#( there is one panel under the cut just so you know )

[academic-clown]

I Was A Teenage Dirtbag

written by @hellfireloserclub |||  art by @academic-clown (formerly @acaademicqueer)

-> @steddiebang2024 ||| @steddiebb2024

DO NOT RE-POST MY ART ANYWHERE WITHOUT MY EXPLICIT WRITTEN PERMISSION.

under the cut is the full image (since it's a bit spoilery) as well as some commentary and detail shots, since apparently tumblr eats quality ಠ_ಠ

long time steddie fan (and bless this community because hoooooboy are we lucky with so much lovely content!), first time participant in any sort of ST fandom event! boy-oh-boy was it a trip! This was the biggest bang I've ever participated in with over 100 fics during claims time which made it incredibly hard to make any sort of pared down list... however, I really loved the concept behind this particular fic, and luckily I was able to claim it! It was awesome to work with Pez on this, and I really hope you enjoy reading the fic as much as I enjoyed illustrating it.

Below the divider I'll be explaining a bit of my process / reasons for doing what I've done if you've any interest!

⚠️ !! WARNING !! ⚠️ FIC SPOILERS BEYOND THIS POINT! ⚠️

the scene I chose to illustrate takes place during Dustin's bachelor party, where the boys are at a bar performing karaoke. I wanted to emphasize the dramatic build up that Pez managed to create in the scene itself within my own illustration, and so I used panels to move the eye around the whole image.

By first showing the lower half of Eddie's face, the way he's clutching the microphone and then the eager, open grin on Steve as he holds out the tickets before panning down to the full body shot of Eddie on stage, clearly excited and happy as he stares at the rear-facing view of Steve, it can tell the story of what's happening even without the context of Pez's fic.

I really wanted it to serve as both a promo and a scene straight from the text itself, and hopefully I've done it justice.

The shirt choices were purposeful, as in the fic Pez has the bachelor party wear Dustin's old nerd t-shirts (and there was no doubt that Steve would have absolutely loved the prequel movies (and been so in love with Ewan McGregor as Obi Wan) so he'd deffo have jumped on the Weird Al Saga Begins t-shirt. the Camp Know-Where one just looks cute on Eddie tbh) and the glow bracelets were fun to pick too. If you squint, Eddie's are the bisexual flag colors and Steve's are an approximate pansexual flag. Was this purposeful? Technically no, but it's a cool little easter egg.

I had a lot of fun playing with the lighting of the karaoke bar, because I really wanted to lean into the kitsch of those late-90s, early-2000s dives that had those hideous colored stage lights and the sticky, shitty stages. Like the karaoke was an afterthought rather than the real draw.

Here are some detail shots of the finished piece!

From Left -> Right: close up on Eddie's hands, his lower face

From Left -> Right: close up on Steve's lower face, his hands with concert tickets

From Left -> Right: close up on Steve from behind, close up on Eddie's face, full body shot of Eddie

Total Tracked Time: 19hrs 30min

reblog divider || music note dividers

[resolutepath]

In regards to the b.nha final chapter:

I AM NEVER GETTING OVER HOW CUTE THAT KID IS MIMICKING KIRISHIMA.

UNBRAYKABUL!!!

I liked the ending I think it was a good rounding off while also leaving the option open to doing something in the future for nextgens. So weird tbh that it's done now, but I'm not done and likely will not be done for a long time with Kirishima because I adore him so.

[seat-safety-switch]

When we were kids, we didn't have access to cool power tools. Every summer, when the soapbox derby race was coming, we'd break into my neighbour's garage while he was at work. Then, we'd use his drill press, lathe, table saw, all the fun tools. Over the course of a week, a race car was produced, which is more than the workshop ever made during the rest of the year.

Sure, we could have asked him if we could have borrowed his tools, but no doubt he would want to be there to supervise. And then he'd want to help. We'd never get done while we were busy indulging the suburb-tinged fantasies of someone who didn't take wood shop and chose instead to idly worship at the altar of Television Presents: The Fantasy of Bob Vila in adulthood.

One year, Old Man Garrett got a security system. Probably this was because Ted (fucking Ted) didn't clean up the sawdust that one time like we asked him to. The old man must have seen the footprint, and realized that he did not wear size-seven Nikes. Child thieves, casing his precious table saw! Now, our humble breaking-and-entering had become significantly more difficult than "reach a coat hanger under the door and pull the emergency release."

With the help of some of the high-school kids who were taking electronics class, we managed to defeat the security system. We did so using an ancient Japanese technique known as "distract Old Man Garrett while he's setting it, and then cut the wires to the panel." I think it loses something in translation, but you get the gist of it. That year's car was especially sweet.

In adulthood, I got drunk and bragged to some work buddies about our little scam. They responded in abject horror, because I was still occupying the weird hump in the middle of a normal distribution of "acceptable crimes." It was terrifying to them to see one of their own, one of the suburbanites, speak openly about largely-harmless property crimes. What if we had been hurt, they shrieked. Around the water cooler, I would become a pariah, unless I could make amends.

I did hunt down Old Man Garrett after that, still feeling the sting of rejection. He was still on the property, and he still had a beautiful collection of immaculate cabinet-making tools in the garage. I rang his doorbell and, when he answered, I told him the whole story. He laughed.

"I knew it was you dumb shits from the beginning," he bragged. "Fucking Ted -"

"Fucking Ted," I echoed, unconsciously.

"Fucking Ted left his library book on building race cars behind on the workbench that first year. You didn't let him drive, did you?"

I shook my head. "We ran the car into him if the hockey-stick brakes ever failed."

We had a good laugh about the whole thing that evening, and I returned to work with my soul cleansed. It's just a pity Ted didn't know how bad he actually was at crime, before he tried to knock over that liquor store and all.

[u3pxx]

my comic for @aabadendingzine which is out for free over here.

extra stuff/commentary under the cut | like what i do? support me on ko-fi 💙

helloooo how's it going? i really hope you enjoyed the comic <3 it's rare for me to draw such wholesome things, i know [bats eyelashes]

DFGHDJKF ok i know, it's evil, the entire zine is evil you should go read it!!!!!!! but also, i remember coming up with this prompt and the image of mikeko trying to wake a dead apollo up evoked such a visceral reaction in me that i audibly went "NOOOOOO" when i thought it up LOL

the fourth page is the first page i ever thumbnailed bc i knew EXACTLY how i wanted this thing to end!

i think my favorite page of this comic is the 2nd page (the 4th page being my second favorite bc what can i say, i'm evil wheezes) i just really enjoyed drawing the montage of apollo going about his life and kristoph just. being there. always watching him.

i keep thinking about how spark brushel mentioned feeling like he was being watched those past 7 years. i imagined apollo would get a taste of that once he starts trying to find out the truth behind what happened in his first case.

and as for my favorite panel, I REALLY LIKE THIS ONE!! it's just fun shoving every important element alluding to the case 7 years ago to the moment when zak died!

and it's not very obvious but an element i really like about this one is zak still on the chair he died on. it's just his torso visible and i would've loved to make it more obvious that he's there but oh well.

i can't think of anything else to add about drawing this so i'll end it by saying: PLEASE GO READ THE ZINE, IT'S SO SOS SOSOSOS FULL OF LOVE FOR HURT AND TRAGEDY AND THE WAY MY FELLOW ZINEMATES EXPLORED THAT IS SUCH!!! GOOD AND HEARTWRENCHING STUFF!!!!!!!!!

i had to take a break from reading the zine when i went out to finish it bc my chest started to physically hurt bc ohhhhh lordy, it just hurt. it just hurt a lot! (please do read the trigger warnings before reading the thing bc this zine deals with a lot of heavy stuff!)

i like to joke about how i'm evil and enjoy evil things such as angst no comfort which. well, it's kind of true LMAO so i'm thrilled that i was able to be a part of this zine and cook up something completely terrible <3

here's the link for it again, go read it!

[erinaeris]

Laios Touden and the Responsibility of Power

First off, let me gush just a bit about how fucking STRONK this man is. Olympic weightlifters are dying of sheer envy and lust over this man. He is a FUCKING POWERHOUSE.

My favorite panels ever, and judging by the cropping of the second photo, Tumblr agrees.

AHEM, where was I?

Ah yes. He's not just strong and incredibly hot, my man is literally an invasive species in this dungeon. He knows every single weak spot of every monster Thistle tried to throw at him and when he finds it he just fucking RAMS HIMSELF AT THEM AND TAKES THEM DOWN.

And when he's a dwarf HE LITERALLY BENDS STEEL.

"Beat Namari at arm wrestling"? My boy, she wouldn't let you anywhere near because you'd FUCKING BREAK HER HER HAND ALONG WITH THE TABLE. (It's such a fucking shame we didn't see Senshi at least raising an (perfectly plucked except it just grows that way naturally) eyebrow in the background when he sees this. Alas, he was too distracted by his hair.)

But I mentioned responsibility, didn't I? Strength is power in the dungeon, and we all knows what comes with great power. And Laios is, in fact, very responsible with that power!

(Futther examples under the cut, wee bit spoilers for anime watchers)

This scene lives rent-free in my head forever, because of two things: Thistle suddenly realizing just what the hell he's up against,

And Laios breaking Thistle's arm.

Now, I think Laios didn't mean to actually break his arm here, he's just half-blind and dizzy and knows he has to restrain Thistle or it will all go to shit. So that's what he does. The move you see above is a restraining hold. The point is that the person pinned down can't struggle much because the position of the arm presses the suprascapular nerve, so it hurts a lot, but unless they're held that way for too long they'll be fine.

But Thistle is TINY and elves are generally fine-boned. I think Laios really did just underestimate his strength.

And the moment the dragons aren't an IMMEDIATE THREAT anymore?

Laios heals him. Thistle's a better mage than him by miles, he could have done it himself. But no. Laios does it. He was too rough, too careless with his strength, and he immediately backtracked, fixed what he broke, and continued with more mindfullness.

And these are just the examples that stuck in my mind the most. And it happens often enough that the team isn't even fucking surprised! Laios' strength would 100% scare people who only saw him in a barfight and didn't know anything else about him. Hell, the other adventurers they meet fucking quiver before this guy who just took down a monster they had nightmares about in one blow, up until he opens his mouth and they relax. You put more malevolent software in that sort of hardware and he'd be the next Shadow Governor.

But Laios is Laios. He's a gentle soul at heart (a Great Pyrenese, specifically, the gentlest souls ever unless you're out for their flock) and he is VERY CAREFUL with his strength, ESPECIALLY around his team. Chilchuck, who is literally half his size and underfed to boot, can smack Laios as much as he wants with ZERO fear because Laios is aware he can hurt Chilchuck by literally tripping over him, so he just stays still and lets Chilchuck smack at him. I'd be surprised if he ever managed to leave a bruise. Chilchuck has to aim at Laios' weak spot (back of the knee here) just to get Laios to notice him!

But because I have some experience with marital arts and close combat, I think the fight with Shuro exemplifies my point so fucking well! Laios is HURT here, he's living every autistic person's worst nightmare.

And he HOLDS BACK. His restraint is fucking IMMACULATE.

Shuro is fucking lucky Laios still liked him when he started talking shit, because he would have broken his spine otherwise. Laios doesn't even take the fight seriously! He starts with a fucking SLAP.

Shuro retaliates with an actual punch (that does nothing but piss him off)

Laios wobbles. Shuro HITS THE DIRT.

And this is the part where he realizes just how outside his weight category he is. Shuro definitely has technique on his side, but that means jackshit when you need ten blows to to even bruise your opponent, but one hit from them will leave you drinking through a straw for a week. For a second there, Shuro thought he was in ACTUAL DANGER.

But instead of finishing the job, Laios tries to talk him down, which just sets him off again. Man was at his fucking LIMIT, and it snapped. Self-preservation who?

And the best part is? Shuro is throwing all his strength behind his punches and Laios just takes them, but Laios? He mostly pushed Shuro around!

They're mostly grappling here, precisely because Laios is very conscious his friend is pretty fragile right now.

And when he does have enough?

Shuro is flat on the ground again, and Laios has a black eye and a bloody nose. He sits down and five minutes later he's ready to go! Like yes, Shuro was at a low point here, but he's been mowing through monsters at only a bit slower pace than Laios' party. He's no weakling regardless. And Laios had to HOLD BACK SO HE WOULDN'T HURT HIM. And it's so obvious that Maizuru takes one look at the two of them and leaves them to their toussling.

When I saw her reaction I had to scroll back and take another look, because I was sure she would intervene! But she doesn't! She is aware of Laios' strength, she has to be, and she doesn't lift a finger to help her precious charge. She knows the big dog he's wrestling with knows to watch his strength.

And that's my whole point: my boi is STRONK AF! And he is very aware of his strength, and how he could hurt the people around him is he wasn't careful, so he is ALWAYS CAREFUL. He has deeply internalized the fact that to have strength is to be careful with it, to use it in service of people rather than to hurt them (possibly from his dad). He is going to SUCH a good king! He's not going to like the job but by GOD he will do it really well.

And I will give my right arm to see a fic about the first corrupt lord/governor/courtier who attempts to misuse their authority for their own gain. Kabru's gonna have to talk Laios out of an execution.

[lynxgriffin]

Eldritchrune - Dreemurr of Jokes

1 | 2 | 3

Story Setup Eldritchrune Masterpost

Toriel stops by Sans' shop for some goods, and for some more cheery distractions! Unfortunately, all this time later, it's still too difficult to escape reminders of what's been done.

It was fun finally getting to do some stuff with Sans in this universe! The last part for this trio of scenes will be up sometime next week!

Alt text for these pages is under the read more:

Page 1 Panel 1: Interior shot of a small store, with displays of goods, loose plywood, sacks of things. Two circular woven hangings bracket the door through which Toriel enters, a heavyset woman in a polka-dotted dress with a basket over her arm. Sans watches her enter, though we see only the back of his head. 

Panel 2: Toriel enters the shop and we see more displays, mostly food. There are large potted trees as well, and the shop’s counter, draped in patterned cloth and decorated with candles. Toriel: “Well, hello again. I was wondering if you had-” Sans, a jovial, bearded man dressed in loose robes and always smiling, waves a hand and cuts her off. “Hold on, you hear that?”

Panel 3: “...Hear what?” Toriel asks, nonplussed. Up close, her face is soft but distressed.

Panel 4: Sans leans over his slightly messy counter, still grinning. “I HERB that you needed some more cinnamon cloves, and look what I have here!” He offers a handful of herbs. Up close, the cuffs on his robe sleeves are patterned with little bones.  

Panel 5: “Just what I needed! How did you guess?” Toriel exclaims, reaching out with a real smile to accept the herbs. She and Sans are framed by other mysterious shop wares- jars of things, open sacks, rolled-up mats. Things you might find in an open-air desert market. 

Page 2 Panel 1: Sans: “Was just thinking it’d been awhile since I saw you making the neighborhood rounds with some of those pies of yours… Figured you were planning to start this month’s soon!” Sans gestures up at Toriel in explanation. 

Panel 2: Toriel smirks, setting down a handful of coins.  “And perhaps hoping that I would stop by your place first with them?” Sans: “I pride myself on my forward thinking, y’know.” His grin is conspiratorial as he leans towards her and he taps his temple with one finger. 

Panel 3: Toriel, eyes sad despite her smile: “All right. How about this: Tell me a good joke, and you have my word you will have the first and freshest one.”

Panel 4: Sans: “Just a good joke?” He raises an eyebrow. 

Panel 5: Toriel clutches her chest- we don’t see her eyes. “I find myself in desperate need of levity these days.” 

Panel 6: Sans waves his hand as if to keep her from feeling like she need say more, scratching his chin in thought with the other.  “Sure, I got one…” 

Page 3 Panel 1: Sans, with the smug grin of someone about to tell a terrible pun: “Why was the empire soldier happy to get demoted to horse groomer?” Toriel, with her hand on her chin in thought: “I do not know, why?” 

Panel 2: Sans shrugs widely like the answer is obvious. “Because he finally had STABLE employment!” 

Panel 3: Toriel laughs in genuine delight, although maybe a little harder than expected. 

Panel 4: Toriel: “Thank you, I needed that.” She smiles a relieved little smile. Sans: “No problem. So hey, aside from the pie… Can I maybe get an invite to those little get-togethers I see some folks around here doing once a month?” He steeples his fingertips together. 

Panel 5: San’s dialogue continues: “I’m so curious as to what goes on then!” We only see Toriel, though, shocked and dismayed. She’s thinking of the Ritual gatherings- townspeople gathered in their robes and animal masks- reindeer, fish, but most centrally, the goat masks she and Asgore wear. 

Panel 6: Toriel: “Unless you are completely enraptured by tedious talk of planting schedules and building repairs, I believe I can sate your curiosity by saying you would find them quite boring.” She waves a hand in front of her, dismissing the thought- her expression is once again drawn and weary. 

Page 4 Panel 1: Toriel turns to leave, waving goodbye. “You should look forward to your well-earned pie more!” 

Panel 2: Sans gives her a slightly skeptical look. “Alright.” is all he says. 

Panel 3: As she leaves, Toriel looks down and sees for the first time a small statue set by the door, surrounded by candles- it’s not a merchandise display, more like an altar. The statue is a horned figure holding a bowl filled with greenery- an offering of some type. The figure is rounded like a sitting child, and simple, with closed eyes and little other detail. 

Panel 4: Toriel’s dialogue over a close up shot of the figure: “What an interesting little figure you have. It does not look like it is for sale, is it?” The little horned one has three toes and four fingers on its stubby little arms and legs, and a detail on its forehead that could be a suggestion of hair, or it could be a symbol. The pillar candles surrounding it have been burned enough to have long wax drips pooled around them. 

Panel 5: Sans: “Nah, that’s just a holdover from my home country. Supposed to help keep demons out of your space.” He seems uninterested in this bit of lore, but Toriel, still facing away, is wide-eyed and shaken.

Panel 6: Toriel whirls back to him, sweating. “I-Is that so?” 

Panel 7: Sans’s expression intensifies, eyebrows dropping dramatically. “Sure thing. You know what happens when demons get in your grain stores?” 

Page 5 Panel 1: “They’re OATsolutely RYE-ined!” Sans holds his hands wide, like he’s waiting for the rimshot effect. It’s almost like his shop counter and back wall are suddenly a stage. 

Panel 2: Toriel hides a giggle behind her hand, relieved. 

Panel 3: “Is that something you have had to deal with previously?” she asks, stepping a little closer in her interest. Sans makes a slight gesture of dismissal. “Nah, I don’t really go in for that sort of stuff, honestly.”

Panel 4: Sans: “My brother, though… He’s all in on charms and wards and that sort of thing.” He gestures up, as if to point to wherever it is in the town that his brother might be now. 

Panel 5: “Keeping customs from your home country, I suppose?” Toriel asks, drawn again into the shop and closer to Sans. “Something like that,” he responds, leaning forward on his counter. On the wall next to him, there’s another woven wall hanging like the ones over the door.  Toriel: “Do you have any customs that have a reverse effect?” 

Panel 6: Sans looks as skeptical as one can while constantly grinning. “You mean like, if you want demons in your house?” 

Page 6 Panel 1: Toriel puts a hand up in denial. “N-No, that would obviously be undesirable! I meant more… just out of curiosity about your home.” 

Panel 2: Sans stares up at her, for a beat of silence. 

Panel 3: “Maybe? Again, this stuff isn’t my thing.” He leans back in his chair with his hands behind his head, nonchalant as can be. “And anyways, we left our country for a reason. Old customs aren’t relevant in this town, y’know?” 

Panel 4: Toriel once again turns to go, with a rueful smile. “Maybe not… but I cannot imagine letting go of your entire history.”

Panel 5: Sans shrugs and looks away. “There’s worse things to let go of, honestly.” 

Panel 6: Toriel, gritting her teeth, thinks of a happier time tucking Kris into bed. 

Panel 7: Close on Toriel’s expression, now more haggard and pained than it was when she came in. She clutches her chest tight. 

[fox-guardian]

[ID: An eight page digital comic featuring Sam, Celia, and Alice from The Magnus Protocol on a gray background. The characters are all colored with a single color each. Sam is red, Celia is green, and Alice is pink. Sam is a fat Arab man with short curly dark hair, a mustache, and a small goatee, and he is wearing small black earrings, a cardigan, a turtleneck, trousers and loafers. Celia is a taller Korean woman with short dark hair and she is wearing rectangular glasses, piercings including an industrial piercing, an x-shaped earring, and snakebites, a button-down shirt with the sleeves rolled up, a vest, trousers, and black wrist cuffs. Alice is an even taller white woman with long fluffy hair and crooked teeth, and she is wearing cat eye glasses, three pairs of earrings, snakebites, a flannel shirt, a hoodie tied around her waist, a patchwork skirt, bracelets, and a lanyard.

Sam and Celia are stood at a table covered in papers. Celia urgently turns to Sam. Celia: Alice is coming! She can't catch us researching, we need a diversion, QUICK! How can we make her think we're not doing what we're doing? Sam, shrugging really hard: UHHHH she thinks I have a crush on you?? Celia, sweating, turns back to where Alice is coming from, panicked, and turns back to Sam, shrugging and reaching for him. Celia smiling a bit manically: Yeah, that'll work, sure!

Sam, with Celia's hands grabbing his cardigan: Wait whaAAAA- He is pulled out of frame. Alice walks in: Hey Sam, working hard or hardly woOOOAA She leans on the doorframe as she holds a hand to her chest in shock.

The next panel is rendered with soft pink shadows and "shoujo sparkles" in the now pink background. Sam is sitting on the table holding onto Celia, whose face is buried in his neck as she wraps one arm around his back and the other holds up one of his legs under his knee. Neither of their faces are visible. The rest of the page fades back to gray from there. Sam and Celia look over at Alice, hair ruffled, Sam is now blushing. Sam: ALICE!! He pushes Celia away and they look at each other for a moment, panicked. Sam: It's- .... exactly what it looks like! Celia: Aw, you've caught us! He rests his hands on her shoulders and they both look in opposite directions as though embarrassed. Celia is also blushing lightly. There are red and green neon signs pointing to them reading "Totally Ham-Slammin'" and "GAY! (in an M/F way)" respectively.

Alice looks to be in shock with a vacant expression and a computer pop up over her forehead reading "Alice.exe has stopped responding". In the next panel she is fine again and back to smirking. Alice: WOW SAM, didn't know you had it in you! Now I'm no snitch, so I didn't see anything, BUT- you lovebirds should cut it out before Gwen catches you. Celia and Sam look at each other anxiously, cheeks pressed together as she speaks. Alice: You KNOW she'd tell Lena. Celia, pulling back and smoothing her hair out: Oh, for sure. Sam: Th-Thanks, Alice. Alice: Don't mention it! I'll give you crazy kids a minute to straighten up, TA-TA~ She waves as she leaves.

Sam and Celia listen to her steps fade before going "phew" and finally pulling away from each other, now holding hands at an arms distance. Celia: You alright? That was kinda sudden.... Sam: It's fine! Just a bit caught off guard. Celia: I can't believe she actually bought all of that! Sam: Me either! Works for me, though.

Celia: Did you want to get down- Sam, pulling away suddenly, blushing again: NO! He crosses his legs and looks away sheepishly, scratching his head. Sam: I wanna stay here another minute or so.... Celia, concerned: You sure you're alright? Sam: Yeah! Just, er.... Celia looks at him, confused. Sam, blushing increasingly harder: Ahem. (He folds his hands in his lap politely.) I am not immune to being thrown on a table. Celia, smiling and politely stepping away: AH! .... Noted~

She walks away casually, still smiling. Celia: I'll give you a minute to collect yourself. Sam, head down in his lap, embarrassed: Thanks.... He looks up after she leaves. Sam: Wait. He straightens up, slightly panicked, face entirely red. Sam: What do you mean by "NOTED"?!

end ID]

~~~~

i am SO glad this episode didn't entirely debunk the silly headcanon that birthed this comic. initially i wasn't convinced sam actually had a crush so i made this like "well if he didn't before, HE DOES NOW" so.... here's this silly comic thing <3 i just think they're neat <3

[undreaming-fanfiction]

I am massively busy with work and finalizing my Big Bang, but this idea just won't leave...

Steve and Eddie are both actors. They're in their mid thirties, well established, but they never starred together in anything. Steve tends to be cast in the same type, the dumb but pretty love interest, Eddie has lots of indie and disturbing movies under his belt. But this time, they both landed something big.

They get cast in the new Batman movie.

Steve is, of course, Batman. He insists on doing his own stunts. He refuses to get dehydrated for his shirtless scenes because he knows how damaging it is to both young men and women alike, he's not going to contribute to shitty expectations. The director (Dustin, duh!) sees something in him other directors never have - a potential for depth, for internal turmoil. He gives Steve the chance to prove himself as an actor and Steve pounces on it.

He's still very hot.

Eddie is cast as the Joker. He is a fan of the comics and scoffs at how absurd and deranged the character is becoming. He gets hired because he immediately says he doesn't think the character needs to rely on cheap tricks and shock value to be terrifying. Cutting off his face? Not cool. He suggests to play the Joker according to one of the older comics he has - one where the Joker is actually absolutely sane, but hides it to never be held accountable for his actions. The only person who ever saw through his ruse was Dr. Harleen Quinzel. Joker took care of that issue very quickly.

The chemistry between Steve and Eddie on screen is insane. They go toe to toe, it's impossible to look away when they interact. Eddie utilizes his bright smile to the maximum, tweaking it just right within moments so it becomes unsettling. The first time he laughs, Steve gets goosebumps.

Steve encompasses Bruce's loneliness so well Eddie's heart breaks for him. Dustin finds him in the trailer, giving himself gentle slaps over the face and muttering "you're evil, damn it, you don't want to comfort the Bat!!".

Batgirl (Robin) and Harley Quinn (Chrissy) find their slow descent into love hilarious. They all become good friends on the set.

Hopper, an acting veteran who plays Commissioner Gordon, grasps Steve's shoulder after an intense fight scene and mutters: "Good job, Steve, but maybe don't stare at his lips so much?"

Robin doesn't give him the same courtesy and once Dustin yells "Cut!", she screeches: "NOW KISS!"

The movie is a hit. People love the cast and the story, some of the OG fans complain as they always do, but the ratings are great, there are many interviews, panels, all of that.

And of course, there's gossip about Steve and Eddie being a thing, which enrages the macho Batman fanbase. Their Batman isn't gay!

But the rumors quickly disappear after an award ceremony where Eddie is nominated for the best supporting actor. He wins, of course. And as he gets up to accept the small statue and deliver a speech with enough "fuck"s to give the censor a headache, he drags Steve up and kisses him in front of the whole world.

A week later, Steve and Eddie are together in front of a camera again, answering questions in an interview.

The host asks: "What do you say to those fans that are disappointed, who say that their Batman isn't gay?"

Steve just snorts, pulls Eddie closer and answers: "They're right. Their Batman isn't gay. But he's definitely bi."

Also the comic story I'm mentioning exits and is short but fantastic. 10/10 recommend.

Oh also. The first spark happens when Steve sees Eddie's hair and blurts out: "Please tell me they're not making you cut it shorter. It's too gorgeous for that."

Also because people were asking about the comics - it's Batman Black and White - Case Study and it can be found on Tumblr HERE

[tasteracha]

sweet venom

pairing: hwang hyunjin x reader

warnings: afab!reader, possessive behavior, unprotected sex, smut - MINORS DNI.

synopsis: request from my baby @astraystayyh who asked for grinding and lipstick and i kind of didn’t follow much of either but they’re there!!!!! 1.8k.

you can hear hyunjin doing his live in the next room - he made you swear to not click into it, saying that he’d be much too nervous if he saw you there. you listened, you’d do anything for him if he asked, but you held back the fact that the walls were thin and it was like you were there anyways. he didn’t need to know that. 

you were usually fine with it. you were usually happy to hear him giggling along with his fans, ecstatic that he had so many people who loved him and wanted to spend time with him. it was just one of those things that came with being in a relationship with an idol that you just got used to. but right now, you were in an unusual mindset of wanting to be the only one that loved him, wanting to be the single person that he was spending time with. you didn’t want to share him, and while that might be selfish you couldn’t bring yourself to care. 

it took thirty minutes of you seething in bed to come up with your half-baked plan. you walk over to your spare closet, keeping your steps light as you dig through it for a small paper bag hidden in the corner. you’d been keeping it for a special occasion, something you could wear as a treat for hyunjin, but this seemed like a better opportunity. you loved catching him off guard, as rare of an occurrence as it is. 

you weave through the flimsy tissue paper in the bag and pull out a set of delicate lace, stark red against your skin. it was a beautiful lingerie set, something you had splurged on quite a bit, beautiful patterns of fabric complimented by thin bows and mesh paneling. you knew it would drive hyunjin crazy. 

you swipe on some matching red lipstick and a few coats of mascara before pulling on the fabric, shivering a bit at the cold air hitting your exposed body. you weren’t one to show off this much skin typically, but it was worth it for this. you push away your discomfort as you step into the hallway, feet feather-light on the hardwood until you reach the door.

you press your ear to it, hearing his voice as clear as if it was right in your ear. him giggling at someone’s comment, him making jokes that weren’t meant for you, him flirting with them like you weren’t in the same apartment as him. 

you push the door open abruptly and falter, your plan standing on shaky ground as you take him in. his hair is pushed back, a pair of metal rimmed glasses framing his face perfectly, and he’s spread out like a whore. he’s sprawled into the headboard of the bed, your bed, legs open and you see red. his head perks up like an animal, eyebrows raised in surprise. 

“oh,” you can see the blood rush to his face as he twitches a bit, eyes flickering back and forth between you and the camera. “um. something came up, i have to go. bye!”

he turns the live off, and you already know that he’s going to be trending on twitter in a matter of minutes, but you don’t care. twitter can talk about him all they want, but he’s living and breathing in front of you and suddenly there’s too much space between you to bear. 

“you think you can show off like this for other people?” you crawl onto the bed and stop in front of him, kneeling between his legs, setting your hands on his upper thighs. “you think you’re allowed to show them my property? you’re mine-“

he cuts you off with a huff, pulling you into him by the waist, leaving you sprawled into his lap. your hands brace onto his chest to keep yourself from crashing into him, and you can feel his heart beating under them, light and fragile like a hummingbird’s wings. 

“you talk too much, did you know that?” he teases, leaning back to take in your body, eyes roaming up and down. it’s a testament to how much you trust him that you don’t want to hide from his gaze, that you preen under his attention instead. 

“hmm,” you swing your legs over his, fully straddling him. “i don’t think that i talk enough, actually.”

you grind down on him, satisfaction thrumming through you when his mouth drops open in a surprised moan, and you take the chance to kiss him. his lips immediately surrender to yours, letting you lead him as you rake your nails down his chest, the thin material of his t-shirt doing nothing to stop the sensation. his hands, still on your hips, pull you into him again, making small circles that are in tune with the way his heart is threatening to beat out of his chest. 

you trail your lips down his neck, leaving red lipstick stains in your path downwards. you bring your teeth into the equation, complimenting every rose-shaped pucker with a sharp thorny bite. the whines he lets out are sweeter than any melody that has ever hit your ears - you’d never let anyone tell you that you weren’t a musician when you could play his body this well. 

“not-,” he cuts off with a groan when you bear down into his lap, kissing his collarbone to soothe him. “not where people can see, love.”

“i’ll do whatever i want,” you growl, meeting eyes with him as you suck a mark right under his jaw. “you don’t get to tell me what to do.” 

it’s a little ridiculous that a live has gotten you this worked up, but with the way his breath is picking up and his chest is heaving under you, you’re pretty sure he’s right there with you. you lean back to appreciate your artwork, pausing your hips and grinning at the way your lipstick stains have dotted his neck and smeared around his lips. they’re physical marks of your claim on him.  

“okay, sorry,” he whines, voice thin. “i won’t do it again, i was close, why did you stop -”

you shush him with another kiss, cradling his face in your hands. you pluck his glasses off his face, throwing them at the foot of the bed without care - it’s not like he needs them to see, anyways. they were getting in the way. 

“you’re close already? baby, if you’re going to come today, it’ll be inside me or not at all,” you murmur against his lips, pressing a few pecks there before pulling back again. he shudders, a fully body thing that sends your own body into a delightful hum. you’ll never get used to the effect that you have on him, you’ll never understand how it was you that he picked. 

you help him pull down his sweatpants and boxers, holding back a smirk at how hard he is. you barely have time to push your panties aside before he’s pulling you back into him again, a hard grip on your hips for the countless time; you hope he leaves hand-shaped bruises on you that last for days. 

you raise up and ease him into you, the wetness that’s been building up since you walked in making the slide almost too easy. when he bottoms out you pause for a moment, settling in his lap and letting yourself get used to the feeling of him inside you. he fills you up so perfectly, nestled within you like he was carved specially just for you. the streak of possession comes back full force, something nasty and dark curling up in you at the thought of no one else getting to experience this ever. you were going to keep him forever, he is yours. 

he swipes his thumb across your lips, smearing the lipstick everywhere before he pushes it into your mouth. you can taste the sticky sweetness of the makeup as you swirl your tongue around him, and his eyes are so dark on you that you almost can’t see his irises anymore.

you lift up and drop back down, once, twice, over and over god it feels so damn good. the angle you’re at makes him drive into that spot inside you that burns in pleasure, and soon enough your knees give out, unable to keep yourself upright. 

he takes it as permission to flip you over onto your back, the weightlessness making your stomach flip before your back hits the mattress. he cradles the back of your head in his hand, keeping it from hitting the headboard as he looms over you, lining himself back up and pushing back inside you in one go. 

his hair falls into his face, swinging along with his body as he rocks into you. the headboard squeaks but it’s nothing compared to the symphony your combined breaths create. 

your hands reach up to cup his neck, thumbs sliding against the droplets of sweat rolling down his temples. you pull him in for another kiss, nastier than the others, full of gnashing teeth and dirty licks into each other’s mouths until you can’t tell where you end and he begins. his hand trails down your side, fingers pressing into your ribcage before going further down, down, down. 

he parts your folds with his fingers, expert motions locating your clit easily. he rubs small circles into it, in time with his quickening thrusts, and you have to screw your eyes closed because it’s too much. 

you feel your orgasm approaching faster than you thought it would, something about his near feral motions hitting parts of you that you hadn’t discovered yet. your entire body tightens with it, wave after wave of what seems like never ending pleasure wracking your body, going from your core all the way to your toes and the tols of your fingers. 

he comes inside you with a growl, burying his head in your neck as you milk him through your own aftershocks. you can feel his heavy breaths on your skin, his entire body enveloping yours as you float through the haze he’s put you in. 

you come back to yourself when he pulls out, letting out a pitiful whine at the loss of contact. he runs a hand through your hair, pressing a gentle kiss to your forehead before dashing away, coming back just as quickly with a water bottle and a warm washcloth to clean you up with. 

he goes to unhook your bra, knowing that you hate sleeping in them, but you pause his hand with a weak grip. 

“you like it?” you ask, asking for the verbal validation that he did even though you know. 

“do i like it?” he asks, incredulous, raising a brow at you. “you look divine. i’m going to paint you in this one day.”

“good,” you sigh in content, letting him undress you fully. he makes quick work of his own clothes, sticky with sweat, and he goes to retrieve his phone. 

“my love?” he calls out, timid, his eyes wide as he looks down at the screen. “would you kill me if i told you i never turned off the live?”

“what?” you hiss, fully awake now. “please tell me you’re joking.”

“i am,” he giggles, showing you the black screen he was looking at. “that was revenge for interrupting my live, you jealous baby.”

“i’ll show you revenge, hwang hyunjin!”

[the-king-of-lemons]

I know a lot of people on qsmpblr use Tumblr mobile, but if you do use browser Tumblr then I would recommend the Simple Translate extension. Because Tumblr doesn't have built in translation like Twitter, there's less fans posting in their native language, instead most people just use English.

Simple Translate is an extension that allows you to translate text that you highlight into a target language. (It uses Google Translate API, but so does Twitter so the translation quality is pretty much the same).

Firefox Extension | Chrome Extension

When you highlight text in another language, a translate icon appears, when you click on it a panel containing the translation of the text appears.

You can also change the settings of the extension so that the translation panel automatically appears when you highlight text in another language.

Here's some more examples using the official QSMP Twitter accounts, you do not need to change the settings of the extension to translate from different languages into your target language.

(All of these match the translations given when using the "translate bio" button on Twitter directly.)

You can also access a translation box using the icon in the toolbar, any text you enter can be translated to the language selected in the drop-down menu (meaning you don't need to open a new tab to use Google Translate).

Some settings explanation and other stuff under the cut. Not super important but I figured I'd add it anyways.

There is an option to use DeepL API as opposed to Google Translate (it's another translation tool, there is free access to the API with a limit of 500,000 characters/month, and a pro version for unlimited access).

Whatever the target language is set as is what text you highlight will be translated into. There is another option for a second target language, I'll explain that further down.

This option changes how you view the translation panel, the first option (default) has the icon appear when you highlight text (as seen in the first image of the post), the second option has the translation panel appear automatically when you highlight text, and the for third option the panel and icon won't automatically appear, but can still be accessed by right-clicking the highlighted text and selecting "translate selected text".

The checkbox below these options means that if the text you're highlighting is already in your target language, the translation icon and panel will not appear, it can again still be accessed by right-clicking what you've highlighted and selecting translate.

This option appears twice, in both the Web-page section (for translating selected text) and the Toolbar Popup section (for the translation box in the toolbar popup).

The web page option, when toggled on, means that when you select text that is in your target language, the translation panel will translate into the second target language that has been selected. If the checkbox for "do not display if translation is not required" is toggled on, you can only view the translation from Target -> 2nd Target by right-clicking to translate selected text.

The toolbar popup version of this option is used to automatically switch the language in the toolbar translation box when you input something in your main target. (ie. second target set to French means that when you input English text in the translation box it will switch the translation setting from "(detect language) -> English" to "English -> French").

There are also settings to change the style and size of the translation button and panel.

Side note: Mixed language messages (not containing your target language) will only translate one of the languages, you can work around this by highlighting the different languages separately.

Links again if you don't want to scroll all the way back up

Firefox Extension | Chrome Extension

[dianagj-art]

I know the poll was a while ago but lets just pretend that it didnt took us this long to do this lmao

HEY EVERYONE!

THANK YOU SO MUCH for making @intotheelliwoods and I tie on the @tmntaucompetition

You guys have no idea how happy it makes us that people like the besties as much as we do<3

I did promise to dress up the 2al boys as vikings and then did it for like... one comic panel lmao anyways, little thank you card Ell and I did of the SLAU turtles and the 2AL huggy Leos (I did the sketch, Ell did the coloring)

I'll leave some closeups and the flats and sketch under the cut

also their viking outfits so you can see them better:

dont look to close at the color difference between slau and 2al

[felassan]

Snippets. 🐺💜 DA:TV spoilers under cut.

Kala has heard rumors that there may be merch pins coming of Assan and Manfred [source]

(Previous comment for context - Dev Brenon: "You can sprint, there is also a dash/dodge move you can do for short range mobility - though I don't tend to use that much when exploring.") A user asked on this, "Will it be a push-to-sprint key, a sprint toggle, or other (to be explained later)?". Brenon replied with some more detail on this feature: "Right now it's a pseudo-toggle, you press it once (while moving) to start sprinting and then as long as you keep moving you keep sprinting. If you let got of the movement controls, you stop sprinting." [source: the official BioWare Discord]

User: "if a choice i made 30 hours ago affects me.. best believe im restarting the whole game". Brenon: "Uh oh''. User: "UH OH???". Brenon: "I mean... we do have "decision saves" before big choice moments, but there are still a bunch that depend on a whole mess of stuff you've done earlier... so... yeah... RIP :P" [source: the official BioWare Discord]

They hope to get a bunch more BioWare-themed emojis for the Discord [source: the official BioWare Discord]

Trick Weekes has been signing DA:TV stuff with "with love and appreciation for your patience" [source]

Carly: "theres so much id love to say, but i unfortunately can't , that being said, i hear y'all and love working on a game for such passionate people and hope y'all enjoy when it does come out 💕" [source]

Actor signing attendees report that it was amazing and that we're in good hands with this acting cast. You can see more photos from it here [source].

Dev signing attendees report that it was packed. You can see another photo from it here [source]. and here is a photo of the sign from it [source]

Another photo of the booth [source]. Sometimes at the booth the devs had a Solas statue [source] (this is done by Dark Horse). I think Dark were also displaying somewhere a Varric and a Cassandra statue too, and I think these were the ones that Dark Horse do too (Varric, Cass), but I can't find the image or video where I originally saw this anymore, sorry >.<

The companion tarot-style art from the website was shown on the big screen at the acting panel [source]

A few more details from the actor panel, from an attendee: John Epler said that this is the best group of companions written because of their relationships with each other, not just Rook. They can become friends, lovers, rivals with each other. Zach thought that Lucanis was the coolest character he gets to play. It sounds like he mentioned Illario [I'm assuming] by name. Lucanis is quick-witted. Neve is a bit of a romantic. Jessica found voice acting freeing as it felt like playing pretend when she was little. In her role, she felt like she could embrace being very powerful. Neve is passionate. On Emmrich, "wisdom, calm to group, warm-hearted, loves learning". Emmrich has some fantastic lines. Along with working with Varric to track down Solas, Harding has also been working with Rook and Neve. Ali talked a lot about how much collaboration there is between BioWare, the actors and the material they're given to work with. Harding has been through some things and has more of an edge to her, but they can't talk about it! [source]

A few more details from the actor panel, from an attendee - Jessica Clark: "A lot of the time, we kind've really all bonded in the way that we were intended to, you know? And that's why we've been so excited all week and all weekend, because we can be like 'oh my god you're here', 'oh my god you're here, you're here, you're here', finally, you know? You know, I know on a lot of projects people are like 'oh yeah, we're all like, we love each other', but we really do, we really really do, and it just evolved so organically, and there was something magical about it just being our voices in the beginning, you know, like, sort've taking anything else out of the [equation.]" [source]

A few more details from the actor panel, from an attendee - Nick Boraine: "I think I've been preparing for Emmrich all my life. I was very attracted to the role initially, and I was so, I was so, I was overjoyed when I got it, because I think it was, the writing of Emmrich is really fascinating, it's this, this man that is obsessed with death, on one hand, but on death as a comfort, death as a transition, death as something that is not scary, and that, that ability to enable people to transition and the investment that he gives in that sphere, which we don't give in our own lives. I was immediately attracted to that and I thought that that was, I'd never seen that before, so to go in these two ways, to talk about death and to talk about it in a way that is kind, and that the transition becomes a kind transition, that was fascinating to me, and I think, will be fascinating to you too." [source]

A few more details from the actor panel, from an attendee - Zach Mendez: "[before they started shooting] I did kinda get an idea about how passionate the fanbase was, which made me really excited. I don't wanna say nervous, because I don't say I'm nervous, I say I'm excited. And so, before the first day of shoot, I was very excited. And luckily, you know, Ashley and them, didn't have me do too much on the first day. I played a lot of darkspawn. I darkspawn-ed my ass off, though. I want you guys to know, I really. And when I got home, I thought to myself, 'Zach, did you darkspawn hard enough?' I was just worried. You know, and within an hour I got texts from Jeff, who's a part of this cast as well, and G, telling me what a great job I did, and then I'll never forget, I got a call from Ali Hillis down here, and I'll remember that conversation, because for thirty minutes she made me feel like I was welcome in the Dragon Age family, and it gave me so much confidence moving forwards. So thank you, Ali, so much, I still remember that." [source]

[Character limit text break!]

Varric and Manfred: "not romanceable" [source] ?

Neve mostly eats deep-fried fish [source], it makes up the bulk of her diet [source]

Bellara loves pan-fried fish [source]

John on SDCC: "thank you to everyone who came out to the signing. thank you to everyone who came out to the panel. thank you to everyone who said hi, swung by the booth, or otherwise expressed how excited you were about the game. absolutely amazing experience. was wonderful to see you all" [source]

There's a lot of lovely concept art for DA:TV [source]

Trick Weekes: "One of the things I was proudest of was inviting leads from other teams/departments into writing peer reviews and having them later say, "Wow, those critiques went deep, but everyone stayed professional and compassionate the whole time." My junior-most writer knew she could tell me I was wrong." [source]

Violet: "As we get closer to DATV, I just want to send out a reminder Var lath vir suledin 😭" [source]

Derek on the casting department: "They really did an incredible job! Every single one of these folks deliver such amazing performances." [source]

Derek: "a lot of great talent doing awesome stuff from KY nowadays. I count myself extremely lucky that I can work on such an amazing project with such a wonderful team straight from my home state!" [source]

Michael Gamble: "i know a few people on the DA team, and i want them to have a nice time." [source]

User, on the recent word count news: "Sooooo , when will I (we) get to hear all these words". Michael: "hopefully when the game is out." [source]

User, on the news of no microtransactions: "This is great news that I hope survives past the review period". Michael: "it will" [source]

User: "What class have you been playing as in DAV mostly?" Michael: "mage. i light everything up. everything." [source]

DAMP / multiplayer mode is not returning [source]

Ghil: "Im very sorry for the teasing tweet but to be very real, i really miss playing veilguard and to stop THERE and have to wait over a year is killing me tbh. Im bothered. My crops are dying. I am withering. I want to know what happens" [source]

A user asked a question around if there are dialogue options and choices available in the game that indicate a mixed or less favorable positive perspective on Solas. Bria, a Councilmember, shared: "As an Egg Cracker, I was pretty satisfied with what we saw. I don’t want to go into spoilers but I was able to play my Rook the way I wanted when it came to the Sad Egg Man." [source]

User: "would you be able to tell us if you can change your perspective while in a fight? Those circles we saw on the video were kind of hard to see from that angle". Ghil: "Like a bit- no promises but they told us a lot of stuff like that would be in an accessibility feature. I get pretty motion sick so I remember talking about backing it up a bit." [source]

Kala: "The amount of gasping, screaming, @/ElbenherzArt having to lay on the floor, @/hattedhedgehog and @/chaosbria having to stand up from excitement and us just being in shock the whole time. Yeah 🔟 😎" [source]

Kala shared that there are moments in the game that she knows people will freak out about [source], that in terms of marketing, she knows that the devs have more things planned [source], and that she found Bellara endearing, despite not usually vibing with optimistic and energetic characters [source]

Kala shared that she feels that the Lighthouse is way cooler than Skyhold [source]

Also, in early May 2024 Zach appeared on a podcast:

Zach: "I'm very excited because it looks like at the end of this year, the video game that I've been working on for about three or so years is gonna come out, and I'm really excited for that. I'm gonna come back on and I'm gonna promote that, you guys, you will have no choice, I'm coming back on." Host: "Does the video game feature dicks?" Zach: "I can't say too much about it, but it, it doesn't ignore dicks, you know what I mean? It doesn't, you know what, there might be, yeah, there's, it's a sexy video game, it's a hot video game." Host: "So are you a character?" Zach: "I'm a character in the video game." --- Zach: "I'm gonna come back on to promote the hell out of that, because I'm really excited about that. I'm still working on that, and that's been, like, I'm super grateful for that, because that's been going on for like three years and it's been consistent work." --- Zach: "I'm super excited about it [...]" "Other people help you make really amazing things, when humans get together they make pretty stuff, and this game looks amazing"

[source (acting career segment. source link isn't work-appropriate. I don't recommend the podcast)]

[shigayokagayama]

What are the biggest losses between the manga and anime? I just finished watching mp100 and I'm curious what the manga has!

ok biggest losses are kind of hard to define because like. anime and manga are two inherently different mediums and there are a good amount of cuts that improve pacing and then a good amount of cuts that people sort of argue over the merit of so im just going to go for biggest differences. i would also highly recommend reading the manga just because it is a pretty different experience tonally along with the minor plot differences and cut scenes + theres a bunch of omakes that both flesh out characters that dont get too much focus and have some really good bits in them. putting the rest of this post under a cut bc i ramble

mogami arc

this one is kind of inescapable i feel like but the anime version of the mogami arc had a LOT of things trimmed for a couple different reasons. season 2 already got an extra episode in order to do the fire scene as a cliffhanger so with the way things shook out the director had to choose between a. cutting a bunch of stuff out of separation arc to make it one episode so mogami arc couid stay three episode or b. cutting a bunch of stuff out of mogami arc so separation arc could stay two episodes. imo they made the right choice, whats even the point of adapting mob psycho if you dont get confession arc right, but some of the cuts to mogami arc will be dearly missed and others will be fought over to the end of time. cuts include:

minori being established as a brat in a video everyones shown and the video being part of how reigen deduces shes possessed (reigen deducing her possession in the manga is generally just a lot better done and after you read the manga the scene in the anime feels so awkward because you know whats missing

the psychics deciding to band together to beat this little girl to death to save themselves and shinra stepping between them to protect her and getting utterly thrashed, not by mogami, but his fellow psychics

reigen trying to convince mob to leave without him and call for help while he distracts him which leads to this

the general mogamiland section lasting a lot longer and being more brutal (notably the stray cat mob feeds getting killed in front of him)

mob getting fucking torn to pieces by spirits during the fight instead of ambiguously dying offscreen

generally would recommend if nothing else reading the manga version of this arc and confession arc because i feel like these are the only two where you lose like. a significant amount of the story and themes from the cuts. speaking of....

2. WHY THE FUCK DID THEY CUT THIS I WILL BE MAD UNTIL I DIE

maybe its just because i reread this arc on its own probably 50 times before the anime came out but this is the only arc where the cuts actively piss me off because there is absolutely no reason they had to do it. they cut a bunch of important shit, left in things that didnt need to be there, and added scenes that contribute literally nothing to the overall point. if they just did any one of those things or combo of two of those things i wouldnt be as mad but it feels like they put a bunch of filler in then speedran the actual story

cut #1 that pisses me off: HOMOPHOBIA?????

THERE WAS SUPPOSED TO BE A HEART IN HIS EYE. WHY DID THEY NOT INCLUDE THIS. THIS IS THE CULMINATION OF TERUS ARC. THIS IS HIM SEEING THE PERSON HE HAS IDOLIZED AND DEIFIED IN HIS HEAD AT THEIR LOWEST AND STILL CHOOSING TO LOVE HIM, AND THROUGH THIS HE IS CAPABLE OF BEING LOVED EVEN THOUGH HES NOT PERFECT BECAUSE NO ONE IS. WHY WOULD YOU CUT THIS?

cut #2 I NEED WHOEVER CUT THE DIALOGUE FROM THE FIRST PANEL IN PRISON

the lack of inclusion of the first panels dialogue along with the cuts to the mob and shigeo conversation (WHICH WE WILL GET TO) make me think the person who adapted this arc fundamentally misunderstood what was happening. this line. is. THE POINT. THIS ISNT SOME SEPARATE SCARY THING. THIS IS MOB. HE IS CHOOSING TO DO THIS BECAUSE HE IS SCARED AND ANGRY AND HURT BUT HE IS IN CONTROL OF HIS ACTIONS AND ALWAYS HAS BEEN.

cut #3 HE DOESNT WANT TO BE HELD ACCOUNTABLE FOR HIS ACTIONS

this entire conversation is so good and i was looking forward to watching it voice acted for so long and its just. gone. for me the "i am shigeo kageyama who are you" reveal felt like a gut punch because the opening being "i knew i would be needed" made me go "oh hes like possessed or his powers are sentient or something" and this conversation was the slow unraveling of my view of these as two separate people and instead as a scared, traumatized teenager who has convinced himself that the parts of himself he hates are something else outside of his control instead of an intrinsic part of who he is because if he's convinced that the parts of him that are able to feel desire and frustration and anger and malice are him then he'll lose all these relationships he's worked so hard to cultivate as his perfect, non confrontational self. and of course that isnt true. all his friends and loved ones are making their way to the center of a damn hurricane because they see he's in distress and want to help him. but he cant see that so he pushes them away. ugh. mob. protagonist of all time.

cut #4 WHY WOULD YOU CHANGE THE COMPOSITION OF THIS I CAN LITERALLY SEE HOW THIS WOULD BE ANIMATED IN MY MINDS EYE W

can you imagine how beautiful this would be in motion. just. god.

cut #5 HE WAS TALKING OUT LOUD. REIGEN HEARD ALL THIS

:(

cut #6 the bowling arc

so the scene where reigen takes his shoes off is supposed to be a lot more solemn bc like. taking your shoes off before killing yourself is a trope in japanese media (ive heard it started in media and bled over into real life but i might have it backwards?). reigen knew he was probably going to die. anyway i cant take this scene seriously because of this edit

the bowling arc.

cut #7 WAAAAAAAAAAAA

WAAAAAAAAAAAA *sniff* AAAAAAAAAAAAAAAA

cut #8 homophobia again

rip pensive fruity tea sip

cut #9 mob threw the cake directly in reigens face on purpose

i literally experienced every stage of grief realizing this got changed. why. its so perfect. why would you change this.

3. World Domination arc

so WD arc is in a very interesting place where it had a lot of scenes cut but unlike the other two most of the cut content youre like. yea probably best not to include that. ill start with the good content that got cut then go into the weird content

serizawa got his power drained by toichiro. i am quite sad this scene didnt make it in because its sorta heartbreaking

teru fighting off the claw assassin is shown and we see that teru can both make shadow clones AND hold a barrier while attacking, he seems to be the only esper with this ability!

the reason dimple could tell mob's family was alive is that there was no sense of grudge at the house which would have been left behind by people passing in a violent manner

mob briefly goes unconscious during the start of the toichiro fight and dimple possesses him and says "shit"

dimple possessing mob shoots shibata with a gun

we get mukai lore.

it doesnt make any sense and just raises more questions but we get it.

toichiro has a team of telepaths to recap where everyone is because this arc took an entire calender year to update

literally everyone shows up to fight shimazaki. i cannot stress enough how many people show up to fight shimazaki. it would be faster to list espers who dont show up to fight shimazaki

the middle school delinquents show up and start fighting the claw grunts literally completely out of no where and this is never brought up or referenced ever again

when mob and ritsu get home ritsu says all their stuff is in boxes and they need to hurry and redecorate the house before their parents get home which implies that shou packed the entire households worth of belongings into boxes and hid it somewhere before lighting their house on fire which is such a funny mental image that i cant even be mad at it. loony toons ass plot point.

4. other random interesting cut things

takenaka is just generally more of a bitch during alien arc. "ah i think they took him" remains one of the funniest goddamn panels in the manga

peak

alien arc overall is a lot funnier in the manga, i have a slight preference for the manga version just bc theres a lot of really good bits that didnt make it to anime but the anime version is so heartfelt and nostalgic it makes me happy

between omakes and small things that got cut or changed for the anime teru just feels way more fleshed out in the manga. like. anime teru is a completely different person. its hard to explain if youve never read it.

the all girls school part originally went right before the ghost family stuff and was the beginning of mob's existential crisis about why spirits and people get different treatment but tbh it works well where it is i just wish it werent. like that.

the scene where ritsu and teru shake hands was teru draining ritsus power which he seems to have learned to do from encountering ???%

teru.

ow

thats all i can think of off the top of my head, im sure ill realize i forgot something some time after posting this but. yeah. read the manga its good

[userpeggycarter]

COLORING + SHARPENING TUTORIAL

someone asked for a coloring tutorial and my sharpening settings, so here it is! there are also a few tips to achieve more HQ gifs. :)

tutorial under the cut!

FOR HIGH-QUALITY GIFS

FILE SIZES

it doesn’t matter what your sharpening settings are if the file you’re using to gif is too low quality, so i tend to look for the best that i can get when downloading stuff. 

usually, movies (+2h) look better if they’re 5GB or more, while an episode (40 min/1h) can look good with even 1GB. the minimum definition i try to find is 1080p, but i gif with 2160p (4k) when available. unfortunately, not every computer can handle 4k, but don’t worry, you can gif with 1080p files just fine if they are big enough. contrary to popular belief, size does matter! which means sometimes a bigger 1080p file is better than a smaller 2160p one, for example.

SCREENCAPPING METHOD

this can too influence the quality of your gifs. as a gifmaker, i’ve tried it all: video frames to layers, directly opening video clips, loading files into stack, and i’ve finally settled down with opening screencaps as an image sequence. with bigger files, it doesn’t matter much what technique you use, but i’ve noticed with smaller files you can do wonders if you screencap (either by loading files into stack or opening as an image sequence) instead of using video clips. for example, this gif’s original video file was only 4GB (so smaller than i’ve usually go for), if you can believe it!

here’s a tutorial for setting up and screencapping with MPV, the media player i use to screencap. again, you can keep using video clips for bigger files, but you’ll find this useful when dealing with dire causes. i don't file loads into stack, though, like the video does. i open as an image sequence (open > screencap folder > select any image > click the image sequence button). just select OK for the speed. this will open your screencaps as a video clip (blue bar) in timeline mode (i'm a timeline gifmaker, i don't know about you). you will need this action pack to convert the clip into frames if you're a frames gifmaker. i suggest you convert them into frames even if you're a timeline gifmaker, just convert them into a timeline again at the end. that way you can delete the screencaps right away, otherwise you will delete the screencaps and get a static image as a "gif".

ATTENTION if you’re a Mac Sonoma user, MPV won’t be an option for you unless you downgrade your system. that is, if you have an Intel chip. if you have M1 Max chip (or even a better one), here’s a fix for MPV you can try while keeping that MacOS, because nowadays MPV is skipping frames in its latest build. or you can use MPlayer instead for less hassle. here are two tutorials for setting and using MPlayer. Windows users are fine, you can use MPV without trouble.

FOR EVEN MORE QUALITY

ADD NOISE

here’s a tutorial for adding noise as a way to achieve more HQ gifs if your original material is too low quality.

REDUCE NOISE WITH CAMERA RAW

instead of adding noise, you can reduce it, especially if your gif is very noisy as it is. 

the path is filter > camera raw > detail > nose reduction. i do this before sharpening, but only my video file isn't great to begin with. because it’s a smart filter, you can reduce or increase its opacity by clicking the bars next to its name in the layers panel.

TOPAZ AI

i use Topaz Photo AI to increase the quality of my screencaps when i need to. it’s paid software, but there are… ways to find it for free, usually on t0rrent websites. if someone’s interested, i can make a tutorial solely about it in the future.

SHARPENING SETTINGS

here are my sharpening settings (filter > sharpen > smart sharpen). i sharpen things twice: 500% 0.4px + 10% 10px. here's an action for it, for more convenience. here's a tutorial on how to use Photoshop actions. for animated stuff, i use this action pack.

COLORING

here’s the gif i'm gonna use as a base. it’s already sharpened like the way i always do it.

LIGHTNING THE SHOTS

half of the secret of a good coloring is good lightning. i always useCurves (layers > new adjustment layer > curves) and Brightness & Contrast (layers > new adjustment layer > brightness & contrast). the settings depend on the scene you’re giffing, but i always try make my gifs bright and with high contrast to make the colors pop.

CURVES

besides lighting your scene, the Curves adjustment layer has four automatic options that will color-correct it for you. it’s not always perfect and it doesn’t mean you won’t need to do further coloring, but it’s a great start. it’s a lifesaver for most ridiculously yellow scenes. look at the difference! this gif uses the 3rd automatic option (the screenshot below isn't mine btw so that's why the fourth option is the chosen one), from top to bottom. what automatic option you need to choose depends on the gif.

sometimes i like to tweak my Curves layer. not everybody does that, it’s not that necessary and if you’re not careful, it can screw your gif up. to modify your layer by hand, you will need to click and drag points of that straight line in the position you desire. this is the concept behind it:

basically, the lower part of the line handles the shadows, while the upper part handles the highlights of the image. if you pull a highlight point up, the image’s highlights will be brighter. if you pull it down, it will make them darker. same thing for the shadow points. you should play with it to get a grasp of it, that’s what i did when i first started giffing.

BRIGHTNESS & CONTRAST

then i added a bit of brightness and contrast.

CHANNEL MIXER

the scene looked a bit too yellow, so i used the Channel Mixer (layer > new adjustment layer > channel mixer) adjustment layer. here’s a tutorial of how it works. not every scene needs the Channel Mixer layer though, i mostly use it to remove heavy overall tints. in this particular case, the Curves layer got rid of most of the yellow, but i wanted the gif to be just a bit more blue so the Channel Mixer tweaks are very minimal.

SELECTIVE COLOR

now, this adjustment layer i always use: Selective Color (layer > new adjustment layer > selective color). this is THE adjustment layer to me, alongside the Curves one. this is how it works:

ie, you can separately edit a color this way, giving it tints. for this gif, i wanted to make the colors more vibrant. to achieve that, i edited the selected colors this way:

for the reds, i added even more red in them by moving the first slider to the right, making the color more vibrant. for his hat to have a more warm tint, i added yellow to the reds (third slider, moving it to the right). finally, to make the reds stronger, i moved the last slider to the right (more black).

for the yellows, i made them brighter by adding white to them, thus making the tile wall and Paddington more bright as well.

for the cyans and the blues, i just added the maximum (+100) of black that i could.

i wanted for Paddington's nose to be brighter, so i added more white to the whites.

lastly, i added depth to the blacks by increasing their own blackness.

you should always play with the Selective Colors sliders for a bit, before deciding what you want or need. with time, you will automatically know what to change to correct the color grading. it all takes practice!

HUE/SATURATION

i don’t know if you noticed, but there are some green spots on the blue wall behind Paddington. to correct that, i added a Hue/Saturation adjustment layer (layer > new adjustment layer > hue/saturation) and made the saturation of the greens 0%, making that unwanted green disappear from the background.

while the green spots on the wall are specific for this gif, i use hue/saturation a lot to tweak, well, hue and saturation. sometimes someone’s skin is too yellow, i made it redder by tweaking the reds and the yellows, or vice-versa. the hue bar follows the rainbow bar, so the maximum settings (+100 and -100) give the selected color to change its hue to something more red or pink (the rainbow extremities). changing hue can give pretty whacky results, like turning someone’s skin tone to green, so you will need to play with it to get the hang of it. you can also tweak the opacity of your hue/saturation layer to further improve your gif’s coloring. i didn’t do it in this case, the opacity is still 100%. the reds and the blues had their saturation increased to make them pop just a bit more, without affecting the other colors.

COLOR BALANCE

the highlights of the gif still had a green tint to it due to the automatic correction of the Curves layer, so i used Color Balance. this is how it works: instead of giving specific colors some tints, you can give them to the shadows, highlights, and mid-tones. if your shadows are too blue, you counterbalance them with the opposite color, yellow. same thing with the cyan-red and magenta-green pairings. in my case, i added a bit of magenta.

B&W GRADIENT MAP

now, if this gif was a dish, it’s time for the salt and pepper. i always add a Gradient Map (layer > new adjustment layer > gradient map) (black to white gradient) with the Soft Light blending mode, thus giving my shadows more depth without messing with the mid-tones and highlights. it also doesn’t “deep fry” (you know those memes?) the gif too much by adding even more contrast. usually, the opacity of the layer is between 30% to 70%, it all depends on the gif. it always does wonders, though!

COLOR FILTER

finally, i like to add Color Filters (layer > new adjustment layer > color filter) to my gifs. it’s very handy when giving different scenes for the same minimalistic set because it makes them kind of match despite having completely different colors. in this gif’s case, i added a “deep blue” filter, opacity 50% density 25. you can change the density and the opacity of the layer for further editing, again, it all depends on the gif.

VIBRANCE

if i feel like it, i add a vibrance layer (layer > new adjustment layer > vibrance) to make the colors pop. this can ruin your coloring sometimes, especially when regarding skin color, so be careful. i didn't do it in this gif because i felt i didn't need it.

TA-DA! 🥳

AN OTHER EXAMPLE

the color grading of the original scene it’s pretty good as it is, to be honest. let’s see a worse scenario, a VERY yellow one:

no channel mixer this time because the automatic curves option dealt with the yellowness, but you can see it made the gif too green. i needed to correct that with the following adjustment layers:

curves (automatic option) (gif 2) >> same curves layer (tweaks) (gif 3) >> brightness & contrast (gif 4) >> hue/saturation (tweaked cyan+blue+green) >> selective color >> color balance (gif 5) >> b&w gradient map >> (sepia) filter >> vibrance (gif 6)

i added a hue/saturation layer to remove the blues & greens before my selective color layer because i thought that was more urgent than tweaking the tint of all colors. color balance (gif 4) was the real hero here, though, by removing the green tint. the selective color layer was meant to make the red pop more than anything else, because the rest looked pretty good, especially her skin tone (despite the green tint). you can notice that tweaking the curves layer (small gif 3) also helped A LOT with the green problem.

tl;dr 😵‍💫😵‍💫😵‍💫

here's a list of my go-to's while coloring and lightning gifs. it's not a rule, just a guide. there are gifs in which i don't use all these adjustment layers, or use them in a different order. it all depends!

1. curves (automatic option + tweaks) 2. brightness & contrast 3. channel mixer 4. selective color 5. hue/saturation 6. color balance 7. b&w gradient map 8. color filter 9. vibrance

i'll suggest that you study each adjustment layer listed for more info, either with other Tumblr tutorials or YouTube ones. the YouTube ones focus on images, but you can translate what they teach to gif making very easily. you can ask me to further explain any adjustment layer, too! i was brief to keep this short (which i kinda failed lol).

feel free to ask me for clarification or something else about gifmaking wise, i always like to help. ❤️

[soosavy69]

A sweet reunion

Sebastian solace x Fem! reader

This was just a little something I thought up after playing the game all day 🥰 enjoy.

What if there was an au were you guys reunited after he got taken away from you?

Tw: Angst, separated lovers, talks about death (no-one dies dw) reunited lovers, tooth aching fluff.

This was written for the people who have already played Pressure. I have not finished it myself, But there will be spoilers for Sebastian's file as well as doors '001' - '047' I highly suggest you play Pressure before you read this.

Life after Sebastian got convicted just wasn't the same. Your room felt empty without his warm body next to yours, dinner felt lonely. Lonely. You were so. so lonely. He was your love, your boyfriend. You wanted to marry that man. But, then he got convicted of 9 counts of murder.

You were devastated, to say the least. He was brought to court and tried. Found guilty, and sentenced to death by electric chair. You would never see him again. That day after the trial, you did nothing but cry in your bed. Your love, your life, taken. Just like that.

A few years later, you got convicted as well. You were sent down to Hadal Blacksite along with a few other prisoners.

You step into the waiting area and the head director gives you instructions over the radio. Looking around the large area and watch as several people walk into the submarines, taking them away to Hadal Blacksite. 'A death wish' You thought. A small snack bar catches your eye on the opposite side of the dock.

You trail over to it, spotting the several snacks and bottled waters. "Hi! How may I help you?" A small cat person appears from behind the counter and startles you slightly. "Can I get a water and a sandwich please?" You point at the turkey and cheese sandwich behind her. "Of course." She turns around and grabs your snack and water.

You tap your nails against the counter and she turns back with your load. That's when you spot the sugar cookie. Neatly wrapped in pretty pink packaging. Sugar cookies. That was Sebastian's favorite. You smile as you think of him. "Could I also get two sugar cookies?"

The submarine is dark as you step into it. The door folds and slams shut behind you. And down you go. You press a button on the control panel and the sub whisks you up to the surface.

The doors open and you step out onto the open dock. Grey and blue walls surround you with several crates and a forklift. A desk next to a door marked '001' in bright green lettering. Walking up to it, your fingers graze the slot where a keycard should go. 'Locked.' You turn around walk a few steps, ducking under a crate. On the other side is a few desks and a keycard on one of them.

You grab it a return to the door, sliding the keycard in the slot. It slids open with a beep and you walk into the next room. 'One down, 99 more to go.'

Along the way you had encounters with several monsters. A shark with several green eyes, and an Angler fish that you had to hide from. Your heart was pounding as your feet shakely carried you to door '47' It slid open to a dark room. The flashlight you had picked up flickers to life and you point it around the room. 'Good, no more of those squid things.' The grate on the side of the room is flund with a crash and you jump.

"Stranger, over here." A deep voice speaks. A shiver runs up your spine as you walk over to the grate. The voice is familiar to you somehow, but how? It couldn't be... could it? You crawl your way through the grate and come into a small room.

It was dark when you entered, standing up completely and stretching your arms above you. A small light flickers on in the coner of the room and you look up towards the source. "Welcome. Welcome! Don't worry i'm not going to hurt yo-" Wait. "Sebastian?" You say, cutting him off.

"Ah, Yes?" He pauses, a little confused. "How did you know my name?" You grab at the diving gear and pull it off your head. As your eyes met his, they widen. "Sweetheart?" He says shakely. Your eyes swim with tears as you two stare at each other for a while " I-I thought you were... you were dead." You sob out.

It had to be him. The short black hair, the voice, his mannerisms. He leans foward, putting two of his arms on the ground, putting another to your face, feeling your skin and wiping away a tear. You laugh and kiss at his hand. He smiles and chuckles softly. "Hi hun." He finally says. Putting hand on his, you lean foward, closing the distance and kissing him sweetly.

Warmth, love, finally. You'd found him. After all this time. You have him back. He pulls away and laughs. "Looks like someone missed me." You puff out your cheeks. "Of course I did. I thought you were dead!" He shrugs. "That's fair." You look over his body, his angler fish light, the gills, the large tail. Three arms?! "What happened?" A frown appears over his smile and he looks away.

An hour or so passes as he explains to you what happened after he was convicted. You sit on his tail, eating your sandwich. You can't imagine what he had to go through, the scientists, the pain from the DNA. All of it. You felt terrible. "So... yeah. That's what happened." You frown as you look at him.

"But it's okay. I've found you. I'm still alive." You finish the last of your sandwich and pull out the two cookies. A hand comes up to wipe your mouth and unwraps the two cookies. "Do you still like sugar cookies?" Your eyes met again. Shock appears in his eyes and he nods. "You remembered?"

"Of course I did love." A giddy smile is on his face before you can blink. "I haven't had a cookie in so long..." He leans down slightly and he opens his mouth. The sharp teeth scare you bit, but you giggle anyway. You make an airplane sound and wave it towards his mouth.

His teeth bite down around the cookie and he licks his lips. The flavour is sweet. The soft texture of the frosting and the crumble of the cookie itself is just... delicious. He almost cries. His hand comes fowards to take the rest of it from you. You place it on his hand and smile. He returns it.

"I love you." He says. You're stunned for a second before tears return to your eyes. "I love you too Sebastian." You say, taking a bite out of your cookie.

[fog-and-the-frost]

Current State

high res high res high res (alt text continued from 2nd pic under cut cuz i hit the CHARACTER LIMIT)

Panel fifty-eight shows a scene of Hazelskip tightly hugging Waxingmist, who looks annoyed. [Dialogue] “That’d be a different story. She knows about all of my problems, so she helps me when she can. She actually treats me like a real person. Invites me to hang out, patrol… She asked me to come out and find you all with her.”

Panel fifty-nine shows the back of Currentpaw’s head. [Dialogue] “I guess I feel differently with Currentpaw since I’ve never met him.”

Panel sixty shows Wolfmoon looking at Waxingmist with a happy expression. [Dialogue] “If you like Hazelskip, do you wanna go back and see her?”

Panel sixty-one shows Waxingmist facing away from Wolfmoon. [Dialogue] “I think… I’d like to stay out here for a little longer…” 

Panel sixty-two shows Waxingmist and Wolfmoon from behind as the two sit together. [Dialogue] “Alright.”

Panel sixty-three shows the two turn to each other.

Panel sixty-four shows Wolfmoon reach his paw upwards to wrap around Waxingmist.

Panel sixty-five shows Wolfmoon hugging Waxingmist by the head.

-

[Text] Three days after Hazelskip & Waxingmist’s arrival; 

Panel sixty-six shows Hazelskip and Fogscreech facing each other, with Hazelskip’s paw on Fogscreech’s shoulder. [Dialogue] “Well,” 

Panel sixty-seven shows Hazelskip turning her head to the side. [Dialogue] We’ll be leaving now. Gotta go back and tell everyone about you three, and Currentpaw.”

Panel sixty-eight shows Fogscreech, smiling, though they look slightly sad. [Dialogue] “I understand. I wish you two well.”

Panel sixty-nine shows Hazelskip and Waxingmist standing next to each other, both with smiles on their faces. [Dialogue] “Please stay safe.”

Panel seventy shows Wolfmoon and Fogscreech standing next to each other. Wolfmoon looks concerned, while Fogscreech looks serious. [Dialogue] “And… watch out for a cat who’s got swirls in her eyes. She’s dangerous.”

Panel seventy-one shows Hazelskip looking at Fogscreech.

Panel seventy-two shows Hazelskip turning away to leave. [Dialogue] “We will.”

Panel seventy-three shows Wolfmoon taking a step towards Waxingmist, who's walking away. [Dialogue] “Waxingmist!”

Panel seventy-four shows Waxingmist looking back at Wolfmoon. [Dialogue] “Yeah?”

Panel seventy-five shows Wolfmoon looking to the side with an awkward look. [Dialogue] “I wanted to ask, before you go…”

Panel seventy-six shows Wolfmoon looking towards Waxingmist. [Dialogue] “Why do you close your eyes? You can’t see like that.”

Panel seventy-eight shows Waxingmist with a slightly sad expression. [Dialogue] “You’re right, I can’t, but…” 

Pnale seventy-nine shows the top of Waxingmist’s head and his eyes, with Hazelskip and Currentpaw’s eyes floating in the void above him. [Dialogue] “My eyes just aren’t as bright as Hazelskips, or how I’ve heard Currentpaws been described.” 

Panel eighty shows Waxingmist looking to the side with a sad expression. [Dialogue] “So I just think they’re sort of… ugly…” 

Panel eighty-one shows Wolfmoon with a very happy expression. [Dialogue] “I like them. Keep them open!”

Panel eighty-two shows Waxingmist looking at Wolfmoon. He is blushing.

Panel eighty-three shows Wolfmoon raising his paws in the air, claws out with a playful, angry expression. [Dialogue] “They remind me of storm clouds!”

Panel eighty-four shows Waxingmist face-palming.

Panel eighty-five shows Wolfmoon looking at Waxingmist with a silly smile while Waxingmist looks away, flustered. 

Panel eighty-six shows Wolfmoon grinning while Waxingmist walks away. [Dialogue] “See you.”

Panel eighty-seven shows Wolfmoon standing next to Fogscreech, waving and calling to Hazelskip and Waxingmist. [Dialogue] “See you, Waxingmist!!!” “You can come back whenever you want!” 

[Text] Around two week later,

Panel eighty-eight shows Hazelskip and Waxingmist walking through a bush wall into a clearing.

Panel eighty-nine shows Hazelskip and Waxingmist making their way into camp.

Panel ninety shows Flaremeadow and Ebonytongue running towards Hazelskip and Waxingmist. [Dialogue] “Oh my stars!” “You’re home!”

Panel ninety-one shows Flaremeadow embracing Waxingmist and Ebonytongue embracing Hazelskip.

Panel ninety-two shows Flaremeadow and Ebonytongue with smiles on their faces. They both look significantly older than their previous appearances. [Dialogue] “Tell us everything!”

Panel ninety-three shows Hazelskip looking at her mothers with a nervous expression. Waxingmist is walking away. [Dialogue] “It’ll be a long conversation.” 

Panel ninety-four shows Waxingmist’s paws as he walks away. His family can be seen in the background.

Panel ninety-five shows a scribble-y drawing of Waxingmist with a surprised expression. [Dialogue] “WAXINGMIST!!!!!!!!!”

Panel ninety-six shows two cats, one who is very short and brown, and the other who is taller, grey and white. They both look very excited.

Panel ninety-seven shows Waxingmist looking towards the two cats. There is a doodle of Waxingmist as an angel floating to the side of him. [Dialogue] “Hi, you two…” [Thoughts] “The only cats who ever bother talking to me…!!!”

Panel ninety-eight shows Waxingmist holding the tall, grey and white cat's paw, while the short brown one attempts to climb onto his back.

Panel ninety-nine shows the brown cat hanging over Waxingmist’s side. [Dialogue} “We’ve been super worried, man!”

Panel one hundred shows the grey and white cat, who has large bags under its eyes, looking at Waxingmist. [Dialogue] “Yeah…!”

Panel one hundered one shows Waxingmist with tears in his eyes. [Dialogue] “But we’ve got lots of stuff to tell you about!”

Panel one hundred two shows Waxingmist crying, though with a large smile on his face. [Dialogue] “I’m excited to hear about it all!”