#((i was trying to give him a transatlantic accent but eh...
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*look up at shed after going through the tv*
... Say "yeet"!
*pushes him off the edge of the tower*
"Hu-?"
>[Shedletsky can barely answer before the force suddenly gets knocked back from him, pushing him off of the edge and dropping him to the unending void below.]
"OH GODS! FUCK, FUCK, FUCK, FUCK-"
>[He could already feel the impending doom coming for him, adrenaline rushing through his veins, making him unable to think properly. He tried to use his wings the best that he could but found that his cloak on his back immobilized them, leaving him helpless and panicking.]
>[... This was it. This was really it. He was going to fall into the void that was made with his own power, and have to bear the pain that had to come along with it... God, that death barrier was going to hurt so much. Not only from the fact he was going to feel the air being hit out of his lungs, but the fact that he'd have to suffer for a long while before he could respawn. He'd have to feel his body being electrocuted, burned, eviscerated, while nothing was actually happening.]
>[The voices in his head didn't help either.]
"Yes... YES... FINALLY, YOU'LL EARN A PUNISHMENT FITTING FOR YOUR OWN IMMORAL CRIMES..."
"You shall finally PAY for all of your wrongdoings..."
"YOU DESERVE THIS, JOHN... EVERY. SINGLE. PART. OF. THIS."
"AND NO ONE..."
"IS GOING TO COME FOR YOU."
"NOT THIS TIME."
>[...]
>[Shedletsky suddenly felt his ankle being grabbed at the last minute, leaving him to hang upside down and catch his breath. He was too out of it to even realize what had happened, his mind spiraling down towards darker places as he thought about the excruciating pain that was about to hit him.]
>[... But it never came.]
>[...]
"W... what the...?"
"I got you, I got you, I got you..."
"You've gotta be kidding me... I've been trying t' look for you for days on end, and by the time I finally found you, you get pushed off of your own arena!? You're lucky I showed up just in time t' catch you!"
"Where the hell have ya been, anyway!?"
"Wh... Where the hell have you been!?"
>[Builderman is now available for asks!]
#((ooc: dont mind me i suck at writing accents#((i was trying to give him a transatlantic accent but eh...#((also WHY DO YALL LIKE TORMENTING SHED SO MUCH. WHAT DID HE DO TO YOU/nsrs#rtotwitpyisfoth?🍗#am.i.a.robot.or.a.doll?⛑️#anonymous.letters✉️#ill.be.waiting.so.impatiently🔓#forsaken#forsaken au#forsaken roblox#forsaken rp#roblox forsaken#homicidal porkchops#homicidalporkchops#forsaken shedletsky#shedletsky forsaken#shedletsky#builderman#builderman forsaken#forsaken builderman
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I’m going to alternate artwork so we get leather-clad Killian and fancy dress up Killian.
Midnight
Chapter 3 — The Godfather
Summary: In which our heroine accepts the finer things in life
Chapter 3 of 7 on AO3
“He gave her things that she was needin’
He gave her a home built of gold and steel
A diamond car with platinum wheels”
-Minnie The Moocher, Cab Calloway
The creeping pace her warden set was nerve-racking. She wasn’t sure if it was her imagination or if every eye in the place was watching their slow procession through the ballroom. Finally exiting the room, they paused in the hallway and Emma said resignedly, “Let’s get this over with.”
“I’ve had my eye on you from the moment you walked in,” the other man commented, nodding to passersby with no hint of distress. “You should have known better than to think you could escape unnoticed.”
“Well, I thought if I left quietly, no one would be the wiser,” she replied, smiling at him with a hopeful kind of chagrin. “You can’t blame a girl for trying.”
“Don’t apologize, my dear. There are three of us in rebellion against this entertainment if you want to call it that. I think I may turn down all future invitations from Regina if this is the torture we will be subject to…” Grabbing her arm softly, he started steering them through the throng still attempting to find a place in the ballroom.
She was shocked they weren’t heading to the front entrance. The man, who had yet to introduce himself, was leading her down a back hallway. Moments later, he paused in front of a closed door. “You do play bridge, yes?”
Emma hadn’t played the game since she was a teenager staying with Granny, but as usual, the lessons the older woman taught her were going to save her from a terrible fate. “Yes, though I’m a bit rusty. But why me?”
“You’re charming, you’re bored, and you have the face of someone who wouldn’t trump your partner’s ace,” he explained with a breezy smile. Placing his finger to his lips to hush any further conversation, he pressed an ear to the door and then gave two quick raps against the frame. Taking one more second, he then opened it and ushered her in.
Upon entering, she saw two occupants huddled by the fireplace, which blazed happily with a roaring fire in opposition to the warm night. Immediately, his pause made sense as she noticed a faint smudge of lipstick on the smooth skin of the man’s face.
“Lancelot, Guinevere, allow me to introduce Madam—I’m sorry, I don’t think I caught your name.”
Scrambling, she said the first thing that popped into her mind. “Jones.”
“Ah, Madam Jones, I’m Sidney Glass, your knight in shining armor for the evening. This is Guinevere Soberano and Lancelot du Lac, your fellow insurrectionists.” Her knight joked before adding, “Lance is the most dangerous man in the room, so watch yourself.”
Seeing how the tall, handsome man took his time sizing her up, she had a feeling she knew what made him dangerous. The fashionable lines of his tuxedo did little to hide his muscular build, and while he wasn’t the sexiest man she’d met that evening, she knew if they had met on any other night of her life, he would have been. She could tell by how his eyes continued to seek her out that he wasn’t immune to her charms either. It should have made her feel better considering she’d been in the same outfit for nearly two days and her hair was still wet from her dash through the thunderstorm. Instead, it made her feel tired.
Taking a seat with trepidation, she tried to hide her feelings of discomfort. She was the one who ran when offered a cozy landing place, so now she needed to play the hand she was dealt. Literally. Watching as Sidney took over as dealer, she asked, “What are we playing for? Bragging rights?”
“How about our normal stakes? Five dollars a point?”
Eyes wide, she calculated if she remembered the game correctly, there would be thousands of dollars exchanging hands tonight. If only a fraction of that money came her way, she may be able to get out of this dress and fill up her tank so she could hit the road and resume her search. She refused to think about what she would do if she didn’t win. Granny had been a cutthroat player, so she had more than enough practice.
Lance settled in as her partner, his eyes never leaving her face as the group silently arranged their cards and planned their strategies. Her heart racing, Emma mumbled, “Two spades.”
And the game began.
Hours later, they were in the hole and she couldn’t help wishing Sidney or the other woman was her partner. Lance seemed much more interested in flirting with her than winning, and if she weren’t sure it would get her thrown out, she would have kicked him under the table for screwing up her chance to turn her luck around. Not to mention the fact that with every suggestive exchange, Guinevere’s eyes grew a little bit colder. She had a feeling the woman would make a formidable enemy.
The door to their hideaway opened to admit her former neighbor, his eyes as unnerving by firelight as they had been in the brighter gleam of the ballroom. The ever-present smirk was there in full force as he made his way to their table and planted himself between Lance and Guinevere. “Darling, why don’t you introduce me to your newest recruit?”
“Madam Jones, this is my husband Arthur Soberano, the only man on the planet who enjoys these little parties. Arthur, this is Madam Jones, a woman in need of a better bridge partner.”
“It’s so hard to concentrate on cards sometimes,” Lance murmured, his heated glance never leaving her face so no one had any doubts about what was distracting him.
Arthur observed the exchange, and the subsequent reactions, with the expression of a man who finally found his silver lining. She hoped it was catching. “Jones, eh? Would you be one of the Rhode Island Joneses?”
Pasting a bright smile on her face, she demurred. “No, but I’ve heard they’re lovely people.”
“You’re American, correct?”
“What gave it away? My abysmal accent?”
“Something like that,” Arthur responded with a smile. “So if not Rhode Island, what Jones clan do you hail from?”
“Oh, Jones is my married name. My husband is from Cambridge.”
“Of course! I should have known. I ran into Baron Jones a few years ago in Budapest, and he spoke of an American girl. How is he? Is he here tonight?”
Resisting the urge to roll her eyes, because of course there would be a Baron Jones and of course this enigmatic man would know him, she stared at her cards and hoped she sounded more convincing than she felt when she said, “No, no. He’s still in Budapest. He wasn’t feeling well enough for transatlantic travel. You know, the old trouble flaring up.”
Tsking with a hint of amusement, Arthur narrowed his eyes. “That’s too bad. Guinevere, we really must make a trip there soon. Beautiful city. Tell me, Madam Jones, did they ever finish the metro Line 1?”
For the love of all that was holy, would the man never stop with the questions? “You know how construction is…the roads are still a mess here and there.”
She knew by the way his body shifted that she had misstepped. She wasn’t sure what trap he laid, but she walked right into it. To add insult to injury, the final hand of the night went into their loss column.
Lance shook his head in defeat and pulled out his wallet. “I really must apologize, Madam Jones. I’m usually a much better player. You’ll have to let me make amends to you. Perhaps lunch tomorrow? What’s your favorite place?”
“That depends, Lance. How much money am I out tonight? I will exact revenge in corresponding measure.”
Sidney piped in with a gleeful laugh. “Four thousand dollars from each of you. Not a bad haul, if I do say so myself. But bypassing the awful concert makes the win priceless.”
Her head swam with the figure, trying to ignore the way Arthur was circling the room like a caged lion and wondering how plausible it was for a baroness not to carry cash. Surely, the nobility class had people to handle this kind of thing for them. “I’m not sure I have that much on me. I hope you’ll accept my IOU. Has anyone seen my bag?”
She saw the look Guinevere and Sidney exchanged and her stomach dropped. They wouldn’t let it go. Perhaps looking for her non-existent purse would allow her to sneak out.
“Is this it, Madam Jones?”
“Yes, thank you.” Turning around, she saw a beaded clutch she’d never laid eyes on before in Arthur’s extended hand. She hadn’t stolen a single thing in her life, and she wasn’t thrilled to start now, but desperate times called for desperate measures.
Opening it, she found a wad of cash that looked like it could bankroll a small country for a year. Shocked, her gaze flew to meet Arthur’s and he winked before departing the room.
—
No matter how hard she tried to shake him, Lance would not leave her alone. Subsequently, everyone in the entourage hung on like they had nothing better to do than tag along while she flitted around the club trying to lose them. Finally, the evening started breaking up. Large groups of people gave each other air kisses and made plans to meet at various houses for brunch the next day. Freedom was within reach if she could only make it out the front door.
They bid goodbye to their hostess, who was high on finding the supposed party crasher, an older woman they dragged from the downstairs powder room and tossed out into the night, still swearing she didn’t know anyone named Neal and claiming she was the Duchess of Longbourn.
Emma thought a silent apology to the woman and hoped karma graded on a curve.
“Allow me to wait with you until your car pulls around,” Lance said, offering his arm to help her down the steps.
“I’d hate to trouble you,” Emma ground out, her voice deepened with the effort of holding in a groan of frustration. “My chauffeur is habitually late.”
“Then I should give you a ride,” Lance countered. He had yet to let go of her arm, and she was afraid she would have to cut it off to make a clean break. “Where are you staying?”
Having no clue of the lodging situation in Misthaven, she worried about another trap under Arthur’s expectant stare. “I’ll give you three guesses.”
“The Ritz,” he immediately countered.
“Right in one! But really, I’d rather wait for my car.” When the words left her mouth, the familiar lines of a black BMW cruised down the street slowly like the driver was looking for something. Or someone. Panicked, she flashed her new admirer a dazzling smile. “On second thought, let’s get out of here.”
As Lance handed her into his sports car, she heard Guinevere’s voice muttering to Sidney, “We don’t know anything about her. She came here all alone.”
“I notice she’s not leaving alone,” Arthur replied, smile widening as he caught her eye through the window and gave her a jaunty wave.
By jumping into a car with a virtual stranger for the second time that evening, she avoided one issue but created another. Her time was running out because this charade was doomed to fail when they arrived at the hotel and there wasn’t a room for Baroness Jones. She’d have to get rid of him in the parking lot.
Unsurprisingly, considering how her night was going, it was easier said than done. Lance appeared to be a gentleman if you overlooked his tendency to have affairs with other men’s wives and wouldn’t hear of dropping her off at the entrance. Throwing his keys toward the valet stand, he made his way to the concierge desk over her protests that she had some things to handle in the lobby before heading to her room.
She closed her eyes as she heard him say, “Checking into Baroness Jones’s room.”
Here it came. The boom.
“Of course, sir. Will that be all?”
Opening one eye, she watched as the employee handed over the room card. This couldn’t be right. She must be trapped in some nightmare where her pain and humiliation hung like a knife above her head, and the anticipation of the stabbing turned out to be worse than the violent act itself.
Laughing with fake merriment, she snatched the card from Lance before he could pocket it and said forcefully, “Thank you for a lovely evening. Good night.”
“My mother always said to see a woman to her door, or my job wasn’t done.”
Unable to hide her exasperation one second longer, she asked, “Don’t you know when to go home?”
“No.” With a broad smile, he held the elevator door open while she entered and wished for death. In hindsight, her original plan of sleeping on a park bench seemed like a real winner compared to this slow torture. She wouldn’t allow herself to think about the warm bed and warmer smile she had also turned down.
Tired, annoyed, and pining for her original driver of the evening, she didn’t even try to maintain a conversation with the man beside her, her head filled with dread at the idea she was about to open the door to a hotel room occupied by the real Baroness Jones. With the resigned stride of a prisoner walking the green mile, she reached the room slower than the situation called for and leaned against the door facing Lance. With a stony expression, she said pointedly, “Look, right to the door. You did your mother proud and can go home and sleep peacefully.”
“What? No nightcap?”
“No, absolutely not. I don’t need a mother to tell me inviting a man into my hotel room in the middle of the night is a bad idea. Go home.”
Laughing, he reached out and pushed her hair away from her face. “You’re magnificent.”
“I’m also married,” she bit out, barely resisting the urge to slap his hand away. There was something riveting about a man with an overabundance of confidence, but she refused to be charmed. If she were going to give in to any urges, she would have done it with the person behind Door Number One.
“So I’ve heard. At least make sure the card works. Those things are notoriously fickle, like most wives I’ve met.”
Chuckling despite herself, she swiped the card against the reader, grateful to hear the lock disengage in the quiet hallway. “There. Good night.”
Before he could say or do anything else, she slipped into the room and clicked the door firmly back in place. She tiptoed through the suite, not daring to turn on the lights while she looked for any trace someone else was in the room. Her search coming up empty, she reached over and flooded the bedroom with light.
The king-size bed looked heavenly. Giggling, she decided to make the most of this temporary reprieve. She dropped her clothes in a pile and ran to the bathroom, happy to find it as luxurious as the rest of the rooms in the suite. Turning the water all the way to hot, she allowed the steamy spray to wash away the hurt, the hopelessness, and the hysteria.
She stepped out of the shower an hour later, eyes red-rimmed and body weak with fatigue. Not even bothering to dry off, she collapsed in the bed and fell into a sleep plagued with blue eyes and black cars.
—
The sound of the antique telephone ringing penetrated the fog in her brain as the last strands of sleep broke. Startled, Emma glanced down at her nude form and immediately looked beside her to see if she was alone. Her dreams of the previous night didn’t fade quickly, and the vivid image of the Captain and his wonderful stubble made her ache.
Groaning as memory replaced fantasy, she plopped back against the mattress and grabbed one of the nearly two dozen pillows haphazardly strewn across the bed to cover her head in an attempt to drown out the noise.
It wasn’t really her hotel room, so she probably shouldn’t answer it anyway.
Unfortunately, the caller didn’t know she was an imposter and seemed determined to reach the room’s occupant. She picked up the receiver and pulled it under the pillow to join her. In a groggy voice she asked, “What?”
The chirpy voice of a hotel employee responded, “Good morning, Baroness Jones. Your luggage has arrived.”
“From Boston?” That didn’t make any sense. She’d pawned her last remaining possessions less than forty-eight hours ago, but unless she packed a boomerang in the pocket of her favorite jeans, she wasn’t sure what they were doing in Misthaven.
“I’m not sure, madam. The delivery driver only mentioned it was for the baroness. It should be arriving at your room momentarily.”
As if summoned by magic, there was a knock and she hung up the phone while trying to wrap herself in the thick comforter. Dragging the ends of the blanket like a train behind her, she threw open the door and felt her eyes widen at the sight greeting her. Lining the hallway was a parade of hotel employees carrying a few pieces of luggage each.
In mute shock, she moved out of the way and the group started piling the bags in the living room of the suite. When the final trunk was laid in the corner by the wall of windows overlooking the town, she stood staring unblinkingly at the head bellhop.
“Will there be anything else, Baroness?”
“No, I think this is quite enough.”
“Very well.”
The group seemed hesitant to depart, and she did a quick check to make sure her makeshift toga hadn’t slipped. Finding everything was as it should be, reason soaked through her dazed brain and she said, “Oh, the tip!”
“No, madam. Your chauffeur took care of it already. He wanted to know if you’d be needing the car today. It’s beautiful weather out.”
“My chauffeur took care of the tip and wants to know if I need the car…” she echoed back, trying to see if the words made more sense if she was the one saying them. No. No such luck. She was going mad. That was the only explanation. Or maybe the Captain wasn’t all he seemed to be and he had drugged her and this was simply a hallucination. Noticing the flock of bellhops was waiting patiently for her response, she smiled benignly and said, “I wouldn’t be surprised.”
A voice called out from the doorway, “And what about breakfast, Baroness?”
The hotel employees filed out, leaving her and her unexpected visitor alone. Pulling the comforter more tightly around herself, she hissed, “Arthur. It was you.”
“What was me, my dear?”
“The money, the room, the clothes, the chauffeur. Does Baron Jones even exist, or did you make him up?”
“I like to think of him as more of a group effort. You provided the inspiration; I provided the title. Seeing you in all your lost girl glory last night gave me an idea.”
“From the moment you looked at me, I had an idea you had an idea. I’m not interested.”
Chuckling, he tossed his hat and jacket across a nearby chair and sank into the couch. “I’m sure there is a robe or something a little less linen closet in one of these suitcases. I’ll close my eyes while you look if you’d like.”
“I think I’ll stay over here.” Where it’s safe.
“You have nothing to fear from me, dear. I’m here to make a proposal. One that will be mutually beneficial, I hope,” he drawled, picking a piece of fluff off his pants. He continued to avert his eyes, which she found strange since he stopped by to proposition her over breakfast apparently. “This is only the tip of the iceberg. I can guarantee you’ll never have to worry about money again.”
“Still not interested. You know the way out.”
“Come on, Baroness. Why don’t you slip into something more comfortable and hear me out? I promise it’s nothing like what you think.”
“Arthur, when Little Red Riding Hood spots long, gray whiskers, it’s ridiculous to keep insisting you’re the grandmother,” she retorted, moving carefully toward the nearest bag so she didn’t accidentally flash him. Pulling out a shirt at random, she riffled through the case until she found a pair of shorts as well. Scrambling to the bathroom, she called out over her shoulder. “Go huff and puff somewhere else.”
“I guess that means I’m the big bad wolf,” he said with a smile as he moved to trail after her. When she slammed the door in his face, he raised his voice and added, “I’ve certainly been called worse. Tell me, what was your impression of Lance?”
“I think neither of you takes no for an answer very well,” she mumbled as she pulled on the shirt and stared at herself in the mirror. What bizarre alternate universe had she stumbled into, and how in the world was she going to return to reality. Talking to her reflection, she said, “You’re Emma Swan. You’re not a baroness. Killian Jones is not your husband. You are not going to shack up with Lance or Arthur.”
“Nice pep talk, but if I may be so bold as to suggest a different path,” her visitor interrupted from the other side of the door. “You see, my old friend Lancelot and my wife think they are in love.”
“That’s very cozy but not my problem.”
“I’d like to pay you to make it your problem, Emma Swan. Nice name, by the way. Last night was the first time since their affair started that I thought there might be a ray of hope. The whole time Lance was flirting with you, my wife was fighting tears.”
Rolling her eyes, she snapped open the door and was satisfied to see him lose his balance. “Who won?”
“I plan to, and I’d like you to be on my team. I just need you to keep his attention long enough for Guin to come to her senses.”
Moving past him, she picked up her discarded dress from the prior evening and grabbed the laundry bag out of the nearby closet. “Why don’t you punch him and be done with it?”
“He’s the top man at our boxing club. And besides, the last thing I need is to drive her further into his arms by making him a martyr.” He reached over and placed his hand on her arm, stilling her frantic movements. “Please. At least hear me out.”
Meeting his gaze for the first time since he entered the room, she observed, “You really love her, don’t you?”
“Yes. She’s not the only one who made mistakes. I need your help to make this right. And it might work out well for you too, you know. Lance’s family makes a superior income from a very inferior champagne. He’s no baron, but he does have the bank account of one.”
“I think you need a lawyer, not another homewrecker.”
“I’ll never get a divorce. Come on, Emma. We’re having a party at my estate in the Enchanted Forest. Come out this weekend and give it a go. I’ll pay you fifty thousand to show up and another fifty if this harebrained scheme works.”
“I… I’m not sure…”
“Am I upsetting some other plans? Do you have another offer?”
Thinking of black leather jackets and pie, she smiled wistfully. Shaking herself, she tried to focus on the fact that a hundred grand would pay back what Neal had stolen from Granny and leave enough for her to put a down payment on a place in the city. “Yes, I think I do. But fine, I’ll play along through the end of the weekend. Then I’m out regardless of what happens.”
“Fair enough. I’ll let Guin know I ran into you and invited you to join the party,” he said with a grin. If he had a mustache, she was sure he’d be twirling it.
Before they could discuss any other details, there was another knock at the door. With an exasperated expression, Emma asked her companion, “What now?”
Putting his hands up in a placating gesture, Arthur assured her, “Hey, this one isn’t me.”
Yanking open the door, she saw an enormous bouquet of red roses. She took the flowers with both hands as Arthur cocked his eyebrow in silent question and pulled out the card. “‘If I had a single flower for every time I think about you, I could walk forever in my garden. -Lance.’ Huh. I rather resent that. The note to Guin just said, ‘So glad we met.’”
Notes:
For those who were wondering about Arthur’s trap, the Budapest subway is one of the oldest in the world and the line he mentioned was completed in 1896.
The quote on Lancelot’s card is from Claudia Adrienne Grandi.
@teamhook @kmomof4 @jrob64 @stahlop @motherkatereloyshipper @xarandomdreamx @xsajx @klynn-stormz
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Goode Rewatch - Week 11 - Copying Beethoven - 2006
I do try to be positive on here about any project that Matthew Goode involves himself with…. however…. for me this movie didn’t work. I know some people love it so I might be missing something. As a result I’ve only watched it once before and then didn’t bother watching it again until now. I still have deep reservations about the movie but I’m glad I rewatched coz Matthew Goode is so goode in this and I’d kind of dismissed his performance before coz I didn’t like the movie. So - sorry Matthew - you did goode!
Copying Beethoven is a fictionalised drama about the last year of Beethoven’s (Ed Harris) life. Anna Holz (a fictional character played by Diane Kruger) starts to work for Beethoven on the score of his Ninth Symphony as a copyist. She is excited to work for the maestro because she is also a composer and hopes to get advice on her work. This is where I start to have a problem with this movie coz Beethoven is an all out nightmare to work with. He’s inappropriate, bordering on abusive, towards Anna and the whole thing smacks of cohercive control to me. He’s GROSS. He strings her along with the promise of listening to her work and when he does he likens it to a fart. Yep that’s how up himself he is in this script. Yes he’s got problems - a gambling nephew and obviously he is getting very deaf but dammit there is no excuse to abuse Anna.
Matthew plays Anna’s fiancee, Martin Bauer. He is from a wealthy background and embraces the new world of technology. He is working on a design for a competition to build new bridge across the Danube. He’s actually a bit of a sweetheart - shimmying up walls of the convent where Anna lives to see her, attending the premiere of the symphony just to be with her and be supportive even tho’ he thinks Beethoven is past it and a hypocrite because he lives off rich peoples cash. Martin is also not happy with the way Anna is treated. I think Beethoven is actually childishly jealous that Anna obviously loves Martin. Not because he wants her for himself - but just because he can’t stand that she gives her attention to a human other than him. After the composer does something unforgivable to Martin, he (Martin) gives Anna an ultimatum “if you ever go near that man again I’ll have nothing more to do with you.” Beethoven gives his own ultimatum which says it all - “You may leave as you wish but it won’t free you from me.” Yep - coercive control. Anna choses to stay in the abusive relationship with Beethoven because he creates the music from god. FFS. Bad decision. Seriously woman have some self respect.
Anyway - to Matthew’s performance. There’s something weird going on with all of the Brit actors being directed to use strange transatlantic accents (maybe coz Ed Harris plays Beethoven with an American accent. Eh?). Apart from that, Matthew is really goode in his scenes. His character is funny, a tad frivolous and obviously passionately in love with Anna, and with technology. Matthew really is a highlight in this movie and his character gets a bad rap. This movie could have been so much better - but sadly - it is what it is. I probably won’t want to sit through it again but I will whizz through to gaze at Matthew in his scenes coz he really tries his best and I’m glad I watched this again just to appreciate the performance he gives in this movie.
This is just my opinion - what do other people think about this one?
[Pics - Copying Beethoven intro edit]
#matthew goode#copying beethoven#diane kruger#a discovery of witches#adow#just in case ADOW fans are interested - it's a stretch I know.........
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Ralph McTell
Eight Frames A Second, Paint The Soul Never Mind The Legs and Arms
@ 1968 UK 1st Pressing
****
My first album was a triple first. It was Gus Dugeon’s first production, Tony Visconti’s first arrangements and my first professional recording. The sessions commenced at Pye recording studios and I vividly remember my first day although I am not sure if it was in 67 or 68. I arrived at the studio and all the musicians were there, including a guitarist.
“What’s he doing here?” I discretely asked Gus “He’s going to play guitar” Gus explained “Well what will I do then?” I asked “You can strum along as well,” said Gus
The session could have ended there, I nearly walked out right then because all my songs are born out of the guitar parts and my guitar style is integral to the song. I thought of myself as a guitar player who just happened to write and sing songs. Had no one noticed? I was crushed and depressed. It was only much later that I realised I had been signed as a singer songwriter and my guitar playing was a secondary consideration.
This was another bitter pill to swallow. I saw myself in the tradition of guitar singer songwriters a la Bert Jansch and here I was surrounded by session musicians about to record my first album and invited to “strum” along. I think Tony Visconti explained to Gus my sensitivities and a mic was set up for my guitar and I became an integral part of the arrangements. Among the famous names on that first session were Clem Cattini recently of “the Tornadoes” (Telstar) and Jack Emblow (piano Accordion)
This was another bitter pill to swallow. I saw myself in the tradition of guitar singer songwriters a la Bert Jansch and here I was surrounded by session musicians about to record my first album and invited to “strum” along. I think Tony Visconti explained to Gus my sensitivities and a mic was set up for my guitar and I became an integral part of the arrangements. Among the famous names on that first session were Clem Cattini recently of “the Tornadoes” (Telstar) and Jack Emblow (piano Accordion)
As Tony Visconti counted in the musicians for the first song, I was relieved to notice that his hands were shaking slightly just like mine, and no wonder. Only a few days before Gus had given him a book called “How to Arrange” (or some such) and told Tony he would be doing my sessions.
Tony Visconti
I guess like all those new to the job Tony may have tried too hard to impress and threw in the metaphorical kitchen sink in the form of a Cymbalum, (A kind of grand piano version of a hammer dulcimer) which stood out amongst all the regular instruments needed for the job. It was played by a Hungarian gentleman who had a very strong accent. He was very reverential to its national identity and a little bewildered by what Tony wanted him to do. He even proceeded to give us a recital of pieces to show us what the instrument should sound like. It was a special moment on the session. Tony had to explain that it was just the “sound” he was after. (Title track Eight frames a second) and we got it done in a couple of takes. I found it very difficult to work to a music chart as I could not and still do not, read music and the repeated takes were trying. However, most of the songs were recorded that day and my solo efforts on another. I was very happy with “The mermaid and the seagull” and even thought the addition of waves and seagulls was nice. I rattled off “Hesitation Blues” in one take and also the wrongly titled “Blind Blake’s Rag” This was an amalgam of tunes I had learned in Paris from my friend Gary Petersen. Probably the most exciting moment came for this young songwriter when the violins commenced to overdub their parts on the title track. I thought Tony was really cool to make my song sound so good. I was just amazed by the way the songs sounded with the other musicians but I had never worked like this before and although everyone was encouraging and supportive in the studio I thought I would have been happier and sung better had I been on my own, which after all is what I was used to.
Nat Joseph, the head of Transatlantic Records had never put money up for arrangements before and indeed Gus had only got the job of producer, because Gus’s wife Shelia, was Nat’s secretary. It was she that told Nat that her husband, who was a house engineer for Decca was dying to produce a new artist. Nat gave him me. I think Nat was horrified when Gus asked for more time to complete the album. There was no more money available so Gus, who was still working at Decca studios, smuggled me in on several Sunday mornings and we completed the overdubs in the empty building off West End Lane.
Part of my deal with both Essex Music and Nat’s publishing company. “Heathside Music” was that I should record two of their copyrights. I was not happy about this but I was scared it might be a deal breaker. I agreed to record “Morning Dew” as recorded by Tim Rose but written by Bonnie Dobson, and a tune called “Granny Takes a Trip” recorded by the Purple Gang. The latter was recorded with the session guys as opposed to my wonderful jug band featuring Henry Bartlett and Whispering Mick Bennett, and I thought it gimmicky and although a good song of its time, I would not have volunteered to do it. The other song, ”Morning Dew” however was another story entirely. It had already been superbly recorded by Mr. Rose and I was quite flattered to think the company thought I could do a number on it.
Gus Dudgeon
After several attempts at overdubbing the vocal and finding it very difficult to emote and stay in tune with the headphones on, Gus stopped me and said, “Come into the studio and have a listen”. In the control room it was obvious that I was a long way off a “take” and Gus offered to go out into the studio to show me how he wanted me to do it. I dutifully pressed play and record at his signal and Gus gave it his all. It might have been the pitch that was wrong for him as he certainly struggled to reach some notes. All the time he was hopping about like Mick Jagger and generally throwing himself into the performance. I was totally unprepared for this alter ego and found it absolutely hilarious. By verse two I was in tears of laughter and when he came in to listen to the playback he could not even see me as I had slipped to the floor and could not catch my breath for ages. “You bastard” laughed Gus and when we played back the tape he was soon in hysterics as well. By such incidents are friendships sealed and we were proper mates from that moment onwards.
I was also persuaded to record a song by a Canadian newcomer. I was to be honoured with the first cover version of a song all the publishers were raving about. It was arranged by Tony in a key too high for me. I could make no sense of the words and found the tune and the original singer rather mournful. I was very relieved when my version of “Suzanne” by Leonard Cohen was rejected. I cannot help wondering sometimes how different it all might have been if it head been included.
The entire LP had cost £350.00 and that included a £12.00 advance to me to buy a new jacket for the sleeve photograph, which in the end I did not wear. Incidentally, the photographic sleeve concept failed. The idea was to take three photos of me with three different filters over the lens, red green and blue. Provided I stayed still while they blew the bubbles, I would have emerged in natural colour whilst the soap bubbles would still be in their primary colours of red green and blue. Clever eh? Shame it didn’t work.
In spite of the two dodgy cover versions I was very pleased to have a record out. I was in the company of Bert Jansch and John Renbourne and soon to be joined by Billy Connolly and Jerry Rafferty. It was a very exciting time. For the life of me I do not know how the company broke the album as the only airplay I was aware of came from a solitary broadcast on the John Peel show one afternoon, whilst I just happened to be listening. Anyway, the album must have sold well enough for the company to look for a follow up.
My only trepidation about it remains that one day someone may dig up that dreadful mystified version of Suzanne and put it out on some compilation. Sadly, they will never find Gus’s version of “Morning Dew” because it was wiped when I recorded the existing vocal.
The whole album was recorded on four track and mixed to MONO! Later a version with a green cover was mixed to a basic stereo for USA and Canada.
Ralph McTell
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