#(author is garbage but good book)

[prolibytherium]

The Song of Achilles is one of the most garbage books I've ever read and I kind of want to talk about it but I'd have to reread The Song of Achilles to do that in a cohesive manner, which is garbage

[butchvamp]

it sucks trying to find trans extreme horror recs and the only 3 authors everyone recommends all suck

[weyounmoefication]

my brain goes full Brave New World with Dominion social structure for some reason. like, i like the idea that Vorta are designed to have a certain amount of disdain for other Vorta bc it keeps them satisfied with their own roles and keeps them from wishing they had different assigned jobs.

[velvetbunniie-archive]

hmmm something something crazy how a trilogy where the couple ends up together in the second book feels more slowburn than a trilogy where they haven’t gotten together yet.

[chadsuke]

Books Read in 2023:

Liberated to the Bone: Histories, Bodies, Futures by Susan Raffo (2022)

Unflattering Photos of Fascists:  Authoritarianism in Trump's America by Christopher Ketcham (2020)

Overdressed: The Shockingly High Cost of Cheap Fashion by Elizabeth L. Cline (2012)

A Small Place by Jamaica Kincaid (1988)

Why are Faggots so Afraid of Faggots? Flaming Challenges to Masculinity, Objectification, and the Desire to Conform edited by Mattilda Bernstein Sycamore (2012)

The F*ck It Diet: Eating Should Be Easy by Caroline Dooner (2019)

The Road to Jonestown: Jim Jones and the Peoples Temple by Jeff Guin (2017)

Garbology: Our Dirty Love Affair with Trash by Edward Humes (2012)

The 100-Mile Diet: A Year of Local Eating (2007)

[ID: Covers of the aforementioned books. End ID.]

[tootbender]

i need to stop telling people i read because im tired of being recommended Colleen Hoover books and the ACOTAR series. i simply will not read them!

[surpriserose]

I dont want to wade into anything because i dont care but because people are talking about bechdels transmisogyny i got reminded her of praise for Ariel Schrag's adam as another issue and god im remembering what a shitshow that was

[nonbinary-octopus]

maybe quality but less in the "is this a good book" way listed in the poll, and more of a "is this formatted well/consistently" and "have all the typos been caught" way

self published books can be a little inconsistent with that and it really helps to have more eyes on it before it goes out

I have a question for readers, but I have a super small following here so it's probably not the best sample size BUT

If you could get books directly from your favorite authors (so you don't have to worry about publishers gatekeeping out stories that you'd love and that they really want to write) in a way that also lets the author keep a way larger portion of their sales (so they can afford to keep writing without fearing for their livelihood), what, if anything, would discourage you from doing this and drive you to want to buy from big publishers/retailers instead?

[headedoutleft]

Oh wait, I actually read 8 books this year because I forgot about that stupid, stupid book that I hated so much I didn’t even add it to my read list in StoryGraph

[renthony]

In Defense of Shitty Queer Art

Queer art has a long history of being censored and sidelined. In 1895, Oscar Wilde’s novel The Picture of Dorian Gray was used as evidence in the author’s sodomy trials. From the 1930s to the 1960s, the American Hays Code prohibited depictions of queerness in film, defining it as “sex perversion.” In 2020, the book Steven Universe: End of an Era by Chris McDonnell confirmed that Rebecca Sugar’s insistence on including a sapphic wedding in the show is what triggered its cancellation by Cartoon Network. According to the American Library Association, of the top ten most challenged books in 2023, seven were targeted for their queer content. Across time, place, and medium, queer art has been ruthlessly targeted by censors and protesters, and at times it seems there might be no end in sight.

So why, then, are queer spaces so viciously critical of queer art?

Name any piece of moderately-well-known queer media, and you can find immense, vitriolic discourse surrounding it. Audiences debate whether queer media is good representation, bad representation, or whether it’s otherwise too problematic to engage with. Artists are picked apart under a microscope to make sure their morals are pure enough and their identities queer enough. Every minor fault—real or perceived—is compiled in discourse dossiers and spread around online. Lines are drawn, and callout posts are made against those who get too close to “problematic art.”

Modern examples abound, such as the TV show Steven Universe, the video game Dream Daddy, or the webcomic Boyfriends, but it’s far from a new phenomenon. In his book Hi Honey, I’m Homo!, queer pop culture analyst Matt Baume writes about an example from the 1970s, where the ABC sitcom titled Soap was protested by homophobes and queer audiences alike—before a single episode of the show ever aired. Audiences didn’t wait to actually watch the show before passing judgment and writing protest letters.

After so many years starved for positive representation, it’s understandable for queer audiences to crave depictions where we’re treated well. It’s exhausting to only ever see the same tired gay tropes and subtext, and queer audiences deserve more. Yet the way to more, better, varied representation is not to insist on perfection. The pursuit of perfection is poison in art, and it’s no different when that art happens to be queer.

When the pool of queer art is so limited, it feels horrible when a piece of queer art doesn’t live up to expectations. Even if the representation is technically good, it’s disappointing to get excited for a queer story only for that story to underwhelm and frustrate you.

But the world needs that disappointing art. It needs mediocre art. It even needs the bad art. The world needs to reach a point where queer artists can fearlessly make a mess, because if queer artists can only strive for perfection, the less art they can make. They may eventually produce a masterpiece, but a single masterpiece is still a drop in the bucket compared to the oceans of censorship. The only way to drown out bigotry and offensive stereotypes created by bigots is to allow queer artists the ability to experiment, learn through making mistakes, and represent their queer truth even if it clashes with someone else’s.

If queer artists aren’t allowed to make garbage, we can never make those masterpieces everyone craves. If queer artists are terrified at all times that their art will be targeted both by bigots and their own queer communities, queer art cannot thrive.

Let queer artists make shitty art. Let allies to queer people try their hand at representation, even if they miss the mark. Let queer art be messy, and let the artists screw up without fear of overblown retribution.

It’s the only way we’ll ever get more queer art.

_

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[mostlysignssomeportents]

Even if you think AI search could be good, it won’t be good

TONIGHT (May 15), I'm in NORTH HOLLYWOOD for a screening of STEPHANIE KELTON'S FINDING THE MONEY; FRIDAY (May 17), I'm at the INTERNET ARCHIVE in SAN FRANCISCO to keynote the 10th anniversary of the AUTHORS ALLIANCE.

The big news in search this week is that Google is continuing its transition to "AI search" – instead of typing in search terms and getting links to websites, you'll ask Google a question and an AI will compose an answer based on things it finds on the web:

https://blog.google/products/search/generative-ai-google-search-may-2024/

Google bills this as "let Google do the googling for you." Rather than searching the web yourself, you'll delegate this task to Google. Hidden in this pitch is a tacit admission that Google is no longer a convenient or reliable way to retrieve information, drowning as it is in AI-generated spam, poorly labeled ads, and SEO garbage:

https://pluralistic.net/2024/05/03/keyword-swarming/#site-reputation-abuse

Googling used to be easy: type in a query, get back a screen of highly relevant results. Today, clicking the top links will take you to sites that paid for placement at the top of the screen (rather than the sites that best match your query). Clicking further down will get you scams, AI slop, or bulk-produced SEO nonsense.

AI-powered search promises to fix this, not by making Google search results better, but by having a bot sort through the search results and discard the nonsense that Google will continue to serve up, and summarize the high quality results.

Now, there are plenty of obvious objections to this plan. For starters, why wouldn't Google just make its search results better? Rather than building a LLM for the sole purpose of sorting through the garbage Google is either paid or tricked into serving up, why not just stop serving up garbage? We know that's possible, because other search engines serve really good results by paying for access to Google's back-end and then filtering the results:

https://pluralistic.net/2024/04/04/teach-me-how-to-shruggie/#kagi

Another obvious objection: why would anyone write the web if the only purpose for doing so is to feed a bot that will summarize what you've written without sending anyone to your webpage? Whether you're a commercial publisher hoping to make money from advertising or subscriptions, or – like me – an open access publisher hoping to change people's minds, why would you invite Google to summarize your work without ever showing it to internet users? Nevermind how unfair that is, think about how implausible it is: if this is the way Google will work in the future, why wouldn't every publisher just block Google's crawler?

A third obvious objection: AI is bad. Not morally bad (though maybe morally bad, too!), but technically bad. It "hallucinates" nonsense answers, including dangerous nonsense. It's a supremely confident liar that can get you killed:

https://www.theguardian.com/technology/2023/sep/01/mushroom-pickers-urged-to-avoid-foraging-books-on-amazon-that-appear-to-be-written-by-ai

The promises of AI are grossly oversold, including the promises Google makes, like its claim that its AI had discovered millions of useful new materials. In reality, the number of useful new materials Deepmind had discovered was zero:

https://pluralistic.net/2024/04/23/maximal-plausibility/#reverse-centaurs

This is true of all of AI's most impressive demos. Often, "AI" turns out to be low-waged human workers in a distant call-center pretending to be robots:

https://pluralistic.net/2024/01/31/neural-interface-beta-tester/#tailfins

Sometimes, the AI robot dancing on stage turns out to literally be just a person in a robot suit pretending to be a robot:

https://pluralistic.net/2024/01/29/pay-no-attention/#to-the-little-man-behind-the-curtain

The AI video demos that represent "an existential threat to Hollywood filmmaking" turn out to be so cumbersome as to be practically useless (and vastly inferior to existing production techniques):

https://www.wheresyoured.at/expectations-versus-reality/

But let's take Google at its word. Let's stipulate that:

a) It can't fix search, only add a slop-filtering AI layer on top of it; and

b) The rest of the world will continue to let Google index its pages even if they derive no benefit from doing so; and

c) Google will shortly fix its AI, and all the lies about AI capabilities will be revealed to be premature truths that are finally realized.

AI search is still a bad idea. Because beyond all the obvious reasons that AI search is a terrible idea, there's a subtle – and incurable – defect in this plan: AI search – even excellent AI search – makes it far too easy for Google to cheat us, and Google can't stop cheating us.

Remember: enshittification isn't the result of worse people running tech companies today than in the years when tech services were good and useful. Rather, enshittification is rooted in the collapse of constraints that used to prevent those same people from making their services worse in service to increasing their profit margins:

https://pluralistic.net/2024/03/26/glitchbread/#electronic-shelf-tags

These companies always had the capacity to siphon value away from business customers (like publishers) and end-users (like searchers). That comes with the territory: digital businesses can alter their "business logic" from instant to instant, and for each user, allowing them to change payouts, prices and ranking. I call this "twiddling": turning the knobs on the system's back-end to make sure the house always wins:

https://pluralistic.net/2023/02/19/twiddler/

What changed wasn't the character of the leaders of these businesses, nor their capacity to cheat us. What changed was the consequences for cheating. When the tech companies merged to monopoly, they ceased to fear losing your business to a competitor.

Google's 90% search market share was attained by bribing everyone who operates a service or platform where you might encounter a search box to connect that box to Google. Spending tens of billions of dollars every year to make sure no one ever encounters a non-Google search is a cheaper way to retain your business than making sure Google is the very best search engine:

https://pluralistic.net/2024/02/21/im-feeling-unlucky/#not-up-to-the-task

Competition was once a threat to Google; for years, its mantra was "competition is a click away." Today, competition is all but nonexistent.

Then the surveillance business consolidated into a small number of firms. Two companies dominate the commercial surveillance industry: Google and Meta, and they collude to rig the market:

https://en.wikipedia.org/wiki/Jedi_Blue

That consolidation inevitably leads to regulatory capture: shorn of competitive pressure, the companies that dominate the sector can converge on a single message to policymakers and use their monopoly profits to turn that message into policy:

https://pluralistic.net/2022/06/05/regulatory-capture/

This is why Google doesn't have to worry about privacy laws. They've successfully prevented the passage of a US federal consumer privacy law. The last time the US passed a federal consumer privacy law was in 1988. It's a law that bans video store clerks from telling the newspapers which VHS cassettes you rented:

https://en.wikipedia.org/wiki/Video_Privacy_Protection_Act

In Europe, Google's vast profits lets it fly an Irish flag of convenience, thus taking advantage of Ireland's tolerance for tax evasion and violations of European privacy law:

https://pluralistic.net/2023/05/15/finnegans-snooze/#dirty-old-town

Google doesn't fear competition, it doesn't fear regulation, and it also doesn't fear rival technologies. Google and its fellow Big Tech cartel members have expanded IP law to allow it to prevent third parties from reverse-engineer, hacking, or scraping its services. Google doesn't have to worry about ad-blocking, tracker blocking, or scrapers that filter out Google's lucrative, low-quality results:

https://locusmag.com/2020/09/cory-doctorow-ip/

Google doesn't fear competition, it doesn't fear regulation, it doesn't fear rival technology and it doesn't fear its workers. Google's workforce once enjoyed enormous sway over the company's direction, thanks to their scarcity and market power. But Google has outgrown its dependence on its workers, and lays them off in vast numbers, even as it increases its profits and pisses away tens of billions on stock buybacks:

https://pluralistic.net/2023/11/25/moral-injury/#enshittification

Google is fearless. It doesn't fear losing your business, or being punished by regulators, or being mired in guerrilla warfare with rival engineers. It certainly doesn't fear its workers.

Making search worse is good for Google. Reducing search quality increases the number of queries, and thus ads, that each user must make to find their answers:

https://pluralistic.net/2024/04/24/naming-names/#prabhakar-raghavan

If Google can make things worse for searchers without losing their business, it can make more money for itself. Without the discipline of markets, regulators, tech or workers, it has no impediment to transferring value from searchers and publishers to itself.

Which brings me back to AI search. When Google substitutes its own summaries for links to pages, it creates innumerable opportunities to charge publishers for preferential placement in those summaries.

This is true of any algorithmic feed: while such feeds are important – even vital – for making sense of huge amounts of information, they can also be used to play a high-speed shell-game that makes suckers out of the rest of us:

https://pluralistic.net/2024/05/11/for-you/#the-algorithm-tm

When you trust someone to summarize the truth for you, you become terribly vulnerable to their self-serving lies. In an ideal world, these intermediaries would be "fiduciaries," with a solemn (and legally binding) duty to put your interests ahead of their own:

https://pluralistic.net/2024/05/07/treacherous-computing/#rewilding-the-internet

But Google is clear that its first duty is to its shareholders: not to publishers, not to searchers, not to "partners" or employees.

AI search makes cheating so easy, and Google cheats so much. Indeed, the defects in AI give Google a readymade excuse for any apparent self-dealing: "we didn't tell you a lie because someone paid us to (for example, to recommend a product, or a hotel room, or a political point of view). Sure, they did pay us, but that was just an AI 'hallucination.'"

The existence of well-known AI hallucinations creates a zone of plausible deniability for even more enshittification of Google search. As Madeleine Clare Elish writes, AI serves as a "moral crumple zone":

https://estsjournal.org/index.php/ests/article/view/260

That's why, even if you're willing to believe that Google could make a great AI-based search, we can nevertheless be certain that they won't.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/05/15/they-trust-me-dumb-fucks/#ai-search

Image: Cryteria (modified) https://commons.wikimedia.org/wiki/File:HAL9000.svg

CC BY 3.0 https://creativecommons.org/licenses/by/3.0/deed.en

--

djhughman https://commons.wikimedia.org/wiki/File:Modular_synthesizer_-_%22Control_Voltage%22_electronic_music_shop_in_Portland_OR_-_School_Photos_PCC_%282015-05-23_12.43.01_by_djhughman%29.jpg

CC BY 2.0 https://creativecommons.org/licenses/by/2.0/deed.en

[luvyeni]

❛THE SINNER AND THE SIN❜ ( l. heeseung )

p. badboy!heeseung x fem!reader w. 4.7k+

— 𖦹 warnings. corruption kink, drug usages, virginity loss, unprotected sex, oral ( f. receiving )

authors note. this was supposed to be a short drabble but oh well ,🤷🏽‍♀️— 𖦹 ( heeseung never really liked church until he met you ) !

MINORS DO NOT INTERACT

lee heeseung didn’t want a lot of things— he didn’t want to get up and go to school in the morning, or work with his day on the weekends to “keep him out of trouble” — even though that didn’t stop him from sneaking out in the middle of the night to smoke and drink with his friends

he also didn’t want to go to church with his family on sundays — well at first he didn’t, those people didn’t like him, and he didn’t care, the feeling was mutual— but then he met you, and suddenly he was ready for church every sunday; of course he never ended up staying, getting a few glimpse of you, getting up and leaving out the back where his friends waited with beer and other substances for them to try.

“the new pastors daughter? really?” his friends would laugh at him. “at least the last pastors daughter would give blowjobs to anyone who’d look at her.” jake said. “but her, look at her bro.” he’d just roll his eyes, chewing down on his lip ring as he watched you run to your next class; your long skirt flowing behind you, clutching your books as you maneuvered your way through the halls. “she’s running to class and we still have 10 minutes left and it’s gym class.” heeseung smiled to himself, the funniest thing about that is you didn’t even participate in the class, sitting on the bleachers watching everyone else.

heeseung didn’t see you that day; sunghoon suggesting they leave school to go get high at his house — but he knew he’d see you on sunday, even it was only for a few minutes.

“you know my cousin runs a camp for boys like him.” heeseung rolled his eyes at the older man in front of him and his mother. “have him fixed in no time, those scandalous tattoos and the unholy lip gone; all that dark make up as well, make him a good and respected boy, ready for marriage.” his mother couldn’t do anything but laugh awkwardly, something she always did when anyone questioned his ways. “i’ll get you the number at the end of the service.”

“put your jacket on.” his dad said. “its 70 degrees outside, and 80 in here.” he scoffed. “yeah well you should’ve thought about that before messing your skin up with all that scribble.” he said as the music started, they stood up. “you’ll sneak out in about 10 minutes anyway, for now don’t disrespect the lord with that garbage on your arm.” he threw the jacket over his arms annoyed. “thank you.”

10 minutes in and he still hadn’t seen you yet; normally you’re sitting right in front with your mother, legs covered by a blanket, hiding your legs that he'd gotten a peak of a few times before you were quickly covered up by your mother; he was sure she knew he was looking at you, of course she didn’t want her daughter being gawked at, especially by a boy like him.

his phone rang out, some people turned their heads, realizing who it was, shaking there heads before turning back. “do you mind?” his mom whispered. he took his phone out; reading the message from jay. ‘are you done staring at your girlfriend? get your ass on, jake is losing his mind without his weed.’

he tucked his phone away; standing up. his parents don’t even look at him, they’re used to this; guess he'll see you in school. walking out of place, about to make his way out the back. “you can go out the front you know?” a voice made him stop; a voice he’d only heard from afar until now. “you always go out the back, but the front is right there, they can’t keep you here, that would be kidnapping.”

he turned around facing you; your white blouse covered in red and wet. “my sister spilled her juice on me.” Your soft voice calmed him. “my favorite shirt too.” you mumbled to yourself, he smiled to himself, he was about to say something when the back door swung open. “hyung.” jake’s voice rang throughout the hallway. “hurry the fuck up, the beers are getting cold.”

your eyes widened; ready to turn and walk the other way— he was gonna kill jake. “wait.” he called out, you stopped mid walk. “here.” you turned around and he was shucking his jacket off, handing it to you. “to cover up your shirt, your shirt is white and it’s see through.” he watched your arms fly up to your chest, covering yourself, he chuckled; extending his arm out— he’d already seen it. “th-thank yo-you.” you said meekly, grabbing the jacket. “i-i’ll return it tomorrow.”

he nodded, a door swinging open again — this time it was the door to the church. “yn!” you heard your mother gasp. “mother.” you said. “yn get over here this instance.” you turned to the boy apologetically, your mother looked at the boy with disgust in her eyes, he scoffed under his breath. “see you around pinky.” he said, your eyes widened as he turned to walk out the back— your bra was pink. “what were you doing out here?” she asked. “and with that boy?” you shook your head. “nothing mother, just trying to get the stain out the shirt like you said.” you showed her the jacket. “he let me borrow this, that’s it.” You starred at the ground. “you can’t wear this, what would people think?” she exclaimed. “i have nothing else.”

“here.” she took her sweater off, handing it to you. “you are to give that boy his jacket back tomorrow and never speak to him again, you understand?” you nodded. “good, now let’s go listen to the rest of your fathers sermon.” she held your lower back, guiding you back to your seats, you held the jacket in your hand, the cute boy who you always watched leave the church; the boy you’ve watched since you moved here— he gave you his jacket.

“so?” jake slammed his locker shut. “was i wrong and is little church girl a freak?” jay rolled his eyes at the boy. “this is why we tell you not to smoke before school.” jake shrugged. “just asking a question, she looked pretty flustered yesterday.” heeseung frowned. “yeah cause she was soaked.” jake began to cheer— the people in the hall just trying to get to class, looking at the chaos the boy was causing— everyone knew where his mind went. “not like that you idiot, her shirt was soaked.” The boy high out of his mind let out a oh; the kids in the hall.

“i didn’t even get a chance to talk to her, dumbass over there ruined it and her mother walked out.” heeseung grumbled. “i gave her my jacket though so she should be coming around soon.” sunghoon spoke up. “that’s if her parents didn’t make her burn it, thinking it was cursed with some demon.” The group of boy erupted into a fit of laughter. “shut up.”

you sat your things down at your desk; you always chose to sit in the back by yourself; you preferred it that way. “hello pinky.” heeseung sat down next to you with a smirk. “wh-what are you doing?” you stuttered, he never came to first period, you started to forget he was in this class. “wanted to see what was so special about the back seat.” he shrugged. “its nice back here, might have to sit back here for now on.” he tilted his head. “that okay pinky?” you nodded, unable to speak, afraid of what would come out.

“i-i ha-have your jacket.” you said. “it-it’s in my locker, i can give it to you after school.” you could barely look him in the eye, he liked that, gave him a sense of power. “okay.” he smiled, the bell ringing, he stood up, your eyes following his tattooed arms. “whe-where are you going, class is starting, your not staying?” your eyes wide with curiosity, you looked so cute starring up at him.

“oh im not staying.” he said, watching your lips form a pout. “oh.” he smiled, did you want him to stay? “don’t be too upset baby, i just came to see you, i’ll see you later for my jacket.” your mind short circuited upon hearing him call you baby; he chuckled, watching you stumble over your words. “i’ll come find you yeah?” he said, you nodded. “good, i’ll see you then baby, enjoy your class.” you gave him a small wave as he left out the class, smiling to yourself, like a little girl given a new doll— a cute and tall and seriously tatted doll.

he had it all planned out— after a five minute curse out from jake for ruining his plans for “a girl who wouldn’t give you the time of day” — his words; heeseung ignore the boy, he finally got away from them, making his way back to the school, just in time to make it to the final bell, standing by your locker, waiting for you. “he-heeseung.”

“told you i’d be back didn’t i?” you shyly nodded, opening your locker. “h-here.” you pulled out his jacket, handing it to him. “you keep it, give it back to me when i drop you off.” Your eyes widened. “ta-take me home?” you shook your head. “my sister is home, if i show up with you she’ll tell my parents.” you frowned. “im not allowed to be with boys alone, especially.” you trailed off. “boys like me?” you nodded. “im sorry.”

“don’t be baby.” he said. “if i was your dad i wouldn’t want my precious baby being dropped off by a guy like me.” he said, lifting your head up by your chin looking you in the eyes. “he’s a smart man baby.” you felt your knees about to give out with the way he was looking at you. “w-will i see you at church?” he chuckled. “will you speak to me?” he kissed your cheek, your eyes widened. “don’t worry baby i’ll see you.” he let your chin go. “don’t miss your bus baby.” he said, closing your locker for you. “th-thank you.” you walked away, cheeks burning, his jacket still in your hand.

“you disobeyed me child.” your mother opened the door as you got ready for church. “what do you mean?” she opened the closet, pulling out the jacket you were meant to give back to heeseung days ago. “i strictly told you to return him his jacket and then you were to leave him alone.” she tossed the jacket to the floor, you picked it up, holding it to your chest. “what is this you’ve been accepting rides from him?”

it's true, after that day heeseung ask you again; and you agreed only if he dropped you off a few blocks from where you lived. “hanseuls mother saw you get out of his car, how long did you think you could hide this?” she shouted. “he’s a nice boy mother.” you said. “nice boy?” she scoffed. “you see the way he looks, hear the way he acts, he’s no good and he’s damned to hell.”

“i like him mama!” you shouted, it was the first time you shouted at your mother; it felt good. “has he done something to you, to make you act like this, has he tainted your soul?” you were frustrated. “mama are you asking if we had sex?” she gasped. “no we didn’t , he’s respectful.” You’ve never seen your mothers eyes widened. “what has gotten into you child? wait until your father hears of this.”

“nothing has gotten into me mother, but im 18, i am old enough to make these decisions on my own.” you said. “i’ll be off to college soon and i know nothing about anything, it’s like im stuck in a kids mind.” You said. “yn i- im not a child anymore.” you clutched heeseungs jacket. “stop treating me like one.”

the ride to the church was what you expect, your parents yelling at how you were pretty much damned to hell along with heeseung; that he was gonna lead you down a path of horrible decisions , to which you just starred out the window, blocking out the screaming until you reached the church.

you saw heeseung sitting outside the church inside his car, a crowed of people walking into the church— now it was your chance. “there he is im gonna get out and tell that degenerate to leave my daughter alone.” not if you could stop it; as soon as he stopped, you quickly open the door, running across the parking lot ignoring your mother and fathers calls.

you opened the door to heeseungs car; his eyes widened. “yn.” he saw you heavy breathing. “whats- please drive.” you looked out the window, your dad angrily approaching the car. “uh shit, he found out.” you nodded, he started the car. “please drive now.” your dad was about to knock on the window when heeseung sped off, leaving a cloud of dust in the wind. “shit.”

“my parents are gonna kill me.” he said driving down the street, you could no longer see the church. “screw my parents, your parents are gonna kill me.” he turned to you— you were starring out the window, much calmer than before; he smiled. “i can roll the window down if you want.” you nodded, he rolled the window down, the warm air hitting your skin, the sun shining down on your body. “it feels nice.”

“so little runaway, where to?” he said, you shrugged. “you ran away without a plan? rookie move pinky.” He teased. “it was my first time, and its blue today.” he smiled as your eyes widened; you clearly didn’t mean to tell him that. “good to know.” he said. “well you’ve already ran away and according to your dad committed 666 sins, what’s a few more?” he said. “lets go see my friends.” he did a u-turn, placing his hand on your thigh. “this okay with you?” you nodded, so he kept it.

you pulled up to a house, much bigger than yours. “jays parents are loaded and are hardly home.” he said. “this is where you always sneak off to when you should be in school?” he laughed. “little miss runaway judging me now.” you pouted. “cheer up pup, we’re gonna have fun i promise.”

“put that on.” he pointed to his jacket that you’ve been holding this time. “why?” you asked. “because i told you to.” He looked down at your outfit, your pretty white dress, these guys get off on girls like you for fun and he’ll be damned if he loses you to jay or worse— jake. “fine.” you put the jacket on. “how do i look?”

how did he tell you that you wearing his clothes made him want to take you back to his car and fuck you until the block knew his name. “you look cute.” he grabbed your hand. “will your friends like me?” you looked at him. “maybe a little too much, it kinda makes me not want to bring you in.” he said, holding your chin with his other hand. “you’re too cute for those guys to even look at.” he kissed your cheek, you giggled in response. “stop it.”

heeseung didn’t bother knocking on the door, just walking in. “his house is nice.” you said. “don’t tell him that, he hates it.” you nodded as he guided you throughout the house. “we usually hang out downstairs in his basement.” he said opening another door. “yo , jay!” he shouted. “down here heeseung.” he turned to you, fixing his jacket so it covered you. “they’re harmless most of the time, don’t worry.” he went first, still clutching your hand as you went down the steps.

“how was church?” you heard them laughing, the smell of marijuana hitting your nose. “what chapter did you learn today?” heeseung rolled his eyes. “dumbasses look up from the weed.” they turned to you, falling silent— you squeezed heeseungs hand, squeezing it. “hi.” you smiled, waving.

“yall see her too right, this not a bad trip.” all the boys turned to the boy who was laid across the couch in the fully done basement. “shut up jake.” heeseung guided you to the single couch. “sit.” he tapped his lap. “o-on your lap?” he hummed. “yeah.” he said. “or you could sit next to jake.” The boy smiled, obviously high. “i don’t bite.” jay laughed. “you just bit sunghoon.” heeseung pulled you by your waist, you yelp falling into his lap.

“yn would you like something to drink?” jay said. “jay has sodas upstairs, i can go get you one.” jake said attempting to stand. “is he okay?” you questioned. “jake? yeah, he’s under the influence baby, don’t worry about.” heeseung said, the grip on your waist becoming more tighter. “baby?” jake said. “shut up jake, don’t worry yn i’ll go get you a soda.” jay stood up, walking up the steps.

“so how did heeseung get you here, it is sunday after all?” sunghoon asked. “you are here on your own will right?” you laughed, heeseung scoffed. “she’s the one who ran away.” jake laughed. “you two are like romeo and juliet.” sunghoon shook his head in disappointment. “heeseung.” jake handed him off what you obviously knew was marijuana, that he’d been smoking and a beer. “no it’s fine, im good.”

“what your girlfriend is here and you’re trying to be a good boy.” jake teased. “jake.” jay warned coming back down the steps. “here yn i bought you a few.” you thanked him, opening one, taking a sip. “heeseung at least have a drink.” you turned to the boy. “you don’t have to hide anything, just do what you normally do.”

“you sure, i still have to drive you home.” he said. “you two can stay here for the night, heeseung normally does that anyway.” jay said, you smiled thanking him. “well then i don’t mind, my parents will have my head anyway.” he laughed, jake held out his hand containing the lit up substance. “you know you want you.”

so he did, letting himself get comfortable after a few puffs and a few beers; he was much more laid back, his legs were more spread apartment; man spreading— his hands low on your waist. “so yn are you and heeseung dating?” jake asked. “uh— yeah we are.” heeseung sat up straight, now his hard chest was pressed against your back. “chill bro, she’s all yours.” jake took a sip of his drink. “you got any pretty church friends?”

“jake put the weed down, it’s time you sobered up a bit.” jake slurred his words. “but im sleeping here.” he pouted. “doesn’t mean i want to take care of you.” you smiled, watching the boys fight the other to stop drinking and to take a sip of water. “whats so funny baby?” you felt heeseung rest his chin in between your shoulder blades. “your friends are really funny.”

“you think?” you didn’t notice to shift in his voice. “you okay?” you asked, feeling him continuously shift in his seat. “am i too heavy i can go sit on the couch.” you let out a gasp, feeling his arm wrap around your waist. “don’t move.” you finally heard the deepening of his voice. “you feel good.”

heeseung could normally control himself, but between the weed and alcohol running through his blood— the fact you’d been moving around in his lap for the past 3 hours, it was safe to say he was fully rock hard. “ar-are you getting sleepy?” you stuttered, you knew what he wanted, and you were ready— you wanted him to take your virginity. “heeseung knows where the guest bedroom is.” jay said.

“lets go to bed hee.” you stood up. “okay.” he stood up, still holding your hand. “its nice to meet you yn.” jake said, sunghoon sitting on top him trying to force water into the drunk boys mouth. “yeah good night.” the boy huffed, fighting on top of the other. “night.”

you made it to the room, opening the door. “come.” heeseung flopped down on the bed. “come lay with me.” he whispered; you kicked your shoes off, shredded yourself of his jacket; joining him in bed, sitting down. “no baby.” he chuckled, pulling you down next to him. “i want you to lay with me.”

his face was so close to yours, laying on yourside; his cheeks red from the beer, eyes matching from the weed. “so cute baby.” he fingers traced your jaw. “so cute, you ran to me today.” he whispered. “i like you heeseung.” you held his hand as he caressed your cheek. “oh baby i like you too, so much.” His breath hot against your face, making your breath hitch. “you wanna kiss baby?” you nodded, he closed the small gap.

his lips felt dry against your soft ones, but it didn’t bother you— especially with the way his hands was slowly pulling up your dress, you hips desperately trying to chase his fingers. “slow down baby.” he laughed against your lips. “i’ll give you whatever you want.” he finally found your panties, his fingers touching your clothed cunt. “just let me do everything.”

he was now on top of you, his knee in between your legs. “let me take care of this pussy.” you whimpered at his words. “heeseung.” his hand stroked your cunt. “gonna eat you.” he pushed your dress above your waist. “lets get you out of these, they’re all ruined anyway.” he pulled your panties down, almost moaning at your untouched cunt. “fuck baby, you’re so tiny down there.”

“st-stop it.” you covered your face. “don’t hide this pretty face.” he removed your hands, kissing your cheek. “i wanna see your face when i make you cum for the first time on my tongue.” soon he was face to face with your cunt. “you smell nice baby.” you let out a soft moan as he kissed your cunt. “heeseung.”

he held your thighs open, his nose brushing against your clit. “fuck heeseung!” you moaned out. “language baby.” he chuckled, licking a fat strip against your heat. “my baby doesn’t use bad language.” he pinched your thighs, diving right into your cunt, eating you up like he’d never tasted anything in his life.

heeseung was in heaven, he was no longer intoxicated because of the alcohol or the drugs— it was you; you were consuming his every being, your sweet cunt dripping into his mouth, your soft moans, your tiny hands pawing into the bed sheets desperate to hold something as he sucked on your poor clit. “heeseung it feels funny.” you moaned out. “stop please.”

he forced himself away from your heat. “that means you’re gonna cum baby.” he kissed the inside of your thighs. “don’t you wanna cum on my tongue.” you whimpered out as he kitty licked your clit, the feeling soon returning. “i-i feel it again.” you moaned, he hummed out in approval. “heeseung im gonna cum.”

the feeling was euphoric, your body felt like it was floating, your legs wrapping around his head as you came, he had to undo your legs from his head, as much as he wanted to die in between your cunt, he wanted to be first one to fuck you. “that felt good baby?”

you nodded, he took his shirt off tossing it across the room. “you want something better, you want my cock baby?” you nodded, he lifted your dress over your head, leaving you in your blue bra. “gonna take this off okay.” he unhooked the bra, letting it fall. “so pretty.” his cock twitching in anticipation, desperate to fuck you. “pretty tits.”

he toyed with your nipples, squeezing your mounds, using his other hand to unbuckle his belt. “you wanna see it baby?” you nodded. “ye-yes please.” You didn’t even know what you were begging for, never been fucked before, you were ready to feel it. “wanna feel it inside.”

he groaned at your words. “fuck baby you don’t even now what you’re asking for.” he quickly pulling his pants off, letting his cock free, your eyes widened, you’d never seen one before, but he was definitely big and thick. “don’t be scared baby, touch it baby.” he guided your hands down his abs, groaning as you made contact with his length. “fuck baby, wrap your hand around it.” You obeyed. “good girl, now stroke it some.”

it felt heavy in your hands, he held the himself up on the headboard as you stroked him. “fu-fuck baby if you don’t stop im gonna cum.” he cursed. “let me put it in.” you let him go, he positioned himself in between again, letting his cock slap against your stomach. “its so big.” he smirked. “yeah?” he grabbed the base of his shaft. “gonna take all of it?”

he pressed his leaking tip at your entrance, you whimpered. “don’t be scared baby.” he slowly pushed inside you. “go-gonna be gentle.” his voice quivered as he forced himself not to stuff you full of his cock— he didn’t want to hurt you, but your cunt was sucking him in. “fuck baby your pussy is swallowing my cock.”

it felt uncomfortable the sudden intrusion, his cock slowly filling you up. “heeseung.” you whimpered. “i know baby, i know.” he pushed the last few inches in. “its in baby, you took me all.” he kissed your forehead. “good job baby.” his voice quivering due to your cunt squeezing his cock like crazy. “fuck baby, calm down my dick feels like its gonna break.” he grunted. “m'gonna move now.”

he slowly moved , dragging his cock along your walls. “fuck.” he cursed. “i love this cunt already.” he groaned. “so glad i was the first one to feel you.” he started to move his hips. “you feeling good baby.”

“so-so big.” You moaned. “c-can feel it in my st-stomach.” fuck— you were gonna kill him. “pl-please go faster.” he picked up the pace, the sounds from your cunt getting louder, right along with your moans. “don’t cover your mouth, let them hear you.” He grabbed your wrist. “let them hear how i fuck you.” you moaned out louder as he sped up. “i feel you tightening around me baby.” he hummed. “you gonna cum for me?”

you nodded. “good girl cum all over my cock, make a mess for me.” you let a few gasp, your eyes rolling to the back of your head as you came. “oh fuck.” he moaned. “you pushed me out when you were cumming.”

he rubbed his shaft along your swollen pussy , trying reach his high. “fuck, fuck baby gonna cum all over this tiny pussy.” he moaned. “fuck you’re mine now, no else can feel this pussy, it’s mine; gonna mold it to only take my cock.” you felt another high cumming, your cunt twitching. “you cumming again?” you nodded. “fuck me too, cum for me, one last time.”

Your legs shook as you came, he cursed stroking his cock until he came, coating your cunt in his seed. “there you go baby -fuck- cum for me.” cum dripping from the tip of his cock.

“fuck you’re so pretty; my pretty pretty baby.”

“fuck my parents are gonna kill me.” he said the next evening. “if the cops already aren’t waiting for me at your house to arrest me for kidnapping.” you pouted, you wish you could stay at jays with him and his friends. “don’t be sad baby.” he said. “just gonna drop you off, i’ll see you tomorrow i promise.” he said. “i don’t even have a phone to call you.” You said, your parents didn’t allow you to have one.

“take mines, i have another.” he said. “really?” he nodded pulling up to the street right before yours. “i’ll call you tonight alright baby?” he grabbed your face. “answer when i call.” he roughly kissed you, this kiss much more passionate, full of fire. “okay heeseung.” You got out the car. “you better answer my call baby.” He blew you one last kiss before watching you run down the block.

speeding back to his house so he can quickly deal with his parents, and then locking himself in his room so he spend the night talking to you.

©️LUVYENI

[meganwhalenturner]

Somebody wrote to ask me for advice on writing. This is what I told them:

I'm terrible at giving writing advice. I know that the best advice for one person can be the very worst for another, so feel free to ignore all of this except for the very first bit:  

There are a lot of people who will tell you they can help you write better, get your manuscript edited, get your book published.  A lot of them just want your money. As a general rule, don't give people your money for what you write -- make people give you THEIR money for what you write.  I've heard this called Yog's Law:  Money Should Flow to the Author.

Check out the Writer Beware site run by SFWA.

Not every writing program is a scam, but don't think you have to have an MFA or attend a famous writing workshop to be taken seriously as a writer.  You don't.

Decide who you are writing for before you start.  It's okay to write for yourself.  It's okay to write for that one person in high school with whom you shared fanfiction.  (I did that, it was The Thief).  It's okay to aim for a worldwide audience and it's okay to write for the three people in the entire world who will appreciate your story.  When you run into criticism (and you will) you want to be able to ask yourself if the criticism is coming from your audience.  If it's not, take it with a big grain of salt.

Writing can be hard work and it feels good to work hard, but it's okay to do it for fun.  Maybe you just want to write craptastic fanfiction -- you should do that and I hope you enjoy yourself.  Don't let other people dictate what "worthwhile" writing is.

Don't be afraid to write badly. Don't be afraid you'll "waste" that really good idea you have because you couldn't write well enough to do it justice.  You'll have another good idea.  

You have to write to be a writer.  That sounds obvious, but you have to figure out for yourself what makes writing happen and then you have to do it.  Some people will tell you their way of writing is guaranteed to work.  Do not believe them.  Some people can set themselves goals -- they write 2,000 words a day and they are good words!  Some set themselves a goal and they waste an entire day squeezing out 2,000 garbage words. Sometimes the conditions that you need in order to work will seem silly.  Friederich Von Schiller kept rotting apples around to sniff while he wrote.  I don't know if that would work for you. Only you know the way for you.  

Good luck,

~mwt

[prokopetz]

Re: your post about genre limitations of D&D

There was like a ton of d20 games back then, from browsing forums it feels like half of genres and IPs got their d20 book printed, and the other half got some homebrew.

Did it carry the genre implications of D&D itself? Was it something subtle or did it straight up feel like reskinned D&D? If yes, is this because the implications are that deep mechanically, or simply because the authors didn't do enough hacking?

The thing you need to understand about the d20 System renaissance is that the overwhelming majority of licensed d20 System games genuinely do not give a shit whether Dungeons & Dragons is a good fit for them or not. Indeed, many were created with the explicit understanding that it isn't, and no intention of trying to address that in any way. The bulk of such adaptations exist for one of two reasons:

The author and/or IP owner wanted to publish a worldbuilding bible for their setting (or, in the case of a television franchise, an episode guide), but getting people to pay money for a worldbuilding bible or episode guide is hard. However, if you take that exact same worldbuilding bible, staple some game mechanics to the side of it, and call it a licensed RPG, nerds will line up to buy it. Most worldbuilding-bibles-pretending-to-be-RPGs use the d20 System because the OGL allows you to copy and paste D&D's rules into your product verbatim, which cuts down on development costs.

A media franchise with an existing tabletop RPG wanted to get a foot in the door with the D&D crowd, so they bashed together a d20 System version of their core rulebook as a marketing gimmick, gambling that some non-zero percentage of D&D players who tried it would be interested enough to check out the non-d20 System game it's adapted from. In this case, the d20 System version doesn't need to be good, or even playable, because its purpose isn't to be played – it just needs to exist.

Hasbro, for their part, encourages all this because it reinforces the popular perception that Dungeons & Dragons can do anything, and that's worth more than the relatively tiny number of players they're likely to poach. The fact that half of them are unplayable copied-and-pasted garbage which exist only for marketing purposes and the other half boil down to logistics-driven dungeon crawling with a thin veneer of the licensed setting painted over it just isn't terribly important.

(To anticipate a variety of inevitable responses, please note that no part of this post remarks on the merits of Dungeons & Dragons as a game; I'm talking about marketing here, not game design.)

[seat-safety-switch]

We are in sort of a crisis, you and I. Amazon has its tentacles in every industry across the globe. Once, we cheered the death of the old gatekeepers of retail, only to find ourselves now not knowing who to trust. When you order a part from KZYBYG Tools, how do you know if it's any good compared to POIYAT?

Reviews won't help: they're run by teams of millions of robots, swarming on each new brand. After enough actual humans get mad at their two-swings-and-you'll-miss-it hammer, they simply wrap up the brand entirely and buy another thousand cybernetic evaluations. Be that as it may, I still left reviews when I was wronged by a tool.

Early on in childhood, I discovered that I have a unique power to make those in authority insanely angry for no good reason. Book reports, field trip reports, court stenography: these were all theatres for massive conflict in my younger days. I bring this power to the Amazon reviews now. My words puncture egos half a world away.

How do I know that it actually makes them angry? Because I've lured out the engineers. That's right. My technique is two-fold: one, call out a technical detail of the tool, and two... get my facts wrong. They can't resist responding to that. Then I just ignore them. Eventually, some pencil-neck cost-reduction asshole shows up on my front lawn, demanding to debate me about whether or not external-Torx security screws are in fact weaker than the regular kind.

This can't last forever. Eventually, the tool manufacturers are going to realize that all their prize cheap-ass engineers have mysteriously disappeared after taking an unannounced rage vacation to my property. By that time, though, me and the dozen or so engineers that I've trapped in my basement are going to have our own garbage tool brand all over Amazon, slamming their sales down. Customers can't resist: the shipping is slightly quicker. We might even try to make a store or something, where you can come in and buy it. Same day. We'll have them on shelves. Just ignore the handwritten notes inside, pleading for help or at least food and water. That's what we call a quality guarantee.

[fictionstudent]

Novels are not movies.

Visual media has taken on the world by storm. It’s the next big thing in the evolution of humanity, maybe. It’s quite certainly changed the way we entertain ourselves. And with the recent spread of short-form content, visual media has also become cheap, disposable, and easily accessible to the masses—perfect recipe to make a product famous.

Alright, I’ve been a little too dramatic, lol. But for real, I’m one of those who’s severely addicted to Instagram Reels. Whenever I’m done scrolling, I feel like I’ve completely wasted my time—I could have read a novel, watched a movie, or caught up with my favorite mangas. But instead of all those ways to relax—and believe me (pwlease) that I only open Insta to relax, when I’m free—I just waste my time.

I love my novels and manga, mind ya, so when I catch myself wasting precious time that I could have instead used to consume them, I cuss myself. And then I go scroll some more Insta, because I’m an absolute idiot.

Anyway, back to the topic. Visual media has absolutely taken over our lives. I won’t go into the debate of whether this is a good thing or not, but we all can agree that it’s an undeniable fact. Video is everywhere.

Because—and lemme repeat myself—it’s cheap, disposable, and easily accessible today.

And because of such exposure to video storytelling, beginning authors forget that novels are not a visual medium. Yep, here goes my rant.

***

#01 - The Problem

The problem is simple—these kids have too much access to their smartphones. And these smartphones are filled with videos, like a dustbin with its lid hanging on because of all that garbage overfilling it. (Damn, I sound like a boomer.)

And therefore, when these new authors begin writing, they can’t help but imagine a sort of movie or a TV show as their story. And that’s where the problem is—novels are not supposed to be movies.

Movies are a visual media. That means they’re composed of pictures. Images. But guess what novels are composed of?

Text. Words.

It seems pretty basic. I mean, everybody knows this distinction. But what they don't know, however, are the implications of this distinction.

Personally, I began writing with film-novels too. And those novels are bad. Genuinely. I cringe at the fact that I could even mail editors and believe they’d accept them. Good thing they never did.

What’s a film-novel, though? Well, the idea is pretty clear—it’s a novel, but imagined in the form of a film. So, it’s like a film, but in text.

It’s like you’ve written the film as a novel, instead of writing it as a screenplay or something, maybe.

But you’d ask me—why? Why is it even a mistake? Everybody has a different writing style. And to that, I’d tell you one thing—the audience. The audience is different. The media is different. You can’t expect a cinephile to read your book. And since it’s not like a professional novel, a (Googles the correct term) bibliophile certainly won't.

So, who’s gonna read your story?

No one—because it’s neither a film, nor a novel. It’s a film-novel, an illogical mix of the two.

Everyone drinks water, and everyone likes ice-cream. But you can't… No, I’m not even completing that sentence. Ew.

Anyway, you get the idea, lol.

***

#02 - Identify

So, what does a film-novel even look like?

And for that, ladies and gentlemen, I present to you,

The lean figure was standing on the other side of the railing three floors up on the ground of the school building where children below were shouting and kicking football upon each other, wearing white football jerseys. The figures, as they ran all over the ground, seemed very small as I looked at them. The goalkeeper of the right side, who was just beneath my white shoe, kicked the ball so hard that it flew in air and went directly to the other foot of mine. The other players shouted “Whoaaa!” as they saw the ball flying. But suddenly, two of them looked upwards and saw me. One of them pointed towards me and then shouted, “Hey, who’s he?!” All the other players started walking towards that boy who was in the middle of the field with their heads tilted up above on me. Another one shouted, “Hey! What’cha doin’, eh?!” My narrow eyes, which had dark spots beneath them, looked at the boys from behind my spectacles. I then moved my head a little up and saw my shiny gakuran jacket fluttered by my shiny yellow colored buttons as the wind started blowing from my left side. I was able to feel the wind dancing upon my soft skin as I closed my eyes and turned my head upwards. I took a deep breath, and then exhaled it out with my mouth. I then again took a breath. This time, when I exhaled it out with my mouth, I was able to feel the saliva of my mouth upon my lips. I tilted my head and turned towards my arm, which was trembling a little. Both of my hands were still holding the railing of the school’s rooftop. I then turned left and then looked on my other arm. “Hey! Get down!” One of the persons from beneath shouted. I turned my narrowed eyes towards the ground, the teachers, a large gang of footballers and students, and some even workers had gathered in a circle. I turned my head towards the front. I looked at a couple of brown colored and blue-green colored houses in front of me, which stood high and mighty. Beneath them was the clear blue sky.

A wall of text!

Warning: you don’t really need to read all of it. But you probably did, lol.

Anyway, it’s the opening scene from one of my first novels. And, as much as I hate to say this—it’s pretty sh*t. It has a lot of problems—no paragraph divisions, for example, as well as a lot of grammatical mistakes too. But the biggest problem with the text is that it’s just images.

Reading this text, I dare you to highlight one single sentence that might tell you anything about the narrator.

The narrator is narrating the motions, not the emotions.

(Damn, that was a dope line to say, man.)

The narrator is only telling you about the images and actions and dialogues and thoughts. Even though it’s in first-person POV, you feel distant from the narrator. And, even in third-person POV, authors are supposed to make sure the distance between the narrator and the reader remains at a minimum.

That’s how you get a film-novel—that’s filled with scene-descriptions, actions, and dialogues. There’s no narrations in it. The readers don’t know the thoughts of these characters.

***

#03 - Is it really a problem, though?

Well, you might ask me—is it really such a big problem?

Heck yeah.

The reason is pretty simple, actually—no one wants to read a film-novel. These novels are filled with only descriptions and actions—that’s too much of mental effort. these novels make their readers keep on imagining stuff, and no reader wants to do that.

Because it’s easier to look at pictures than to imagine them based on text. And that’s why your film-novels won’t work.

See, you need to understand this—novels are different than film. Sure, novels are a form of storytelling too, and they do include visual effort, such as descriptions, action, and all that. But, all that is not the main selling point of a novel.

The main selling point of a novel is the emotions. Emotions captured in words, in situations—caught in context like a butterfly in a child’s hand. Films can display emotions, but novels put those emotions into words.

Narration is what forms the greatest part of a novel. Narration is where a novel actually shines. Narration is what the readers come to read.

And, as you could guess, films don’t narrate. Consider this,

And rain made him feel like crying. He gulped down, trying to keep the lump of his throat in check. He couldn’t cry in the middle of so many other kids. They’ll ask questions, and what will he say to them, huh?

He was sorry.

For what?

For everything he did. And for everything he didn’t.

The day had just begun. It’d be long before it ends, y’know. He just couldn't wait for it to end. There was no lifting up his mood. Not until tomorrow.

How do you display this in a film? The answer—you can't. However hard you try, you can't.

Such narrations are where the art of novels shine. Such narrations are what differentiates a novel from a visual media.

***

#04 - Is it really a problem, though? (pt.ii)

All this talk constantly reminds me of Cormac McCarthy’s The Road. It’s a literary achievement and really experimental in a lot of stuff that it does. For example, the novel has no dashes or apostrophes—and it’s not like these punctuation marks were not needed, they’re just not used. So, you’d find a lot of grammatical mistakes throughout the text.

And also, one thing that McCarthy ignored—and that’s relevant to the discussion we’re having—is that there’s literally zero narration. Zero.

McCarthy adopts a style that’s similar to a third-person POV, and is kinda like how I used to write when I was little—just with paragraphs and better scene-descriptions and action-descriptions. A lot better, as you can observe if you read his work.

Anyway, he didn’t have any narrative elements in his text. So the readers don’t really know what these characters are thinking or planning to do. They just know that these characters are somehow surviving.

I don’t wanna give away most of the plot of the novel, but the basic premise of the novel is that there’s a father-son duo who’s been caught in this apocalypse-type situation, and are traveling down the road to the south part of the country to escape the harsh winters that the north experiences. The novel doesn’t reveal a lot—the readers don’t know the names of these characters, the thoughts of the characters are hidden most of the time, and you don’t know what actually happened that most of humanity is dead and society is completely gone.

Now, McCarthy did it for a reason. A scarcity of punctuation marks reflects a form of scarcity in the scenery around them. Because most of it is, well, gone. Humanity is gone, and stuff is decaying. You don’t find fresh food anymore. Scavenge all you want—one day, all the canned food will expire, and there will be nothing to eat. Except fruits and veggies, that need to be grown somewhere. And nobody likes the latter, honestly.

And the scene-descriptions are so tough to read. They’re an actual pain. I have had a really hard time deciphering most of it, because the vocab is too high, and probably the sentences do not flow into each other easily. I can’t say anything about the sentences if I don’t understand them, y’know.

But, man, maybe that’s how it’s supposed to be. Maybe that’s why McCarthy wrote the descriptions in this way—to symbolize the mental stress that the characters go through as they experience this world, this form of reality that they were not meant to be in.

And maybe the novel is so lacking in narrations because the characters’ minds have gone numb. They’re forgetting language. With almost zero human interaction most of the time, they are forgetting how to think and interact in words. You lose the skills you don’t really use anymore, y’know. And these guys are so obviously depressed, so they don’t think about the world. They are used to the sad reality they live in. No point in complaining how bad the food is if that’s all you’re gonna eat all your life.

So, a scarcity of narrations tell you a lot about the story and its characters. It reflects something, it symbolizes something. The Road is a masterfully crafted piece of prose, please don’t get inspired to write in this style just because. This style won’t work on most of the stories.

Yeah, just because he wrote like this means you can too. Let me tell you, dear reader, that all of what we call rules are meant to be broken. Nothing is absolute. But here’s the catch—you can’t break the rules just because you don’t know how to apply them.

Authors need to learn these rules, because that’s what constitutes most of the written prose. That’s what forms the basics of the craft. So, learn them, understand them, and know how to use them. And then make a conscious decision not to use them.

See, these rules are like tools or weapons in your arsenal. And you need to keep your arsenal ready for everything. And then, you can decide which weapon to use, when to use it, and how to use it. Because you don’t know what sort of idea hits your head next and you’d suddenly need some of them.

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#04 - Solution

So, how to make sure your novel actually comes off as a novel and not a film-novel? Unfortunately, the answer to that question… is that I don't know.

I know this sounds so absurd, but it is what it is. As someone who’s so recently started studying prose, I know this problem exists, but I still don’t know how to fix it. You could say I know my novels are film-novels, and I’m trying to fix it. But I, personally, am having a lot of trouble with it.

However, one way I can recommend is to write from your character’s POV, not your POV. You probably imagined your story as a film, but that’s now how you’re supposed to write it. Get into your characters’ head, see what they’re seeing, and write that.

But it’s tough. For me, at least. I always find myself going back to my old ways, and I think I need to re-write almost all of my scene-descriptions and actions because of it.

Lol, how ironic.

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Conclusion

Yeah, and that’s it. I hope you liked this blog. Sorry I hadn’t posted in along while, I was going through a writers’ block. Stuff is happening these days, y’know.

Anyway, I’ll see you again in a couple of days, with something new. Bye-byee!