focus is disjointed and clearly biased toward certain characters, leaving great ones like Kento and Ogami, interesting ones like Kamijo and Hayato, and underdeveloped ones like Sophia and especially the Shindais in the dust; not to mention its balance of comedy and drama is off, and while both are very effective, there's a lot of mood whiplash that can take you out of the story. I also feel like a lot of the easily avoidable character conflict could've been easily resolved, even in universe, by simple conversations. Be careful Fukuda, I think Inoue might sue you if he finds out you've been biting his style and doing it worse.

Rider shows have a very frustrating tendency to drop cool form ideas and not do anything with them, and I don't think it's ever been more the case than with Saber. There's a similar argument to be made with the majority of Heisei Phase 2 after Gaim, but wow. The suits are expensive to make without just straight up recycling everything, I get that, but man, I really wanted to see more Wonder Rider forms. How come Touma got all the fun, eh? Of note are the Blades King of Arthur forms (which look amazing by the way), Espada's Jaaku Dragon forms (one of which I even drew last night), even the non-elemental random Wonder Ride Books all have awesome design elements that go tragically unused. Even if the other Swordsmen just kinda have the ones they do get to use slapped onto them, that's at least something. Touma also just straight up only uses Diago Speedy twice and never again. You have cool props guys, don't waste them like that!

Speaking of waste, Espada, goddamn. Since most of the Wonder Ride Books are Story Type and he needs one very specific Story Book to transform, he doesn't get much of... anything, really! No Wonder Rider forms like Blades, Lamp Do Cerberus being exclusive to Ganbarizing, only getting to use the Ride Gatriker like once, he even spends the second and third arcs as a completely different Rider, then once he comes back he doesn't get a King of Arthur-granted upgrade or even a Necrom Espada form. ...at least, not yet anyway. I'm holding out hope for Espada x Necrom and the eventual Saber V-Cinemas. Extra Rider stans, we will be well respected someday.

The Unreal Engine CGI used for fights in early Chapters was pretty good but wow it feels disconnected and they really drop it quick. I feel like if the animators had more freedom to use as many forms as they want, we'd have gotten a lot more mileage out of the books beyond... decoration basically. I actually really liked the CGI sequences, they felt creative and were fun to follow along with.

The soundtrack is pretty great on its own and conveys what it needs to, but they seriously overplay the orchestral themes. It honestly feels kind of... stock at times. I think my favorite parts of the score are when it winds down, since it feels a lot more natural and lets the cinematographers and actors speak for themselves.

As awesome as I think Falchion's design and the Mumeiken Kyomu are, The Phoenix Swordsman and the Book of Ruin comes up short as its own standalone thing. You'd think 30 or so minutes of non-stop action would be awesome, and it almost is? It's as good as a typical episode of the series with a higher action budget, but it kinda drags on a bit too long; and although I think Emotional Dragon looks cool, it feels a bit tacked on. Coming off of the incredible Zero-One REAL×TIME, it doesn't give you much room to breathe, which Rider films are typically great at handling. I also thought the resolution for the kid's subplot was kinda forced. He does an okay job at acting considering his age and doesn't overstay his welcome, but I really don't see how 20 minutes of violence and action is enough to convince him to be brave enough to go play with the other kids. 5/10, it's closer to a 4 than a 6 and I think that maybe Zero-One should've stood on its own if they really had to push back Kiramager Bee-Bop Dream because of the pandemic.

Alright, with all that said... As imperfect and undercooked Saber was, like Ghost I can consider it a personal favorite, 10/10. Call it a guilty pleasure if you want, but holy hell it's just the show I needed. Takuro Fukuda has a talent for creating fun, wonderful characters and utterly fascinating worldbuilding and concepts. It's a shame he doesn't utilize them fully, but hey!

The action and fight choreography are pretty top notch as usual. Lots of beautiful shot composition and set pieces, and plenty of great angles to help keep up with the extra busy action. I love watching the suit actors perform and they deserve all the respect in the world for their hard work in those hot, sweaty, and heavy costumes. Their visual design is also top notch, with lots of unique and fascinating forms and cool weapons I desperately want to play with despite being broke, all with spectacular finishers and hype jingles with the voice of Akio motherfucking Ohtsuka calling them out. A real feast for the eyes. Not a single bad suit among them, yeah I said it, fight me.

The crossover specials are soooo good too.

-I went over my feelings on the Zenkaiger crossover episodes in a separate post (good luck finding that btw), but to sum it up, they were great character moments for Zox and the Shindai siblings with lots of great screwball comedy and some good old fashioned meta humor.

-The Ghost crossovers are great little side stories all about how Daitenku Temple somehow had the Ghost Ijunroku Wonder Ride Book? I genuinely have no idea why it was there, or how Makoto had the Specter Gekikou Senki, and as far as I remember neither of their origins are explained. Did Luna or Tassel hand them off to them and told them to wait for a sword guy? And why do these generic French Revolution Gamma villains working for Danton get their asses handed to them so easily by Kanon, who literally just became a Rider? I thought that Makoto deciding to adopt all the Kanon clones into his family was both hilarious and adorable though; considering all the crap they went through, I think it was a good ending to this plot. Gimme Espada x Necrom already Toei/Bandai/Fukuda/whoever I need to yell at, give Kento things to do, I beg you.

-I haven't actually seen Super Hero Senki since it's not available for subbing yet, but apparently there's a Journey to the West plot starring the Taros and Ohma Zi-O and I want to see that so badly.

Tokyo Ska Paradise Orchestra? Yoohei Kawakami? A match made in heaven, that's what they are. All of their themes are absolute bangers. All of them. Almighty, Kamen Rider Saber, Sparks, Taju Rokou, all excellent and empowering pieces. Rewrite the Story, Will Save Us, and The Story Never Ends are all amazing inserts done by the cast, and it makes me wish we had even more of them to help break up the monotony of the score.

The characters are what easily make this show such a great watch though. For the most part, they have great personalities and chemistry, consistently fun and interesting scenes, well acted and... sometimes well-written development, and deeply investing personal stakes.

Narrating it all is the delightfully eccentric Tassel/Viktor, portrayed by Romanesque Ishitobi "TOBI" of the Paris-based Les Romanesques. I was utterly confused by his presence at first, wondering why there needed to be a narrator when the story would've been perfectly fine without it. He even got a special spot in the opening despite having no stake in the plot despite seeming to live in Wonderworld, who the hell is this guy? But then I thought "OH MY GOD, HE'S THE MAIN VILLAIN USING TOUMA AS THE HERO IN HIS OWN TWISTED STORY, THE BASTARD". I thought it'd be some subversion of expectations, true form, "That Was His Mistake!" shit. Trust me, it made a lot more sense in my head. I'm very happy that they didn't do that, as I grew to love having male Yuuka Kazami as my narrator, and when he was shown to be actually important by being friends with Yuri my mind was blown. And doubly so when I realized just how deeply necessary to the plot he really is.

Rintaro/Blades is up there as one of my all time favorite secondary Riders, since his curiosity is always consistently funny and adorable, his forms are all gorgeous and impressively designed, his relationships with Mei and Touma are absolutely sweet and compelling to see unfold, and his arcs about becoming willing to call out those he views as family and coming to terms with his feelings of inadequacy and both moving past and using them to strengthen himself are always great lessons to pass on to kids. ...even if they took like 10 goddamn episodes to be conveyed in what could've been 5, but hey, Takaya Yamaguchi does a stand-up job all throughout. Rider veteran Eitoku's refined, almost logical movements with the Suiseiken Nagare absolutely beautiful to see in action, and his final form having the same white and blue color scheme as Zooous's base form is an amazing touch I don't see appreciated enough.

Mei Sudo's also absolutely wonderful, serving as the perfect emotional core of the story, responsible for most of the funniest lines, sweetest character moments, and some of the most deceptively compelling drama. Asuka Kawazu brings the perfect energy for such a dynamic and well rounded character, and absolutely nails her scenes of quiet turmoil. As much as I would've loved her to become a Rider, I don't think she really needed to. She's already done so much to help, and as cool as it would've been to see her pick up a sword and fight alongside them as Espada, Calibur, or Falchion she's already endeared herself to me as one of my favorite supporting characters in the whole franchise.

I can't get enough of my homeboy Kento Fukamiya/Espada. Like Rintaro and everyone else for that matter, he also suffers from Saber's pacing issues; and like his predecessor Valkyrie from Zero-One, he doesn't get a proper upgrade aside from his Wonder Combo, instead becoming an anti-villain using a completely different powerset and shifting the Raimeiken Ikazuchi out of focus for the Ankokuken Kurayami, and I feel there's a serious missed opportunity to see him use Jaaku Dragon with Alangina. However, Ryo Aoki's performance is probably among the most easily praiseworthy in the whole cast, managing to convey both Kento's kind and knightly stoicism as Espada and his emotionally unstable despair as Calibur perfectly, in conjunction with Yuji Nakata's experienced and expressive stuntwork.

Ren Akamichi/Kenzan's a dark horse favorite for sure. I remember back when Saber was first picking up, people hated this breezy mad lad for being such a simple character at first. Overly concerned with strength? Black and white world view? Annoyingly energetic? Agh, real-feeling character flaws, I hate them, get him away from me! But then y'all came crawling back. Eiji Togashi's apparently a bit of a rookie actor, and it really shows with some stilted delivery and the way he sometimes bobs his head when giving his lines, but man he improves dramatically as the series goes on. His inexperience ironically ends up really selling his character development, and his unexpectedly beautiful relationship with Desast is special evidence of that. The Fuusouken Hayate's three modes and Satoshi Fujita putting them to excellent use through his stellar acrobatic movements are also really cool.

Why did Luna have to be a child for so long? Does Wonderworld not age whoever inherits its power? Well since Luna randomly becomes an adult in Super Hero Senki and some of the final episodes, I guess so? Miku Okamoto does a fine job for a kid actor, but she's basically done all the heavy lifting for the whole series and doesn't give Mayuu Yokota enough time to get a feel for her character as an adult. How did she choose Touma to inherit the power anyway? Does she just subconsciously decide to trust him with it upon seeing how kind and passionate about storytelling he is? Well if that's the case, why didn't Kento get at least some of that power too? He's just as important to the merchan- I mean Luna-chan, isn't he? Why did Tassel pick her over someone who isn't a literal child who'd be understandably terrified about basically becoming an embodiment of storytelling?

Sophia also kinda suffers from the same problems. Rina Chinen's voice is very pleasant to listen to, but she doesn't really do much beyond serving as a source of exposition and support. I think her dynamic with Mei's adorable, and given her kindness I can certainly understand the respect Northern Base has for her, but she doesn't really contribute a whole lot. If she could use the Kurayami and become Calibur all this time, then why didn't she take it from Kento and Yuri and do so earlier when Kento decided to go back to being Espada? I know she's not much of a fighter and as the closet thing the Sword of Logos has to a leader after Isaac's death I'd understand not wanting to put her at risk, but considering Storious is destroying the world, and she's very evidently kicking a lot of ass in the first part of the final battle even in the basic Jaaku Dragon form, I think it would've helped a lot, just sayin'. Tassel at least has the excuse of being unable to interact with the real world, but Sophia obviously didn't just be put in charge of Northern Base just because she's a pawn in Isaac's plans right?

Ryou Ogami/Buster is also a victim of the disjointed character focus. I have no problem believing he's an excellent father and fighter thanks to Yuki Ikushima and Jiro Okamoto, respectively, but he feels a bit flat and simple in comparison. His rivalry with Desast is randomly dropped, his wife doesn't even show up until the final episodes, he's kinda sidelined in terms of action a whole lot. I imagine that must've sucked for the Rider Dads out there. He does get to star in his own manga, and that was pretty good, so I guess I can't be too mad.

Tetsuo Daishinji/Slash fares better though. Hiroaki Oka, being a Kamen Rider fanboy himself, manages to make him among the most relatable characters in the series. Not only are his hyperfixation on swordsmithing and anxiety played surprisingly believably, Hirotsugu Mori letting him cut loose is extremely cathartic and hilarious, and you really feel for him when the Onjuuken Suzune becomes the first victim of Calibur!Kento's sword sealing.

Yuri/Saikou's another dark horse favorite, for me at least. "Oh great, Avalon guy's got even more merchandise to sell, I wonder what his Sword of Light is- it's himself. Well... that's different." I admit, I didn't like him at first. He felt like he was there to fill out character dynamics in the absence of both Rintaro and Kento, I thought his gimmick was too silly even if his design and jingles were bangers, I didn't particularly care for his power set. But then XSwordman came around I totally got it. He's an endearing, hard-working man trying his best to catch up on all the cool shit he missed, unafraid of experimentation, ready to throw down at a moment's notice, serving as a wonderful bit of consistent support for our heroes, a truly knightly individual, an absolute Chad. and goddamn does he make me worry. Tomohiro Ichikawa, I salute you good sir.

Even if they fall short compared to the rest of the cast, the Shindai siblings are at least cool enough to not wanna write out entirely. They kinda devolve into comic relief after they become allies, something that villainous Riders from Chase onwards are very prone to doing, and it's especially awkward in their case because I think that they kinda get off scot-free for obeying the obviously sinister and crazy Isaac for so long, as well as driving a wedge between a lot of people and threatening children in Reika's case. I think their sibling dynamic is nice though, even if Fukuda recycled it from Makoto and Kanon and has some... questionable possessive undertones as a result. It's cool how they're basically foils to Touma and Rintaro though. The dispassionate and methodical Reika/Sabela is beautifully played by Angela Mei and her moments of emotional depth are fascinating to watch. Her Rider form is a thing of beauty, and its use of literal the Eneiken Noroshi's smokescreens and Yuki Miyazawa's precise and deadly stinging strikes are a joy to watch. And while Ken Shonozaki's not given the best direction as the undercooked plate of 7-Eleven fried fish that is Ryoga/Durendal, he manages to sell him as an experienced and hardened warrior with an awkward side that's especially evident in the Zenkaiger specials. His goddamn RWBY weapon that is the Jikokuken Kaiji is absolutely sick, I'm a sucker for transforming weapons and its combination of time and water powers is really cool, especially with Yasuhiko Amai's deliberate and forceful acting in the suit.

Daichi Kamijo/the Second Calibur, for as brief as his story was, was a pretty cool starter villain. Hiroyuki Hirayama brings this poor bastard to life in a genuinely touching way. I love how as Calibur he goes full force on his creative use of Wonder Ride Books for attacks, and his debut as Jaou Dragon got my blood pumping. His end is also deeply tragic, and I really felt for him when he realized just how badly he fucked up. Hayato Fukamiya also does wonders for the backstory, and while he also doesn't get much to work with, Mitsuru Karahashi makes his regrets and love for Kento feel genuine.

Legeiel and Zooous are both very intimidating and entertaining villains. On top of being just the right balance of goofy and threatening, Kairu Takano and Koji Saikawa's stage presences are both very strong, and their mixture of camaraderie and in-fighting is extremely believable. Zooous's rivalry with Rintaro feels incredible to see through to the end, and although Legeiel doesn't get quite the same treatment, Elemental Dragon had such a cool debut that it more than makes up for it. Their final fights are also absolute spectacles. I don't think their sympathetic angle works even close to as well as it does with MetsubouJinrai or even the Gamma, but I get it, power corrupts, and you probably feel a lot of sadness and regret for things you've done when you die unless you're a right bastard.

Isaac/Master Logos/Solomon is kinda generic. As wonderful as Keisuke Soma is, he doesn't get much dimension to work with. The result of that is while he nails being as smug and punchable as possible, he feels almost... comically generic. Genta Umemori from Shinkenger was full of personality! He was also basically some guy, but he was fun, he felt connected to the rest of the cast! Meanwhile the only real time we get to see Isaac's depth is when we see him crying over his failures. I almost appreciate him being unapologetically evil though, since I've seen way too many shows where redeemed villains get off scot free for way worse things, and some where they outright demand you to sympathize with them despite them doing nothing to warrant it.

Bahato/Falchion surprises me by not just being a movie villain whose actions affect the main plot, but also being a movie villain who actually gets to appear in series as a recurring threat! ...and it's not a particularly great showing on his part, sadly. Masashi Taniguchi does a wonderful job with what he's given, but his character feels like a retread of Eternal without any of what made Katsumi Daido a compelling and frightening villain. I'd like to believe Yuri when he says that he used to be a good person and a hero to the people, but I can only hear so many anime villain monologues about the pointlessness of life and the beauty of destruction before I can never take them seriously again. ...I think that's his biggest problem, actually. I thought he was an overall uninteresting and generic villain in the movie, and the cartoon nihilist he's shown to be in series is only a small step up. He still feels like filler. If only there were a far better written and much cooler villain who takes on the Mumeiken Kyomu after his de--

Desast is probably one of the finest anti-villains I've ever seen in recent years. On top of an absolutely badass character design and the excellent combination of Kazuya Okada/Danki Sakae's suit work and Koki Uchiyama's stellar voice acting, his story being so thoroughly intertwined with Ren's makes their shared journey and bromance a borderline Shakespearean tragedy. His struggle for identity despite Storious treating him as nothing more than a failed experiment and the Sword of Logos treating him as a mere monster really gripped me, and the way he uses what little time he has left to encourage Ren into blossoming on his own is absolutely beautiful. I think his enmity with Ogami is criminally underexplored in series, considering he killed several of the previous Riders and how Ogami's in desperate need of screentime.

Then there's our main villain, Kamen Rider Storious. Robin Furuya brings an incredible amount of charisma to this character, expertly portrayed as both a sinister, manipulative bastard , and as a lonely, tragic figure that arguably makes him feel even more villainous. Speaking as a struggling writer myself, it's easy to feel stuck in the idea of "fuck it, who cares, maybe everything is predestined", but I can't imagine what it's like to know that as the truth and carry it with you for all that time. All of your grand ideas have roots from your experiences, and you're not the only one who even could have those experiences. It's easy to just fall into despair and give up trying, but would that make you happy? Sure, Storious is sadistic, he may be fulfilling his goals, he may be ungodly powerful... but it's not enough for him, is it? All of his friends are gone, one of them even at his own hand, he probably doesn't have any idea what to do after he destroys all the world's stories, Touma even reached his full power before he did, and his downfall is so predictable that even a blind person could see it. He even seems to welcome it, what's up with that? But then I realized... OH MY GOD, HE'S THE MAIN VILLAIN USING TOUMA AS THE HERO IN HIS OWN TWISTED STORY, THE BASTARD. He's so far gone, he's so desperate to stick it to the Almighty Book, he's willing to twist the archetype of the Hero's Journey so hard, it snaps in two. What I think is interesting is that he's ironically trying to chase the trend of "edgy superhero story" that became super popular in the 21st century. The Boys, Brightburn, Kamen Rider Amazons, The Sentry, No More Heroes, Magical Girl Site, even mainstream comics from DC and Marvel... Surely Storious must've seen the cruelty and tragedy these stories are filled with, but he chooses to go through with trying to force the world into this direction anyway. Did they, along with seeing the ever-popular tragedies of legendary playwrights and bleak satire of the twentieth century fuel his despair?

And yet... there's one who stands in determination against his ideals.

Our hero, Touma Kamiyama, the titular Kamen Rider portrayed by Syuichiro Naito and Kousuke Asai, he speaks to me on a personal level. There're plenty of jokes to be made about his procrastination in early chapters, his godless fashion sense, and him doing the funny run up the slope, that's all fine and dandy, but I rarely feel so connected to a character the way I did Touma. The struggle to create, find companionship, live your life, reach out to others... these're things a lot of people struggle with, and of course you see them depicted a lot in media about creators, but Saber gets to the root of what the greatest thing about storytelling really is. Giving people hope, while using the pain of the past as fuel for the future. Sure, Storious may be right about how every story has been done as far back as human civilization gets, he may even be right about how any spin or creativity humanity has is outright predestined. It should be pointless to even try, right? That's where Touma Kamiyama disagrees. He didn't spend all that time fighting and creating just to give up at the idea of predestination. His novel writing-fueled creativity in his early training, his devotion to his friends that let him surpass Kamijo as Dragonic Knight, his compassion for the Primitive Dragon that let him combine their powers to destroy Legeiel as Elemental Dragon, his resolve that let Xross Saber dethrone Solomon, and his passion for the craft of storytelling that let our heroes channel their wishes into Wonder Almighty... all stemming from the belief imparted onto him by his predecessor that "Hope lies beyond your resolution." And that you decide how your story ends. He may not be the greatest Rider to some, he may be as lame as others think he is, he may not even be my favorite, but I have no issue calling Touma Kamiyama... Kamen Rider Saber, one of the all time greatest carriers of the Kamen Rider name.

The final chapter's definitely not as great as some other Rider finales, but goddamn. Primitive Dragon consciously choosing to save Touma is so sweet and such a great emotional payoff, I loved jamming out to the opening theme while our boys lay the smackdown on Storious. Wonder Almighty's a fitting final bit to close the main series out with, if not exactly a great one. I think the cover is great, and the book's body is a lovely shade of candy apple red, but I really don't like how its pages are just the covers of the other books copy-pasted onto onto the pages, that feels lazy. Maybe if it were a panorama of all the books' characters, I'd like it a lot more as a symbol of how unified the Swordsmen are, but eh, what can you do? On a related note, does this mean all the "last episode extra final forms" of the Reiwa Era are gonna be named after their series's opening? That's a neat idea.

I felt a lot of feelings seeing all those video messages of Rider fans all across Japan talking about their favorite stories, and how their passion and fond memories help reshape the world. Mei's monologue at the ceremony about is also really touching and- IS THAT A HUMAGEAR!? :O

Y-yeah dude, it is! Wow, where have you guys been for the past 48 episodes?! Are you guys doing okay? How come you're like... the only one here? Is the technology of Hiden Intelligence only really that prevalent in that very specific metropolitan part of Japan and they're just not coming around much over here? Is it like Dragon Ball where anthropomorphic animals are just vibin' with humans while the heroes are off kicking ass? Apparently he's played by Hasegawa Keiichi, who wrote this episode and had the award ceremony named after him. ...is Hasegawa Keiichi a HumaGear in this universe then? Did he set up this award ceremony in Touma's honor? If so, why is it named after him? Did reading one of Touma's books lead to his Singularity? I know this is just a cameo, but... god, I have so many questions that probably will never be satisfactorily answered.

Overall, if I had to compare Saber to anything, it'd probably be Sam Reimi's Spider-Man trilogy. It's awkward, stupid, overwrought, undercooked, illogically written, scattershot, cheesy as fuck, and has a tendency to squander its otherwise fine execution; but the sheer passion for storytelling, sense of spectacle, deeply fascinating characters, and belief in the ideals set forth by the cast, crew, and fans are absolutely admirable. Improvements would certainly make it an overall better experience, to be sure, but there's something deeply captivating about how wonky this series is. Seeing everybody get their happy ending after all they've been through felt extremely gratifying though, and I may have to wait another for the epilogue to and then wait for Revice, but... man. I'm hella proud of our awkwardly-emoting, fashion disaster novelist and all of his heavily flawed friends for carrying the Kamen Rider name on to the future. Here's hoping Revice will keep it going.

Alright, that's everything I wanted to talk about. Sorry this was so long and ramble-y, I had a lot to say. I'll probably be liveblogging Revice as episodes of that come out, so... look forward to that, I guess. See ya.

[countessofbiscuit]

For the ask thing: N, T, W for tcw :)

ヽ(゜∇゜)ノ

N: Name three things you wish you saw more or in your main fandom.

An appreciation for how massive the GAR really is — even if you subscribe to the ridiculously low-balled canonical size of the army, Fives has no reason to be chummy with everyone, ffs. If Anakin and Obi-Wan weren’t attached at the hip, Rex and Cody would hardly ever lay eyes on each other because there is such a disparity in rank (which should indicate a wildly different brief, but lol, this is TCW, where a marshal commander leads from the trenches and a mere captain has a seat at the strategy table). Obviously, this is just a personal gripe: I don’t actually care how people choose to approach the GAR in their stories, this is all about having fun … *I* just have more fun reading fics that are somewhat grounded in realities.

Mating cycles/heats — idk it just seems to me that this fandom with a plethora of alien species to play with doesn’t explore reproductive diversity and weirdness enough. 

Tolerance of clonecest (or whatever the hell you wanna call it, I use that term as shorthand; whether or not clone-on-clone maps onto IRL incest taboos is an essay for another day) — it’s just … it’s interesting to me that folks are more squicked by the possibility that two identical walking war crimes may frot because they have no one else and find some small measure of comfort in each other than, idk, the brutal realities of their lives where death, mutilation, and maiming are omnipresent — and this pervasive idea that clones are the Goodest Bois just out there wearing flower crowns and frying only droids all day makes me : \ This isn’t an exhortation for people to just ‘get over’ their squicks, but I do believe in examining them. 

T: Do you have any hard and fast headcanons that you will die defending? 

Headcanon: Cody is not a born-again Mando nor does he have any time for whatever watered-down Mandalorian bullshit filtered down from the Spec Ops wing. 

Question this headcanon first sought to answer: Why doesn’t Cody wear a kama? 

Id-scratching Justification: He loves this thighs.

Plausible Justification: He likes his legs to be unencumbered for roundhouse kicks. 

Solid Justification I’ve adopted from kaasknot: He earned his advanced-recon stripes in ARF not ARC school. 

My Meta Justification: The line clones do not adopt Mandalorian culture or language wholesale. 

I can’t even qualify this with “call me a RepComm snob, but …” because there’s even LESS foundation for the clones-are-vode idea in the new canon. From where would they have imbibed it? Outside the brief nod to Fenn Rau’s pilot instructor days on Kamino, new canon has not given us any reason to believe the line clones had Mandalorian trainers. And even if you discount new canon’s Jango-is-not-a-Mandalorian heresy, Kamino would not be at pains to emphasize their products’ connection to a culture so perennially at odds with their client (the Jedi/Republic). 

Upon deployment, really almost anything goes; but to say that clone culture wouldn’t hold up pretty firm in the face of other galactic cultures is a little demeaning, and however much people absorb in their search for identity, why would the clones have immediately glomped onto Mandalorian concepts? Why not Corellian? Or Kuatian? Or Chandrillan? Or hells, even Force traditions? Someone may have pointed out to the odd clone, “hey, y’all were made in the image of a notorious Mandalorian!” and set some wheels turning, and sure, Boil was resourceful enough to do his own homework and decide that he quite liked the precepts of a certain group of Mandalorian paramilitary extremists and wanted to slap their sigil on his helmet, but there’d be such a diversity of osmotic experiences in an army of millions/billions spread out across a galaxy that I simply cannot buy the idea that the clones all woke up one fine day thinking of themselves as Mando or Mando-adjacent. 

Setting aside new canon, which I find deathly dull, I prefer RepComm, with its assertion that many of the RCs are born-again Mandos after their sergeants (indeed, the Republic almost has a fifth-columnist problem in Spec Ops with the True Mando influence of the Nulls and certain Alpha ARCs), but the average line trooper view of that mentality is “y'all are a fucking cult.” 

The line troops would identify firstly as brothers and soldiers of the Republic, and they would’ve had close to 0 touchpoints with the Prime Clone. In fact, many might resent the connection, especially deeper into deployment (“What has Mandalore ever done for me? They're a bunch of loose cannons — if they aren't refusing to lend a hand, they're actively leading Sep militias for pay. Fuck the lot of them,” etc. etc.). It would have required a shitton of cultural and linguistic leakage from the Spec Ops wing for the bulk of the line troopers to know even more than a handful of words in Mando’a at the time of Geonosis. (I can believe swear words would’ve been adopted hella fast, if only to fill a vacuum.)

But again, the army is not a monolith, and I am fully on board with the idea that some Alpha ARCs made it their mission to teach Vode An to every unit they came across and the sheer epicness made it wildly popular, and that they spread certain words and concepts (vod, shebs, di’kut, Manda, oya, kara, kandosii, etc.) like a rash. Or a company or two got teamed with a Mando sergeant and two squads of RCs for a month and were belting out “Coruscant'a aden mhi” by the end of it. Or a division found itself with an Alpha-ARC XO when their Jedi General's CC got popped two weeks after Geonosis and Alpha-89 wouldn’t rest until every trooper knew Dha Werda Verda by heart and backwards. Just … show me the work — why should I accept that Bly speaks fluent Mando’a in the bedroom? WHY? Invest me in your clone-culture worldbuilding!

ANYWAY, to bring this back round to my die-on-this-hill headcanon about Cody … he doesn’t like kamas or feel compelled to wear one. Setting aside fun Cody-was-an-Alpha-trained-spec-ops-intern-for-a-month-and-hated-it backstories aside, I just don’t think the dude had the time of day for all that the Manda are watching us warrior brethren, hold your buy’ce high vode, one tribe one dream osik. His identity is wrapped up in overseeing the Third Army and serving as General Kenobi’s right-hand man; on balance (if we’re trying to be realistic, see: above), Cody interacts more with natborn officers and Jedi and fellow CCs than your average ground pounder trooper, and Obi-Wan and Republic officers certainly aren’t going to wax lyrical about Mandalore anytime soon. Obviously, Marshal Fucking Commander Cody is well within his rights to read whatever he wants and talk to whomever he wants and adopt whatever beliefs and language he wants. He has all the resources at this fingertips and clearance that would probably make a lot of natborn admins in REPINT weep. But I don’t personally see him going Mando, though it amuses him to watch Rex try :p The minute Cody earnestly starts using Mando’a in a fic, I’m usually out.

W - A trope which you are virtually certain to hate in any fandom.

Hmm. I spent a good hour’s walk thinking about this and came up blank. Hate is a strong word anyway, and if it’s well-written, I can be sold on anything. But, I can almost guarantee I will never click on ABO unless it’s been recc’d or written by a friend. Not because I have any moral objection, just that it doesn’t interest me and good characterization is often lost to the mandatory ABO dynamics.

… on the flip side, I will ALWAYS click on Fuck-or-Die :D

[neverlearnedtoread]

An Enchantment of Ravens

⭐⭐⭐⭐⭐: sad love story? dude im about to jump on this sick faerie horse and slay an all-powerful fae king, i dont even remember what a tragic ending is

Oh?? 👌😉😏

cute fluffy love story - we need all the serotonin we can get in this society!!!

non-powered heroine who survives by being consistently level-headed and quick-thinking - isobel really said #galaxybrain rights

aloof but ultimately v loveable male love interest

nature spirit!fae and fun mashup of classic fae lore - you can tell the author really had fun doing her own take on fairytale tropes!

writing style - any style that remotely reminds me of dwj wins in my book

No.. ❌🤢🤮

a travelling story - which is apparently something people don’t like reading about? idk, if you’re not into smelling the roses, this isn’t your book

not enough fluff - even though this book is like eating cotton candy. but tbh there should’ve been more making out (just one more make out scene, margaret rogerson, please........do it for the serotonin)

Summary: A portrait artist who lives in a small town called Whimsy gets commissioned by a faerie prince of the autumn court to paint his likeness. As is inevitable in all stories involving customer service, he gets mad at her for some misunderstanding that wasn’t her fault in the first place, and takes her away to the fairylands to stand trial for her despicable art crimes.

Concept: 💭💭💭💭💭

The cover looked gorgeous, so I was gonna pick it up eventually, but then I heard it was supposed to be pure tooth-rotting fluff so I bumped it up on my ‘to-read’ list. You can never read too much fluff! Plus I’d read the excerpt while browsing books, and the writing style was so atmospheric and beautiful and melodic....not too flowery, until I didn’t know my ass from my elbow, but not blunt either. It’s not often I find a writing style that makes me sit up and take notice. And I’m always game for more takes on fae lore.

Some spoilers under the cut!

Execution: 💥💥💥💥💥

What a good take on fae lore it turned out to be! It felt like reading a cute fanfiction about characters I already knew. Usually romance books aren’t the best time for me, because I’m so picky about the characters and their chemistry together - but this managed to be just the right sort of whimsical and sweet and humanizing to make it work. I also loved how you had to put a lot of things together on your own - the first-person narrative was used to great effect, because what details the protagonist could pick up were left to her - and the reader - to figure out. I like books that don’t hold your hand about worldbuilding - it gives you room to make your own interpretations.

Personal Enjoyment: ❤❤❤❤❤

Ironically, when I love a book, I deliberately take longer to finish. I backtrack from where I stopped last, mutter lines to myself out loud to hear the tonal inflection, stop to walk around the house with a dumb smile on my face - this book only had 300+ pages, and should’ve been easy to finish in a few hours; I dragged it out over two days. I think I restarted a chapter like 5 times because I wanted to read the whole scene again. The story’s not grand, but what it had to say resonated with me. So much of media nowadays is obsessed with ‘bittersweet endings’, with consequences and sacrifice - sometimes it’s okay to have a story where good things happen to good people, because they refuse to settle for anything less.

Fave Moment: So many.....every time Rook was embarrassed, I bookmarked the page 😂😂 we love seeing a hot guy drink his humility juice. The top contender here is probably the scene when he first appears to Isobel after the painting was sent to Autumn Court, furious and scared and determined to make her stand trial for her Emotion Crimes (she made me feel a feeling! I don’t like it make it stop!! I am a prince!!!), up to the part they escape the Winter Hunt - everything Isobel did to escape was so quick and clever, my girl had all the braincells working overtime

Fave Character: Isobel is far-and-away the best character, but because we’re not being objective here, Rook takes the top spot. His utter lack of understanding for a lot some of Isobel’s actions, especially when she shows emotion, didn’t mean he couldn’t still be romantic as hell - like when he took her to the Green Well, she said ‘that’s not going to work for me, i could never give up painting’, and he went ‘oh, okay. i won’t bring it up again’. He clearly didn’t understand her reasoning!! but he honoured her wishes anyway. I also liked that Rook only had one previous brush with romance, and the girl rejected him. Generally male love interests are more #experienced, with girls all over them, but Rook? Rook fell in love once and got his ass cancelled all the way back to the autumn court. His vulnerabilities made sense to me, and that’s rare for a YA male love interest.

[thebibliomancer]

Song of the Dark Crystal liveblog pt 17

Song of the Dark Crystal by J.M. Lee because no time to stop and wonder who stabbed Tavra, we have a flute to find!

Last times on book: Kylan, Naia, and Tavra have traveled to the Cave of Obscurity to find a magic firca that will help them warn all Gelfing about the Skeksis. Maudra Argot agrees to lend them the thing and also lends them her delightful son Amri to lead them to it. Also, someone stabbed Tavra and she’s peeved.

Chapter 17

The group travels to the Tomb of Relics, Amri explains the Vapran/Grottan animosity

Amri was busy while he was off-screen in the back half of the previous chapter.

He told Maudra Argot what happened and the maudra is speaking to everyone one at a time trying to find the one responsible for attacking Tavra.

Kylan says that he doesn’t think Tavra will bring the Wrath of the All-Maudra down on the Grottan if Amri helps them find the firca. Which he was already going to do so dunno why you’re doing the hard sell, Kylan.

Amri runs off to let Argot know that they’ll be leaving for the Tomb of Relics right away.

Leaving Kylan alone in a group of Grottan which murmur to themselves and avoid returning his greeting.

If they had garnered any trust within the Grottan clan, it was dashed after Tavra’s disruption. Maudra Argot had been welcoming, but only to a point. The fact was, they were outsiders in the Caves of Grot, and the Grottan loyalty would always be to their own clan, as Maudra Fara’s had been to the Stonewood.

Uniting the clans is going to be a hard sell, it sounds like.

Amri returns and he and Kylan meet back up with Naia and Tavra. Amri bows respectfully to Tavra and tells her that the Tomb of Relics is about a half day’s journey through the tunnels.

Tavra says ok lets go now, i want to leave this cave.

Even though this would be the last time Amri would be home for a long time and even though he doesn’t have any traveling gear or even shoes, Amri gamely agrees to leave right away.

Good sport, Amri.

He does ask for a second to say goodbye, which he does by tapping on the wall.

He placed his hand against the cave wall and tapped with a finger. There was no sound to the open air, but after they waited a moment, Amri pressed his ear against the rock and listened. Kylan did, too, and heard a faint rhythmic tapping, carrying strongly through the dense rock. He had heard it before but not known what it was. So that was how the Grottan could communicate through the tunnels so silently.

That’s neat!

Just a fun concept for a cave-dwelling clan of not-elves.

I wonder who he was saying goodbye to.

By conservation of detail, probably Maudra Argot, but hey, Amri probably has a clique he hang with. Plotting cave mischief and hanging at the cave mall.

Then, Amri leads the group off down a tunnel to the north. As they get further from the central cavern, it gets darker and darker.

Amri does okay with with his enormous eyes. Kylan has to keep one hand on Naia’s back and one on the wall so that he doesn’t lose her or the path.

Tavra seems to lag behind or lose the group a couple times. Kylan loses track of her footsteps a couple times but instead of holding onto the person in front like Kylan is, she does not do that.

Kylan wishes that they could use a torch but as Amri explains without being asked, light attracts bugs. Just so many bugs. Like oh my god so many.

The journey was more than uncomfortable. Kylan kept pushing down impulses of fear and panic of the dark and the closed-in areas. The others were not happy, but they didn’t seem to feel trapped as he did. To make matters worse, Tavra’s words rang in his mind, summoning a recurring sourness of guilt every time he recalled them. He had tried to reach out to her, but it had been at the worst time possible. The words had been jumbled and wrong, an embarrassment coming from a song teller. So, in the dark, Kylan composed a letter in his mind. One that he would write the next change he got, something he could put care into and give to the soldier when the time was right.

You’re an enormous dork, Kylan! But in a positive way, you enormous dork.

Just stewing in social anxiety in the dark and deciding to write a letter.

After I guess a half a day of travel, Amri stops and searches around in the dark until a lock clicks and a door swings open. Amri lights a crystal lantern and introduces the group to the TOME OF RELICS.

The room was circular, with three halls and the door through which they’d entered. The walls were lined with shelves, each stacked full of scrolls and books, boxes and crates, urns and pots, jars and flasks. From where they stood, he could see that the halls that radiated from the room were made of shelvs, full of more items. In the center of the room was a heavy wood tabl.e For examining the artifacts - the relics - Kylan imagined.

Hey, its like this place was made for Kylan! Look at all the reading you could do here!

Amri says he thinks there’s twelve chambers but he’s never actually been here before. Argot was the one who used to visit but she’s too old for that now.

I wonder if she dreamfasted the layout of the room to him. That would have been helpful.

But apparently she just told him where the firca was? In a wood box with a picture of a bell-bird.

Tavra suggests that they split up to cover more ground and then immediately takes off without waiting for agreement.

Amri has to admit she has a point.

Kylan’s imagination was coming out of hiding after the confrontation with Tavra and the suffocating journey here. He had always wanted to visit Stone-in-the-Wood to read all the tablets and songs kept there, but he had never even heard of the Tombs of Relics. Now that he was here, the wealth of knowledge and lore in the place was almost overwhelming.

Best boy Kylan asks Amri what the Tomb of Relics is and why it exists and why is it here

Geez, he wasn’t kidding about his imagination poking its head out. And the curiosity too seems like.

Amri tells Kylan that its “where mysterious and powerful objects are kept, so they aren’t lost to time and the elements” and that the Grottan have been charged to protect it and something called the Sanctuary.

Kylan assumes that Aughra charged the Grottan to protect the relics but Amri says nah, Thra. The planet Thra tasked them. Or at least according to legend.

Since Amri is in a sharing mood, Kylan asks why the Vapran and Grottan have such beef with each other. The Spriton and the Stonewood have a rivalry but nothing like this.

Amri says that it figures that Tavra wouldn’t have told them. Vaprans and their secrets, y’know.

He asks if Kylan ever heard of the story of the Six Sisters? The stories all differ but there’s a common consensus that the clans were founded by six sisters who all went their own way.

So, if there were six sisters, how are there seven clans?

Kylan had given it some thought before and decided that probably one of the sisters founded two clans but how and why never seemed important.

But with the context of the Grottan and Vapran hating each other and the similar skin tones, he realizes that they were the sister clans.

And the songs differ on explanations and every clan has their preferred version. But Amri shares the one Madura Argot prefers.

“She says that, in the beginning, Thra had seven duties to entrust to the Gelfling race. To the Dousan, the heavens: the study of the suns, moons, and stars. To the Sifan, the skies: the telling of signs and omens. To the Stonewood, the fire of the hearth: the keeping of songs and essence of our culture. To the Spriton, the foundation of the earth: the cultivation of the land and its creatures. To the Drenchen, the water of life: the care of medicine and healing. And to the Silver Sea clan, Thra entrusted the light and the shadow: the keeping of the Gelfling history, law, and records. This task was too great to be shouldered by one clan alone, and so the clan split in two. One took on the keepign of the past: our history and dark things that should be left in shadow. The other became the keeper of our future: our laws and philosophies that lead us toward the light.”

“I see where this is going,” Naia remarked.

“Both are important tasks. We all know there can be no light without darkness. Still, no one wants to be bonded to shadow forever! The sisters discussed it for a long time. In the end, it came to be this way: the Vapra and the Grottan. Some say we were banished. Maudra Argot says we chose to come to these dank caves, while the Vapra flit along the crystal coasts. It’s hard not to feel as if we are imprisoned sometimes. But... I know, truly it’s not the Vapra who charged us with this. It’s Thra itself.”

Me and Kylan both are super intrigued by all this new worldbuilding.

Maudra Mera passed down a lot of stuff to Kylan but never mentioned anything about the Spriton being charged to do them. He wonders if Mera knew or whether only the Grottan know.

I wonder if the Caves of Grot were still the Arathim’s original home, as in the show. The Arathim haven’t even been mentioned, although a lot of other spiders have been.

But if the Skeksis told some Gelfling to settle in this cave, it does add a wrinkle.

Amri then sighs and wiggles. I would like to see this in puppet.

He says that the Grottan may not like the Vapra “who look like us but are nothing like us” but that doesn’t excuse someone trying to shank Tavra. He promises to make it up to the group and suggests that they split up to find that important firca.

[patchdotexe]

explorers of arvus: now what? / 2.2.21

LAST TIME ON EXPLORERS OF ARVUS: we kicked the shit out of a witch, a murdercow, and a tree, and nearly got murdered by a broom! also i exploded the tree, which was pretty fucking poggers. we also did have to hold taure down to feed her some healing elixirs but yknow

silje, meanwhile, was spaced the fuck out the entire time (bc of being a dmpc last time) and has no idea what just happened or that he commited gratiutous amounts of tree violence.

And Then We Slept For 24 Hours (we didnt)

thorne rolled a nat20 on drawing the tree blight on fire! which is EXTREMELY COOL. im glad we have a memorial of the coolest thing ive done on arvus so far (and also hopefully the fire wont spread bc it would suck if we set all of arvus on fire) oh nvm we're in a swamp so we good. hard to set things on fire in a swamp.

i swear im paying attention but green is talking about dreamout in 772 rn and has some very interesting theories about how the eggpire plot would go down so i am just. side-eyeing it. i am Looking. i swear im paying attention.

oh man i havent collected my notes from last session bc i was liveblogging in discord for nyx's benefit. that's gonna be interesting to compile.* i wonder if i should put these in gdocs instead of wordpad lmao (wait no i use wordpad bc its easier to just pop open and have layered over discord / roll20) * [ AND THEN I DIDNT DO THAT FOR LIKE 2 MONTHS ]

michael: ...burn the house down charlie: ~ we're gonna burn the whole house down! ~ thorne: [confused] how do you know that song? we dont have any bards charlie: [buffering] ...BITCH I MIGHT BE

what if i took a level in bard, would that be fucked up or what

tiny hut tiny hut tiny hut tiny hut. TINY HURT (sieron casted Leomund's Tiny Hut bc we burnt down the only nearby shelter)

lots of discussion about the hut. hut talk

thorne: sieron, why havent we been doing this? charlie: great question! hey sieron, what the fuck? sieron: i guess i just havent thought about it? charlie: you're lucky you're cute >:/ sieron: AA??

discussion of sieron's alter appearance and how its probably somewhat awkward bc thorne is just. openly a horc. unfortunately, sieron's hometown is super racist

HELLO I HAVE BEEN DISTRACTED BC RUBY DID A PANEL REDRAW FROM ASP AAAAAAAAAAAAAAAAA aa a a a a a

time for taure and thorne to chat on watch! frenship taure hasnt noticed her hair colour bc shes been busy doin stuff, like killin people taure misunderstands thorne asking abt her hair and thinks he has a tragic backstory of being a hairdresser before becoming a warlock DOES TAURE KNOW WHAT THE FEYWILD IS yes she does! war of the veils was a thing, where the feywild invaded the material plane and honestly i should read all the worldbuilding again bc its been forever but i thought all that was neat

oh shit thorne called taure a uhhhh eladrin? OH BOY TAURE ROLLED A 1 we're on the same page here TIME FOR THORNE INFODUMP eladrin are feywild elves! as in closely related to the fey, as well as living in the feywild. their hair changes with the seasons, like taure's does :O !! taure and thorne have not had a fucking one on one conversation before

thorne: taure. taure: yes, hello that is me i am taure [..] taure: now, counterpoint, the sun makes hair change colour-- thorne: Taure.

thorne is trying so hard i love they everyone else is sleeping through this convo so theyre spared the awkwardness but ooc we are having a great time :o eladrin hair colour changing stuff related to mood / seasons / powers?? thorne is admittedly confused bc Weird Documentation but this is really neat to hear about taure, meanwhile, has no idea why this is important.

thorne: if i had told you this, and you had-- transcended-- into your next phase-- id be very concerned taure: hold on [loud grunting] okay no

why havent we been doing tiny hut this whole time. sieron.

oh right taure has a tragic backstory and her mom ditched her as a babby. MEANWHILE, THORNE DOESNT EVEN HAVE PARENTS michael: there are two types of people in the world: those who're kidnapped as infants, and those that kidnap infants WAIT IS THIS LIKE, THE FIRST TIME ANYONES HEARD ABT THORNE'S BACKSTORY BESIDES "LIVED IN THE FEYWILD" thorne is very chill about it though. god i love thorne. i love the entire party

thorne: ...after the third or fourth prophetic vision, they all sorta blur together.

god i wish id written down more about the magical mystical adventure OH. THE ORACLE FORESHADOWED THE ELADRIN THING. NEAT thorne: oh, the oracle! is that the guy with the, uh... [snaps fingers] the gryphon fart orb?

IREL IS HERE YAY IREL i have forgotten how to spell their name. how about i split the difference and spell it Yirel. michael is rolling to see if thorne and taure woke yirel up-- OH OKAY yirel just. sleeps for fun. god i wish that were me

charlie's hair can hold many small pets of dubious sapience.

I LOVE YIREL,,, thorne is just pleasantly confused. WAIT IS YIREL PURRING yirel: you are confused by that action! :D taure: ...yes. what were you doing? yirel: i was performing magic! i can now detect your minds! i can hear your thoughts. :D OKAY SO YIREL WAS. NOT PURRING. yirel has cast Detect Thoughts on thorne. thorne's train of thought is now "???"

we need to teach the snake consent. we have now taught the snake consent.

YIREL IS GOING TO VERY POLITELY ASK THE BIG BAD IF HE CAN READ THEIR MIND its okay i love them. thorne is SO CONFUSED yirel is attempting to be helpful YIREL LITERALLY DISCOVERED THEY COULD CAST DETECT THOUGHTS SO THEY CASTED DETECT THOUGHTS. thorne is hoping yirel wont learn to cast fireball on themself. yirel: there's two timelines where that could happen. i will do my best to avoid them! :D

okay its really hard to get across in text but yirel is basically just. permanently happy/excited sounding. like a puppy! or like the ":D" face in winged snake form.

ooh, a celestial serpent location! off in the mistwall mountains. they are Extremely Dead but yirel told thorne+taure where it is on the map and said we can learn stuff abt time! and then went to sleep. goodnight yirel. i will kill for you

S. S. BIG BOAT (it is 60 miles across. big boat. thank you jorb)

WHAT IS WRONG WITH JORB'S CAMERA, WHY DOES IT KEEP ZOOMING IIIIIIIIIIN

it rained overnight so all the water that collected on the tiny hut got dumped on everyone, and THEN silje shook off like a dog and charlie is MISERABLE

SILJE GOT A NAT20 FORAGING the survival squad are gonna get the fuckin best breakfast ever

oh yea the poison / disease was stored in the tree blight! so now that we've incinerated it it's all good. still gonna take time for the whole river to clear, but with the source of it gone we should be golden. fuck yea

oh man today was hourly comics day, wasnt it. or was it feb 1? fuck shit damn uhhhhh i have done. nothing. besides work on the PMV, talk about dreamout, and now play d&d. this is unrelated to everything im just Thonkin

TIME FOR SWAMP FACTS solar knows So Much about swamps. time to discuss cattails (please no) these are cattails............. ME WANT BITE. ME WANT PLANT CORN DOG DELIGHT. ME WANT DEEP FRIED. ME THINK WATER TWINKIE NICE

oh shit thorne has spotted a ufo. yuufo time OMINOUS YUUFO silje, with an armful of frogs and a lizard in his mouth: [looks up] mrrp? poor silje cant see for shit. NEITHER CAN THORNE its either very small and close, or very big and far away

HRM. actually this MIGHT be related to the vision bc the ominous yuufo was heart-shaped, and the vision was of a necromancer on a floating bloody platform raising all kinds of undead

its been forever and i didnt take a lot of notes on the mini-session but the last time we saw the oracle was a cave on theral! so, unrelated to the place yirel marked on the map. which michael marked down as "seat of the oracle"!

TAURE THINK OF THE CHILDREN THAT WE DONT HAVE (we have yirel!) TAURE THINK OF THE CHILD THAT WE HAVE

ahoyhoyyyyyyyyyyyyyyy i wanna go to ahoyhoy. we are not currently going to ahoyhoy but maybe some day

i had to stop paying attention because buttons wanted to see my Horrible Streaming Setup and apparently something terrible has happened. also honse

we are potentially dealing with a salad katamari.

thorne: could that be what the object in the sky is? silje: ...a lettuce?

we have voted to ignore the salad katamari for now. this action will have consequences.

charlie and silje take watch! charlie wants to know what silje's deal is! silje is a monster hunter. charlie misses bein a thief ): SILJE WAS A MONSTER HUNTER SINCE HE WAS 12?? charlie realizes that perhaps becoming an adventurer and doing a huge amount of murder on a regular basis, especially as a child, is Maybe Not Great silje likes books! charlie offers to lend him her books :D charlie, quietly: i am totally doing the friendship thing so good. RATS RATS RATS RATS hehe rats.

uh oh, nyx has died. NVM NYX IS OKAY nyx's power has not gone out again

we've been on arvus for 13 days! neat.

OH SHIT FLOATING ISLAND its also shaped weirdly like a heart. YEP IT LOOKS LIKE ITS BLEEDING probably bc of clay or iron oxide in the dirt but still that looks ominous as hell SIERON'S A SMART BOY he rolled 20+ on the 3 rolls he had to do, fuck yeah. this fucked up island is an Earth Mote! which are lil sky islands. or like, just general dirt chunks thatre in the sky. theyre either natural events or wizards showing off! also they usually move, but this one is just kinda... tethered. not like Literally but its locked in place. this is apparently the "Heart of Arvus"! which is . at the heart of arvus. or at least the centre of the continent.

solar: leo, we've found the ruins of mumbo jumbo's base. leo: [leans over and thwaps solar on the leg w nerf sword]

penn: i swear to god, if i look out my window and i dont see jorb in the sky, im going to be disappointed that hes not doing his job. jorb: slowly rotating.

we are now thinking about how to get up on the rock. TINY HUT STAIRCASE solar: could i featherfall the wrong way? wand of wonder / wild magic surge! NOPE mage hand! charlie is 41 pounds. mage hand is 5 pounds limit. korred rope! we have enough rope to tie together and tie to the korred rope, BUT the korred rope cannot fly. OH THE ROCK IS INHABITED there's an elf!

sieron & taure: [worried about the necromancy] charlie: HOWDY~!

[party arguing about who's gonna go up bc not all of us can fit up there] [leo and solar start swordfighting in the background]

sent kaepora through the portal to the heart of arvus aaaaaand end of session! CLIFFHANGEERRRRRRR

michael: DID YOU FUCK MY MOM, DUNGEONMASTER?

[butterfly-winx]

its probably the helia stan in me but id love to read an origin story! idk if youre planning one for all of them but i really like your worldbuilding so id read them! and i know others would too! 💞 (also that fairy sketch was beautiful and if youre planning on it id love to hear more about him 👀)

Aahh ugh, I don’t actually have a lot fleshed out for Cyanox, except that he is the Guardian of Prometia and neutral to a fault. And also unintentionally the reason for why/how Layla  gained the ability to modify Sirenix into Crystal Sirenix to adapt to cold and high pressure environments. 

I am far too disorganised to make one collection post for the backgrounds of all characters I messed with, so I guess, here goes nothing. *cracks knuckles* Buckle in for the ride! (content warning for death and lethal illnesses)

Helia was born on Lynphea in a middle sized settlement in the moderate-warm Eastern Forests of Lynphea. I talk about the zones, culture and dangers of Lynphea here, so I don’t want to repeat myself too much, but Helia’s village was much closer to the borders of the Death Zone the virus has claimed for itself than what would have been advisable. Back then, they thought  Viaj would exhaust the surrounding natural resources and its people would move on long before the spread of the virus would become a danger to them. Oh how wrong they were. All it took was the change of the wind one summer.

Helia had been only five and then some and the world was still too vivid in his eyes, lights filtering through leaves a spectacle every day he accompanied one of his caretakers on a simple errand. He was the one who found the earliest warning sign, a fungal growth on a long leaf of gras that was the manifestation of the plague befalling its plant hosts. Not quite comprehending what that meant in his young age, Helia struggled for a long time with guilt about the terror his discovery brought, wishing he would have never played in the prairie. Like that would have avoided anything.

The inhabitants of Viaj actually gained a head start through his discovery though that potentially spared other communities, however it couldn’t help theirs. They quarantined immediately, drew up a magic barrier to protect everyone from the airborne spores that carry the virus from plants to humans. But doing so they gave up hunting and gathering and were entirely reliant on the rations the other communities would send with the quarantine workers. Though even those trickled to a stop when the first person fell sick with the cough and the tell-tale black spots formed on their mucous membrane. People saw no use in wasting resources on people who were damned to die. The best they could do now was limit travel to the edge of the Eastern Forest and set more scientists on recalculating the projected spread of the virus.

Lynpheans practice a philosophy of “live and let die” not hanging onto things beyond their lifespan, so this was seen as neither cruel or unusual, but show me one person who is truly prepared to die such a horrific, slow death in order to upkeep the natural order. The people of Viaj didn’t want to die, and they certainly didn’t deserve to die. But people fell like flies, until about three months later only Helia, Naoqi, the last adult, and Tsilla, the very last baby born in midst of all that, were alive. Naoqi cared for Helia and the baby as best as he could and in doing so became a replacement parental figure in Helia’s eyes. He did everything he could to make the horrible experience slightly lighter to bear for the children, but when the magic barrier keeping the wind away fell, there was little he could have done to stave off the inevitable. 

Helia was left alone, with a not even five moth old baby and no way of feeding himself or the baby. With nothing else left, he braved the forest and looked for the quarantine workers who were no doubt overseeing the area, which marked the last time Helia ever walked in the forests of his home. The quarantine workers were more than surprised by the tenacious boy with a baby in his arms and finding out he was still alive after what they thought was final exhaustion has set in. 

The next thing after that that Helia actually remembers is waking up on Magics with Saladin greeting him, introducing himself as a distant relative. The truth was a lot more complicated than that. The quarantine workers have taken Helia to the nearest hospital to treat him for the effects of starvation, because miraculously, the disease had still not taken hold of him after five months of exposure. Hermetically locked in a wing of the hospital, he was the most prised and most dangerous person and study artefact on the whole planet. His comatose slumber was watched from behind plexi glas and every then available humoral test was run on him to find out why he of all people had proved to be immune. If he was immune at all.

Meanwhile Saladin arrived on planet as he heard the news of the demise of his hometown, of his family. Even back then he had not been the pride of the planet and his relationship with his family had been strained because of the wars he had chosen to be involved in. All of that didn’t matter the instant lives were on the line and Saladin wanted nothing more than one last exchange of letters he would never get to make everything alright again. No power in the world would ever grant him that, but having powerful friends in the right circles granted him something else. Information, that a young Viaj boy was still alive in the Epidemiology Research Centre. He may be the future, the solution to all of their problems with a  DNA hiding the secrets to immunity. Saladin immediately inquired, dug deeper demanding to see the boy, but the Council denied him visitation rights. He had to strike an underhanded deal with the co-leader of the research project under a false name to find out Helia wasn’t even awake, but held in a magically induced coma for observational purposes. The scientist talked on and on about the possibilities and what they would do after they go the genes needed but Saladin blew up at that point. How dare they treat this boy like an object, like his loss wouldn’t be felt by anyone, should one of the procedures go wrong. Like all his life could hold from now on was an ultimate sacrifice for the benefit of the many. He wouldn’t even be able to comprehend that if told. With Saladin blowing a fuse, the research centre blew up too and he fled the planet that night with an unconscious Helia in his arms. 

So what felt like a night of knocked-in-the-head-by-a-horse sleep to Helia was actually close to four weeks in real world time. He has no concrete memory of what Saladin saved him from, but enough peripheral perception of what transpired planetside to make sense of the ramifications. Technically, Helia’s DNA is public property of the Lynphea Council, and technically both him and Saladin have an arrest warrant hanging over their head for the destruction and property damage caused. If Helia were to ever set foot on Lynphea again (or even go to a country that has an extradition treaty with them) he would be taken back to the Research Centre to be dissected to the smallest molecules until he yielded answers. 

While Helia was able to grow up in Magics in relative safety, the virus was still wreaking damage on Lynphea. Saladin (and to a lesser extent Helia) made the incredibly difficult decision to reject the experimentation on Helia and thus deny the population of their home a potential treatment to an otherwise lethal infection. It is an incredibly heavy burden and no day passes that they don’t question the rightness of their choice.

Helia can certainly appreciate the moral conflict now, but as a child he was much more difficult to manage. The switch from a huge nurturing family to one primary carer to rely on was harsh on Helia, who was already traumatised and needing  love and affection. Saladin did the best he could, but running a school and otherwise being a Universe-wide known hero didn’t help. After they grew close on the tail end of Helia’s childhood, they explosively drew apart during his tweens, Helia not able or reluctant to understand the restrictions Saladin placed on his life.

First, he was unwilling to share as much about Lynphean culture and way of life as Helia wished to know, saying that he wouldn’t be able to apply it there on Magics anyway. The deeper reason for that is more likely buried in his resentment for Lynphea rejecting him as harshly as they did after he helped save the Universe from the Ancestresses, but Helia of course knew nothing of that. Then when he moved over to adapting to life on Magics “in the Magics” way, he begged to be taught magic for which he had developed a budding talent. Saladin refused again for related trauma reasons. He didn’t want Helia to wield a power that could potentially make him a weapon in someone else’s crusade. Being his only personal student would only paint a target on Helia’s back. 

Helia was having none of that, fiercely objecting to the treatment. He had his own trauma to deal with. Like death by illness. (People falling ill was a lasting trigger he has been continuously working to overcome, but the first time Saladin came home with a cough Helia immediately worked himself into a panic attack so severe he couldn’t stop vomiting and had to be taken into a hospital himself. ) He shouldn’t have to shoulder the repercussions of Saladin’s problems too! 

People who say old teens and their wilfulness are hard to deal with, haven’t met twelve year old Helia yet. To think he actually mellowed out by the time he hit Red Fountain. In any case, Helia and Saladin weren’t really speaking civilly with each other anymore by the time Helia met Krystal. (More on her side of things here) Krystal, ten and absolutely blind to seeing obstacles, offered Helia her books on basic witchcraft and with that the opportunity to take his magic learning into his own hands. After all, sorcery required a lot of detailed instruction, but witchcraft was available to any odd fool who could set up a passable reaction equation. It took half a year of trials and encouragement for his efforts to yield a result and for Krystal and Helia’s friendship to bloom. It took Saladin much longer than that to catch on to Helia’s secret tinkering. The old man should have suspected something to be up after their disagreements magically disappeared after Helia and Krystal met twice. The aftermath was ugly and lead to Helia and Krystal reluctantly parting ways. 

Helia was inconsolable an dedicated a large part of his life to making it as difficult for Saladin as possible. His grades dropped, his art got angry and choppy and he had to be escorted home by peace keepers for having snuck into places he shouldn’t have been in. Year fourteen and fifteen of Helia’s life have been by far the most difficult to deal with with no improvement in sight. Under pressure from his school and Saladin to choose a path for higher education after his year nine exams, Helia thought it would be most spiteful to chose...nothing. He would simply stop going to school at 15 years of age and just become whatever. Maybe a full-time artist or a busker. “Hah, that’ll show Saladin!”- he thought, but he severely miscalculated.

Saladin had often threatened with making Helia enrol in his school if he didn’t behave and Helia never though he would make good on his words until he was dropped off at the main entrance with all his bags like the other freshmen filtering in through the gates. Being the headmaster, Saladin allowed Helia some liberties, trying to demonstrate to him that he shouldn’t see this as a punishment, but as an opportunity to further his life. Cue Helia’s biggest pièce de resistance, showing just how much he didn’t think so. As mentioned a few asks ago, he was given the liberty to chose where he lived and which team he chose, but not like that goddamit! He took shameless advantage of the loose wording Saladin used and hopped between rooms and teams completely ignoring conventions. He was the bane of the school, found on the roof, in supply closets and in the middle of hallways. Teams feared him, because they knew if Helia was assigned to them they might as well have been one person short, his flaky nature making it hard for them to work with him. Codatorta wrote as many warnings for Helia in that one year as he did in his whole career before that. Students at Red Fountain tended to be disciplined and dedicated to becoming Specialists, but Helia was the absolute antithesis to them. At the end of the year no amount of Saladin’s half-hearted excuses could save Helia from the overwhelming force of the teaching staff getting him sacked. Not that Helia minded, though. It was exactly what he wanted.

Saladin more or less gave up on him then. If he wanted to be on his own then fine. Saladin would help him with finding an own apartment and give him his first moth of rent, but after that Helia could go and find himself a purpose in the world alone. Fine. Fine. Alright! 

It was not alright at all, but it was buried under a very thick layer of “I’ll show ya” which made Helia want to live his best liberal artist life. He enjoyed creating as much art as he wanted, but he craved social contact and being engaged in something with a common goal, so he started getting involved with local pacifist groups. He had always preached a path of non-violence, which was about the only thing that had been ingrained in him from his Lynphean upbringing. There he started to expand his horizon beyond what his gut feeling taught him about pacifism and got into reading theory seriously. He was surprised how many of those books shared around had originally belonged to the Red Fountain library and even more so that they have ben written by the founders of the Red Fountain Cavalry. And that was when Helia bust down Saladin’s office door.

“All of this theory was in the school’s library the whole time!!?? And all everyone was ever talking about was warfare!! Why was I never told the best pacifist philosophers of the century were all Red Fountain members???” “You never showed up to any of the philosophy lectures! How am I to blame?” A deep breath from Helia, re-evaluating all of his 17 years of life choices. “Dada Saladin, you have to let me back into your school please.” 

And Saladin refused. To let him back without repercussions that is. Helia had to prove that he took his education seriously and was ready to commit by taking the entrance exam like everybody else to earn his place at the institute. He scraped the bottom of the scoreboard with his first results, but took the first year foundation course with a mile long stride. He was allowed to skip quite a few modules and ended up in the same year as the protag specialist boys with quite a reputation to his name. In the process of reacquainting himself with the school and its philosophy, he learned humility, respect, and when to keep his head down and mouth shut. The upperclassmen from his original year group barely believed he was supposedly the same person they got to know as an absolute menace . There are many rumours about twin brothers, brainwashing and Saladin’s terrifying magic might turning him into this new person.

Helia has come an extremely long way becoming the well-tempered and balanced person known from the show’s timeline. It is almost as if he compressed a lifetime of angst into three years, thus min-maxing his character development coming out more adult in the end at 18 years old than many people at 30. He lived through a lot of things and it shows in how he behaves and what he cares about. He is a passable fighter, but his main aim is always to protect and to avoid conflict if possible. He is a trained negotiator for that purpose and prefers to act as tactical support for his team. It all changes however once Riven and Sky both decide to quit the team leaving Helia, Brandon and Timmy with a very difficult decision on how to go on after that.

(Aand we have arrived at present day for my AU timeline with this. I hope you made it this far, I‘ve never written this much for a tumblr post before)

[farelian]

Galactic Quarrels: Contact

First of all i want to mention that the flag shown in the first post of this series is not mine, and originated from the original story of Templin Institute with their series Stellaris Invicta. I recommend you to watch it, the worldbuilding and storytelling is glorious and amazing.

The flag's design will soon be changed to something original made by me, for now use it as a reference, thank you

~~~~~~~~~~~~

With the launch of the first human intergalactic spacecraft in the year 2125, humanity cheered with the success of the Hyperdrive and the mass-production of ships fitted with the faster than light technology is already underway. transport, cargo, tourism, and military ships are retrofitted with the Hyperdrive and the biggest shift in human society happened. Trips to planets and mining sectors in the solar system that previously would take months to complete now can be achieved in seconds.

Food and resource shortages on Mars and the lack of rare minerals on Earth are no longer a problem due to the fast delivery time made possible by the Hyperdrive, and shipyards that are building UTF warships that have undergone so many delays with the lack of spare parts, components, and electronics will be completing the next Terran Battlegroup in the coming months.

The hyperdrive is a massive success, not only by bringing Humanity to other distant solar systems but also easing transit costs between planets, and also stopped the ever-growing problem of shortages due to miscalculated arrival dates or the depletion resource reserves.

With these problems reduced to ash, the UTF’s economy is now growing at a fast rate and it’s people living in conditions near to a utopia. But living under these conditions came at a cost, resources and commercial goods do not simply come out from thin air, so the civilian population is put to work in mines, factories, plantations, and other hard-working environments to meet the ever-increasing need of commercial goods and demands.

The term hard-working is greatly exaggerated, these workers still living in good conditions, enough food and water and shelter, and treated equally like any other.

In some cases, people are forcibly resettled from their homes either on Earth, Luna, or Mars, to work on mining ships that are headed for the asteroid belt to gather resources and minerals. Unmanned automated mining drones are the ones used to collect minerals, but human labor must be done to reach the deeper resources inside an asteroid, and achieve maximum efficiency. The families of the resettlement victims are horrified, but the UTF assured them that their husbands or children will come back home safely after their three-month working period.

Some see these resettlements as a good solution to unemployment and/or laziness in the population. But others see it as another form of forced labor imposed on the population, and with the secretive nature of the resettlement, fear spreads of whether who is going to be taken next against their will. But the paranoia soon subsided as the first batch of workers resettled three months ago returned to their homes and family, and tell the story of good living conditions and their safety was guaranteed. The UTF wished that the problem ended right there, but skeptics among the population doubted the words of the workers.

Theories of the UTF forcing the workers to say that to their families and passings is to protect the government from the possible civil outcry that could happen or the brainwashing of these workers to become loyal laborers. Through the screens and holographic projections across human cities, the UTF reassured the populace that these rumors are false, and the workers are treated equally and humanely with no brainwashing or the beating of freedom of speech.

The statement appeared to have calmed the populace for now, just in time for the newly built Terran battlegroup of two battleships, four cruisers, and eleven frigates, with five destroyers coming out of the production line in the coming days. The UTF military power is growing at a rapid pace with the invention of the hyperdrive.

On the frontier, UTF exploratory vessels are exploring solar systems near Sol, with Sirius and Alpha Centauri being absorbed into the UTFs borders by the construction of a frontier outpost in the star systems, and the most shocking of all, a planet lush and vibrant with plants and alien wildlife the size of Earth in Sirius. Sustainable calm oceans, and no tectonic plates with similar rotation time, it makes the perfect natural home for humans. Devoid of earthquakes made by shifts in the tectonic plates, meaning buildings doesn’t need a strong foundation to withstand earthquakes, meaning less material needed for construction of a colony.

And in 2132, in the colonization of Sirius 3, now known as New Haven, the discovery of another habitable planet in the Trappist System, the majority of the planet’s surface is water but stable landmasses. Seeing how common habitable planets are in their part of the galaxy, the UTF launched a colonization campaign where people are encouraged to volunteer as colonists for the colonization of another world to be added into the UTF. The campaign was a success with over one million volunteers signing up in the first month. Equally distributed to New Haven and Trappist 4, now renamed to Spes, the UTF now have five celestial bodies under its rule in seven years.

With many systems being absorbed into its borders, and many more planets being colonized, the UTF is growing, its economy growing faster and faster with a seemingly endless source of materials and millions of factories under its belt, more ships are built, shipyards and stations are completed, more Unions under its banner and development never ceased.  Determined and patriotic citizens work hard, their minds filled with years of propaganda and luxurious living lifestyle with security in mind, with many more job opportunities to come, everything is stable. And inventions after inventions made things even better, the creation of the Antimatter Reactor brought even more power into ships, being able to be fitted with more systems and components. Battleships became increasingly larger with bigger weaponry, army equipment reached new heights with the introduction of a Nerve-Cancelling drug and Combat suits offering better protection, while Mech Suits offering more firepower into the battlefield.

Tanks increased in weaponry while becoming more elegant and heavily armored. It’s also worth mentioning that all of these mining stations, starbases and outposts are state-owned assets. No civilian or private corporation is to ever build mining outposts, research stations, or trade centers in space. But that doesn’t stop the economic growth of all Unions under the UTF, and if not working for the government, the population worked for these corporations adding a line of employment into human society.

Violence and crime is still an aspect of everyday life, it's impossible to fully eradicate crime without being a hive mind. Police forces are given more and more advanced equipment each month, unmanned combat and scanning drones, full-faced helmets and exoskeletons for riot police, shock batons, expandable riot shield and so much more. All of this is an effort to reduce crime in the Unions, although successful, criminal minds will find a way around some of the measures taken to prevent their operations, a large crime organization has never been truly formed in the UTF.

Not like previous expectations of the future, instead of white, open and wide green fields, UTF cities and Unions are tightly packed with towering thin skyscrapers, and a black but non-figuratively toxic atmosphere of factories working around the clock. These specifications are only seen in industrial heavy cities though, with other cities like Al-Jabari in the new green Sahara shows great leisure opportunities and wide living spaces, the perfect vacation spot.

~~~~~~~~~

The year is 2136, the year where everything changed. UTF Battlegroup 7 is out on its patrol on the Northern outer rim of UTF territory where future constructions have been planned, it's smooth sailing until their sensors detected a strange unknown object in the next solar system previous scans have never picked up. It’s small and giving off a signal, like a beacon.

The Commander of the Battlegroup split their fleet and sent one cruiser with three destroyers and seven frigate escorts to investigate the object on the neighboring system. While the Interception Flotilla is on their way to investigate, the rest of Battlegroup 7 went back to their designated patrol route.

The Captain on the cruiser and its escorts went to the edge of the system and initiated a jump over to the next system, nicknamed “The Rodina” By many with no particular reason, when asked they replied with “It just sounds cool” The fleet jumped into the Rodina system only to arrive right on top of the object, it’s smaller than expected... there are lights on it... and thrusters.

The Captain spilled his coffee after realizing what it is, an alien spacecraft, and they just jumped on top of it and probably startled the crew with the size of the cruiser. UTF Captains or Commanders don’t receive first-contact training, no one does. The Marshals doesn’t see it as necessary due to the speculation that this early into the space age Humanity won’t be meeting any aliens

With no training on how to handle sudden first-contact situations, the crew is confused about what to do. The Captain does what’s logical and ordered comms to hail the alien vessel. The vessel itself is strange in design, harboring the color blue with a sleek design and curves around its thrusters, it looked similar to a squid.

Comms attempts on hailing the spacecraft succeeded, but what came through is unintelligible garbling, chirping, and hisses that terrified the entire crew, it sounds horrifying. The captain immediately ordered the Linguist masters on the ship and the ship’s AI to translate the words being spoken, silence fell across the bridge as the Linguists and the AI worked to translate the language.

Many of the crew feared a hostile confrontation, and many feared being fired upon. The Captain yelled into the comms, on the line with the other human ships to not open fire in a panic. The linguists and AI succeded on translating the Alien language, although it's only a rough translation, it's enough. The language is then uploaded into the crew’s microchips.

The message conveyed through the transmission will change humanity, forever.

“By order of the Galactic Assembly identify yourself!”

[soopersara]

So I tried sitting down and watching LoK again and yeah...I couldn’t get through it lol, idk if it’s an avatar thing but Korra was kind of entitled and selfish. But Kyoshi exists so it might be because of aang lol, hated what they did to katara’s character, I loved mako and Bolin tho. Kind of wished they had never met Korra 😬 do you have any opinions on the characters from lok?

I don’t have many strong opinions on LOK in general. I didn’t plan on ever watching it, but after I introduced my then-roommate to ATLA, she insisted on watching LOK too, and I was just kind of... there. I remember being baffled from the start because the world felt entirely different, and yet LOK happens within the lifetime of characters from the original series. And without actually seeing the progression in technology, making a leap from ATLA’s time period to LOK’s feels artificial to me. Not to mention the westernization of the world - how did we go from a low-technology Asian-influenced world to steampunk 1920s New York? I’m not saying that it couldn’t have happened (although where in-universe did the westernization come from?), but since I didn’t see the progression, I don’t buy it. I might have given it a pass if so much of the original Gaang wasn’t still alive, but uh... they were. Actually, I think the whole show would have benefitted from leaving the original Gaang out entirely and allowing Korra and the new characters to exist independently, but I guess having the old Gaang make appearances was good for marketing? Maybe? I don’t know. Either way, bringing in the characters from the original series lends LOK to more comparisons with ATLA, and many of those comparisons aren’t exactly favorable.

And this is a matter of personal taste, not an objective criticism of the show, but the pro-bending bored me to death. I hate stories centered around sports. I just do. I hate them. I’m not particularly athletic, I’ve never enjoyed participating in sports, I have no interest in watching them in real life, much less watching fictional stories that make a sport (real or fictional) a central part of the plot. I’m fine with the idea of bending being turned into a sport on a conceptual level, but make me watch it, and I’ll be bored out of my mind and look for LITERALLY ANYTHING ELSE to do. 

So between the changes to the way the world felt and the pro-bending, I was barely paying attention to LOK. I think I liked Bolin? Mako was... there. I wasn’t fond of Korra, but then I wasn’t fond of Sokka or Zuko until later in ATLA, so maybe I could have liked her after some additional development and growth, but that didn’t seem to happen, and frankly, I just didn’t care enough about anything else in the show to finish it and find out. So by probably the third episode, while my then-roommate was still trying to watch, I was completely tuned out. Pretty sure I fell asleep in the middle of some episodes and I didn’t bother to ask what I missed, because I had so many other things I’d rather be doing. I caught bits and pieces of the show up through... probably the end of season 2? But nothing caught my interest enough to make me tune back in, and my then-roommate gave up on the show too. 

So basically, LOK failed to catch my interest in the first few episodes, and I’ve been blissfully ignoring its existence ever since. Guess it just goes to show that as much as I appreciate cool visuals, it’s the worldbuilding and writing that really hooks me, and LOK just... didn’t have what I was looking for. The worldbuilding would have been fine if it existed independent of ATLA, but the writing wasn’t great, and I’m more than happy to pretend none of it ever happened. Even at the cost of losing characters who probably did have unrealized potential.

[musical-chick-13]

Melisandre too please

OKAY STRAP IN MY FRIEND BECAUSE I WANT TO SCREAM ABOUT GOT WOMEN TODAY

• Did they live up to their potential? / In what ways was their potential unachieved?

I’m going to stick to the show because, again finished when the books aren’t. So, I really love Melisandre with my whole heart. You know, you have this mysterious woman who easily manipulates a powerful man, but it’s not just a standard femme-fatale I love power kind of thing. She grew up enslaved (at least in book canon, I can’t remember if this was ever mentioned in the show), and she’s in, essentially, a codependent relationship with her religious faith. It’s not for some sort of fake demureness or quest for purity, it’s because she thinks it’s genuinely the only thing she can do to save the world. She’s not a corrupt pastor, she’s an extremist who truly thinks she’s doing the right thing. But she’s not quite a competely-brainwashed, naive young victim, either. Obviously being sold into slavery and trained in the priesthood since forever ago influences her beliefs. But she reflects deeply on the nature of morality and owns up readily to the fact that sometimes she engages in acts of violence in the name of what she believes. It’s not an accident, people’s lives simply come at the expense of her service to R’hllor and faith in the coming of Azor Azai. She balances a very fine line between two extremes of the religious zealot morality spectrum, and I think she does it very well. The one thing I will say is that the show couldn’t seem to make up its mind on whether or not she was a fraud or whether she actually had Special Magic Powers. And not in kind of a “We won’t show you all the details of what happened, judge for yourself if she’s legit” way. They had her whole conversation with Selyse about using potions for desired fire effects, but she gives birth to shadow assassin babies and then literally brought someone back from the dead. If you’re going to make it ambiguous, keep it ambiguous. If not, make a decision and commit to it. Being completely shrouded in mystery; being a complete, unapologetic fraud; and being a supernatural entity entrusted with magic who sometimes misuses it “For The Greater Good” are all much more interesting than flip-flopping back and forth on characterization because you’re afraid to commit to a concept. Also, for some reason, in season 7 her main objective was to bring Jon and Dany together? Why? They should have explained how she got to that point and why she thought it was necessary. Also her death, but I talk about that in the last point.

• How they negatively and positively affected the story.

Positive: She brought Stannis into the story, leading to a discussion about whether or not the concept of justice is born from conformity to rules or a desire to put more good into the world. We are introduced to another religion in Westeros that helps enrich the worldbuilding and leads to a moral compass that is centered so differently from the other characters that it provides a fresh way of interpreting the story’s events and keeps us engaged. We are introduced to Davos aka Onion Dad through her and I love that guy.

Negative: She brought Stannis and Davos into the story, to the point where show Shireen died FOR NO REASON  which COMPLETELY RUINED STANNIS’S CHARACTER IN THE PROCESS. Stannis wasn’t supposed to be The Irredeemable Bad Guy, he was supposed to be another link in the chain that encompassed all of the different ways of looking at morality. Instead, they used his multifaceted, complex relationship with Melisandre to flatten out his characterization, make him the resident Pathetic Game Player We Are Supposed to Laugh At, and ultimately left off all degree of nuance by making him burn a child alive for shock value. I’ll never forgive the show for that. (Also, what with Brienne’s smiting of Stannis, Davos being the All-Around Good Guy and the fact that Mel’s death was so...anticlimactic...we’re also apparently supposed to see Stannis as the one primarily responsible for Renly’s death? Just? Ignoring Mel’s (and Davos’s) part in that? Sounds fake and narratively inconsistent, but okay.)

• What my favorite arc for them is.

-I think, probably after Stannis’s death (how said death came about notwithstanding, see above), when she realizes that she was...wrong? About her faith? She thought she knew how the world was supposed to work, like she had finally figured it out and unlocked some big secret, and then it just wasn’t true at all. And (kind of similar to what I said about Cersei) she has to rebuild herself. She and Davos have reversed their ways of thinking, where Davos believes-maybe not in R’hllor or any god(s), but in the existence of inexplicable and superhuman things-and now he has to convince her. And only then does she (and the audience) learn of her true power. (Which, as I mentioned above, I’m not entirely sure how I feel about this. Her being a charlatan strikes me as a character choice I would want more in a story I was writing, but I’m not writing these books/episodes, lmao.) Her priorities become more skewed toward “Fighting the White Walkers and making sure whoever Azor Azai is has a world left to save,” which WE LOVE ORGANIC SHIFTS IN PERSONAL MOTIVATION WE REALLY DO Y’ALL

• What I think of their ending.

-Ugh. I don’t think I’ve ever actually talked about this, but her just going, “Well, my goal is done, bye” and then going out into the snow and just laying down to die is...how do I put it...utter bullshit. There was never any true payoff in her ongoing conflict with Davos, no resolution to her (weird, creepy) relationship with Jon or how he felt about her doing awful things but still being the person who brought him back to life, she didn’t even get a moment of dying in service of a cause she believed in (like, for example, Theon, whose ending I also hated but for much more personal reasons that have less to do with narrative structure and more to do with my feelings). She legit just said, “I’m out” and instantaneously died. Also...she, Davos, and Jon have been through a LOT. The fact that there was barely any mention of her or what her death meant save for that one conversation Davos had with Tyrion??? for some reason???? seems like a waste. If someone has been with you through multiple traumatic experiences, it doesn’t matter if you hate them, you’ll have some sort of feelings after they die. Davos never got retribution for Shireen, doesn’t that bother him?? How does Jon feel knowing he owes his life to the killer of an innocent child? How does Davos feel seeing yet another person die right in front of him, but intentionally this time?? *sigh* Emotional through-lines are a thing, people!

• When I wish they had died. / If I think they should’ve died.

-Ultimately, my biggest beef is that there was...nothing I saw in the show that suggested this was how she wanted her story to end. If you’re going to make a character feel hopeless upon resolving a specific problem or tie their entire reason for existing to one conflict, you have to have them talk about it or personally reflect on it? You can’t just stick that on as an afterthought to justify...whatever it was D&D were trying to justify. Melisandre has always had such a complicated relationship with Westerosi morality, and she NEVER got to see any direct consequence of that (and by consequence I don’t even mean, like...punishment or something, I literally just mean a result that happened because of it). She, again, legit just walked in the snow by herself and insta-died. It 100% felt like they just didn’t know what to do with this character so they just scribbled something in so they wouldn’t have to spend any time on her later because they didn’t care about her. (Which, obviously, they’re wrong. I love her and she’s so interesting this is a fact. Shame on you, D&D.) I do think, for her, it makes sense based on her religious ties to kind of...have a last-minute swerve toward penance. Not guilt or redemption, per se, but a way to honor the world she’s trying to save by way of choosing to die through a selfless act. Whether that be sacrificing herself as a distraction for the White Walkers or putting herself in the line of fire (ice?) for Jon because she thinks he'll help heal the world or (my personal favorite) fighting off a White Walker to protect Davos because she has finally come to sort-of understand his nuanced take on morality and that although he has some bad/dark parts, he is genuinely a good man and deserves to make it out alive. Let him have the life that Shireen didn’t get to have. Davos would be SO CONFLICTED because She Did a Good Selfless Thing For Someone Who Wanted To Kill Her But She’s An Awful Person What Do I Think About Good And Evil Now and the introspection would be delicious.

[philologer-mosaic]

Hey! Fellow writer here! I was curious as to how you learn to write characters and /keep/ them in character without it being overly stereotypical or stiff? I've read your work and I'd love to learn from you ;^;

Hi! Glad to meet you, and wow, I am so flattered to be asked this. Happy to help out a fellow writer, and I’m always down for rambling about writing-related stuff! I’m not sure how helpful some of this will turn out to be, but here goes.

I’m not sure if you’re asking about characterisation in general including crafting OCs or specifically about writing canon characters, and a lot of this advice will be relevant to both, but I will say this straight off: I’ve seen a fair amount of quibbling about how fanfiction won’t teach you how to worldbuild and maybe that’s true, but there is nothing like writing fanfiction for teaching yourself how to craft character voices. Especially when your source material is a movie/ TV show/ whatever definition RWBY falls under. So: rewatch! Pay attention to all the little details. What turns of phrase do they use? How do they stand, how do they move? What’s their usual emotional range? Pick a line they speak, think about what descriptors you’d use to get across their tone of voice or their emotional state if you were writing the scene in a fic. When you’re writing new dialogue for them, try to hear it in the actor’s voice (if that’s a way your imagination works; some people don’t have great auditory imaginations. Mine can be kind of hit and miss!).

Rest of this advice is going under a cut, because this got looong!

With canon characters: start from what you know, then extrapolate. Especially with characters we don’t see all that much of, boil them down to a handful of personality traits/ ways-they-present-themself first, then consider what might underly them. And in reverse: take the things we know about their status and backstory, consider what that implies about them as a person.

So, Clover: I think I boiled him down to ‘confident, friendly, professional’, and what’s underlying ‘confidence’ is really obviously his semblance: he’s never had to hesitate about anything, he always knows he can rely on himself. So in his internal monologue, he’s not going to second-guess his decisions. He calls Qrow out on deflecting compliments, so he’s good at reading people and also wants to help them; I assume that applies more broadly than just to Qrow. He’s leader of Ironwood’s flagship team of Specialists, and semblance or not I made the assumption he didn’t get there without working for it [that is an assumption, though! People less inclined to think well of Clover will make a different assumption, in-universe as well as out, and how he responds to that is also something to consider], so he’s got to be smart, dedicated, a good tactician, a good leader. And building from that: he’s smart and perceptive but we know he’s also loyal to the bitter end (very bitter); what sort of personality can we project that reconciles those two, what sort of person would respond like that? What I went with is that he trusts the system because he understands enough pieces of how/why it works that he trusts the bits he doesn’t understand are also created with the best interests of the people at heart. (Even when that’s really not true.) So then that’s a consistent philosophy-like thing that underlies a lot of how I write him: he understands the reasons for a lot of why things are how they are and then assumes the best of all the rest.

– This looks like a lot, now I’ve written it out. I thought all this out while working on the early chapters but I never put it some of it into words really. In coming up with the plot or story idea you’ll have made plenty of these assumptions and extrapolations already. Take a second look at them; take them further, find places to link them together or pit them against each other.

And remember, these are your interpretations. There’s not a right or wrong way to flesh these out. Work with semi-canon stuff like the mangas or discard it as you wish; follow fanon or argue with it or throw it out entirely. I interpreted Yang as ‘normal outgoing teenage girl in a non-homophobic world’ and wrote her as having dated people from Signal before she got to Beacon; the other day I came across a tumblr post interpreting her as “a rural lesbian”, by which standard she definitely didn’t have any romantic experience before canon; they’re both entirely plausible takes! Where we don’t know stuff for sure, slot in whatever your story needs, or whatever you think seems interesting. I settled on Clover’s backstory for Soldier, Spy mostly by going ‘ok, what’s an interesting way to contrast him with Qrow?’ And in some of my other fic ideas, he’s different.

Limited third person perspective (or first person, if you can pull if off) is the best for dropping in characterisation smoothly. Though I’m probably biased because I love it so much. Omniscient third person POV is when the narration’s impartial and uninvolved, and skips between person A’s thoughts and person B’s thoughts and pure description of what’s happening, objectively speaking; limited third person is – when the camera’s always over one person’s shoulder in a given scene. It’s less close in than first person, but we get the POV character’s thoughts and no others, we only see/notice what they notice and pay attention to, descriptions are coloured by the way the POV character thinks about the world. I don’t want to be setting you homework, but, a neat writing exercise, if you want it: pick an object, place or person, and consider how two different characters would see it differently. Write those two descriptions. For fun, pick something that at least one of the characters is going to really look down on or dislike parts of! (Qrow’s snark is so much fun.)

This is cynical, but: people lie to themselves a lot. When you put yourself into a character’s head, they’re going to be telling themself a narrative in which what they’re doing is the best thing to do and makes them a good person. (With a few exceptions, the big ones being depression- and anxiety-brain, which instead do their best to convince you you’re the worst.) Get your characters to justify themselves to you.

Goals, motivations, priorities. It feels like a massive oversight to write about how to characters and leave that one out, but honestly I can’t think of anything I can say here that hasn’t been covered better by tons of other writing advice. [Incidentally: https://www.writersdigest.com/ . Subscribe to their email newsletter, it’s free, they will try to get you to buy their how-to courses but there’s no need to, the website has all kinds of articles about the craft and details of writing and the newsletter will send you all the new ones plus curated picks of what’s already there. And also: https://springhole.net/writing/index.html . There’s some stuff specific to fanfic in there, and also general writing advice.] Just: keep it in mind.

Related to that, but a separate thing and one that I haven’t seen other writing advice talk about so much: how does the character try to achieve their goals? What are their skills and resources? And more than that, what’s their preferred approach? In the simplest terms. It’s a matter of mindset, and what options they see as available to them. So the things I would keep in mind for this are: Who’s got social skills/ is good at thinking in social terms, and who isn’t/doesn’t? (Not just interpersonally speaking. James “not really concerned about my reputation” Ironwood is a good example of a character who always thinks in terms of hard power over soft power; even when public opinion is an important strategic consideration he only thinks about it in the broadest and most simplified strokes.) Who would rather work within the system, and who prefers to do an end-run around it? (That doesn’t have to correlate with who’s actually got power, though obviously there are trends. I’m writing Clover as tending to take charge even when he officially shouldn’t because he’s more concerned with solving the problem than with rank, and that’s a case of circumventing the system, it’s one of the things he’s got in common with Qrow.) Who’s more analytical about their approach and what they’re trying to do (which means their failure mode is overthinking and decision paralysis) and who reacts with their gut instinct (which means their failure mode is getting in over their head)?

… I could talk about this one at length. There’s a whole framework I use to categorise characters in this way (I came across it in, of all things, the flavourtext of a supplement to an RPG no one’s ever heard of and it just stuck with me, and I’ve made it my own in the years since) and I could go into all sorts of detail about how it works/ what it means. But I think this is enough to be getting on with, on that topic. If you want to know more, send me another ask? But no one else talks about this thing in writing advice, it might be completely orthogonal to the writing process of anyone but me.

So! Related to the topic of characters’ skillsets, a really great tip I can’t remember where I picked up: how do you write someone who’s smarter/wittier/better at tactics than you? Spend minutes or hours turning something over in your head that the character is going to come up with in seconds. The great advantage of writing: it’s so much easier to be eloquent when you’ve got time to think. [If you had asked me this question in person you would have got ‘i don’t know?’ and then half an hour later I would have thought of half of this stuff and kicked myself. A week and change later, you’re getting the other half too :p ]

And lastly: you said you were worried about your writing getting “overly stereotypical”. And my immediate response to that was stereotypes bad, yes, but archetypes great. The difference being: stereotypes are lazy and offensive writing that let ‘membership of a social category’ stand in for ‘actual characterisation’ and if you’re asking for advice on characterisation you’re obviously too thoughtful to commit them; archetypes are pre-made sketched-out personalities that you can take as your own and flesh out into your own thing. Tropes are tools. No one ever said ‘They were roommates? Ugh, how unoriginal’. By the same token, ‘lone wolf who pretends he’s fine and doesn’t dare trust anyone no matter how much he secretly wants to’ is a fantastic trope that exists for good reason, the CRWBY used it for good reason, and when we found out Qrow’s semblance I went yes please I will have some of all that angst and then laughed at myself because when it comes to fictional characters I have A Type. I’m pretty sure I’ve never written the exact scenario ‘pushes themself way too hard and passes out, wakes up in unexpected safety and immediately condemns themself for not sticking it out longer’ before the opening of Soldier, Spy, but I know I’ve come up with plenty of things that were like it, and if they’d made it to a state of publication you’d be able to see that.

It’s like artists using references. Just because they looked up how to draw that hand and that pose doesn’t mean the final product’s not their own. There’s no reason not to start with your ideas of the character (no matter how ‘stereotypical’ they feel) or a collection of traits you’ve grabbed from other characters that seem like they’d fit – or, for OCs, an MBTI type or a roleplaying class/background combo or one of these or some other personality type you feel like you can find your way around the basics of – and just take it from there. When you start writing/outlining/daydreaming-about-ideas you’ll run into scenarios/setups you can’t copy across from but you can see what responses might come up, and that’s how the template becomes your own unique iteration of it.

… Because really all writing advice does come down to: just write. In your head or on the page, try things out, see what works, see how it goes. I’ve been doing this a long time; most of it never made it to words on a page, let alone to the internet at large. Read across genres, read things people write about themselves and how they live and think and feel, and just – go for it.

I hope this helps! Once again, I was really glad to be asked; feel free to ask me to elaborate on any of this, or about anything else you want advice about. I wish you all the best in your future writing!

[chrisemrysfics]

I woke up today thinking about my dgm mdzs crossover I want to indulge in, and just like that, I suddenly realized, “but if I do a split like Mana and Nea, wouldn’t WWX and MXY be babies???” and as cute as this would be, unless I change the timeline and figure out how they grow up, it would be a logistic pain.

Unless Allen feels that and come grab the babies and then I play with the Ark and makes it that time pass differently. Now that’s an idea... Maybe one of the what if side stories.

Yes my self control has gone off the window, but hey, how can I resist mixing my two fave fandoms, and how can I not indulge in the different versions of my initial idea of Noah!WWX.

For the curious, here’s under the read more the basic ideas I’ve had!

Which. Got long but. Yeah. Have fun with the thinking I’ve done for this. I’m pretty sure I do intend to write things, just might take a while so have fun with knowing the ideas!

(In which I ended up thinking I might just do a series with each “story” being collection of scenes for each different branching I can think of, because honestly I cannot choose between all the options).

(And I haven’t touched yet the idea of an actual full out crossover, where there’s actual dimension travel).

Worldbuilding is based on the idea that DGM canon happened millennias before MDZS canon, and at the end of the Holy War, there was a reset of the world, which allowed a new world to emerge and so this how I explain how the world for this went from what it is in dgm canon to how it is in mdzs canon.

So this means I can then add the fact all humans still are descendants of the Noahs, but the gene is dormant and the Noahs don’t mean to ever wake/reincarnate again.

Thing is, spiritual energy pretty much is the “descendant” of Innocence and resentful energy is the “descendant” of Dark Matter.

Other thing is, humans ended up viewing spiritual energy as the “righteous” path and haven’t touched resentful energy, or anyone who did try, never really managed to.

So, enter Wei Wuxian who is the first human to actually use resentful energy, cultivate with it, handle a large amount of it, and also who first contact with it is being thrown in the biggest amount of it and surviving and taming it out of pure willpower.

Then he uses it in large amount during the Sunshot Campaign, including the very powerful Stygian Tiger Seal. He never stops using it, if not as deeply as during the campaign, and eventually, he goes live in the Burial Mound again.

So what I mean is, from the moment he is thrown in Burial Mound, he has been in contact with deep, deep level of resentful energy. And not only is he the first human to do so, he also is without a golden core or spiritual cultivation, which means he has zero “descendant” of Innocence in him.

Then he dies, in Burial Mound, however his soul isn’t actually destroyed. I always kind of headcanoned that his soul was “kept safe” in the Burial Mounds, and in this case, it’s even more true.

So his soul, who has been already exposed to resentful energy since he was thrown to Burial Mounds, stays years directly exposed to resentful energy.

And then Mo Xuanyu calls him into his body via sacrifice ritual.

And the thing is, all that resentful energy had already stirred Wei Wuxian’s Noah gene, but this is a final drop. Because what it does to Wei Wuxian’s soul is to feel like he’s being reincarnated into a host, which is how Noahs would reicarnated.

And so, when Wei Wuxian is called back into Mo Xuanyu body, what he doesn’t know is that his Noah’s gene has been triggered, and he is fated to go through a Noah’s Awakening and become a Noah himself.

And because he is the first Noah since the world reset, and all Noahs were dormant, there is only one Noah that he can be as the first: The First, the Millennium Earl, Adam.

Initially, I just thought he would be super confused and a little scared, thinking something is wrong with the ritual, because he would be in lowkey Awakening process from the moment he wakes in Mo Xuanyu body. He would feel pain and headaches and feverish often, and at some point, he would go actual Awakening with it being really painful and high fever, and probably not super long but not quick either.

Then I had the idea of how Adam split into Mana and Nea in DGM canon, and so Mo Xuanyu actually survives the ritual because they kind of split rather than Mo Xuanyu being erased; and so yes Mo Xuanyu is fated to Awaken too because both his and Wei Wuxian’s body are “marked” as Noahs (with Noah gene triggered).

My idea is that they do end up like twins, with their appearance a mix of Wei Wuxian’s physical traits and Mo Xuanyu’s physical traits. Basically, for a brief moment, there is one body that has both of their souls, so this body is both of them, and then it splits, into two “twins”.

Which does mean they both have both of their bloodline. So both of them are the sons of Wei Changze, Cange Sanren, Young madam Mo, and Jin Guangshan, by blood.

Pending to decide is whether WWX inherit Mana and MXY inherit Nea (or vice versa, WWX inheriting Nea and MXY inheriting Mana) with Adam existing in both of them; or WWX inherits the whole package and MXY is considered a new Noah (without a Noah’s Memory; considered the first generation of 15th Noah?).

Of course, it did help in MXY case that he touched such a ritual, as again, resentful energy is the “descendant” of Dark Matter. But you know who else deeply touched resentful energy? Xue Yang.

Now the thing is, it is only when WWX (and MXY) awakens that other Noahs can awaken. Now the question I still ask myself is if XY start to awaken at the same time (slower process?), not long after (slow process still?), or only when he comes face to face the first time with WWX (and/or MXY).

And the thing is, Noahs value each other deeper than anything, on an instinctual basis. WWX hates what XY has done, but as a Noah, who can sense a fellow Noah, he feels kinship. As for MXY, he has mixed feelings, and he too would feel kinship, and because he does, it’s even harder for WWX to hate XY himself. At the same time, XY feels, well, Adam is considered the Patriarch, lowkey the father figure of all Noahs, the leader for sure, so XY instinctively doesn’t want to disappoint WWX.

There’s no escaping that XY is Awakening too, so WWX end up objectively thinking, okay, he’s a Noah, he’s mine, so I’m now responsible for him. And ultimately, between XY own wish for someone to care for him (which he views as “someone to give him candy every day”) and his Noah’s instincts who takes delight in being cared for by Adam, WWX manages to bring XY to grey-er area.

Which Noahs does XY Awaken as? I have not yet fully decided, but honestly, Joyd seems like a good match. It also helps that Joyd, and the previous incarnation, Tyki, is actually pretty grey, loves having both white and black, and Tyki himself did have affection for some humans and was pretty laid back. Joyd would be able to “balance” XY and bring this more balance, more grey personality.

Also yes, Allen is meant to show up, I still haven’t fully decided if Nea is in fact still within his body, and so like, whether WWX or MXY is meant to be “Nea”, they really need to find him so they can be complete, so they would also poke awake Allen. That or just, Allen wakes?

Okay but the thing is, I also loved the idea that Nea was indeed still hosted by Allen, so only Mana is hosted by WWX, and when WWX awakens it becomes a big issue because he’s not stable as he’s missing a part of the whole package.

So yeah I need to decide who host who, and how it plays out.

To be fair, that particular issue of not being complete can play out easily in the what if side stories, as it’s only in this main story (default story?) that there’s this whole split.

Now about the side stories/what if fics

WWX and MXY actually splits as babies, the same way Mana and Nea in dgm canon split from Adult!Adam into two “twin” babies. Allen senses it and find them, and raise them. Problem to figure out is timeline. Also once they’re adult, it goes pretty much similar to how I would view the main/default story, I think. Maybe. For now this is really just the faint idea of them actually splitting into babies and Allen grabbing them. Parental Allen to WWX and MXY.

WWX awakens as a Noah when Wen Chao throws him in the Burial Mounds. Probably, he does start to work on cultivating resentful energy, but he also Awakens, and in this context, he’s... more Noah than human. And by that I mean he’s easily more bloodthirsty, sadistic, and merciless. And a good dose of not mentally stable. It can smoothe out though, as a Noah he really values “family” and so his siblings can stabilize his mental state. But also, he’s way more into protecting the Jiang, his “clan”, and especially his siblings. He won’t want to leave them, he would rather make it clear you are doomed if you so much as plot against them. But also, he’s more likely to be less closed off to his siblings.

WWX awakens at some point during the two years (in my timeline of MDZS) he lived in Burial Mounds. Give a good scare of the Wen, especially Wen Qing who has no fricking idea what is happening to him and everyone lowkey afraid he’s just. Dying. Maybe Wen Ning actually “feels” something though? Like he can tell he’s not, and he’s like, “Jie, I think he’s... transforming?” and that’s another scare because they think he might be becoming a demon. But yes, eventually, he awakens, and the thing is, he becomes a Noah when he has a whole group of people under his care. He has a “clan”, a family, a son, and siblings. So in this scenario, it’s the Noahs familial instincts that are stronger, and WWX really wants to protect the Wens, but also wants his siblings. And so, well he’s still deeply protective, but he actually also kind of, manage more peaceful approach. He wants to reconnect with the Jiang, and for that, he is aware that he needs to not make it harder, which. Is totally the influence of Mana too.

WWX awakens when he means to die with the backlash of destroying the Seal, and that idea demands in itself branching off ideas. Because A) he can awaken in front of everyone and A-1) vanish into the Ark and everyone kinda knowing he probably didn’t die or A-2) he doesn’t vanish and everyone like “now what”; B) he awakens precisely as he’s being eaten by the corpse which, B-1) might mean his corpse start getting “scared” when they sense his Noah aura (and so everyone kind of see something is going on) or B-2) it’s agony because for a few moments he’s just being eaten and also regenerating, and then B-2-a) does he do a power blast and everyone like “what the heck” or B-2-b) does someone notice he’s not dying and maybe it’s JC and maybe he’s like “okay wtf no” or B-2-c) No one notices so maybe he slips off (unless he vanished with Ark). And then C) whether he vanishes into the ark and/or no one notice he’s not dying (and manages to slip off to hide), he would want to go take A-Yuan and so C-1) does he manage to do so when everyone thinks he’s dead? C-2) does he manage to do so but also everyone is aware he probably didn’t dit? C-3) is there a time lapse between his “death” (or escape) and when he gets himself to find A-Yuan and so Lan Wangji shows up? C-3a) does LWJ see him?? C-3b) does he not see him and WWX decides A-Yuan might be better with LWJ??

Why do I do this to myself, I don’t know, but it’s fun to think about it all. Maybe some might be collections of scenes and such, rather than a proper storyline. Even if main/default, I kind of have to decide when the Awakening actually completes (aka how long WWX is lowkey always sick), as then it can vary greatly what happens if he’s already an awakened Noah. There can even be post canon awakening soooo.

Maybe it’s not that I’ll have “main/default” and “side” stories, maybe I’ll just have a series that has a “basic worldbuilding” one shot and then stories that are collection of scenes and each story has a specific type of settings?? Honestly I probably need to do that, to first have properly and all clear the worldbuilding, then also the few points where WWX could awaken and the different branching it can do, and then give a nickname to each branch and write scenes for each however inspiration come.