#(I think maybe I have a bit of adhd?? I don't know??)

[iceeericeee]

I wonder how many tags i can add on to this

[frostwing213]

So, I've been questioning if I have ADHD

So I made a list of why and why I might not have it. I gave up partway though, so here's what's done

Why I might:

Constantly forgetting to eat, or not eating because I can't get myself to get up

Forgetting to drink, unless I have my full waterbottle next to me, then I'm Constantly drinking

So many half finished books

Very forgetful

Kinda like organizing sometimes, but only when I'm organizing things by like color or something and I can't get myself to get up and organize what needs to be done

Watches TV shows I've seen before while I work on my computer and scroll Tumblr on my phone

Never knowing what time it is, having no idea how long things will take, and sitting for "just a minute" and realizing 2 hours later

Means to set timers, but forgets. If I set a timer to do a task, sometimes I'll tell myself "Ok, just a second" and continue scrolling and I don't do the task

I cannot summerize to save my life and go on tangents

Sometimes I'll speak my train of thought and I end up on a totally different topic

I'm sitting here making this list rather than changing into comfortable pants like I wanted to... 2 hours ago?

Music in my head. All. The. Time.

I play music to go to sleep so I can distract my brain from my train of thought and actually sleep (Sometimes it works!)

I started writing this point, then added something to the pervious one and forgot what I was writing here

Sometimes I randomly feel like I have to move

A lot of times I get motivation to start a task so I start, then partway though the motivation is gone, like right now

I REMEMBERED WHAT THE EARLIER POINT WAS! I Constantly forget to hit start, or send, or stuff like that

I've had people ask me if I had ADHD, no prompting. Multiple times, multiple people

I've had people with ADHD go: Wouldn't be surprised. When I mention the possibility

Sometimes I get every aware of how I'm sitting and all the tiny pains. So I have to fix it

I definitely have things that seem like hyper fixations or special interests. Like, I remember something and suddenly Im obsessed for a few days at least

I got a guitar, have done two (youtube) lessons on it, and haven't touched it in weeks

I hate it when there are notifications on my phone's head thingy, but when I want to remember to answer something, I'll leave it there (Sometimes works)

My room is a mess and It should be easy to clean up, but I just don't want to, and I can't get the motivation

Clean laundry is currently sitting in my hamper, waiting to be put away

I have to Constantly remind myself to take a shower if I want it to happen

I need to eat some food and get more water, but Imma forget about this list if I get up

I'll stop in the middle of sentences/thoughts, and have to pause, retracing my thoughts to get back to it

I always get a crap ton of pencils at the beginning of the year, and they're all gone by the end

I loose things and always have to get them again when I need them.

I should not be given money and set loose to buy things on my own, I will buy candy and other food items unless stopped.

I can't stand silence (so lots of music playing) but I hate when things get too loud (sensory overstimulation??)

Homework is horrible because once I'm not in a class setting, I can't get the motivation/get distracted

I like creative writing and write pages and pages, but I get stuck on essays and are working g on them for hours to days, but it's like, the same thing?

If something leaves my vision, I forget about it easily

I paused writing this list to start the "Why I might not" list, then jumped back here (keep jumping back and forth)

I cannot take notes. Either it is everything the teacher says, or it is nothing.

Im smart, but I've been told I just need to apply myself more

I will get so stressed about something, but I can't get myself to do what needs to be done to fix it

If I don't want to do something, I have a lot of trouble to get myself to do it (maybe just me being lazy)

Even if I want to do something, I struggle with doing it

I give up on hard things easily

I'll get up to do something, pause to do something else, and forget about the original thing

Why I might not:

I'm good at tests

I'm an attention seeker, this may be me trying to make myself more special

I'm good at peopling (I think)

I'm a good listener

I don't struggle with eye contact or most people things

Becase I'm thinking about this so much, my brain may be overexatragting things

I'm sure some of the reasons I might are just normal people things and I need to deal with them

It feels like any symptoms have appeared recently(is. Well, some of them weren't there when I was a kid)

I enjoy school

I love reading

Since I have a little brother, I'm good at tuning out all noise when I'm reading.

I'm smart

Some things might just be me being lazy

Maybe some things are just flaws I need to work on

May add more stuff later

[catboyriker]

sometimes i forget that other people observe body language and then think things about said body language

[lesenbyan]

yanno, for a show that seemed to always be running when i was growing up (disclaimer; I did not grow up with the channel; I only had access when visiting my mom's parents if they were even in the same state) Danny Phantom really is a short show, huh?

[shy-sapphic-ace]

Ok ok so here's my casting for my Robin Hood mechanisms AU (+ some random ideas!)

Robin Hood: Gunpowder Tim (she/her)

Maid Marian: The Toy Soldier (she/her)

Prince John: Jonny D'Ville (he/him) (yes I made Jonny play a guy named John) (he'll probably only be referred to as "the prince")

The Sheriff: Marius von Raum (he/him)

Friar Tuck: Ashes O'Reilly (they/them)

Little John: Drumbot Brian (he/him)

Will Scarlet: Ivy Alexandria (he/she)

And I have a few random ideas for songs or stories, with the intro narration called 'The Highwayman' the next song called Merry Men and then the next narration is 'The Maid Marian' and the next song is Lady Love and it's all abt how Robin and his wife love each other very very much (think like Blood and Whiskey), somewhere I'll have the sheriff and the prince sing a gay little villain song, there will also be a part called 'The Heist' where the merry men plan out a heist to steal from the prince and then their daring escape, near the end there will be the whole contest thing where Robin disguises himself to win the archery contest and gets the prize, and at the end the last narration will be 'The Hospital' or something where the nurse who is actually evil (or something, I'm pretty sure) doesn't treat him right and the last song will be Robin singing to Little John about his end and the song will probably be called Where the Arrow Lands (bury me where the arrow lands, my loyal friend / how tragic, how sad, that it's come to an end) (or something like that I'll work on it) AND THEN HE DIES IN HIS ARMS OOOH SO TRAGIC

Yeahh and I'll have to go re-read the lyrics on the mechs' songs because their style of rhyming is different from what I usually use when writing songs so I'll have to change up my style a bit. (I think they write rhymes a/a/b/c/b or a/b/a/a/b something?? idk I've only really listened but I always write a/a/b/b)

Last thing, this miiight be called "In The Woods Of Nottingham" but the title is a work in progress

Sorry if this is kind of a mess, that's just how my brain feels right now I just Need to get some words down or I might explode

[running-in-the-dark]

and it just occurred to me that when we move, I might try to find a new therapist. there might be one/a few right in the town we're moving to (I haven't checked), but we'll be really close to a city then. so I could get there regularly (maybe. it's very scary but maybe I can manage it). so. I should probably do that? maybe find someone who'll like.... do more than just accept that I've got social anxiety (because that's what I said when I first saw my previous therapist) and help me figure out the real problem.

[sherlock-is-ace]

.

[inkskinned]

there are a lot of posts out there that are positive and healthy coping mechanisms for handling the holidays. this is not one of them :)

i think there's like. going to be times in your life you will be stuck in a social situation that you cannot escape from gracefully. i do not know why the internet doesn't believe these times exist. it's not always just that your physical safety is at risk - sometimes it's legit like "i just don't currently have the energy or time to put in the effort of responding to this." sometimes it's a coworker you hate so much. sometimes it's just like, fine, you know? like you know you can handle your aunt when she's cheerily horrible, but if you actually set a boundary around her, it's going to be weeks of fallout with your father.

i don't know why people think the answer is always just "cut them out!" or "don't let them get away with that!" because ... the real world is tricky and complicated. i think kind of a lot of us have an internal "radiation poisoning" meter for certain people. like - i'm talking about the ones who are absolutely giving you gradual ick damage. like, you can handle them, but you'll be exhausted.

and yes. you absolutely should listen to your therapist and the good posts about handling others and set good boundaries and take care of yourself. prioritize peace.

HOWEVER :) ...... since im often in a situation with a Gradual Sense of Ick person i cannot just "cut out" of my life (without losing someone else precious to me) - i have sort of developed the most. maladaptive form of mischief possible. because like, if i'm going to have to listen to this shit again, i like to have a little bit of private fun with it.

now! again, i am physically safe, just mentally drained by this man. you should only do this with people you are not in danger with. which leads me to my suggestions for when your Unfortunate Acquaintance shows up and says oh everyone pay attention to me.

my favorite word is "maybe!" said as brightly and happily as possible. whenever the Horrible Person starts in on a topic you do not want to go further with, particularly if they make a claim that you know to be inaccurate, do not respond to it. you and i have both tried to actually argue with this person, and it hasn't gone well, because this person just wants the drama of an argument. however, "maybe!" gives them literally nothing to go on. it is incredibly disarming. they are used to people having some response. they know they can't prove what they're saying, and maybe! treats them like the child they are. it dismisses them in the politest way possible.

i like to say maybe! and then, in their stunned silence, immediately change the subject. this is because i have adhd and i will have something unrelated to talk about, but if you can't think of topics fast enough, i recommend just pointing to something and saying, "isn't that lovely?" because fuck you let's bring in some positivity.

by the way. that second trick - of pointing to something and stating an opinion about it? - that just works on its own, like, 70% of the time. i picked it up from teaching preschoolers. it's an intentional "redirect". it stops children crying and it also stops grown adults from finishing their explanation on why women belong in kitchens. dual wielding!

keep it silly for yourself. i absolutely do not care if people think i'm fucking stupid (it's more fun if they do) and as a result i will purposefully misunderstand things just to see how long it takes them to realize i've completely removed them from the subject at hand. when they say "women aren't funny" i get to be like. "which women." "all women." "all women in america?" "no in the world." "like the mole people? the people in the world?" "what? no. like, alive." "oh are we not counting the mole people?" "what the fuck are you talking about." "you don't believe in the mole people?"

similarly, i play a personal game called "one up me." my Evil Acquaintance literally knows this game exists (my family & friends caught onto it and now also play it) and it always fucking gets him. i don't know why. you have to be willing to be a little free-spirited on this one, though. the trick is that when they make one of those horrible little bigoted or annoying comments they are always making, you need to go one unit weirder. not more intense, mind you - just more weird. "you don't look good in that dress." "yeah, actually, my other dress was covered in squid ink due to a mishap at the soup store." "you shouldn't wear such revealing clothes." "wait, what? oh shit. sorry, your son tears off strips when no one is looking and eats them. i swear it was longer before we left the building."

the point of "one up me" is to completely upend this person's narrative. we both know this person likes setting up situations where you cannot "win" and then they really like telling other people how badly you handled it. in a usual situation, if you respond "please don't say something that rude", you're a bitch. but if you let it happen, you're letting yourself be debased. they are not usually expecting door number three: unflappably odd. because what are they going to say when they're telling everyone how badly you behaved? "she said my son eats her dresses" ".... okay?"

if you can, form an allyship with someone whomst you can tagteam with. where they can pick up on your weird "soup store" story and run with it.

the following phrase is amazing and can be deployed for any situation: "oh, be nice :) it's the holidays!" i do not know why this works as often as it does. i'll say it for the most random shit. i think this is bc most of the time these people know they're being impolite, they just like to fight.

godbless. when in doubt, remember that you could always start stealing their pens.

the whole point of this is - if you can't escape. maybe see how long you can just be. like. a horrible little menace.

[undreaming-fanfiction]

Okay, so vampire Eddie is a pretty standard trope at this point, but may I offer...Twilight vampire Eddie who is absolutely pissed off about his sparkly existence?

Eddie actually isn't that old, he was turned in the 80s when he was around 20. He lives with his small and not only vampire family. There's patriarch Wayne, his partner Scott who always becomes a teacher no matter where they move, Claudia Henderson and her son that have been with them ever since Scott noticed Dustin being unusually quiet in his class and soon after, Wayne kicked out his abusive father.

The problem with living with a smart man who loves educating people and a man who never received the education he deserved is - they take school really, really seriously. Whenever they move, Eddie usually has to re-join high school, it's all "just so that you have some socialization! Also we need to be able to blend in, so look around and see what's normal with young people! Also I'm pretty sure some of the stuff we know is now obsolete or disproven, so make sure to tell us!". And Eddie loves Wayne and Scott, he really does, but he had trouble blending in even when he was alive, so now? Impossible. As for gathering information, Eddie has been trying for decades to explain to Wayne that even if becoming a vampire healed the wounds from the lynching mob, it didn't do shit for his ADHD, so there. Wayne finds Eddie banging his head into a desk one day and chanting "WHAT-THE-FUCK-IS-TIK-TOK?!"

So yes, Eddie hates being a forever highschooler, but it also means he can run DnD clubs everywhere he joins and he's not even lynched for it like in the 80s, so hey, progress! He gets mostly content with his existence, except that he's fucking sparkly and can't turn into a bat, so what's the point?!

But then a huge group of people moves from the close town of Hawkins, they had a really fucked up earthquake - Wayne told him all about it, he often volunteered in rescue and high risk works, and he's never seen anything like it - and their little town becomes way more crowded. There are high school freshmen just begging to be introduced to his club, Hellfire, although one of them is scary observant and Eddie is really sure that Jane knows he's a vampire.

And then there's Steve Harrington. A young man with the prettiest hair ever who joined Eddie's class, apparently he needs to repeat the last year too because if your school burns down, you can't take final exams. He's stupidly pretty, snarky, bitchy, and even though he could be partying day and night and spending the rest of his time on dates, he prefers to hang around with the freshmen. Lucas tells him one day that Steve got badly hurt when he was digging through the collapsed middle school, finding and rescuing their whole group, and well...Eddie respects that. Dustin absolutely loves Steve and maybe Eddie feels a bit jealous, but he has to admit - the guy is cool.

The problem with Steve Harrington is this - he's seen so much shit that nothing really fazes him. Eddie loves shocking people. Steve is unshockable. It becomes their little game, they get close, Eddie realizes he has an embarrassing crush, all that jazz. He tries dropping hints, he slurps his bloody lunch from a bottle that has a "THIS IS DEFINITELY TOMATO JUICE AND NOTHING ELSE". He wears a cape. He adopts a horrible Dracula accent. Nothing works. Steve always just laughs and tells him that he's weird and that's why he likes him.

Finally, Eddie has enough. They walk in the woods to get high, Eddie decides to break the ice, he scoops up Steve, does his whole dashing-through-the-woods thing, and he hopes that he can finally share his secret with Steve.

Except Steve just pats his back and says "Wow, that was cool, man! You'd be amazing at track. Great core strength too," and Eddie's head implodes.

"Okay, Steve. Don't you think there's something rotten here?" he tries.

"I mean, it's the woods. Of course there's something rotting all the time."

Eddie tries again. "You've noticed something strange, haven't you. I'm inhumanly fast and strong."

"I sure didn't expect that! You must be secretly training. I didn't know this town had a gym."

Again. "My skin is pale white and ice cold."

Steve is watching a nearby squirrel instead of looking horrified. "Yeah, not all people tan great, Robin is like that too. And I told you, man. Your circulation is shit, you need better socks and some gloves too."

"My eyes change color."

"Yeah, I know, I do envy you that you can wear those cool contact lenses. My eyes are too dry for that."

Eddie is growing desperate, he's gesturing at the trees because Steve doesn't listen. "I speak like I'm from a different time."

"80s slashers will do that to you. You basically live on those. But I gotta admit that they're pretty fun. Oh look, she's got an acorn! Clever girl!"

"Very clever. Also I never eat or drink anything."

"Hey, I'm not judging. Some people prefer one or two meals in a day instead of the whole five meal thing."

Eddie feels like howling and he isn't even a werewolf. "I. DON'T. GO. INTO. THE. SUNLIGHT."

Steve's eyes finally leave the squirrel. "Duh. We've already established you can't tan."

And Eddie's had enough. He tears off his t-shirt, marches directly into the sunlight and throws the biggest tantrum of his life. "STEVEN HARRINGTON. PAY ATTENTION. I am 20. I have been 20 for a while now. You know what I am, right? I am a vampire. So ask me the question, what do we eat? That wasn't a fucking tomato juice Steven!!!"

Steve just watches him with quiet amusement, as if he's waiting for something.

Eddie doesn't notice. His monologue is reaching its most dramatic part. "I've killed people before! I'm the world's most dangerous predator!"

Steve snorts. "I saw you trip over your own feet in the cafeteria."

"Not the point!"

"You told a waitress "you too" when she told you to enjoy your meal."

Eddie actually howls now. "THE POINT IS." He spins in the sunlight and sees the reflections of light off his skin. "I wouldn't have minded becoming a vampire, but let me tell you. Being stuck in high school forever? Sucks. Craving chips and throwing them up whenever you try them? SUCKS. And thinking you've become the legendary creature of the night when you're a glorified glitter mascot?! And you can't even fly?! DOUBLE SUCKS."

He points at his bare glittering chest. "THIS THE SKIN OF A FUCKING DISCO BALL, STEVE!"

Steve just laughs and gets up from the tree stump he was sitting on. "Thanks for sharing. I was kinda hoping you'd finally ask me out since this is the first time we've had some privacy, but this was interesting too."

Eddie's sharing mania suddenly stops. He realizes he's shirtless in the middle of the forest, and his yelling has scared off the squirrel. He promptly grabs his shirt and puts in on. "Um. You...you wanted me to ask you out? Because I totally want to do that. Yep. But I thought it would have been unfair to ask you before I told you-"

"That you're a vampire? Dude, I know."

Eddie blinks once. Then again. "Excusemewhat?"

Steve smiles at him and touches his hand. "Look. After what happened in Hawkins, I know the smell of blood. I knew it wasn't tomato juice. Also I've accompanied the kids to enough monster flicks to know."

"Oh." Eddie licks his lips and doesn't really know what to say. "Um. What...does that mean for us?"

Laughing, Steve grabs his other hand too. "Definitely two things. One - you can and should kiss me. Two - you can stop wearing that cape. I got your point."

"Oh okay. Cool. Will do. Both."

And since Eddie Munson is a vampire of his word, he does.

(Wayne is absolutely delighted that Eddie is dating, he watches sports with Steve and discusses the pros and cons of Steve becoming a paramedic. Scott helps Steve with some of the subjects he's struggling with. In return, Steve works with Robin to find a makeup brand that is fully sparkleproof, giving the vampires a chance to walk in the sunlight again. And sometimes, he helps them answer the questions that have been plaguing the Munson-Clarke-Henderson household for years...such as: what is TikTok?)

(oh and also. Turns out Steve really thought Eddie was wearing creepy contact lenses. That one aspect of vampyrism he found very cool)

[sieluritari]

A lot of us with ADHD are familiar with the concept of time blindness, but for anyone who isn't: it's a neurological inability to have a consistent sense of the passage of time. If you put me in an empty room, gave me a button and told me to press it when I think it's been 15 minutes, I might press it after..... idk, anywhere between 3 minutes and 2 hours? And if we repeated it the next day the result would probably be wildly different!

But something I've only seen mentioned in one (1) Reddit post, which took some extensive digging to find, is the same effect extending to ALL things measured in numbers. Distance, weight, length, height, amount, space, volume, percentage... For me, small numbers are a bit easier, I could approximate a centimetre probably, but a metre would be much harder and 10 or 100 would likely miss the mark by a lot. Also, anything that can't be easily measured with a ruler or a measuring tape (like weight or volume) is even harder since I don't encounter reference points (like a 1kg hand weight) for those as frequently as I see visual representations of specific lengths.

It's not dyscalculia or anything like that, I'm decent at math (and the OP of the Reddit post was a math major) and I have no other difficulties with numbers, it's just a disconnect in translating real life experiences like sensory input into numbers (and possibly also inconsistent processing of sensory input? Like how the same sound volume is okay one day but hurts my ears the next?), which I think is basically the same thing as what happens with time blindness. For now I've been calling it "measurement blindness" since I've never seen a name for it anywhere, but maybe "quantity blindness" could also work?

I've talked to other people with time blindness to see if they experience this too, but so far none of them have known what I'm talking about. I'd really like to know how many of us are out there and if anyone knows literally anything actually scientific about this very inconvenient phenomenon!

Tl;dr: bc I am wordy:

It's like time blindness but for all things measured in numbers

Not dyscalculia or caused by it

Pretty much never seen it talked about anywhere

Please tell me if it sounds familiar and/or you know something about it, thank

[bumblequinn]

hi @sourpatchsquids! thank you for your question.

as an artist with ADHD, i know this struggle very well. unfortunately offering advice on this kind of thing can be tricky, because what works for me may not work for you (and vice versa!). nonetheless, i can try; take whatever works for you, forget the rest, or reshape any part of it as you see fit. :)

but before i offer any actual tools, i have one caveat. i want you to take a moment to reflect and consider if you should be:

changing expectations

the timing of this question seems fated, because just the other day i had a therapy session wherein i expressed my grief and frustration over struggling to work lately due to my seasonal depression. it's not fair that i'm struggling just because it got a little darker outside! i just want the spark i had in the summer! i was so much more consistent!

my therapist's response: nothing about human beings is consistent. we get sick, we get tired, we get hungry and thirsty (and thirsty) and sad and lonely and restless and stressed and overwhelmed. this all gets amplified for folks who are atypical in some way or another.

when my therapist compared our seasonal cycles to those of plants and other animals, who wilt and slow down and hibernate, i protested aloud that i wanted to be a perennial instead. at this she said: even perennials change with the seasons. rose bushes have to be pruned, sometimes down to half their height! it was a dose of perspective i didn't particularly want, but really needed.

so when you're struggling to work through executive dysfunction, burnout, or brain fog, it can help to first check in with yourself about a few things. what do you have the capacity for right now? do you need any accommodation? and if so, what changes you might make to accommodate yourself?

with practice and self reflection, i've learned a handful of specific routines that help me when i'm struggling with creative work, which i'll detail next. note that while your question is specifically about music and i am specifically a musician, i believe that all of these suggestions can apply to most any form of digital creative work.

with that in mind:

#1: work slower

when i'm at the top of my game, i can get a LOT done in a day. but when i'm depressed, fatigued, or distracted, i just can't go full steam. sometimes i'll try to convince myself that i can if i just push harder, but what actually ends up happening is that i'm just fiddling with settings and going in circles rather than moving forward.

instead of that, when i want to work a lot but can't, i try to work slow. how slow? however slow i need to. take four hours to figure out the melody for a single verse. take all day to figure out that drum groove. yeah, i take a lot of breaks in between. who says i have to be my Absolute Most Productive Every Day Or Else? that's the puritan work ethic talking. kill it. be kind to yourself.

i'm reminded of advice i once read about some super successful and prolific author (gaiman? king? pratchett?) who said they wrote only four hundred words every weekday. that's already less than the word count of this post, and i'm only—[travels into the future to check my final word count]... 22.8% of the way through writing it!

now, i don't think i could function that way, because ADHD means some days i'm hyperfocused like crazy, and other days i just have no steam at all (more on that in #4-6). but it seems to me that if even someone highly respected in their profession can achieve what they have with only a little bit of work on a regular basis, maybe i don't have to punish myself for not pumping out a finished work every single week.

doing less work per day means you're much less likely to burn out, which does a lot for working more consistently. if that consistency still doesn't look like a five-day work week, that's okay! as long as it helps you work even a little more often when you want to, it's something worth doing.

however, if you're still feeling truly stuck, all hope isn't lost. you can still try:

#2: switch projects

sometimes the reason i'm moving slow is because of a bad brain day, but sometimes the reason is that i just cannot muster the motivation to do the specific task i'm trying to do right now. ADHD is fueled by novelty and interest, and if i'm not interested in what i'm doing, or it's feeling stale, that's a sign that i need to switch gears.

this is why first it's helpful for me to have more than one project going at a time. this might mean completely unrelated works, or it might just mean related tracks as with the music for a game like SLARPG or susan taxpayer.

the idea here is not to start a dozen different projects and bounce around them like i'm playing whac-a-mole—though i have done that. (i don't recommend it.) the idea here is to have a manageable number of different projects i can be working on so that if i get bored or stuck on something, i have fallback options.

what that number of projects is depends entirely on the week. maybe right now it's two, maybe another time it's three. i would probably be getting carried away if i tried more than that, but that's just my own limit. maybe yours is different. that's something for you to think about.

but it doesn't have to stop there.

#3: switch focus

maybe there is this one project that i just HAVE to work on, but the task i'm trying to do at this stage just isn't coming to me. okay, well, why don't i try working on a different task?

let's say i can't figure out what i want to do with the melody in one part of the song:

what if i try jumping ahead to a different part of the melody? ...no, i'm stumped on melodies today. okay, how about working on the drums instead? ...hmm no, i think i'm just completely tapped out on writing parts right now. alright, what if i organized my tracks, making sure they're all grouped and named in a way that i can work with easily? what if i did a rough volume balance for the mix?

and so on. if that's not enough to shake the off stuckness, i might consider: what can i do to make this project more interesting to me?

what happens if i try using an instrument or effect that i almost never reach for? what if i try sampling something obscure? what if i bang out the drums using my midi keyboard instead of drawing it in on the piano roll?

any approach that breaks me out of my usual habits is bound to get that feeling of novelty and fun back when i need it.

or maybe i can't do any of that right now, and so i take the time to answer a question from a fellow musician instead. i consider that part of my work, too, in a broader sense. check in with yourself and figure out what you can do right now. the rest will still be there later.

but okay, let's say you try switching gears, and switching again, and again, and nothing is moving. you try new approaches, but that wall of awful is insurmountable in this moment. it happens! the next thing you might try is:

#4: learn something new

when you aren't able to make progress on your projects, you can still make progress on your knowledge and craft. i often find this stokes a flame of inspiration in me where there wasn't one before. and even when it doesn't, it still gets my brain out of that feeling of stuckness and dread and into one of thought and action. learning also benefits in the long term because it adds to the well of knowledge from which you draw for all your future works.

for all the awfulness that exists on the internet, it remains an absolute treasure trove of teaching. there's an endless ocean of videos, blog posts, and articles from which you might learn something about your craft. (and if you sail the seven seas, plenty of book PDFs as well. 🦜🏴‍☠️)

it's true that the quality and depth of information out there can vary wildly, but in my experience most resources get at least some things right. and the more you research, practice, and figure out what works for you, the better you will learn to differentiate between the advice worth keeping, and the advice to forget. (that goes for all of what i'm saying here, too!)

that said, since our shared focus is music, a few resources i would highly recommend are:

music theory and composition music matters, 12tone, charles cornell, music with myles, 8-bit music theory, and this introduction by andrew huang

mixing and production dan worrall (especially this series for fabfilter), kush after hours, red means recording, andrew huang, alice yalcin efe, in the mix

general inspiration nahre sol, ben levin, david hilowitz, game score fanfare, posy, jerobeam fenderson, open reel ensemble, and ELECTRONICOS FANTASTICOS!

(if any readers have their own helpful resources for creating music or any other media, feel free to share in the replies & reblogs! 💓)

of course, on an especially bad day, it might be a challenge to seek out information, let alone retain it. that can feel pretty bad, but remember: be kind to yourself. the next thing you might consider trying is:

#5: consume art you love

not just music. books. shows. movies. games. illustration. animation. whatever moves and inspires you.

but do it intentionally. don't just pull up some random thing the algorithm suggested! check in with yourself about what you want (or are able) to engage with right now. choose accordingly. if you get a little way into it and realize it's not scratching that itch, hit the bricks. check in with yourself again. wash, rinse, repeat, until you find whatever it is that speaks to you right now.

and do it actively, if you can. don't just let it go in one eye and out the other! really pay attention to the work. what do you like about it? what are its themes and motifs? what makes it work so well? what are its flaws, and how much do they matter? what might you do differently? you can write notes as you do this if it helps, but even simply noticing and thinking goes a long way.

what you don't want to do is come at this with a lens of shame or envy. you're not here just to say to yourself, "ugh, if only i could do THAT." it's okay if it happens. use that thought as a springboard for curiosity: "well okay, how DID they do that? do i have the resources for it? if so, how could i apply that to my own work? if not, how can i adapt it, or what do i need to learn?" keep your mind open and approach the work with a sense of wonder.

as a creative person, it's very easy to think, "i should be making something right now, not watching a movie!" but that thought forgets something vital: your art is a response in a conversation. of course the "language" you use is your own, and maybe if you're lucky you'll invent a new word. but most of the words you use have been around long before you were born. you're just one voice in a dialogue that spans continents and generations, and that's okay. it's even the whole point.

none of us is an island. we are profoundly social animals. just as we can't live without eating, we can't make without learning. so half of making art is consuming it. consider this part of the process as well.

and finally,

#6: rest, and live your life

let's say you're in really dire straits. you've tried working slower. you tried changing focus, you tried changing projects. you want to take in new information or actively engage with your favorite art, but you're not in the headspace for it. what now?

take a nap. take a walk. take a shower. eat a nice meal, or an okay one. talk to a friend. maybe even do that chore you've been putting off (you know the one).

it's human to always crave making, but you're not a machine—and even if you were, machines need regular maintenance, too! you wouldn't drive a car that's completely out of gas, and you won't do yourself any favors treating your body that way either.

i know that when you take a break it feels as though you're not accomplishing anything, but you are: you're taking care of your animal self. and while you do that, your creative brain doesn't stop working! much like windows, it has countless background processes running at any given moment, with inscrutable names like "cbdhsvc_692da" or "Microsoft Edge Update Service." it's true, i checked.

when you're stuck on a project and you step away to rest, your brain is still chipping away at your ideas unconsciously. i like to tell people, "it's percolating." much like waiting for a pot of water to boil, that idea is still heating up, even when you take a step away. just be sure to check in on it once in a while. the time will pass, and it'll be boiling again before long. :)

before i go, i'll leave you with one last thing to keep in mind as you try all of these strategies:

be kind to yourself.

being human is just about one of the hardest things you can do. let alone being a human trying to survive capitalism while living with disabilities! the last thing you need on top of that is to overwork yourself, talk to yourself negatively, or treat yourself harshly. there are plenty of other people in the world who do that to you—don't be one of them.

i'm not saying that you shouldn't try to challenge yourself, to test your limits and go above and beyond your ambitions, if that's what you want to do. just remember that hard work and self compassion are not mutually exclusive. so be careful not to bully yourself. take pride in the progress you make, even when it seems small. encourage yourself like you would a friend who's going through a hard time. and when you challenge yourself, be your own cheerleader.

i hope you find this advice helpful! remember, this is just what helps me, so don't feel like you have to follow any of it exactly. maybe taking time to learn new information helps break you out of your rut more than working slowly, so you reach for that tool first. maybe having multiple projects going at once is too distracting for you, so you prefer to stick to one at a time. whatever your needs are, feel free to alter and adapt these ideas to fit you.

thank you for reading, and i wish you the best of luck in your creating.

with care, bee 🐦

[gallusrostromegalus]

Hey, your posts saved my screwdriver!

I actually loathe these - they're adhd 'single use' screwdrivers - good in theory, though.

But I used it recently and dumped all the bits in the drawer instead of the storage compartment and I rescued it after seeing prev. screwdrivers.

(Not because I care, but because I needed it to comit to the bit.)

So apparently it will live to see another day. Cheers!

I don't know man, we have one of those in my house (somewhere. I think he's hibernating at this time of year) that has a name. Harvey magically appears any time I need to mess with the light switches, so maybe yours just needs a name so it knows when it's needed. 10/10

[running-in-the-dark]

okay so I've been painting a lot these past few days. it's frustrating because it feels like I'm starting all over again because it had been a while. but now I'm starting to get the hang of it, I think. I don't want to burn everything I've painted anymore, so that's definitely an improvement.

but. the whole time I just have this thought in the back of my mind - why do I try to get better? it's so pointless.

I'll drop painting again soon anyway. maybe it'll be days, maybe weeks. it'll definitely be no more than two months (that's when we move). so. the next time, I'll start all over again. I'll have to figure it all out again and I'll be so bad at it again and I'll feel exactly like this again.

[thats-godscomma]

Since rewatching Psych, I've been thinking about how weird and arbitrary Shawn's interests are. Sure, late 2000's writing had something to do with it, and maybe a bit of Henry and Gus's influence, but hearing Shawn be so vocal about how he hates certain popular things or (more importantly) refuses to give them a chance BUT at the same time knowing so many pop culture references, it got me thinking.

What if the reason Shawn has so many pop culture references on hand is because of his eidetic memory, and he doesn't actually have as much of an interest in pop culture? Throughout the show, he actively avoids getting roped into big interests and franchises (see: comic books, soap operas, etc.) despite the fact that he genuinely seems excited once he's part of it. In fact, we don't get to see a lot of Shawn's interests at all unless it's based on an idea.

Take being a bounty hunter, for example. According to him, he's obsessed with the idea, but he doesn't make many references to an actual bounty hunter show or franchise. Instead, he just remembers the one bounty hunter he saw as a child and maybe references a movie or two. Because once he remembers something, he's never going to forget it, or at least not for a very long time.

That's why he thinks in references. Everything is a reference if you have a good enough memory. Everything reminds you of something. If Shawn hears someone make a Spock reference, it's in his repertoire forever. But he wouldn't be caught dead watching the shows or movies because that's just too much information. Why on earth would he endure that?

Of course, it also intertwines with his ADHD. He has bouts of energy and trouble focusing. He can't sit still to save his life, and he hyperfixates...or he would if his memory didn't make him averse to it. So if he doesn't want to hyperfixate on an information-based interest, then what does he hyperfixate on? Physical activities. Instead of learning about his favorite daredevil, he tries to be one himself. When he learns about oil rigs, he doesn't get a book from the library. He tries to find oil in his backyard.

This is also where he and Henry differ regarding Shawn's "potential." Henry is correct when he talks about Shawn's "wasted" potential, but he doesn't understand the toil of having this eidetic memory and ADHD. Here's what I think happened: Henry probably noticed Shawn's stellar memory at a young age, realized he has a gift, spoke with his wife about her eidetic memory, learned that you need to challenge your child's eidetic memory at a young age or it'll go away, started the hat game to make it fun and exciting, but then Shawn's ADHD appeared. Suddenly, it made him much harder to raise (because let's be real, Shawn was not an easy child.) Henry didn't know what he was doing anymore, and since it was the 80's, he didn't have the resources to properly understand his kid's behavior, so he tried to find a common interest, and started training Shawn to be a detective "because kids love cop shows." But Shawn struggled to stay attached to one single interest, and when he grew up, he stopped trying to articulate his problems because his mom (the only person who remotely understood his struggles) left, and he blamed his dad for it.

And academics? Those are a joke because what is the point of studying if he already remembers everything? Until, of course, he needs to apply it to a problem-solving test or writing an essay. Suddenly, he's memorizing a math teacher's answer sheet and copying Gus's report.

Yes, Shawn could have been a great cop. He could be an amazing scientist or anything really. He could have been a national spelling bee champion like Gus wanted to be. Even 15 years later, Shawn remembered exactly what word Gus messed up, how to spell the word, and what letter he made Gus slip up, but he didn't want to be on that stage with Gus because that requires so much learning. And so much time. And so much memorizing. And he refuses to sit still for that long when he knows that overloading his head is going to give him migraines.

Also his "I've heard it both ways" probably comes from the fact that people with eidetic memory can still make lots of mistakes if they don't actively commit something to memory. If Shawn only overhears something, he'll still naturally try to fill in the gaps like everyone else, but because he's so confident in his memory, he just believes what he remembers to be true, leading him to repeat incorrect information with confidence. That could also be why some of his references are incorrect due to mixed-up homophones.

Anyway, this post was supposed to be about how Shawn is just a walking movie reference because his memory won't let him forget quotes, but then I fell into a rabbit hole of the negative effects of having an eidetic memory as a child, and I am very passionate about how Henry actually tried his best, and people need to stop calling him a horrible parent. Love y'all. Let me know what you think.

[greenunoreversecard]

HEYYEYHEY CAN I REQUEST LLOYD (ninjago) HEADCANONS PLEASEEEE (ty :3)

A/N: Ofc!I'll do general character ones, as well as x reader ones :) hope ye likey likey:pp

Lloyd, The Greenest and Geekest mf.

General character headcanons:

Half Japanese half Chinese

His hair is box blonde dye and you cannot change my mind.

Left handed

Severely dyslexic and hands off all scroll reading and just reading oriented tasks to kai.

Def gen z vibes. Like, the others give off more inbetween z and millenial, so they dont always get his humor. And sometimes he uses that to his advantage and "Speaks in code" (uses as much slang as possible)

Has LED lights in his room set to forest green.

Has given himself a smiley face tattoo.

Cried over a dead goose once.

OK, just to preface i see cole as a stoner of Sorts and uses the excuse "it gets me closer to my element"

With that in mind cole let lloyd try it and now sometimes when he is told to unwind, of feels like he needs to take a chill pill he and Cole spark up

in the beginning of his leader ship role, he used to Say;"kick ass and take names" and if things went wrong he had the fuck it we ball mindset, but got better with time. There are still times they wing it, though.

if he isnt in his gi he almost exclusively wears his pajamas (aka a Hoodie, tshirt and sweats)

Vv tired, and now has a raging addiction to energy drinks due to his lack of Sleep.

He used to eat worms as a kid bc he Thought he it was evil.

Has a eyebrow piercing, and wants a tongue piercing.

Wears "reading" glasses, that he should technically wear all the time because he can't see up close and has a astigmatism,, but he says yolo. Zane then make him contacts after he almost ran into a moving blade and got his head severed.

Adhd and OCD, as well as the normal line up (anxiety, depression, cptsd)

Lloyd in a relationship:

Hes very distant in the beginning, it'll take time to warm up to you.

He tends to be orage cat vibes.

On the cat trend, he gets close for a bit Before becoming distant. Going through waves of affection, kinda.

He hasn't had like, any good relationships in his life so he tries to "protect" himself when he feels he gets to close to you, and so he pulls away.

He does the fuckboy face when your sad bc it makes you laugh, as well as That weird dice roll

He actually does the face/dice roll combo whenever he Sees you as he walks over, it's an inside joke now

primary giving love language: acts of service and quality time

Primary receiving love language: gifts and words of affirmation. But physical touch is also high up there.

Also, not expensive gifts. He hates those. Give him a stick you saw on a walk that made you think of him. He'll cherish it forever. And maybe cry.

He will cry.

will make noises at you and expects a noise in response or he'll be sad.

Also randomly bites you. He's a nommer

also sends you memes throughout the day.

As well as random pictures with the caption;"BABY LOK THIS IS S. US IF WE WHERE *insert whatever item here*

Called you babe, baby, love, shitface, asshole.

Expect kind and loving gentle bullying.

Doesnt know how to express his emotions to just expect him to come up to you, lightly shake your shoulders and aggressively say;"I love you bitch.i ain't Evea gon stop lovin you. Bitchhhhhhh" (vine reference)

Sends you .5 of everyone, himself included. He's addicted to Taking them. You will not get out of it.

Also sometimes just walks around in nyas stilettos for fun.

You two have fashion shows.

You also take over the Living room sometimes and build giant ass forts to watch shitty reality tv in and make fun oF The people

Overall, once he realizes you won't leave he's the most funniest loving chaotic guy.

But expect it to take a hot minute for him to realsie this

give him time,, but also have some deep talks..

Let him vent

and for the love of God don't hurt the baby's heart.

Expect inside jokes

[idkwhatever580]

You Like Me?

Pairings: WandaNat, WandaNatxreader (eventually)

Prompt: I decided to pair this prompt and this prompt together to create one big mess :)

Warnings: Poly couple, swearing, Nat being kind of a bitch, crying, a wee bit of angst I assume, fluff, soft Wanda, suggestive tones, shit writing, really im serious this writing is so shit, lmk if I missed any!

A/N: I really hope I did y'all justice because this is my first time writing WandaxNatxreader so please bear with me as I probably write a trainwreck of a story @sxlfishbrokenheart

Also don't ask what is going on with the povs I am clearly struggling throughout the whole damn thing T-T

Natasha's thoughts = Red

Wanda's thoughts = Orange

Y/n's thoughts = Purple

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Movie night at the Avengers' tower means cry night for you. Everyone in the tower has strict assigned seating so that nobody gets in a fight, even though it doesn't always keep the peace.

Everything seems to be great except for the fact that you have to sit beside Wanda and Natasha. Which isn't a problem for everyone else right? Wanda, Nat, and Y/N the towers' favorite trio...

Bestie trio, that is.

While Wanda and Nat are the perfect power couple, you're left as the third wheel that also happens to be pining for the both of them. So, while everyone thinks you love sitting with them on movie nights, you sit in agony while watching them out of the corner of your eye.

Sometimes Wanda, who sits in the middle of you and Nat, will pull you into her and claim that it's just what besties do. You of course, can't say no to her, so you end up running back to your room after most movie nights to cry about your wishful thinking.

You honestly can't even remember a movie night where you actually watched the movie. You usually just fall asleep in their arms trying to soak up the affection while you can.

But your dynamic has changed in the past few months...

Wanda is still super lovey and always pulls you in, maybe even more so than before, while Nat has become meaner and ruder towards you. So, you really feel like you're impeding on their relationship, which makes you get into your head.

Maybe Nat is being mean to me because she is jealous. Of course, she has a right to be jealous when Wands has been really close with me. I don't want to ruin their relationship. I'm not even trying anything. Maybe it is because they can sense that I like them. Oh my gosh, it is... Of course! Wanda is being extra nice because she pities me, while Nat is being mean because she is blunter and more obvious that she doesn't like me. I need to leave them alo-

You are cut out of your thoughts when a hand is placed on your thigh. That hand is none other than Wanda's, she leans in and says, "Hey, you alright?"

You quickly nod your head, and she visibly relaxes, but she continues, "Are you sure? Because we haven't even started watching anything and you look like you're zoned out on the tv that isn't even on."

This conversation peaks Natasha's interest, so she leans forward so she can see you past Wanda with an eyebrow raised. She is clearly waiting for you to conjure up an answer.

You quickly stutter out, "Oh- yeah, um, I am fine, I just- I just zoned out for a sec, you know how my ADHD can be."

Wanda squints her eyes and exchanges a look with Nat, but they let it slide. You still decide that you need to pull away from them, you can't be pretending like they are yours to love when they aren't.

So, you scooch over to the other side of the couch you three share, which isn't too far considering there is almost no wiggle room between the three of you. It still saddens Wanda regardless, but you don't see that it also saddens Nat.

The movie starts and Wanda tries to pull you in again, you consider letting it happen, but today is different. Today you pull away again, but the look of hurt that flashes over Wanda's face hurts you more than any sort of cuddling could ever.

Her expression pains you so much in fact that you get up and go to run off. Nat grabs your hand to try and catch you and see what is going on with you, but you are somehow swifter, so you just pull your arm away from her grasp and walk off.

Nobody saw you run off because your couch is in the back, but Wanda and Natasha exchange each other's glances and immediately jump up to go comfort you.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Wanda's pov

Y/n just ran off after I tried to cuddle with her, so Natasha and I are currently going to find her.

We are standing in the elevator waiting for it to go to our floor which is also Y/n's.

"Wanda, why did she run off like that?"

I look over at Nat and shrug with wide eyes, "I don't know, she doesn't normally do this. She pulled away earlier before the movie started but I didn't think anything of it. Oh God she didn't want to cuddle today, and I did it anyways I totally made her uncomfortable!"

Natasha cuts me off, "Hey! You're spiraling, clearly Y/n needs us to be there for her, so we have to stay calm. I am sure there is a very good explanation as to why she didn't want to cuddle tonight."

The elevator dings and we rush over to Y/n's room and before Nat bangs on the door, I lean up and hear her sniffles.

Nat hears this too and loudly knocks on the door.

I say, "Y/n? Honey? Can you let us in?"

She lets out a sob, but doesn't answer, and I am concerned for her safety, so I say, "Okay, I'm going to come in now."

I carefully pry open the door and see her sitting on her floor in tears, so I quickly make my way over to her and sit down next to her, "Darling can I hold you?"

She shakes her head, so I sigh and stay seated next to her. Eventually though, she ends up leaning into me and I wrap my arms around her. Once her tears cease, I softly say, "Can you tell us what's going on?"

She looks up at Natasha and gets scared and shakes her head. Natasha tries to ask, "Why did you run off Y/n?"

I know that she means well when she asks this, but the way it comes out is really harsh and Y/n starts crying a little bit again, and just starts shaking her head, so I hush her and lean into her ear to whisper, "Do you not want to say in front of Natasha?"

Y/n thinks about it and softly shakes her head.

I sigh and say, "I can send her out if you'd feel more comfortable."

She stays silent for a moment, and right when I think she is going to start crying again, she nods her head into my shoulder, so I lift my head up and use my powers to silently conversate with Nat in her head.

"She wants you out..."

"What?! Why?"

"Not sure."

"Then why do I have to go?"

"I know you don't get it, but she needs to feel comfortable and if that means that you have to leave then you need to go, please, I love you baby, but we have to get to the bottom of what is going on. I'll let you know after."

Natasha huffs and nods her head without another word, and she leaves the room to presumably go lay in our bed waiting for me to come and give her an update.

Once Nat leaves I go back to tending to Y/n. "Do you want to go on your bed? This floor might hurt your back."

Y/n nods softly and I pick her up and carry her to the bed. When I set her down, she sits up, so I know she is ready to talk. "Alright, what was that whole thing about? You never leave a movie night early, and you definitely don't run off crying... Right?"

The defeated look Y/n sends my way makes me realize this crying is a normal thing for her, "Oh dorogoy, why do you do this? Why don't you come to me or Nat?"

She sighs and says, "I can't go to you because- because... I- I can't tell you."

This hits me kind of hard, I don't want the woman that we love to feel like she can't come to us for anything. "Why do you say that?"

She gets frustrated and just blurts out, "Because Wanda! I-" Her face contorts to surprise at her outburst, and she quickly tries to cover it up, "I said I can't tell you for a reason."

I sigh and secretly read her mind, She is struggling because she thinks Natasha hates her.

All I see when I subtly read her mind are flashes of Nat being a complete and utter bitch to her, and that is all it takes for me to realize that she thinks Nat totally hates her guts.

I nod and say, "Okay, well I will let you figure it out, since you seem to want to be by yourself. We're always here if you need us. I am gonna go to bed I guess, Nat is waiting in our room, are you alright on your own?"

She simply nods and I ask another question, "You'll come to us if you need anything?"

She nods again and we say our goodbyes.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

I almost run to my shared room and immediately start telling Natasha everything. "Natasha, she does like us!"

Nat furrows her eyebrows, because I only use her full name when I am mad at her. So, she looks at me and says, "That's old news, but are you mad at me? And it also doesn't explain why she was crying."

I sit down on the bed and tell her, "Nat, I am not mad at you, you are just dumb."

Her jaw drops a bit, and she says, "I'm not stupid!"

I laugh when her subtle Russian accent comes out, (she's been hanging around Yelena way too much recently, but I like it) and say, "I called you dumb, not the same thing as stupid. Anyways, Y/n was crying because she likes both of us, and she is scared she is going to split us up because you don't like her."

She frowns and retorts, "but- I do like her?"

I glare and say, "I know that, but Y/n thinks you hate her because you are mean to her! You know she is a sensitive soul; you have to try a different approach than what you did with me."

The crease across her forehead never goes away, if anything, it gets bigger, "But I am only flirting with her, you know that is how I flirt."

I laugh and say, "Oh Natty, I knew you liked me because I can read minds, Y/n cannot do that, so she can't tell that you like her if you are a bitch to her, no offense."

She looks down and realization washes over her, so she says, "So what do I do? She barely talks to me anymore, and she definitely won't let me in her room right now."

I sigh and say, "you'll have to figure it out somehow."

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

idk pov (guys I can't- I seriously don't know right now)

It has been a few days since the day you locked yourself away from everyone, and you have been avoiding both of them since.

You have locked yourself up in your part of Tony's lab and you just can't bring yourself to face them. You also skipped movie night last night and everyone was trying to see if you are okay, but you just told FRIDAY to let them know you are fine.

You are tinkering with one of your suit pieces when you realize you need a tool that you don't have, but you know Tony has it on his work bench.

So, you walk over to his side of the lab and of course none other than the Natasha Romanoff is sitting at his bench looking for something. You sigh and contemplate waiting for her to leave, but you really need this tool, and you see it right on a shelf above his desk. So, you sigh and make you way quietly over to the desk, but while you reach out to grab it, Nat also reaches up for the same tool and you bump each other's hands.

Within the blink of an eye, three things happen; Nat and you bump hands, you end up hitting the shelf, and one of Tony's weird gadgets fall onto your wrists effectively locking around your wrists and binding you together.

You groan and Nat says, "Shit, I didn't see you."

You shake my head and turn away as much as you can, and you say "It's fine, I should have made my presence known."

She starts looking at the gadget and you take a second to examine it closer and say, "Oh. My. God."

Natasha furrows her eyebrows in confusion and says, "What is it?"

You groan and say, "These are the vibranium tondricuffs Tony has been working on."

She rolls her eyes when you don't explain and says, "And what does that mean? I might be a spy, but I don't know this sciencey shit you do."

You shake your head from the soft thoughts of her perfect lips and say, "Oh- uhh it is just what he calls them, but when I say he is working on them, it means that he hasn't figured them out yet and I don't think he knows how to unlock them."

Nat takes a deep breath and says, "So, you're telling me, that since Tony can't seem to put away his stupid toys, we are locked together for the foreseeable future?"

You sigh and nod your head, dropping it the second you feel heat rising to your face at the thought of all the things you might have to do with Nat. "Who do we tell? Isn't Tony on a mission?"

Nat groans even louder at the realization and says, "I guess we should go tell Wanda, and then she will help make a plan right?"

You bite your lip at the thought of facing her, and Nat sees your hesitation, "Hey, what's up with you lately? You always want to see Wanda."

You make brief eye contact with Nat and quickly look away until she puts her fingers to your chin and pulls you to look at her. She looks deep into your eyes and says, "You've been distant, ever since..."

You sigh and say, "Sorry, I guess I don't like when people see me cry."

Nat furrows her eyebrows and says, "You're a terrible liar."

You look at her with shock and say, "I am not lying!"

She laughs and says, "Oh really?"

When you nod your head she smirks and says, "If you really didn't like when people see you cry, then why did you never shut us out before? You have cried in our arms before, and you have never done something like this."

You sigh and say, "Okay, well- maybe I have changed."

Nat rolls her eyes as you decide to continue your work on your suit, effectively dragging Nat along wherever you go, not that she minds. She keeps pressing even though you clearly want to drop the subject, "You're hiding something."

"Am not."

"Are too."

"No. I'm. Not."

"If you weren't hiding anything then why don't you tell me why you couldn't face me the other night? And why you can barely look at me today?"

This seems to break you, her constant nagging is really pissing you off and you just slam your tools on the work bench and say, "Alright fine! You really want to know why I have been avoiding you?"

She nods her head, "yes please do enlighten me."

You groan and turn to her completely and just blab everything, "Because! You clearly see that I like Wanda and you are mad so you have been really mean, which is understandable, because she is your girlfriend, but what you don't know is that I like both of you and I know you probably hate my guts even more than before, but I really needed to get that off of my chest and-"

Before you can let any more word vomit fall out of your mouth Natasha's lips are on yours in an instant. They shut you up really well.

Your eyes widen and you push her away as much as you can, given the fact that you're still handcuffed together.

"Nat what are you doing?!"

She looks at you, "Is that not what you wanted this whole time?"

"Well, yes, but what about Wanda?"

She realizes that you don't know that she and Wanda knew, "Oh! Right! Wanda knows you like her. And I knew I just didn't know how to flirt. I am apparently a really shitty flirt when I am being genuine. I can fake flirt, but when I have a real crush, I turn into an asshole. It worked for Wands, but I realized it didn't necessarily work for you huh?"

You shake your head with wide eyes. Still trying to wrap your mind around the fact that both of your crushes like you back. Before you can fall deeper into your thoughts, Nat asks, "Wanna continue what we were doing?"

All you can do is nod, but her lips are immediately locked on your own. The feeling burns but it burns so so good. You two continue to swap spit until you hear someone speak, "Am I interrupting something ladies?"

You both pull away and look to see Wanda standing in the doorway. You freeze, still unsure if she is okay with you kissing her girlfriend, and she starts to step towards the two of you.

Once she gets up really close to you, she gives you a soft look and walks by you to kiss Nat pulling away to say, "Hi baby."

They exchange some small talk, and you are really uncomfortable because you have no idea what to do. They are just acting like you're not there and that you and Nat weren't just kissing.

Then, they both turn to you and Wanda leans closer to you, "Tell me Natasha, was it your intention to keep this sweet thing from me?"

Your eyes widen as Nat shakes her head aggressively letting out a soft 'no'.

Who knew Natasha was a bottom... they even acted like she was the top around me. Impressive.

Wanda lifts your chin a bit to look at her and she smirks, "What is going on in that pretty little head of yours, y/n/n?"

You snap out of it and whine a bit, and Wanda smiles and says, "Do you want a kiss too?"

You nod your head.

"Words sweet one."

"Y-yes please."

She smiles and looks back at Natasha briefly saying, "This one has good manners. She knows her place well. We've known her for all this time and yet we're just finding this out. Oh, we're going to have so much fun with her Natty."

Nat nods her head, and Wanda turns back to you to say, "Now... about that kiss."

She leans in, and you meet her halfway to interlock her delicate lips together with yours. It is likes soft pillows meeting sparkling fireworks.

You get lost in the kiss and try to push a little more for a deeper one, but Wanda pulls away with a soft smirk. As much as you want to pout for losing contact with her, all you can do is send a dopey smile her way.

Wanda exchanges looks with Natasha and they both look back at you. Nat speaks first, "So, now that we have that out of the way, Wands and I were wondering if you wanted to be our girlfriend?"

Your eyes widen and Wanda speaks up a bit, "Don't feel pressured to give us an answer right now. We understand it's new, and you might be feeling overwhelmed, we just want to put the offer on the table."

Then she leans closer to you and speaks in a low tone, "Although we don't like to be kept waiting."

Her silky voice makes you blush a bit, but you clear your throat and say, "Date both of you? At the same time?"

They both nod their heads and you say, "Yes! A thousand times yes!"

They both smile as you kiss each of them multiple times.

Natasha sighs and says, "Alright, what do you want to do as our official girlfriend now?"

You smile and say, "As much as I would love to go watch movies to make up for the last two movie nights that I missed, I really would like to get this thing off."

You hold up both Natasha's and your connected arms up to show Wanda the tondricuffs.

Wanda's eyebrows raise, she's probably wondering what happened to get that locked onto you. Natasha sighs in defeat and says, "Oh, right... that." You softly grab Nat's hand.

Wanda is about to ask questions, but you cut in and say, "Ask questions later, find Tony now. Please."

Safe to say there was a lot to discuss, but it will all work out now that you have your girls.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

A/N: I'm so terribly sorry for how long this took me to write... I genuinely thought it would be quick and easy, but college is kicking my ass, and I really didn't want to leave you with nothing. So, it's a little shitty, but it's something!

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