#( i had this up forever tbh

[hinamie]

the sirens are turning red

[thou-babbling-brook]

I think both TURN: Washington’s Spies and Assassin’s Creed III could’ve been cut in half if these three were allowed to be the trio they were destined to be

[aro-aizawa]

i like to think everyone has a colour associated with them, whether its just your fave colour or what you generally wear most of or what colour your bedroom walls are. i always associate the name sophie with dark blue, my mum is always a nice turquoise, i like to think my colour is a bright sunflower yellow.

if you have a specific shade pls tell me i adore when ppl have associated colours and tell me them, bc i think of them when i see that colour

[lemonberry-soda]

Do you ever think about the fact that Ted is hypersexual due to his childhood/teenage traumas or is that just me?

Like not only did he associate losing his first love forever with not being douchebaggy enough, but he also experienced the Lumber Axe and survived. With how quickly Peter was about to be murdered for looking at Ted’s old magazine you KNOW Ted probably had to deal with narrow escape after narrow escape himself. Ted literally suppresses the memory of the Lumber Axe entirely until bringing Peter to camp reminds him, and he doesn’t even take Peter with him as he runs away. He is FUcked up.

My guy went for the cat lady who cut off his fingers because sex is inherently dangerous to him in his mind. He goes for the worst options on purpose because sex isn’t safe unless there’s risk, and he goes for the best options just to lose them on purpose so they don't leave him first, as many times as possible until he's single and lonely at the wedding reception. He’s a sleazeball as a coping mechanism, and he keeps dying for it. One single safe relationship would decimate this dude, and it also wouldn’t fix him. Therapy would do wonders if he actually accepted how messed up he is. And tbh, if TInky wasn’t around there might’ve been a chance for him to recover.

Anyway another reason this dweeb is doomed by the narrative and fucked up beyond belief

[anna-scribbles]

truest thing gabriel everrr said was that adrien had emilie's flair for the dramatics

[vynnyal]

Turns out Sunlit Trail isn't quite done just yet, so after all that they just send you to a dead end 😂

[plushie-lovey]

FINALLY!! At long last, I've gotten my hands on a Pumpkin Kitty, after a whole year of wanting and waiting.

Her name is Latte! (Short for Miss Pumpkin Spice Latte) You can also call her Miss Spice!

[buriedinmyownfeelings]

…I’m being very normal about this thanks for asking

[red-velvet-0w0]

uhhhhh little Forever Day logo because i was bored and needed to take a break from coding 24/7

[xxri]

maría for the ad astra zine! lc u will be missed T_T

[straight-to-the-pain]

I don't know if anyone else in the whump community has read 'A Constellation of Vital Phenomena' by Anthony Marra but it is genuinely a really good book and also has some of the best depictions of torture and its aftermath that I have read in fiction.

I wanted to share some of my favourite quotes, hopefully without too many spoilers as it is out of context, but maybe skip this post if you don't want to know anything at all going in.

To give a brief summary, the book centres around the lives of people in Chechnya during the first and second war between the Russian government (Feds) and the separatist rebels. The main story focuses on a man (Akhmed) who is trying to save his neighbour's daughter from being killed by the Feds after her father is taken away in the middle of the night. He does this by taking her to a hospital where he then volunteers. One of the people in his village (Ramzan) becomes an informer for the Feds after being tortured, and this is explored in the excerpts below.

‘Information the Feds would torture them for was written here on the walls for all to see. It was well understood among the men that the Feds had as much sense as two bricks smashed together. It was also understood that pain, rather than information, was the true purpose of interrogation.'

'During his first detention in the landfill, in 1995, in the first war, he had refused to inform. They had wrestled down his trousers, shown him the bolt cutters, and still he had said no. Screaming, thrashing, with his manhood half severed, he had said no. He had done that, and now he was ready to start saying yes.'

'He would have confessed everything, but they didn't ask, weren't interested, threatened to cut out his tongue and put pliers to his teeth if he spoke one more fucking word. Electric wires were wound around his fingers. A car battery was drained into his bones. God might have been watching, but it wasn't God's finger on the battery switch. The interrogating officers didn't speak. Instead he was an instrument they played, performing a duet, and in their own way they conversed through his sobs. They both wore very shiny shoes. That was all he would remember.'

'He had trouble walking, He had forgotten torture could be so exhausting. The new interrogator, the one with less shiny shoes, held him upright, using his whole body as a crutch, and helped him walk. He carefully wiped Ramzan's forehead with a handkerchief before opening the door to the next room.'

'The interrogator with less shiny shoes crouched behind him. His hands were wet. Ramzan promised everything, and the interrogator, like the parent of a child too old to believe in ghosts, watched him with disappointment, his clear eyes saddened by Ramzan's sincerity. The interrogator took off his jacket, rolled up his sleeves, laid the live wires on Ramzan's chest and mapped the border of their shared humanity. Ramzan offered his soul. He begged to be enslaved. The known universe contracted to the limits of the cement floor, and on it, the interrogator was both man and deity, prophet and god. By ten o'clock the interrogator with less shiny shoes asked his first question. By eleven the electrical wires were unwound from Ramzan's fingers. By noon he was allowed to dress. By one he was on the FSB payroll. He kept thanking the interrogator with less shiny shoes.'

‘Greed didn’t motivate his informing, at least not primarily; primarily he informed by necessity, to survive, for his love and hate and above all awe of the power wielded by the interrogating officer with less shiny shoes.'

'That was his greatest fear. Could he stay silent? Could he withstand what awaited him? He told himself that his love for the girl should fortify him against any torture, but this, like so much of what he told himself, was a lie. After all, he was squeamish at the sight of blood, what would he say when lying in a puddle of his own? But he saw no other way. He would pray for the strength to stay silent, for a quick heart attack, and leave the rest to God.' (This is Akhmed POV)

'When they threatened to beat me, I said nothing, Akhmed. When they threatened to beat me, I said nothing. When they threatened to electrocute me, I said nothing. When they threatened to castrate me, I said nothing. I said nothing, Akhmed. Whatever you think of me, you remember that once I said nothing when a wiser man would have sung. And the interrogators, they couldn't believe it. They called in others to examine me. I was there on the floor, and above their faces were dark ovals silhouetted by the ceiling lights. They had beaten me hard and I couldn't hear right, but I kept saying no, with every breath I had. The main reason they let me go, the only reason they didn't shoot me right there was out of perverse respect, some sort of professional courtesy. But I wish they had shot me, Akhmed, because the good part of me died there, and all this, everything since, has been an afterlife I'm trying to escape.'

‘I knew what was coming. I knew it never stops. They put a shame inside you that goes on like a bridge with no end, the humiliation, the fucking humiliation of knowing that you are not a human being but a bundle of screaming nerve endings, that the torture goes on even when the physical hurt quietens. People treated me differently when I came back the first time.'

[breezypunk]

Off the grid.

I'm currently in the process of giving Goro his own custom facial complexion. I use Kala's Liam complexion for Vaughn, and I love it bunches, so I decided to put it on Goro as well, but I've been tweaking it a little to my liking. This is a WIP right now, and I'm still working on it because I don't want him to appear so much "younger" but rather, worn.. Since this will mainly be his nomad complexion. This was just my first approach, I do think it takes away his "older" look, but not entirely. He still looks.. well gorgeous as ever, and it was so funny when I first checked it in game how equally terrifying and hot he looked lmao.

Anyways I took these kind of spontaneously because I wasn't going in for a photoshoot, but he looked too good not to take photos, but since taking these I have tweaked the complexion more, and he does in fact look more worn out, aha. I had to give him more eyebags and I gave him a couple new scars as well, and also defined his current ones so they show more. Overall I love him and I wanted to pamper him, so yeah this is just a teeny thing. ♥

I've also been wondering if I should give him a couple more smaller tattoos, but that's for another WIP hehe.

[vaggieslefteye]

YOU DIDN'T KNOW ↳ from Hazbin Hotel Season One (2024): 1x06 - "Welcome to Heaven"

[winepresswrath]

what louis did to lestat and what louis did to armand are connected and that's important to the story but also. it is simply not the same. nothing louis did excuses armand's behaviour, that's not how anything works, but he did not "cross a line" or "poke at armand," he weaponized armand's history of abuse to belittle and demean him. nothing armand said to louis came close- the equivalent would have been "oooh, i'm such a stupid bitch that my husband can beat me half to death and i'll keep crawling back for more even when it endangers my daughter!" it's retraumatizing and deeply destabilizing to hear that shit from your partner. and in response armand should have been like "well this man sucks when he's high and he's high all the time, so i'm bouncing" but if he'd done that we wouldn't have a story, would we?

edit: i've come back to give armand credit for "claudia didn't love you like we did/do. ps. u used her to distract from your own hurt feelings" that shit does hit in a similar way. however "the ways someone hurt you have left you contemptible and weak. they scrawled 'dirty and annoying' all over your soul in red ink and it's never coming off" is just outstanding work. timeless

[ghost-of-you]

Happy 11 years, 5 Seconds of Summer!

[teknikolor-walters]

Does anyone else feel a debilitating fear of getting better? Is this normal? Does it secretly prove I'm just faking everything for attention? Probably tbh