#(even though it scared me when it aired on toonami)

[edwardshundredyearoldspunk]

can't believe one piece of all things is the manga that gets a good live action adaptation. one piece? really? unadaptable one piece? I've seen manga set in the real, modern world with worse live action adaptations than fucking one piece? honestly at this point there's no excuse for that awful netflix adaptation of death note if THIS is what actually caring about adapting manga to live action can look like

[levyscripts]

Happy Nine Years to Critical Role!

I unfortunately didn’t start then. I have only been here for two years. I did watch Bells Hells first episode when it aired but I struggled on watching it on my small laptop. I was given the go ahead a week before their 7th anniversary that I could have the tv weekly.

I had watched Vox Machina season 1 by then and was hooked. By March 2022 I was writing fic. It brought me joy to write Vax and Gilmote fics (yes I know what happens) i spoiled myself so I could prepare myself emotionally.

Because I fell in love with these characters, the players, and Matt. Most of them are voices of my childhood. Who remembers staying up late in 2002 to watch Naruto on Toonami or 2004 to watch Full Metal Alchemist? Remember watching Yu-Gi-Oh! Saturday mornings? Watching Recess?

Not only that but characters I loved. Gaara, Roy Mustang, Lust, Tristan (first 20 episodes), and Gretchen. Matt has been practically so much I have watched or played. So yes, I loved Nerdy Voice Actors.

I’m currently watching campaign 1 slowly. Knowing my heart is going to be ripped out in the end. Yes, Vax is my fav. This past February I got a D20 tat with two small feathers, one black outline (Vax) and the other black outline filled in with blue (Vex). I am a dice goblin even before this but seeing Laura with her dice hoard. She is the dice queen.

I was lucky last September to meet some of them at RCCC. It was such a stressful day. It was my second con ever. I have adhd and anxiety. Crowds is a big problem for me and I can’t go alone. My mom was nice enough to go with me but it only afforded me one day. She was kind enough to take a day off work.

I was stressed, nervous, and scared Because 3 out of 4 were on my dream list to meet since childhood. I was able to meet Taliesin, Liam, Laura, and Travis. My four favs!!!

Taliesin was first and he was so kind. I gave him some of the d20 stickers I designed. I don’t know if he used them but it was nice of him to tell me he just got a new bottle and had to decorate it. It made me feel good even with how scared/nervous I was to talk.

Liam I was tongue tied. I was only able to say Vax is my favorite and gave him the stickers. He thanked me but he was kind.

Laura was a sweetheart l. I was also getting a signature for my friend. He paid for it and I got it while there. She was so kind. She talked to me even though I didn’t say much. The thanked me for my stickers.

Finally I got to my final autograph, Travis. I did end up getting a selfie and I regret not doing the others because that day seems like a blur because of my stress. But travis was so kind. I told him I had been a fan since FMA 2003. He told me I was an OG fan and shook my hand in thanks. I gave him my sticker pack for him.

They all were smiles and they made my stress worth it. Because when I’m having bad days I think of CR, read fic, go look at fan art or watch episodes. Because they have created these stories and characters that inspire many of is. They give us an escape in this crazy, difficult world.

So thank you to Critical Role. You have done so much for my mental health. I hope to meet all of you again! I know there is not enough words to fully say to say how thankful I am. I just wish i got into it since the beginning.

Thank you!!!!

[the-bejeesus]

People need to stop blaming the fact that One Piece isn't nearly as popular in the US as other long running shows like Dragon Ball Z and Naruto on the 4KidsTV dub. Yes the 4KidsTV dub was bad, yes it made it look like a show for little kids. But it aired for just 3 years, and wasn't even viewed by that many people. After all, it wasn't popular. It'd be a setback for sure, but over 16 years later, there's no way this is still the root cause, when shows like My Hero Academia can skyrocket in popularity in a fraction of the time. The newer quality dub is the only dub that's been marketed for a decade and a half, with episodes in sub on Crunchyroll on the day of airing.

The fault isn't the show being too long or the animation or the pacing or any of that. These are problems that every other country has to overcome in selling One Piece. The fault is in Crunchyroll's marketing. While some people point out that "Film Red ads were at Times Square" or "They're showing Episode 1000 at the expo!" there's not much Crunchyroll actually does to encourage new audience members. Yes, the dub is caught up more or less, adapting the most current arc. But that's only if you're buying them on Microsoft Store for $30 for 12 episodes. If that sounds like a scam to you, you have to wait a couple of weeks for it to show up on FUNimation or Crunchyroll, the niche streaming services for dedicated anime fans. If you don't want to subscribe to tons of streaming services and just want to use the most popular ones, it's on Netflix too, but only up to Enies Lobby, it doesn't even cover the first 500 episodes of a 1000+ episode show. A bit odd for a platform that is trying to hype up their live action adaptation of the series, but streaming licenses can be tricky and expensive, at least they have the show at all, as it wasn't even on Netflix in the US for a long time. Hulu fairs a bit better with 457 episodes, though dub is the only option (this was NOT how hulu was with One Piece just 6 years ago, btw. It changes all the time how much sub or dub they have). Don't even get me started on Amazon Prime. It's not even about the $2 per episode, the navigation is horrific. I couldn't even tell you what episodes they have. There's like 3 Season 10s and a Season 11, and all of them have the most random ass selection of episodes. Like straight up, it needs fixed cause idk what the hell's going on. Even if $2/episode was a reasonable price, I'm too scared to buy it. I'm afraid it's not gonna even be the episodes I ordered. If you'd rather just catch the latest episodes on TV, they're on Toonami, the channel that only airs from midnight to 3am. A pretty late schedule for normal people, and even if you can catch them, they're nearly 350 episodes behind there. It actually would have been even more behind, as it was cancelled for quite awhile. But to make up for lost time, they skipped 134 episodes. Those unaired episodes are some of the most iconic, high-rated, and important story arcs of the entire series. And don't expect to catch re-airings, this ain't DBZ Kai on NickToons. You can also collect the series on DVD/BD. But that's gonna cost you $44 for 12 episodes. And don't expect to pick it up at a Wal-Mart or Target. Maybe a Best Buy if you live somewhere busy, but even that's not guaranteed. 9 times out of 10 you gotta deliberately buy that online. Might as well buy two shelves from amazon while you're at it because that my friend is 64 DVD sized boxes you're going to be purchasing, assuming you're buying the Voyage sets. With the Collection sets you can collect the series in just 32 DVD sized boxes, because the Collection sets are literally two Voyage sets for the price of one.

Compare this to Dragon Ball Z. People my age grew up catching episodes frequently on NickToons or Toonami. Many I know started in their teens watching Dragon Ball Super on Hulu. You can catch the whole series dubbed and subbed on Crunchyroll. If you wanted to own Dragon Ball Z, you can get the Orange Brick DVDs, the Dragon Box DVDs, the DBZ Kai DVDs, the Blu-Rays, the Level Sets (jk they discontinued), the DBZ Kai Blu-Rays, the 30th Anniversary Blu-Rays, the steelbook Blu-Rays. Wal-Mart has Blu-Ray Orange Brick sets where you can buy 3 seasons for $30 dollars, that's 1/3rd of the show for the price of 12 niche anime episodes. You can also buy the manga by the volume, by the box set, in a big-print omnibus set, (partially) in a full color set, or online. And while games like Dragon Ball Z Kakarot are still getting fresh dubs, high-budget One Piece games like One Piece Odyssey or One Piece World Seeker are Japanese subbed only, with not so much as an English dub update in sight. Most Dragon Ball movies are available in dub, and even come in 2 or 4-movie Blu-Ray bundles. One Piece only has 6 of their 14 movies dubbed, with only 6 TV Specials dubbed as well.

My point is that the most approachable way to get into One Piece is the same way it was 16 years ago; piracy. It's not kaizoku-fansubs or kissmanga like it was back in the day, but things haven't changed much. Most fans ik don't catch the latest 12 dubbed episodes on FUNimation, they watch them on 9anime. They don't purchase 4 box sets of manga that are all nearly worth $200, they see fanscans of the colored manga on mangasee. With this kind of fanbase, One Piece is always going to stay within the "Film Red grosses $12M at US box office" range of popularity. To get to the "Dragon Ball Super: Heroes grosses $38M at box office" ball-park, you gotta reach out to the audiences who just want to watch some TV and don't want to have to do some digging. Even the 4KidsTV dub knew this. It wasn't very popular, but by airing at day time and having plenty of commercials, and just being on a channel kids tune into, it would at least catch the accidental attention of people every now and then. Sometimes I have to wonder if Crunchyroll even wants to push One Piece as a flagship series, or if it'd rather just be known for more trending anime like Chainsaw Man and Demon Slayer.

[itsclydebitches]

YYH Recaps: Episode 1, Surprised to be Dead

Hello, all you hypothetical readers! It's a beautiful spring day and I have a free afternoon ahead of me, so what better time to start another massive project while I guilty stuff my other WIPs deep into the depths of my hard drive? Yeah. Iffy life choices aside, someone mentioned a few weeks back that they'd love for me to recap a show I have more positive things to say about than negative (RIP RWBY) and ever since Netflix announced that their live-action adaptation of Yu Yu Hakusho is in the works, I've been itching for a re-watch of the anime. With the RWBY hiatus underway, it seemed like the perfect time to fulfill both desires.

Before we begin though, I'd like to touch on a few things that are going to influence this project.

First, YYH is near and dear to my heart. Written by Yoshihiro Togashi in the early 1990s and later adapted for an American audience by Funimation, I had the pleasure of experiencing this story five different ways: as a serialized tale in Shonen Jump, a binge read when I had the money to buy the manga, tiny snippets of the anime on Adult Swim late at night — don't tell my parents ;) — as an after-school treat on Toonami, and then years later as a re-watch when I introduced it to a friend (who, in turn, blessed me by having us watch Fullmetal Alchemist next). I used to keep a Hiei bookmark in everything I was reading, the spirit gun made it into our witch-wolf-space adventures on the playground (middle school was wild), and there was a long period of my life where I tried very hard to teach myself to stand with my hands behind my back, precisely as Genkai does. Spoiler alert: I failed. So to say I love the series is... a little bit of an understatement. I bring this up simply as a way of demonstrating that there's more than a bit of nostalgia attached to YYH for me and that will inevitably cloud my reading of it. How can it not? So that's just something to keep in mind as I work through a series that, like any having hit its 30th birthday, has its outdated, flawed, and other questionable aspects.

Second, but very much connected to the first point, is that these are pretty casual recaps. I summarize and extrapolate, focusing primarily on plot and dialogue (but with the occasional cinematography aspect tossed in). I'm not conducting research on the cultural history here — something that will come up at least once in this episode — I'm not arguing an overarching thesis, and I've never been someone who focuses on the author/production/trivia of a series. I'm here for the story as the story is presented to the viewer. If you've read my RWBY Recaps, this will function precisely the same way, with the only difference being I'm engaging with a finished text as opposed to an ongoing one, so there’s a lot less, “Maybe ___ will happen” theorizing going on. 

Third, I obviously recommend that you watch the show yourself (you can find it on YouTube!), but you don't have to know the series to follow along. As these massive paragraphs attest, I tend to be both detailed and verbose, so we'll be covering every major plot point — and most of the smaller ones too.

Finally, I'm working from the dub. I know, I know, the horror. But it's what I grew up on and, honestly, I think it's superior to the sub. YYH's dubbing is in a class all its own and to this day there are very few shows that compare to it. Trust me, it's a good call.

That's enough of the boring chit-chat though. Let's get started!

Our very first episode "Surprised to be Dead" opens on a crowded street. We see lots of traffic, people going about their business, and a pedestrian crossing sign that, crucially, turns red. This is our normality and, like in every genre story, you need to break that normality at some point so that the protagonists can go on their fantastical/supernatural/science fiction journey. YYH eases us into things by first breaking the normality of an everyday afternoon: there's a screech of tires, quick shots of a man pushing a child out of the way of an oncoming car, and then his back is hitting the windshield. We begin this story with a horrible — but otherwise mundane — car crash.

Now, these flashes alone have a fair bit to unpack. Despite later getting a brief shot of the man's scared face right before he's hit, the moment's focus is really on the child. He's the one foregrounded in the initial, slow-mo shot. He's the one who appears in color while the man is kept in shadow. This isn't just a hit, it's a rescue. The camera is also careful to follow the soccer ball this kid was playing with (more on that later in the episode), with it flying through the air as the man is hit and bouncing to a stop in the street, acting as the dramatic finish. It's childhood! It's innocence! It's play on a sunny afternoon! And it's all gone wrong.

This moment is chaotic and even a bit confusing. Not in the sense of what's happening — that is quite obviously a guy being hit by a car — but who the victims are, how precisely this came about, or even why we're meant to care about this beyond a generic capacity to feel for other human (fictional) beings... that's all removed. And it works. As the crash takes place, the camera pans across the stunned crowd and we, the viewer, become a part of that crowd. They don't know what precisely is going on either. We're all just horrified onlookers as a sudden tragedy takes place. We're all watching the same show.

So everyone realizes this guy has been hit. People are staring in shock and someone calls for an ambulance. We see the driver fall to his knees in the street, distraught, shakily saying, "I didn't mean to..." It's a very serious and emotional scene that —

— is immediately tempered by this guy waking up, complete with a cute 'pop!' sound effect when he opens his eyes.

This is YYH's brand, this Very Serious Circumstances skillfully interwoven with casual indifference/comedy. It's admittedly far from a unique brand, but it's an excellent choice given that this is the same attitude that will drive 99% of our protagonist's interaction with the world.

Speaking of said protagonist, our guy wakes up, opens his eyes, and realizes that he's floating. There's a great, disorientating shot from his perspective where everything is upside down, causing him to nearly fall out of the air. Well would you look at that, he's as confused as we are. It's our audience surrogate!

A narrator says, "And so it all begins. This boy's name is Yusuke, he's fourteen years old, and he's supposed to be the hero of this story. But oddly enough, he's dead."

Game of Thrones might have made it popular, but YYH did it better.

(Yeah, yeah, I know one death kick-starts the journey and the other is a shocking twist. Just let me have this.)

Now, it's a weird introduction, right? At least at the end. The announcement that change has occurred, a name, an age... that all checks out. But "supposed to be the hero"? What the hell is that “supposed to” mean? Our narrator gives us the easy, surface answer: "But oddly enough, he's dead." We're capitalizing here on the audience's expectation that death ends a character's journey and though they may have been a hero previously, they can no longer be one moving forward. That function within the story has passed. So it's this intriguing question of, "What kind of hero do you have when that hero is dead from the start?" but as we'll see soon, there's an additional meaning here of, "How can Yusuke be the hero?" As this premiere sets up, Yusuke doesn't act like the hero is “supposed to” act. 

Until he saved this kid.

But right now he's just confused: "Okay, this is weird. Stupid weird."

Two EMTs arrive on the scene and are hilariously useless. You know how in any medical drama a doctor will stop CPR after a couple of seconds because obviously you're not going to spend half the episode on realism? Well, that's this only a thousand times worse. One guy just looks at the kid and announces he's fine except for some bumps and bruises. Meanwhile, the kid is sobbing.

"Well, at least one of them is," replies the other EMT, because I guess he can tell Yusuke is beyond hope without taking a pulse or anything? "I hate cleanup," he complains as they load his body onto a stretcher because that's? An empathetic response to have??

Honestly this scene is wild.

Yusuke is understandably upset that he's, you know, dead and all. He starts hounding the EMTs who, unable to hear him, just go about their business of taking the kid and his body to the hospital. "You think you can just do whatever you want because you have that stupid uniform on? You can't just write me off. Listen to me!" and Yusuke tries to punch one of the EMTs in the head, resulting in him floating right through.

What a great way to introduce your protagonist's personality. We see here that when things go wrong Yusuke's default emotion is anger and it starts creeping in even before he thinks the others are ignoring him: "Stupid weird." He has problems with authority — "You think you can just do whatever you want because you have that stupid uniform on?" — is used to others listening when he gets angry — "You can't just write me off!" — and is poised to use violence at the slightest provocation. Yusuke is a guy who, right now at least, is ready to punch first and ask questions later.

As Yusuke floats back up into the air and the ambulance drives away, he finally cools down enough to try and think his way out of this. "It's not like this is the first time you've been in a jam,” he thinks. Yusuke recalls that yeah, something was different about today...

...he actually went to school.

Catch me laughing that this idiot boy equates the weirdness of him dying with going to school. Good lord. 

Anyway, this jumpstarts our flashback. We open on a generic, anime middle school (that always feels like a high school to me) where the principal is calling for Yusuke through the loud speaker. Oooo someone’s in trouble! We follow a young girl up to the rooftop and she gets a classic hair-blowing-in-the-wind moment to  establish that she's our love interest. Meet Keiko Yukimura.

Keiko finds Yusuke hanging out and immediately starts lecturing him for trying to chew gum and refusing to wear the boys' uniform. "Oh, give me a break, Keiko. I look better in green." Note that it's here we learn her name and it's an easy, casual way to introduce it. I bring this up because Yusuke's introduction via our narrator is very much... not that. It's an on your nose statement about his name, age, and importance to the story, and if you're just starting the show in 2021, it might come across as a rather armature move. Like something out of a kid's show, perhaps. Yet here we see that this was a deliberate choice, considering that YYH is capable of introducing character information naturally when it wants to.

This moment also tells us that Yusuke cares a great deal about his image. More on that in a bit. Because Keiko isn't finished her list of grievances yet, going on to say that his attendance record has hurt their entire class, hurt her as class representative, and if he keeps going down this path he won't even graduate middle school. "Sometimes I think you don't care about anyone but yourself and then you don't even do that right!"

They're legit complaints. Too bad Yusuke is busy looking up Keiko's skirt.

Yeeeeah. Sadly, this is common for anime, particularly a 90s anime like YYH. Even presumably more progressive series like My Hero Academia feature characters like Mineta, whose entire personality is being a pervert, and the creation of abilities that "require" kids/young women to be scantily clad. See: Yaoyorozu. YYH is no different in this regard, with various forms of sexual harassment functioning as a shorthand for how much Yusuke secretly likes Keiko. "Boys will be boys," right? Obviously not. 

Like so many others series, the creators get away with it because they’re framing it as a bad thing. It's totally fine because look, Keiko slaps him! This is  teaching the viewer how wrong this behavior is. Never mind that this is clearly an established habit between them, that Yusuke laughs off Keiko's discomfort, and that the whole scene is meant to be funny for the viewer. That's the real purpose here; it’s not a PSA on harassment. 

That, and to establish the long-suffering love Keiko has for Yusuke in turn, largely stemming from a life-long friendship. "Dumb boy! He hasn't grown up a bit since he was four years old." We see that Keiko's early interactions with Yusuke have given her insight that others lack. As she heads down from the roof she runs into two girls hiding around the corner, too scared to come out lest "the great Urameshi" set his sights on them. Isn't Keiko terrified of what he might do to her? "Or worse, what others might say of it?" Like any classic high school middle school setting, one's reputation is king. Yusuke cares about how others see him — maintaining that tough boy attitude — and the girls care more about what the rest of the school might think of Keiko's interactions with him than the presumed harm Yusuke could do to her. They heard he can summon 2,000 men with just a whistle and that he "kills for fun!" But that means nothing in the face of people talking about you. Despite being one of the most popular girls in school, Keiko is the outsider here via her disinterest in what other people think.

The animation changes here, giving us a good look at how the girls picture Yusuke: tough, scowling, surrounded by shadows, and backed by an entire army.

In contrast, we've already seen what Yusuke is really like.

Keiko laughs the image off too. Yusuke is more like a "lamb" than a killer and besides, he couldn't order around two people, let alone two hundred. "He doesn't have many friends."

"That's not what I heard," says one of the girls. 

"Yeah," goes the other. "I think we would know." 

Again, rumors rule here, with whispers in the hall considered more reliable than someone who interacts with Yusuke on a daily basis. Keiko doesn’t have a hope of changing their minds. 

Oh, as a side note, I love that they gave Keiko Miyazaki-esque hair. It's very emotive.

Yusuke escapes outside where the principal is still calling for him to report to his office. He overhears a conversation around the corner and we cut to two boys, one of which is showing a wallet off to the other. He explains that some bully tried to rough him up, but he said he was Urameshi's cousin and the bully took off, dropping his wallet in the process. The guy's friend is impressed, but what is he going to do if Yusuke ever finds out he lied? Not to worry, he says, that "blockhead" would probably think it's true even if he did somehow hear.

Yusuke, obviously, does hear about this and he, also obviously, does not believe this guy is his cousin. He looms ominously and they scurry up against a wall, terrified and offering him the wallet as an apology.

"You think I want your money?" Yusuke yells.

YYH is, in many respects, a rather simple story, but I appreciate the hints of complexity in these otherwise straightforward interactions. It's not that this guy used Yusuke's name to steal a wallet, he used it as a form of protection against another bully — a far more sympathetic motivation. It's not that Yusuke's fearsome reputation has resulted in any genuine respect because once people think they're safe they reveal how little they think of his intelligence — he's a "blockhead." And Yusuke, though intimidating and violent, is not your average, schoolyard bully. He doesn't care about money, only the insult and the damage this guy using his name might have done to his reputation. There's a little more nuance here than you might otherwise expect.

Also, note how dark the boys' standard uniforms are and how much they blend into the rest of the world. Yusuke, as our protagonist, stands out in his bright clothing. He was right, he does look better in green!

So he's ready to clobber this kid when one of the teachers arrive: Mr. Iwamoto.

Iwamoto demands to know what's going on, but the boys are too terrified to rat Yusuke out. Noticing the wallet on the ground, he assumes that Yusuke was after their money, something that greatly offends him: "Whatever!" Iwamoto goes on to say that, "No good weeds like you should have been plucked a long time ago," making it clear that he considers Yusuke a hopeless case. The positive aspects that Keiko sees, as well as the complexity the viewer sees — to say nothing of his introduction of saving a kid — aren’t considered here.

Notably, Iwamoto exists in part to show us what Yusuke could become. Not a teacher (he's obviously not attending school enough for that!), but a cynical man who is cruel for cruelty's sake. Yusuke is already barreling down that path, ignoring Keiko's advice, terrorizing other students, trying to punch EMTs, etc. If his life (or afterlife...) hadn't changed through that accident, this is the kind of person Yusuke might have grown up to be, and we can see that clearly in the visual parallels between them. Dark haired men dressed in green who scowl with ease and toss out cutting insults. Yusuke is staring his future in the face.

For now he walks off with a final shot, "You shouldn't talk. It makes you sound stupid." This time Yusuke makes it to the school's entrance and tries to enjoy his second attempt at chewing gum, but someone hits him in the back of the head.

"Okay, somebody's DEAD — ah. Sorry, old man."

"That's Mr. Takenaka to you."

Our principal has finally left the office and hunted down Yusuke for himself! Putting this interaction immediately after the one with Iwamoto allows the viewer to compare them. Yusuke might be irreverent towards his principal, but it's clear there's still some kind of respect between them. Yusuke only starts threatening because he doesn’t realize who hit him and once he does realize it's Takenaka, he immediately apologizes. That "old man" comes across as a teasing insult and Yusuke allows himself to be briefly dragged back towards school, rather than throwing a now classic punch. In turn, Takenaka cares enough about Yusuke to try and keep him on the straight and narrow. He utilizes Yusuke's preferred language — violence — but in a casual way, nonthreatening way: slight hit to the back of his head, noogie, pulling him along by the ear. 

It's the sort of physicality we're used to seeing in media between a parent and child who are outwardly antagonistic, but actually share a deep bond. Takenaka is also careful to frame their return to his office as a "discussion," not a punishment, and offers Yusuke tea along with the conversation. Whereas Iwamoto considers Yusuke to be a "weed" that should have been plucked from their school long ago, Takenaka is determined to help Yusuke bloom.

If we're continuing the flower metaphor :D

Yusuke isn't in the mood to play along though. He gets away by using a fake ear, startling Takenaka when it unexpectedly pulls free. Yusuke escapes the school grounds and Takenaka, suffering a back twinge from his fall, can't chase after him. Poor guy. I understand that pain lol.

Yusuke heads home where we're introduced to his mother, Atsuko. Most notable in her first shot is the soft lighting that highlights her looks. We're not told how old she is here, but I believe she's around 28 — and she looks it, if not younger. Given that Yusuke is 14, that means Atsuko was a mom at his age. This is a quick and subtle way to tell us about Yusuke's home life. There are more overt details in this scene — it's at least lunchtime and Atsuko hasn't left her bed yet, she demands that Yusuke make her coffee instead of greeting him, it's all meant to imply (before we actually see) that she's an alcoholic — but her age is another way to highlight the broken household here. There's no partner in sight and she clearly had Yusuke as a teenager. He hasn't had a strong parental figure to take care of him. If anything, Yusuke is taking care of Atsuko here.

"Oh great, mother of the year!" basically sums things up.

Atsuko wants to know why Yusuke isn't in school and he says that everyone is pissing him off today, particularly with their preaching. "Dear, if you hate preaching so much you should live on your own... but you can't do that, can you?" Alongside a rough upbringing, Yusuke is suffering from the common problem of being trapped in a dead-end life. He hates his school, his town, and coming home to find his mom hungover. Yusuke has no prospects and, outside of one principal, no one who is actively working to help him find some. Even the little things he hates, like being preached to, are unavoidable because if you want to live on your own, that requires money. Good luck pulling that off as a middle schooler whose only skill is street fighting!

Yusuke walks off in a huff, literally shouting in a street about what a bad day he's having (and hilariously scaring off pedestrians in the process). His shout brings trouble though. A couple guys appear to ambush him, their boss close behind. The music increases the tension, Yusuke's expression is serious, and we even get a Dutch angle thrown into the mix. 

For any who don't know, the Dutch angle is a popular film technique to establish that something is wrong. There's tension in the scene, something uneasy is at play, and the world is now literally off center. It's perhaps most famously used in Do The Right Thing to establish the friction between an Italian-American pizzeria and the predominantly African American neighborhood it's based in.

But it's also used a great deal in horror as a way to say: yup, shit just got real. Scary real.

This Dutch angle introduces a character you may not appreciate at first, but absolutely should: Kazuma Kuwabara.

He's initially the comic relief and that's clear in his introduction. Within seconds we move from that intimidating arrival to, well, seeing him. To be clear, I've got nothing against redheads with big chins, but compared to Yusuke's design, Kuwabara is meant to be the funny looking one. His threat level plummets the moment we get a look at his face, especially in a series that will occasionally use looks as a (supposed) measure of intelligence. 

Also, Kuwabara is dressed in light blue so, like Yusuke, we know he's important!

Any assumptions that his appearance isn’t meant to imply a goofy, embarrassing personality are put to rest when Kuwabara starts rambling about how they last time they fought Yusuke just got a cheap shot in and he'll definitely win this time. Yeah, he won't. Yusuke is thrilled by this diversion though and we get a shot of him looking almost as creepy as Keiko's friends think he is. Whatever else might be said about Yusuke, he is absolutely a monster in a fight.

Which we see here. If anyone picked up the series without knowing this was a fighting anime, they'll realize it now. Yusuke's choreography is stylized to show off his skill: he disappears with a 'whoosh' and dark lines to suggest inhuman speed,

attacking Kuwabara with a knee to the face, utilizes flying kicks, lands perfect, precision punches, and ends it all with the toe-tip landing we've come to expect of all powerful fighters. Kuwabara never even got a hit in. 

Happy as a clam now, Yusuke wanders off whistling and Kuwabara's friends are left to pick up the pieces. AKA, his likely broken bones. I love that they're legit friends though and not just nameless goons for the sake of giving Kuwabara a small gang (though their names won't come up until later). "That makes 0 wins an 156 loses!" one of them cries, trying to get Kuwabara to stop ending up in the hospital, probably. We establish that Kuwabara is The Most Dramatic Ever when he pulls his broken body into a seated position, shouting, "No! I almost had him that time!"

Then he passes out.

Kuwabara, honey, you obviously did not almost have him, but god bless you for the outlook. The most optimistic thing on this Earth is a well-loved Golden Retriever, but Kuwabara comes in at a very close second.

With his dream to one day beat Yusuke in combat established, we cut to Yusuke wandering the street where the episode opened. "Okay, I'm remembering" he says in a voiceover. "After that I met the kid."

The soccer ball reappears as it rolls to a stop at Yusuke's feet. He grabs it and immediately starts yelling at the kid. Horrible protagonist, right? Well, Yusuke is trying to instill in him the danger of using this street as a playground, a worry the viewer already knows is 100% justified. “Listen, kid, that’s dangerous! There are cars going by that will splatter you into the pavement!” It's one of those quick moments where we get to enjoy Yusuke's duality: he's someone who is nearly making a toddler cry, but for rather understandable reasons. He's got the right idea, but needs to go about it in a more mature manner.

Which is precisely what he attempts to do. Sort of. Yusuke changes gears, though whether it's a more "mature" route is certainly up for debate lol. He tries entertaining the kid instead, raising and lowering the soccer ball to reveal goofy faces.

When these fail to impress, Yusuke goes full out by stuffing the ball into his pants, pushing his nose up with a pair of chopsticks he got from god knows where, and generally just putting on a display.

So Yusuke cares very deeply about his reputation... but only when it comes to those who are an established part of his life. Keiko, Mr. Takenaka, and the other kids at school all need to maintain a particular image of Yusuke, one that he's carefully cultivated. But random pedestrians on the street? Who cares about them? Let them talk.

This shows us that Yusuke does indeed have priorities over his own, selfish goals. Namely, the happiness of some kid is more important to him than looking "cool" for a bunch of strangers. Lots of characters with Yusuke's surface attitude would sneer at the idea of degrading themselves for — their words — some brat. But Yusuke, as we constantly see, actually does have that heart of gold. “Well, if all else fails I can still make kids happy.”

Although... I'm not sure what to make of his display itself. I have the distinct sense that there's something prejudiced here that I'm not able to fully articulate, what with the chopsticks, slanted eyes, bald head, and the like, though to be entirely frank I don't have enough knowledge of Japan's history to say precisely what it might be. Or, really, whether it exists at all. Just something to chew on.

What I am sure about though is the importance of having the child label Yusuke as monster — "Yeah, monster! — but in a delighted manner. Yusuke is indeed some kind a monster, someone who disappoints adults and terrifies his classmates, a demon fighter on the streets too, but here that identity is reworked into something positive.

Having successful secured a laugh, Yusuke tells the kid — calmly this time — to go play elsewhere. The toddler stares up at him with the blank expression only kids can manage.

Well, kids and whatever headspace I'm in after writing these metas.

To absolutely no one's surprise except Yusuke's, the kid does not go elsewhere. Instead, he continues kicking the ball down the street, causing Yusuke to exclaim, “Dammit, what’s the use? The kid can get smashed by a car for all I care!” Liar, liar. 

The picture becomes desaturated as the kid kicks the ball and it flies into the street, time slowing down to show it landing precisely in the middle of the road. Yusuke again yells for him to stay put, but when has a toddler ever listened? He begins to walk into the road as our driver arrives, speeding, swerving, and paying more attention to the girl at his side than what's in front of him.

This time, we see the accident from the front with both Yusuke and the kid presented equally.

There's a cut to black and when we return we're in the present, Yusuke floating above the policemen now investigating the scene. “So that’s it? I’m roadkill?” As Yusuke realizes he's dead, specifically that he's a ghost, a voice goes,

"Bingo! Bingo! You win the prize!"

A woman has appeared who is quite obviously othered by the standards of the episode so far. Unlike the greens, blues, and browns of the series' modern clothes, she's dressed in hot pink kimono with blue hair to match. She's also, you know, floating on an oar.

“I didn’t expect you to figure it out so quickly," she says, referring to Yusuke's revelation that he's dead. Apparently, those who meet unexpected and/or violent ends tend to take some time coming to terms with their demise. It's a nice acknowledgment of Yusuke's intelligence in an interaction that's otherwise... not great for his self-esteem.

Meaning, this woman is about to drag him lol.

She introduces herself as Botan, pilot of the River Styx and guider of souls to the afterlife. You might also know her as the Grim Reaper.

(Hey, RWBY fans: I originally wrote that as Grimm Reaper 🤦‍♀️)

It's an claim Yusuke takes issue with because 1. Botan is too pretty to be the Grim Reaper and 2. If she was really some god of death she'd be taking this much more seriously, not laughing and saying, "Bingo!" For the audience this does two things. First, it acknowledges our own expectations and validates them. Yusuke's world isn't so far removed from our own that he takes Botan's looks and personality at face value, he also expected a skeleton with a scythe. So don't worry, all the weird stuff in this series is weird to our protagonist too. They'll be explanations. Or, even if there’s not, you’re not wrong for being surprised. 

Second, it sets up the very common theme in YYH of undermining those common assumptions again and again and again. We've already seen it with Yusuke, wherein characters who look and act a certain way are, supposedly, destined to be that person and nothing more. Yusuke is meant to be just a "weed," a dumb, violent, angry loser who goes nowhere in life... but we already know he's more than that. Botan is supposed to be scary and serious, but she says nah, I want to be cute and bubbly instead. No character in YYH embodies who they're "supposed" to be when you look past those surface characterizations. They play the part of archetypes — and do keep certain parts of their expected personalities — but they're also far more well-rounded than that. Which yeah, is something most people expect from any story nowadays, but YYH is particularly adept at making you think you're watching Simple Show A only to turn around and surprise you with More Complex Show B.

It's great, trust me.

So Yusuke is pissed that Botan isn't adhering to those expectations, in the same way that he works hard to validate others expectations of him. He doesn't know how to deal with someone challenging his world view yet. Rather than angering Botan though, she just nods and says that this response makes sense for him. “Rather than being scared, or surprised, you yell a lot and tell me I don’t know what I’m talking about." Taking out a notebook, she quickly summarizes everything we learned in the flashback — minus Yusuke's complexities: he's fourteen, in middle school, is ill-tempered, violent, hates authority, and is a horrible student.

Typically, Yusuke responds by getting angry and trying to snatch the booklet out of her hands, only for Botan to pull it out of his reach, laughing. The tables have turned! Rather than being surrounded by people who cower at Yusuke's imposed authority, he now finds himself faced with someone who laughs at his transparent attempts to take control of the situation.

Calming down, Yusuke wants to know if the kid he saved is really alright and Botan offers to let him see for himself. That offer produces Yusuke's first, genuine smile.

They fly to the hospital where a doctor is in the process of giving the kid a clean bill of health, his mother crying with relief. 

That's enough for Yusuke. “Alright, Botan, I’ve got no regrets, so you can take me to hell or wherever it is I’m going.”

That tells you all you need to know about Yusuke's self-worth, despite his bad boy attitude. His life is a dead-end as far as he can see and most of those around him haven't done anything to dissuade him of that idea. He says he doesn't care if the kid lives or dies, but then instinctively saves him. Post his death, Yusuke doesn't have anything he considers a regret, or anything he'd like to do before he leaves, like saying goodbye to a loved one. Oh, he's also pretty sure he's going to hell and has resigned himself to that without a fight.

Uplifting!

Botan just laughs though, saying that she's actually here to offer Yusuke an "ordeal" that could bring him back to life. See, he wasn't supposed to die today — let alone die saving a kid — and frankly they don't know what to do with him. It's another neat summary of what we've already learned: Yusuke is a far more complicated case than the afterlife assumed and now, when push comes to shove, deciding whether he belongs in heaven or hell is... muddled.

There's a fantastic story there about the problems with an afterlife that reduces a person's entire life to a few surface characteristics recorded in a book, refusing to acknowledge the context of their situation, or their capacity for change. “Run someone with your credentials a thousand times and they never would have saved a kid like that." Except, of course, Yusuke did save him, so those "credentials" are suspect, to say the least. However, YYH is not a story that explores these issues. Instead, I recommend you watch this!

Rather than being upset at the afterlife's low opinion of him (because let's be real, Yusuke shares it), he latches onto a little detail Botan let slip. If he wasn't supposed to die today... then was the kid?

Mmm... no. Actually, without the chaos of Yusuke jumping into the road, the driver would have swerved at the last second and the kid would have not only lived, but actually come out with one less scrape.

So Yusuke is obviously upset by this news! I would be too!! Holy shit, hang onto the "it's the thought that counts" message with everything you've got.

Also, don't think too much about the fact that the afterlife apparently knows exactly what will happen to people, down to how many cuts they accumulate in an accident. Also, don't think too much about where the afterlife foreseeing the crash begins and the unexpectedness of Yusuke interfering ends. That way lies madness. This will never come up again, so just let it go.

Sorry, 2013 me hijacked the post for a second.

As said, Yusuke is understandably upset by this revelation and as he fumes I'm reminded that this series likes to pull some amazing expressions.

Botan reiterates that it's all fine because Yusuke can come back to life. Weren't you listening? He should feel honored, in fact, considering that an offer like this only arrives every 100 years or so. Well, that explains why all of humanity isn't grappling with people coming back to life on the daily. One person every generation isn't going to cause much of a stir.

However, instead of jumping at the chance Yusuke announces that Botan is just like the teachers at school: she doesn't know what she's talking about. “You said yourself my life was kind of pathetic, right?” he says, going on to explain that everyone will be happier now that he's dead. His school won't have to deal with his behavior, Keiko won't have to nag him, and his mom will be able to party whenever she wants. It's a win-win for everyone involved. 

Hmm, this feels familiar. 

Don't worry, Yusuke doesn't need to experience a whole alternate reality to get the message.

“I’m sorry you feel that way at such an early age," Botan says and she is sorry, because despite her teasing nature that's a legitimately horrifying thing to believe. Yusuke won't budge though and after a little back-and-forth Botan leaves, telling Yusuke he should think it over while visiting his wake. She'll come back once he decides what to do.

“Do you have worms in your ears, lady? I did decide!” but Botan is long gone.

We cut to that night where Yusuke has indeed decided to attend his own wake. Maybe because of Botan's advice, maybe because he's just morbidly curious. We’re not given insight into the decision. 

Atsuko is a mess, to put it mildly, not dressed for the occasion and sitting slumped against the way, staring vacantly as the guests offer their condolences. Yusuke is surprised by the fact that his entire class is here, but quickly writes them off when he sees two of the boys laughing. I'm on the fence about this detail, which I'll unpack in just a second.

First though, Yusuke sees Keiko exiting the house, inconsolable in her grief. She collapses on the ground with her two friends trying to offer comfort, despite the fact that they had nothing good to say about Yusuke himself. Good on them.

Before he can think too long on this though, Yusuke is distracted by Kuwabara's arrival. Unlike Keiko's crying, he expresses his grief through yelling. Specifically, yelling at Yusuke. For dying. For daring to "run away." His own friends are physically holding him back as he charges into the wake, screaming, “Who am I gonna fight now, huh? Who am I gonna fight?" It's not really about the fighting, of course. At least, not the fighting alone. "You’re supposed to be here for me," Kuwabara finishes, the punch he's thrown at Yusuke's photo going limp and catching his first tear.

You know, for all the  goofy expressions, this show really is gorgeous. Just wait until we get to the fight animations.

Kuwabara's reaction is why I hesitate to write off the classmates like Yusuke has. Granted, we have no reason to believe that they care for him as Kuwabara does — they're nameless background characters defined only by their terror of "the great Urameshi" — but it's still a split second taken out of context. We don't know what they were laughing at, or if laughing is a part of their grief. God knows I personally laugh at the most inappropriate moments. If you tell me someone has just died there is a very good chance I will laugh awkwardly as I try to process that. It’s just a reflex. All of which I bring up not because these side characters are important, but because Yusuke's perception of his own worth is. The point of each of these moments is to show that those around him have always cared for him, even if Yusuke didn't notice. It's nice to think that extends to his classmates too. The variety likewise exists to show us how people grieve differently, with Kuwabara's friends not understanding that this is how he's working through the trauma: “This place is for mourning!” He is mourning, even if his way of mourning isn't as socially acceptable as Keiko's. So if screaming and throwing punches is valid, crying is valid, staring stoically in a drunk stupor is valid... why not laughter too?

Not likely, perhaps, but possible.

As an additional possibility to chew on, watching this premier again, it struck me how more emotional Kuwabara's scene is compared to Keiko's. Don't get me wrong, crying and calling Yusuke’s name gets the point across, but it's two seconds of generic grief compared to a much longer scene rife with intensity. When Kuwabara arrives the music swells and everyone is forced to pay attention to him. His grief is loud, violent, and given symbolism with his fist and the photo. There's more effort put into his reaction, frankly, so it wouldn't surprise me if fans started shipping them after this. That grief combined with an "enemies to lovers" possibility is a pretty potent mix. To be clear, Yusuke/Keiko is the (oh so obvious) canonical endgame and in the fandom Yusuke/Kuwabara can't compare to another slash ship that will turn up later, but this is a good example of how writers can craft some Very Gay Scenes without realizing it. When you have the girl crying prettily for a second and the guy absolutely losing his mind over Yusuke's death, questioning his purpose now, his support network, and then collapsing in grief... don't be surprised if your audience goes, "Oh hey, maybe they'd be a good couple instead."

But I digress.

The only people who are unquestioningly happy about Yusuke's passing are Mr. Iwamoto and his co-conspirator, Mr. Akashi. You know Akashi is another bad guy because he has bucked teeth and "ugliness" is an easy way to code for evilness. YYH is not immune to those mistakes :/

These two are really something else though, standing in the middle of a wake and claiming it's “too bad that car wasn’t big enough for them too," referring to Kuwabara and his friends. Wow! What stellar members of the academic community. Iwamoto goes on to say that Yusuke dying at least accomplished something good. Not, mind you, saving the life of a child, but rather looking good for their school's reputation. Akashi agrees, but says it's likely Yusuke only accidentally saved him while trying to steal the kid's lunch money. Remember, that accusation of theft is the one thing Yusuke has said outright that he does not do.

He's pissed listening to all this — wouldn't you be? — but knows by now he can't do anything about it. In another fantastic shot, Yusuke hovers his hand over Iwamoto's shoulder, desperate to grab him, when Takenaka's arrives there instead.

“What do you suppose is more disgraceful? That boy showing his misery, or your insensitive and idiotic words!”

HELL YEAH. You tell 'em, Mr. Takenaka.

Yusuke gets his third shock of the night at this passionate defense. Takenaka leaves the teachers to go pay his respects, but admits to Yusuke's picture that he just can't speak well of him. He was surprised to hear that Yusuke gave up his life for another and it's a fact that he acted selfishly. Though he doesn't say it in as many words, Takenaka explains that he's not grieving because Yusuke was a good person, but because it's so clear to him that he might have been. “Why didn’t you stay? You could have made something great out of yourself.”

Normally, "Why didn't you stay?" is just something for the living to grapple with, as the dead obviously don't have any say in what happens to them. But Yusuke does. It's here that the lighting grows soft again and Yusuke considers Takenaka's words. Keiko and Kuwabara grieve for who he was, but Takenaka grieves for who Yusuke could have been — someone that might still exist if Yusuke decides to undergo this ordeal.

Atsuko adds fuel to the emotional fire, breaking down and hiding her face in her knees.

Finally, the kid Yusuke saved arrives with his mother. Because yes, Yusuke saved him in every way that matters, considering no one else knows — or will know — that he'd have lived anyway. I like that the show doesn't allow that knowledge to undermine the emotion of their arrival, or what Yusuke’s act meant to them. 

The mom tells her son to pay his respects and the kid thanks Yusuke for saving him, and for "making faces." He clearly doesn't get what's going on here. This is confirmed as the two leave and he asks his mom if he can play with Yusuke again tomorrow. “I know some people sounded angry at him, but he’s really nice!" 

They're probably just crying because they want to play with him too, he thinks, which just makes his mom join in. Everyone is crying in this club tonight.

Those words are the cincher for Yusuke and with a brief montage of all the grief he's witnessed, he makes his decision.

We cut to later that night where Yusuke floats above the city, admiring the moon. Botan reappears and he asks, “Have you ever not known about something that seemed obvious to everyone else?” Yes, everyone has experienced that at one point or another. She asks if he's made his decision and Yusuke agrees to try and come back to life.

Emotional revelations out of the way, we're allowed another tone shift as Botan yells with joy, speeding off and causing Yusuke to grab hold of the end of her oar, lest he be left behind. Cranky as always, he demands to know where they're going. "To the spirit world, of course!" They're off to see someone who can explain the ordeal and give Yusuke the tool needed to complete it. Just hang on and enjoy the ride.

Thus ends our very first episode! Ah, the nostalgia. This is part one of a four arc series, with the anime cutting out a lot of the filler stories found at the start of the manga — a smart decision, I think. They primarily do the work of teaching Yusuke what he learned at the wake, so if you can accomplish that as quickly as the adaptation did, all the better. Especially since Yusuke needs to grow a great deal beyond the basic understanding that people might, sort of care for him, and that work will occur primarily through a job he's going to take on. The series isn't really about his death and it's not about an attempt to come back either — it's about what happens once you get that second chance. So this is the setup, but it's important setup all the same.

No need to skip ahead though. I've blathered enough for one recap. I hope you enjoyed and I'll see you when the writing gods next bless me with energy! 💜

[alayaavijnana]

IVE BEEN WAITING FOR YOU TO REBLOG AN ASK MEME, TIME TO RUB MY GRUBBY HANDS ALL OVER YOUR ASKBOX >:^)!!! ok though seriously here are the characters: bakugou, killua, orga, pitou, josuke aaaaand viral from gurren lagann (because why not >:^) )

i’ve always been 2 scared to reblob but im love u, ty for the ask :-) !

BAKUGOU:somewhat attractive | eh | not really my type | pretty (sometimes??) | handsome | beautiful | stud | gorgeous | SWEET LORD MERCY

can you relate to this character on a personal level?: no | not really | somewhat | yes | they are me

would you date/be friends with this character in real life if they were real?: total bros | friends | best friends | date | become their steady boyfriend/ girlfriend | neither | i don’t know |

OK bakugou is dumb and has too much pride but uknow what if i were skinny i’d act the same way too so ! go off bakugou. but thinking about him in rl reminds me of the boys in middle school who scared me kkkkk rip

KILLUA:somewhat attractive | eh | not really my type | pretty | handsome | beautiful | stud | gorgeous | SWEET LORD MERCY | the most cutest little boy in teh entire world

can you relate to this character on a personal level?: no | not really | somewhat | yes | they are me

would you date/be friends with this character in real life if they were real?: total bros | friends | best friends | date | become their steady boyfriend/ girlfriend | neither | i don’t know | ADOPT

PITOU:somewhat attractive | eh | not really my type | pretty | handsome | beautiful | stud | gorgeous | SWEET LORD MERCY

can you relate to this character on a personal level?: no | not really | somewhat | yes | they are me

would you date/be friends with this character in real life if they were real?: total bros | friends | best friends | date | become their steady boyfriend/ girlfriend | neither | i don’t know |

JOSUKE:somewhat attractive | eh | not really my type | pretty | handsome | beautiful | stud | gorgeous | SWEET LORD MERCY

can you relate to this character on a personal level?: no | not really | somewhat | yes | they are me

would you date/be friends with this character in real life if they were real?: total bros | friends | best friends | date | become their steady boyfriend/ girlfriend | neither | i don’t know |

VIRAL:somewhat attractive | eh | not really my type | pretty | handsome | beautiful | stud | gorgeous | SWEET LORD MERCY

can you relate to this character on a personal level?: no?? | not really | somewhat | yes | they are me

would you date/be friends with this character in real life if they were real?: total bros | friends | best friends | date | become their steady boyfriend/ girlfriend | neither | i don’t know |

ok remember when toonami aired gurren lagann in like.. 2014? that was when i seen it and i don’t really remember much about him?? i didn’t even remember the whole immortal thing until you brought it up awhile ago and i still dont think i know why??? hdjkfgjf i remember hating him and then the time skip happened and he chilled out. or became depressed idk but i think i liked him yeah? :v 

[recentanimenews]

ESSAY: In the Middle of the Pandemic, I Watched Anime With Friends

For the past few months I’d been talking to friends at work about starting an anime club. Now that we were heading into 2020, I decided that it was long past time to make those dreams a reality. I reached out to some interested peers, and made a date to meet up and watch. I puzzled over my DVD collection. Perhaps we could watch a great movie, like In This Corner of the World? The first episode of a TV series, like Mushishi or Haibane Renmei? Or I could throw them into the deep end with the first episode of Penguindrum? I eagerly awaited the experience of watching anime together with friends. Then the pandemic hit.

  In the following weeks, despite difficulties of scheduling and communication, my friends and I managed to keep our anime club alive. All this despite watching remotely, coordinating through Google Hangouts while finding workarounds for faulty internet connections and temperamental audio. With 12 episodes of Mob Psycho 100 down, we’re looking toward the future. But this experience, fun as it was, has me thinking about how I watch anime today. When did I forget how fun it was to watch anime in a group?

    The way I’ve watched anime has changed over the years. In middle school, I caught episodes on TV channels like Aniplex and Toonami. In high school, I navigated carefully between episodes of Naruto divided into thirds on YouTube, their opening and ending animations excised. Now it’s easy: go to a video service like Crunchyroll or Funimation, click on an episode, and (if you pay a small fee each month) watch without ads. No more having to spend money on DVDs or videotapes or having to miss out because the show wasn't available in your region.

  For me watching anime has become a ritual, a solitary pursuit. Park in front of the computer. Find the most recent episode of a new series. Endure 24 minutes in silence. Post a hot take on Twitter, maybe a screenshot or two, repeat. It’s not the way most people watch television. There are plenty of folks out there who’d rather cook or exercise while half-paying attention to something like The Floor is Lava, which is absolutely valid. But I’d reckon there are now thousands of folks out there hooked on their niche entertainment, watching episodes of a series only they know about on a format that caters exclusively to them.

    Watching Mob Psycho 100 with friends reminded me of a few things. The first is that group watching is a great way to see old favorites through new eyes. I’d already seen and loved the first season, returning to scenes on occasion as the mood struck me. Very little in the show now comes as a surprise. But being able to see and listen to my friends react to it, even remotely, reminded me of what it was like to see it for the first time. In the first episode, when a character whose chin looks exactly like a butt walks past, a friend of mine yelled “this show rules!” In the fifth episode, when Mob weakly punches an incensed Teruki, another friend told me that despite the good amount of anime he’d seen, he’d never seen a punch like that. A punch that spoke of weakness instead of strength.

  Group watching is also a great opportunity to remind yourself of the sheer amount of craft that goes into a series. The frequent use of paint by glass animation, a difficult and time-consuming technique that is used for key scenes. Great moments of character animation. Funny music cues. Being reminded that what makes Mob Psycho great isn’t the fights (though they are very good) but instead the attention paid to Mob’s growth and how he interacts with the rest of the cast. Mob Psycho 100 is not a particularly complex series, and there are no mysteries to tease out in the same way as, say, rewatching Evangelion can be surprising. But I came out of this watch-through with an even stronger appreciation for it than I had before, while acknowledging some weaknesses I’d missed the first time.

    Years ago, I used to watch anime with friends more frequently. A blogging friend and I marathoned through Honey and Clover in college, another series that stands out to me as being heavily informed by the life experiences you bring to it. Before that, we had the honor of rewatching Penguindrum with friends, including one of the original writers on the Altair and Vega blog back in the day, which obsessively broke down episodes of the series each week it aired. Penguindrum has far more moving parts than Mob Psycho 100, and rewatching it involved talking through what bits we’d missed the first time, what bits had aged well — and, of course, where the series dropped the ball completely. But getting through to the end reaffirmed to me what Penguindrum had always meant. Years later, I consider myself extraordinarily lucky to have had that experience.

  In this Age of COVID, many of my friends are scared and alone. It’d be easy, if you have the luxury, to hole up in a corner with your favorite series and take comfort on your own. There are times when this is needed. But if you’re able, I’d recommend doing what I did and watch some anime with friends. You can use an app like Netflix Party, or you can do it like we did, the old-fashioned way, synching up your Crunchyroll players and hitting the Play button at the same time. In the process, maybe you’ll find a new favorite, or discover something new about a show you loved. Maybe you’ll learn something new about your friends.

    As for me, once I round up my coworkers again, I’m set on introducing them to Kyousogiga. A series I never fully appreciated the first time, but want to give a second chance, with friends. Join me, will you?

  What are your experiences watching anime with friends? Were you around for the era before streaming? Never heard of Kyousogiga? Let us know in the comments, and go watch Kyousogiga right now!

      Adam W is a Features Writer at Crunchyroll. When not corralling people into an online chat box to watch anime, he sporadically contributes with a different loose coalition of friends on a blog called Isn't it Electrifying? You can follow him on Twitter at: @wendeego

Do you love writing? Do you love anime? If you have an idea for a features story, pitch it to Crunchyroll Features!

By: news+feed@crunchyroll.com

[nekkyousagi]

COWBOY BEPOP (and or TRIGUN)

Wow! Yes!!! Thank you for these! Well technically I didn’t watch either until way after they first aired in the US. Cowboy Bebop I don’t remember much, but I have tons of feels for TRIGUN!!!

haven’t heard of it | absolutely never watching| might watch | currently watching| dropped| hated it | meh| a positive okay| liked it| liked it a lot!| loved it| a favorite

don’t watch period| drop if not interested within 2-3 episodes| give it a go, could be your thing| 5 star recommendation

fav characters: So much love for Vash! Such a sweetie and did not deserve to suffer the way he did! T_T I really liked Meryl, Milly and Wolfwood too!! And Legato was pretty cool, though I forget if he was actually a villain…>_>

least fav characters: KNIVES!!!! Oh my word! Don’t get me started on that child!!! And…I can’t remember names but, basically any of the baddies who forced Vash into hurting people or making him crack and get upset.

fav relationship: Vash and Wolfwood omg!! Even though it was kinda in the background, I was excited over Milly and Wolfwood! But I really liked Vash and Marianne!! Probably Vash and Meryl too, since their bickering made me laugh a lot! Oh…and that whole thing between the boys and Rem. I cried so much…!!!

fav moment: I have a lot, just hard to remember them all. Most of them are the silly things Vash would do in battle to distract or fool people into thinking he was a moron only to turn around and be super epic wearing those gold shades!! When he said his full name! Dancing around with his headphones and dodging bullets like it’s nothing, or that time when he sang a super creepy song in a tunnel to scare the bad guys! But Vash vs Legato and then Vash vs Knives…oh that broke me.

headcanons/theories: It’s been so long, I don’t think I have anything for this.

unpopular opinion: Um…not sure.

how’d you find it: My sister was more proficient at finding anime and then when we finally got access to Toonami on TV, that was the first time I ever saw the Humanoid Typhoon. I remember mostly the first 4-5 episodes clearly, the rest gets kinda fuzzy except for the dramatic ending. 

random thoughts: I probably was drawn to Vash because at around the same time I was getting into Rurouni Kenshin. I really started to notice how similar the two men were, in their efforts to not hurt people despite their skills with gun and sword, respectively. The whole pacifist viewpoint that Vash had, and wanting to help people, being willing to get himself hurt for the sake of others, and of course the regret of his past mistakes, really resonated with me. plus he was just SO COOL in those scenes where he’d get serious. The whole show, though a bit on the rough side for me, has a good moral lesson. I really should re-watch it again!

[pachathegreat]

Day 4: Halloweentown

Hey guys! Welcome to day 4 of The Shinning. Today we look at the beloved Disney Channel classic, Halloweentown. Released in 1998, starring Debbie Reynolds, Kimberley J. Brown, Joey Zimmerman, Emily Roeske, and Judith Hoag. 

Now I grew up without cable or internet, and didn’t get it in my home till freshman year of high school so I missed out on a lot. I managed to catch some Toonami and early Adult Swim, but missed 90′s Nickelodeon stuff and Disney Channel stuff, so Halloweentown was not a staple of my Halloween growing up as a kid. I was stuck watching whatever scary movie my older brother would rent, and I was really sensitive to horror movies as a kid cause I got it in my head that they were documentaries for some reason.

ANYWAYS 

Halloweentown seems to be a staple for a particular age of people. I could kinda see it, it’s not the most terrible Halloween based kids movie, certainly better than Ernest Scared Stupid in a lot of ways. Let’s get into it!

So the premise is fairly simple, yet a little unique. The movie follows the three Cromwell siblings (which honestly, pretty bad ass magical name, just works y’know?). The oldest is Marnie, middle child Dylan, and youngest Sophie who are banned from celebrating Halloween by their stern, but loving mother, Gwen. Gwen doesn’t want the kids partaking in anything resembling the weird, the strange, or occult, which is a bummer for Marnie cause she’s showing early signs of gothism (it’s a disease where you wear all black and develop a stick up your ass about this whole “being alive” thing). Dylan is a shitty little kiss ass, and Sophie is the sweet one. 

Marnie and her mom argue the merits of celebrating Halloween, with Sophie saying very vague things as to why she won’t let them go out on Halloween, and around now is when you pick up that there’s something up with the whole family, that would probably be a much more simple issue if Sophie sat her kids down and explained what the situation was, and why she doesn’t want her kids to celebrate Halloween, but no, it’s the 90′s and we haven’t found a way around complex situations that could be avoided with simple solutions. 

Sorry, just venting, you watch too many shows on the WB/CW, you notice a pattern (looking at you Arrowverse, and Supernatural...and practically every show on that channel). 

Anyways, through early photoshop comes...DEBBIE REYNOLDS! I know, I was just as surprised as you. First Eartha Kitt then Debbie Reynolds, classic leading ladies popping up where you least suspect them, and y’know what, they do some damn great work in each one. Back to Debbie though, Debbie comes off the bad SFX Magic Bus and heads over, a magic bag in tow to Gwen’s house, and as it turns out she’s Gwen’s mother! We can figure out where this is going, yes? Gwen is a witch too, and her children are also magically inclined, but Gwen refuses to teach them any magic cause her deceased husband was human, and she wants to raise the kids as human.  

No real mention if that’s what dear old dad wanted before he died. No cause is mentioned besides the fact that he was human. 

Debbie Reynolds, who plays Aggie (she wasn’t just being Debbie Reynolds, though it would explain how amazing that family is) has come to ask her daughter for help. Back in her home of Halloweentown, the inhabitants have been acting strange, kinda evil, then disappearing. Gwen wants nothing to do with any magical business, and tells her mom that she’s just being paranoid. What Gwen and Aggie don’t realize is that Marnie has heard all of this, the magic, the snide remarks I made toward the goths, all of it!

Marnie has taken it upon herself to go and help her grandmother, and also learn magic cause apparently this is her last chance to learn it before her powers disappear, I dunno, they got some weird rules in this world. 

So as Marnie is planning on sneaking out, Dylan tags along, despite everything about him indicating he’s not that type of character. So they both sneak onto the magic spooky bus and are transported to the magical realm where monsters, ghosts, witches, and all that live peacefully away from humans. They meet the mayor, who may or may not be a the villain. They get to grandma’s house, and convince her to that they could help, and that Marnie can learn a thing or two.

Also it’s mentioned that time moves differently in Halloweentown, but honestly, it feels like so made up. I know this a movie where we have a skeleton cabby, and a tooth fairy dentist working on a vampire, but seriously, their idea of time is kinda arbitrary compared to our world.  

So as the kids and Aggie are going around the town, we learn and see more of the town, kinda got the vibe that this would’ve been the closet America got to Harry Potter cause we have a hidden magical world, a young hero who learns of their powers before they’re adults, and a bunch of other magical shit going on. Mind you, the first Harry Potter book was released in the States about a whole month before this was aired. What’s the point I’m trying to make? None, just kinda interesting y’know. 

While this is going on, Gwen has figured out the kids have snuck out, and heads to Halloweentown to get the kids. Once she gets there, we see that her and the mayor had a bit of thing before she met her kids’ dad. She tries to get them back, but can’t get a bus back so quickly. This leads some time for Marnie and her mom to argue about why her mom would keep this part of culture away from her and her siblings, and that they had a right to know. Gwen responds with pretty much the same reasoning she gave Aggie. To be honest I was with Marnie this whole time. As a person who was raised with only one aspect of my cultural background, you don’t feel as a whole of a person as you should. But her would like totally disappear if she didn’t even learn anything so I guess I have it a bit better. 

Honestly Gwen’s reasoning is weak. 

So at this point our villain makes his appearance, making the inhabitants into assholes and then freezing them, getting them ready for something, for some reason. Aggie tries to face him off alone, but Gwen steps in to help, and even takes a shot for her mom. The shot freezes Gwen, and the next one gets Aggie. Before Aggie freezes completely she urges Marnie to finish the spell that could save the town.

This leads to the weakest part of the film. The kids go on hijinks and adventures getting the ingredients for the spell’s recipe. Some of it is okay, most of it is boring. So after the kids get the stuff together, they put it into this talisman. The kids head to the center of town, where our villain reveals himself to the public, and says his plan. Kinda. He wants to make everyone evil and attack the humans for some reason. The motive isn’t really clear. The villain then reveals himself further (don’t worry, this is Disney), to reveal that he was the mayor the whole time! Gasp!

Pretty obvious the whole time. Only made more obvious by each appearance of the guy. Marnie is able to reserve the evil curse and unfreeze everyone. And with the whole family putting energy into it, they murder the mayor in front of the whole town. Yay! Evil is vanquished, death to the bourgeoisie! Yay, he’s vanquished or whatever, the family goes back home, Gwen has decided that she will in fact train her kids in magic, with grandma Aggie coming around more often to help out and assist. 

So some things off the bat, I may sound like I’m shitting on this, but I actually enjoyed it. The cast is nice as a whole and isn’t reliant on just one actor like Ernest Scared Stupid was with Jim Varney. Well maybe except for Dylan he played the typical 90′s nerd and wasn’t that likable. I blame the 90′s for that, not the actor, kid was just trying to make a buck. 

Debbie Reynolds was a such a sweet lady and knows when to hold back, and when to chew scenery. When she has that stand off with the villain, you can hear her voice is taking a more dramatic tone and how she acts in that scene has some nice subtlety. Her talent is missed. 

The music in this is just very 90′s. A lot of xylophone’s and “spooky” music. Also random crows throughout the movie. The story has a little more than what I would think for a Disney Channel movie. LIke to hide that big of a secret was interesting to see, it’s just a shame that it didn’t pay off in the end. Like there should’ve been real consequences to Marnie finding out she was a witch or a believable reason for Gwen to keep this from her kids. The mayor’s motive was pretty much “ah fuck it, let’s be evil you guys!” and that weakened the movie to me. Either than that the dialogue is a lot better written for the kids than it was for Ernest and it can be funny. Sometimes it isn’t, but it has it’s moments. 

Also there was a PENTAGRAM shown and called as such on DISNEY Channel. Listen I’m amazed that Gravity Falls got away with the pseudo-occult stuff it did, this one straight out put a pentagram in the movie, and it’s an accessory that Marnie wears throughout the film. 

The makeup in this is really cool. It’s practical look for the wear, but it makes them to be a believable living being in this world. Some seem to have really big round chins. Don’t know if that was the actors or the make up. Just something I noticed watching this. 

I can see why this would be a staple for kids growing up. It has definite charm to it, and it’s not dripping in that 90′s cheesiness that Ernest had. Of the two live action films I’ve covered this week, this is the better one, and I wouldn’t mind watching it again. Kinda want to see the other ones now too.

Okay guys, that’ll be a wrap on Halloweentown. Next week it’s one I have seen before and I know that I actually like this one! 

Hocus Pocus is tomorrow!