#(I didn’t watch the live i just screenshot these from clips on twitter)

[thrilling-oneway]

One school trip and now we’re grabbing the homie’s chin and caressing his cheek and doing whatever that is

[miumiins]

Hi miumiins, as a fan of mga, what are your thoughts on their columbus MV? i honestly didnt get why people were making a fuss up until i watched the video myself... Why did they thought that was a good idea lmao

Hi! This might get kinda long since i’ve been trying to sort my thoughts and feelings regarding this for the past like two days and it might just end up being ramblings partway through so i’ll put it under the cut. 

First and foremost, putting my love for mga and their music aside, my overall thoughts for the columbus mv was that it was bad…like really bad.

Regardless of their intentions, using imagery/expressions that comes off as racist and discriminatory is unacceptable. From Ohmori’s apology statement, if the concern about such imagery being seen as a discriminatory expression was brought up from the beginning, the idea shouldn’t have been used at all, and instead they should have taken the mv in a different direction. If they wanted to continue with the idea, they should have done more proper research on the topic, reevaluate the idea, and choose different imagery/expressions to avoid possible misunderstandings in their intended message. Whether it was ignorance, unintentional, or lack of understanding or consideration, there is no excuse. The contents of the mv contained subject matters that were offensive. They, as well as everyone else involved in the mv production, failed to stop this from happening and it’s extremely unfortunate. People have every right to be enraged about it.

To give my honest first impressions regarding the mv, i’d actually seen screenshots and clips here and there on my fyp on twitter (from other fans on jp side of twt, none of which brought up any issues about it) prior to actually watching the mv because it was premiered at like 2am where i live so i saw all this after just waking up and getting ready for work. Seeing the thumbnail for the mv and fans all hyped for it on my fyp i was simply like “omg the atmosphere for the mv was way different from what i was expecting lol 😂” and really, i was just seeing all of this from the perspective of a genuine fan of theirs.

When i saw that the music video featured apes as part of the cast via screenshots and clips (again, this was prior before watching it), i…felt slightly uncomfortable by it, but as someone who generally gives others the benefit of the doubt (perhaps too much for my own good sometimes), i put that feeling aside and still looked forward to it, hoping that it wasn’t what i thought it might be.

When i finally watched the music video, there was still that uncomfortable feeling at seeing the apes among the cast as well as the way they were being treated (teaching them how to play the piano or how to ride a horse, one of the apes literally pulling the carriage…), but admittedly i had generally watched mv with the filter of a fan and it was also during my break in between work, so the main thing i was really focused on was the overall atmosphere and the members’s visuals more than anything, which i enjoyed, and everything else (the apes, who the members were dressed as, the impression all of these things give off, etc) hadn’t fully registered in my head. As a fan, seeing the members have fun is more than enough to make me happy! 

During the initial watch, while i was uncomfortable about the appearance of the apes, i didn’t actually fully make the connection in my head between the apes and “Columbus”, rather, i didn’t even realize that the other two members were supposed to be dressed as Napoleon and Beethoven until sometime after when i saw someone else mention it. I just saw the members as the members, rather than the roles they were portraying. While i was still under the excitement over the new song and mv while also like half-focused on work, no matter what, the negative connotations associated with the imagery of apes paired together with columbus kept bothering me at the back of my head.

And then i saw the trending hashtags. I don’t generally check trending tags that often, but y’know, if i happen to see that it’s about something i like, i’ll be curious and look through them. Scrolling through the trending tags regarding this incident after i finished work helped me turn off that filter of a fan and fully register that, yeah, that mv was extremely problematic.

As a huge fan of the members and their music, i was really sad, disappointed, and frustrated from a variety of aspects. Sad and disappointed that the band that i love so much released something like this, frustrated that no one involved (whether it’s the band, the management company, the record label, etc) stopped this from happening, whether it’s because literally no one realized how big of an issue this was, or they noticed it but didn’t voice it and just let it happen, seeing all the tweets regarding the whole thing (both sides of the argument). I’m the type of person where if i see someone say something negative about something i like it’ll plague my thoughts for weeks haha

In all seriousness though, with all that being said, it really is unfortunate and awful that this happened. It’s easy to say “why didn’t…” “they should’ve…” etc etc after the fact, but in the end, what’s done is already done. They took down the video fairly quickly, Ohmori himself explained the thought process and intention behind the whole thing, realized and admitted the mistake, took the criticism seriously and apologized for it. Obviously, just because he apologized doesn’t make the whole thing okay or forgivable, but it would’ve been much worse had they taken it down and pretended as if it never happened, or never released a statement addressing the issue.

This is my extremely personal opinion, and i do realize that it’s because i’m a fan of mga that i might have this bias and think this way, but from all the previous songs, music videos, live footage, interviews, etc that i have seen up until this point, not once have i felt that any of the members were racist or were in agreement of discrimination or anything like that. This incident showed that they lacked a full understanding about the subject matter/didn’t do the proper research to understand the weight of the imagery/expressions they were using, but the mga (both phase 1 and phase 2) that i’ve seen these past six years are genuinely good people with music that moves a lot of people. I can’t tell you how much their music has brought me joy, saved me and kept me going during times when my mind was in a bad place.

The mv was a huge mistake on their part, there’s no denying that. But i think it’s also unfair to deny everything they’ve done up until now when it’s completely unrelated to this incident. It’s because I believe in, and want to continue to believe in the mga that i’ve seen up until now that i want to give them the chance to learn from this mistake and believe that they’ll grow from it. I want to believe in the emotions that their music evokes in me, and continue to support them.

Again, this is just my extremely personal opinion, i’m not trying to convince anyone to agree with me or anything, or rather no one has to agree with me. I’ve just been putting a lot of thought about the whole thing these past two (and a half, now?) days and this was pretty much the conclusion i came to.

Sorry it’s so long it’s probably not what you were expecting lol I've covered most, if not, all my thoughts about the incident so i probably won't answer any other asks regarding this (if anyone were to send me any) otherwise i will not be able to handle it mentally i've dealt with enough conflicting emotions over this for these past couple of days ldskfjgh

(On a side note, Oshira’s video really sums up all the emotions i felt regarding the mv. It’s only in jpn and no eng subtitles, but he objectively goes over both the “positive” and “negative” views of columbus, and then talks about the gradual realization as a fan as to why the mv is problematic, etc. If you’re able to understand jpn, i think it’s worth watching.)

Mga/Record Label’s statement regarding the suspension of the video

Ohmori’s statement and apology regarding the mv

[erodasfishtacos]

HSLOT WASHINGTON D.C.

Like, comment, share, and come talk if you enjoyed the fic.

*inspired by this *

I write for free - so if you would like to support my work, you can donate here. (plus my bday is coming up in a week 😌)

-

Despite Harry being less than active on social media, it doesn’t mean that he didn’t creep through Instagram and Twitter after the shows.

He used a fake account to scroll, constantly liking pictures and videos of his wife dancing or funny fan signs to his phone.

Tonight, after the Philly show, YN was already fast asleep in their tour bus bed - she had curled into Harry with her leg between his and her head on his bicep.

Harry was trending on Twitter for his show, however, he scrolled a bit further and noticed that a hashtag called #JusticeforYN was trending.

When he clicked on the link, it took him down a rabbit hole of screenshots and videos from the concert.

It doesn’t take long to see what had happened, it was a girl recording herself on Snapchat from the pit during the concert.

The ‘fan’ held up her phone enough that you could see her but also YN, Jeff, Harry Lambert, and Tommy in the background behind the pit.

Adore You started blasting through his AirPod and the girl recorded his wife dancing with their friends - he gets distracted for a moment, watching her have fun and sing along.

He loved her so fucking much.

But then, it’s the next clip, and the captioned text on the video said ‘Harry’s Whore.’

The small smile on his face disappears instantly when he sees where this is going.

In the next few segments, the girl is screaming things at YN who can’t even hear them because of the music but it’s still completely disrespectful.

“Hi, Harry’s Whore!”

“Get the fuck outta here, nobody wants you here!”

“Fuck you!”

It makes Harry rage, even from the comfort of his bunk with his perfect love, and then he digs deeper to find his real fans defending YN.

YN was pretty loved by the fans. She was always kind, posted pictures of Harry (because he rarely did), and made really kickass merch.

He finds the Twitter account of the girl who harassed his wife, her name was Gina, and he read through her tweets.

She was going to three more of the concerts - following them from Philly to Detroit.

One of her tweets said…

‘If you guys are mad about what I said during the last concert, just wait what I have to say to her next time.’

And he also finds out that she had won a meet and greet for the DC show through the record label and Harry already knew what he was gonna do.

-

YN wakes up before Harry, sitting in the small living area of the bus - watching a cooking show on the television and still slightly dozing in and out of sleep.

“Hi bun,” She mumbles, opening her arms and legs to let Harry flop between them. Chest to chest and he was a bit to heavy for this but he liked laying like this.

“Mornin’, my love,” Harry rasps, peppering kisses all over her jaw and the smooth column of her neck until she giggles.

“Shouldn’t you be saying good morning to your whore on tour?” YN replies, her voice is light and unbothered - obviously found out the online drama.

Harry tenses up, looks up at her seriously, and tells her, “M’gonna take care of it.”

“Don’t, it’s fine, bubs,” YN assures him, she’s smiling softly and Harry just…he is so obsessed with the woman below him that he has to kiss her for a long moment.

“No, it’s not. I’m not going t’let someone treat m’wife like that. She won tha’ meet and greet. I’m gonna have a talk w’her when she comes backstage,” Harry tells her, lips brushing on every word and he can help but grind his hips forward against her.

“Always so horny in the morning,” Yn teases but still lets her thighs fall open a little bit more so that the only barrier is their underwear.

“Can y’blame me? Look wha’ I wake up to,” He rumbles, voice getting illogically deeper and raspier when he speaks.

It’s not long before he tugs his briefs down just enough and her panties to the side to get inside her with his lips glued to hers.

He’s whispering things that would make him blush with embarrassment if anyone heard him.

“Can’t believe y’mine after all this time.”

“Y’my perfect match, on m’knees for you whenever you ask.”

“Arena full of people and all I see is you, baby.”

“Feel like heaven.”

“Only y’make me feel like this.”

“Come on, stubborn girl. Show me y’love me.”

-

Harry looks insanely stunning in his purple outfit but honestly - YN always steals the show (without even trying). ***

They’re in a common area, waiting for the meet and greet with the fans - it’s comical how Gina’s face drops when she arrives to see Harry facing away from everyone with YN giggle as he crowds her up against a wall.

They can hear Harry murmur, “Y’alway showin’ me up. Only gonna be able to look at y’during the show, bug.”

“Harry,” Jeff calls to his client, making him turn around and his eyes instantly search the small groups of fans until his eyes land on a girl dressed in a bright pink fishnet dress and boa.

“You,” Harry points at her, his face isn’t giving away any emotion, “Can I have a chat w’you?”

“S-sure,” She stutters, eyes wide and excited - oblivious that Harry actually knows what she had been posted on social media.

The singer takes her off to the side, YN’s eyes keep darting to them as she chats with the friendly fans who are complimenting her dress and her merch designs.

Frank is standing near Harry, prepared to escort the girl out after the conversation.

“Can we get a selfie?” Gina asks, pulling out her cellphone.

“No,” Harry replies seriously, “You also are going to get escorted out of this arena and banned from any of my future concerts.”

“Wh-what?” The girl stumbles, eyes watering as she looks at him in confusion and dismay.

“I need to make this a safe space for everyone who comes to my concerts. That especially includes m’wife. And I don’t feel comfortable havin’ someone scream at m’wife and posting nasty things on social media attending my concert.”

Realization flashes across Gina’s face, “I’m so so sorry. I can apologize. I really didn’t mean-“

“No. I don’t think my whore of a wife would want to hear it,” Harry chuckles with a nasty edge, “Y’can fuck off now. Go find a new artist to harass ‘cause if I see y’face at one of m’concerts - y’getting kicked out immediately.”

Frank appears beside them, gently guiding the hysterical girl out of the room while the fans look back in confusion.

They forget all about it once Harry saunters up to them and gives them a crooked smile, “Hi, m’Harry. How are y’guys?”

The fans don’t miss his hand moving quickly to squeeze his wife’s hip in reassurance before starting to sign things and take pictures.

-

Later that night, the disgruntled ‘fan’ sends out a nasty few tweets where real fans go after her and defend YN.

Also, the true fans are cooing over the fact that Harry is such a good husband.

haleyhs22: omg, could you imagine being called out by the nicest guy on this earth

tpwkjess_young: okay but I wish I had the luck that @ynstyles has to get a manz like that 😩

UsWeekly: Harry Styles bans ignorant fan from tour after nasty videos were leaked attacking his wife

strawberriesinsummer: harry is such a VIBE. Like he deadass kicked that girl out and then spent the whole night trying to seduce his wife with his shimmies and winks - he’s the hoe 🍑

-

[dippedanddripped]

Old Nollywood aesthetics and fashion may be considered trendy today, but the films were not always so well-regarded. In the 90s and early 2000s, when these movies were made and watched in parlours across Nigerian homes as they were shot, straight-to-video, they were considered as bad entertainment, or ‘low culture’. To watch and enjoy Nollywood films was to celebrate mediocrity. But today, nostalgic young Millennials and Gen Zers are overlooking the jarring audio, grainy pictures, and sometimes hammy acting, to appreciate not only the grooming and style of the actors, but the original and diverse stories that reflect unique Nigerian experiences.

It was for this reason that sisters Tochi and Ebele Anueyiagu started Nolly Babes, a nostalgic Instagram account dedicated to celebrating the cinematic period’s women. Started in December 2017, their first post was of Nollywood’s biggest star Genevieve Nnaji; a still taken from 2004 film Sharon Stone In Abuja, directed by Adim Williams. Nnaji plays the titular character, a sexually liberated young woman who uses her beauty and charm to ensnare unassuming men into doing her bidding.

The account is an ode to the female characters of old Nollywood who were often portrayed as warning examples. The storylines were steeped in moral principles rooted in the patriarchal culture and the dominant Christian religion of Southern Nigeria. A large number of the female characters were considered immoral because they kissed other women, challenged men, smoked and drank, or wore mini skirts. Today, Nolly Babes and similar accounts are reimagining these women, taking their scenes out of the moralistic context of the films, and turning them into iconic feminist personas.

The first time Nollywood content seeped into the mainstream internet consciousness can be traced back to 2017 when videos of Nollywood’s favourite comedic duo Chinedu Ikedieze and Osita Iheme, better known as Aki and Pawpaw, rose to popularity due mostly to the influence of a now-defunct Twitter account @nollywoodroll ran by Nicole, a woman based in Brazil.

Their memes became the go-to reaction videos for expressing a wide range of emotions: joy, disappointment, sadness, frustration. The appeal was in seeing children making mischief or in adult situations – drinking beer and smoking cigars, wooing bigger women, or in oversized suits shouting instructions at people twice their size. Although both Ikedieze and Iheme were in their 20s in the early 2000s when most of the films were made, they mostly played children because of their body stature. By 2019, the memes had achieved such virality that brands like Rihanna’s Fenty would use them for social media clout.

Theodora Imaan Beauvais is the curator of Yung Nollywood, another archive of clips and stills from old Nollywood paying homage to its controversial female characters, after screenshotting moments from Nollywood she found “appealing or inspirational”. Yung Nollywood is remarkably distinct from Nolly Babes for its subtitling of the films’ stills from Nollywood films, something she attributes to Tumblr. While the idea to give witty captions to the actors’ facial expressions came from watching Netflix. “I thought, ‘If someone could describe Nollywood reactions in short phrases it’d be an art form on its own,’ and I became that someone.’”

In December 2019, Tochi and Ebele hosted a Nollywood-themed party in Lagos. Nollywood actor and musician Nonso Bassey attended the party dressed in a two-piece jean set and bucket hat, a signature look of the bad boy/alpha male archetype, and a role reprised multiple times by older actors such as Hanks Anuku, Emeka Ike, and Jim Iyke. Since that party, Nonso has attended social functions and premieres in outfits that make a nod to the fashion choices of that era of Nollywood. He insists, though, that he isn’t cosplaying Nollywood characters of that era. “I’ve always been attracted to the idea of merging old world charm with a new school approach,” he said.

The party caused a cultural stir amongst Nigerians and Africans both at home and in the diaspora – every other week, there seems to be a Nollywood-themed party held either in Lagos or London. Take for instance friends and business partners Imani Okunubi and Aseosa Uwagboe, two Nigerian-British kids who grew up in the UK. Nollywood was one of the ways they could connect back to their roots. That experience informs their event brand, Lasgidi to London, targeted at Nigerians living in the UK. “We wanted to create events that were reminiscent of the Naija hall parties (Owambe) we attended as kids, as we don’t want to see that culture die,” Aseosa said. Their next owambe is a Nollywood-themed party and guests are expected to come dressed in their “best nolly Y2K aesthetic”.

Below, the Nolly Babes sisters talk about creating and hosting the first Nollywood-themed party and the cultural moment it has inspired.

How did that first event come about – please take me through it, from the planning to how it turned out?

Nolly Babes: From the inception of Nolly Babes, we knew we had to throw a party. Fashion is a huge part of what makes Nolly Babes different from other Nollywood-themed pages and we knew we were the only ones that could set Nolly Babes as the dress code and have people commit as they did. There are many iconic Nollywood scenes and scenarios. The daughter meeting her evil mother-in-law, the ominous visit to the Babalawo, the campus stroll – just the mere mention of these scenes evokes images that have been embedded in the minds of our fellow Nollywood enthusiasts. The party scene is probably the most iconic of them all. Whether it’s in a club, a mansion while mum and dad are out of town (but coming home early to crash the whole thing) or poolside, the Nolly Babes party scene has its staples: mad music, dancing, and sick outfits.

December in Lagos is notoriously hectic. On each day, there are day parties, beach hangouts, concerts, and we just knew we had to be a part of it. Our flyer was the first thing we made sure was done right, and that has been replicated (but never duplicated) many many times. We went through at least six drafts of that until we got the flyer to be a realistic replica of the home video covers from the golden era. The DJs Kemi Lijadu and vIVENDII Sounds understood the assignment and played music from the Nolly Babes era. We’re talking Tony Tetuila, Mo Hitz, Wande Coal, Plantation Boyz… We curated a special cocktail menu: Genny Colladas, Jim Iyke’s Hard Lemonade, MargaRita Dominic, and our Lagos Island Iced Tea, in tribute to Nollywood stars Genevieve Nnaji, Jim Iyke, and Rita Dominic respectively. We had a video projection on the famous red wall at Nok showing a mashup of emblematic scenes. We were partying while seeing images of a young Jim Iyke dressed just like many of the attendees were dressed. It was magical! We have an event we’re planning in New York for the summer – it’s going to be a madness.

Did you envisage it becoming the cultural movement it’s now become?

Nolly Babes: We really didn’t. We hosted the party because we knew people were taking inspiration from our page for styling jobs and music video treatments, and wanted to give everyone a chance to recreate some of their favourite looks. Now every week we see people planning Nollywood-themed parties and sending people to our page for references. It’s awesome. Toke Makinwa even recently attended a Nolly Babes-themed party and she was dressed as a character we have immortalised – Regina Askia in President’s Daughter. She killed it! Even though the character wasn’t referenced, it was clear as day and it was awesome to see that she pulled it off! Honestly, when we see people really pay attention to detail and execute the theme well it’s so, so dope.

How has TikTok helped grow Nollywood's influence? You posted a scene from Girls Cot, the famous “you stink with poverty” clip on TikTok and it went viral and birthed these recreations even by non-Africans.

Nolly Babes: We’re just happy to see that another aspect of Nollywood that we champion – the iconic scenes and one-liners – is also resonating across the world. We see Nolly Babes as an archival work and as much as we focus on beauty and looks on Instagram, it’s nice to be able to point people in the direction of the scenes that are forever embedded in our brains. These are scenes we recreated in jest ourselves before there was even a Nolly Babes to begin with, so to see it catching on TikTok is exciting and a new frontier for us to fully explore. I think what distinguishes Nolly Babes from other Nollywood pages and what contributes to our TikTok success is that we really watch Nollywood movies. We grew up watching these movies and continue to do so now so we can capture those moments in films that the casual consumer or poster of Nollywood content might not.

What are your thoughts on Nollywood’s influence on the Alté scene? Music videos of artists such as Lady Donli and Odunsi nod to the aesthetic and fashion styles of that era.

Nolly Babes: Nollywood, and specifically the aesthetic we have shone a spotlight on, is probably one of the biggest influences in terms of visuals in that scene right now. I have never seen so many Eucharia (Anunobi) eyebrows on TV and we love it! It’s awesome to see our images and scenes being used in treatments and storyboards. If we’re being candid, we think it would be great if we got the chance to step into our stylist/creative direction bag and help with the execution of the aesthetic.

“The bottom line is really that Nolly Babes has brought what was already an international cultural influence to the modern social media realm with a new lens” – Nolly Babes

How far do you see Nollywood's influence on pop culture, beyond Nigeria and Africa?

Nolly Babes: When we moved to New York we found our Dominican and South American friends had also grown up watching Nollywood films. The bottom line is really that Nolly Babes has brought what was already an international cultural influence to the modern social media realm with a new lens. Nollywood clips were online everywhere – but it was always in a comedic way. Aki and PawPaw are meme gods now, and that’s because their expressions transcend cultural boundaries. Black Twitter eats that stuff up.

Nolly Babes chooses to center the beauty, style, and iconic imagery, even the home decor with our #NollyDecor hashtag of the golden era of Nollywood. We share the makeup, accessories, fashion, iconic phrases, and scenes in a way that isn’t just comedic but inspirational and aesthetically groundbreaking. I see Nollywood being at the centre of this Y2K resurgence that is happening all over the world, from TV to runways and fashion collections. That era is coming back around and, this time, the Black experience is being revisited and centered in a way it wasn’t back in the late 90s and 2000s. (Black people) were always the originators of the trends and this time they’re tapping into the source and Nollywood, particularly the era we celebrate as Nolly Babes, is a great resource for that.

Follow Nolly Babes on Instagram

[a-jynx]

:0 uh more Dream smp stuff?? cause y’all liked the other one??? (Georgenotfound edition & kinda long)

being Dream’s sister was rough already so imagine how tough life gets when you start dating one of his besties???

you met george through dream - obviously - and well.. putting it kindly, you hated each other. I mean, HATED each other! It always became a rivalry between you two, shooting down one another’s video ideas and never compromising until Sap or Dream stepped in.

“why do you hate him?” dream groaned as he watched you dislike ANOTHER Georgenotfound video. you glanced up at your freakishly tall brother before scoffing

“because he’s a spoilt brat and.. and he shouldn’t expect everyone to grovel like you do.” you scoffed, as Dream groaned, scrubbing his hands over his face.

“y/n,”

“nope, nuh-uh you green tellatubby i’m not befriending him.”

“you’ve been hanging out with techno and tommy on discord too much.. Anyway, just.. please TRY and get along with him? at least pretend for a little bit - the fans get all protective and will baby him before they defend you..” dream’s voice trailed as he sat next to you, making you huff.

“ofc they’d baby him.. and it’ll be fine - I’ll be fine, Clay! I’m a big kid, some trolls on the internet won’t upset me.” you grinned, wrapping an arm around your little brother’s shoulders. he rolled his eyes before poking his index into your ribs, causing you to yelp.

“okay, but i warned you and i’ll try and help if stuff gets too much, okay? remember you’re my sister.. i still worry about you.”

“okay, don’t get sappy you waking tree! we have a stream to start,”

which lead to now.. A Geoguesser and Jack Box stream with the Dream Team ft. y/nwasnttaken - it started out awesome! The chat was having a blast having their boys stream, the guys were happy to be streaming, and you were having a great time.. until George came after you for guessing the wrong country..

“seriously, y/n?? you were, like, a million miles away!” george snorted as sap and dream joined in the laughter, you sighed before faking a short laugh.

“please, you usually suck at this game and it was one bad guess while you’ve been guessing wrong foe the past five minutes.” you couldn’t hold back the slight venom in your voice as the discord grew an awkward silence as chat began to grumble about the sudden change in atmosphere.

“chill, y/n/n, i don’t think George had an real issue, right Gogy?” sap nervously chuckled, he knew just as well as dream that for some reason you and george were always at one another’s throat.

“yeah, i had to ill intent, it’s called playful banter, y/n lighten up, honey,”

“is this just go after y/n day or what? i don’t mean to be an asshole but you’ve been after me the entire stream! and maybe the fans and you guys don’t care, but it’s hard to act like im not affected by you constantly bashing me and then laughing when dream or sap - or even yourself - get it wrong!” you grew quiet once your piece was out in the air, your heart was pounding against your ribs and you felt like you were going to be sick. “i..”

“y/n/n,”

“no! no, it’s… im just going to go, you guys have a good stream.” you quickly exited the discord call, closing out of all your tabs and leaving yourself to stare at your shrunk form.. oh shit..

you grabbed your phone and opened Twitter, a mistake honestly, it was already trending.. clips, screenshots, and the #nightmareofasibling in the US. you gawked at the screen - tapping the hashtag, you should’ve listened to Dream..

‘i knew they were lousy but my god it’s a game..’

‘they always act like they’re better when they aren’t, poor gogy 💔😔’

‘i feel bad for dream and sapnap - they have to live with that 😳’

‘@y/nwasnttaken you disgust me and i can’t believe they even tolerate you. rot’

each @, each tweet was one wishing for your demise or saying that the dream team deserves better. maybe they’re right but you had a right to stand up for yourself! sure.. it was a over a geoguesser game but dealing with that for an hour in a half, anyone would be tired of it.

tears were already starting to drip as you hastily wiped at your cheeks, attempting to keep the water works at bay. it got harder when a ping went off from your phone, indicting another tweet was made at you. even with your blurred vision you frowned as @GeorgeNotFound popped up.

‘Regarding the stream, I do not hate y/n. Nor do I want hate sent to them. I will not tolerate any of my fans hating on one of my friends, it was partly my fault for antagonize them.

I care for them deeply and I hope they know how sorry I actually feel and the guilt rushing through me while I write this. I hope you can forgive me, sweets.. @y/nwasnttaken’

you hiccuped a laugh, a small smile breaking across your lips. you liked the tweet before heading to discord to find your messages had been blown up - Niki, Wilbur, and George had sent you multiple messages asking how you were. Selecting George’s messages, you grinned..

‘y/n?? hey come back to the stream’

‘i was kidding, come on, this is how we work..’

‘okay, i’m starting to get freaked out cause you’re not answering and twitter is spamming- shit i need to fix’

the messages had stopped for a few minute before a small video was sent, showing george in his recording room.

“y/n i’m honestly really sorry, it was dumb of me to keep poking at you when you looked and sounded like you didn’t like it - it’s just.. that’s how we’ve always been! i just.. please message me when you can? i know dream’s already pissed at me, and sap won’t stop threatening me to fix this now - even though they laughed too - BESIDES the point… just message me soon?” he sheepishly sent the camera a small smile, his cheeks and nose a slight red. you couldn’t help but roll your eyes before quickly typing him.

‘y’know i have half a mind to be pissed at you, but.. i’m sorry too. i should’ve have blown up at you or the others, especially on stream.. can - can we hop on call and sort this out?’

Gogster is typing… Popped up instantly, making a smile flash across your face. Suddenly a call chimed in, making you jump slightly before clearing your throat and answering the video call.

“Y/N!! Oh my god, you answered- ah, i’m so sorry I just, teasing each other and acting like we hate each other was always our act and I know i pushed it too far on stream,” George continued to ramble as you shook your head.

“George, Gogy you’re rambling..” you mumbled as he looked back at the camera, clearing his throat with a sheep smile on his face.

“uh, sorry.. look, can we just.. try again?” he muttered as you broke into a dazzling smile.

“we can, but I still get to call you Gogster..”

George broke into a loud laugh, you joining in with his contagious giggle. He nodded, clearing his throat again as he sighed gently.

“That’s all i ask, y/n.. but can i tell you something? dream and sap have been nagging me for the last couple of months to mention this..” His voice trailed as you nodded, rolling your shoulders and sinking further into your chair.

“i may not get along with you, British brat.. but you can always talk to me,” you smirk as George coughs out a laugh, shaking his head as you broke into a grin.

“you’re jealous that I have a hot accent, but seriously.. i.. Y/N I’ve liked you for a while and I’d like for us to try,” his voice trailed out as you blinked, staring at the dark brunette before giggling.

“i.. i actually have a trip coming up, to come see Niki and Wilbur.. I wouldn’t mind adding another person.” You trailed, sheepishly glancing at George as a large smile broke across his face, making you giggle as he quickly nods and laughs.

“Wait, really?! But- But we always- We.. Oh my gosh!” safe to say.. George was at a lost for words and you couldn’t help but be excited for these next two weeks to fly by..

and ofc dream and drista and sap made bets - dream bet you guys would date because of drama, drista just bet that you’d go on a date but would want to kill each other, and sapnap bet you guys would want to instantly date - some were more right than others, but in the end,.. Y/nistaken & Georgewasfound became trending and knocked the harmful trends down

[thoughts-on-bangtan]

Memories of 2020 - Initial asks and a small discussion

*cracks knuckles* Here we go.

If any of you have spent any amount of time today on any ARMY sns platform, I’m sure you’ve seen the mess which, as seasoned ARMY, I can tell you was the exact same mess we see...every single time. I can’t particularly say I’m surprised by any of it, especially when watching the entire process, as in the first clips hitting the TL and then the rest slowly following suit like a flood building steadily as the hours went by.

From anon: be ready for insecure vminies 😂

I’m pleased to report it wasn’t actually as bad as I expected, though now that I’m typing this I probably jinxed my own luck and the flood of asks will come soon enough, but maybe not. I’m holding on to the latter.

Based on the cycle in which these things happen every time, as in that the first clips that hit the ARMY spaces are Xkook ones, followed by vmin and other ships, and lastly more OT7 content, I expected our asks to go haywire after that clip, you know which one I mean. But we’ve only gotten two (?) about it, kind of, so I guess most people understood that it was just for laughs and nothing serious that anyone would have to get insecure over.

From anon: Sigh. This is my first memories of bts as army and i'm already tired of how all of twitter seems to be about 1 j*/k*ok moment now. There were so many j*n/kook m*ments and hugs and a sweet h*pe/k*ok backhug moment and a good number of vmin moments including slow dancing so why is the focus always on that one ship?

Here’s the thing, maybe my TLs are just well curated, I don’t know, but on mine no one really focused on that moment? Even non-shipper OT7s just briefly had a chuckle and then moved along to other things, awww’ed at vmin moments, there was lots and lots of talk about J*nk*ok being super cute and there being so much content when it comes to their interactions, there was a lot of chatter about basically every duo and OT7 moment. I know ship specific spaces went nuts, Xkookers butting heads like their lives depend on it, but outside of them?

“All of twt” is an exaggeration and I know, believe me I do, that Xkookers have the ability to make it seem like everyone just cares about their moments because they themselves (the shippers) are loud and seemingly everywhere, but when you look past them, that isn’t the case. Shippers have a tendency to generalize, especially those who follow a lot of their fellow shippers, but when you step outside of shipper spaces, things look very differently.

Like anon said, though I’d like to preface this by saying that I haven’t seen the entirety of Memories of 2020 so I can only go by what I have seen though I’d say I’ve seen nearly everything that was posted on twt or at least as much as I could find (including Xkook things), there were a lot, and I mean a lot, of amazing moments between basically all the members, regardless of who your favorite duo might be, I’m sure there was something for you there. Even those who are supposedly a rarity. And even as vminnies, this time around we had a feast with so many amazing vmin moments, some funny ones, some random ones, some super cute ones, whatever you want, there is something there for you to find. And the same can be said about so many other duos, we even got Yoongi and Hobi FaceTiming each other, and Yoongi saying they look like a couple while looking at the pictures Hobi chose for the coffee truck he sent to Yoongi’s Daechwita MV filming set.

There’s one discussion I’d like to get out of the way below the cut, but after that I will have another post very, very soon in which I want us to just have some fun and look at vmin, namjin and the other moments because there is just so much to find. And this is just day one of people having the DVDs, these discussion will continue for a while because, like I mentioned before, Memories are a treasure trove for OT7 content and fun stuff, and there’s more than eleven hours worth of it to be watched, discovered and discussed.

But, okay, let’s get into that moment since anons wanted to talk about it and know my thoughts on it, so let’s do just that. And yes, other anon from a while ago, I remember you once mentioning how I shouldn’t talk about other ships and shouldn’t “debunk” them and their moments, though I’d hardly call this debunking, but as I said many times since our first post, I’m ARMY before I am a vminnie and namjinist, and our blog is called thoughts on Bangtan and, as far as I’m aware, both JK and Jimin are part of Bangtan, so I don’t see a reason why I can’t show my perspective on it and also voice my grievances with shippers when it comes to that moment. And, before anyone comes into our asks to yell at me for being toxic/problematic or only doing this to make my ship look better or whatever, no, that isn’t the point, like at all. 

“Debunking” moments makes literally no difference whatsoever in the grand scheme of things and doesn’t affect reality, all I am doing is having a chat just like everyone else. I’m not even asking you to agree with me, you’re more than welcome not to, I can’t and won’t stop you. Also, just so you know, my initial reaction was just to laugh amused by it, no hard feelings, so I’m not the bad guy.

That being said...the Xkook moment.

Here’s the thing, when it first surfaced many hours ago, the moment itself was cut down to show just the moment of Jimin leaning close to JK and JK leaning back and turning his head away so his cheek faced Jimin...and cut, some even cutting off the video before JK turned his head. That’s it. People, as in shippers, freaked out, and everyone else had a good laugh and moved along to other things, even vminnies were joking about it and everything. I saw none of my fellow vminnies getting angry or insecure about it. Then, as time went by, someone else posted that scene but this time also showing the things leading up to it, so putting it into context instead of removing it. With the context suddenly the whole thing looked and felt completely differently since moments prior Jimin was pretending to stab JK with the pointy end of his mic and then acted as though to check if he was d*ad, as in the end of the scene. Turns out it was just for giggles and not some grand romantic moment in a room full of people and a camera close to their faces.

By that time, of course, those who cared most about that moment had long decided what meaning this holds and didn’t care once context was shown. Gifs and art had already been created, the yelling was loud, and the fights between Xkookers were reaching levels of toxicity I hadn’t seen in a while, which was disgusting and fucked up the say the least. But, the thing is, I don’t think the moment itself was the issue. In context and as rational ARMY you know it was just Jimin playing around with JK as they usually do, things we’ve also seen other members do in similar (though not quite like this) fashion, and after eight years since debut and nine of knowing each other, this isn’t shocking or new in any way. No, the issue were Xkookers and the way they treated this moment, some even going as far as taking screenshots and editing them to make it seem like they were about to kiss, as in they changed the placements of their heads to fit their narrative, as well as others making gifs where they play the moment backwards (leaving out the part where JK leans his head away and to the side) and thus they created their own version of the moment which was different from what had actually happened.

That is my biggest issue with this whole thing. The blatant manipulation of moments to create narratives that don’t match reality, twisting them and using them in stupid pointless fights. But imagine vminnies were to do any of that, all hell would break loose and we’d be attacked without mercy because how dare, and yet they don’t follow their own “logic” and “rules”. It’s more than okay to find any and all moments cute, we all do, to make jokes and whatnot, but twisting context, manipulating it and basically creating your own version of it goes too far. 

Take what we are given as what it is, instead of what you want it to be.

So, now that that’s done, please fellow vminnies and ARMYs, don’t be insecure or let people ruin your mood and fun over it. It’s not worth it. Instead let’s check out and have a talk about some of the fun vmin and OT7 moments we got, along with other ones, including my reply to another anon when it comes to namjin. Of course what I will mention in the post (HERE) is basically just the tip of the iceberg since tumblr has a limit on pictures and everything, so just know there is so much more still left to see than just that.

Before I’ll go, for those who still feel a little insecure/doubtful/whatever else, while I was working on this post and the other one, another anon sent in this well timed vmin ask:

From anon: I have to say this as a Vmin supporter. Whatever is going on with Vmin we can rest assure what they is special/untouchable. They graduated HS & college together, going for Bachelors together. Jimin-ah I like you the most. I want to live with my lovely Taehyung for the rest if my life. Their future is together, friends/soulmates or more they said it. I won’t tear down other members closeness (good for them) their bonds don’t erase Vmins. I’m just happy with the moments Vmin allow us to see.

[xyztrio721]

Sorry for the wait, but I want to share my thoughts on certain events that took place in Chapter 2 of Xenoblade 3.

Warning: Spoilers for Chapter 2 of Xenoblade Chronicles 3 Under the Cut

First of all, Ethel. I have two screenshots of her, and here’s the first one, taken during the scene where she saves the lives of Noah, Lanz, Eunice, and Joran.

I remember seeing a small portion of this cutscene on the official Japanese Xenoblade Twitter account, and I wanted to take this screenshot as a reminder of the amount of hype I got from watching a part of this scene for the first time.

Next up, Z. This was his first appearance in the game, and as you can see, I (and likely everyone else) couldn’t see his face clearly in the cutscene.

What are those purple things on his face? I have no idea, and I’ve cleared Chapter 3 right before I made this post (more on the Chapter 3 stuff later).

This next screenshot was meant to start a series of screenshots in which I take at least one screenshot from every area in the game. I… failed to keep up on this, but I suppose it isn’t too late to try again.

Anyway, here a screenshot of Millick Meadows. Not much to see, I know, but I wanted to highlight the fact that this area is a mass-up of the Bionis’ Leg and possibly the Garati Plains (I’ll give you the opportunity to determine that yourself in the next screenshot).

BIG FOOKING MONKE in this next screenshot!

Believe it or not, this is NOT Territorial Rotbart (though there are similarities between this giant Gogal and the Territorial Rotbarts from Xenoblade 1 and 2). This is Jingoistic Gigantus, which is a fitting name for an Unique Monster this big. Thankfully I haven’t had to deal with it chasing after me/incapacitating my party, but I wouldn’t be surprised if it happens at some point in my playthrough.

Here’s another screenshot of Ethel, right before Consul K takes control of her and her forces (or at least, I assume that he took control of her, if the glowing red eye she had was any indication).

Since this is the last screenshot I took of her in Chapter 2, I want to say this: I genuinely thought Ethel was going to die during the fight against Consul K. Thankfully she didn’t, but she came pretty damn close to becoming K’s food source.

WOTAR. That’s it, that’s the context behind this screenshot. Also the way Mio’s ears perked up at the sight of the oasis was adorable.

I don’t have that many screenshots of the party hanging out at Rest Spots, but I do have one (and another one from Chapter 3, but again, I’ll talk about that later).

I don’t know what Mio and Sena are doing here, but whatever it is, it’s super cute!

And now onto the more serious stuff. First up, the new Ouroboros. Here’s Lanz’s Ouroboros.

And here’s Eunie’s Ouroboros.

This was the first time two Ouroboros showed up in a single cutscene, and just like the first appearance of Noah’s Ouroboros, I was hyped as hell to see them for the first time in my playthrough!

I do have a clip of Noah and Mio destroying the Flame Clock with Lucky Seven (which by the way, I’m very curious about this sword and what Noah refers to it as. Does he refer to it as the Infinity Blade [named after his second Talent Art], or does he refer to it as something else? If you know the answer to this, please refrain from answering, as I don’t want any spoilers), but I need to find a way to post clips saved onto my iPad to Tumblr. Once I figured that out, I’ll make another post for that cutscene.

Finally, we have Noah and Mio sending off Consul K. I’m surprised that they did this in the first place, but that’s just how they are I guess (especially Noah, since he doesn’t like to leave the husks of foes and friends alike, which is one of the reasons why I like him the most out of the entire cast).

I’ve got to admit, I teared up a bit at this scene, even though I think the Consuls are monsters (which is a bit of an understatement, considering all of the shit K did and what some of the other Consuls would do later on)

I think that’s it for now. Next up: Chapter 3, and I’ve got a lot to say about the final boss of that Chapter in particular, none of which is positive.

[dreamescapeswriting]

BTS Reaction | Teasing Baby Him [Request]

Seokjin:

You'd always been a fan of their music but you'd never taken the time to sit and watch the music videos. You were too busy with working and your personal life to watch all of the music videos but now that lockdown was happening you had all the time in the world. You'd already binged a new show and started a new hobby but you wanted to do something else, so you found the first-ever music video the boys did and started from there. You smiled as you looked at all of them, all so young and full of dreams it was adorable. One video led to another, and then another and another until you were lost in the whirlpool that was their music videos, and vlogs that they had done before they debuted. It was too cute for words.

"Baby, what you-" Jin stopped when he walked into the living room and saw No More Dream on the screen - You'd just restarted the playlist again because you couldn't get enough of how young he looked. Jin put down his bag on the floor and stared at the remote on the coffee table, you followed his gaze and you knew exactly what he was going to do.

"Babe...Why don't you go and order something to eat?" You hummed at him and slowly got off the sofa and eyed up the remote, both of you were an equal distance away and you knew that Jin had the upper hand thanks to his long limbs but you were a little faster.

"Don't-" Too late, you'd already grabbed onto the remote hit full volume and ran in the direction of the stairs but he grabbed you from behind and began spinning you around.

"JIN!" You cried out as he started tickling your sides to get the remote from your hands but you started screaming the lyrics loudly to annoy him and he groaned falling onto the sofa with you still in his arms.

"Baby you looked so good!" You giggled getting out of his grasp and straddling his lap,

"Fire is my favourite, blonde hair with dark eyebrows." You faked a moan and he hid his face in his hands knowing this wasn't going to be the last of the conversation and you were going to tease him for as long as humanly possible.

Yoongi:

The boredom of lockdown was starting to get to you, you'd done everything you could think of to stop yourself from being bored. Cleaned and reorganised the shared bedroom, repainted the kitchen, repainted the living room and spare bedroom as well as get it all redecorated in there for when you had guests over...Which wouldn't be happening any time soon thanks to Miss Rona. Now you were alone in the house again, Yoongi was working on his mixtape and the new album so you had to find something else to occupy your time, usually, you'd be at work but that was out of the question. You were about to find a video game to play when your phone started to vibrate from the kitchen, Jungkook's text tone came through multiple times and you went to see what the huge deal was when you found him sending you all of the old Log videos back from 2013 and you screamed seeing Yoongi on one of them. He looked so young, his hair was blue and wavy and he was smiling so much that you couldn't help but smile back at him. 

[19:05] Enjoy your new form of blackmail, this is revenge for what he did to me.

You smirked to yourself and sent a bunch of screenshots of the video to Yoongi, teasing him about how cute he was back then before going onto the next one and dying about how cute he was there too. 

[20:45] You better unlock the front door and prepare to be punished.

As soon as the front door was unlocked Yoongi pinned you against the wall in the hallway and you stared at him, he was slightly less intimidating to you now that you'd seen baby Yoongi. 

"Baby Yoongi is so cute though," You giggled but he growled and bit down on your neck, 

"Baby Yoongi isn't here anymore," You whimpered as he whispered in your ear and bit down on your ear lobe. 

Hoseok:

Jimin sat down beside you with a bowl of popcorn, you had been condemned to your tiny apartment since you and he were showing signs of the virus, you knew you didn't have it but you still had to be careful and self isolate together.

"I found these." Jimin said holding up a couple of USB sticks and you frowned looking at them,

"Bon Voyage episodes, but season one things that didn't make it in." You smirked knowing how much your boyfriend - Hoseok - hated you watching all of their old videos. He'd caught you watching and dancing along to No More dream and Spine breaker a bunch of times and you always teased him for it all.

"He's going to kill you." You giggled watching as Hoseok appeared on the screen with Taehyung both of them dancing around and joking about something.

You were just getting into some more clips when there was a loud bang on the window, both of you turned to see Hoseok staring at you, he looked pissed off and you were glad he couldn't come inside and scold you for it.

"YOU LOOK CUTE!" You yelled through the window pausing the screen on Hoseok's face and smirking as he groaned, he hated that he couldn't come in and be with you. He missed you but now he hated that he couldn't go in there and stop you from watching all of the old videos. You walked over to the window and opened it a little so you could talk, you'd been doing it for a couple of nights in a row, it made the time you had to be away from one another less lonely.

"One more week and then I get you back, I'll remember this." He said as he pushed the bag of warm take out food through the window.

"I love you." You giggled at him as he walked away from the window.

Namjoon:

There wasn't much to do since lockdown had started so you began watching all of the old videos you'd missed when you first started dating Namjoon. Tweeting for videos to be sent to you, you'd finished all four seasons of Bon Voyage, you'd watched all of the Run episodes and music videos but there was one thing always being sent to you which made you die from laughter whenever you watched it and it was the clip of Namjoon feeding that one model on American Life Hustle, you smirked to yourself and headed out to the shops to plan what you were going to tease Namjoon with later.

Namjoon was laid on the sofa watching something while scrolling through his phone, you grabbed the bowl of grapes and went to sit on the floor in front of him,

"What've you got baby?" You looked up at him innocently as you popped a grape into your mouth,

"Just some grapes, you want some?" He nodded and shifted so there was room next to him on the sofa, you sat down and held a grape in your hand putting it near his lips and slowly pulling it away as he had done in the video. He blushed but you gave him the grape before doing it yet again with another one, only this time you didn't let him eat it you put it into your mouth and he knew exactly what you were doing.

"Been on twitter today baby?" He smirked taking the bowl out of your hands and laying you down on the sofa,

"N-No." You stuttered, your whole demeanour changing as he smirked darkly at you,

"Oh I think you have," He whispered kissing your jaw and down to your neck, you let out a whimper and he chuckled.

Jimin:

Being in lockdown at the dorms wasn't a total nightmare like you'd first thought it would be. You'd gone to be with Jimin for a couple of weeks and then lockdown happened and you couldn't leave, you thought it would be your worst nightmare living with seven boys but there was never a boring moment. While they went to work you cleaned the entire place from top to bottom as well as make sure they had food for the night, like a little housewife. But the longer lockdown went on the fewer things needed to be done to frequently and you were left being bored. Which was why that morning, Namjoon had handed you an old laptop full of old videos for you to go through, it was all old unedited items of Bangtan bombs, music video clips and bloopers to keep you entertained. You'd spend the entire day watching everything on the laptop that you hadn't even noticed time passing until Jimin touched your shoulder.

"Good day?" He chuckled looking down at you and then to the laptop when he noticed what you were watching,

"Who gave them the laptop?!" He yelled taking it away and rushing away from you, you sprinted after him yelling out quotes from the video only making him blush more.

"Jimin!" You squealed as he picked you up and put you over his shoulder and took you to the boys,

"You showed her Jimin's got no jams? I've only just stopped getting it from Army." He grunted and you started laughing while shouting it, he tickled your sides and you screamed before falling silent, Jimin knew he was never going to hear the end of any of it.

Taehyung:

Lockdown had started to take it toll on your sleeping pattern, you found yourself unable to sleep because of the lack of activity you had to do in the day so you were spending most of your nights laid awake on the sofa downstairs while Taehyung slept upstairs. It was no big deal, he understood that you couldn't sleep but he felt bad because there was nothing he could do to help. You were slowly running out of things to watch on Youtube when you decided to go into all of the old music videos, bangtan bombs and logs from BTS's time together and you were having a blast.

Taehyung rolled over expecting to find you laying next time him since it was 6 am and you were usually tired by then but he could hear the familiar tune to 'Jump' playing and he headed down the stairs, there he found you sitting on the sofa in one of his hoodies. The hoodie pulled up and tied tightly around your chin with a pair of sunglasses on, he was about to say something to you when he noticed you recording his rap part as though you were him and he held back a chuckle watching you.

"You look good!" You jumped and your phone flung onto the opposite side of the sofa as you tried to act as though he hadn't just caught you doing that.

"Sorry baby, you all just looked super cute." You giggled getting up and hugging him,

"We were manly and handsome." He protested but you started giggling and shook your head,

"Alexa play No more dream on youtube." The video started up and Taehyung groaned.

"Alexa stop." You giggled at him and started to tease him on everything you'd seen over the last night of your youtube adventures.

Jungkook:

Jungkook could hear you giggling when he walked through the front door of your apartment, he left you at home that day instead of taking you to work like he had been doing for the last couple weeks of lockdown. He was about to call out and ask what was so funny when he walked into the living room to see you sitting on the floor watching his graduation video with Jin sitting beside you. You were both laughing at how young Jungkook looked and he stared at you,

"Baby! Look! Look how cute you were!" You wiped your eyes and he noticed you were laughing so hard you were crying, Jungkook stared at the screen and wanted to cry as well but not from laughter. It was the unedited video of his graduation, him crying about how happy he was that the boys had come and then all of them laughing and joking together as they had a meal.

"You looked so adorable in your little uniform." Jin got up from the floor and patted Jungkook on the back as he left the apartment.

"My favourite clip," You got onto a clip of Jungkook shying away from a girl and he growled at you.

"Sorry baby, but the uniform-"

"Go get into your uniform baby girl, you know I prefer you in yours." You swallowed the sudden lump in your throat and you nodded obediently, getting up from the floor and rushing into the direction of your shared bedroom.

Tagline: 

@writingdreamsnottragedies @yoongisdumplingcheeks @snowy-meowl @lynnthevirgo @jooniesdarlingdimples @fan-ati--c @lyoongx @mitzwinchester @rjsmochii @callingmyangel @btsiguess-kpop @kneel-begyourpardon @taestannie @supresoo​

[shirlleycoyle]

How 9/11 Became Fan Fiction Canon

Every fictional character you can think of has experienced 9/11 in fanfiction.

A Clone Wars veteran with two lightsabers is on United Airlines Flight 93 and prevents it from crashing. Ron and Hermione get caught up in the chaos as the towers fall. Buffy the Vampire Slayer and her friends watch the attacks unfold on TV from Sunnydale. We have spent 20 years trying to process what happened on 9/11 and its fallout, and that messy process can be tracked through the countless, sad, disturbing, and sometimes very funny fanfiction left across the internet.

Many of the fanfics written in the weeks and months following the 9/11 attacks seemed to directly respond to the news as it happened, processing the tragedy in real-time through the eyes of characters they loved. In the absence of a canon episode where Daria Morgendorffer paid respects to those lost, writing fanfic about these characters also experiencing trauma helped fans cope.

One YuGiOh fanfic published on fanfiction.net in May 2002 could have been ripped exactly from what this writer experienced that Tuesday morning. “It started as a normal day,” user Gijinka Renamon wrote. Yugi and his friends were in school, where their teacher informed them of the attacks and sent everyone home from school.

“After reading people’s 9/11 fics, I decided to write my own, and put a certain character in it. And Yugi and his pals were my first choice,” the author's note reads, explaining the connection they felt to United flight 93 and the World Trade Center attacks. Given that they lived in Pennsylvania, and “it’s close to New York, I felt really sad about it.”

Stitch, a fandom journalist for Teen Vogue, told Motherboard that this reaction to 9/11 is not at all uncommon in fandom.

"Fandom has always been a place that positions nothing as 'off limits,'" she said. "Historical tragedies like the Titanic sinking and atrocities like… all of World War 2 show up regularly across the past 30 years of people creating stories and art about the characters they love. So, on some level, it makes sense that 9/11 and the following 20-year military installation in the Middle East has joined the ranks of things people in different fandoms turn into settings for their fan fiction."

Reactions depicted in a handful of Buffy the Vampire Slayer fanfics published in the weeks after the attacks ring a little truer to the characters. “Tuesday, 11th September 2001,” written by Anna K, almost echoes the lyrics from “I’ve Got a Theory,” one of the songs in the musical episode that aired in November 2001. “We have seen the apocalypse. We have prevented it. Actually, we’ve prevented quite a few. So we know what they look like,” they write, before taking a darker turn. “They look a lot like…New York today.”

Killing demons and vampires doesn’t phase the Scooby Gang, but when preventable human death is brought into the picture, it’s gut wrenching.

“What am I supposed to do…When I can’t do anything to save the world?” Buffy cries  into Spike’s chest, watching the attacks unfold on TV in a fanfic the author described as being “about feeling numb and helpless.”

In “Blood Drive,” Kirayoshi writes about Buffy and her friends saving a van full of donated blood meant for victims of the attacks from a group of thirsty vampires. One Buffy the Vampire Slayer fic even takes a blindly patriotic turn, where noted lesbian witch Tara McClay helps Xander hang an American flag from the window of the magic shop to make Anya feel better.

Experiencing 9/11 as a young teenager was overwhelming not just because of the loss of life. Almost immediately after the event itself, it was as if the entirety of American culture re-oriented itself towards an overtly jingoistic stance. As we get distance from the attacks, seeing the tone of television and movies from the early 2000s is jarring, and some have gone viral on Twitter. In the world of pop music, mainstream musicians like the Chicks, formerly known as the Dixie Chicks, were blacklisted from the radio while Toby Keith sang about putting a boot up the ass of terrorists. On the Disney Channel, a young Shia Labeouf reading a poem he supposedly wrote about the events. The poem concludes with the line, "it's awesome to be an American citizen."

In a world so completely saturated with this messaging, it is not surprising that fanfic authors started including 9/11 in their work so soon after the event. Even The West Wing had a strange, out of continuity, fanfic-esque episode where the characters reacted to 9/11. In some cases, it made sense that the characters in the stories would be close to or a part of the events themselves.

"For characters like John Watson or Captain America, the idea works to an extent," Stitch told Motherboard. "In the original Sherlock Holmes works and the 2011 BBC series, Watson had just returned from Afghanistan. For Captain America and other Marvel heroes, 9/11 was something that was addressed in-universe in The Amazing Spider-Man volume 2 #36. Technically, 9/11 is 'canon' to the Marvel universe."

In “Early Warning: Terrorism,” a fanfiction for the TV show Early Edition in which a man who mysteriously receives tomorrow's newspaper, predicting the future, avoids jingoism, but tries to precent 9/11 from happening. This fanfic remains unfinished; it’s unclear if the characters successfully prevent 9/11 in this retelling.

Largely in fanfic from the era just after 9/11, when many young authors were trying to emotionally grapple with it, the characters don't re-write or undo the events themselves. It's this emphasis on the reaction to tragedy that colors the fanfiction that features 9/11 going forward.

Although fanfiction authors have been writing about 9/11 consistently since soon after the event, whenever that fanfiction reaches outside of its intended audience, it looks bizarre.

A screenshot of a Naruto 9/11 fanfic on the Tumblr subreddit comes without any context, or even more than two lines and an author's note. It’s impossible to suss out if this falls into the category of sincere fanfic without the rest of the piece or a publication date, but modern-day commenters on the Reddit thread see it as classic Tumblr trash.

Screenshot from r/Tumblr

“Bin Laden/Dick Cheney, enemies to lovers, 10k words, slow burn,” one user joked in the replies, underscoring the weirdness of Naruto being in the Twin Towers by comparing it to a What If story about Cheney and Bin Laden slowly falling deeply in love.

It’s hard to tell how much of the 9/11 fanfic and fanart starting a few years after the attacks is sincere, and how much of it is ironic, and trying to make fun of the very concept of writing fanfiction about 9/11.

A 2007 anime music video (in which various clips, usually from anime, are cut together to music) that combines scenes from The Lion King with Linkin Park’s “Crawling” and clips from George Bush’s speeches immediately after the attacks feels like the perfect example of this. Even the commenters can’t seem to suss out if this person is a troll or not.

There’s no way that My Little Pony: Friendship Is Magic 9/11 fanart could be serious, right? Especially if the description pays tribute to “some of the nation's most memorable buildings,” and features five of the main characters as child versions of themselves. The comments again are split between users thanking the artist for a thoughtful remembrance post, and people making their own headcanon for why Twilight Sparkle is surreptitiously absent from the scene.

Screengrab via DeviantArt

There’s Phineas and Ferb fanfic that combines a 9/11 tribute concert with flashbacks to Ferb being rescued from the towers as a baby, written on the 10th anniversary of the attacks. It jumps from introspection to lines like, “‘Quiet Perry the Platypus. I’m trying to listen to these kids singing a 9/11 tribute.’”

The author's notes make it more likely that they meant for this to be a tribute piece, but it doesn’t quite make sense until watching a YouTube dramatic reading of it from 2020, fully embracing the absurdity of it all.

“For me, 9/11 is synonymous with war. It completely changed the course of my life," Dreadnought, the author of a Captain America fanfic Baghdad Waltz that sees Steve Rogers and Bucky Barnes fall in love over the course of the war on terror, told Motherboard. "It’s the reason I joined the military, and I developed deep connections with people who would go on to deploy to Afghanistan and Iraq. These very much felt like my generation’s wars, perhaps because people I graduated high school with were the youngest folks eligible to serve at the time.”

Dreadnought told Motherboard that although they didn't deploy, their career has kept 9/11 and the trauma from it in their mind. After seeing that people who fantasize about Steve and Bucky getting together seemed particularly interested in reading fanfiction that related to 9/11, they decided to try their hand at it.

"I had to do something with all of that emotionally, and I’m admittedly a bit emotionally avoidant. So I learned through fic that it’s easier for me to process those feelings and the knowledge of all the awful stuff that can happen in war if I can turn it into something creative," Dreadnought said. "Give the feelings to fake people and then have those fake people give the feelings to readers!"

To Dreadnought, who is a queer man, the experience of researching and writing this was more cathartic than they first expected, especially as a way to navigate feelings about masculinity, military culture, and queer identity. But they said the research they did, which included watching footage of first responders at ground zero, was what helped them finally process the event itself.

"It was like a delayed horror, and it was more powerful than I expected it would be." Dreadnought said. "When I was eighteen, I was pretty emotionally divorced from 9/11; I just knew I wanted to do something about it. So coming back to it in my 30s while writing this fic, it was a very different experience. Even the research for this story ended up being an extraordinarily valuable exercise in cognitively and emotionally processing 9/11 and all of its second and third order effects."

Fanfiction that features 9/11 provides an outlet for people who still grapple with the trauma from that day. But Stitch warns that the dynamics of fandom and how it relates to politics can also create fiction that's less respectful and more grotesque.

"With years of distance between the stories written and the original events of 9/11, there seems to be some sort of cushion for fans who choose to use those events as a catalyst for relationships—and Iraq and Afghanistan for settings," Stitch said. "The cushion allows them room to fictionalize real world events that changed the shape of the world as we know it, but it also insulates them from having to think about what they may be putting into the world."

The tendency of turning these events into settings or backgrounds for mostly white, male characters to fall in love has the unintended effect of displacing the effects that the war on terror has had on the world over. Steve and Bucky might fall in love during the war on terror, but they would also be acting as a part of the American military in a war that has been criticized since it started. Fanfic writers in other fandoms have come under fire for using real world tragedy as settings for fic before. In the aftermath of the 2010 Haiti earthquake Supernatural fanfiction about the actors Jensen Ackles and Jared Padalecki going to the island to do aid became controversial within the fandom. There have also been fics where characters grapple with the death of George Floyd that is written in a way that displaces the event from the broader cultural context of race in America.

"A Captain America story where Steve Rogers is a 'regular' man who joins the US Army and 'fights for our freedom' post-9/11 is unlikely to deal with the war’s effect on locals who are subject to US military intervention," Stitch said. "It’s unlikely to sit with what Captain America has always meant and what a writer is doing by dropping Steve Rogers into a then-ongoing conflict in any capacity."

After enough time, “never forget” can even morph into “but what if it never happened?” A 19k+ word Star Wars alternate universe fanfic asks this question, wondering what would have unfolded if someone with two lightsabers was on United Flight 93. This fic, part of a larger fanfic series with its own Wikia, considers what would have happened if Earth was a military front in the Clone Wars.

In this version of events, a decorated general who served in the Clone Wars is able to take back control of Flight 93 before it crashes, landing safely and preventing even more tragedy from happening that day. In the end, all of the passengers who made harrowing last calls to their loved ones before perishing in a Pennsylvania field survive thanks to the power of the Force, and are awarded medals of honor by President Bush.

Twenty years after the attacks, it’s painful to think about what would have happened if people got to work 15 minutes later, or missed their trains that morning. There weren’t Jedi masters deployed to save people in real life, but for some of the fanfic writers working today, the world of Star Wars might feel just as removed as the world before September 11, 2001.

Fiction serves as a powerful playground for processing cultural events, especially generational trauma. The act isn't neutral though; a decade's worth of fanfiction that takes place on or around 9/11 shows how our own understanding of a traumatic event can shift with time.

How 9/11 Became Fan Fiction Canon syndicated from https://triviaqaweb.wordpress.com/feed/

[reapyboy]

just some thoughts about the recent stuff and the vs community that i need to put somewhere before I explode haha (TLDR at the end)

(If you decide to read this, I would assume that ur caught up to everything that’s happened with this whole thing that happened in the first few days of April with VS_Experiences on Twitter (which no longer exists i think). If not, do your own research pls. I do apologize for not providing any screenshots, videos, or twitter threads, but the proof definitely out there, and you’ll have to take my word) 

Speaking abt the vinesauce community in light of current events, the whole fiasco has definitely damaged my view of the community and some people’s responses reek of parasocial relationship. We truly have no idea if the accusations were true or false, but please stop acting like everything has been debunked. Whenever self projection and parasocial relationships were brought up on stream, the chat would always laugh at them and think they’re dumb (like with Dream), but it seems that thay suffer from one too.

He’s said several times to not put him on a pedestal and what were people doing? Still putting him on a pedestal when the accusations first came out. So many people saying stuff like “ive watched Vinny for years and he always puts a smile on my face! he would never do this he’s just a funny italian speen man!!!” or “he doesn’t seem like the kind of dude who would do that he’s kinda awkward and hates relationships!!” Look. Saying this kind of stuff is what prevents people from speaking out against someone with a big fanbase.

I have made several arts on the booru for Vinny and he is literally my favorite streamer. I tuned in for as many streams as I could in the past several years. As much as he has made me laugh throughout the years, I don’t know him. 99.9% of viewers do not know this man off stream, and never will, no matter how long you’ve been watching his streams. Most of us will never be one of his closest friends who knows the inner mechanisms of his mind. As much as he may talk about his interests and life experiences on stream, and as much as you can observe his mannerisms and personality, there is no way you could know absolutely everything about Vinny off stream. He wants to live privately, after all. But here’s the thing, even if one of us were friends with the guy, friends are allowed to keep secrets. Some friends do not share every single detail of their lives and interactions. My best friend that I’ve had since Kindergarten doesn’t know that I crashed my first car within a month of getting my license!

When it comes to the evidence, so many people were saying “that’s not the same icon! he would never type like this!!1!1” in the emails when it was proven that Yahoo emails just switch email icons to letters by default when receiving email from other online mail services. Plus, we also don’t know how he speaks if he flirts with women? He could totally be awkward like that.

As for psyops and targeted attacks by GPM or 4Chan, I don’t buy that they pre planned this “””attack”””. These theories of a 4Chan psyop were based off of like three? out of context screenshots that were most likely jokes. I also don’t believe it was an attack by GeePM based on the sole fact that he liked and retweeted the allegations when they were first posted, and on the fact that he got kicked outta the Vinesauce team. My thoughts are that the accusers came to him privately and asked him to boost the post because he was an ex-member, letting those in both his and the VS community know. But what do I know?

I, like a few others, thought that there could been some merit to some other info floating around, including several clips of someone’s screen that seemed to have legit email exchanges. It was immediately dismissed and invalidated by fans, accusing them of faking anything they posted. There was only so much proof that they could’ve shown, and I choose to believe the people that spoke out.

I personally think that this wasn’t a SUPER serious set of allegations, like if it’s true, he hasn’t done anything illegal to our knowledge, at most he was just a horny motherfucker. But I think more people should’ve stayed neutral on them until a statement was given, because the amount of denying and coping that i’ve seen is gross. Vinny is an adult and he can fuck if he wants. I do think that bothering your fans for sex is weird as fuck (but that’s just me), but they did consent to meet up with him and stuff. This post isn’t my qualms about Vinny’s supposed actions, it’s about the community’s response to said accusations. Some of you guys didn’t take them seriously at all, and I think it says a lot.

TL;DR: Based on my research and the extra evidence that I’ve seen, I believe the allegations, and I don’t think it was a planned “cancellation”. If they are true, it’s not horrid, but still weird (in my opinion) to pm fans for sexual reasons. Whether the allegations are true or completely false, the community’s reactions were disgusting and some Vinesauce fans don’t realize that they suffer a bad parasocial relationship w/ Vinny.

[hearteyesbowen]

Idk if anyone has asked you this but I was watching josh’s live yesterday and all the faces he makes when he sings are adorable anyways I was wondering if you could write something where he doesn’t like the faces that he makes and he gets self conscious about them but you reassure him that they are cute and that you adore the faces he makes.

livestream ☆ joshua bassett

joshua finally lets y/n stay with him while he does a livestream, but she tends to distract him without her even knowing it

warnings: fluff, shorter than what i usually write

♡ ♡ ♡ ♡

“Please, Josh, I promise I won’t do anything bad.”

“No, because I’m going to be in the middle of talking to my fans or singing a song and then you’re going to do something that catches my attention and suddenly I have to explain to everyone who I’m looking at, again.” Josh argued.

You pouted, slouching on his soft bed. You reached for Franklin, his teddy bear, and cuddled it close to you as you plopped back on the bed. You sighed loudly, making sure to let him know your despair.

Josh watched you overreact on the blankets he left messy on the mattress. He was sat at the same chair in front of his desk that he always sat at when he does live videos. He thought you looked adorable at how you begged to be with him.

He remembered the first time he allowed you to stay with him during a live video. You were on his bed and admiring him from far away as he sung. Every time he sang a song or engaged with his fans, you could tell how happy he was. After he sang a Bruno Mars song, you felt giddy inside, so you silently clapped your hands together as to not make a sound. Josh noticed you and blushed while he stared at you. This erupted thousands of comments on both his live and his Instagram posts about who he was with and if he had a girlfriend. Of course, he didn’t get mad at you, but it was hard to convince everyone that it wasn’t you and only a friend, since you were often questioned on social media if you were Josh’s “mystery girl.” It’s also why you were not allowed to be with him anymore during his livestreams, just to be sure he wouldn’t have to do any other clarifying.

As for your relationship with each other, it was somewhat complicated. You both knew you have some sort of feelings for each other. You went on a couple of dates, a lot of them staying over at one’s house and watching movies. Neither of you had made anything official, your guess was that he wanted to take things slow. However, it didn’t dawn upon you how slow he liked to be.

You sat up and gently placed Franklin on his pillow before you stood up and walked over to Josh. He raised his eyebrows at you, wondering what you were about to do. You motioned for him to move his hands from his lap so you could sit. Once he held his hands up, you sat down on his lap and held your arms around his neck while he held you at your waist.

“Please?” You begged one last time, taking off the hat he wore under his hoodie and throwing it on the wooden surface next to him.

Finally, Josh groaned, pinching the bridge of his nose. “You can stay in my room, but no distractions.”

You smiled widely, tightening your arms around him for a hug. You heard a small laugh escape his lips as you stuffed your face into his neck. You pulled away and took a glimpse at his red lips, noticing how much softer they looked today. The room was silent, as if everything stopped. You gazed at each other for what seemed like years, just you two. All you could think of was how nice it would be to have your lips on his, holding onto his body tightly.

As if he read your mind, Josh slowly leaned up, hesitantly reaching for your lips. You both tried inching closer, but it was clear how nervous you were. Your lips were still somewhat far, but it didn’t stop the anxiousness you felt the more the space between you closed. You had never kissed anyone yet, so the feeling you felt as his breath fanned over your lips sent shivers down your spine.

The alarm on Josh’s phone went off, making you both jump slightly. You tapped the screen to check the time, seeing it was only five minutes before he said he would go live.

You turned back to him and patted his chest. “You should get ready.”

Josh sat there, silently frustrated at himself for not making the move. You stood up and threw yourself on his bed, reflecting on the past two minutes that you could have changed.

➢➣ ➢➣

Halfway through Josh’s livestream, you stopped paying attention to him. You loved listening to him and sing, you could listen to him forever, but the memory of your possible first kiss engulfed your brain every time you even heard his voice.

Now you were lying down on your back, holding your phone up high above your head with your headphones plugged into your ears as you blocked out Josh’s voice as best as you could. Usually his livestreams don’t last too long, but it felt like it’s been an hour already.

Clearly you were lost into thought, too busy scrolling through Twitter, that you didn’t even notice when the mattress sank down by your legs. Josh crawled over the bed, resting his hands on either side of your head and his knees between yours. Soon your screen was covered when a curly-haired boy shoved his head between your arms, forcing you to wrap your hands around his head. His face expressed worry the more you stared at him without talking.

“You’re less talkative than you usually are, what happened?” Josh wondered.

You shrugged, not letting out a single noise. He huffed, lightly blowing some of the curls away from his head, and plopped himself down next to you on his bed. You let him rest his head on your arm once he went to cuddle your torso, leaving your other hand to mess with your own hair. Instantly, the warmth of his body clutching yours overcame the uneasy feelings you had earlier.

“What were you looking at?”

Josh took your phone from the other side of your hip and tapped in the passcode, the day of your first date. The Twitter app opened, showing your timeline of tweets from the people you followed.

“Some of your fans are already posting screenshots from your live.” You murmured as you see the first screen recording of Josh.

A silent groan escaped his lips the more he watched the clip. He sang “Say You Won’t Let Go” by James Arthur, one of your favorite songs. You giggled as you watch him struggle hitting the lower notes, scrunching up his nose and his repeated use of the word “yikes.”

Josh had enough of watching that clip and exited the app. He went to the Instagram app and typed in his username, then going to his tags. Numerous screen recordings and photos of his livestream were being posted by the minute. Curious, he tapped the most recent one of him singing yet another song.

You stopped paying attention to the video, now only watching his face in disgust as he watched himself. You pouted, using your free hand to remove your phone away from his grasp and pushed aside some of the hair still framing his forehead.

“What ails you, dear?” You ask, holding back a laugh from your choice of words.

He raised an eyebrow at you, grinning for a second before sighing. “I make the stupidest faces when I sing.”

You pushed yourself up, using your arm to hold you up. Josh still lying down, he covered his face with his hands.

“Why do you think that?”

“Look at me!” He reached for your phone and quickly finding a clip to show you. “Why do I look like that?”

“I think it’s cute.” You argue, pushing his hands off his head.

Josh grumbled, almost ripping out the locks of his hair. “But I feel like I look like an idiot. I’m always making those dumb faces, like I can’t even sing normally. I hate seeing myself sing because then I just get self-conscious.”

“Joshua, you’re being so overdramatic. You look perfectly fine. If anything, your fans love the cute little movements you make.” You reassure.

He studied your face for any hints of deceit. You smiled, feeling the heat rise to your cheeks the more he watched you.

Josh finally sat up, your faces now inches apart. The tingling feeling you felt in your stomach a while ago came back. His fingers crept onto your cheek, pushing aside some of the hair by your eyebrow.

“You shouldn’t have to feel insecure about how you look, Josh. You’re literally the cutest guy in the world.”

Your whisper set off a sudden new confidence in him, something that he had been trying to discover since your first date.

“I am?” He wondered with little bits of disbelief from your comment.

The tips of your noses touched, and you hitched your breath. This has been the closest you two have ever gotten. You were not going to chicken out of this one, not again, at least.

You pushed your lips onto his, leaving a short peck on his lips. The new feeling of someone kissing someone set fire to your body. Once you pulled away, your eyes grew wide at Josh’s surprised expression. His mouth was slightly agape, eyes still wide open.

The corners of his lips curved upwards, forming his familiar smile. “Why’d you pull back?”

That phrase barely left you enough time to think about what just happened, as Josh crashed his lips back to yours. Your eyes widened at his sudden move, but you soon relaxed as the feeling of his lips on yours became more important than anything.

You reached up behind his head and clutched his hair, making Josh let out a soft moan. His hands snaked your waist as he pushed you back down on the bed, hovering over you again.

It wasn’t the most experienced kiss at first, but you quickly found your way. Nothing between you two has ever felt more passionate. Your lips moved slowly, still captivated by the thought of you being with each other.

Josh pulled away, lingering one last kiss on your swollen lips. Your eyes blissfully fluttered open, soon looking up at his red, smiling face.

“If I knew that talking about my insecurities meant you would finally kiss me, I would have done it much sooner.” He joked, reaching down to capture your lips on his once more.

A/N - sorry this is short and late i was finishing up with some online school work but now im on spring break so hopefully i can get another post this saturday !! also another sorry for the person who requested this , i was trying to finish my other drafts before i started requests , i hope u like it (: next post is the second part to twenty-dollar baby so be on the lookout <3 love y’all xx

[onlyonekenobi]

Hi there 🐝💕 Firstly, thank you so much for your amazing blog.

Secondly, I was a fan of SPN many years ago and fell out of it for a while, only having gotten sucked back in after 15×18 (surprise). Back when I was into it before, there was a lot of discussion about Jensen being potentially homophobic, and now I'm noticing that there's been some..... less than awesome stuff said by Misha, too, in terms of the queerbaiting on the show and having only acted Castiel as in love with Dean this past season.

Obviously the content of the show itself proves this wrong, but it still troubles me, and I couldn't find much about it online other than a few posts by people and one con transcript. Do you have any feedback on this, and would you mind sharing it?

(Thank you so much, and no worries if you don't wanna answer, just keep being awesome!)

Hi!

I’ll do my best here, and I’ll try to track down some sources. also, idk if you sent this question to anyone else as well, but if you did, i’m interested to see what they say. if not, i am flattered to be your Trusted Source.

so, first: jensen re homophobia

I could be wrong, but I don’t remember him ever making any kind of “homophobic” comments OUTSIDE OF things regarding destiel that were construed that way by some fans (if i’m wrong, please let me know). I do remember him shutting down destiel comments, etc, and the infamous “?? no” which has since been debunked by the OP as having been taken out of context. (i can’t find the debunking post on my blog but if anyone has it please link!) with the shutting down destiel comments, he was definitely brash at times! but, I do think it’s also important to note that he and misha were explicitly told not to talk about it. and we know that jensen is (or at least especially used to be) a pretty shy guy, and I think destiel questions/comments being shoved in his face in a public setting- when addressing it could get him in trouble with his job- made him nervous and upset.

however, he took a noticeable shift re: destiel in recent years. for one, we know that he gave his blessing for the canon textual confession (again, I can’t find an og post in my absolute mess of late stage supernatural tags, but if anyone has the receipts, please drop them). I could add more of my own personal spec about how jensen shifted his acting choices in light of this information, but I’ll just move on. we know that he was excited about the confession scene. here’s a second post about that.

and re: general homophobia, here’s a post of jackles with pride flags, as well as a 2019 post from his aunt, who is gay. also, this is largely a shitpost, but I saw it in my jackles tag while looking for the above, and it feels relevant, so i’m including it. a little levity before we move on.

now, misha.

I am aware of misha saying two upsetting things in regards to “the confession wasn’t bury your gays, why are you so angry” Again, if there’s more that i’m forgetting, please let me know. The first was in this panel talk (start at 35:50) from November 22. Here is a relevant post about that moment (I also watched the whole panel live and agree with this post.) The second is this video on twitter, and the following thread, from Nov. 25. However, after several fans replied to him explaining why we were so upset, he issued this apology on Nov. 26. I wanted to give you the original link there, but I’m also including a screenshot with a thoughtful and important addition here. And here is a tweet about Misha finding out about The Castiel Project.

i’ve never heard anything about misha only acting cas as in love for the last season exclusively, so I don’t have any posts to expressly debunk it, but I do firmly believe that to be untrue, just based on things misha has let slip over the years

and for both of them, it’s worth noting that whenever they were asked direct questions about the show, they could only do their best to talk around things like queerbaiting, etc, because they obviously couldn’t actively speak out against the show or the network (like this). for example, we know that misha got a couple phone calls from producers on occasions where he toed the line a little too closely, and he commented how you unfortunately have to listen to the people who have the power to kill off your character (immediately following previous clip)

in conclusion

neither of them are homophobic. to the best of my knowledge, neither of them have ever made an outright homophobic comment. and in cases regarding destiel (again, to the best of my knowledge) they have both either changed course or apologized since making any unsavory comments.

there are also WAY more posts on all this that I didn’t include here. if you search the jensen or misha tags on my blog, or probably the blog of just about anyone i follow, you could look into it more

all that said, it’s also important to note that i am Just Some Guy. i did my best to compile this information in a relevant and meaningful way, but i have oversaturated-sponge-adhd-brain that has been actively following this fandom for a decade, and i’m sure some things got lost in there. so to anyone reading this, if i forgot anything critical, please don’t yell at me, i am but a simple internet jester, just like you.

and while we’re here, I’ll say that- while I do think it’s important to keep a critical eye trained everywhere- if we were going to criticize any spn cast members for unsavory comments, these two are certainly not where i would start

tl;dr, ultimately myself and jensen and misha are all Just Some Guy, and none of us know them, but as far as I can figure, they are both genuinely kind and thoughtful people who care about and respect the lgbt community, including their respective characters’ involvement in it and the real world consequences that has

[tswiftdaily]

In the 2010s, she went from country superstar to pop titan and broke records with chart-topping albums and blockbuster tours. Now Swift is using her industry clout to fight for artists’ rights and foster the musical community she wished she had coming up.

One evening in late-October, before she performed at a benefit concert at the Hollywood Bowl in Los Angeles, Taylor Swift’s dressing room became -- as it often does -- an impromptu summit of music’s biggest names. Swift was there to take part in the American Cancer Society’s annual We Can Survive concert alongside Billie Eilish, Lizzo, Camila Cabello and others, and a few of the artists on the lineup came by to visit.

Eilish, along with her mother and her brother/collaborator, Finneas O’Connell, popped in to say hello -- the first time she and Swift had met. Later, Swift joined the exclusive club of people who have seen Marshmello without his signature helmet when the EDM star and his manager stopped by.

“Two dudes walked in -- I didn’t know which one was him,” recalls Swift a few weeks later, sitting on a lounge chair in the backyard of a private Beverly Hills residence following a photo shoot. Her momentary confusion turned into a pang of envy. “It’s really smart! Because he’s got a life, and he can get a house that doesn’t have to have a paparazzi-proof entrance.” She stops to adjust her gray sweatshirt dress and lets out a clipped laugh.

Swift, who will celebrate her 30th birthday on Dec. 13, has been impossibly famous for nearly half of her lifetime. She was 16 when she released her self-titled debut album in 2006, and 20 when her second album, Fearless, won the Grammy Award for album of the year in 2010, making her the youngest artist to ever receive the honor. As the decade comes to a close, Swift is one of the most accomplished musical acts of all time: 37.3 million albums sold, according to Nielsen Music; 95 entries on the Billboard Hot 100 (including five No. 1s); 23 Billboard Music Awards; 12 Country Music Association Awards; 10 Grammys; and five world tours.

She also finishes the decade in a totally different realm of the music world from where she started. Swift’s crossover from country to pop -- hinted at on 2012’s Red and fully embraced on 2014’s 1989 -- reflected a mainstream era in which genres were blended with little abandon, where artists with roots in country, folk and trap music could join forces without anyone raising eyebrows. (See: Swift’s top 20 hit “End Game,” from 2017’s reputation, which featured Ed Sheeran and Future.)

Swift’s new album, Lover, released in August, is both a warm break from the darkness of reputation -- which was created during a wave of negative press generated by Swift’s public clash with Kanye West and Kim Kardashian-West -- as well as an amalgam of all her stylistic explorations through the years, from dreamy synth-pop to hushed country. “The skies were opening up in my life,” says Swift of the album, which garnered three Grammy nominations, including song of the year for the title track.

She recorded Lover after the Reputation Stadium Tour broke the record for the highest-grossing U.S. tour late last year. In 2020, Swift will embark on Lover Fest, a run of stadium dates that will feature a hand-picked lineup of artists (as yet unannounced) and allow Swift more time off from the road. “This is a year where I have to be there for my family -- there’s a lot of question marks throughout the next year, so I wanted to make sure that I could go home,” says Swift, likely referencing her mother’s cancer diagnosis, which inspired the Lover heart-wrencher “Soon You’ll Get Better.”

Now, however, Swift finds herself in a different highly publicized dispute. This time it’s with Scott Borchetta, the head of her former label, Big Machine Records, and Scooter Braun, the manager-mogul whose Ithaca Holdings acquired Big Machine Label Group and its master recordings, which include Swift’s six pre-Lover albums, in June. Upon news of the sale, Swift wrote in a Tumblr post that it was her “worst case scenario,” accusing Braun of “bullying” her throughout her career due to his connections with West. She maintains today that she was never given the opportunity to buy her masters outright. (On Tumblr, she wrote that she was offered the chance to “earn” back the masters to one of her albums for each new album she turned in if she re-signed with Big Machine; Borchetta disputed this characterization, saying she had the opportunity to acquire her masters in exchange for re-signing with the label for a “length of time” -- 10 more years, according to screenshots of legal documents posted on the Big Machine website.)

Swift has said that she intends to rerecord her first six albums next year -- starting next November, when she says she’s contractually able to -- in order to regain control of her recordings. But the back-and-forth appears to be nowhere near over: Last month, Swift alleged that Borchetta and Braun were blocking her from performing her past hits at the American Music Awards or using them in an upcoming Netflix documentary -- claims Big Machine characterized as “false information” in a response that did not get into specifics. (Swift ultimately performed the medley she had planned.) In the weeks following this interview, Braun said he was open to “all possibilities” in finding a “resolution,” and Billboard sources say that includes negotiating a sale. Swift remains interested in buying her masters, though the price could be a sticking point, given her rerecording plans, the control she has over the licensing of her music for film and TV, and the market growth since Braun’s acquisition.

However it plays out, the battle over her masters is the latest in a series of moves that has turned Swift into something of an advocate for artists’ rights -- and made her a cause that everyone from Halsey to Elizabeth Warren has rallied behind. From 2014 to 2017, Swift withheld her catalog from Spotify to protest the streaming company’s compensation rates, saying in a 2014 interview, “There should be an inherent value placed on art. I didn’t see that happening, perception-wise, when I put my music on Spotify.” In 2015, ahead of the launch of Apple Music, Swift wrote an open letter criticizing Apple for its plan to not pay royalties during the three-month free trial it was set to offer listeners; the company announced a new policy within 24 hours. Most recently, when she signed a new global deal with Universal Music Group in 2018, Swift (who is now on Republic Records) said one of the conditions of her contract was that UMG share proceeds from any sale of its Spotify equity with its roster of artists -- and make them nonrecoupable against those artists’ earnings.

During a wide-ranging conversation, Billboard’s Woman of the Decade expresses hope that she can help make the lives of creators a little easier in the years to come -- and a belief that her behind-the-scenes strides will be as integral to her legacy as her biggest singles. “New artists and producers and writers need work, and they need to be likable and get booked in sessions, and they can’t make noise -- but if I can, then I’m going to,” promises Swift. This is where being impossibly famous can be a very good thing. “I know that it seems like I’m very loud about this,” she says, “but it’s because someone has to be.”

While watching some of your performances this year -- like Saturday Night Live and NPR’s Tiny Desk Concert -- I was struck by how focused you seemed, like there were no distractions getting in the way of what you were trying to say.

That’s a really wonderful way of looking at this phase of my life and my music. I’ve spent a lot of time recalibrating my life to make it feel manageable. Because there were some years there where I felt like I didn’t quite know what exactly to give people and what to hold back, what to share and what to protect. I think a lot of people go through that, especially in the last decade. I broke through pre-social media, and then there was this phase where social media felt fun and casual and quirky and safe. And then it got to the point where everyone has to evaluate their relationship with social media. So I decided that the best thing I have to offer people is my music. I’m not really here to influence their fashion or their social lives. That has bled through into the live part of what I do.

Meanwhile, you’ve found a way to interact with your fans in this very pure way -- on your Tumblr page.

Tumblr is the last place on the internet where I feel like I can still make a joke because it feels small, like a neighborhood rather than an entire continent. We can kid around -- they literally drag me. It’s fun. That’s a real comfort zone for me. And just like anything else, I need breaks from it sometimes. But when I do participate in that space, it’s always in a very inside-joke, friend vibe. Sometimes, when I open Twitter, I get so overwhelmed that I just immediately close it. I haven’t had Twitter on my phone in a while because I don’t like to have too much news. Like, I follow politics, and that’s it. But I don’t like to follow who has broken up with who, or who wore an interesting pair of shoes. There’s only so much bandwidth my brain can really have.

You’ve spoken in recent interviews about the general expectations you’ve faced, using phrases like “They’ve wanted to see this” and “They hated me for this.” Who is “they”? Is it social media or disparaging think pieces or --

It’s sort of an amalgamation of all of it. People who aren’t active fans of your music, who like one song but love to hear who has been canceled on Twitter. I’ve had several upheavals of somehow not being what I should be. And this happens to women in music way more than men. That’s why I get so many phone calls from new artists out of the blue -- like, “Hey, I’m getting my first wave of bad press, I’m freaking out, can I talk to you?” And the answer is always yes! I’m talking about more than 20 people who have randomly reached out to me. I take it as a compliment because it means that they see what has happened over the course of my career, over and over again.

Did you have someone like that to reach out to?

Not really, because my career has existed in lots of different neighborhoods of music. I had so many mentors in country music. Faith Hill was wonderful. She would reach out to me and invite me over and take me on tour, and I knew that I could talk to her. Crossing over to pop is a completely different world. Country music is a real community, and in pop I didn’t see that community as much. Now there is a bit of one between the girls in pop -- we all have each other’s numbers and text each other -- but when I first started out in pop it was very much you versus you versus you. We didn’t have a network, which is weird because we can help each other through these moments when you just feel completely isolated.

Do you feel like those barriers are actively being broken down now?

God, I hope so. I also hope people can call it out, [like] if you see a Grammy prediction article, and it’s just two women’s faces next to each other and feels a bit gratuitous. No one’s going to start out being perfectly educated on the intricacies of gender politics. The key is that people are trying to learn, and that’s great. No one’s going to get it perfect, but, God, please try.

At this point, who is your sounding board, creatively and professionally?

From a creative standpoint, I’ve been writing alone a lot more. I’m good with being alone, with thinking alone. When I come up with a marketing idea for the Lover tour, the album launch, the merch, I’ll go right to my management company that I’ve put together. I think a team is the best way to be managed. Just from my experience, I don’t think that this overarching, one-person-handles-my-career thing was ever going to work for me. Because that person ends up kind of being me who comes up with most of the ideas, and then I have an amazing team that facilitates those ideas.

The behind-the-scenes work is different for every phase of my career that I’m in. Putting together the festival shows that we’re doing for Lover is completely different than putting together the Reputation Stadium Tour. Putting together the reputation launch was so different than putting together the 1989 launch. So we really do attack things case by case, where the creative first informs everything else.

You’ve spoken before about how meaningful the reputation tour’s success was. What did it represent?

That tour was something that I wanted to immortalize in the Netflix special that we did because the album was a story, but it almost was like a story that wasn’t fully realized until you saw it live. It was so cool to hear people leaving the show being like, “I understand it now. I fully get it now.” There are a lot of red herrings and bait-and-switches in the choices that I’ll make with albums, because I want people to go and explore the body of work. You can never express how you feel over the course of an album in a single, so why try?

That seems especially true of your last three albums or so.

“Shake It Off” is nothing like the rest of 1989. It’s almost like I feel so much pressure with a first single that I don’t want the first single to be something that makes you feel like you’ve figured out what I’ve made on the rest of the project. I still truly believe in albums, whatever form you consume them in -- if you want to stream them or buy them or listen to them on vinyl. And I don’t think that makes me a staunch purist. I think that that is a strong feeling throughout the music industry. We’re running really fast toward a singles industry, but you got to believe in something. I still believe that albums are important.

The music industry has become increasingly global during the past decade. Is reaching new markets something you think about?

Yeah, and I’m always trying to learn. I’m learning from everyone. I’m learning when I go see Bruce Springsteen or Madonna do a theater show. And I’m learning from new artists who are coming out right now, just seeing what they’re doing and thinking, “That’s really cool.” You need to keep your influences broad and wide-ranging, and my favorite people who make music have always done that. I got to work with Andrew Lloyd Webber on the Cats movie, and Andrew will walk through the door and be like, “I’ve just seen this amazing thing on TikTok!” And I’m like, “You are it! You are it!” Because you cannot look at what quote-unquote “the kids are doing” and roll your eyes. You have to learn.

Have you explored TikTok at all?

I only see them when they’re posted to Tumblr, but I love them! I think that they’re hilarious and amazing. Andrew says that they’ve made musicals cool again, because there’s a huge musical facet to TikTok. [He’s] like, “Any way we can do that is good.”

How do you see your involvement in the business side of your career progressing in the next decade? You seem like someone who could eventually start a label or be more hands-on with signing artists.

I do think about it every once in a while, but if I was going to do it, I would need to do it with all of my energy. I know how important that is, when you’ve got someone else’s career in your hands, and I know how it feels when someone isn’t generous.

You’ve served as an ambassador of sorts for artists, especially recently -- staring down streaming services over payouts, increasing public awareness about the terms of record deals.

We have a long way to go. I think that we’re working off of an antiquated contractual system. We’re galloping toward a new industry but not thinking about recalibrating financial structures and compensation rates, taking care of producers and writers.

We need to think about how we handle master recordings, because this isn’t it. When I stood up and talked about this, I saw a lot of fans saying, “Wait, the creators of this work do not own their work, ever?” I spent 10 years of my life trying rigorously to purchase my masters outright and was then denied that opportunity, and I just don’t want that to happen to another artist if I can help it. I want to at least raise my hand and say, “This is something that an artist should be able to earn back over the course of their deal -- not as a renegotiation ploy -- and something that artists should maybe have the first right of refusal to buy.” God, I would have paid so much for them! Anything to own my work that was an actual sale option, but it wasn’t given to me.

Thankfully, there’s power in writing your music. Every week, we get a dozen synch requests to use “Shake It Off” in some advertisement or “Blank Space” in some movie trailer, and we say no to every single one of them. And the reason I’m rerecording my music next year is because I do want my music to live on. I do want it to be in movies, I do want it to be in commercials. But I only want that if I own it.

Do you know how long that rerecording process will take?

I don’t know! But it’s going to be fun, because it’ll feel like regaining a freedom and taking back what’s mine. When I created [these songs], I didn’t know what they would grow up to be. Going back in and knowing that it meant something to people is actually a really beautiful way to celebrate what the fans have done for my music.

Ten years ago, on the brink of the 2010s, you were about to turn 20. What advice would you give yourself if you could go back in time?

Oh, God -- I wouldn’t give myself any advice. I would have done everything exactly the same way. Because even the really tough things I’ve gone through taught me things that I never would have learned any other way. I really appreciate my experience, the ups and downs. And maybe that seems ridiculously Zen, but … I’ve got my friends, who like me for the right reasons. I’ve got my family. I’ve got my boyfriend. I’ve got my fans. I’ve got my cats.

[path-of-my-childhood]

Billboard Woman of the Decade Taylor Swift: 'I Do Want My Music to Live On'

By: Jason Lipshutz for Billboard Magazine Date: December 14th issue

In the 2010s, she went from country superstar to pop titan and broke records with chart-topping albums and blockbuster tours. Now Swift is using her industry clout to fight for artists’ rights and foster the musical community she wished she had coming up.

One evening in late October, before she performed at a benefit concert at the Hollywood Bowl in Los Angeles, Taylor Swift’s dressing room became - as it often does - an impromptu summit of music’s biggest names. Swift was there to take part in the American Cancer Society’s annual We Can Survive concert alongside Billie Eilish, Lizzo, Camila Cabello and others, and a few of the artists on the lineup came by to visit.

Eilish, along with her mother and her brother/collaborator, Finneas O’Connell, popped in to say hello - the first time she and Swift had met. Later, Swift joined the exclusive club of people who have seen Marshmello without his signature helmet when the EDM star and his manager stopped by.

“Two dudes walked in - I didn’t know which one was him,” recalls Swift a few weeks later, sitting on a lounge chair in the backyard of a private Beverly Hills residence following a photo shoot. Her momentary confusion turned into a pang of envy. “It’s really smart! Because he’s got a life, and he can get a house that doesn’t have to have a paparazzi-proof entrance.” She stops to adjust her gray sweatshirt dress and lets out a clipped laugh.

Swift, who will celebrate her 30th birthday on Dec. 13, has been impossibly famous for nearly half of her lifetime. She was 16 when she released her self-titled debut album in 2006, and 20 when her second album, Fearless, won the Grammy Award for album of the year in 2010, making her the youngest artist to ever receive the honor. As the decade comes to a close, Swift is one of the most accomplished musical acts of all time: 37.3 million albums sold, according to Nielsen Music; 95 entries on the Billboard Hot 100 (including five No. 1s); 23 Billboard Music Awards; 12 Country Music Association Awards; 10 Grammys; and five world tours.

She also finishes the decade in a totally different realm of the music world from where she started. Swift’s crossover from country to pop - hinted at on 2012’s Red and fully embraced on 2014’s 1989 - reflected a mainstream era in which genres were blended with little abandon, where artists with roots in country, folk and trap music could join forces without anyone raising eyebrows. (See: Swift’s top 20 hit “End Game,” from 2017’s reputation, which featured Ed Sheeran and Future.)

Swift’s new album, Lover, released in August, is both a warm break from the darkness of reputation - which was created during a wave of negative press generated by Swift’s public clash with Kanye West and Kim Kardashian-West - as well as an amalgam of all her stylistic explorations through the years, from dreamy synth-pop to hushed country. “The skies were opening up in my life,” says Swift of the album, which garnered three Grammy nominations, including song of the year for the title track.

She recorded Lover after the Reputation Stadium Tour broke the record for the highest-grossing U.S. tour late last year. In 2020, Swift will embark on Lover Fest, a run of stadium dates that will feature a hand-picked lineup of artists (as yet unannounced) and allow Swift more time off from the road. “This is a year where I have to be there for my family - there’s a lot of question marks throughout the next year, so I wanted to make sure that I could go home,” says Swift, likely referencing her mother’s cancer diagnosis, which inspired the Lover heart-wrencher “Soon You’ll Get Better.”

Now, however, Swift finds herself in a different highly publicized dispute. This time it’s with Scott Borchetta, the head of her former label, Big Machine Records, and Scooter Braun, the manager-mogul whose Ithaca Holdings acquired Big Machine Label Group and its master recordings, which include Swift’s six pre-Lover albums, in June. Upon news of the sale, Swift wrote in a Tumblr post that it was her “worst case scenario,” accusing Braun of “bullying” her throughout her career due to his connections with West. She maintains today that she was never given the opportunity to buy her masters outright. (On Tumblr, she wrote that she was offered the chance to “earn” back the masters to one of her albums for each new album she turned in if she re-signed with Big Machine; Borchetta disputed this characterization, saying she had the opportunity to acquire her masters in exchange for re-signing with the label for a “length of time” - 10 more years, according to screenshots of legal documents posted on the Big Machine website.)

Swift has said that she intends to rerecord her first six albums next year, starting next November, when she says she’s contractually able to - in order to regain control of her recordings. But the back-and-forth appears to be nowhere near over: Last month, Swift alleged that Borchetta and Braun were blocking her from performing her past hits at the American Music Awards or using them in an upcoming Netflix documentary - claims Big Machine characterized as “false information” in a response that did not get into specifics. (Swift ultimately performed the medley she had planned.) In the weeks following this interview, Braun said he was open to “all possibilities” in finding a “resolution,” and Billboard sources say that includes negotiating a sale. Swift remains interested in buying her masters, though the price could be a sticking point, given her rerecording plans, the control she has over the licensing of her music for film and TV, and the market growth since Braun’s acquisition.

However it plays out, the battle over her masters is the latest in a series of moves that has turned Swift into something of an advocate for artists’ rights, and made her a cause that everyone from Halsey to Elizabeth Warren has rallied behind. From 2014 to 2017, Swift withheld her catalog from Spotify to protest the streaming company’s compensation rates, saying in a 2014 interview, “There should be an inherent value placed on art. I didn’t see that happening, perception-wise, when I put my music on Spotify.” In 2015, ahead of the launch of Apple Music, Swift wrote an open letter criticizing Apple for its plan to not pay royalties during the three-month free trial it was set to offer listeners; the company announced a new policy within 24 hours. Most recently, when she signed a new global deal with Universal Music Group in 2018, Swift (who is now on Republic Records) said one of the conditions of her contract was that UMG share proceeds from any sale of its Spotify equity with its roster of artists - and make them non-recoupable against those artists’ earnings.

During a wide-ranging conversation, Billboard’s Woman of the Decade expresses hope that she can help make the lives of creators a little easier in the years to come - and a belief that her behind-the-scenes strides will be as integral to her legacy as her biggest singles. “New artists and producers and writers need work, and they need to be likable and get booked in sessions, and they can’t make noise - but if I can, then I’m going to,” promises Swift. This is where being impossibly famous can be a very good thing. “I know that it seems like I’m very loud about this,” she says, “but it’s because someone has to be.”

While watching some of your performances this year - like SNL and NPR’s Tiny Desk Concert - I was struck by how focused you seemed, like there were no distractions getting in the way of what you were trying to say. That’s a really wonderful way of looking at this phase of my life and my music. I’ve spent a lot of time re-calibrating my life to make it feel manageable. Because there were some years there where I felt like I didn’t quite know what exactly to give people and what to hold back, what to share and what to protect. I think a lot of people go through that, especially in the last decade. I broke through pre-social media, and then there was this phase where social media felt fun and casual and quirky and safe. And then it got to the point where everyone has to evaluate their relationship with social media. So I decided that the best thing I have to offer people is my music. I’m not really here to influence their fashion or their social lives. That has bled through into the live part of what I do.

Meanwhile, you’ve found a way to interact with your fans in this very pure way - on your Tumblr page. Tumblr is the last place on the internet where I feel like I can still make a joke because it feels small, like a neighborhood rather than an entire continent. We can kid around - they literally drag me. It’s fun. That’s a real comfort zone for me. And just like anything else, I need breaks from it sometimes. But when I do participate in that space, it’s always in a very inside-joke, friend vibe. Sometimes, when I open Twitter, I get so overwhelmed that I just immediately close it. I haven’t had Twitter on my phone in a while because I don’t like to have too much news. Like, I follow politics, and that’s it. But I don’t like to follow who has broken up with who, or who wore an interesting pair of shoes. There’s only so much bandwidth my brain can really have.

You’ve spoken in recent interviews about the general expectations you’ve faced, using phrases like “They’ve wanted to see this” and “They hated me for this.” Who is “they”? Is it social media or disparaging think pieces or... It’s sort of an amalgamation of all of it. People who aren’t active fans of your music, who like one song but love to hear who has been canceled on Twitter. I’ve had several upheavals of somehow not being what I should be. And this happens to women in music way more than men. That’s why I get so many phone calls from new artists out of the blue - like, “Hey, I’m getting my first wave of bad press, I’m freaking out, can I talk to you?” And the answer is always yes! I’m talking about more than 20 people who have randomly reached out to me. I take it as a compliment because it means that they see what has happened over the course of my career, over and over again.

Did you have someone like that to reach out to? Not really, because my career has existed in lots of different neighborhoods of music. I had so many mentors in country music. Faith Hill was wonderful. She would reach out to me and invite me over and take me on tour, and I knew that I could talk to her. Crossing over to pop is a completely different world. Country music is a real community, and in pop I didn’t see that community as much. Now there is a bit of one between the girls in pop - we all have each other’s numbers and text each other - but when I first started out in pop it was very much you versus you versus you. We didn’t have a network, which is weird because we can help each other through these moments when you just feel completely isolated.

Do you feel like those barriers are actively being broken down now? God, I hope so. I also hope people can call it out, [like] if you see a Grammy prediction article, and it’s just two women’s faces next to each other and feels a bit gratuitous. No one’s going to start out being perfectly educated on the intricacies of gender politics. The key is that people are trying to learn, and that’s great. No one’s going to get it perfect, but, God, please try.

At this point, who is your sounding board, creatively and professionally From a creative standpoint, I’ve been writing alone a lot more. I’m good with being alone, with thinking alone. When I come up with a marketing idea for the Lover tour, the album launch, the merch, I’ll go right to my management company that I’ve put together. I think a team is the best way to be managed. Just from my experience, I don’t think that this overarching, one-person-handles-my-career thing was ever going to work for me. Because that person ends up kind of being me who comes up with most of the ideas, and then I have an amazing team that facilitates those ideas. The behind-the-scenes work is different for every phase of my career that I’m in. Putting together the festival shows that we’re doing for Lover is completely different than putting together the Reputation Stadium Tour. Putting together the reputation launch was so different than putting together the 1989 launch. So we really do attack things case by case, where the creative first informs everything else.

You’ve spoken before about how meaningful the reputation tour’s success was. What did it represent? That tour was something that I wanted to immortalize in the Netflix special that we did because the album was a story, but it almost was like a story that wasn’t fully realized until you saw it live. It was so cool to hear people leaving the show being like, “I understand it now. I fully get it now.” There are a lot of red herrings and bait-and-switches in the choices that I’ll make with albums, because I want people to go and explore the body of work. You can never express how you feel over the course of an album in a single, so why try?

That seems especially true of your last three albums or so. “Shake It Off” is nothing like the rest of 1989. It’s almost like I feel so much pressure with a first single that I don’t want the first single to be something that makes you feel like you’ve figured out what I’ve made on the rest of the project. I still truly believe in albums, whatever form you consume them in - if you want to stream them or buy them or listen to them on vinyl. And I don’t think that makes me a staunch purist. I think that that is a strong feeling throughout the music industry. We’re running really fast toward a singles industry, but you got to believe in something. I still believe that albums are important.

The music industry has become increasingly global during the past decade. Is reaching new markets something you think about? Yeah, and I’m always trying to learn. I’m learning from everyone. I’m learning when I go see Bruce Springsteen or Madonna do a theater show. And I’m learning from new artists who are coming out right now, just seeing what they’re doing and thinking, “That’s really cool.” You need to keep your influences broad and wide-ranging, and my favorite people who make music have always done that. I got to work with Andrew Lloyd Webber on the Cats movie, and Andrew will walk through the door and be like, “I’ve just seen this amazing thing on TikTok!” And I’m like, “You are it! You are it!” Because you cannot look at what quote-unquote “the kids are doing” and roll your eyes. You have to learn.

Have you explored TikTok at all? I only see them when they’re posted to Tumblr, but I love them! I think that they’re hilarious and amazing. Andrew says that they’ve made musicals cool again, because there’s a huge musical facet to TikTok. [He’s] like, “Any way we can do that is good.”

How do you see your involvement in the business side of your career progressing in the next decade? You seem like someone who could eventually start a label or be more hands-on with signing artists. I do think about it every once in a while, but if I was going to do it, I would need to do it with all of my energy. I know how important that is, when you’ve got someone else’s career in your hands, and I know how it feels when someone isn’t generous.

You’ve served as an ambassador of sorts for artists, especially recently - staring down streaming services over payouts, increasing public awareness about the terms of record deals. We have a long way to go. I think that we’re working off of an antiquated contractual system. We’re galloping toward a new industry but not thinking about re-calibrating financial structures and compensation rates, taking care of producers and writers. We need to think about how we handle master recordings, because this isn’t it. When I stood up and talked about this, I saw a lot of fans saying, “Wait, the creators of this work do not own their work, ever?” I spent 10 years of my life trying rigorously to purchase my masters outright and was then denied that opportunity, and I just don’t want that to happen to another artist if I can help it. I want to at least raise my hand and say, “This is something that an artist should be able to earn back over the course of their deal - not as a renegotiation ploy - and something that artists should maybe have the first right of refusal to buy.” God, I would have paid so much for them! Anything to own my work that was an actual sale option, but it wasn’t given to me. Thankfully, there’s power in writing your music. Every week, we get a dozen synch requests to use “Shake It Off” in some advertisement or “Blank Space” in some movie trailer, and we say no to every single one of them. And the reason I’m rerecording my music next year is because I do want my music to live on. I do want it to be in movies, I do want it to be in commercials. But I only want that if I own it.

Do you know how long that rerecording process will take? I don’t know! But it’s going to be fun, because it’ll feel like regaining a freedom and taking back what’s mine. When I created [these songs], I didn’t know what they would grow up to be. Going back in and knowing that it meant something to people is actually a really beautiful way to celebrate what the fans have done for my music.

Ten years ago, on the brink of the 2010s, you were about to turn 20. What advice would you give yourself if you could go back in time? Oh, God - I wouldn’t give myself any advice. I would have done everything exactly the same way. Because even the really tough things I’ve gone through taught me things that I never would have learned any other way. I really appreciate my experience, the ups and downs. And maybe that seems ridiculously Zen, but... I’ve got my friends, who like me for the right reasons. I’ve got my family. I’ve got my boyfriend. I’ve got my fans. I’ve got my cats.

Taylor Swift Discusses 'The Man' & 'It's Nice To Have a Friend' In Cover Story Outtakes

Billboard // by Jason Lipshutz // December 12th 2019

During her cover story interview for Billboard’s Women In Music issue, Taylor Swift discussed several aspects of her mega-selling seventh studio album Lover, including its creation after a personal “recalibrating” period, her stripped-down performances of its songs and her plans to showcase the full-length live with her Lover Fest shows next year. In two moments from the extended conversation that did not make the print story, Billboard’s Woman of the Decade also touched upon two of the album’s highlights, which double as a pair of the more interesting songs in her discography: “The Man” and “It’s Nice To Have A Friend.” 

“The Man” imagines how Swift’s experience as a person, artist and figure within the music industry would have been different had she been a man, highlighting how much harder women have to work in order to succeed (“I’m so sick of running as fast as I can / Wondering if I’d get there quicker if I was a man,” she sings in the chorus). The song has become a fan favorite since the release of Lover, and Swift recently opened a career-spanning medley with the song at the 2019 American Music Awards.

When asked about “The Man,” Swift pointed out specific double standards that exist in everyday life and explained why she wanted to turn that frustration into a pop single. Read Swift’s full thoughts on “The Man” below:

“It was a song that I wrote from my personal experience, but also from a general experience that I’ve heard from women in all parts of our industry. And I think that, the more we can talk about it in a song like that, the better off we’ll be in a place to call it out when it’s happening. So many of these things are ingrained in even women, these perceptions, and it’s really about re-training your own brain to be less critical of women when we are not criticizing men for the same things. So many things that men do, you know, can be phoned-in that cannot be phoned-in for us. We have to really — God, we have to curate and cater everything, but we have to make it look like an accident. Because if we make a mistake, that’s our fault, but if we strategize so that we won’t make a mistake, we’re calculating.

“There is a bit of a damned-if-we-do, damned-if-we-don’t thing happening in music, and that’s why when I can, like, sit and talk and be like ‘Yeah, this sucks for me too,’ that feels good. When I go online and hear the stories of my fans talking about their experience in the working world, or even at school — the more we talk about it, the better off we’ll be. And I wanted to make it catchy for a reason — so that it would get stuck in people’s heads, [so] they would end up with a song about gender inequality stuck in their heads. And for me, that’s a good day.”

Meanwhile, the penultimate song on Lover, “It’s Nice To Have A Friend,” sounds unlike anything in Swift’s catalog thanks to its elliptical structure, lullaby-like tone and incorporation of steel drums and brass. When asked about the song, Swift talked about experimenting with her songwriting, as well as capturing a different angle of the emotional themes at the heart of Lover. Read Swift’s full thoughts on “It’s Nice To Have A Friend” below:

“It was fun to write a song that was just verses, because my whole body and soul wants to make a chorus — every time I sit down to write a song, I’m like, ‘Okay, chorus time, let’s get the chorus done.’ But with that song, it was more of like a poem, and a story and a vibe and a feeling of... I love metaphors that kind of have more than one meaning, and I think I loved the idea that, on an album called Lover, we all want love, we all want to find somebody to see our sights with and hear things with and experience things with.

“But at the end of the day we’ve been searching for that since we were kids! When you had a friend when you were nine years old, and that friend was all you talked about, and you wanted to have sleepovers and you wanted to walk down the street together and sit there drawing pictures together or be silent together, or be talking all night. We’re just looking for that, but endless sparks, as adults.”

Read the full Taylor Swift cover story here, and click here for more info on Billboard’s 2019 Women In Music event, during which Swift will be presented with the first-ever Woman of the Decade award.

[link to this tweet]

Was there ever a part of you that was like, “Oh shit, I like this darker vibe, let’s go even further down that path?” I really Loved Reputation because it felt like a rock opera, or a musical, doing it live. Doing that stadium show was so fun because it was so theatrical and so exciting to perform that, because it’s really cathartic! But I have to follow whatever direction my life is going in emotionally... The skies were opening up in my life. That’s what happened. But in a way that felt like a pink sky, a pink and purple sky, after a storm, and now it looks even more beautiful because it looked so stormy before. And that’s just like, I couldn't stop writing. I’ve never had an album with 18 songs on it before, and a lot of what I do is based on intuition. So, you know, I try not to overthink it. Who knows, there may be another dark album. I plan on doing lots of experimentation over the course of my career. Who knows? But it was a blast, I really loved it.

I mean, look, a Taylor Swift screamo album? I’ll be first in line. I’m so happy to hear that, because I think you might be the only one. Ha! I have a terrible scream. It’s obnoxious.

Why Taylor Swift's Lover Fest Will Be Her Next Big Step

Billboard // by Jason Lipshutz // December 11th 2019 - [Excerpt]

On why she chose to put together Lover fest: “I haven’t really done festivals in years - not since I was a teenager. That’s something that [the fans] don’t expect from me, so that’s why I wanted to do it. I want to challenge myself with new things and at the same time keep giving my fans something to connect to.”

[renlimotroll]

BinTRoLL guidelines!!

Today, I tried to translate (with the help of some friends) the Bintroll guidelines. I've always been meaning to do it but I always forget. 😅 Please read below!

-ABOUT-

■ What is BinTRoLL?

It's a laid-back Let's Play group launched by Siruko.

We won't do anything else but to have fun playing.

We said we won't so we won't.

-GUIDELINES-

■ A Request From BinTRoLL

Please refrain from using BinTRoLL's copyrighted works (videos, images, etc.) beyond the scope of private use.

Let's keep good manners and have fun interacting and creating.

■ About voice actor Hanae Natsuki and Hanae Natsuki channel videos

It is not under the category of the BinTRoLL guidelines.

Please follow the rules of the person himself or of Across Entertainment to which he belongs to.

-Q&A-

These are the questions and answers that have been given so far.

Please take note that we may post the questions from everyone as they are.

Q: What is the extent of private use, distribution and sales? 

A: There are no strict rules as to what private use may entail,

You can make it yourself and enjoy it privately, give it to your family and friends as a present, publish the pictures (images) on your personal SNS such as Twitter, and so on.

Regarding distribution, it refers to the unspecified number of third parties that has been licensed.

Regarding sales, it refers to the act of making profit such as money.

Q: I want to create derivative works using the characters of BinTRoLL.

A: There are basically no restrictions. We look forward to your masterpiece.

Q: I want to distribute and sell doujin works.

A: There are basically no restrictions on doujinshi and doujin goods,

Please refrain from distributing or selling official works or works that can be mistaken as official ones.

Q: I want to create works that partially uses official works such as tracing, printing, and clipping of videos.

A: There is no problem as long as it is for private use without distribution or selling.

Q: Are BL and Ero-Guro safe?

A: BinTRoLL members stated that they don't particularly mind being the subjects (of such works).

However, some viewers may be underage or uncomfortable with it, so,

It would be helpful if you refrain from including R18 elements in public as much as possible.

Q: Why the sudden guidelines?

A: Because we didn't establish our policies, it caused our viewers to have some conflict of opinions.

BinTRoLL doesn't want viewers to feel uncomfortable.

We have created guidelines so that you can have as much fun as possible without worrying about anything.

Click this for the original post!

Author’s Notes:

*Definition of some terms:

Derivative works- anything (like fanarts or fanfiction stories) that has copyrightable elements

Doujin works- you may have heard of doujinshi! 同人 (doujin) literally means 'people of shared interests', so doujinshi means a self-published magazine that caters to a specific group of people. Bintroll used the term 同人作品 (doujin sakuhin).

Ero-Guro- エログロ (eroguro) is a Japanese term based on the english words 'erotic' and 'grotesque'. It mainly refers to works that has elements of horror/gore and sexy/erotic scenes.

*Some additional information: (these are my own words based on previous statements from BinTRoLL)

× Please refrain from DM-ing Siruko-san, as he has said that important messages get pushed down.

× Depending on the streamer's rules, it causes some conflict when you mention BinTRoLL names in other streams. For example, Mintosu-san has strict rules about mentioning other streamers, but Limone-sensei doesn't mind. However, some fans may feel uncomfortable if other streamers are mentioned in the stream they are watching (ex: "Siruko-san started streaming now!", "Siruko-san did this and that!") It's a difficult area to navigate, so for me I'd rather not mention BinTRoLL in other streams as a general courtesy. If the streamer brings it up, it's all good. Still, it depends on the streamer themselves.

× Try not to ask too personal questions. Out of all of them, Siruko-san is the most likely to answer personal questions, but other members? Not so much. Try not to ask Siruko-san for other member's personal information too. A good rule of thumb is to let the members bring up the information then follow up on it rather than outright asking them (do not DM for the love of gods!)

× Believe it or not, people do actually ship BinTRoLL members (like me! teehee!) Some post FAs and fanfiction (believe me, I’ve seen both Japanese and Korean ones) Bintroll shipping is termed "nmmn" in japanese; it’s kinda like they're not just 2D charas and they're real, so shipping is hidden and found only by fujoshi fans. Of course we know it’s just our imaginations, and we know the limitations and boundaries. There’s a thin line of shipping real people, and we know better than to cross the line. That’s why I started this tumblr, after all, because I can never comment on YT or tweet so much about shipping, especially that public. All my shipping posts will be tagged as such and will have warnings, so you can steer clear of that. But just so you know, BinTRoLL said it’s fine to make BL, so if anyone comes to me criticizing my shipping posts, I’ll slap the BinTRoLL guidelines in their face. 😆

× Please, and I cannot stress this enough, do not pressure the members to appear. Remember, they do streaming for fun; they do have lives and work outside of this. I get what you feel, you have a favorite member and you want to see that member all the time, or you want to see them in complete attendance, but don't be greedy. I've been a fan long enough to always see questions like, "Where is this member?" or "This member hasn't appeared in a long time." and some push it to the extreme and DM BinTRoLL (yikes!!) Let the members appear when they want to and be content with it.

Let me tell you my observations. Mintosu-san is not the type to talk about himself, so you might notice he only appears to play games. He has his own MCup with his fans every Saturday too. Then, there was a time when Ichihachi-san was busy with his real life (I call it The Great 18san Drought), and during that hiatus many fans always asked where he was. Even Hakotaro-san gets these questions, and he is the type to prefer working behind-the-scenes.

Now, let me tell you why it's better to let them be from my past experiences. Whenever Mintosu-san appears in the videos, the feeling of great joy from the surprise is amazing. It's like, "Hallelujah! YATTA!!" When Ichihachi-san came back, everyone had a field day and kept rejoicing. It was a party! When you, out-of-nowhere, hear Hakotaro-san's greeting during a livestream, you'll just suddenly go "AAAAAH!!!" and it's the best feeling ever. The feeling of being pleasantly surprised is nice, because you don't expect anything so you were never disappointed. It's better this way, trust me. After all, everyone performs better if they're not pressured, and BinTRoLL are people too like us, so it's better to let them do their own thing and enjoy whatever content we get.

× Siruko-san has mentioned that it's okay to comment or chat in English (or any language), which is great for us international fans! He said that he's not that good in English (although I believe he's good enough) that he may not always understand it though. However, and these are my own opinions, please remember this before chatting and commenting in English.

Use simple english that's easy enough to understand.

Do not use sarcasm. It does not translate well.

Always, always be polite. Choose your words carefully.

Why do I say this? Sometimes I see English spams and I cringe. The difference between cultures can be great sometimes, and Japanese is known for the politest way of speaking, and they are often straightforward with their words. It's better to be careful than accidentally offending someone, right?

× Regarding distribution and sales of official works, this may be a gray area and it's difficult to explain. For example, you can use BinTRoLL character images which are the intellectual property of the creator Hakotaro-san and by extension of Bintroll, to tweet or even to screenshot and DM it to other people to discuss. You can also clip video highlights and share them on your sns. I think that the moment you profit from it, for example, selling keychains and mugs with official Bintroll art, or re-uploading whole Bintroll videos on youtube or other video-sharing websites, is where you violate the rules. As long as your use is for community-base and personal use, you're safe, but when you gain something official from it (like money or subscribers), that's not allowed.

BinTRoLL members are one of the kindest people ever. Siruko-san always hearts and reads comments on their Youtube, and he also used to like or RT every fanart and even follow back his followers (but he can't do it right now as Twitter almost froze his account). They even read the names of superchat donators at the end of each stream even if they don't really have to (and sometimes it takes hours!) That’s why I hope people won’t abuse their kindness. I hope people follow the guidelines (seriously, it's not that hard) and do not cross the fan line so that we can all get along with each other! In everything you do or say, remember to have manners and be kind, and surely you'll enjoy even more. ^^ 🥰

If you have any questions, feel free to ask me! I may not know everything about Bintroll, but I'll do my best! Let's all follow the rules and guidelines so that we can enjoy all the videos and live streams to the best we can. Have fun watching and interacting! Have a nice day~  🌻 Think before you click!

[honeymoonjin]

bts reaction - a video of the two of you goes viral

A/N: requested by a lovely anon :) 

JIN

the two of you were always cooking together at the boys’ dorm so you didn’t think any different when some of the others asked you to make them some dinner

little did the two of you know that jungkook and hobi were conspiring against you by placing a little camera they had borrowed off staff and filming the whole thing

as normal, the two of you found your rhythm in preparing and cooking several meats and vegetables, completely unaware that your every movement was being live-streamed on v-live

as you waited for the hot water on the stove to boil, you snuck over and slid yourself under Jin’s arm so that he was trapping you against the bench 

“i can’t see the carrots anymore, honey”

“oh, jinnie, who cares about carrots when your beautiful girlfriend is in front of you” 

weirdly enough, just like jin loves complimenting himself, he also loves it when you’re confident about your own looks, and you know how to use that to your advantage

jin smiles sweetly down at you and leans in for a kiss, murmuring against your lips “mmm, you’re right, those boys can make themselves dinner for once, i’m in the mood for a little private eatjin”

just as he begins to start grinding his hips against you, jungkook scrambles into the kitchen, just about slipping in his socks

“hyung stop! stop!”

you watch in bewilderment as he opens a slightly ajar cupboard and pulls out a camera, which was pointing straight at you

“what’s going on?” 

jungkook waves at the camera with a little laugh and then looks back up at you “we just wanted to prank you guys, but then you had to go and do...that. eugh, it’s burned onto my retinas now”

you blink in shock but your boyfriend doesn’t seem nearly as surprised. “jin..?”

“i saw the red light beeping when i went to get the chopping board”

“you knEW? and you still were going to-”

jin grins cheekily “i wanted to show off my beautiful girlfriend, is that so wrong?”

you keep a neutral face, but you can’t help but blush. “...fine, but let’s continue this show in private, okay?”

YOONGI

when it came to righting serenades to lovers, rap wasn’t generally the best medium

yoongi knew that, so for a while he had been asking jin in secret to help him improve his singing

he knew his hyung had been through trying to learn everything, and he was a great teacher

now, yoongi sat you down on his lap as he sat at the piano, delicate hands wiping down the keys nervously

he’s set up a little camera in the corner because he wanted to record the audio as a demo to send to namjoon, but he couldn’t track down the voice recorder, so a decent camera was just easier

he can just convert it to an audio file later anyway

you lean back and crane your neck around to watch him, but he pushes you back softly so that you’re eyes aren’t on him

he’s nervous as fuck, okay? he’s way out of his comfort zone here

his voice is quiet and a little wobbly but there’s a genuinity there, and it sounds so beautiful with the piano to accompany it

the lyrics are beautiful, and as you feel yourself fall in love with him more and more, you wish you could see his face right now, but you obediently watch him manipulate the white ivory instead

luckily, or perhaps unluckily, a couple of weeks later namjoon accidentally uploads the video version instead of the mp3 version on the official twitter, and it immediately goes viral

you watch it yourself, melting at the way yoongi’s eyes barely glance at the keys as he sings, fixated on you

the song is messed with a little before the release of the next album, but when he performs it in concert, the whole audience sings with him

after hearing the lyrics and seeing the real love that it stemmed from, army have taken it on board as the official song of their love towards BTS

yoongi is over the moon that people have really connected with his song, but still, the best performance of it he ever gave was that first time, when it was just him, you, and the piano

HOSEOK

you can’t dance

you know this. hobi knows this. the rest of bangtan won’t let you forget it.

but unlike the other members who just laugh at your awkward attempts to mimic their choreo during sound check, hobi wants you to be able to enjoy the thing that he loves so much, so he takes it upon himself to teach you

unfortunately, bighit smell profit like blood in the water, and they decide hobi should start doing it as a hope on the street series

so every second tuesday, like clockwork, army get to enjoy a video of (in your c o r r e c t opinion) the hottest guy on the planet deal with the dancing equivalent of a trainwreck

“honestly, seokie, just give up now. it’s been three months and my dancing still looks like i’m fighting a ghost and losing”

“i told you if you stopped flailing so much and just slowed down your arm movements you’d be much better!”

“didn’t you say i should find something that made me unique?!”

and so the sixth episode of this special edition of hope on the street becomes you and hobi pettily arguing and making zero progress

fans in particular tweet a million times about the moment that hoseok gives up, chases you around the studio and then tackles you and straddles you, forcing your surrender

it’s a very suggestive position, so you kinda can’t blame them, but now the problem is that army won’t shut up about getting more of it

they want you to suffer so that they can see how sexy hoseok looks when he gets angry

because holy fuck is he sexy when he gets angry

episode nine has him slapping you in the ass every time you miss your cue

episode eleven features him manhandling you into position when you insist you’re too tired to dance

maybe one day you’ll improve but for now you’re destined to showcase your lack of ability on an international scale with your unbelievably talented boyfriend

NAMJOON

unfortunately as namjoon’s girlfriend, your viral video moment isn’t as pg

namjoon is a real horndog, so it’s become pretty run of the mill for you two to send pictures back and forth

normally it’s on snapchat so that there’s no trace

but namjoon tells you he wants a video he can keep before he goes on tour, so he asks you to send one on your basic messaging service, that way he can save it to his camera roll

namjoon is doing a fanmeet, and they’re playing a game where one of the members streams their phone to the screen behind them and the fans have to guess who it is

most of the other members use mirroring, where the whole screen shows up exactly as it is on the phone, so namjoon assumes its all or nothing

he does his, and once he’s done instead of turning it off like he thinks he has (because his screen is no longer showing up) he’s just turned it to the setting where only videos stream

the fanmeeting is boring af (no offense army) but maybe it’s just because namjoon is missing you rn

he pulls out his phone to take a sneak peek at the video, making sure volume is down, but then your moans blast through the speakers

yup. namjoon is streaming a video of you getting off to the entire hall

fuck fuckfuckfuckfuckfcufkcufckuckfuk

his heart is beating so hard in his chest and his fingers shake as he desperately tries to mess with the settings and stop the video playing, but by the time he does, the whole room is chaos

fans are screaming and squealing and the members are either crying with laughter or look like they just want the ground to swallow them whole

namjoon is certainly the latter

but he laughs awkwardly, apologizes and tries to change the subject

army feel kinda bad for him and the way his cheeks are bright bright red so they let him move on, but you best believe shaky hand-cam videos of namjoon freaking out while his girlfriend’s sex tape plays on the big screen are going viral for MONTHS

JIMIN

in this case, it’s not a single video, but rather a compilation, that goes viral

we been knew that jimin is a slut for attention but one dedicated army scrounged up clips from all over the internet to put together a twelve minute-long video of all the moments of jimin being a needy boyfriend

there’s an entire three-minute section dedicated to his heart-eyes stare when you’re not watching

there’s a low quality video of you which all fans of bts have seen a million times where jimin straight-up grabs your hand and puts it over his dick behind stage after their comeback show

about a million different instances of him feeling you up as a way for you to stop what you were doing and look at him

and then of course there was a supercut of moments from the various Bangtan Bombs you had featured in where he whines and pouts and wiggles his shoulders when you’re chatting with namjoon and not him

the two of you see the video when you keep getting tagged, and while it just makes jimin even more whiny, you have a good laugh over it

in fact, you take it upon yourself to start tweeting some screenshots of jimin being needy, exposing him yourself

“it’s tiring being the girlfriend of an idol, but it’s even more tiring when it’s jiimin!” you tweet

of course, jimin’s feelings are a liiiittle hurt and you have to make it up to him for weeks

(and don’t think the fans don’t notice how jimin suddenly starts acting like he has the biggest dick in town)

(they’re well aware some shit has gone down every time he comes out from backstage only to have red cheeks and a dopey grin)

TAEHYUNG

this is 100% percent tae’s fault

he thought it would be fucking hilarious to post the drunken voicemail you had left him one night when you were out partying with your girls

to be fair, if it was anyone else but you, you would’ve laughed too

but that’s your voice in bubbling sobs confessing your undying love to him so it is most certainly Not Funny, thank you very much

“...and i hope you get a good sleep because you deserve it and i hope that you know how much i love you because when i look at you it’s like all the stars left the sky and they’re in your eyes and you’re so beautiful and i love you so much and sometimes it hurts me inside because you’re so wonderful and magical and. oh also, did we get milk the other day? we’re almost out of milk i think. anyway i just called to let you know i’m staying over at unnie’s place so don’t wait up. okay i love you. no, you hang up first! oh, you don’t wanna hang up on me because you looooooove me too much! goodniiight baby”

and then a solid 43 seconds of you breathing because you forgot to actually hang up, and eventually the recording stops

army think it’s the cutest thing in the world, and tae does too, but of all the beautiful things you’ve done for him in private he chooses to share the drunk one? just rude

#[your ship name]needmilk is the new trending hashtag, and army literally start bringing milk cartons to fanmeetings, telling tae to give it to you

you have too much milk, and not enough dignity

you tell fans this on twitter and then #toomuchmilk replaces it

next time you get drunk, you are determined not to call tae

JUNGKOOK

of all the things you could do with your time, become anonymous amateur porn-stars probably wasn’t the most productive or advisable

but being an idol had given jungkook both a desire to do something without being recognized as the maknae from BTS, and simultaneously a huge fetish for exhibitionism

he’s a performer, it’s in his blood, so why fuck when you can fuck and have people get off to you? that’s what he figures, so the two of you create an account

you’re obviously extremely careful about not showing your faces, and the current system you have set up is putting down a strip of tape on the bed (or wherever you’re fucking as it most certainly varies) where the edge of camera shot reaches

you keep your heads above that line, and no one can see a thing

you also try to keep out any identifying materials in the shot like clothes you’ve worn in public before, or the many figurines jungkook has lying around

maybe what makes the eventual discovery even worse is how long it takes

nobody finds out for well over a year, so there’s a preeetty hefty backlog of videos

in the end, it’s your own stupid mistake that gives it away

jungkook shoots a v-live shortly after the two of you film a video of you two doing it in his studio

you had cleared out the wall so it was just plain black, and even brought in a chair from a different room so that no one for whatever reason would recognise jungkook’s gaming chair

but he’s so blissed out from you riding him and giving him one of the best orgasms of his life that he makes a rookie mistake

he forgets to take off the blue masking tape that lies in a rough square on the wall

when he returns his studio back to the way it was and goes live, one army who clearly was also a fan of your porn videos notices the tape and mentions it in the comments

soon enough the numbers of the chat peak and fall crazily as fans leave the live to go check the pornsite and your most recent vid, and come back to compare it to his studio

jungkook tries to pretend like he’s not noticing the stream of comments talking about how hot he looks and how good his moans sound, but he realises he never wanted it to be this way

he wanted to keep this and his videos separate, and now he’s made an irreversible mistake

he shuts off the v-live without warning and runs down to namjoon’s room in tears, asking what to do

in the end the issue is resolved by deleting the channel immediately, and very few people actually thought to take anything more than a screenshot, but jungkook knows he won’t be seen as a baby boy maknae ever again

(namjoon also realizes that for the past five months he’s been unwittingly jacking it religiously to jungkook fucking his girlfriend)

(he doesn’t tell jungkook this)