#(I've missed you too!!!)

[crocs-cringe-city]

OMG HI CROC I MISSED YOU!!!! i have fallen for. quite the handful of new fictional men since youve been gone LOL

NO WAYYY HI KIE!! please update me omfg??

[soosoosoup]

sunset serenade

[lesbianelsas]

2x08 | 1x04

[dimpleskinard]

Tommy Kinard | 9-1-1 season 7

[flickering-nightfall]

Experiments with pupils and mouths that devolved into shenanigans :)

[swampybogg]

[daily-odile]

AUGH I’d love to see more time looping odile if possible,,,,, how do you think she’d like; “devolve” over each of the acts as compared to Siffrin over time :O

ok im gonna be honest i did like portrait edits months ago and just never finished them. so here you go

act 3:

act 5:

[jkvjimin]

PARK JIMIN + dominating the stage with his aura (cr. namuspromised, jung-koook) | [template]

happy birthday, annie! @kimtaegis 💜

[egophiliac]

As someone who hasn’t played the twst game very long I just got into it. I wanted to know about events? Like do some not come back? For example do the Masquerade, Port, Beanfest, Ghost bride, starsending events. Do those come back? I hear people say how they missed their chance to get this great card like as if it won’t ever come back and then someone on Reddit will say something like “Oh beanfest happened twice on the JP server” so which events have gotten reruns so far? I would ask about more recent ones like the Easter one but idk if it’s too recent to know if get rerun or if they clarify that it won’t come back? I was really sad to find out about the Silk outfits I missed out on when they visit the scalding sands. I also was really sad to find out i missed out on the anniversary cards because I didn’t play the game yet. I wish they would add the anniversary cards to the store at least…I want to be apart of the celebration :’)

I was looking in the shop and saw all the different groovy items you need to groovify event cards and this question just came to me so I had the urge to ask someone…

welcome to Twst! 🎉 it is a bit confusing to jump right into, especially because. they're not always consistent. :') it sounds like you're probably playing on Eng, which I'm less familiar with, but I'll try based on what I know! (I also don't always remember everything, so somebody please correct me if I get something wrong!)

first, I do recommend the Twst wiki.gg, which seems to stay pretty up-to-date on events for both the Eng and JP versions! it's a great resource for when you want to see if/when an event ran or rerun. in general, I believe that the Eng version only does reruns that have already happened in JP, so if JP has a rerun that hasn't happened yet in Eng, they should get it too eventually! on the other hand, I don't think either version has ever rerun an event more than once. :( BUT this doesn't mean you're entirely out of luck, because:

anniversary events (March for JP, January for Eng) will usually offer a chance to get both an older event SSR and an older birthday SSR in the shop, via buying a special item with exchange currency (which you get by doing pulls on the anniversary gacha, I think you need to do 100-150 pulls for enough currency to buy the item to exchange for an SSR). only SSRs though, and you're limited to one each (one birthday, one event). so if there's an SSR you REALLY want and it's already had its rerun, it's probably worth planning to save up some keys for!

as for actual reruns, they seem to come in a few different flavors:

straight-up rerun, no changes or extra cards

unchanged event story, with a new SSR of a character who wasn't in the story (e.g. Applepom Jamil)

slightly rewritten event story that includes a new SSR (e.g. Ghost Marriage, they don't seem to do this anymore though)

completely new event story that acts as either a sequel or alternate-universe version of the original (e.g. Beans Day part 2, Fairy Gala IF) (though this is pretty rare and might actually count as a separate event, rather than a rerun?)

Master Chef/Culinary Crucible events have never gotten reruns (though they might start now that we've finally gotten through all the characters in JP, time will tell). birthday and Halloween events will also rerun the previous version in addition to the new one -- for instance, Eng should be getting a Glorious Masquerade rerun this year, followed by the new (Playful Land) Halloween event. and a birthday campaign will, in addition to the new card, have a separate pickup for the previous year's birthday card.

for the specific ones you mentioned -- I think Beanfest, Ghost Bride, Fireworks, and Starsending have already rerun in Eng, so those most likely will not be rerun again (at least not anytime soon). Masquerade should be coming back for you guys this Halloween, and Portfest JUST got its rerun in JP, so that should be coming too sometime in the future! (no new SSR though, alas, I was really hoping for a little marching band sailor boy Leona. 😔) the Easter event is the White Rabbit Fest, right? that one hasn't gotten a rerun in JP yet either, so it's still on the table!

all that said, it's entirely possible they'll change the rules at some point and start doing more reruns/chances to get older event cards, especially since the game's been going on for a few years now and some cards haven't been available for a pretty long time! there's only one card that they said was for-realsies limited-time-only and wouldn't ever be available again -- Platinum Grim, since he was to celebrate the 100th anniversary -- so. there's always a little bit of hope for everything else. :D (fairy gala Ortho PLEASE COME BACK SOB)

[musouie]

── .✦ 𝐒𝐀𝐍𝐂𝐓𝐈𝐅𝐘

précis. levi washes your burdens away

contents: fluff, angst, non-sexual nudity, suggestive, reader and levi in a situationship, canon!au, comfort, afab!reader, 1.5kwc

When you return from a gruelling mission, bloodied and bruised, your knuckles bearing the scars of war, Levi does two things:

The first comes as if on instinct, a mere reflex, spewed from his lips without a thought and tumbling before he can stop it. “You smell like shit, soldier.” The comment is uttered evenly, void of any real bite, and closely followed by a sigh. A ragged, bone-weary, half-hearted thing that deflates his frame in a way being in the Underground never could.

And for some reason, it all makes you feel warm.

Perhaps it’s the way he says it, or perhaps it’s the way he chooses not to say anything else. Regardless, you take it and cradle it between your fingers, peel back the multitude of layers and recognise it for what it is: affection (dressed in barbed wire, one with spikes that have begun to wear.) 

The second, however, is something different altogether. This one feels like something that came from inside Levi, something that he had kept bottled up and sheltered, something that only you got a glimpse of. (It was often he gave you these glimpses of himself. None coherent or related to the last. You think you are finally beginning to put him together, to piece the enigmaticness of him —

— but then he turns and walks away.)

He glances at you over his shoulder, motioning with his chin for you to follow him, lips pulling into a line as yours tremble. 

(The puzzle pieces scatter, make a mess of themselves.) 

And with a part of you burning with curiosity and defeat, the other aflame with desperation, you find yourself following. You always do, ever the curious. “It’s in your blood,” he whispered to you one night, voice a muted wisp as you lay against his bare chest, damp and warm and clutching him close.

(He didn’t talk a lot — never talked a lot — when you were in his arms. It’s how you learnt to listen. Sometimes his admissions would come spilling, like those times where he’d drink just enough to get drunk. Or when he’d come back from a particularly hard mission, weary to his bones, his walls finally crumbling as he’d lie upon you —

— he would tell you everything. From his darkest desires, his brightest memories, his dreams, to his nightmares. All filled with you and you and you and you.)

When you make it to his quarters, sectioned off from the rest of the cadets’, you bite your lip and enter hesitantly, hands clenched into trembling fists by your sides, itching to reach out, itching to —

The door falls shut with a click that reverberates through you, bordering on deafening. You nearly miss what comes after. 

Nearly. 

“Strip.”

There is no teasing in his tone, no hint of endearment that, by now, you know only comes to the surface for you, and only if no one else is around to witness it. His back remains to you, and you are, momentarily, left blinking, stunned at the abruptness of the command.

You do not speak; neither does he.

Time presses you, moving relentlessly, budging when you don’t. It doesn’t stop at his request, nor does it hitch to indulge you. And his patience runs thin.

“Strip,” he repeats, turning to shoot you a withering glare. But his eyes are all wrong. Soft around the edges. 

A second of holding his gaze is all it takes for you to lower your own, bottom lip seeking comfort between your teeth. You swallow before peeling back a layer: gear. 

Then another, harder to remove than the first: your jacket; followed by your blouse (shredded around the edges, bearing holes in places it never used to, snarling rips running along the seams.)

They slip from your shoulders and pool behind you, the wood below creaking as you take a step forward, tugging your trousers by their cuffs, slipping a finger beneath the waistband before pushing them lower down your legs; boots discarded carelessly to the side.

He hisses at the mess.

When your eyes snap to his at the sound, he looks down between your legs pointedly, thin brow arching until you swallow around the lump in your throat. 

(Nothing has to be said; the silence is enough —

— it’s always enough.)

Bending at the knee and dragging air sharply through flared nostrils, you slip your underwear lower down your legs, working quickly with trembling fingers that could likely use a steadying hand (except you are alone, and his remain glued to the wooden railing behind him. Steady. Stable. As reliable as the rhythm with which he rises and falls on the swing of his blade.)

It trails down, following the movements of your hips, spreading open once they curve in the slightest, only to come together and tangle about your ankles.

“Everything,” he mutters, and you stare at the floorboards, toes curling within your socks, fidgeting nervously beneath his steady gaze.

Heat rises on the back of your neck, splotchy, uneven. Lingering until your body curls in an awkward shape — in an attempt to conceal your bits — and you pluck your socks off, followed by your cotton panties.

And —

— you’re bare before him. 

(You always are.)

“Come now,” he says gently.

(His eyes, however, burn.)

One small step becomes two, which transition into three, and suddenly, you are halfway there. Five strides until —

“To the tub,” he instructs, barely a whisper; barely anything at all, “before the water gets cold.”

You oblige until you slip into the porcelain of it, its temperature almost perfect as you melt into the water. Floating — drifting — lost to the tides. If the sight is enough to please him, however, Levi does not show it. His demeanour remains much the same: eerily calm, collected. Cautiously removed.

It persists as he strides, unhurried, towards you, grasping a washcloth from the tub’s rim and lathering it with soap. A fragrance so delicate wafts through the air — peony, lavender and a hint of vanilla — a fragrance so him, surrounding and enclosing on you until it threatens to seize your very lungs.

(The smell of death may cling to the backs of your teeth, or perhaps beneath your fingernails, buried too deep to dig out. But his tenderness washes it all away.

Now, you’ve made the water dirty. Filled it with grime.)

“Your arm, soldier.”

You robotically surrender it, offering the limb over the lip of the tub, palm facing up in supplication. In reverence.

His thin lips turn down as he inspects it, turns it over and clicks his tongue upon finding a bruise. Clicks again when he discovers a scratch.

The nudge comes as he soaps the inside of your wrist with soothing circular motions; spreading until it trickles up the valley of your forearm, leaving blossoms of white froth in its path. From the valley it divides into two, branching into streams that run parallel as they part ways around your bicep, clinging to the dips and curves of you.

“How do you feel?” He asks without meeting your gaze, focused, wholly, on massaging the inside of your elbow.

“Tired.”

It’s all you can give.

It’s as honest as it is ambiguous, laden with all the heaviness bearing down on your shoulders, dragging you down to the deepest depths of the waters, swallowing you.

But Levi nods, accepts it.

He brings the washcloth to your neck, following the swooping lines of your collarbones, the undersides of your jaw, its grooves. Your shoulders bear the marks of his touch, soon followed by the plains of your chest.

You’re so focused on watching his movements as he trails the cloth over you — from collarbone to shoulder, shoulder to the valley between your breasts — that you nearly miss what comes next.

“I...I’m glad you’re alright, soldier,” he mutters, a slip so sudden and small.

Like the flush tingeing his cheeks and the way it runs up his neck, or the furrow of his brow and the line between, ever prominent.

“I —” your voice, weak in its own right, nearly dies. Strangled in a web of muted hope. You shake yourself loose of its hold, “thank you, Captain.”

The expression he flashes you is one of pain, or perhaps disappointment.

He doesn’t acknowledge your gratitude, only nods and drops his gaze to the nape of your neck, tracing the lines there with his gaze. A touch so soft and wistful it could never leave an imprint, doesn’t even burn.

And yet it does. Your chest feels ablaze, your flesh singed.

And it sears more as he brings the cloth to your face, cleaning your chin carefully, swiping away the flakes of blood from the jut of your cheekbones, beneath the curvature of your nose, the expanse of your eyelids.

This too is something intimate, has your heart stuttering and your breath stalling, has your face flaring with the heat only shame can bear, but no less welcoming than the rest of his careful ministrations.

From forehead to the space behind your ear, an exuberance of bliss settles between your ribs. Latching on with pointed fingers that threaten to rip. It could hardly be called anything less.

You shudder out a long exhale as you relax back against the rim, the pads of his fingers trailing beneath your brows, brushing over your lids, again, and again, and again. Until your skin glides with ease, wet and soapy and clean.

The touch lingers. It lingers.

Until he goes still, and the cloth goes with him.

𝐦𝐮𝐬𝐨𝐮𝐢𝐞 © 2024 𝐀𝐥𝐥 𝐑𝐢𝐠𝐡𝐭𝐬 𝐑𝐞𝐬𝐞𝐫𝐯𝐞𝐝. it is prohibited to reproduce, distribute, or transmit my works in any form or by any means! ﾉ masterlist

[arbitersart]

Had some thoughts on the structure of recent life series seasons and went into english major mode. Thought it was worth sharing here too!

[thankyouforthememoriesworld]

OTE Paige and Azzi show master post.

If I am missing something….well I give up lol. Please note that this is not in the order of release or filming (not sure how anyone could know that). Maybe Episode 5 is the barclay center videos lmao. Anyway, I did promise a happy post after my last one :D - 🔎

Episode 1

What’s it like finding out your tournament bracket? https://www.instagram.com/reel/CpqYBcBpH49

Who’s the best women’s college basketball player this year (2023)? https://www.instagram.com/reel/Cp535SyplVl

Do you have a go-to trash talking line? https://www.tiktok.com/@overtime/video/7210478836079742250

What’s your best high school game ever? https://www.instagram.com/reel/Cp8MdvpJq3Y

Who’s one player in the NBA that you want to work out with? https://www.instagram.com/reel/CpvXRgegMnD

Favorite Player in WNBA? https://www.instagram.com/reel/CpiqLTYpqHN

Who’s the best men’s hooper you ever worked out with? https://www.instagram.com/reel/Cp3MikKJV0A

Who's more competitive? You or me? https://www.youtube.com/shorts/4YFloObxOfg

Should basketball add a 4 point line? https://www.instagram.com/reel/CpoIIkipVXa

What sport other than basketball would you play? https://www.instagram.com/reel/CpdgEQAJLkP

How hard did Paige recruit you to UConn? https://www.instagram.com/reel/CplVVTkp2AJ

Have you ever blown a kiss to an opponent? https://www.tiktok.com/@urmom_4414/video/7256993704588725509

Who has control of the AUX? https://www.instagram.com/reel/Cp0w754JC5o

Episode 2

10 inches to your vert or 3 inches to your height? https://www.instagram.com/reel/CqJOKS2pcf7

Play barefoot or play only with your left hand? https://www.instagram.com/reel/CqbHp_pp6OO

Who is the most clutch hooper ever? https://www.tiktok.com/@overtime/video/7218013406828449070

Who is the best women’s college hooper ever? https://www.instagram.com/reel/CqGX90OpNWB

Who is your next dog named after? https://www.tiktok.com/@overtime/video/7216093534410231086

What’s your biggest shooting tip? https://www.instagram.com/reel/CqY6dP5JVJb

What is the weirdest food you love? https://www.tiktok.com/@urmom_4414/video/7257388467619990790?lang=en

Who are the 5 people you text the most? https://www.tiktok.com/@urmom_4414/video/7264441334663007493?lang=en

Offseason weightlifting routine? https://www.instagram.com/reel/CqdgdCcp9qT

Best singing voice or best actress? https://www.instagram.com/reel/CqOVeYRp7fy

What’s the most mad you have ever been at each other? https://www.instagram.com/reel/CqBjHZaJZT_

How do you stay in shape? https://www.instagram.com/reel/CqoOjBfpQYr

Three things while stranded on an island? https://www.instagram.com/reel/CqLsoj4p8Tv

Favorite Pregame Meal? https://www.instagram.com/reel/CqgMDbnJbGA

If I were to pick a college hooper I’d go with you… https://www.tiktok.com/@urmom_4414/video/7256987793853795589?lang=en

Episode 3

What did you think about Markquis Nowell in the man's tourney? https://www.tiktok.com/@overtime/video/7218982295305194798

Letter grade for Paige’s coaching https://www.instagram.com/reel/Cq_L--1J3to

Best player you have gone against? https://www.instagram.com/reel/CqqqlUOLuWu

Live on the Beach or Have an Amazing Pool? https://www.instagram.com/reel/CrCAwVTpH56

What's your go to karaoke song? https://www.tiktok.com/@overtime/video/7220930577976053038

Coolest Person That Follows You on Instagram https://www.instagram.com/reel/CqyayUFpMsz

1 Billion Dollars or 100 Million Dollars Working? (I think this question was asked incorrectly lol) https://www.instagram.com/reel/CqvvUJiJLzP

Afraid of the Dark? https://www.instagram.com/reel/CrESO3YJ-YC

Best Shooter at UConn https://www.instagram.com/reel/Cq3hcYQpSqW

Me or Stewie?! https://www.instagram.com/reel/Cq8oIfxpw1E

Who’s a better driver? https://www.tiktok.com/@urmom_4414/video/7257004002926234885?lang=en

Episode 4

Angel Reese’s Game https://www.instagram.com/reel/CrTtj9mpmhb

What did you think about the women's national championship game? https://www.tiktok.com/@overtimewbb/video/7223801231423360302

Who’s going to win the 2023 NBA Finals? https://www.instagram.com/reel/CrjTeySpwyG

Who's the best player in the NBA right now? https://www.tiktok.com/@overtime/video/7226064020112051502

Which WNBA Player do you talk to the most? https://www.instagram.com/reel/Crgid2JpaQp

How did you feel when your teammates got drafted? https://www.instagram.com/reel/CrOwPAWpNyQ

The best fit at the WNBA draft https://www.instagram.com/reel/CrWe8OoJSMo

Skydiving or Bungie Jumping? https://www.tiktok.com/@urmom_4414/video/7257007975410289925?lang=en

Dinner with 4 People, Dead or Alive? https://www.instagram.com/reel/CrRP7YapyaO

Who would win a rap battle between us? https://www.tiktok.com/@urmom_4414/video/7256972099959442693?lang=en

Are you a morning or a night person? https://www.instagram.com/reel/CroZ5cypRGD

What’s your favorite part of basketball? https://www.instagram.com/reel/CrltaTHJZKA

Why don’t you like all of my Instagram Posts?! https://www.instagram.com/reel/CrbTuL9pvIq

[circusballoon]

Unknown Grave

I'm still working on @darlnyan's ISaT-ober prompt list every day in my sketchbook. It's.. it's mostly Loop and Siffrin because I'm predictible and love them.

This one was inspired by "Emptiness" (I couldn't think of a title with that in it though)

Anyway I think about Loop calling themself a ghost and the tree their grave a bit, and wanted to channel that because... it felt right to me for a feeling of emptiness. Also tried to make their chest star seem like a hole but I have no idea if that communicated

[piningintrovert]

Don't mind me ... just sharing an interesting moment I came across while compiling clips for another set :) Here we have Dee realizing that he might have actually played himself by continuing to enforce (yeah, okay lol) the no kissing rule with Yak and promptly deciding to do something about it

[thepersonperson]

Sukuna’s Loneliness Part 4 (Sukuna’s Negative Rizz)

Part 1 Part 2 Part 3

Some warnings before we start.

1) This analysis deals with sexual topics.

2) I will be mainly using the TCB scans because of their accessibility. Raws are from mangareader(.)to.

3) This was written as of JJK 262 266. (I'm just going to keep updating this until I stop finding things I should've noticed earlier.)

4) The raws broke me in ways you cannot possibly imagine.

(Click images for captions/citations.)

Fighting as Communication

Baki the Grappler. This is a manga where men destroy each other’s bodies as a test of strength. It’s poorly written but the art is terrifying and I love it so dearly. Between fights of extreme violence and body horror the characters eat. And that’s it. That’s the manga.

I bring Baki up because Gege is a huge fan of Fujimoto Tatsuki, the creator of Chainsawman. Fujimoto is a fan of Gege too, but more importantly, he is a huge fan of Itagaki Keisuke, the creator of Baki. (His daughter made Beastars btw.) In a way, this means Jujutsu Kaisen has been influenced by Baki. But that’s not a surprise, a lot of manga is.

Itagaki’s work is so massively influetial on Japanese media that it’s kind of hard to grasp since it’s not as popular overseas. When listening to interviews from various Japanese creators, Baki will often be cited as a major influence. And the thing is, you can tell when a creative has read Baki. There’s nothing quite like it. If you’ve read Baki and consume Chainsawman, you will see its bones everywhere. I feel the same about Jujutsu Kaisen.

The main antagonist in Baki is Yujiro Hanma. He is the strongest creature alive. So much so that he has no one to call a rival. He’s bored. He causes trouble. He kills his wife to motivate his son, Baki into becoming stronger. His son, Baki, who he grooms into becoming a fighter that might beat him in combat one day. Kind of sounds like Sukuna, right?

But that’s not my point here. My focus is how Baki doubles as a discussion about strength and manhood. It’s aggressively bisexual. Men love each other with their fists. Straight up the main character says having sex with women is the same thing as fighting men.

And it just doesn’t stop there. The homoerotic nature of the fights is never shyed away from. Here’s an example of my favorite.

He grabs his balls and compliments their size. That’s pretty gay, right? Well there’s this reanimated prehistoric caveman called Pickle that fights Baki’s brother Jack. And how do they fight? They kiss.

I didn’t call it a kiss. Itagaki did. I didn’t say they melded together. Itagaki did. This mangaka overtly calls attention to the homoerotic nature of men fighting men, and how men communicate their love for each other through violence. And yes, it’s sexual. Itagaki wants you to read it that way.

But sometimes he doesn’t want you to read it that way. Sometimes the fights are a dialogue, an emotional conversation. Like one between father and son.

Itagaki is a master of narrative framing. When he wants you to feel a certain way, you will feel it. He also tells his readers that there’s more to the fights than just fighting.

Those are the ideas that help me see the bones of Baki in other works. Men loving men with violence. Men communicating with men through violence. I see these ideas in Jujutsu Kaisen too.

Jujutsu Communication

I’ve gone over how Yuji commucates with other people on their own terms. And a lot of it is through fighting. A conversation without words, learning how someone works. Yuji is good at using fights as tool of communication.

But he’s not the one who tells you that there’s more to the fights than just fighting. Maki does in her spar with the sumo guy.

Just like Baki. Fighting is a means of communication. Gege has told you that there can be more to the fights than fighting. It's a tool used to understand the self and others.

With that in mind, I want to reexamine a particular fight under the lens of Baki rather than Umineko.

Sukuna vs Gojo

Baki tells you that homoerotic readings of its fights are intentional. If you ask me, this probably stems from historical stances on masculinity and homosexuality in ancient Japan. Men loved men and women differently, but both were ok. That’s how Baki can have a girlfriend and his gay fights. Peak bisexual optimization.

What does Jujutsu Kaisen have to do with this? Well it has been extremely queer friendly. We have a multidue of canonical trans characters, non-binary characters, and other flavors of queer characters not disparaged for their identities, Gojo Satoru included. It may not be stated outright, but Gojo and Geto do love each other in a gay way. The subtext is so persisent it’s basically text.

In other words, Gege has already told us, yes please have queer readings of this text. It’s the same way Baki tells you, yes this is straight up convoluded gay sex. So that’s what I’m going to do. I’m going to reread the Sukuna and Gojo fight as some ridiculous mating display between two men who are fighting over can miscommunicate their intent the hardest.

Framed as Courtship

Let’s start with the framing. The pre-fight set up. How does text tell you queer readings are allowed?

Kenjaku does. It’s romantic. It’s a date. This reading has been made valid explicitly. And if there’s room for doubt because of the sarcasm? There’s still additional support for it.

We already know how badly in love Gojo is with Geto. The fight is on the 24th of December, the most romantic day in Japan. And in a fun little Geto parallel, who declared the start of war on this day, violence underlines this new romantic venture.

That doesn’t include Sukuna who recalls Yorozu’s words about teaching love in the context of marriage.

Gojo never heard that conversation which is why the next point is absolutely insane.

The outfit Gojo initially is in resembles that of a groom at a Shinto wedding.

Shinto weddings were implemented after the Heian era. Part of the ceremony includes a priest and a shrine maiden who respectively stand to the right and left of the altar. A purification ritual will occur, lead by the priest, to cleanse the shrine before vows are exchanged. Gakuganji is the priest and Utahime is the shrine maiden. To the right and left of Gojo respectively.

The bride at a Shinto wedding wears mainly white. After the 200% Hollow Purple cleanses the area, the dark shawl is removed and Sukuna remains in mostly white.

How interesting that this battle has been framed as one between groom and bride.

The thing is, marriage in the Heian era was far more lax. There were no major ceremonies. If a man was interested in marrying a woman, he would visit her for 3 nights after receiving approval from her father. Upon the passing of their 3rd night together, the family would have an informal celebration of their union in private. Even after marriage, multiple partners were allowed and sometimes encouraged.

Yorozu’s big celebration proposal to Sukuna and banning of concubines was quite improper by Heian standards. Though it is in line with modern marriages. If Sukuna did not consume any Shinto wedding literature, he probably didn’t recognize that Gojo was dressed as a groom.

But did Gojo dress this way for Sukuna intentionally? The Toji fit served an entirely different purpose. It’s the robes and pre-fight ceremony that catch my attention. So I propose the following:

1) Gojo dressed up as a groom to die and be wed with his one and only Geto in death.

2) Gojo dressed up as a groom in part as an offering to Sukuna. And because Sukuna is from the Heian era it went over his head entirely.

3) Gojo intended for both of these things at the same time and left who he would end up with to fate.

Regardless of what Gojo was going for here, it’s a visual cue combined with the knowledge of it being Dec 24th that encourages the reader to perhaps consider the fight as something other than just a fight. A date perhaps? Kenjaku made the connection and neither Gojo or Sukuna really denied it. Gojo gave the weak excuse of a death anniversary confusion. But much weirder, given how hostile he was to Yorozu, Sukuna did not object to the romantic framing in any capacity.

Am I reaching? Is this reading intentional?

When I start getting this confused by how a translated work wants me to read it, I try to refer to the original language text and anyone who knows it for missing context. Sometimes localizations add things that weren’t there or push readers towards one interpretation. So for the rest of this analysis, I’m going to be focusing on the raws.

I’m going to be honest. My Japanese fudging sucks. I can barely read kanji and can’t reliably translate anything. Feel free to correct me if I got something wrong. That being said, with what little I do know, I have discovered something interesting.

In this post I talked about how weird Sukuna’s manner of speech is. I focused on his you pronoun usage of お前 (Omae) for everyone else and 貴様 (Kisama) for Gojo since this is a strong indicator of how a character views their relationship to someone.

Here's a summary of the two points I made in that post:

1) Omae is informal and either a casual thing amongst peers or indicates the speaker's higher status. Since Sukuna is arrogant, we can reasonably assume he's talking down to people.

2) Kisama historically was a formal show of respect, but in modern times it is a hostile insult, much more rude than Omae. Since Sukuna is 1,000 years old and hates Yuji (who he uses Omae with), we can reasonably assume Sukuna was being friendly to Gojo when he used Kisama.

With that pronoun usage in mind, while examining the raws for the infamous “You Cleared My Skies” speech I found this:

Kisama. Sukuna is very happy and lavishing Gojo with praise. The assumption it was formal from the start seems to be correct. It's hard to read this any other way.

Though Japanese can easily be dubious in its interpretation, there are instances where context can cut off all other readings. I truly believe this one of those cases.

Now, to confirm Sukuna is still only treating Gojo this way I started looking at his you pronouns as he got excited post-Gojo death. Maki is the person he seems to admire the most.

He’s still just using Omae. What does that mean? Gojo is in his own fudging category for Sukuna and he has been there since the start of the manga. (For more on why this is significant, refer to this post.)

Wow ok. That’s pretty intense! We’ve got Gojo dressed up as a groom on December 24th and Sukuna treating Gojo different from anyone else. I read their fight again under the lens of explicit courtship and focused in on these specific panels.

Satisfaction. Now that’s a word that can easily carry a sexual connotation. Love as well. The parallel syntax fascinated me in English. So I decided to look at the raws and see how close they are.

Pretty much the same except for "the one who will teach you love" and "the one satisfying him now". Since the one being satisfied is Gojo by Sukuna, it really seems we can assume the one being taught love is Gojo by Sukuna.

Time to learn some Japanese again!

Kanji has multiple readings. Most have at least two. The Onyomi (Chinese) reading typically used for nouns and the Kunyomi (Japanese) reading typically used for verbs. (This is not always the case but it’s the basics.)

That’s probably why 満 is read as まん (man) when Gojo and Geto are talking about “satisfaction” using the On version and み (mi), the Kun version, when the narrator is talking about who “satisfies” who.

However 満 on its own does not mean satisfaction. It means full. To be filled. Or fullness. 足 (zoku) is added as a modifier after 満 to be read as satisfaction 満足 (manzoku). 足 usually means feet, but it can also mean to be sufficient. Manzoku therefore has a direct translation of being sufficiently full. It’s not a surprise a lot of food places in Japan use Manzoku in their names or advertising.

But what’s this? Why is this sentence written as 満たして or Mi(tashite) instead of 満足して or Manzoku(shite)? The addition of Zoku is what transforms Man into "satisfying". Without the Zoku, it’s just "fill". The means this sentence can be read as “The one filling him up now is—”

We’ve already established that the blank is Sukuna. The new problem is that he’s filling Gojo up. And boy, does that sound homoerotic to put it lightly. But perhaps I am reaching.

So I did what any sane person would do in this situation. I read hentai.

Surely if the phrase 満たして (mitashite) can carry a sexual connotation I will find it in hentai.

...

I immediately found a yaoi doujin called Fill me with your Big Love aka おっきな愛で満たして (Okkina Ai de Mitashite). Honestly, I found too many doujins about creampies specifically. (You have internet access verify this yourself.) When you search Manzokushite the results are much more in line with life satisfaction than sexual satisfaction. ...So Gege decided to use the more frisky phrasing.

Manzoku is also the name of an active sex toy manufacturer (I’m not linking them use a search engine.) and a discontinued adult entertainment news company. So the satisfaction Gojo and Geto talk about, along with Geto using 妬 (ya), the jealous kanji often used between lovers, is definitely probably carrying a sexual connotation too.

So, I’m not reaching. What the fudge did Gege mean by this?

Now that we've established that I am NOT reaching. What do we do with this information?

Well, we ruminate on the fight with the knowledge that Sukuna, of his own volition, decided to get Gojo off, probably.

I have forgiven Nanami for calling Gojo a pervert. If I watched someone bust a nut after being cut in half by his sworn enemy instead of saving the country, I too would be like what the fudge.

Anyways, the typical phrase used for an orgasm in Japanese is 行く(iku). It translates as to go. And yes it can mean to die, as in going to the other side. To die and go to heaven if you will. Which is what Gojo did with a big old smile on his face.

There’s also the term 心天 (tokoroten). It refers to a dish were a semi-opaque white substance is pushed through holes to create noodles. Literal translation using the kanji for heart 心 (kokoro) and the kanji for heaven 天 (ten). (Don’t ask me why them being smack together turns the Koroko into Tokoro. I don’t know.) Which in slang refers to prostate orgasms. This has nothing to do with this analysis I wanted to drop this fun fact in here. …And this image of Sukuna clutching his heart while looking at someone he sent to heaven.

(This is a reach but the idea of this being an elaborate gay pun amuses me greatly.)

I have another fun slang term: 賢者タイム (kenjataimu) which directly translates to sage 賢者 (kenja) time タイム (taimu). This refers to post-nut clarity sending someone into a meditative-like state.

Oh that’s a bit familiar. Sukuna was giving sagely advice to Kashimo and reflecting on satisfaction and love.

And what’s this? Mitashite has made a reappearance! Sukuna is saying “I’ve never thought about needing another person to fill me up.” Which 1. further supports the 'The one satisfying/filling him (Gojo) now is—Sukuna.' reading and 2. suggests Sukuna is a top suggests Sukuna really doesn’t have sexual interest in people. (Since the context of this convo is relationships and love.)

By the way. Acts of eating in Japanese can be modified to carry sexual meanings. It’s a bit more suggestive than English, but it carries over pretty well I think? 肉食系 (nikusokukei) refers to someone who aggresively pursues romantic or sexual relationships. Composed of the kanji 肉 (niku) for meat, 食 (ta) for eating, and 系 (kei) class. If you noticed, 食 isn’t usually read as Soku. It becomes Soku when paired with Niku for some reason. (I don’t know why someone please help me.) Side by side the kanji 肉食 (nikusoku) means meat-eater.

食 is still interesting on it’s own. The 食べる (taberu) reading is normal eating. The 食う(kuu) reading is an innuendo. It can mean to devour someone, like a cannibal, or devour someone sexually.

Sukuna has made it very clear that his eating of people is literal. There’s no innuendo. In fact, if you read into it, he’ll kill you (rip Yorozu and Kashimo).

Gojo, however, appears to be his sole exception to this rule. When Sukuna tells Kashimo not to spoil his pleasure he uses the kanji 興 (kyou). This of course can be directly translated as pleasure, but the Chinese reading of it can also indicate intense excitement or sexual arousal.

Sukuna is pretty good at double-entendre wordplay if his earlier stunts with the kanji for Enchain doubling as Megumi Activities if read a different way is anything to go by. He's a fan of Chinese literature. It's not a stretch to assume there's more going on here.

And if notoriously homophobic Reddit dudebros are posting things like this. Maybe there's a lot more merit to this reading than I can currently grasp.

I’m still pretty convinced Sukuna is aroace. That of course doesn’t bar him from pursuing romantic or sexual relationships. Sometimes there’s the one exception. Sometimes the desire to be with and please an allo partner allows for engagement of activities they aren’t into. Sometimes the actions are pursued without the emotional attachment because they physically feel good. There’s also the gray-scale and demi labels to consider.

With that in mind, I want to emphasize this all points to how important Gojo is to Sukuna regardless of sexuality. He tried to engage with and understand Gojo on terms he won’t for anyone else. And he’s been pursuing this connection relentlessly since the start of manga.

Sukuna’s Negative Rizz

Ok I established that reading the Sukuna vs Gojo fight as unhinged courtship is supported by the text. That doesn’t really say anything about Sukuna sucking at it.

But, my dear reader, that in of itself is proof of his negative rizz. I had to sit down. Learn about Heian era and Shinto wedding rituals, learn more Japanese, splice seemingly unrelated manga panels together, read hentai, and know that Gege is into yaoi to come to this conclusion. I had to rip every little shred of characterization and context apart and rearrange it into something comprehensible.

You know who can’t do that? Gojo.

As far as Gojo is concerned, Sukuna hates him. Kisama is an extremely hostile you pronoun in modern times. And if Gojo can’t tell Shoko (his closest friend after Geto) is stressed over him being used like a meat puppet by her visibly falling back on her addiction, he’s going to default to the assumption Sukuna hates him just as much as everyone else.

And Gojo does just that. He assumes he failed to reach Sukuna. Despite how often they did hand to hand combat and weaponized their knowledge of each other, Gojo believes they never had proper conversation through fighting. He dies not understanding Sukuna, convinced the other was not trying to communicate with him at all.

And if you recall, all of this fight occurred while Sukuna was wearing Megumi’s face. That boy is pretty much Gojo’s adopted child. From my experience, most single parents do not go looking for clones of their kids as partners.

If someone wore the skin of my family member I would assume they were trying to torment me. And torment Gojo Sukuna does. He draws attention to Megumi’s soul being used as collateral and attacks him with the 10 Shadows. We as the audience know this is all for the sake of getting past Infinity using his Shrine. Gojo doesn’t know that. He’s fighting an evil dude who is puppeting the body of his son for god knows what reason.

Seriously, Sukuna sucks at communicating intent.

In Part 3 of my examination of Sukuna’s loneliness, I said Dismantle is a tool Sukuna uses to understand. And that him upgrading it by making Gojo the center of his world was indicative of his desire to reach him. I also said his refusal to use it on Yorozu was him expressing how little interest he had in her.

Yorozu is pissed by this. She sees it as Sukuna rejecting her and I don’t think she’s wrong. Sukuna saved his special Cursed Technique (CT) for Gojo while turning Yorozu down. If we’re considering all the wedding imagery and references that started with Yorozu, I’m certainly allowed to read that as him saving himself for Gojo. (Think of how he lied to Gojo about being the first one he killed.)

There’s also the fact that Yorozu saw their battle as an expression love and lust—that the usage of CT is a type of foreplay under certain circumstances since it is an extension of the self. Combine that with the established premise that fighting is a type of a communication thanks to Maki vs Sumo Guy and you can start to see the courtship logic behind Sukuna’s treatment of Gojo.

If we are to read “The one who will teach you love is…Sukuna” there’s another adorable caveat. Yorozu uses the you pronoun あなた (Anata) for Sukuna.

It’s an informal you pronoun used by people learning Japanese. Native speakers try to avoid using it as it can come across as rude. But in the context of love? This is colloquially called the wife pronoun as its often used by a wife to her husband.

If you wanted to localize its usage in the way Yorozu means it, Anata might become “you, dear”. So here we have Sukuna dressed in white, like a bride to Gojo’s groom, thinking of him as Anata.

The problem is, Gojo doesn’t know that. Sukuna never bothered to open his mouth and say this was an act of love. Sure he told Kashimo in the most roundabout way possible, but Gojo was the one who needed to hear that. If a courtship is going to be this diabolically complicated, there has to be clear hints for the other party. JJK is not Umineko where there’s a witch that can revive the dead over and over until the idiot finally understands this was all for them.

Gojo also doesn’t have access to the kanji Sukuna uses to describe certain techinques or words. He hears the phonetics and runs with whatever best fits the context. This means there’s no way for him to catch the double-meaning unless he’s a certain type of lingust, which he is not. His manner of speech and personal interests don’t line up with the flowery language of the Heian Era. The types of written works Gojo is into are historical war politics from the Sengoku period (known for violence more than the fine arts), Shonen manga, and physics/math.

And what's this? According to CFYOW (the canon light novels): JJK Thorny Road at Dawn, Chapter 3 Asakusabashi Elegy, Gojo doesn't even like ancient poetry. You know, the thing Sukuna enjoys and tries to communicate with.

The Kokin Wakashu Gojo off-handedly disparages is a compilation of Hiean Era poetry known as Waka. This was the primary means of communication amongst the noble class and spiritual leaders at the time. And the thing is, this poetry is supposed to be read into. Down to the quality of stroke and paper, not just the kanji written. Especially for courtship.

It’s not that Gojo is stupid. He just doesn’t specialize in the studies that would give him a more critical ear to Sukuna's words. And Sukuna doesn’t seem to understand that no one in the modern era communicates like this anymore.

If you didn’t know, this is why Japanese characters introduce themselves they often describe what kanji their name is spelled with. Take for example: Satoru. He uses the kanji 悟 meaning enlightenment. This kanji can be read as Go instead of Satoru. Additionally, the name Satoru can be written in kanji as 聡 for smart, 智 for wisdom, 知 for knowledge, 了 for understanding, 哲 for philosophy, 聖 for virtuous, or 暁 for daybreak. That’s 8 different kanji possible if you hear the name Satoru.

This is why Sukuna’s wordplay for everything else can be easily missed by other characters. They hear the words and cannot read the kanji like us. Context decides what Sukuna means for them. And since Sukuna’s context for most is violence and insults, it’s very hard for them to think about his words in any other way.

And boy howdy does Gojo miss it. Sukuna straight up calls him his husband and it took me several rereads to catch it. While mocking Gojo for being unable to open his domain, Sukuna calls him "painfully ordinary". This is localized from the word 凡夫 (bonpu) which can also be translated as unenlightened. (A layered insult! Sukuna is pretty much saying Gojo's sorcery is so boring he shouldn't even call himself the Honored One.)

The thing is...Bonpu is comprised of the 2 kanji 凡 for mediocre, and 夫 for husband. (Please note that there are many other ways to call Gojo a ditz without using the kanji for husband.) And an update from the Replies: Turns out there's layers to the gayness too.

It's come full fudging circle. Gojo came dressed as a groom for a wedding and Sukuna thinks they're already married. The miscommunication is off the rails.

But wait! There's more...

Earlier I mentioned that the kanji for Enchain doubles as Megumi Activities. Let's break that down more. (Unfortunately the Twitter account of the person I referenced may or may not be nuked so here's this screenshot I've doctored.)

So we have the translation of Enchain from 契闊 (Keikatsu), which might be better localized as Separation.

This term comes from a Chinese poem about lovers who are husband and wife in The Book of Odes, Section I (Lessons from the States), Chapter 3 (The Odes of Bei), Poem 31 (Banging the Drum). (Here's a link to the full poem and context of it.)

In summary, it’s about a soldier who is on the brink of death, having lost nearly everything after being abandoned by those in power, lamenting the happiest days of his life with his love are ones he can never get back. (Hey that sounds just like what Sukuna did to Yuji!)

Keikatsu specifically comes from this passage:

“Our vow is beyond death and life”, I and you are together I always remembered. I will hold your hand, And together we grow old.

Too pitiful we are faraway apart, The distance separates us to meet again! Too miserable this takes forever, And it does not let us fulfill our vow!

Keikatsu is used to exemplify how the physical distance between the husband and wife prevents them from fulfilling their wedding vows. And that's just what Keikatsu/Enchain does to Yuji and Megumi, it causes painful separation neither of them wanted.

Keikatsu also tells Yuji exactly how Sukuna plans to do it. 契(kei)闊(katsu) can be written as 恵(kei)活(katsu). The kanji 恵 can be read as Kei or...Megumi. (It's the literal kanji used for his name.) The kanji 活 (katsu) can mean "activities", which is how we get Enchain=Megumi Activities.

A two for one special! Sukuna mocks Yuji for being so close with Megumi while telling him exactly how he's going to destroy their relationship.

It seems this has nothing to do with Gojo until you consider the 3rd possible reading from wordplay with 契闊 (Keikatsu). The kanji 契 when read as Kei refers to a promise, pledge or vow. When 契 read as Chigi? It can refer to sexual intercourse, especially between husband and wife.

So we have 契闊(keikatsu, separation), 恵(kei Megumi)活(katsu, activities), and 契(kei chigi, spousal sex)活(katsu, activities). It's no wonder he erased Yuji's memory of it.

Keep in mind, that when Sukuna uses Keikatsu, the only vow that he has made at this point is his promise to kill Gojo. He eventually does that using Megumi's body during a fight framed between groom and bride. And for reasons beyond their control, Sukuna and Gojo have been unable to fulfill that vow through lengthy separation.

Notes from poem "Banging the Drum" Sukuna references include the following:

"And during the operation, he lost his horse, which was a desperate situation (horses in ancient time carried soldier supply and weapons, are life companion for soldiers in advance or retreat), he lost his horse, his supply, maybe his armor and weapons, and the road he was facing that we may lose his life so he may never go back. In all these mess, he started searching, and somehow at this hopeless moment he started to revisit his happiest moment, when he together vowed in marriage ceremony with his wife, and he was even afraid that he might never see his love again."

"And His last statement for his true value is his home, his love, his fulfillment of his vow is his true duty. Hero's duty is to pursue love."

In Buddhism, which JJK is heavily influenced by, horses are a pretty big deal. Horses can represent the path to enlightenment, especially since The Buddha's horse is what takes him on this journey away from his wife and children. They separate in the end though, the horse dying of a broken heart.

Remember how Sukuna called Gojo unenlightened? He sort of guided Gojo to enlightenment using Mahoraga, whose Eight-Handed title is a reference to the Eightfold Path to be followed for enlightenment. Buddhist enlightenment is centered around liberation from suffering. (Just check the wiki entry to verify this.) Infinity was the source of Gojo's suffering and Sukuna cut right through it.

Sukuna has been running around with a broken heart for a good chunk of the post-Gojo fight. And if you take that into consideration with this poem and all the other symbolism, he's somehow a Buddha, a Bodhisattva, the dying husband, the widowed wife, and the heartbroken horse all at the same time. Not unlike his wordplay taking on every possible meaning at once.

But my point here is that Sukuna might’ve seen his fight with Gojo as consummation of their marriage. (There's probably a joke in here about the husband reaching climax while leaving his wife unsatisfied.) Remember in the wise words of Itagaki Keisuke, "Fighting and sex are exactly the same!"

In Conclusion?

This is possibly one of the most bizarre and elaborate expressions of love I have lost my mind over. Sukuna gave everything Gojo ever wanted from Jujutsu violently. He did it in such an unpleasant and cruel way that the target of his affection thought there was nothing between them. Sukuna also hid his intent under social norms that no longer exist. Unless Gojo happened to be into ancient literature, there was never a scenario where he would catch onto this. Sukuna's failure is critical on multiple levels.

It’s impressive. It really is. No one knows how Sukuna’s strange little brain works so he’s stuck being loner without anyone that fully understands him. (I’m still thinking about how Uraume didn’t know Sukuna was a twin for over 1,000 years.) He’d have to let people in and tell him outright, but he’s just like Gojo so I guess that’s never happening.

[floccinaucinihilipilificationa]

Hello may 31th anon! Look at that, another year behind us and a new one to come. Have a nice day! ₍՞◌′ᵕ‵ू◌₎♡