#(including the balancing on the characters being fucking busted lmao)

[burnsmulti]

Marvel Rivals unironically being good is... Surprising, tbh

[lemonhemlock]

The episode where Rhaenys busts through the floor and murders countless smallfolk and it having absolutely no narrative consequences on the story or condemnation of Rhaenys' character, and the episode where Aegon murders the ratcatchers causing Otto to crash out have this whole monlogue about Aegon being The Worst being written by the same writer really tells you all you need to know about HOTD. And before you ask, yes, they were both written by Sara Hess lmao.

Yeah, I know there was discourse a while ago, because this dissatisfaction regressed into racist and misogynistic attacks directed at Sara Hess. Obviously, that's vile and people should, first of all, rid themselves of this despicable framework of viewing the world (because, as always, this is absolutely just another opportunity to dunk on a woman - these people don't care about good storytelling) and, secondly, learn how to actually formulate an argument that doesn't sound like the ramblings of a basement-dweller.

That being said, she is categorically not a good writer, there's no other way to put it. She can come up with some good ideas (or, at least, a glimmer of good ideas - for example, the daemyra argument in S02E02 was good - one of the season's highlights, actually) and her line-level writing is... adequate. But, on the whole, her record on House of the Dragon is littered with inaccuracies and logical fallacies. I haven't seen her other shows, but I decidedly have no desire to and will be actively avoiding if I see her name. And I am including Ryan Condal in this mess, too, because he has the ultimate say-so on how the scripts look. These two together truly are the blind leading the deaf.

I think the ratcatcher pity party was, in a way, a reaction to all the backlash she received for the Meleys dragonpit scene. But, instead of fixing her mistake and making it work in the context of what she had already written, she made some absolutely abysmal storytelling choices that defy common sense and contradict her own text. A very easy fix to this would have been to show the population of King's Landing become very anti- Meleys, Rhaenys and, by extension, Rhaenyra. But, of course, the wider narrative set by her genius colleagues was that KL couldn't possible have any negative feelings towards Rhaenyra, so it's completely swept under the rug and the commoners are made to consider Meleys' death a bad omen.

But, naturally, they had to do something about all the criticisms that they are not focusing on the negative effects this war has on the population. However, instead of showing that in a balanced way, they decided to pile all these evils on the greens again. Rhaenyra faces no backlash from the low-born for any of her actions. She does sacrifice them to Vermithor, essentially, by preventing their exit and it's framed as the beginning of her moral compromises and falling into self-aggrandizing behaviour. Yes. But where are the consequences to this? There are no consequences. These dragonseeds don't seem to have any family who are asking questions about them or blaming Rhaenyra for setting them on fire, basically. Not even one noble person hears of this and goes "hmmm that's kind of fucked up actually". Larys, the literal Master of Spies, who might have reasonably be shown to have found out this inside information via his network of spies, might have had some lines informing the green council about this awful thing Rhaenyra has done. Might have even informed the population, in order to turn them against her. But no, of course not, we can't have anyone actually be anti-Rhaenyra.

Meanwhile, we have close-ups of the fucking dog longing for the ratcatcher who literally kicked it in a previous scene. How do you even qualify the framing decision to invite the audience to feel sorry for a child-murderer? To feel more sorry for him than for the actual mother of said murdered child? We have Otto, of all people, lecturing Aegon about how over-the-top he is acting, because he executed a couple of ratcatchers. Otto, who, by the way, is shown in S01E09 to be executing people because they would not bend the knee to Aegon. Otto does not value commoner lives more than noble-borns (last season, he refuses to outlaw child pit fighting and, even in the previous episode, he gets annoyed by Aegon ruling too much in the smallfolk's favour), but he grows a temporary conscience for the purpose of this one scene, because we have to engineer another situation in which Aegon looks cruel or stupid (or both, preferably). Alicent's entire household was purged by Larys for supposedly being Mysaria's spies, the brothel was even set on fire and she gave zero fucks about that, but Aegon's ratcatcher execution is somehow one step too far.

I have said this before, but just thinking "civilians don't matter" in the ASOIAF universe betrays a fundamental misunderstanding of the themes and message. Can you ultimately be anything other than a "bad" writer if you miss the point to such a degree? And you can tell that's her true opinion about all this, because she can't write a storyline in which civilians do matter to save her life. The suffering of the lower classes only matters in her stories just as far as she can instrumentalize it to demonize the greens. She's not interested in any kind of systemic exploration, because that would also involve the blacks and it would interfere with Rhaenyra's hero framing. Like Ryan Condal, she doesn't have the chops to write beyond the hero-villain binary, hence all the flip-flopping and the retconning and the logical fallacies. And, at the end of the day, I can just watch a Marvel movie for that, you know?

[symphonicmetal101]

May I request a crack matchup please?

I caused my friends to think about and have a genuine discussion with me on the furby reproductive cycle.

Me and my friends once had an in depth, roughly week long discussion on the ethics of cannibalism. And we even put a questionnaire up on Reddit to see some outside opinions.

It still baffles me that people experience sexual attraction.

When I was a kid, I got stuck on top of the kitchen cabinets and my older sister had to help me down. I still didn’t stop trying to climb the cabinets after this happened.

I was the kinda kid that liked to set stuff on fire. I never caused any massive damage, but I did get yelled at for it many times.

I currently have a mannequin head sitting on top of my dresser. And it is not one of those styrofoam mannequins. It is plastic and has a painted face. I have not yet named her. I want to repaint her face to have more gore before I do so.

I made a sculpture of a snail, spider, scorpion, bee hybrid and named it Page. And I love them with all my heart.

I once planned on making a sexy Minecraft cosplay of the red parrot, but I never finished it. I still have the half finished head sitting on top of my dresser.

I did quilling of a strawberry finch and named it Berdinand Reginald the 3rd.

I’ve only ever had crushes on fictional characters.

My usual reaction to injuring myself is “oh that’s inconvenient.” And this reaction will still apply even if there is blood dripping on the floor.

Once while playing with a dog, it couldn’t reach my hands or arms, and so it bit me in the boob since that was the next closest thing.

I love songs that include random noises into the music. Like the Daycare theme from FNAF SB or Cilantro by Patricia Taxxon.

My favorite Bryan David Gilbert quote is a tie between 3 “If someone introduces themselves to me as Duke Mirage, my pants are already off.” “You don’t have to be good at cooking to do this. You just have to be good at arson.” And “I need to know where Donkey Kong pees.”

My empathy is extremely inconsistent. I can be extremely empathetic at times and other times have no empathy at all.

I hope you enjoy figuring this out <3

@unicornslayer15 I'm pretty sure this is you! If not....you two should chat lmao.

I'm matching you with-

ASMODEUS and THIRTEEN

I just got the image of you and Thirteen crafting in your room on the floor, laughing together because its a bit of mess (its a huge fucking mess but thats fine) because one of her contraptions uh...malfunctioned a little...and there was glitter. She loves dark humour, and even if you aren’t Inky you give off the vibes that you would also enjoy that. Also being alive as she has been, chaotic topics of conversation are more than welcome as her morals can also be a little...questionable, but the lightheartedness in every conversation is a nice distraction from her job, which does get to her sometimes. 

As you guys craft, Asmodeus busts in a little pouty that you started without him, but he quickly cheers up as he gets to show off the new skirt he made, he’s just going to embezzle it now with you two. That extra glitter? He’ll cast a spell to add it to his fabric because it wasn’t sparkly enough on its own apparently. He’ll make himself comfy somewhere, in the most uncomfortable-looking pose...y’know how ballet dancers/gymnasts find “comfy” positions? Yeah, that’s him. 

When it comes to emotions, it’s a mixed bag with the three of you, and you can either balance each other perfectly or all three of you are in the same bag- which is nice when it’s positive, but if all three of you are in a funk, it’s likely you’re just lying on top of each other on your bed and listening to music. Maybe even each of you has your own headphones. No other noise. You guys either sleep it off, or someone else has to come in and either piss all of you off to get you to blow off some steam or do the complete opposite and coax you guys nicely out of your funk. This person usually ends up being Solomon or Mammon lskajdgsalhdgsa

You and Thirteen share kind of the same mindset when it comes to injury, however Asmo does not- the moment either of you get injured he is fussing over you and he will pamper you until he’s sure you’ll be mostly safe. 

Hope you liked this!!

[sixmorningsafter]

Chapter 14 Review - Intimacy and evasiveness in equal measure

Thank you so so much for this chapter; you are freaking awesome. At this point, your fic is longer than most PhD thesis. You’re completely bonkers, in the absolute best way. Please never change. Seriously, the level of interactivity in this fic is such fun and thank you for encouraging that. Some of the recent fancasts have been beyond amazing.

Gabi: “the level of interactivity in this fic is such fun” - you mean how I take fifty fucking years to respond to reviews that legitimately make my life!?!?!?!?! THAT LEVEL OF INTERACTIVITY!?!?! LMAO, gurl, can I just say before I dive into any of this that this review literally made me go back and edit some parts, that’s how helpful it was, and yet here I am, answering it an entire CHAPTER LATER!? For some reason the feedback for fourteen was really slow at first and then all of a sudden like 10 giant reviews came in at the same time, and I just took way too long to get around to all of them and kept answering the short ones first (because they take less thought/time), and then once I was done answering the short ones I was drained because I’m weak and wouldn’t survive the winter. BUT HERE I AM. Ten years later. Ready to friggin go. LET’S DO IT.

Firstly, I can’t believe you stopped before the Steroline sex! Rude. I would have been devastated (melodramatic OTT much) had you not given us one of the best SC kisses ever. Honestly, I think I might have sighed a little out loud. And after Stefan’s stupid assed, jealousy mental meltdown, Caroline demonstrates exactly why he has no need to be jealous in one sentence - “Damon could do all those things without it once being intimate.” It’s really obvious that ‘intimate’ is a mental thing for Caroline, I loved watching the switch click in Caroline’s mind from non intimate to intimate. Oh Caroline - you poor silly girl, you’ve got it bad!

Gabi: So, the plus side of answering this once 15 is already up is that I don’t have to feel bad about blue ballsing anyone anymore, muahahaha. Steroline sex is officially up and out there and there’s no taking it back now. Re: 14, though, love alllll of these insights and the particular moments of theirs that you choose to compare and contrast. They’re both stupid levels of in denial here, but the good news is the end of 15 and hopefully the majority of 16 is a bit of a new era for them - one where they actually try, I don’t know, communicating? It’s going to be wild. 

The part where they are watching YouTube videos together and eating Caroline’s secret food stash (naughty Caroline keeping treats from the other inmates of 2B - tsk, tsk) was very sweet and surprisingly intimate in it’s own right. I love how they have elements of easy friendship that they don’t even seem to recognise. I’m very interested in how their sexy timez are going to go because they could be hot, sweet or kind of silly/jokey or maybe all three. I think it’s going to get intimate whether Caroline likes it or not; Stefan may even bust out some of his Disney Prince romance vibes. I’m so intrigued as to who their third wheel could be.

Gabi: I really enjoyed writing that scene for exactly that reason - that somehow, these two super awkward people with a bunch of confusion and tension between them keep finding themselves in random moments of easygoing camaraderie, and all it really takes for that to happen is time and/or a distraction. I’m trying to hint at a possible future for them that doesn’t have all of this drama, that’s actually driven by a genuine enjoyment of spending time together and light-hearted banter and a warm hum of affection, but their poor coping/communication skills from their past experiences are just getting in that way of it. And hahaha, re: sexy timez, now you know! Disney Prince romance vibes definitely happened and Caroline, well... had some conflicts with it. As for the silly/jokey thing, I wouldn’t rule that out just yet for future scenes.

I know you are trying to achieve balance between your characters. At this point, I feel I know a lot about Stefan, Bonnie and Caroline, but with Damon, he’s still a mystery.

I both love and hate that we don’t know more.

Love - because I know you are being all clever and writery and keeping it from us on purpose. That having us see Damon through the other characters’ eyes is a clever way of 'revealing’ titbits without revealing them. Even Damon’s internal monologue is super evasive and kind of shallow (compared to Bonnie’s about him which was downright hilarious and completely nuts especially the hitman, Bonnie the world’s most boring mark lmao).

Hate - because I am such an impatient spoiler seeking nut bag, I need to know everything! Look honestly though, if you had told me before this started that I would actually be interested in Damon as a character himself, not as Bonnie’s boyfriend or Stefan’s brother, I would have scoffed at you. See Gabi, this is the power you wield. Use it wisely! Mwah ha ha.

Gabi: SOOO it was definitely still in the typical evasive flashes-of-insight format that Damon’s PoV tends to operate in, but I think 15 hopefully gave you a little more of what you were looking for regarding him? His guard was forcibly down for a bit, and his head went more into his complicated relationship with his mom, and part of the reason why I didn’t tie his panic attack fully up in 15 was because I’m carrying that arc into 16. There’s definitely aftermath, there’s definitely Bonnie the Hufflepuff making him feel unsettling things and think more about his life, and there’s also some Kai/Damon stuff that’ll have echoes of Damon/Tyler. So much more Damon ahead! And GURL, you don’t even know how happy it makes me to hear that re: ‘if you had told me before this started that I would actually be interested in Damon as a character’. That’s like the biggest compliment to me for some reason, like it gets me so hyped, so thanks so, so much for telling me! It’s tough to get people to like characters even when they’re blank slates, so getting someone to actually come around to someone they weren’t about before is like YAAAAAAS. 

In all seriousness, Damon didn’t deserve the kicking he got from Stefan in the opening scene. Sorry Stef, that was uncalled for even if Damon did start it. While this scene was all about Stefan’s pov and his reactions, Damon’s evasiveness is totally in character. Even though he’s oh-so-not-bothered, Stefan’s assessment of him has to smart a bit. I hope these two crazy kids work it out. I need my drigh!brotp back together. (Quick aside about Stefan – I hope at some point, he’s going to fess up that it wasn’t about Damon, Bonnie, Caroline or even Elena. It was about his own feelings of insecurity. It’s like Bonnie’s rampage of self-destruction as the person most hurt by this is himself. It’s actually very canon Stefan.)

Gabi: He definitely didn’t deserve it, and I wanted to write it that way because I wanted to show that Stefan, like everyone else in this godforsaken headache of a story, is a flawed character who gives into emotional reactions and insecurity sometimes and acts out. Like I really wanted to make it clear that Stefan was in the wrong there, and I really wanted to do it at Damon’s expense because at the shallowest of glances, Damon would be the guy you’d assume can be asshole sometimes and Stefan would be the guy you’d label as the patient, understanding saint, and 14 chapters in, I really wanted to flip that. As harmlessly trolly as Damon can be to Stefan about Caroline, turns out that Stefan is the one who drew first blood between them, you know? And I think you’re totally right about the oh-so-bothered-but-not-really thing re: Damon - he’s been called terrible things his whole life, so he’s learned how to let them slide off him like butter, but even butter leaves a trail, you know? They definitely add up to a perception he has of himself that’s probably darker/less flattering than it needs to be, and Bonnie absolutely confronts that in 16. She’s kind of like, ‘hey, newsflash dark and twisty, you’re a good guy’. She has a little speech I’ve written out that I really like. Lots of feelsiness coming in 16, man. Including Stefan insights and realizations about insecurity!

I’m still super interested by Damon’s two identities. Are the two different dates of birth significant? Him not mentioning anything after Bonnie fessing up to poking in his wallet - evasive much? So he doesn’t take his Fell ID out normally? I need more details, here, stop trying to kill me.

Gabi: lololol, got a little more of this in 15! I’m not sure how much was obvious from the story because Damon’s thoughts about his past always come out super jagged when I write them (and obviously I know the whole thing ‘cause I’m making it up, lmao), but I think I gave enough to kind of explain why he had that ID on him? Maybe?

Bonnie telling him all about her sex dreams had him speechless and I loved that. Yes, he was very much – that’s ok Bon, sexy daydreams are fine, but I still think there was an element of him being chuffed about it. That was really cute; I liked that his reaction wasn’t to grab her and lay one on her - she did that instead (oh Bon, you saucy minx). I loved their kiss, so hot; I really like their connection, it has a more brutal honesty to it than Steroline’s. By that I mean that Caroline lets Stefan get away with more introspection because that’s what suits her, whereas Damon pushes Bonnie to lay out her soul for him because he really wants someone to do it back to him, deep down. I may be over analysing this and be completely wrong.

Gabi: LMAOOO, ‘you saucy minx’ - she really is. And Damon is all about it. And no, you’re 100% spot on in your analysis of the two ships, assss usual - I think that’s a brilliant way to put it. Damon doesn’t wonder as much about Bonnie because he pushes, in more ways than one, till she gives him answers. He’s confrontational. Blunt. And Bonnie needs that, because her insecurities and problems are so deeply, deeply entrenched into her that they’re basically covered in layers of cement. You can’t slowly uncover that, you need a jack hammer (vs. for Caroline and Stefan, the wounds are still a little too fresh and shallow for a jackhammer to do anything except make it worse. They need the gentle discovery). Damon’s a bit of a paradox in that he’s either 100% blithe and flippant and dgaf, or he’s 100% blunt and real talk, and generally he uses the first mode to evade and the second mode to investigate. Problem is, Bonnie’s a bit of a jackhammer herself, and I think 15 was the beginning of the tide shifting to Damon being the one under the spotlight. And we’ll see how he likes that moving forward. Payback’s a bitch.

Did I detect that Damon might have a slight bird phobia? A dove in your shower is never good, but he seemed more than a little nervous. Also how is his hand doing? Dr Bon needs to follow up her patients better. I am kind of surprised how prompt he was for Kai’s dinner. Does Damon have immaculate time keeping? Or he is genuinely terrified of Kai? I guess I’m kind of struggling to find Kai scary, a bit loopy, somewhat odd, but I was really surprised that Damon would be scared of him (I have blanked out the crossbow in his face episode). We know he can handle himself in a fight (thank you for that Caroline) and he’s survived that gunshot as a child. Damon strikes me as being hard as nails (except around Bon) - Kai should be a cakewalk. Does he recognise something in Kai that he might have experienced in his past? Chapter 15 should be illuminating - I really hope we get plenty from his pov. I can’t wait.

Gabi: You did and it was totally unintentional. I actually went back and read over the way I’d written it after this feedback and totally got the same vibe (it was meant to be humorous but definitely came across as a little deeper than that), so thanks so much for pointing this out! I did a few little edits that I think put forth a more accurate picture of both the bird reaction (annoyance, bafflement, Damon in general being a growly diva) and his immaculate time-keeping (which was definitely supposed to be the focus more so than any actual fear of Kai, which, lmao, I think 15 makes pretty clear doesn’t exist). I think I could maybe argue that getting attacked by a dove in the shower could carry a bit of trauma from his basement-with-rats days, but even so, he’d hide that, so. Edited and more accurate thanks to bomb feedback!

ANYWAY, THIS IS ONCE AGAIN 600 YEARS LATE but oddly, it was kind of fun answering it with 15 already written? In any case, I’m so friggin’ sorry it took me this long to respond, and your feedback, as always, is one of my fave things about writing this fic because it’s always so hilarious and insightful. Thanks so, so much for this review, and hopefully 15 delivered the things you were after and 16 will deliver them even more. LOVE YA, BABE!