#(also this kind of sucks but i wanted to write it)

[trustmypoison]

SVT when the company asks him to break up

Requested? Yes!

Request: ‘Agency telling seventeen to breakup with their s/o to save their public image and group from attacks or public scrutiny so what do you think, they'd react to controversy about their relationship and what they'd do? (i don't like unresolved or with sad ending angst but ig it's up to you however you wanna write it ^^) Love you 😘’

A/N: *deep breath* LET IDOLS DATE AND BE HAPPY!!

Might actually consider breaking up for his career - Jun, Hoshi, Vernon, Chan

I think they really love what they do, and someone in management saying that dating is a huge risk to his career would make him feel some fear. Don’t get me wrong, he would be majorly conflicted about it. But it would probably hurt that he’s even considering it. This one might have to be left unresolved, if only because it would depend on who would make the most compelling argument. I don’t think he’d feel good about any decision in this situation. 

Might actually consider breaking up for your sake - Seungcheol, Woozi, Mingyu

Would feel majorly stressed about this, not because of his career but because of how this strips away your privacy. He’ll ask if you want to follow the advice of the company to eliminate any risk to yourself. How you react would kind of determine how this plays out. If you feel a lot of pressure, either to maintain your privacy or to help him save his career, then he’ll suck it up and mutually end things. But he’d harbor a lot of bitterness if that’s the outcome. If you insist you don’t want to break up, then he’s sticking with your decision because he ultimately wants what you want. 

Will refuse to break up but might agree to keep things lowkey for a while - Jeonghan, Wonwoo, Seungkwan

Doesn’t even consider breaking up and will let the company know that upfront. But he’ll agree that things need to be kept on the down low for a while to let some of the tension subside. Letting the news die down would also benefit you, too, taking you out of the limelight when another top story comes up. He’d be borderline angry if you said that maybe you should listen to the company because while he loves his career, there will be a time when his career will fade, and he wants you around both now and then. 

Might actually sacrifice his career for love - Joshua, DK, Minghao

Might straight up threaten to leave the company. Might even dare the company to terminate his contract. Feels that it’s totally unreasonable to let the public or the company control his personal life and will stubbornly put his foot down to maintain his personal life the way he wants it to be. Will not hear a word from you about thinking about other options because there are none. Naturally, I think at their age and this far in their career, the company doesn’t have a leg to stand on when it comes to terminating a contract for that reason. 

[biggest-geo-oogami-enjoyer]

*peeks in*

Could I request some hcs for your husband Geo, my husband Sol and Deryl (separately, established relationship) who’s s/o goes to a wedding event with them, and then they both have the opportunity where they can dress up in wedding attire for a photoshoot at the event and pretend that it’s their future wedding?

Something like the Standing Next to the Kind and Gentle You event from pjsekai if that helps even a little!

Thank you if you take this!💛

A Frozen Moment

Hey Anon! Hope this is what you had in mind, thank you for requesting me to write this!

Sidenote: Deryl got over his crush on Jess, it’s in the past now. Also yes it’s a wee bit shorter. My brain had no clue how weddings work.

I suck at titling things holy shit.

Hope you enjoy! 😌

-- Signed solemnly by @biggest-geo-oogami-enjoyer AKA Sky Fort(resse)s and Burning Citadels

Sol is someone who avoids most social gatherings like the plague, the only people he’d probably make exceptions for are you and Hyugo. So when Hyugo announces that he’s marrying a chick he loves, Sol and you definitely show up - with him offering aid if Hyugo needs anything.

The two of you are considered to be very close friends of his, so at the wedding you both generally get better seats and are able to actually know and find things out easily, due to your connections with Hyugo.

Anyway this wedding - as expected of a highly wealthy and famed family - was exclusive, very bougie, very esteemed. You barely knew anyone there, so you and Sol were essentially stuck together, talking to people who didn’t appear to be insanely rich or crazy. 

In terms of dress code, you both wear matching outfits (mostly his idea), but he’s a man who wants people to know he’s yours and that you’re his. You both doll the other up and overall just goof around before actually arriving.

Sol may or may not be taking notes for your own wedding.

He definitely serves as support for Hyugo, because most people - even extremely chill ones - would freak out at the idea of themselves getting *married*. 

Anyway after the ceremony, you both congratulate them yadayada and eventually he jokes that he can get you two to be photographed in your own wedding attire while him and his new spouse go off to do their own things.

You two agree and essentially are allowed to get dolled up even further, and it’s only friends who kinda remain at the point where you guys are doing this.

Sol typically hates being photographed, but eventually gets used to it when he notices how pretty you look. Mans is stunned. That view is ingrained into his brain.

You two definitely keep the photos, he wants to put them everywhere, while you’re someone who believes you should wait for your real wedding to commence.

He seriously considers proposing then and there, but decides against it. That is a moment reserved for a special time and place.

Not that you two aren’t seriously considering it now. Well, not like you weren’t before but anyway-

Geo is reluctant to rock up to any wedding, the only ones he’ll even slightly consider going to are ones for his close friends and, of course, family. Somehow Jericho Ichabod was a close enough friend that he - and you - both agreed to show up for the event. 

And, well; he was - somehow (he still doesn’t get why) - requested to be the best man.

He was almightily horrified when he received this request, and accepted (albeit highly reluctantly). It’s not that he didn’t wish to support his friend, it’s more he has no clue what he’s doing and then realises he has to talk to random people he doesn’t know. 

You’ll be wearing the standard guest dress code - so you wear a somewhat fancy dress that both makes you look magnificent, but without causing any issues with other people (thank God). Geo had to wear a classic suit and he’s forced to style his hair - which deeply aggravates him, he doesn’t want random people touching his hair or him.

Either way, you both show up to the grand event - after all, Crowe is a wealthy man - and you two spend the evening getting through it as best as possible. He’s internally struggling to muster up a facade of caring about these strangers (and the noise is killing him), but he’s been in enough of these janky rich-people gatherings that he does an immaculate job. You are trying to serve as both emotional support (for Geo, Crowe, his spouse if you know them) while also enjoying yourself. 

However, after all the important things are out of the way, like the actual ceremony and the after-party begins (because of course there’s an after-party), that’s when some of your friends, like Brit and Deryl, find out from Crowe that people who wanna take fancier photos with their fiance(e)/partner are allowed to. So eventually, you convince Geo to join you for this opportunity.

You both are allowed to dress into traditional (or modern, whatever serves as your cup of tea) wedding attire and just get photographed.

So, after a while you both somehow select outfits (not because you’ve secretly been searching for wedding dresses noo you’d never), you two come out wearing spiffing clothing and get your photos taken.

Despite how quick the whole thing is, you two look spectacular - and oddly enough, Geo looks genuinely happy, he’s smiling. 

You guys get to keep the photos (if paparazzi don’t take them first because this is Subaru Oogami), and you hang a couple of your favourites around your shared home. Geo smuggles the rest away somewhere to add to his endless stockpile of photos he has of things he adores (90% minimum include you by this point).

It definitely serves as a catalyst for…future plans…to start being carefully planned. Not that the other isn’t doing the same thing. (dramatic much?)

Deryl and yourself are excited af when Brittney and Jess decide to get legally married. The both of you are screaming when you find out, and you bet your asses you’re rocking up like the divas you are. You’re bringing the enthusiasm to this fucking wedding.

On the actual day, you both are hyping the girls up, reminding them that they look awesome and sexy and hot like the boss ladies they are. Dress code is pretty relaxed, just look formally presentable. He wears a suit - his one had to be custom made because this man is huge - and the two of you end up having a very philosophical discussion on how sad it is that men only wear suits to fancy occasions. They lack imagination, but alas, he complies. 

You on the other hand wear something pastel, like a baby blue or - if you’re the moody and brooding type - a dark red or purple. (can you tell I’ve never been to a wedding before)

During the actual event Deryl is resisting to vore the food (and yapping to Geo), you’re talking to Crowe and the girls are freaking out. As for the post-ceremonial celebrations the sapphics decide to drink a bit and give you two - and all the other couples that they like - a chance to just go ham and have their own sexy wedding photos.

You and Deryl are skeptical at first, but after getting permission from both of them (multiple times) you guys go ham. All your photos are so silly, but the joy that oozes from them is palpable. You guys are excited, not just for the newly-weds, but part of you both yearn for the day when a wedding will be unifying you two by law.

You guys keep the photos and frame a couple, deciding to keep them for memories’ sake. Deryl looks at the, fondly, despite his internal worries about when he’ll propose. It’s daunting, but…hey, he’s got friends and you; so everything’ll be okay. Just gotta be patient a bit longer…

[superectojazzmage]

The ones listed off by dasha arguably don't even count since they're not adaptations, just independent works made in response to others. And in the case of Watchmen particularly, it's not even that; the use of the Charlton characters wasn't meant as some kind of dig against them, it was just because DC got the rights to those characters and wanted to use them in a story, but after reading Moore's pitch it was felt that having them be used in Watchmen would render them unusable past that book (and they were right, considering how to this day Moore, Gibbons, and their sycophants show nothing but snide, self-righteous contempt at even the INSINUATION of follow-ups to Watchmen and it took literal decades for anyone to adapt it, let alone make prequels/sequels). And it should be noted that - at the time if nothing else - the creators AGREED with DC that it was better to not use the Charlton characters for Watchmen, since it gave Moore and Gibbons more creative freedom.

Anyways, the closest I can think of to anything like OP describes is Knights Of The Old Republic II, but that one also barely counts since while it's built around criticizing and deconstructing Star Wars and the attitudes behind it's creators and fandom, it does so by directly using the canon and the writers heavily researched said canon before writing it, and the conclusion it reaches is less "this thing sucks unlike MY thing which is so much better" and more "this series has a lot of issues born out of people fussing over whose headcanons are better instead of moving things forward". It did go against the grain, but in the name of having an actual intelligent conversation about the series' history, not just for it's own sake.

has there literally ever been an instance of an adaptation/followup/whatever of some beloved piece of media where the creators say some shit like "we went against the grain and ignored the source/fuck the original fans this is something else entirely/etc." where it was actually received even decently well because i don't think this ever works but it keeps happening

[corviiids]

hello thank you for asking i am very flattered. i would be most honoured to give some advice that i am most certainly unqualified to give!!

ok advice 1: hey why does everyone keep telling me to read and write a lot

i think this is the most commonly given advice. i have always found it true but incomplete, because on the face of it this kind of focuses a little too much on volume. which by itself just isn't going to do that much for you, or it will, but it'll do it very slowly and ineffectively, because the second part of this advice i don't see nearly as much (and the part that makes it work for me) is that after you read or write something you need to do The Why Interrogation. what are you looking for?

when you like something, why do you like it? not just in terms of copying and learning an author's stylistic quirks or techniques, but in a more abstract way:

is it the narrative? that the premise is novel, that the progression of the story is unexpected and thrilling, that the stakes are high?

is it the characters? what is it about them? do they have compelling backgrounds? does the author spend a lot of time in their heads? is the pov internal in a way that lets you experience the story from their shoes? does their biased narration tell you more about them? or is it a detached narration that lets you see the characters in a way they don't see themselves, so the gap is intriguing?

is it the telling? maybe the prose is beautiful - what makes it so? sentence structure? unconventional use of grammar and punctuation? elegant, sophisticated vocabulary? or maybe the dialogue is sharp and human so conversation flows naturally. is the story paced carefully? does the author linger more in certain moments?

the same exercise is useful for what ISN'T working.

if your attention is drifting, what's making it drift?

purple prose? clumsy prose?

does the narration drag?

do the characters feel stagnant, and why?

plot doesn't make any sense?

maybe this sounds obvious, but imo it's a crucial piece of the advice that i just don't see as much because people tend to focus on volume of works consumed/created. the reflection and analysis is what makes that volume useful, otherwise you're just churning through content. the question should always be why, why, why. why did that work, why didn't it work, why did i like this, why does it suck. then proceed to: if i were doing this, how could i make it work?

advice 2: don't forget that all the words you need already exist.

this is more subjective advice. this is something that works for me personally. so ymmv. have you ever tried magnet poetry? you should try magnet poetry.

i always see writing as kind of a puzzle. if i have an idea in my head, the idea exists. the job is actually a translation exercise: how do i express the thing in my head as a thing other people can see? in this way it's like visual art, but it's also not like visual art at all. in visual art you choose where all the lines and colours go, completely freely. any line you draw is a brand new line.

in language, all your parts already exist. all the words already exist. (you can make new ones if you want but that's a whole different thing.) you are plucking symbols out of a collective understanding. it is like lego. all you are doing is selecting the most effective pieces and placing them in order. so for me, i am simply trying to find the 'right' words to fit each context as best as possible. it becomes a game of arrangement, which determines your expression.

then syntax and punctuation become your rhythm, which is how you determine flow. sentence length, word length, whether you omit words or use more, whether you want to be a bit unconventional. character also plays into this - i am not writing an advice 3 because i am getting self conscious but advice 3 would have been consistency of voice.

so i would prioritise vocabulary and timing. what are you trying to say (which words do you pick) and how do you want the reader to experience your words, how do you want the words to feel and sound (how will you pace your sentences)? remembering that all the parts are already there. it is the world's biggest game of magnet poetry.

advice 3 which doesn't exist: keep your voice consistent.

this advice doesn't exist. im not writing this i got embarrassed and stopped at 2. but if i did write this it would say, remember who you are. (remember who is writing your story. are you a character or are you god? remember how much you know. remember which feelings you have access to.)

[aeimygdala]

I think the thing people aren't acknowledging about WWDITS is that yeah the main characters are all queer. And yet, the only established and long lasting main couple is M/F, regardless of how many jokes are made about them also being queer. im not saying bi/pan m/f rep isnt important, but it is relevant to note. most of the mentions of other characters being queer (besides Guillermo being gay) are basically "promiscuous bisexuality is funny and surprising" when you actually think about them seriously. I actually hated everything with lazlo's dad, ngl. looking back at the entire shitfest of season 6, it feels like everyone gives its "representation" too much credit when defending its shipbaiting. like you understand this was intentional, and it's obvious the intent was never to actually deliver on queer relationships long term, even if it gives us queer characters? like, it's cool that you have queer characters, but are you doing to deliver on what you've been implying regarding them?

we get heartwarming moment after heartwarming moment with Lazlo and Nadja. idk I don't think it's Evil but I think a lot.of us collectively gave it too much credit for how much it actually gave a shit. it's a sitcom, and it made it soo clear, and we're pissed at realizing it.

idk, but looking back, a lot of shipbaiting and jokes reslly feel kind of mean-spirited and mocking. like we know you CAN write meaningful relationships, everything with nandor and Guillermo this season was leading up to the extreme improvement in their relationship and interactions, soooo.

I think people who are pissed really deserve to be bc it really leaves a bad taste in your mouth bc you KNOW. the shipbaiting was deliberate. n we'd rather be funny here than actually deliver on queer relationships and happiness. and it's always been that way, and that isn't EVIL or anything , I guess, and it's fine, but it sucks that I gave it too much credit thinking otherwise because I want happy m/m relationship rep or something lol

feels like a slap in the face to people who just wanted something nice!!! I'm not a shipper, I don't exist in the wwdits Fandom, I'm just a queer fan that was eagerly hoping they'd actually have a payoff for all they were doing!!

[andmaybegayer]

a sort of general thing spinning off "static site generators kind of suck" is issues about ease of use vs philosophy vs productivity.

How many programmers do you know who want to make a game but refuse to use Unity or Godot or even like, löve2d because it's Ideologically Impure to use an existing engine, so they have 50 git repos with seven features bolted on to an SDL2 demo and no meaningful game design.

Part of why I don't like Static Site Generators is that they add a lot of friction. I'm writing this on my phone while waiting for a kettle to boil at work, and this ease of use is a big part of why I blog on Tumblr multiple times a day but the old SSG that hosted my website got a post every couple years.

Increasingly I'm happier to take shortcuts and borrow from other people in order to get Things Out The Door. I don't have to design/pattern/program/calculate everything myself. I care much more about end products.

I still have some philosophies I guess. I won't use VMware even if that means fighting with otherwise worse VM solutions. There are still plenty of things I enjoy designing and fabricating myself rather than buying or copying. For some people building the game engine is the fun part! But it's worth asking yourself whether that's you, or the person you wish you were.

I like embroidering and backstitching by hand. This doesn't mean I can't use components from the esp-idf components library.

See Also: How To Make Good Small Games, Do It Scared, etc.

[spookygibberish]

Dogstock are typical of what are often deemed the ‘evil’ races in many other fantasy works. They were created by some higher force to be slaves, they are carnivorous by nature, they resemble animals other than human in dentition and build. They growl and bite and walk behind.

The Uhasr (a dogstock culture) are descendants of such slave-infantry that was abandoned when the empire that used them to capture the steppes decided the land wasn’t so profitable after all, and more pressing matters drew their attention elsewhere. Like tools left spent on the ground, the unneeded, excess dogstock were left to survive on their own in Hochkiskuph. The native peoples, of course, did not welcome them any more, or see them any less as oppressors when the hand released the lead. To the Hochkiskuph peoples, the Uhasr are a predatory ghost, an echo that consumes them even in absentia. To the Uhasr, one human is much like another, differing in number and equipment, but never in essence. Uhasr are a species of wild animal with a human face. Humans are prey on two legs. Humans smoke and poison uncovered dens on principle, Uhasr abduct and consume men and women and children all the same.

A common trend I have noticed in media which aims to humanize monsters, is that it often relies on passivity. Humanity is contingent upon kindness. The monster that is A Person only so long as they are a harmless thing at heart, something which can be understood and befriended. Their violence is reluctant, their hearts noble. Grace is a concession to the dominated. Only the toothless beast, declawed and pinioned and caged, is one which has earned its personhood. The ontological enemy supersedes the ontological man.

[mishy-mashy]

Kudo is actually such a kind, soft-hearted guy that had to toughen up because he cared too much

He looked at AFO's rule, and even though he was weak, he had that glint in his eye that has been referred to as the "will of a hero" to oppose him. A hopeful glint shared with Midoriya, Bakugo, and Hawks

He even parallels Hawks when they talk about that particular look in their eye

From a glimmer in the eye, to which eye is shown, how much of the face, a similar angle of the face, and placement of text questioning the existence of that light,

He stormed to kill Yoichi with Bruce, but couldn't, once he saw the state Yoichi was in. Even knowing he was the enemy, he still reached out his hand and never let go, even when they were running

When Yoichi died, even though they'd only been together for two months, Kudo still cried and froze up.

This is a reaction from a man who repeatedly used lives as a stepping stone for his own goal.

Kudo said himself, that victory was life, and defeat was death. He had killed and seen his friends killed over and over, but still cries when it happens again. And to someone he only knew for two months, at that.

Kudo gathered allies under his cause, and they were loyal enough to die for him. Bruce cries (still smiling tho) facing AFO, tried protecting Kudo when he froze up at Yoichi's death, and we see all Kudo's comrades dead in the end. Maybe Bruce was suicidal when he went to face AFO, knowing he'd die, but most of his comrades (and Kudo) were already gone. Their cause was snuffed out, but the will persisted.

Kudo is a bit like Aizawa.

A bit crass and blunt, doesn't like beating around the bush, but he can clearly see what kind of person you are. He's not openly kind, but you know he cares so much, but has also lost too much once. He's seen his friend(s) die, and shouldn't it have been him in that spot? Shouldn't he have died instead, but was forced to continue living for that dead person's sake?

His speech about why we call Abilities "Quirks", recognizing people's intent over raw power is the real power. (Ch 369)

He's blunt and goes straight to the results rather than beat around the bush, but it doesn't mean his heart is frozen and he doesn't care about you. (Ch 408)

He cares so much, and that's why he has to do so much. (His whole Resistance thing, figuring out how Yoichi's Factor works to make sure Yoichi and his will can live on in some way)

He recognizes that Midoriya isn't driven by duty, but that he genuinely adores Quirks too much. (Ch 414) He could look at Midoriya, read that immediately, and even though he looked through his memories, Midoriya's character was his takeaway. Not that Midoriya is an idiot for letting himself be stepped on, or that this kid was bullied, but that Midoriya could see the goodness in others.

Like how Aizawa saw that Midoriya was relying on the reason [It can't be helped] whenever OFA broke his bones and told him he can't always break himself just because he could be fixed (Midoriya's recklessness that showed itself on the first day of school). He called out something that was an underlying, innate belief to Midoriya, that was so normal to the teen, and no one else had brought up as wrong to him.

The first thing they perceive is a person's character.

When Aizawa tied up Midoriya on the first day of school, he wasn't telling him off over his Quirk destroying him being a PR thing or too gruesome for the public. It was out of the fact that his Quirk shouldn't destroy him, because it's dangerous for Midoriya.

Aizawa came off antagonistic, but he was looking out for Midoriya. He didn't want him to keep breaking his whole arm, he didn't want him to get stuck in the mindset that he had to get hurt to use his Quirk, he was looking out for his wellbeing from the start. A kid he didn't know personally until that day.

Kudo did a similar thing. He turned his back, and refused to help, because they were putting their hopes in a delusional boy who would go too far. When the vestiges realized their gathered Abilities and Quirks were letting Midoriya have the freedom to do as he wished, Kudo already knew, only saying "His path is the right one". He could relate to having to run full-sprint to see your goal realized, even if everything opposed him, but didn't want Midoriya to go through that same path alone.

If he were alone, he'd be like Nagant. He had to have comrades to be like Kudo, able to continue and stand for their beliefs, but having comrades to fall back on, or pull him back when it's too much. That's why he follows up in that moment with, "But, if there's something Midoriya does need..."

Kudo and Aizawa could see themselves or their comrades in others, and knew how to approach those character flaws that were normalized to others and said person.

Kudo could see others for who they were, and I think it's this, and his caring nature, that he gathered so many allies with him. He knew when to be blunt, when to show kindness, that the truth hurts but needs to be seen, was actually very logical and witty, and when to step aside and let people do their thing, even if it wasn't the best move (like saving All Might). Because that was what was best for that person.

It's not like people would join someone so wholeheartedly without conviction and being left unseen by that person. So many people were willing to die with and for Kudo, and Bruce believes in him so much.

When All Might's vestige was fading and becoming more solid, Kudo had to look away. They knew it meant All Might was dying in the real world.

Kudo was telling Midoriya not to intervene with Gearshift there. But once he saw All Might genuinely dying out, he couldn't look at him, and kept quiet. He stopped hanging onto battlefield logic of necessity, shut up, let Midoriya do his thing, and it saved All Might. It saved Midoriya from seeing his idol die in front of him, and Kudo didn't have to see another ally die beside him.

The chapter is literally called [We Love You All Might!!]. Even if it's just meant to focus in Bakugo and Midoriya, and only has 2 exclamation marks, it can't discount the world is watching. The vestiges care about All Might too.

When the vestiges come up with the plan to forcibly transfer themselves to deal damage, Kudo volunteers himself as the test dummy. Sure, he backs it with a lot of reason too, but he didn't want anyone else to go first as a test drive

He, with a Gearshift Ability that resembled a manual car, was the test drive. Ha ha pun- *gets shot*

En tried going first. Kudo rejected him, saying he would go first.

"Part ways with Gearshift [me], and you'll be free of the crippling recoil too."

Too. TOO.

KUDO JUST WANTED TO GO AND BE DESTROYED FIRST. HE PUT THE FREEDOM OF RECOIL DOWN AS AN EXTRA BONUS SO THEY'D AGREE WITH HIS CHOICE.

I'd cut the image so it looks better, and I can use Bruce's words elsewhere, but this is an image limit, so,

- Kudo refused to let anyone else go first. This was before giving reasons to convince them he should leave first

- En gives reason to why it can't be Kudo. Kudo just says, "Listen." and reminds them of now.

- Look at Kudo's face when he says that. The guy knows what he's doing when he cuts off En, and would probably be a horrible liar. He might as well be pulling this out of his ass.

He's said "The world will end" "You have to or else" "Five minutes" "You're going to die" a few times in this fight already. DUDE STOPPP

(Terrible liar and a guy who purposely eggs you to torment? What a great friend he would be [yknow, when u make ur friends freak out by being ominous or reminding them of stuff. Like Toast to Lilypichu in a game of Observation Duty])

- "Too."

- Bruce's trust in him, but knowing when to pull Kudo back from going too far

Also, when he's transferred, he smiles to Midoriya. He knows he's about to die again, but the last thing he does for Midoriya is

1) Take away the recoil of his existence as a Factor on the boy

2) Reassure him that it's okay, so it doesn't weigh on his conscience

Even if only in thought, STILL!

KUDO LOOKED SO PROUD OF MIDORIYA!

I bet Kudo is suuuch a sentimental fool

> [Be me and watch your new friend die]

> [I have Yoichi's Factor]

> [It's like I carry his will now]

> [Have a glint of opposition in my eye that drives the Demon Lord and my comrades (Bruce) crazy]

> [Hey Bruce, let's figure out how it transfers]

> [Bruce's common sense VS my rabid ideas]

> [I win]

> [Bruce was unwilling the whole time and still ends up with the Factor]

> [The Factor is named One For All, after something in Yoichi's favorite comic book series]

> [We pass it on to the future to carry forward]

> [Even as everyone else and me dies, I make sure Yoichi and his will are safe from his Demon Lord brother that locked him up]

> [Decades later, my sweet vaulted friend reminds me of when we met]

> [I turn around and give my whole-hearted support to believe in some 15-year old boy because Yoichi believes in him too]

SEN - TIM - ENT - AL!

When Shinomori was stolen by AFO, Shinomori pushed everyone away before they could really notice the invader. Kudo called out for him.

Everyone is in shock, but I don't think it's a mistake that the text bubble calling out for Shinomori is pointing from Kudo.

All For One made it through and is ready to steal them, but the first thing Kudo did was call out for the one at the very front.

[On the post I made that mentions Shinomori pushing everyone away] What if Kudo wasn't pushed away? What if this was him at the front, realizing the danger and turning around, but being unable to do anything for Shinomori when he saw?

Like Bruce, Kudo communicates. He doesn't expect you to just follow or understand him. He actually lays it out and makes sure you keep up.

He explains

- the transfer of vestiges, and why he should go first

- his Quirk

- why Quirks are Quirks

- reports to Midoriya what's happening and what's next

- to Yoichi why they couldn't trust in a delusional boy. In a way that wasn't Bruce's roundabout "we lived in a terrible era and a leader gathered us"

When En panics, he barks at En to keep up. By barking at him, rather than any other way he could've used his tone, it shuts up En in his frantic babbling. Kudo also lets Vestige Might put in his thoughts to understand better, and uses it.

Eye reflection. Kudo can really see people for who they are, and understands others, and himself.

I can't repeat the pics cuz image limit, but look at previous panels here. For example, Kudo saying Yoichi's will lives in him, and when AFO reflected in his eyes

It's something I learned from Re:Zero. When a person in reflected in one's eye, something something that person can see the true core of you, of what you really are underneath everything. The eyes are the window and mirror [glass] of the soul. I finally see the true you.

AFO never reflected anyone.

But Kudo reflected AFO when the man accidentally killed Yoichi. He saw that AFO wasn't seeing anything, so later, Kudo smiled and mocked AFO at his own death.

"Yoichi?"

"He's gone."

"You killed him, Demon Lord."

And AFO hated that reminder.

Kudo was reminding him of what the truth was. Kudo saw it himself, and AFO blocked it out from the get-go. Kudo already knew what AFO was, what he was seeing, what he was doing to himself by blaming Kudo instead of himself.

And then, Kudo's eyes reflected his own hand when he realized Yoichi's Factor was in him.

Kudo clearly saw himself, and in himself, Yoichi. Nothing distorted it. It really was a clear mirror.

He really perceived Yoichi's will was living on, and was right. Otherwise, his eyes wouldn't have shown it.

Kudo was right about AFO. It's even implied back when he and Bruce had their backs turned; Kudo knew what AFO's real goal was. That was back when AFO preached unity and division under him.

Kudo could always see right through AFO. He really understood people from the start. And he never tried making up truths to justify what he was seeing, facing it head-on.

Kudo's lying about the world being black and white.

Kudo and Bruce saw the world as black and white. This was mentioned in the void.

Kudo also says, "Victory meant life. Defeat meant death."

But it's the Resistance. It's when Japan and the world was at their lowest. The world wasn't black and white; there's lots of gray.

Kudo and Bruce would've seen this. Kudo even admits that there's gray, just not directly.

Kudo says Yoichi knows, how he killed and trampled so many lives, to get back at AFO. He knows it wasn't right, or an amazing choice. Later, he says that when your back is against the wall, you have to make callous judgements. These hint at gray moments.

Kudo and Bruce have faced and been in the gray. But it's too hard to make the right choices, and there are times there is no right answer.

Historically, soldiers would convince themselves the enemy were monsters. They wouldn't be able to fight and kill them otherwise. They wouldn't be able to live with themselves without believing in this so badly.

Kudo and Bruce had to have been the same way. They were Meta Humans [Monsters] in a time they were viewed as diseased humans. The monsters were real. And they had a Demon Lord. Kudo and Bruce literally dressed up as soldiers.

Even if they were monsters to society, being Meta, Kudo and Bruce were still human. They knew this. The ones who tried believing in only black and white were inhabitants of the gray itself.

But they have to protect themselves. Kudo is so adamant that the world is only black and white, because he can't stand the gray. What it makes him do, what it means, that he's too weak to do anything.

Yoichi is an example of that gray area. The mortal enemy's younger brother, was actually locked up and sickly. He's just a comic book nerd. And it humanized the other side Kudo opposed so vehemently.

Kudo says victory is life and defeat is death. And Yoichi asked why he reached out to him then. He reminded Kudo of that gray area, and Kudo opened up.

Kudo might avoid the gray area because it's a matter of the heart and a moral dilemma, but it's what makes him human. When there's no right answer in the battlefield, he decides on his feelings instead.

He wishes the world was black and white, because it'd be so easy. But it's not.

Yoichi reminded him of how entering that gray area led to OFA ("when you reached out your hand to me"), and it had been the best choice in the end. The gray area is real, and Kudo's left a bare man with only his emotions when he's there.

Kudo is actually really kind and understanding. He's too soft for his own good. Thanks if you made it this far, I hope it makes sense (tag and image limit)

[sforzesco]

CAESAR AUGUSTUS AND MARCUS LICINIUS CRASSUS

this is about the spolia opima that crassus was robbed of lmao. like, yeah okay octavian could've asked him not to claim it, but nevertheless. a kind of theft happened there.

Fact and Fiction: Crassus, Augustus, and the Spolia Opima, Catherine McPherson

[bogkeep]

saw some lego dinosaurs today :3

[mashmouths]

so i started this show and it just gets worse and worseeeee not only did it lift the romance subplot directly from twilight (and not well) but they also are trying to play the forbidden love angle hard in the fantasy racism vein except it's a "cross-species" relationship between the two whitest people i've ever seen in my life and there are three people of color in the whole (first season of the) show who aren't villains and it seems that every other episode (and sometimes ebery episode and sometimes twice an episode!) there is a man physically or magically subjugating a woman and i keep waiting for the big reveal at the end to be stolen from fucking rainbow rowell

[ghastigiggles]

Omg omg omg "Here comes the tickle monster" with ler!Jing Yuan and lee!Yanqing! If that's okay ofc💕

Mischievious Prompts [Still Open]

“My lord, please, you should still be resting…”

“A little rest is good for the soul,” Jing Yuan smiled back, gazing out the window; “But too much, and one risks becoming lethargic.”

Yanqing sighed softly, his brow furrowing with worry as he gazed at the general’s back. While it was true that Jing Yuan was bouncing back well, a part of him – the part that was still attached to his mentor – still stressed over the depth of his wounds. Jing Yuan could be like a cat at the best of times, concealing facets of his health to avoid worrying those he cared for – and giving his enemies an advantage, all the same.

“... I understand,” The young warrior managed after a moment, knowing better than to push his luck too far; “In that case, if there’s anything I can do to help, please, let me be of service.”

“Hm.”

Jing Yuan turned to look down upon Yanqing, a soft smile upon his lips as he took in the boy’s worried state – and with a soft chuckle, he nodded, turning to face him fully as Yanqing perked to attention.

“There is one thing…”

Something about the general’s tone struck a memory for Yanqing, who promptly tensed – suddenly overwhelmingly glad that there were no other members of staff present in Jing Yuan’s office. As the older warrior stepped forward, he stepped back, swallowing as he realized where this was going.

“My lord…! You can’t be serious – your condition is –”

“Not severe enough to stop the tickle monster!”

In a split moment, Jing Yuan grinned and started closer, earning a yelp of alarm from Yanqing as he darted away in turn, quickly moving to stay out of reach – though he couldn’t stop the anticipatory, equally entertained smile from seizing his features, nor the squeal that escaped him when the general finally seized his target. 

“Here it comes!”

“Eeyah! Nohohoo, my - my lohord…!”

Ultimately, a little laughter was a soothing balm for both of their souls – and for those who passed by the office’s doors, pausing to smile at the muffled sounds of play within. All would be well within the Divination Commission.

[caffeinewitchcraft]

Some of the roughest patches of my life have always given way to some of the most joyful periods of creation. I feel myself on the verge of one such breakthrough which is great! But also means I may need to turn down a store manager position to get there which is a bitter pill to swallow

[seaofreverie]

Sparkstember Day 28: The Sparks Brothers

I'm not a movie person... So when I do actually rewatch a movie (I mean, even watch it, at ALL, haha) it must really mean that something is up. I mean, well, it also IS a thorough, highly enjoyable and visually appealing movie about a band that I've been so incredibly invested in for the past several months. So maybe it's a surprise that I don't watch it more often actually. Because one beautiful side-effect of seeing it each time was getting an unexpected and very strong surge of motivation to keep on going towards the things that matter to me the most, despite any and all obstacles that could appear on the way. Another side-effect of it is being happy and joyfull and being filled with warm feelings and thoughts for the whole following day at least. Usually up to 3 days afterwards actually.

But ok, of course, what I'm getting at is that the Maels' story is so incredibly inspirational. Seeing how they persevered through all those years and NEVER lost their spirit or their vision, never gave up... is not only moving but also something that reminds me that wow, so much *really* is possible. I spent so many years fully convinced that there are things that I'll never be able to achieve. And sure, some of them are indeed pretty unlikely to happen. But if you told me from even one year ago that I'd be making art daily and not dreading being so much as perceived anywhere in the great world (so, including the internet)... well, I would have not believed it at all. I really mean it when I say that I used to believe that there are things that I'll just never be able to do. It's like it was simply not meant for me to be able do it and have those experiences. And yet...!

There's a lot I owe Sparks and this is one of the biggest things I'll always be grateful for. They really changed my life for the better. Truly nothing else before them reaches the same degree of how much it helped me. And well, I'm saying this on TSB day because this is where this feeling of gratitude and feeling SO lucky becomes the strongest. And the beautiful thing about it all is that they were always just themselves. They had their vision, they knew what they wanted to do and didn't care about how it would be received. Which is such an important and meaningful message to me, I can't even express how huge it is to me to see these two people who only really had themselves and their endurance and got exactly where they wanted to be.

Alright, some less grandiose observations now. Well, let's start with the fact that this was by no means my introduction to Sparks but it still really cemented my love for them even more. I loved being reminded of their whole journey and learning more about it, and even moreso I loved being able to see more of their beautiful brotherly bond and their wonderful personalities. Truly no other people in this whole world make me as happy as them currently. And the brothers' sense of humour hits super close to mine, so this is also a time filled with genuine laughs (I die laughing at the absolutely true Sparks facts at the end EVERY TIME). And since I'm a huge fan of animation and mixed media art and such things, this was simply a joy to view for my more artistically-inclined side too.

And damn, those two hours and 15 minutes really fly by so fast. When I have to arrange a huge timeslot to watch it all in one go, because that's the only way to do it for me, and then it feels like no time has passed anyway. And even with so much being said there, it feels like there's still so much more to get to. But it's still enough to lift my spirits completely for a pretty long time. And to make me cry a lot of the time too... Absolutely impossible to not shed a tear by the end of it all. It's moving, it's funny as heck, it's super fun and it's absolutely beautiful and truly lifechanging. 💖

[catboy-jupiter]

i'll be like "i'm a god of writing" and then an hour passes after i post or submit something and i'll be like "i'm so dumb there's so much i could've done better if only i'd waited a bit and looked at it with fresh eyes i would've noticed how much it sucks & what i could've improved that looks so much like first draft material there's so many revisions i could make why i am i so impulsive and overconfident" and then i'll start writing something else and be like "i'm a god of writing" again

[moe-broey]

You see, Moe isn't in the business of fixing people, *remembers Moe is quite literally in the business of "fixing" people as a healer* *stares out into yhe fucki g