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dazevi · 5 months ago
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CHAPTER THREE: CAN WE PRETEND?
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heart to heart series | vi x fem!reader
synopsis: you're not sure what comes over you tonight, but caught up in the moment, you make a reckless choice—one that could change everything.
content warnings: MDNI. nsfw (18+ content), angst, fluff if you squint idk, rockstar!vi, bookshop owner/writer!reader, exes to lovers, friends with benefits (kinda), sexual tension, again—vi is down bad, smut; needy sex, oral (r rec.), vi cums untouched, little bit of overstimulation, idk what else !!!
wc: 12,183
notes: happy late late late valentine’s day! (i was supposed to post it on friday but got busy) and sorry for the wait on this chapter! here it is—glorious smut lmfao,, kind of ashamed to say that the next chapter is way more smutty—but ofc with feelings!!!) fanart by bunimint_ on ig !!
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The cold bites at your skin, but you barely even notice it. Not with the way your heart is hammering. Not with the way your nerves are tangled in your stomach. You stand outside Vander’s bar holding a small birthday gift in your hands, staring at the entrance like you haven’t walked through those doors countless times before.
But it’s been years. A lifetime ago, it feels like.
And standing here now, dressed in a pretty black dress you spent way too long debating over—god, what the hell were you thinking?
You tug your jacket tighter around you, like that will somehow make you feel less exposed, less like you’re making a mistake by being here. The leather is warm, but it doesn’t do much to muffle the voice in your head telling you that this was a bad idea.
That coming here, looking like this, feeling like this—it means something.
You used to love this place. Loved the way it always smelled of whiskey and smoke, of cheap beer but distinctly of home.
It’s different now.
Or maybe you’re the one that’s different.
Vi is probably already in there. Maybe she’s backstage, laughing with the band, tuning her guitar, oblivious to the fact that you’re standing out here like a fool, trying to gather the courage to step inside. Maybe she’s already seen you through the window, watching like she always used to—like she could read every thought in your head without you saying a word.
You close your eyes for a second, exhaling slowly. You could still turn around. You don’t have to go in. But then again, you didn’t have to dress up either, and yet… here you are.
The second you step inside, the warmth surrounds you. You hadn’t expected this many people, but clearly, word must have spread that Vi’s band was playing tonight.
Your eyes take a moment to adjust to the dim lighting over the packed room. It’s overwhelming at first—the volume of voices overlapping, the clinking of glasses, the scrape of barstools against worn wooden floors. But then, beneath all of it, you hear Benzo’s boisterous voice cutting through the noise, followed by Vander’s throaty laughter.
It’s been years since you’ve been here, but nothing has really changed. The same old neon signs flicker against the brick walls, the dartboard near Vander’s glowing jukebox is still crooked, the pool table in the corner still missing a chunk from one of its legs, and behind the bar, bottles of liquor line the shelves, arranged in the same way Vander has always kept them.
And Vi is somewhere in here.
Your stomach twists at the thought, your heartbeat quickening as you scan the crowd.
Just as you’re about to turn toward the small stage, the sound of your name cuts through the noise.
“Is that really you?”
You barely have a second to react before a blur of blue rushes toward you, and suddenly, Powder is there, beaming up at you with wide, disbelieving eyes.
She looks different—older, maybe a tad bit taller—but the same excitement, the same energy, radiates off of her like it always has. Her hair is longer now, pulled back into two twin buns with trimmed bangs covering her forehead.
She doesn’t wait for confirmation before throwing her arms around you, pulling you into a tight hug that nearly knocks the breath from your lungs.
“Oh my god, it is you!” she laughs against your shoulder, squeezing you tighter. “I can’t believe it! When Vi said you might come tonight, I didn’t think—I mean, I hoped—but holy shit!”
You let out a breathy laugh, arms instinctively wrapping around her. It’s been years since you’ve seen her—since she left for college, since everything with Vi fell apart—but somehow, it feels like no time has passed at all.
When she finally pulls back, she holds you at arm’s length, her hands gripping your shoulders as she looks you over, like she’s trying to make sure you’re actually standing there in front of her and not some trick of the lighting.
“You look amazing,” she gushes, her eyes shining, before huffing playfully, shaking her head. “I mean, seriously—wow. Vi didn’t tell me you still looked like this. She’s soooooo in trouble.”
You blink at her words, your breath hitching slightly, but before you can even begin to unpack what that means, Powder grabs your hand, tugging you towards the bar.
“Come on, you have to catch me up,” she insists, grinning ear to ear. “How have you been? What are you doing back here? Wait, how did Vi even convince you to show up tonight?”
Your lips part, but you hesitate, glancing toward the stage. You still haven’t seen Vi yet, but now, with Powder in front of you, talking a mile a minute, you realize just how much you’ve missed this—her.
“Powder, slow down,” you laugh, grinning from ear to ear as you shake your head. “It’s really good to see you too.”
She beams, squeezing your hand once before looping her arm through yours like she used to when you were all younger.
“Dad, look who’s here!” Powder calls out, cutting through the music and chatter as she drags you toward the bar.
Vander stands behind the counter, just like he always used to, one large hand resting on the counter, the other holding a glass he’s in the middle of drying. He looks up at Powder’s voice, eyes darting toward the two of you.
His lips curve into something between a smile and a look of pure surprise. He sets the glass down, wiping his hands on a bar towel as he steps around the counter.
“Well, I’ll be damned,” Vander murmurs, taking you in. His voice is just as you remember it—gruff but warm. “Look who finally decided to show her face.”
“Hi, Vander,” you say, your voice softer than you mean it to be.
He huffs out a chuckle, shaking his head before pulling you into a firm hug.
“You don’t gotta be shy, kid,” he says, patting your back like he used to when you were just a teenager sitting at this very bar, waiting for Vi to finish whatever dumb stunt she was getting up to. “Hell, it’s good to see you.”
“It’s good to see you too,” you murmur.
When he pulls back, he looks you over, eyes full of something fond.
“You look good,” he says, before glancing at Powder with a smirk. “She givin’ you trouble yet?”
You laugh, shaking your head as Powder scoffs, crossing her arms. “Me? Trouble? Never.”
Vander chuckles, ruffling her hair before looking back at you with that same fatherly warmth that makes your chest ache.
“Vi’s gonna lose her damn mind when she sees you.”
And just like that, your heart flutters all over again.
Vander studies you for a moment, his gaze settling on yours like he can hear every thought running through your head. But he doesn’t push, doesn’t pry. Instead, he gives you one last reassuring squeeze on the shoulder before nodding toward the bar.
“Well, since you’re here, let me get you a drink,” he says. “On the house. Benzo!”
Powder grins, practically bouncing on her boots as she gestures to the small, neatly wrapped gift in your hands.
“Come on, I’ll put that gift over with the others!” she chirps, already reaching for it before you can protest.
The chatter dies down slightly as movement stirs toward the stage, conversations dipping into hushed murmurs. People turn their attention forward, waiting patiently as the band gets into place.
Vi stands in the center of the stage, tuning her guitar beside an amp, fingers practiced as she twists the tuning pegs, testing each note. She’s glowing, that pink of her bright against the light, also outlining the sharp angles of her jaw, the curve of her cheekbones, the ink that winds down her arms and up the side of her neck.
She looks really fucking good. Dressed in a snug black shirt that clings just right, showing off the sculpted muscle in her arms, the broad set of her shoulders. The sleeves are pushed up slightly, just enough to expose the edge of her tattoos. Paired with a pair of baggy jeans that sit low on her hips, the waistband of her boxers showing every time her shirt shifts upward slightly as she moves—
—God, you have got to get yourself together.
But even despite how cool she looks up there, there’s a pout pressed against her lips, so slight that most people wouldn’t even notice.
But you do.
Because you’ve seen that pout before.
It’s the same one she used to wear when she was waiting for you after class and you took too long saying goodbye to your friends. The same one she had when you were late to meet her for a movie, arms crossed as she huffed dramatically before breaking into a grin the second she saw you. The same one she’d wear when you teased her by refusing to kiss her.
And now, up on stage, she’s wearing it again.
Because she hasn’t seen you yet.
You swallow, suddenly hyper-aware of yourself. Of how you look, of how this dress looks on you, of the way your heartbeat has picked up.
You shouldn’t be this affected—you shouldn’t.
And then—just as she adjusts the strap of her guitar, rolling her shoulders back, her eyes sweeping slowly over the room, over the crowd, then towards the bar—
She finds you.
Her fingers still against the strings, her whole body tensing just slightly. Her lips part, eyes locking onto yours.
And then, just like that, her pout is gone, smoothed over with the faintest, laziest smirk.
You feel your stomach flutter.
Before you can fully process it, Ekko steps up to the mic, patting Vi on the shoulder, grinning out at the crowd.
Behind them, Steb is adjusting his drum stool and Loris, stands off to the side, his bass slung low, a cigarette tucked behind his ear as he watches the crowd with that same unreadable look he always has, like none of this phases him in the slightest.
Ekko leans into the mic, flashing a charming smirk towards the crowd smirk.
“Alright, alright, settle down,” he teases, though he’s clearly reveling in the attention, in the love the crowd is throwing at them. He lets the cheers die down just a little before continuing, “First off, gotta give a huge shoutout to the man who means the absolute world to me. Happy birthday, old man!”
The bar erupts into another round of cheers, laughter echoing through the room as Benzo raises his glass.
“I love you, Benzo!” Ekko adds, placing a hand over his chest in mock sincerity.
Vi chuckles beside him, shaking her head as she ducks slightly, her pink hair falling forward as she looks down for a second.
Your stomach twists as you watch her, taking in the way her fingers flex against the neck of her guitar, the way she glances at Ekko with that lopsided smirk before finally lifting her head again, pink strands shifting as she looks back out at the crowd.
And just for a second—so brief you almost miss it—her eyes fall back to you.
Ekko claps his hands together. “Alright, enough of the mushy shit. Let’s get this started, yeah?”
And the crowd cheers again.
The music begins, the first chords ringing out as Vi’s fingers find the strings of her guitar. The sound of the crowd fades into the background as she leans into the mic.
Every time her gaze sweeps over the bar, her heart skips a beat when she catches sight of you. You’re there, standing at the edge of the crowd, watching. Watching her. And god, it makes her feel alive. She can feel the heat rising in her chest, spreading down her arms, making her fingertips tingle as she strums the next chord. She can’t stop glancing at you, her smile widening every time your gaze meets hers.
She wants to impress.
She really fucking does.
And every time Vi steals a glance your way, her heart beats faster. It’s almost like the music fades and the room shrinks down until all she can focus on is you.
You look so damn good. Your dress is simple but it fits you perfectly, so prettily. The soft glow of the stage lights catches the curve of your neck, the way your hair falls just perfectly, and god—god—she’s getting distracted.
The thought crosses her mind before she can stop it—did you dress up for her? It’s silly, of course, but it flares in her chest anyway.
But then, before she can let herself spiral too far into that thought, she sees you again.
You came. You actually came.
I mean, you told her you would, but right now, she can’t stop smiling. She’s so fucking happy you’re here.
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The set ends after an hour.
It wasn’t too long, but the crowd erupts into applause anyway, cheers and shouts and whistles echoing throughout room, although Vi didn’t really think much of it. She’s still buzzing, the tips of her fingers still tingling from the friction of the strings, but she didn’t care about it.
She doesn’t wait for the others. Ekko and Loris are already heading backstage, Steb cracking his knuckles as he follows, but Vi’s eyes are locked on you.
She doesn’t even care about the after show rituals—the sweaty gear, the backroom chatter—because right now, all she can think about is how badly she wants to get to you.
It doesn’t take long to find you. You’re sitting with Powder, a bright smile on your face, talking to Vander and Benzo at the counter.
And then, when she’s just a few feet away, you look up.
She opens her mouth, trying to say something—anything—but the words won’t come. She’s not sure why she’s so nervous now.
“Hey,” she says softly as she looks down at the counter, then back up at you. “You made it.”
Her smile is soft, almost shy, and she watches you carefully, her heart is pounding in her chest.
“I told you I would,” you reply warmly.
Vi nods softly and just stands there, her heart pounding in her chest, suddenly unsure of herself, the words slipping out of her mouth before she can fully think them through.
“You look… you look really good.”
It’s quieter than she meant it to be, but it’s honest. She can’t help it. She’s been trying not to let herself be completely consumed by the way you look tonight, but there’s really no stopping it. You do look amazing.
And she watches you closely, trying not to let her nervousness show too much, but it’s hard to hide the slight tremor in her voice.
Before you can even respond, Powder bursts in, her voice high and teasing as she slides up beside Vi and throws an arm around her shoulders, nearly knocking her off balance.
“Vi!” she says, her grin practically splitting her face, as she begins to tease her in hushed whispers, something about you coming tonight, maybe how nervous she was.
But Vi doesn’t flinch, doesn’t break her gaze from you. Her attention stays completely on you, even as Powder hugs her excitedly, laughing. Her focus is elsewhere. It’s on you. It’s always been on you.
For a moment, she almost wishes it was just the two of you in this room—no distractions, no people, no laughter, no teasing from an overly excited litle sister, just you and her.
Before either of you can speak, Powder pulls away from Vi, spinning on her heel as she looks around the bar.
“Say, where’s Ekko?” she asks. “I’ve got to go give him a talk about giving Isha the wrong cat food earlier.”
Without waiting for anyone to respond, she darts off into the crowd, running on pure energy that never seems to run out. You watch her blue hair disappear into the mix of people, the playful laugh she lets out fading as she vanishes.
Vi stands there, staring at you. There’s so much she wants to say, so much she’s been holding back for what feels like forever, but the words just don’t come.
“You guys sounded really great up there,” you say gently.
Her heart skips. She blinks, almost startled, and before she can stop herself, her lips curve into a wide, genuine grin, the pride swelling in her chest. She straightens slightly, shoulders relaxing just a little as her eyes soften.
“Thanks,” she murmurs, eyes glued to the way your tongue smooths over your bottom lip. “It, uh… feels good to be playing again… Here, I mean. At home.”
You smile again, and for a second, Vi forgets how to breathe.
“I bet it does,” you say, keeping your voice light. “I mean, I would have been disappointed if you weren’t any good.”
Vi chuckles at that. “Well, I couldn’t let you down. I’ve got a reputation to maintain, after all.”
“You’re being cocky,” you raise an eyebrow at her.
“I wouldn’t dream of it,” she says quietly.
Vi swallows hard, trying her best to stay calm, but being with you like this, well, it catches her off guard.
“I’m glad you came tonight,” she smiles softly. “I really am.”
And she’s grateful. Very grateful that she gets to see you, to be with you like this, even though you weren’t really hers anymore.
She spent the rest of the night glued to your side like she’s afraid to let you slip away, her body leaning just a little too close whenever you’re talking to someone else.
It’s a subtle thing, the way she gravitates toward you, like there’s an invisible thread pulling her in, towards you each and every time.
Vander, Benzo, Powder, and the rest of the band surround you, laughing and teasing, recounting old stories from their countless gigs, but Vi isn’t really paying attention to any of that. Not when you’re sitting next to her, not when you’re wearing that dress.
The fabric fits your curves so perfectly, but it’s your legs that keep pulling her attention.
Every time you move slightly, every time you cross or uncross them, the way your thighs peek out, just enough to tease—Vi can’t tear her eyes away. It feels almost too much—like she’s seeing you in a way she hasn’t allowed herself to in a long time. She tries to focus on the conversations, on the laughter and the jokes being tossed around, but it’s impossible to ignore the way her body reacts every time you move right next to her, every time she catches a glimpse of your skin.
Her gaze moves back to you again, almost instinctively, and her breath catches just for a second when your eyes meet hers, that soft smile of yours playing at your lips.
“Vi,” Powder says, nudging her with an elbow. “Earth to Vi? You’ve been dozing out over there for a while.”
Vi blinks, shaking her head and forcing herself to focus on the others. She smiles, though, a little embarrassed, and laughs it off, trying to shrug it off as a joke.
“Sorry, just got distracted for a second,” she says, but her eyes dart back to you before the words are even fully out.
She can’t help it. You’ve always had that effect on her—always able to pull her in, even when you don’t mean to.
And when you laugh, when you lean forward to talk to Powder, it sends a shiver down her spine. She can’t stop herself from thinking about how much she’s missed this. How much she’s missed being with her family. How much she’s missed being with you.
Her heart beats faster in her chest.
She wants to reach out and touch you. To kiss you. To touch you in places people aren’t allowed to see. She wants to say something, but every word gets stuck in her throat.
And throughout the rest of the night, you could feel her eyes on you.
It’s not just her glances you notice, but the way her posture shifts when you move, the tension in her shoulders when she’s close to you, like she’s trying to keep herself in check, but her body betrays her every time.
It makes your heart race. You can feel her eyes on you, even when you’re not looking at her. It’s impossible to ignore. The way her attention feels so intense, the way she’s so obviously drawn to you, despite all the people around you.
And you start to wonder if coming here tonight was a good idea after all.
It’s silly, isn’t it? You came because Vi had asked you to. Because you couldn’t say no to her.
You force yourself to look away, focusing on Powder and Vander’s laughter, on Benzo’s loud voice cutting through the noise, but you can still feel it. And every time your eyes meet, she looks away just a little too quickly, like she’s afraid of being caught.
You glance at her again, and this time, she doesn’t look away quickly enough. Her eyes catch yours, and you see it clearly. Vi hasn’t really changed that much. She was still Vi. Still the girl you once loved, and maybe, in some strange way, still the girl you might love again—
God, what are you talking about?
Is that what this is?
Is that what she wants too?
You force yourself to look away, focusing back on the chatter around you.
Was this a mistake? You didn’t know that answer to that.
All you knew was that it was clear Vi wanted you.
And you’d be lying to yourself if you said you didn’t want her, too.
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It gets pretty late into the night when the drinks, as light as they were, started to settle in, a warm flush spreading across your cheeks.
It’s not enough to make you drunk—nothing like that—but enough to make your limbs feel a little heavier, your eyelids a little more droopy than they were earlier in the evening.
You glance around the table, taking in the chatter of old friends, the lighthearted teasing and laughter, the way Powder is leaning into Ekko’s side while Benzo and Vander talk shop at the counter. It was soothing to be here and spending time with them.
But your body is tired, and as much as you don’t want to leave, you know it’s probably time.
You stand up slowly, feeling the slight unsteadiness in your legs, the gentle sway of the room, but you brush it off. You pull your jacket on, the cool leather against your skin reminding you of the chilly air waiting for you outside. You catch Powder’s eye, giving her a soft smile as she looks over at you, but she’s too wrapped up in a conversation with Ekko to notice how tired you’ve become.
“I should probably get going,” you say softly.
Your words are met with a series of warm and friendly goodbyes, but there’s something in the air now that you can’t ignore.
Maybe it’s the way you’ve been trying not to meet Vi’s eyes, the way you’ve felt her gaze on you all night.
But you turn to her finally and say, “Bye, Vi.”
She freezes. She doesn’t move, doesn’t speak, her lips parting as if she wants to say something—anything—but the words get stuck somewhere inside her all over again.
She doesn’t get anything out before you turn on your heel to walk out of the door.
Then, out of nowhere, Ekko elbows Vi lightly.
“Seriously?” he murmurs under his breath, though it’s loud enough for her to hear.
Vi blinks rapidly, snapping out of her trance, and before she can even register what’s happening, she looks up. She turns to the rest of the group, and to her surprise, the entire crew is watching her. Powder, Benzo, Vander—they’re all grinning, urging her with their eyes.
“Go!” Powder mouths.
And just like that, she just moves.
She grabs her jacket and practically runs, pushing past the tables and chairs, her heart pounding louder and louder.
But just as she reaches the door, her foot catches awkwardly on the edge something, and soon, she’s stumbling, the world tipping sideways before she crashes forward. Her head hits the doorframe with a sharp thud, and for a second, everything is disorienting.
And you hear it—the sound of Vi groaning behind you. You freeze, your heart leaping into your throat.
“Violet?!” you call out.
Vi’s still on the ground, her hand pressed against her forehead, trying to push herself up. Her face scrunches in mild discomfort, but as her eyes meet yours, she lets out a small, breathy laugh, shaking her head.
“I’m fine,” she says softly as she rubs her forehead where it collided with the doorframe.
Her eyes dart up to you, and she offers a sheepish smile. You can’t stop the small laugh that bubbles up in your throat. Your heart is still racing as you move toward her.
“Are you sure—”
“I’m okay, really,” she says again.
She reaches up, brushing her hair from her face, trying to play off the moment. You offer her your hand, your fingers brushing hers as you help her to her feet. She doesn’t let go immediately, her fingers lingering against yours for a moment longer than necessary.
“I… I wanted to catch you before you left,” Vi catches her breath. “Are you walking home?”
“Y-Yeah,” you finally say quietly. “It’s not too far.”
You motion vaguely toward the street, but it’s clear that the idea of walking back alone, in the late hour, with the chill creeping in, doesn’t sit quite right with you either.
“My truck’s at the back,” she says. “I’ll drive you.”
You blink, caught off guard for a moment. And before you can stop yourself, you start to protest, a gentle laugh slipping from your lips as you take a small step back.
“Oh, it’s fine, Vi. I don’t mind the walk. It’s not that far, really.” You try to brush it off, not wanting to be any more of a burden than you already feel like you are.
But she doesn’t let you get far.
“I’m driving you,” she repeats.
It’s not a suggestion. It’s not a question. It’s just fact.
You could argue, but there’s something about the way she looks at you, the way her eyes are so steady, so intent, that makes your inner protests feel futile.
So for once, you don’t argue.
“Fine,” you say softly, a smile tugging at the edges of your words.
Vi leads you toward the back lot where her old truck is parked, the cool night air settling over your skin as you follow a few steps behind her.
When you reach the truck, she moves ahead without hesitation, reaching for the handle and pulling the door open for you. It’s a small thing, but it catches you off guard—she does it like it’s second nature, like she’s done it a million times before. Well, she probably has.
You hesitate for a second, looking at her. Her pink hair is a little messy, strands falling over her forehead, but she doesn’t push them back. She just stands there, her hand still on the door, waiting for you.
“Thanks,” you murmur softly.
Vi just nods, not saying anything as you step up into the seat. She closes the door gently behind you, and a second later, she’s rounding the front of the truck, pulling herself into the driver’s side.
The engine stars, and Vi adjusts the rearview mirror before glancing over at you. You can tell that she has more that she wants to say, but instead, she just puts the truck into drive, her fingers flexing around the wheel before she finally pulls out of the lot.
The drive is quiet.
Not awkward, not tense—just quiet.
The road stretches ahead, the glow of streetlights passing in a blur, fleeting shadows across Vi’s face. Her jaw is set, a hand steady on the wheel, but inside the truck, everything feels so quiet.
You watch her from the corner of your eye, the way her fingers tap lightly against the wheel, the way she lets out a slow breath, like she’s thinking about something she won’t say out loud.
You shift slightly in your seat, your hands resting in your lap, feeling the warmth of the heater kicking in against your legs. You should say something—maybe thank her again, maybe fill the silence with small talk, maybe ask her again how long she’s staying in town, how long her break is, when she’s leaving again—but for some reason, you don’t.
You just sit there.
Eventually, the truck slows to a stop in front of your apartment building, the engine humming for a moment before Vi shifts into park and shutting the engine off. The street is quiet at this hour, the street lamps casting long shadows across the sidewalk, everything outside the window felt frozen.
She doesn’t say anything at first, just grips the wheel, her fingers flexing slightly before she finally moves, unbuckling her seatbelt.
Before you can protest—before you can even tell her that she doesn’t have to—she’s already stepping out, rounding the front of the truck with long strides. She opens your door for you again, and when you step down, you can feel how warm she is, close enough that you have to force yourself not to lean into it.
Then, she walks you up to your apartment door, taking the elevator, her steps slower now, like she’s drawing out the last few moments before she has to leave.
You fish your keys out of your bag, fingers brushing over the familiar metal as you try to ignore the way your heart is beating too fast.
But Vi… she just watches.
She’s standing a step behind you, hands shoved into the pockets of her jacket, her body tense like she’s holding herself back from something.
And she is.
Because she doesn’t want to leave.
Not when she’s spent the entire night thinking about you, stealing glances at you across the bar, admiring how the lighting made your skin glow, how your lips curled into that gorgeous smile she fell in love with—that she’s still in love with. Not when you looked so damn good in that dress, when all she’s wanted, since the second she saw you tonight, was to touch you, to press her lips against yours and see if you’d melt into her the way you used to.
Not when she still wants you.
But she doesn’t say anything. Doesn’t move.
She just stares, her jaw clenched slightly, her pink hair falling into her face as she tilts her head down, eyes darting between your face and your hands as you struggle with the keys.
She should say something. She should tell you goodnight, make some stupid joke to break the tension, turn and walk away before she does something reckless. Because every single part of her is screaming at her to stay, to close the space between you, to reach out and touch you the way she’s been dying to all night. To press you against that door and kiss you until she forgets where she ends and you begin.
She just bites the inside of her cheek, waiting—hoping—you’ll give her a reason not to go.
You finally find the right key, fingers brushing over the familiar grooves, you slot it into the door but you don’t turn it just yet.
Vi hasn’t moved, hasn’t said anything, and when you glance up at her, she’s still staring—not in an absentminded way… No, she’s simply watching you, like she’s trying to memorize every single detail.
Your throat feels tight, but you push through it, offering her a soft smile, one that feels a little shy.
“Thank you for inviting me out tonight,” you say quietly.
“You don’t have to thank me for that,” she murmurs, almost hushed. “I—”
She stops, exhales through her nose, rubs a hand against the back of her neck before shaking her head, like she’s sorting through whatever thoughts are running wild in her head.
“I wanted you to come.”
You don’t know what to say to that, not when she’s looking at you like this, like she means it, like tonight actually mattered to her.
You swallow, gripping your keys a little tighter, trying to ignore the way your fingers tremble slightly.
“Still,” you say softly, meeting her gaze. “It was… nice.”
She looks at you like she wants to say more, like there’s so much more left to be said between you two, but she doesn’t say it.
Instead, she just nods, stepping just a fraction closer, close enough that you can feel the warmth radiating off her, close enough that if you tilted your chin just slightly, you’d be right there—right within reach.
And for the first time tonight, you realize you don’t want to step away.
Vi moves slightly, her hands still buried in the pockets of her jacket, like she’s physically stopping herself from reaching out. But her eyes tell a different story. They flicker over your face, down to your lips for the briefest second before settling back on yours.
“I… I wanna see you again,” she says quietly, almost desperately.
You freeze, the key still in your hand, but now the door feels so far away. Vi’s voice rings in your ears, and as you stand there, your mind spins.
You know what she means by those words.
You’ve already been seeing her as the weeks go by. As a friend—she came in to help with your bookshop, invited you out tonight. And now—now she’s expecting something more with you.
And you’re scared of that. Terrified, actually.
You can’t do this again. You won’t survive it.
You’ve lived through her absence, through the silence, through the distance. You’ve been holding your breath for years. You’ll expect her to leave the same way she did, promising you she’ll never forget you, that she’ll come home soon, she’ll call. You’ve already lived through it.
And soon, she’ll be leaving again. Once her break is over, she’ll be gone.
And whatever she wanted build with you now, you expect all of that to be gone the moment she is.
“Vi… I’ve been thinking about it for a while now… and I don’t know if that’s a good idea,” you say, almost as if you’re talking to yourself, trying to convince yourself that this is the right decision. “I’m sorry.”
You don’t look at her as you speak, afraid that if you do, you’ll see the hope in her eyes, and it will break you.
Vi’s heart sinks at your words. But she doesn’t look away. She doesn’t argue.
Instead, she stands there, eyes locked onto the side of your face, refusing to let the space between you become any bigger than it already is.
She wants to say something—wants to convince you, to make you see that this time could be different, that she can be different.
But the words won’t come. They’re stuck somewhere inside her, tangled up with the fear of losing you again, with the ache of wanting you close, even knowing that you might not feel the same.
So instead of speaking, she just stands there, her hands still in her pockets, her chest rising and falling with every shallow breath she takes. Her gaze never wavers from yours, even as it breaks her inside to see the hesitation in your eyes. She doesn’t want to push. She doesn’t want to make it harder for you.
But god, she wants to be near you.
She wants you so fucking bad.
She wants you to say yes.
The lump in your throat feels like it’s made of stone as you swallow. Your hands tremble slightly as you stand there, staring at the door, tears already threatening to roll down your cheeks.
You can feel her eyes on you, searching, waiting for something, and you know—you know that she’s holding onto the edge of whatever this is.
But you can’t do this.
So, you say it quickly, almost too quickly.
“Goodnight, Vi.”
You can hear the hesitation in your own voice, the way it cracks just a little, as if you’re trying to make the decision for both of you.
You don’t wait for her to reply. You don’t give her the chance to stop you, to pull you back into her. You push the door open just a little more and step inside, slamming it behind you.
On the other side of the door, Vi stands completely still. She doesn’t move, doesn’t say anything, just stares at the space where you were. Her heart is pounding, your words still burning in her chest, but she doesn’t turn away. She doesn’t walk away. She stays in place, her eyes glued to the spot where you had been standing, as if she’s waiting for you to come back.
The sound of your footsteps on the other side of the door is faint, but it might as well be a symphony in her ears. Her hand reaches up slowly to knock, almost without thinking, like she’s trying to hold onto the last of the warmth that came from being so close to you, from having you near her again.
But it’s only cold now.
She doesn’t know how long she stands there, doesn’t know how much time passes as she waits, hoping—just for a moment—that you might open the door again, that you might step back out and say that it wasn’t over, that it was just a misunderstanding.
But the longer she stands there, the more she realizes how hopeless that hope is, how much she’s already lost.
She almost turns on her heel to leave, the cold night air pressing in on her, but then—then—the sound of the door opening again stops her in her tracks.
You’re standing in the doorway.
For a split second, she doesn’t know what to expect. Her heart skips, and the breath she was holding catches in her throat.
“H-Hey,” Vi breathes out, her eyes widening. “Are you—”
Then, you move quickly, almost. You step up to her, and before Vi can make sense of it all, your hands are on her shoulders, and you’re standing on your tiptoes, and before she can breathe, before she can even think, your lips are on hers.
And holy fuck. Holy. Fuck. Holy fuck holy fuck holy fuck holy fuck holy— Is she dreaming? Are you really kissing her right now? Or did she really hit her head that hard?
Vi’s whole body freezes at first. It’s quick, but it’s enough to make her world tilt on its axis. She’s barely aware of what’s happening, of how she instinctively wraps her arms around you, pulling you closer. Her hands find their way to your waist, holding you gently.
She doesn’t want to pull away. She doesn’t want to let go of of you, not when it feels like you’ve come back to her. Her arms tighten around you, and she groans into your mouth, feeling the warmth of your body press against hers like she’s trying to make sure you’re really here.
Vi doesn’t think—she doesn’t have time to.
The second your lips press back into hers, everything else fades and she cant see anything else but you. She deepens the kiss, her hands squeezing roughly at your waist, pulling you impossibly close like she’s afraid you might slip through her fingers again if she lets even an inch of space come between you.
You respond just as eagerly, softly moaning into against her lips, your fingers fisting into the fabric of her jacket, pulling her forward like you can’t stand the distance either. Your body presses into hers, soft where she’s firm, delicate where she’s rough, and it only makes her want you more.
The kiss turns messy—more tongue, more teeth, like neither of you can get enough.
Vi doesn’t realize she’s walking forward until she feels you stumble slightly, your hands gripping onto her arms for balance. She guides you backwards, step by step, her lips never leaving yours as she pushes you back into your apartment. And with one firm kick of her foot, the door swings shut behind you both.
The moment the door clicks into place, she moves quickly—gripping your hips as she turns you, pressing you firmly against the solid wood making you gasp against her mouth, a quiet, breathless sound that sends a rush of heat straight through her.
Vi exhales sharply, pulling away from your lips only slightly to breathe, pressing her palms flat against the door on either side of your head, caging you in without a single inch of space between you. She can feel your breath against her lips, your chest rising and falling rapidly as you both try to catch up with what’s happening.
But then, as she leans in again, ready to kiss you breathless, she sees you.
Your eyes, wide and glistening, your lips swollen from the kiss, your breaths coming out in soft little gasps. And the trail of tears… still visible on your cheeks.
Vi’s stomach clenches.
Her chest tightens as she reaches up without thinking, brushing the pad of her thumb against your cheek, just beneath where the tears had dried. You don’t pull away, but you don’t meet her gaze either. You just stand there, still breathing hard, your hands still clinging to her jacket like you need something to hold onto.
Vi swallows hard, her fingers still lingering on your cheek, and she lets herself look at you—really look at you.
And it feels like a fucking punch to her stomach, a hard one, because you are still so beautiful, even like this.
And, she doesn’t know if she’s supposed to be here. If she’s supposed to be kissing you like this, touching you like this.
But when your eyes finally meet hers again, she knows one thing for sure.
She doesn’t want to let you go.
Vi opens her mouth, barely forming the words before you beat her to it.
“Vi,” you whisper softly. “I-If we do this… if we do this, we can’t commit.”
She blinks, once, twice, her breath still uneven from the way she’d just had you pressed against the door, her lips still tingling from kissing you like she had been starving for it. Her hands are still on you, one hand against your cheek, and another on your waist, her thumb ghosting over the curve of your hip.
“What?” Vi’s voice is barely more than breath.
You look up at her and she sees the hesitation in your eyes, the way you swallow thickly before you even attempt to explain.
She doesn’t move. Doesn’t even breathe. Because out of everything she expected you to say, this wasn’t it.
No commitment.
The words press into Vi’s chest like something sharp, something cruel, something that shouldn’t hurt as much as it does—but god, it does.
Her mind races, trying to make sense of what you mean, of why you’d say that after everything. After the way you kissed her, after the way you ran back out that door.
No commitment.
Did you think she’d leave again? Did you really think she’d break your heart a second time?
Vi swallows, her throat tight, her fingers twitching against you.
“What do you mean?” she whispers, careful, like she’s afraid if she says it too loud, you’ll pull away completely.
But she already knows.
She knows what you mean. She knows exactly what you’re saying without even having to hear the rest of it.
You don’t trust her. Not with your heart.
And fuck, she wants to argue again, she wants to tell you she’s different, that she wouldn’t leave you alone this time, that she would stay, that she wants to stay.
But you’re looking at her like you’re waiting for her to fight it, and she suddenly realizes—maybe you need this.
Maybe you need to believe that thi won’t be anything more than what it is tonight.
Maybe you need to protect yourself from what loving her again might do to you.
Vi’s jaw clenches, her hands tightening ever so slightly where they rest against your waist. She should say something. She wants to fucking say something.
You hold Vi’s gaze, your breath still uneven, your heart pounding so loudly it feels like it might drown out your own words. You don’t want to say it—you really don’t—but you force yourself to. Because if you don’t, if you let her look at you like that for a second longer, you might break.
“We just… we can’t do it,” you say, barely above a whisper. “We can’t pretend like we can just pick up where we left off, Vi. You’re still you—you have your whole life out there that you have to get back to, your career, your band, and I…”
You pause, exhaling slowly, pressing yourself back against the door.
“I can’t go through it again.”
Vi’s breath hitches in her throat.
But you see it—the way your words hit her, the way her fingers tighten slightly at your waist before she forces them to loosen, like she’s reminding herself to be gentle with you. Like she’s reminding herself that she did this.
That she gave you a reason not to trust her.
She wets her lips, blinking once, twice, all over again as if she was trying to process what you’re saying. But you can see the protest in her eyes. You can see how much she wants to protest, to tell you that you’re wrong.
“So… what?” she asks roughly. “You just want this to be… casual?”
You hesitate. You don’t want to call it that. It feels wrong, too small, too insignificant to name what’s happening between you.
Because it’s not insignificant. It never has been.
But you can’t give her what she wants.
So you force yourself to nod.
“Yeah,” you whisper.
Vi stares at you, and it’s hard to read her face now, but you know her well enough to see the way her jaw tenses, the way she presses her tongue against the inside of her cheek like she’s trying to hold something back.
She looks down for a second, her hands still resting at your waist, and when she speaks again, her voice is quieter.
“You… you want me to pretend that this—” she exhales, shaking her head just slightly, like she can’t believe she’s even saying it, “—that you don’t mean anything to me?”
Your chest tightens, and for a second, you almost cave.
“Vi…” You say her name softly, and it’s enough to make her close her eyes, her head tipping forward like she’s bracing herself for impact.
You bite your lip, shifting under her gaze, but you don’t deny it.
“I want something safe,” you say instead.
Vi stares at you longingly.
She runs a hand through her hair, exhaling a bitter laugh, shaking her head as she looks at you.
“Safe,” she echoes, like she’s tasting the word on her tongue, trying to decide how it makes her feel.
She knows exactly how it makes her feel.
It fucking hurts.
Because when it comes to you, Vi has never wanted safe.
She’s only ever wanted everything.
But she looks at you now and she can see the hesitation in your eyes, the way you’re holding yourself like you’re waiting for her to fight you, to push, to promise something she might not be able to keep.
And, Vi realizes that you probably need this boundary.
That this is the only way you know how to let her in without risking losing yourself in her all over again.
So she takes a slow breath, lets it settle in her chest before she speaks.
“Okay.”
You blink, like you weren’t expecting her to agree so easily.
“Okay?”
Vi nods, keeping her face straight and stoic.
“Okay,” she repeats, quieter this time.
She watches the way your lips part slightly, the way your breath catches, and fuck, she could kiss you again right now. Could prove to you that whatever this is—whatever it’s turning into—isn’t just something temporary for her.
That it never was.
But instead, she just looks at you, nods once more, and says, “I can do that.”
And she knows for sure if it’s a lie.
You can feel her breathing against you, warm and uneven, her body still so close. Your breath shudders, your fingers twitching at your sides.
You don’t know how to tell her that you’re just as scared, that this—whatever it is—is already starting to feel like something dangerous, something that might swallow you whole.
So instead, you do the only thing you can do.
You lift your hands, slowly, hesitantly, and brush your fingers over the sides of her face, over the sharp line of her jaw, feeling the warmth of her skin beneath your touch. Vi lets out a breath, and when you tilt your head slightly, your lips barely a breath away from hers, she doesn’t pull back.
She doesn’t run.
Neither do you.
And before she can say another word, before she can question it, you kiss her again.
Vi doesn’t hesitate this time.
The moment your lips crash against hers, she melts into it, melts into you. Her fingers tighten at your waist, pulling you impossibly close, like she needs to feel every inch of you against her. She’s warm, burning, her body radiating heat as she kisses you deeper, rougher, her teeth grazing your bottom lip before she soothes the sting with her tongue. A quiet moan escapes your throat, and that’s all it takes for Vi to lose whatever restraint she had left.
She cages you in again, her palms flat against the wood on either side of your head, her breath uneven as she pulls back just slightly. Not enough to create distance—just enough to look at you again.
She studies you, the way your fingers clutch at her jacket like you don’t want her to go anywhere, and for a brief moment, she wonders—is this what you need?
Because Vi doesn’t think she can just pretend.
She doesn’t think she can hold you like this, kiss you like this, and not want all of you.
But maybe… maybe right now, this is enough.
So instead of saying something that will ruin it, instead of pushing for something you aren’t ready to give, Vi does what she knows best.
She leans in again, slower this time, her lips brushing. Her hands move to your waist, then up your sides, fingers ghosting over your ribs before sliding down the the hem of your dress, slipping under the fabric to grasp at your thighs. She doesn’t rush—she takes her time, savoring the way your body reacts to her touch, how you shiver slightly beneath her hands.
“You sure about this?” she asks.
You nod, barely a whisper of movement, your hands sliding up her chest, over her strong shoulders, fingers curling into the soft fabric of her shirt.
“Yeah,” you whisper back.
One moment, you’re standing there, breathless, and the next, Vi is crashing into you, her lips slanting against yours.
You gasp against her mouth, and Vi grips you tighter, her strong hands sliding down, catching the backs of your thighs before lifting you up. You gasp, but your body reacts on instinct, your legs wrapping around her waist, arms winding around her shoulders as she holds you up with ease.
And, the way she holds you—firm, steady, possessive—makes the heat coil in your stomach.
She doesn’t stop kissing you, not even for a second, her tongue your mouth, tasting you. Vi carries you through deeper into your apartment, like she knows exactly where she’s going even though she’s only ever been here once for several minutes.
Your fingers slide into her hair, tugging slightly, and she groans against your lips, low and needy, sending a shiver down your spine. You can feel the tension in her muscles, the way her grip tightens around your waist.
She stumbles slightly as she reaches your bedroom door, blindly pushing it open with her foot before stepping inside. The moment she steps in, she presses you against the nearest wall, just for a second, just to feel you pinned against something, her body flush against yours, her breath hot against your lips.
“Fuck,” Vi mutters, her forehead pressing against yours.
Her breath is uneven, chest rising and falling rapidly, and when she looks at you—lips swollen, eyes dark with want—you swear you’ve never seen her like this.
You don’t give yourself time to overthink. You don’t want to think.
You just pull her back into you, your lips crashing into hers once more, and she groans against your mouth as she finally moves again, finally carries you those last few steps toward the bed.
And when she lays you down—Vi stares.
Her body hovers over yours, her hands braced on either side of your head, her breath still uneven as she takes you in—really takes you in. And fuck, you look so pretty like this, sprawled out beneath her, lips swollen and your lipstick smudged slightly from kissing her. Your chest rises and falls with each breath, the thin fabric of your dress shifting slightly, and Vi can’t stop staring, can’t stop drinking you in like she’s trying to memorize every inch of you.
Her tongue darts out to wet her lips, and she exhales sharply through her nose, her hands curling into fists against the mattress as she forces herself to pause, to breathe. She feels like she’s standing at the edge of something dangerous, something she’s wanted for so long but never let herself have, and now that you’re here—now that you’re letting her have you—she feels like she might lose her fucking mind.
Her gaze trails down your body, heat pooling low in her stomach as she watches the way your thighs press together, the way your fingers twitch against the sheets, waiting for her to do something.
She wants you. Wants to make you forget everything except the way she touches you, the way she makes you feel, the way she’s about to have you.
Vi exhales again, slower this time, and when her eyes flicker back up to yours, she smiles bitterly—low, lazy, cocky.
“Oh, fuck,” she murmurs, shaking her head slightly, her pink hair falling into her eyes as she licks her lips.
She leans in then, pressing her lips against the soft skin of your neck, her teeth grazing just slightly as she whispers against you teasingly.
“Vi, hurry, please—”
“I’m on it, baby,” she says.
Vi doesn’t waste another second.
She shrugs off her jacket in a rush, the leather hitting the floor, and her fingers already working at the hem of her shirt. She pulls her shirt over her head, leaving her in her jeans and her sports bra, barely noticing where it lands—because you’re right there.
Vi moves above you, her body pressing closer, and that’s when you see it.
The small glint of silver catches your eye, swaying gently as she hovers over you, her breath warm against your skin. Your lips part slightly, because you know that necklace—
And now, it’s still there.
Vi doesn’t seem to notice at first. She’s too lost in you, in the way your body moves beneath hers, in the way she’s been desperate to have you again. But when she feels you stiffen slightly beneath her, when she pulls back just enough to really look at you, she follows your gaze—and freezes.
Her breath falters, chest rising and falling just a little too quickly, her entire body suddenly too still.
She realizes what you’re looking at.
You don’t say anything, but you don’t have to.
And Vi—Vi feels like she’s been caught.
The necklace still rests against her skin every single day, always hidden beneath layers of fabric, unseen by anyone else.
But now, you see it. You know.
She doesn’t just want you tonight.
She wants you always.
Right in front of her, staring up with wide eyes, breath coming in soft, uneven gasps, your lips still swollen, and your dress still clinging to you.
And holy fuck, she needs you out of it.
Her hands find the fabric at your sides, her fingertips pressing into your skin as she tugs, as she urges your dress higher, bunching it up until she can pull it over your head.
You lift your arms for her, letting her take it off, letting her strip you down just like she wants, and Vi swears her brain short circuits the second she sees you like this.
Her breath catches, her pupils blown wide as her gaze drags down, raking over every inch of your skin exposed to her.
She groans softly, deeply and almost pained, before she lunges forward, her lips finding the soft skin of your collarbone, your shoulder, anywhere she can reach. She kisses you so messily, open-mouthed and desperate, her tongue flicking out between kisses, her teeth grazing just enough to make you moan.
She wants to taste every inch of you, mark you up so that you remember exactly where she’s been.
“V-Violet—”
Your voice—soft, breathy, breaking just slightly on her name—hits Vi harder than anything else has tonight. It goes straight to her chest, down to the part of her that remembers, that aches for every time you used to say her name like that, every time you used to fall apart for her.
And fuck, she’s missed it. She’s missed you.
A soft whimper rumbles from Vi’s throat, her teeth scraping gently along the delicate skin of your chest before she pulls back just enough to look at you. Your bra is pushed up, her hands eagerly roaming your tits, swueezing and pulling just like she always did whenever she was in a rush to make you feel good. Its not long before she reaches behind you, one hand undoing your bra and throwing it on the floor with the rest of your clothes.
And you’re already so wrecked, your lips parted, your breaths uneven, your body arching beneath her as she touched you.
God, she wants you—wants to ruin you, wants to hear you beg, wants to make you forget everything but the way she feels against you, around you… inside you.
Vi’s hands tremble slightly as she hooks her fingers into the waistband of your panties, tugging at the fabric slowly down your legs. She watches the way you react—the way your breath catches, the way your thighs tense, the way your fingers clutch at the sheets like you’re bracing yourself. Like you’re nervous.
She pauses, her thumbs rubbing small, absentminded circles against your hips, trying to soothe the tension in your body.
She’s thought about this.
Fuck, she’s thought about this almost every night—about you, about having you like this again, spread out beneath her, breathless and wanting an be needing her.
It’s been so long. Too long.
And as much as Vi wants to devour you as soon as possible—she also wants to savor this. She wants to feel it.
You make a small noise—soft, hesitant—and when Vi finally drags the last piece of clothing down your thighs, when she finally sees you, all of you, she lets out a breath she didnt even know she was holding.
You shift slightly, instinctively moving to close your legs, to hide yourself, but Vi is already there—her hands gripping your thighs, spreading you open for her.
And then she sees the hesitation in your eyes. The way you bite your lip and glance away. Shy.
Something in Vi’s chest tightens.
She knows.
She knows.
You haven’t done this in a long time.
She wants to say something, but can’t find the right words. So instead, she does the only thing she can—she leans in, pressing a slow, lingering kiss to the inside of your thigh, her lips soft and wet.
“You’re so fucking pretty,” she murmurs against your skin. “Always been so pretty, baby.”
She kisses you again, this time closer.
But when your breath hitches, when you finally look at her, when your fingers twitch like you want to reach for her but don’t know if you should—Vi knows.
She knows you want this.
You need her.
So Vi immediately gets to work.
The second she spreads you open, the second she sees how wet you are, she groans low in her throat, the sound vibrating against your skin as she leans in without hesitation, before finally dragging her tongue through your wet folds.
Your body jerks as get tongue presses flat and firm against your clit, and your fingers immediately reach for her, tangling into her hair—longer now than it used to be, your fingertips curling around the strands, gripping on it, pulling on it.
Vi feels you everywhere—the way your thighs twitch slightly against her hands, the way your hips shift up as if you were chasing the warmth of her mouth, the way your fingers tighten in her hair the second she flicks her tongue just right.
She hums against you, reveling in the way you respond to her so easily, like no time has passed at all, like your body still remembers her, still wants her just as much as she’s always wanted you.
She licks into you again, her tongue delving deeper into your pussy, messily and slurping loudly while her hands grip your thighs as she pulls you closer, like she can’t get enough—like she wants to devour you whole.
“Fuck,” Vi breathes against you. “You taste so good. Missed this pretty pussy so much.”
You let out a soft, broken sound as your hips buck slightly, your fingers still tangled in her hair.
Vi whimpers against your cunt, at the way your body gives to her so naturally, so easily. She tightens her grip, pressing you down into the mattress as she speeds up, her tongue dragging through your folds with faster strokes before circling your clit.
And when you whimper, Vi fucking smirks against you, because this is what she’s missed. The taste of you. The sound of you. The way you fall apart so easily for her, like you were made for this, like you were made for her.
“Hah, mmph—F-Fuck, Violet—”
Vi rolls her eyes back in bliss, moaning into your messy cunt as she slurps and sucks on your swollen clit. She loves hearing you moan her name like that—absolutely lives for it. Craves it. And god, she could fuck you all day just so that she could hear the heavenly sounds that fall from your lips.
She feels it before you even say anything—the way your thighs tremble beneath her palms, the way you close her in between your legs, the way you pant quicker and wuicker by the second, the way your body starts to tighten.
She knows you’re close already.
She knew you would be—knew from the second she laid you out in front of her, from the moment she tasted you, from the way you gasped and clung to her, fingers tangled in her hair, pulling, tugging, harder and harder, your body arching.
And that only makes her hungrier.
Vi doesn’t let up.
If anything, she doubles down, her grip tightening on your thighs, her tongue moving faster, more precise, lapping up everything you give her like she needs it, like she’s starving for it. She slurps at your wetness desperately, her tongue flicking, curling, pressing your pussy just right—just perfectly—and it sends you spiraling.
You don’t stand a chance.
Your entire body tenses as the orgasm crashes into you, ripping through you so fast, so hard, that your back arches off the bed, your thighs squeezing around Vi’s head as your fingers pull at her hair, and you cry out.
“V-Violet!”
Vi doesn’t stop.
She doesn’t slow down, doesn’t pull away, doesn’t even pause—she just keeps going, her tongue still moving against you, inside you, her hands still gripping you tight, holding you down, keeping you there, like she’s refusing to let you come down from it, like she wants to drag you through it again and again and again.
And it’s too much.
Your breath stutters, your body twitching beneath her, overstimulated and shaking, but she’s relentless.
She moans against you, the vibration making you shudder, her tongue never stopping, pulling another wave of pleasure out of you before you can even recover from the first.
“V-Vi—” you gasp, broken and trembling.
But Vi just groans in response, like she loves how fucked out you sound, like it only spurs her on. She presses herself closer, tongue flicking faster, sucking have on got clit, drinking you down, devouring you, like she doesn’t plan on stopping until she’s satisfied—until you’re a mess beneath her, until you can’t think of anything else but her.
And fuck, with the way she’s going, you’re not sure she ever plans to stop.
Vi growls against you. Your body twitches beneath her, still trembling from your other orgasms, your breath ragged, uneven, and yet she doesn’t stop. Her tongue is still working you over and over, her hands still holding you down, still keeping you open for her, like she needs this just as much as she needs to breathe.
You gasp, your fingers tightening in her hair, tugging, pulling, trying to push her away, but Vi just moans at the feeling, her nails digging into your thighs as she keeps going, trying to drown you in the pleasure she’s giving you.
“V-Vi, I can’t—”
But Vi only smiles against you. Her fingers squeeze at your thighs, firm, steady, keeping you right there. And then, she finally pulls back—just barely, just enough to let her breath kiss over your wet, sensitive cunt as she tilts her head up to look at you.
Her lips are glossy with you, her pink hair disheveled from where your fingers have been pulling, and her pupils are blown, dark and hungry, her mouth curling into something dangerously smug, something so unbearably cocky.
“Can’t?” she echoes, raspy, teasing.
She presses a slow, open-mouthed kiss against the inside of your thigh, her teeth scraping just slightly before she smirks up at you.
And then she’s right back on you, tongue slipping inside, sucking at your clit, pulling another moan from your lips before you can even think to stop it.
You don’t know how many more times you came on her tongue.
It was so much.
And soon, you could hear Vi whimpering, louder and louder, her hands gripping your thighs tighter as she grinds her hips down onto your bed while she ate you out.
Vi was close. Untouched.
“V-Vi…” you breathe, your body trembling.
“Just a little more, baby, please…”
And you couldn’t say no to her. She always asked so nicely, even before—you loved it when she’d beg.
So she kept going and going and going.
Her whimpers grow louder, turning into moans, as she continuted to work her tongue against you. Fuck, she was so close. So fucking close. She could feel it tight in her cunt, waiting. All she needed was one more out of you. Just one.
She could feel you, almost there.
And when you jerk, trying to pull away from her mouth only for just a moment, Vi pulls you against her, wrapping her mouth around your clit and sucking. Hard.
You scream, the sound sending a wave over Vi’s body and that just about does it for her.
“M-Mmmph—Nn-ah, f-fuuuuck—” Vi whispers, gasping for air, her face still against your cunt.
She rests there for a moment, her cheek pressed againdt your inner thigh as she tries to catch her breath, her body shivering from cumming hard. She could feel her boxers, wet and sticky, and she swears you just sent her to heaven.
It doesnt take long for her to regain her energy, before crawling back up, leaving gentle kisses over your skin, before claiming your mouth with hers once more. You could taste yourself on her tongue, in her mouth. And you knew for a fact that Vi was cocky about it. She smiles against your lips before trailing back down to your jaw and neck, kissing the small bruises she left on them earlier.
Her hands are still resting lightly on your body, her fingers gentle now, as if she’s afraid you might shatter if she’s not careful. She pulls away a moment later, just enough to look at you.
She stares at you for a while, like she’s trying to memorize every inch of you—your flushed face, your lips swollen from the kiss, your eyes still half-lidded.
There’s a flutter in her chest. Vi can’t explain it—not really—not when every part of her is overwhelmed with the need to keep you close, to have you.
But she doesn’t say anything.
She just looks at you, her thumb gently brushing along the side of your cheek, her eyes soft as they lock onto yours. Her mind is running a mile a minute, every thought tangled up in the same three words that she wants to say but knows she can’t.
She says them to herself over and over.
I love you.
She says it in her head, again and again, her lips barely moving with the words as she stares at you. She wants to say them aloud, wants to let you know how much she means it, how deeply those words run for her, how she’s only ever felt like this for you.
But she holds herself back. She’s afraid of what might happen if she does.
Vi’s not sure if you feel the same way—if you even could, after everything that’s happened.
So instead of saying the words, she just leans down again, pressing a soft kiss to your forehead, letting her lips linger there for a moment, breathing you in. She pulls away slowly and moves to lay down next to you, her gaze still locked onto yours.
The room is quiet now. Vi watches you closely, her eyes tracing the rise and fall of your chest, the way your face softens as you drift off to sleep beside her. You’re curled against her, one of your hands still resting lightly on her chest.
The soft glow of the light outside the window makes your skin glow. She can’t stop staring.
Her fingers, still warm from where they rested on your skin, twitch at her sides, but she doesn’t dare move. She can’t tear herself away from you, from the way your hair spills across the pillow, the way your lips are still parted slightly. She reaches out slowlyc just to brush a few strands of hair from your face, her fingertips grazing your cheek gently.
You stir slightly, your lips parting in a soft sigh, and Vi feels her heart lurch again. She knows she should sleep—knows she should rest too, but the thought of closing her eyes and missing even a second of you like this seems impossible.
Vi can feel herself drawn to you, drawn to every subtle movement, every breath you take. Her mind spins with thoughts—of the past, of what could’ve been, of what might still be. She thinks of the way you kissed her earlier, the way you touched her, the way she was so sure of you before, and then everything fell apart. The distance between you both became something too big to cross, and now, after everything, she’s here again, watching you as you sleep beside her.
It’s not just being close to you—though, fuck, she wants to hold you, wants to feel you pressed against her until there’s no space left between you. But it’s the fact that she’s here with you. After all the years apart from you, she finally has you again. Right next to her. And she doesn’t know what it means or where it’s going, but right now, she feels whole in a way she hasn’t in years.
Her hand hovers for a moment, just over yours, but she doesn’t touch you. She just watches you, watches the way your chest rises and falls, the way your face looks so relaxed, so safe, like you’ve finally found peace in her presence.
Vi stays there all night, her eyes never leaving you. She watches the clock tick by, watches the light change, watches you sleep, and for the first time in so long, she doesn’t feel so alone.
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the-robot-bracket · 2 years ago
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Five Pebbles propaganda:
"He's like 2 cm tall and also the size of a city. He was 'born' sopping wet in a can all alone and is angry at everything always and forever. He has made big mistakes and feels desperately guilty for them and tries his hardest to make up for them. He is a tiny little bug shouting at the world. Just look at his little antennae."
"Five Pebbles is a bio-mechanical supercomputer so large he literally has a metropolis built on top of him but he is also a little ~2ft. nerd who's into poetry and angrily rants to animals. He has a million absent parents. He nearly killed his sister and is sad about it for the rest of time. A rat kills him. This is the ideal character. #FIVEPEBBLESSWEEP"
"Hes a little pink guy, hes also a massive biomechanical superstructure. he wanted to kill himself so bad but only ended up giving himself turbo robot cancer and killing his older sister in the process (who i will also submit in a bit) Hes sooo silly i want to hit him with a brick. If you do that tho he just fries your brain instantly. love him"
"Oh he's such a cringe fail pathetic man, chugged so much water in an attempt to kill himself, instead kills his sister (kinda) and gives himself robo cancer. He'd listen to mcr and watch those cringey emo warrior cat amvs everyday if he could"
"He canonically has a rip-off Pepsi brand based on him, and he also has official art of him as a cat boy."
"Silly little goober, basically a God but also a tiny tiny little buddy."
"Imagine youre busy doing the hardest math ever when a feral cat scampers into your house, bites a chunk out of you, and scatters all your work everywhere. Then imagine that your reaction is to give this feral cat the gift of understanding speech and bless it with ultimate enlightenment so that it may escape samsara. This exact situation happened to Mr Fruity Pebbles about 4 times"
"I'm sure you've heard plenty about how pathetic this massive-yet-tiny supercomputer boy is so I'll just list off some semi-obscure facts that make him even more of my miserable wet cat
- He gets a surprise roommate of an explosive rat on a genocide mission and proceeds to talk to them like they're a person. He acts like they're the most annoying thing in the world but he also gets excited when they bring him something cool, or is clearly trying not to break down in front of them if they bring him chat logs with his friends and/or sister (that he killed)
- He is, both physically and mentally, being eaten from the inside by the consequences of his actions, due to the robot turbocancer and his own inescapable regret
- He seems to project onto nearly every rat that stumbles into his room, assuming they want to die just as much as he does
- The devs once commissioned multiple artworks of him in a catboy outfit I want this twink obliterated and I will fulfill those wishes as the rat who kills him."
"Failed so hard at killing himself, he killed himself. Looks like a lollipop in a dress. I make a habit of dumping stray kittens into his house so I guess a nomination counts as child support."
"Idk he tries to kill himself and fails so miserably it's kinda funny. Also he sucks god bless america"
"He's a wet cat."
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us3rnam3-r3dact3d · 3 years ago
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Bird Bone Biscuits
A little piece about Sam. Much more lyrical and freestyle than most things I’ve written here. Just a short exploration of Sam’s childhood in southern Georgia, raised by his grandmother. Absolute projection on my part. I still can’t get my Pop’s biscuit recipe right, even a year after the fact.
TW: mentions of blood, religious trauma, sex. And idk it’s just kinda sad ig.
When you asked him, Sam said that he was from a little town in Georgia that he didn’t care to remember the name of. He didn’t care to because it was small, barely a post office and a stretch of downtown paved in brick laid during the Civil War. Because when his mother bore child by a football player in her sophomore math class, he was handed off to his grandmother in shame. Because he was raised by his Gramma’s firm hand, and everything that reminded him of her made his eyes thin and shiny.
He cooked her biscuit recipe every Sunday morning, although never in preparation of hour long church services that would run right through supper. Every Sunday, he’d stay awake long after the sun had risen, letting the light peak through a few well chosen windows, the black out curtains peeled back to let in the golden rivets of it. He kept a religious collection of ingredients- a cheap brand of flour that smelled like preservation chemicals, eggs bought by the dozen, always grumbling about the raising prices in what must have been a well practiced recital- “too damn much for a dozen fuckin’ eggs.”
They were the best biscuits you’d ever eaten, and you’d say so, shovel a few down with your morning coffee. Sam would take a bite, turn it over in his mouth, shake his head. He’s smear some Smuckers strawberry jam on a chunk. Another head shake. Shove a sausage patty on one before giving up.
“Still not right.” He’d say.
Sam didn’t talk about religion. He didn’t talk about church. Vampires didn’t burn up at the sight of a cross, that was mythical bullshit. But Sam had a small white bible hidden away in the drawer of his bedside table, and he regarded the little golden cross on a tangled, delicate chain that laid on top of it as though it could kill him with a touch. He didn’t pray. You’d seen him face down death without the hope of any god in his eyes. Whatever divinity his Gramma found, he was barred from by birthright or sin.
That bible sat beside the bed he fucked you in, the bed he curled against your chest in, the bed he spit curses into like tobacco. You wondered what she would think, sometimes, if she could look down on her child from Heaven. You wondered if she would approve of you. If she would like you.
And Sam was her child, as far as you could tell. The longer you heard him talk about it, the more his dedication to his progeny made sense. Sam came from a line of Grands becoming mothers, becoming fathers.
Sam wasn’t Humanborn. His Gramma had magic. His mother had magic. It was a long tradition of witches, a tradition of crystals and bird bones, of complicated sigils drawn in his own blood, of Sunday school the morning after a full moon ritual that bled him dry of sleep. He didn’t talk about it much, his bloodline of folk magic that strung the Spell Song of Elegy in fire. You understood, from what you did hear, that Sam lost much more than his powers that night in his tree-wrapped truck. Alexis had taken his family from him, his blood. She had taken his Gramma’s touch, her guiding of rosemary, her wisdom of rose and thyme.
Sam was from a little town in Georgia. He had no intention of visiting, although he said the heat some summer California days reminded him of home. He rejoiced in the absence of humidity and mosquitoes. You wondered if he missed hearing people who sounded like him. You wondered how long he’d had his beaten up Chevy truck, if he’d driven it all the way from those brick-paved streets to Dahlia. You wondered when his Gramma died. You wondered if he still spoke to his mother.
You wondered a lot of things about Sam. But he wondered a lot of things about you. You were putting him together from the pieces he gave you. Brick by brick.
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buffintruder · 7 years ago
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Some fun stuff I noticed in the Les Mis Broadway tour showing I went to:
-After the cart scene, Valjean’s just lying on the ground from exhaustion, and Javert helps him up while wondering if this mayor could be Valjean. I wouldn’t mention this, but Javert spent a weirdly long time just holding onto Valjean’s forearm, like I think it lasted most of his verse.
-When the Thenardiers are opening up the inn, they get into a small non-verbal fight, and M. Thenardier says “I should have married your sister” and the audience died laughing (side note: of all parts of the brick, why did the writers of the musical decide that this was the part that needed to be the comedic relief???)
-Right after the Thenardiers are singing “It’s no more than we Christians must do” Mme. Thenardier crosses herself, and M. Thenardier follows suit, touching his forehead and the middle of his chest, but then he looks confused and touches his head and chest again, and then once more for good measure
-When Gavroche talks about Eponine in Look Down, Montparnasse slings his arm around Eponine’s shoulders with a knife in one hand, and she beats him up and it’s super badass
-After Javert tells everyone to leave, Gavroche shouts “You heard the man! Clear the streets!” while shooing everyone off stage. Javert turns around to stare at Gavroche, and Gavroche salutes him before running off
-When Grantaire sings the bit about Don Juan, he puts his bottle near his crotch and starts waggling it up and down. Enjolras takes the bottle away when he starts his verse, and Grantaire spends a couple moments trying to get it back. I’m sure it’s not very hard for you shippers to find some symbolism there
-In A Heart Full of Love, Marius throws a pebble at Cosette’s window to get her attention before he starts singing. She comes out on the second story balcony, and it’s very Romeo and Juliet for about two lines before Cosette disappears back into her room. Marius turns away in disappointment, completely missing Cosette running outside behind him. He turns back to the building she is no longer in to try to serenade her before she gets his attention again
-There were some interesting decisions about who some of the characters were singing to. Like when Combeferre starts “Will you join in our crusade who will be strong and stand with me?” he sings directly to Marius. In One Day More, when Marius is asking “Shall I join my brothers there?” and all those other questions, he’s speaking specifically to Eponine who’s looks like she’s trying to be like “Idk man” but was really thinking “yes!! Go!”
-Grantaire sings directly to Enjolras in his lines in Upon These Stones, and kind of bumps his hand against Enjolras’s chest at “dogs will bite.” Enjolras sings the “they will do what is right” line, shoving his gun into Grantaire’s arms as he does so. Not that Grantaire ever uses it, because he spends most of the battles running around in the back or sitting next to Javert
-While Eponine is dying, Gavroche runs in and sees her and just kind of freezes. Grantaire immediately notices this, and pulls Gavroche back a couple of steps and stands supportively nearby. Enjolras joins them, and the three of them watch Eponine die together. Right before she dies, Eponine kisses Marius, and when she falls limp, Grantaire pulls Gavroche into a really tight hug, and I cried
-When Grantaire starts singing his verse of Drink With Me, a couple guys cheer in a ‘this guy is going to have something fun to say’ kind of way. That quickly fades after the first line, and when Grantaire reaches “Will the world remember you when you fall?” the people around him stand up angrily. Enjolras steps in to stand next to Grantaire, making ‘back off’ motions at everybody else with his hands. Grantaire sings the rest of his verse right up in Enjolras’s face, but his posture is so defensive and scared. After he’s done, Grantaire slinks off to lean his head against a wall. Gavroche hugs him from behind, surprising him, then Grantaire turns around and kneels to hug him properly, and I cried even more
-Gavroche’s song before he dies is so much creepier when he is out of sight for most of it. He stands on top of the barricade at the end of it, and when he’s shot, he falls into Enjolras’s arms who passes the corpse into Grantaire’s arms, and did I say these were fun things I noticed from this production? because I was clearly lying a bit
-There wasn’t any sort of E/R thing at the end, but Grantaire was the last to die. He climbs the barricade for the first time this whole show (other than when he went a couple steps up to try and stop Gavroche from dying), making his way to the spot where Enjolras died. He lifts his bottle up into the air and gets shot, and this is another of Grantaire’s deaths that I’m glad wasn’t the one in the Brick but I still kind of want to analyze the symbolism of it
-I always thought the line “Who will wake them?” in Turning was kind of weird when I heard it in the original broadway soundtrack, but in this, a little girl sang that line and her mom was the one to respond with “No one ever will” which broke my heart
-While M. Thenardier is talking to Marius at the wedding, Mme. Thenardier is just in the background, making a mess, and it’s great. She chases after some guy holding a plate of finger foods, and when someone takes out the cake, she grabs a large chunk off the top. All the dancers briefly pause to stare in horror at her, and she says, “What?! It’s not like anyone was eating it!”
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oleanderblume · 5 years ago
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Okay. Time to talk about it.
For reasons.
So, as anyone who actually pays attention to the posts I make knows, I have DID and right now things aren't going so great so I'm just gonna scream into the void about it. Tw: csa cp sa and other not fun stuff.
So. I'm writing a book series, and at some point while I was writing my books, the main characters of the series ended up being introject alters in my whole ass head.
I didn't want that. Or ask for it. It just happened.
The reason I don't want that is because it makes me not want to write anymore because now those people are literally walking around in my head and its not fun. Also they are kids and my brain is not kid friendly. Or me friendly.
I don't know how they formed but I do have an inkling as to why, my theory is 1 and 2
1. The alters already existed but wanted an easy face so they took the ones I already made and rolled with it
2. The alters hadn't been formed yet but due to exterior stresses they DID form and now I've gotta deal with that.
The first theory is the most likely tho.
Anyways, this happened, I am upset by it. I am in a bunch of groups on fb for DID so I post about it (vaguely because I genuinely thought that this was sort of common but apparently it is NOT) the group i posted in had some assholes 8n the administration as well as.members who took it upon themselves to take my rather vague post about introjects and turned it into a huge mess,.claiming that I was faking having DID and that I was just making up imaginary friends. Despite the fact that the post itself alluded in NO WAY that I genuinely wanted this to happen.
I wasn't given an opportunity to explain myself, and the admin kicked me from the group. So I made another post in the sister group EXPLAINING why I was upset and what was going on and I STILL GOT MADE FUN OF, ridiculed, and my experiences invalidated. Even when I told them that I work for 11 hrs and don't have ample time to dawdle on fb groups. The admin offered to let me back into the other group but I decided to leave both of them because it is simply ridiculous that I should be completely ousted for not fitting into their idealized version of what DID is when it is such a subjective experience for everyone with it. Also one person was just a major fucking asshole to me for no good reason and I wanted to get away from them.
It was a waste of my time and added stress I really didn't need, and on top of that, it gave me LITERALLY NO ADVICE OR VALIDATION for what was ACTUALLY stressing me out.
Also, it made me mad and then Jodie fronted and it was just a big pain in the ass for no real reason.
But the thing is, I still have the same problem. Two fucking kids are running around my head in danger of being caught by a persecutor and being harmed and *I* have to figure out how to wrangle them up. Well, turns out ONE OF THEM IS A MAJOR FUCKING ASSHOLE. Which is my fault because I technically wrote him as an asshole and so his personality reflects that. And also he's 14 and 14 year olds are just a big bag of ducks to everyone. But it gets WORSE. Because he DOESN'T KNOW HES IN A SYSTEM.
So I have a 14 year old jackass running around, with no fucking clue whats going on or where he is, being actively pursued by a persecutor who wants to fucking hurt him >:(
Well, I find him, and he is pissed and won't fucking talk to me because HE doesn't want to be here EITHER. No shit Sherlock. It fucking sucks I know. But he WILL talk to my friends, when he fronts which is WHENEVER APPARENTLY. So he talks to my friends and gradually figures out sort of whats going on but THEN the persecutor (I have named him Bastard for now) gets a hold of him.
Now here is where the trigger warning stuff comes in so don't read this if you don't want to be completely skeezed out.
So..our persecutors have a nasty habit of forcing alters into co-con so they can hurt the body and make *them* feel it. Its really hard to combat and trust me, I'm working on that okay?
They do this to trigger flashbacks and panic attacks and the like because idk, that's probably their fucked up way of saying "hey here is something important you need to know" while also being incredibly fucked up and psychologically damaging to whoever happens to be the target.
Well, Bastard does this to my boy, and here is where things really get into the nitty gritty. So please avert your eyes.
A little backstory. On my trauma (or what I know of it so far cause this shit is like a 3d jigsaw puzzle)
From what I KNOW, and what I've been told by other alters, there is a huge chunk of information missing from when I was about 4-12 (cause my earliest kid memory is from like 12) and that is when I think a lot.of the particularly bad stuff happened. Except we have been trying to figure out what it was for quite a while.
We know it has to do with child pornography. Because Acey, who is 5 has memories of that and Destiny, Siren and Syn all have memories that very specifically depict incidences of cp.
Destiny has memories of being r*ped with coke bottles, and being locked in a bathroom that was converted into a dark room (we think that's how The Other One was formed, from the reflection you saw in the mirror) we know this because she kept a detailed journal of when the first persecutor showed up, Fear, and he did that thing i was talking about earlier.
Another thing about Destiny is that when she first started fronting, she was 100% certain she was not Destiny, and was *deadname*. Fear was the one who named her and only ever referred to her as Destiny.
I'm not sure about Syn because they are a cat and only talk in third person with rudimentary English, but they fucking HATE men. And Siren is a fallen angel that very explicitly talks about being too "impure" for God.
And Acey has memories of being drugged and assaulted. (Her name is literally short for Acetaminophen so...)
At this point (around sophomore year) the picture we have is that there was some csa and cp, but no perps.
However, we gained two alters at some point that could have clued us in on stuff.
Eleanor, a little who is about 4-5 years old has memories of being told to play faries with an older person, and to build her own imaginary world. And then Mockingbird. An alter who purposefully mimics other alters and lives in annual hospital.
Thing about mockingbird though, is that she has a phone in her room that is ALWAYS ringing, but whenever she answers it, the voices on the other side are unintelligible. And so is she, when she talks at least. Most of the time. She only sounds like a regular person when she pretends to be a different alter.
BUT the thing is, there had been a bunch of other stuff that hadn't correlated to this, at first we thought it may have been some sort of ritual abuse? Because in like 2017/18 an feral alter (and I mean completely animalistic, growling biting and clawing at stuff) surfaced that only spoke backwards and was also named Satan. They looked like a typical humanoid goat demon ram person thing (?)
SO to figure shit out, we send Anon (short for Anonymous) to look around the mindspace and figure out what the fuck is going on. They find this WALL. Its a huge ass brick wall, at the edge of the garden, and it circles around the entire northern hemisphere of the planet (our mindspace is a planet)
And it has a bunch of paper plastered over it saying "the rules" of the system. But no one can fucking read them. Yay. Also, Esz did some investigating of the wall himself and that's how he got caught by Controller and made feral.
And since they started fronting AFTER Esz came around, we figured oh, something is up here?? Because Esz is also a demon alter.
Well, uh, turns out there was another persecutor (aptly named Controller) in control of Satan and they were targeting Esz this time around, and the two of them integrated. Esz is still around, Satan is basically no more. Well, not really. Because now Esz is also fucking feral. Which was really stressful because having your primary protector and system manager be a fucking screeching demon beast is uh..not fun. We luckily got that under control tho (thank fucking god) but now Esz has these memories of being r*ped which is great because he is the epitome of masculinity (I jest the boy eats fucking vegan chicken with spicy ketchup wtf) but this time we get some sort of insight into Satan's (and probably Esz's) creation cause the memories involve this random ass fat guy (don't recall them mentioning seeing his face) but he was this tail kink or some shit and had a really long tail but plug and made Esz act like a literal animal to get is nasty ass rocks off.
At this point, we aren't 100% sure what's going on. Because we've got these two very conflicting narratives and one of them has what we think are religious undertones while the other has obvious cp.
And now that Esz is (as far as I'm aware) back to normal, he knows more information because to make him feral, Controller had to bring him BEHIND the wall.
So Esz informs us that the wall has a bunch of layers, and there are a shit ton of other alters back there but none of them have faces. AND there are OTHER PERSECUTORS back there, who all work in tandem with eachother in some sort of hierarchy. All led by someone called The Puppeteer.
Thats all the information we have on anything past the wall :/
BUT THEN somewhere down the line, we get another little, and their name is Penut. Which is IMPORTANT because that was the nickname we had as a little kid by our NEIGHBOR Beverly. And Penut has some unpleasant csa memories FROM BEVERLY.
At the time, we just thought "oh great, so we can add that to the stack of BULLSHIT" and didn't think much further on it.
BUT ALSO, this was around the time our sister (bio sister) came into the picture and learned about some of the stuff and she very VERY specifically says that she thinks Beverly had a major role in us developing DID. Again at the time I'm like "well yeah, if Penuts memories are true then she definitely had a role" but none of us are really even venturing further on the topic. Because we are sort of distracted by having TWO persecutors and A FERAL FUCKING PROTECTOR ALTER.
Obviously though, things cool down a whole lot more. Its good, things are great.
Until Oliver pops up.
SO NOW WE ARE BACK AT THE PRESENT MIND YOU.
There is another persecutor, he is really annoying. He is hurting my newest/possibly older but only recently resurfaced alter. And GUESS WHAT HE MAKES HIM SEE.
☆this is legitimately disturbing so please be warned☆
Bastard does his thing and Ols has a very visceral flashback- i know what happened in it because he literally wrote about it because he was convinced it was important, which it IS.
In this flashback, he is obviously me, being r*ped. But this time for some reason, the person doing the r*ping is making him look at him, so he sees this guys face. Which has never EVER happened in a flashback before. Especially to the point where you actually REMEMBER WHAT THEY LOOK LIKE. The guy has green eyes, and a beard, like a scruffy longer one. And while this is happening, at some point, Ols overhears ANOTHER PERSON in the room. A woman. And it's Beverly.
I know it's Beverly because he mentions in his recount that she called him Penut.
And she is working a hand held camera, and there is another one on a stand that is like, hooked up to a television, replaying what is being recorded.
At some point he's made to face the TV, like sitting on beard guys lap or something to watch and Beverly is just casually talking to beard guy, literally telling him to hurry the fuck up because there's gonna be another "session" after this one.
They start talking about what they are going to do next (with me/Ols) and mention the next "client" and then using a tail and making me act like an animal, and then other things like using laxatives, other kinds of drugs and even using other kids. They talk about how the video won't have sound, so none of what they are saying is going to be recorded too. Beverly at one point walks up to him, close to the end I think, and is like really close to his face, and this is when she calls him Penut, and talks about how much money she's going to make (or something like that, Ols is giving me the details as I'm writing)
Then beard guy makes him come and moves him again so he can't see the TV or Beverly and then beard guy finishes his shit and Ols overhears Beverly say that they next person is almost here and he needs to go now.
Then the flashback is over and Bastard says "this is why you are here" or something along those lines, and Ols immediately (well, probably after a little mental breakdown) writes all this shit down and sends it to two of my friends in a message (im so sorry about that guys)
Then I find put about it, have a really bad time, but now I'm in puzzle mode and all the peices are starting to fit together.
So...from what we have of Oliver's flashback, Beverly is a main perp, and was basically pimping us out to folks for cash while taping it and putting it put for other folks to purchase.
Esz and Satan being feral are because the next "session" involved someone with a gross animal kink. And that can ALSO account for Syn, because she is a literal animal. Her mention of drugs can easily coincide with Acey's memories.
And Destiny's coincide with the cp in general as well as probably someone who was sadistic enough to shove fucking glass bottles inside people.
Im not 100% where Eleanor fits in, but it can easily be suggested that she came about when shit first started to get real bad. And Penut, well, I'm pretty certain that she was THE FIRST alter. And probably what gave Beverly the idea in the first place (I'm not sure because most of Penuts memories were when we had sleepovers at Beverlys but it makes a lot of sense if she were the first of us and her compliance gave Beverly the opportunity to take further advantage)
Mockingbird hearing voices through the phone could be conversations that Beverly and other people were having during "sessions"
And the persecutors. Are modeled. After the different clients (and probably Beverly too) that had come and gone.
And the wall probably has a metric fuck ton of other alters back there with other horrific experiences and memories waiting to be slowly leaked out along with this tier list of persecutors modeled after their respective abusers and the puppeteer is probably an introject OF BEVERLY.
WHAT THE FUCK.
Of course, this is all speculation and it can completely change course at the drop of a fucking hat but I have NEVER EVER been so certain in my LIFE that this is what happened. Like..it makes too much sense?!
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