#(not the trains unfortunately)

[dduane]

“Sanctuary citizens are making it very difficult to arrest the criminals. For instance, Chicago, very well-educated. They’ve been educated how to defy ICE, how to hide from ICE. I’ve seen many pamphlets from many NGOs: ‘Here’s how you escape ICE from arresting you’; ‘Here’s what you need to do.’ They call it ‘Know Your Rights.’ I call it ‘How to escape arrest.’”

(snicker) CRY MOAR.

[poorly-drawn-mdzs]

Trapped in a vicious cycle of pining? Try gay sex! (More things to learn over at Tiger Tiger!)

[joycrispy]

One thing I love about Crowley --never stated, but consistently shown-- is that he is, at heart, an engineer.

I have a few different things to say about that. Let's unpack them.

As the Unnamed Angel, we see his designs for the Pillars of Creation are millions of pages long, comprised of cramped text, footnotes, diagrams, schematics, etc. It's very...Renaissance polymath, in the way it implies a particular intersection of artist and inventor.

Also: in the naked romanticism with which he views his stars.

We already knew he made stars, but in s2 we learn that he did NOT sculpt each of them by hand. He designed a nebula ("a star factory," he says) that will form several thousand young stars and proto-planets, and all --aside from getting the 'factory' running-- without him lifting a finger. We also learn that these young stars and proto-planets stand in contrast to those made by other angels, which are going to come 'pre-aged.'

...I'm reminded of Hastur and Ligur's approach to temptations. Damning one human soul at a time, devoting singular attention to it over the course of years or decades, and how that stands in contrast to Crowley's reliance on, quote, 'knock-on effects.'

Ligur: It's not exactly...craftsmanship. Crowley: Head office don't seem to mind. They love me down there.

Hm.

I'm also reminded of the M25.

The M25 may not be as grand as a nebula (sentences you only say in GOmens fandom...), but LIKE his nebula it's an intricate, self-sustaining engine that does Crowley's work for him, many times over. Again.

That's some pretty neat characterization --and so is the indication towards Crowley's disinterest in victimizing anyone tempting individual people. It takes a considerable amount of planning and effort (and creeping about in wellies), but in accordance with his design the M25 generates a constant stream of low-grade evil on a gigantic scale.

Cumulatively gigantic, that is. Individually? Negligible.

But no other demon understands human nature well enough to parse that one million ticked-off motorists are not, in any meaningful way, actually equivalent to one dictator, or one mass-murderer, or even one little influential regressive. That's the trick of it. Crowley gets Hell's approval (which he NEEDS to survive, and to maintain the degree of freedom he's eked out for himself), and at the same time ensures that any actual ~Evil Influence~ is spread nice and thin.

It's some clever machinery. And he knows it, too:

The Unnamed Angel and Crowley are both proud of their ideas.

(musings on professional pride, Leonardo da Vinci, the crank handle, and 'the point to which Crowley loves Aziraphale' under the cut)

In the 1970's Crowley gives a presentation on the M25, projector and all, to a room full of increasingly impatient demons. Maybe the presentation was work-ordered; the 'can I hear a WAHOO?' definitely wasn't.

Before the Beginning, the Unnamed Angel can barely contain his excitement about his nebula. Aziraphale manages a baffled-but-polite, "....That's nice... :)"

11 years ago, Hastur and Ligur want to 'tell the deeds of the day,' and Crowley smiles to himself because (according to the script-book) he knows he has 'the best one.'

(Naturally, his 'deed' has nothing to do with tempting anybody, and everything to do with setting up a human-powered Rube-Goldberg machine of petty annoyance. Oodles of 'Evil' generated; very little harm done.)

Hastur and Ligur don't get it, of course. That's also consistent.

Nobody ever knows what the hell he's talking about.

It didn't make it on-screen, but, in both the novel AND the script-book, Crowley was friends with Leonardo da Vinci. The quintessential Renaissance polymath. That's where he got his drawing of the Mona Lisa --they're getting very drunk together, and Crowley picks up the 'most beautiful' of the preliminary sketches. He wants to buy it. Leonardo agrees almost off-the-cuff, very casual, because they're friends, and because he has bigger fish to fry than haggling over a doodle:

He goes, "Now, explain this helicopter thingie again, will you?" Because he's an engineer, too.

(It is 1519 at the latest, in this scene. Why the FUCK would Crowley know about helicopters, and be able to explain them, comprehensively, to Leonardo da Vinci?

...Well. I choose to believe he got bored one day and worked it out. Look, if you know how to build a nebula, you can probably handle aerodynamics. And anyway, I think it's telling that this is his idea of shooting the shit. 'A drunken mind speaks a sober heart,' and all. He probably babbled about Aziraphale long enough to make poor Leo sick)

Apart from Aziraphale, Leonardo da Vinci is the only person Crowley has any keepsakes or mementos of.

Think about that, though. Aziraphale's bookshop is bursting with letters, paintings, busts, and personalized signatures memorializing all the humans he's known and befriended over 6000 years (indeed: Aziraphale has living human friends up and down Whickber Street. He's part of a community).

Crowley doesn't have any of that. It's just the stone albatross from the Church (for pining), the infamous gay sex statue (for spicy pining), the houseplants (for roleplaying his deepest trauma over and over, as one does), and this one piece of artwork, inscribed, "To my friend Anthony from your friend Leo da V."

To me, at least, that suggests a level of attachment that seems to be rare for Crowley.

...Maybe he liked having someone to talk shop with? Someone who was interested? Someone engaged enough to ask questions when they didn't immediately understand?

...Anyway.

There's also the matter of the crank handle.

This thing:

This is one of the subtler changes from the book. In the book, Crowley knows Satan is coming and, desperate, arms himself with a tire iron. It's the best he can do. He's not Aziraphale; he wasn't made to wield a flaming sword.

The show, IMO, improves on this considerably. Now he, like Aziraphale, gets to face annihilation with what he was made for in his hand. And it's not a weapon, not even an improvised one like the tire iron.

He made stars with it.

[both gifs by @fuckyeahgoodomens]

If you Google 'crank handle,' you'll get variations on this:

Crank handles have been around for centuries. Consisting of a mechanical arm that's connected to a perpendicular rotating shaft, they are designed to convert circular motion into rotary or reciprocating motion.

Which is to say they're one of the 'simple machines,' like a lever or a pulley; the bread and butter of engineering. You'll also get a list of uses for a crank handle, archaic and modern. Among them: cranking up the engine of an old-fashioned car... say, a 1933 Bentley. That's what Crowley has been using his for, lately. But he's had it since he was an angel and he's still, it seems, very capable of it's angelic applications.

Stopping time. For instance.

(This is conjecture on my part, but, I like to imagine that Crowley has the ability to stop time for the same reason I can --and should-- unplug my computer before I perform maintenance on it. Time and Space are a matched set, after all, and in his designs in particular, one feeds into the other.)

I know everyone has already said this, but: I REALLY LIKE that when he needs to channel the heights of his power, he does so not with a weapon but with a tool. Practically with a little handheld metaphor for ingenuity. One from long-lost days when he made beautiful things.

(And he loved it. Still loves it --he incorporated that metaphor into the Bentley, didn't he?)

Let Aziraphale rock up to the apocalypse with a weapon: he has his own compelling thematic reasons to do exactly that. Crowley's story is different, and fighting isn't the only way to express defiance. And if you've been condemned as a demon and assumed to be destructive by your very nature, what better way than this?

He made stars. They didn't manage to take that from him.

Neither Crowley nor Aziraphale are fighters, really --they have no intention of fighting in any war. They'll annoy everyone until there's no war to fight in, for a start. But between the two, if one must be, then that one is Aziraphale. Principality of the Earth, Guardian of the Eastern Gate, Wielder of the Flaming Sword... all that stuff. Even if he'd prefer not to, it's very clear that Aziraphale can rise to the occasion, if he must.

Crowley was never that kind of angel. He wasn't a Principality. He doesn't have a sword.

...And yet.

It's Crowley who protects. He's the one who paces, who stands guard, who circles Aziraphale and glares out at the world, just daring anyone else to come near.

In light of everything else I've said here, I think that's interesting.

Obviously part of it is that Aziraphale enjoys it and, you know, good for him. He's living his best life, no doubt no doubt no doubt. But what about Crowley? What's driving that behavior, really?

Have you heard the phrase, 'loved to the point of invention'? Well, what if 'the point of invention' was where you started? What if where you end up involves glaring out at the world, just daring anyone else to come near? What is that, in relation to the bright-eyed thing you used to be?

What do we name the point to which Crowley loves Aziraphale?

...Thinking about how an excitable angel with three million pages of star design he wants to tell you all about...becomes a guard dog. Is all.

[moopiter]

im sorry in advance but i literally cannot stop laughing abt it

[jonahmagnus]

I took the liberty of giving Godpoke those cut open cowboy pants. Youre welcome

[httyd-art-requests]

Concept art light fury? She fits in so well, I wish we got to see her

EXCELLENT REQUEST!!! I love this thing so much, look at her widdle face

Dragon #118 - Concept Art Light Fury

Requests are currently closed!

[splat-details]

Yo! Do you happen to have any interesting shots of the trains/train stations? Especially the one at the beginning of Sploon 3, I'd love to get a good look at it. (Are those flying rectangles in some Alterna levels meant to be trains? I can't tell.)

Thanks!!

for sure!! now that i think about it there are a lotta trains in splatoon, so i just took pics of a bunch of them lol

[justarandombrit]

I will literally never be over the Grace-Blinky connection, I'm sorry

[spheresr4cubes]

Rereading again for peak brother interactions: Brother's Blood, by @alicewritingstories

[flovoid]

"I, Thorn Valentino, named you after a historical figure, a mighty father to all of us, and yet... mere disappointment, Vladamir"

[heynhay]

thinking abt kleah. and like, on one hand i like the idea of everyone else being the same gender-wise in vld except them. but on the other hand i always love the bits where keith's gaydar is too dookie to realize lance is bi or lance has to have a bi crisis so maybe i can make allura SO butch that kat is like damn....leah likes him..... and not women...... meanwhile leah is essentially walking around in a butch bait t shirt whether knowingly or not

[sualne]

and now...

[poorly-drawn-mdzs]

Ooh, you want to know what happens at the gay bar run by ex-pirates, ooh...You'll just have to read Tiger Tiger to find out...

(Inspired by this Disco Elysium comic)

[writerswhy]

.

��� These Violent Delights - Micah Nemerever | Yves Olade - Bloodsport | Ada Limon - Bright Dead Things •

[fayeandknight]

I was talking to a client and they were expressing frustration with having to move or change routes because of their dogs reactivity. It's something they are working on and part of it involves creating distance right now.

They wanted to know if they'd ever get to a point where they can walk by any dog and not have to worry. And I told them, honestly no. You will always need to assess other dogs and sometimes make the call to go a different way.

Because even if your dog can walk by a dog losing its shit without doing the same in turn, it's still not always the best move.

I relayed a recent experience I had walking Forte. Now Forte does really well ignoring other dogs and I am confident in his ability to remain neutral. But I maintain that neutrality by not putting him in sketchy situations. So when we rounded a corner onto a street I immediately noticed a person sitting in their front lawn with their large dog. I paused to see if I could spot a leash or invisible fence markers. While I was looking the dog noticed us, stood up with a wide stance, and started flicking it's tongue quickly. I also noticed that it had nothing on, not even a flat collar.

I turned around and went back the other way. Not because I thought Forte would react, but because that dog gave a pretty clear indication it was uncomfortable with us approaching. And if it had decided to charge us, the person had no way of restraining it.

Could Forte remain neutral if the dog charged and barked at us? Maybe. But there was no reason to put him in that situation. Also, could he remain neutral if it attacked us? I'm guessing no. So for the safety of my dog and the health of his trust that I will not put him in a risky situation, I turned around.

The client thought about that for a minute and then told me they'd not considered that. That part of them giving space or changing course wasn't just about keeping their dog under threshold, but also about showing their dog that they, the person, won't put them in a stressful/risky situation.

So I'm sharing this story in case anyone else finds it helpful.

[aracariwren]

A bunch of Mii Fighter drawings :D