#(……..I’d also love to do more To ewen but that’s separate)

[lornacrane]

the things I have watched and/or am planning to watch for Leigh and Ewen is insane btw. like there’s places Angus has gone I won’t follow, but the only thing I won’t watch the entirety of for Leigh is the Bye Bye Man, and I uh. haven’t come across anything yet I wouldn’t watch for Ewen lol. Leigh is easier bc he’s acted in so little tbf but like…………

[cecphotos]

NiSi V6 vs Haida M10 - Why I switched from Haida to NiSi

NiSi V6 vs Haida M10

Why I switched from Haida to NiSi

By Chris Ewen Crosby (Chris is an official NiSi USA Ambassador and reseller)

Many of you have been waiting for this very blog, an explanation for my sudden switch from Haida Filters to NiSi Optics USA late in 2019. This is long overdue, but now I’ve found some time to sit down and explain what made me switch companies. Many of you who are reading this may have in fact invested money into the Haida System and by all means it is a good system. When you are in a position to be able to try different systems like I am, then you get the benefit of changing without much of a monetary loss. Am I recommending that you sell your Haida System and jump to NiSi? Maybe, but no. Your Haida System still is good, but I’m sure if you are currently using it you’ll relate to much of what I have to say in this review and comparison of the two systems. However, from this point forward I will be definitely suggesting to my clients to purchase NiSi products because it truly is the best system I’ve used in my photography career. There are many reasons for my switch to the V6 System by NiSi. There are both equipment reason as well as the business side of things. One of my reasons for putting this off for so long was because I needed time to really use the new equipment, experience working with NiSi over a few months, and really soak up everything.

Ladies and Gentleman, Full Disclosure

Before we begin I must first disclose that I’m now an Official NiSi Optics USA Ambassador and Reseller. This is one of the reasons that I switched and I’ll dive into some details later in the blog. So, yes, my opinions could come with some bias, but I only stand behind product I believe in. I wasn’t forced to change systems, I simply went with a superior product that turned into a great relationship with NiSi. I got to pick between two of the top filter systems on the market and after weighing everything together made my decision. I’ll lay out what made me switch by doing a review and comparison between the two systems and share my findings with you. So without further ado, let’s talk about the NiSi V6 System and why I love jumped the Haida ship.

So It Begins…gear talk time

Let’s first talk about how the V6 made its way into my bag. Late in 2019 my friend Bruce Getty (GettyPhotography.com) invited me to a meeting at the NiSi Optics Headquarters. At the time I had been using and promoting Haida Filters and was an official/un-official ambassador for them, we’ll get into that later. I had been using Haida for a few years and had been very happy with the quality of the glass and their latest M10 Model was a great improvement on holder quality. I liked the M10, but there were a few things that bothered me, namely the backdrop holder, the amount of space the system/filters took up in the bag, and some vignetting at 16mm. Read my review of the Haida M10 System for more details. Aside from those issues there were some other things that we’ll dive into later.

So, Bruce and I sat down to learn about the NiSi line of product, what made it so great and got to put our hands on the system and filters. There was quite a bit of information, but it was great information about the milling process for the holders and quality of the glass. I admit, at first, I wasn’t even thinking about switching filter systems. The glass seemed to have very similar qualities to that of Haida and there wasn’t much telling me to switch over, yet. I would have to test them in the field before I’d even consider switching over. There were incentives for me to switch as well, but that’s for later in the article. So I left the meeting that day with a V6 System and a few filters to test and try, thanks to NiSi Optics USA.

Thoughts on the V6 System

After the meeting, I made my way to a favorite local seascape spot and gave them a whirl. I wasn’t so much excited by the system yet, but curious as to how the system and filters would perform to my trusted Haida System. I was almost hesitant to be proved wrong and find a better system then what I was currently using.

The system worked very similar to Haida, Lee and many of the other name brands. The filter holder clips on to the filter ring, which makes taking the holder on and off quick and easy. The V6 System came with an Enhanced CPL, which attached to the filter ring behind the filter holder. I love how the CPL is close to the glass, which helps with reducing the size of the overall system and reducing vignetting. Haida had a similar build which I like over the LEE system which has a HUGE CPL that sits outside the filter holder. I never purchased it because I was scared of it, LOL. Installing the V6 system and using it felt very normal and didn’t require any thought since I’d been using filter systems for many years now. Thinking back now, this was a nice feeling to be able to use the system very quickly without much thought. I felt very much like my old LEE 100 system in how in clipped on to the filter ring and how the filter ring worked.

First Impressions

One thing that I immediately fell in love with and that brought a smile to my face was the Pouch 9 Plus holding pouch. Before making my way to the beach I had reduced the amount of filter space in my bag by 60%! I had a V6 System, 3 ND 100mm ND Filters, and one 150mm Grad ND all in one case with slots to spare. It all fit neatly into an interior section of my bag, it was less crammed and lighter now. The reduction of the amount of space my filters takes up in my bag is a huge win. When you are backpacking you need all the space you can get and this will help me greatly in those situations. I now have room for more lenses or whatever gear I need to bring.

It also strapped right to my tripod leg and allowed me to have access to all my filters and system without having to hold multiple cases while switching filters. This sped up my workflow considerably and I wasn’t worried about dropping filters. With my Haida System I was constantly going back to the bag and fumbling two filter cases while switching them out. It wasn’t comfortable in most situations where I couldn’t lay my bad down. Now I could take the system out of the bag at the start of shoot and strap to my tripod. As I change lenses or filters the system has a safe and easily accessable point right next to the camera.

Filter Holder Innovation

The next thing I noticed was the ease at which the filters slid into the filter holder. They were easily slid up and down in the holder, yet I was able to walk about with filters in holder and not worry about them sliding out. The holder is built really well. Unlike most filter holders out, the NiSi Holder pinches the filters from the sides of the glass and not front and back. This is hard to explain without visualization, but stop and re-read that if you need to and imaging how the holder grabs the filters. The V6 method of holding the filter is much better for the filters to remain scratch free and it allows for smoother movement without sacrificing strength. It’s really brilliant design. I don’t know why none of the other brands I’d tried hadn’t thought of it. If you've ever used a filter holder like the ones I'm discussing then you understand that when you push your filters into the holder or adjust them you really have to push semi-hard. You almost have to support the underside of the camera lens and the holder while adjusting the filters. With the V6 System the slid in very smoothly and I could almost adjust the grads with one finger up and down. Even with this ease of movement the filters were still secure in the holder and I could walk with them still attached as I move compositions.

In addition, I felt like the NiSi holder was made stronger without sacrificing weight. The V6 System “is made from aviation-grade aluminum with single element processing by CNC machine”. They are milled in a process that takes hours to complete and makes for a stronger build due to being one solid piece. “The (Haida) M10 100mm filter holder is made from aviation grade aluminum and PC materials…” The plastic pieces of the M10, while making it lightweight made for a less stronger and more toy-like build.

Vignetting

Another plus I noticed when trying the V6 System was how I could rotate the filters without seeing any vignetting at 16mm. With my M10 I could not rotate the grads or ND’s very much without seeing some vignetting, counter to their claims of 360° rotation. This was another surprise as all other 100mm systems prior to this have always promised this very thing, but failed to deliver. Lee and Haida both make these claims, but I was never able to rotate more than 45 degrees, if that, with either. I was really pleased to be able to rotate my system in 360° without issue. This comes in handy, because light is rarely organized in a straight line across the horizon and some rotation of the filters is nice, especially in side lighting. I was finally able to take full advantage of my graduated filters by rotating them in ways that I truly needed to. This really helped in balancing the exposure of the scene, immediately!

Filter Rings - Comes with 4!

Some advantages that I saw with the V6 system were that with the 100mm filter holder kits you recieve 4 filter rings. You get the main 82mm filter ring, but also a 77mm, 72mm and 67mm filter ring as well. With all other filter systems that I had purchased and used, you always have to purchase these separately. It’s a nice value and convenience to the buyer to receive all these at once as most of the standard full frame lens have filter rings of this size. They all fit conveniently in all the pouches that come with or can be purchased for the system.

CPL - Slower install, still faster workflow

Another advantage with the V6 System from NiSi is the ease of use of CPL. With either the pouch that comes with or the pouch 9 (sold seperately) you can store the CPL in a safe pocket for ease of access when needed. The CPL with the Haida M10 always bothered me because of the way it was stored with the M10 Case and system. To protect the M10 CPL you had to place the CPL in to the Drop-in slot of the holder to store it. Then you would have to take it out when using the holder and place the clear light blocker ring into the slot. This constant changing was annoying and slowed down your workflow. Imaging holding the case with one hand, then you have to deal with CPL and Light Blocker ring in the other. The M10 while making the CPL installation of the CPL fast, made the overall workflow speed slower. I personally don’t use a CPL very often so I keep mine in safe storage until it needs to come out. Having to touch the CPL everytime I used the M10 system was a big downside in my opinion. One thing that also sold me on the V6 CPL was the fact that the CPL was raised from the Filter Ring. This made for easy installation of the CPL and you felt less likely to drop it while installing. Your fingers can wrap around the edges of the CPL while installing. Other models of holders I’ve had that were similar lacked this feature and made installing the CPL a bit frightening, you had to pay attention to not drop it on the ground. In some cases you had to remove the filter ring to install the CPL to be safe, I didn’t feel any need to do that with the V6 Enhanced CPL.

In my review of the M10 System a few years back, I mentioned how the Drop-in system was a fast to change filters but also caused a problem. The problem was that if you wanted to use a CPL and ND then you needed both Round Drop-IN NDs and Square ND’s. Round for when no CPL is used and square when using CPL. Haida does make CPL+ND combinations for the Drop-in, but again addition filters, ND with CPL and without CPL. There is also no way to stack the round Drop-in filters in the M10 and you’ll need those square ones again if you want to stack. Overall I think the Drop-in system had really good intentions, but created the need for more filters and more space in the bag. An intentional ploy to increase revenue or just a large oversight? Who knows.

Summary of Wins for the V6 System

Ok so now that I’ve broken down some insights about the the V6 System, let’s review why I liked the V6 over the M10:

Compact and easy access pouches - less bag space and speed up workflow

Solid Holder Build, Easy Movement of Filters

No Vignetting at 16mm…no really!

CPL, Slightly slower than M10, but overall faster workflow and more realistic for use

System comes with everything you need- 4 filter ring sizes, CPL, pouch and lens cap!

My overall thoughts were that the V6 100 System was more thought out for how a photographer uses filters. It’s clear that they have taken the feedback from their users, ambassadors and team to make improvements that refined the system to make it functionally superior. The build is better than the Haida M10 and the most importantly they have really thought about how photographers use filters to make them easier to work with.

What about the Filters?

When I first switch systems I really didn’t notice too much of a difference, but now after 9 months with the filters I see a slight improvement in the detail and color that I’m getting from NiSi Glass. Haida had a sort of purple coating to it. I never saw it effect my colors too much, if it at all, but I noticed a lack of that slight purple tinge to the NiSi glass. Something about that made me feel better, without even seeing results. Peace of mind does a lot to your overall confidence in catching things correctly in the field. I will say that I don’t notice that my NiSi glass is on when using the system in relation to color and detail; it is as true as the quality I get without them on.

If you want me to be honest, the difference between the two could probably be nothing and be argued and debated, so let’s just call the filters a close tie. The main reason that I switched systems was around the functionality, usability and performance of the V6 System over the M10. The glass never raised any issues so I didn’t let it factor into my decision very much at first. Now after months of using the filters in different shooting environments and light I definitely think that NiSi glass is just a bit more color neutral and slightly higher in detail.

Ok, so what else made me switch?

So aside from the equipment advantages that I mentioned above, there were some other reasons behind my switch. These things added to the equipment reasons and really forced my my hand a bit. It just made good sense and I’m sure you’ll see why.

Ambassadorship Programs

As a Professional, when you are going to be supporting a product that you use and believe in, you’ll usually end up seeking an ambassadorship or relationship with a company. Ambassadors are trusted individuals who are in partnership with a company. Ambassadors may be asked to assist in promoting a new product, help to create content and do account takeovers. Ambassadors are typically compensated with product, at a bare minimum. Larger sponsorships may involve speaking engagements, content creation, and paid promotions. The larger the influence you have the larger these things become. I’m more on the lower scale of things to give you some perspective. These ambassadorships are helpful to professional photographers and aspiring ones to help support their passion. Usually both sides and the benefiting from the partnership in their own way.

A few years ago Haida reached out and allowed me to test their system and it formed into an ambassadorship, but not one that I was hoping for. I began using the system and tagging the company in my Instagram posts. Pretty good deal for them because posts where I used the product, they get a little shout-out. However, soon it seemed like I was giving more promotion to them than they were giving to me. Their social account didn't post very much and rarely featured the photos that I was tagging them in. That makes it seem as though I am giving more than I was getting out of the deal.

In addition, the advertisement of the use of product came lots of questions about filters from people who saw that I was using them. This turned into time and energy while making suggestions about what to buy. This time was never compensated back to me, I just did it for the good of my clients or the people asking. In turn, they may have ended up buying a system, but I received no credit for that sale or my time. I was basically wasting time that I could have been using towards things that create revenue for my business.

Haida has many of what they consider “ambassadors” throughout the world. They gave out their filter systems to many photographers and ultimately this made me feel less important. It seemed that just about anyone could be an ambassador if they used filters. I really felt like I got lost in the fold of photographers and there was a lack of organization in their social media team and company. I just was left wanting more of a relationship where I wasn’t lost in the fold.

So with these things in mind, when I met with the NiSi Optics USA team here in Los Angeles I was pleased with the ideas that they had in working together. Their ambassador teams in each country have always been very small and selected with great care. I appreciated the fact that they didn't saturate the market with ambassadors but rather selected a few and channeled more energy through them. To be honest, I was rather honored to be selected to be an ambassador for them as there are many great photographers in both the US and around the world on their teams. It left me with some pretty big shoes to fill.

Another benefit I found with NiSi is that they actually have a US based team. It is so much nicer to have a team that I can talk with in my time zone and actually reach! Infact, I get to stop by the Headquarters from time to time to work on ideas. Having the ability to meet face to face with the team is really awesome and helps to create a better relationship with the team.

The last benefit of being a ambassador for them is that you have the ability to become a reseller. This allows me to sell directly to my clients who are interested in buying a filter system and like the one that I use. Instead of directing them towards a major retailer where I receive no credit for that sale, I'm able to direct them directly to my website and help them purchase the right things that they need. In actuality it probably ends up being much more enjoyable for the customer as I am a specialist in the product and it's the only thing that I sell, unlike major retailers. Reselling allowed me to receive a small return on my time and investment into my client. It's not very much, but it makes it worthwhile to promote the product. It's much like being an Amazon influencer and how they receive a commission on sales made via their links.

Conclusions

So when I switched to NiSi Optics it was for many reasons. I found a better crafted product that saves me time in the field, makes shooting more enjoyable and performs with perfection to how any professional photographer wants. In addition, I found a company that I want to have a relationship with and that wants to have one with me. So far I have loved using the V6 System and working with NiSi. There are some exciting things coming down the road at the end of 2020 that you’ll have to keep your eye out for. I am looking forward to continued work with NiSi and showing my clients how this system is the best on the market currently.

Have a question about the switch? The NiSi V6 System? How I compare it to Haida? Drop a comment below and I’ll answer it for you as quick as possible.

[spryfilm]

“Beauty and the Beast” (2017)

Drama/Musical

Running Time: 129 minutes

Written by: Stephen Chbosky and Evan Spiliotopoulos

Directed by: Bill Condon

Featuring:  Emma Watson, Dan Stevens, Luke Evans, Kevin Kline, Josh Gad, Ewan McGregor, Stanley Tucci, Audra McDonald, Gugu Mbatha-Raw, Nathan Mack, Ian McKellen, and Emma Thompson

Gaston: “If I didn’t know better, I’d say she even cares for him!“

Belle: “He’s not a monster, Gaston! You are!”

“Beauty and the Beast” is the latest in the live action transformation of Disney’s animated back catalogue into live action versions, following the huge successes of “The Jungle Book” (2016), “Alice in Wonderland” (2010), “Maleficent” (2014) as well as the more  modest “Cinderella” (2015) with plenty more to come. Whilst these movies have been expensive to re-make they have all made their money back by all being visually distinct, staying true to their origins, not being sequels or reboots as well as incorporating the visions of their respective directors, who themselves have all been established in the film world for some time – this is more the case with Bill Condon than the others that have been recruited.

“Beauty and the Beast” marks the first time a modern animated film has been remade, not only that, but it also boasts the largest cast assembled for one of these remakes, as well as the most well known. Disney have been wise to have the lead of Belle played by Emma Watson, surely one of the most high profile leading ladies of her age after her part in the Harry Potter franchise. Then building up from there surrounding her with some of the best UK actors around, such as Dan Stevens, Ian McKellen, Ewen McGregor Luke Evans, and many others – but make no mistake this is surely Watson’s film, she shines in it – acting, singing and dancing. For my mind the film has one other ace piece of casting, that of the great Kevin Kline, who has been a superstar not only in movies but is a legendary stage actor – here he brings all that experience as Belle’s father who shines in a role that could have been run of the mill, but with Kline’s casting it becomes something else – bravo on the Director for this choice.

The story itself is fairly simple but offers quite a few complications, it is set in pre-Revolution France, an enchantress disguised as a beggar arrives at a castle and offers the owner, a cold-hearted prince, a rose in exchange for shelter. When he calluously refuses, she transforms him into a beast and his servants into household objects before erasing the castle’s existence from memory. She then hexes the rose and warns the Beast that, unless he learns to love another and earns her love in return before the last petal falls, he and his servants will lose their humanity forever.

Many years later, in the village of Villeneuve, Belle dreams of adventure and brushes off advances from Gaston, an arrogant former soldier. Lost in the forest, Belle’s father Maurice seeks refuge in the Beast’s castle, but the Beast imprisons him for stealing a rose. Belle ventures out in search for him and finds him locked in the castle dungeon. The Beast agrees to let her take Maurice’s place, despite her father’s objections.

I am of an age where I probably should have seen the original animated movie but I have to admit I have never seen it, so I was looking forward to this version (without the baggage) – I am a sucker for musicals so I assumed this was going to be right up my alley. I am so pleased to say that I loved this movie, Watson was good in the lead role, I suspect that this was a role that many would have loved to take, but my real surprise was Luke Evans who has proved over the past decade that he can literally play any role – and here as Gaston he shines in the role as chief protagonist that you can just tell he relishes. With so few musicals being made (although lately there does seem to be a resurgence) if you have a hankering to sing and dance you had better grab it. The other great piece of casting is that of Josh Gad who after almost stealing “Frozen” (2013) as the snowman Olaf, here he to does an amazing job as Gaston’s sidekick LeFou who makes his own part look so easy that you can forget the work it takes to make something look so effortless.

Looking at this movie now, especially when it is possibly going to be the biggest grossing film of the year it seems Bill Condon would have been the obvious choice to direct this adaptation of an adaptation. Over the course of his career Condon seems to have done it all, he has directed a pure horror film, “Candyman: Farewell to the Flesh” (1995), a gothic American drama mini-biography with the excellent “Gods and Monsters” (1998) – oh yes he won an Oscar for best screenplay for that as well – a musical, “Dreamgirls” (2006), two teen blockbusters with the last instalments of the “Twilight” movies, a post modern Sherlock Holes drama with “Mr. Holmes” (2015), now a film that seems to take his past works and meld them into the remake of “Beauty and the Beast” (2017). Condon didn’t need this movie, he has accomplished more in his career than most directors ever will, so the potential downside was quite large, however the challenge must have been appealing, with the success of this film he has been catapulted into another realm of directors, he has made a movie that will end up close to US$1.5 billion, one of the biggest box office successes of the century so far. The pressure for this movie to be a success would have been monumental, it being one of the shining lights of Disney Animation, as well as being one of the key animated films responsible for the second wave of great Disney animated films. That would of course culminate with one of the greatest animated films of all time, “The Lion King” (1995).

What Condon has done is to take the material, not try and fix that which was not broken, used the Disney movie as a template, built around it wisely using new songs, cutting edge animation and wisely using a great physical cast as well as a voice cast that are both uniquely talented, playing to those strengths (maybe except for Ewan McGregor’s accent) whilst pushing them to their limits – remember this movie has acting, singing as well as dancing – something not all actors are able to accomplish believably. What he has had to do is deal with the physical sets, as well as all the elements of a Hollywood musical, a horror film, an animated movie as well as a classic love story. It may seem that all he had to do was copy what came before but make no mistake this movie is a major achievement, one that needs to be seen, as it works on many levels, is satisfying and somehow strikes the right tone in almost every scene. Condon in my mind is at the top of his game, it is no surprise to me that he has been linked to a remake of “The Bride of Frankenstein”, if he is able to marshal the right mix of cast members I can see this being a success – at this stage I would not be against him at all.

This film would be nothing without the music, with Alan Menken back on board, the Disney go to composer of choice and a man coupled with the late Howard Ashman prove that this is indeed of the greatest Disney Animated musicals of all time, it is full of lush orchestrations as well as lyrics that are sublime, are a joy to listen to as well as fitting these characters like gloves, the biggest numbers remain so, and I have to admit to listening to the soundtrack long after I watched this movie.

As well as the music there are two other aspects of the movie that are extremely important, they are the cinematography by Tobias A. Schliessler, as well as Jacqueline Durran, the costumer who has cut her teeth on many period films, she does some amazing work here with colors as well as the cut of all the wardrobe – they are as much a character in the movie as the actors themselves are. The costuming combined with the art direction give cinematographer Shliessler a lot to work with, he takes his vast experience working in a variety of genres as well as his long relationship with the director to give us a gothic lite version of this movie. That is not a negative criticism as this what is required as we start in a lighter atmosphere, following the journey of the characters into darkness, working our way back to happier place back to some kind of equilibrium. The relationship between each separate department working together is not more evident than this movie which is taking almost all the genres as well as disciplines and making a product that is indeed greater than the sum of its parts.

In case you have not guessed by now my opinion of this movie is that it is excellent as well as humorous, scary, funny as well as bring complex. If you had any part in this movie you need to be extremely proud of the work you have produced. This is truly a film for the entire family; it has so much watchability as well as re-watchability that it is ridiculous. I highly recommend this to all, it is a fine addition to any collection, go and get now!

“Beauty and the Beast” is out now on DVD & Blu-ray.

  In Disney’s BEAUTY AND THE BEAST, a live-action adaptation of the studio’s animated classic, Emma Watson stars as Belle and Kevin Kline is Maurice, Belle’s father. The story and characters audiences know and love are brought to life in this stunning cinematic event…a celebration of one of the most beloved tales ever told.

DVD & Blu-ray review” Beauty and the Beast” (2017) “Beauty and the Beast” (2017) Drama/Musical Running Time: 129 minutes Written by: Stephen Chbosky and Evan Spiliotopoulos…