#( 無 / timeline. )

[infowarsrzk2030]

La Catrina Norteña @catrina_nortena #ReformaJudicialYA 🚨 "Estos pillos lo que quieren es convertirse en dictadores" Lo dice el mismo @alitomorenoc que cambio todas las reglas en el PRI para poderse reelegir ilegalmente y quedarse con la presidencia en ese partido a pesar de perderlo todo. Así o más HIPÓCRITA... https://pic.x.com/ovhswtliui

publish.twitter.com/?dnt=1&query=https%3A%2F%2Ftwitter.com%2Fcb_06%2F&theme=dark&widget=Timeline https://medium.com/@jhosuatrue/ufo-真面目すぎて何でも聞いちゃう老 #NassonLAPLAZALLDM @enriquealfaror @pablolemusn @LaPlazaNASSON https://pornogratis.pro/videos-largos/categoria-asi%C3%A1tico/ https://pornogratis.pro/video-porno/rusos-asi-ticos.html https://narcoestadosunidos.tumblr.com/post/760725083672215552/embed - https://porn87.com/main/tag?name=無碼 @JAVtven https://olimpiazeuz2030.blogspot.com/2024/09/tweets-by-cb06-porno-asiatico-mejor.html

[muekura]

as it's been a couple of years since i've involved myself in this blog (and there's lots of folks who don't know of hibiki), here is a general timeline for where hibiki is in consideration of the current timeline of the manga.

POST-SHIBUYA TO CULLING GAMES:

> When the curtain falls over Shibuya at 7:00 on Halloween night, Hibiki is in the midst of discussion with the higher-ups of the jujutsu society. After being given permission to leave, they received a phone call from the grade 1 sorcerer Mei Mei. Knowing that they still hold the wealth of the uzumiya clan--- she makes an attempt at a deal with them; which they place on hold for future discussion. From there, at 8:45, they receive another call from Mei Mei-- the discussion ends as she enters the Meiji-jingu Mae station and the two finalize a discussion regarding the state of Hibiki's binding vow.

> At 9:05, Hibiki enters the Shibuya curtain through Shinsen station where they use hand-to-hand combat to rid cursed spirits in the area and direct the remaining civilians out of the now-lifted curtain. Briefly, they make contact with Maki and Naobito Zenin; the former of which they reassure and continue moving forward towards where they presume Gojo Satoru is fighting. There, at the top of the steps of the b5f Fukutoshin line platform, Uzumiya Hibiki meets the false Getou Suguru wielding the prison realm, forcing them to pause. The two share a brief discussion where their inability to use their domain expansion costs them the opportunity to backtrack the usage of the prison realm, freeing Gojo Satoru. Uzumiya Hibiki allows the false Getou to pass, unable to mentally force themselves to harm the body he inhabits; where he commentates on wishing to talk more in the future, of which hibiki wordlessly agrees. The veil lifted; the news of Gojo Satoru's sealing released, Uzumiya Hibiki receives a phone call from the higher-ups to withdraw and spectate. Despite this-- they resist. And somewhere, the false Getou Suguru smiles.

> However, their second resistance in life means nothing as they morph through Shibuya. At 10:52, Uzumiya Hibiki comes upon Jogo as he feeds the final tenth finger to Yuji Itadori-- and wakes Sukuna, who beckons the sorcerer to use their ultimate technique as they take to both knees. Beguiling their inability to do so, the King of Curses laughs and chastises their lack of creativity. Uzumiya Hibiki escapes with their life beyond reason. Mind fractured, they move through the walls of the Shibuya train stations. Watching scores of bodies and fights flit past them, they stumble upon the half-corpse of Nanami Kento. His severed arm and blunt sword beside him. And again, Uzumiya Hibiki's phone rings in their pocket. As Noritoshi Kamo, revealed by Choso, consumes Mahito before Itadori Yuji and is joined by Uraume, Uzumiya Hibiki emerges from the grounds beneath and asks the man one question. "Is it creativity I lack?" When the centuries old sorcerer laughs and remarks "Is that what you want?" The Uzumiya heir freezes. Despite the eyes of their students set upon them, they take Kenjaku's offer and leave with him as he departs Shibuya. The smiling face of a young Suguru Getou still fresh on their mind.

> Now by Kenjaku's side, the higher-ups scramble to make their choice on their binding vow with Uzumiya Hibiki. If they place an execution order on the sorcerer's head, it directly violates their binding vow and opens the usage of their domain expansion on the higher-ups-- but if they simply allow them to live, well... It means immunity to their harm, doesn't it? Despite aligning with the False Getou Suguru, Uzumiya Hibiki is not marked for execution. Instead, an order is placed for their retrieval--- cash prize rising by the days. Mei Mei's call is the first call Hibiki answers since their betrayal and when they hear her smiling words, offering a particularly juicy whisper about a counter deal on their head, they listen. The death of the higher-up who holds onto Uzumiya Hibiki's binding vow for their favor; and whatever protections may be given from it. When a wire transfer arrives in Mei Mei's account later that day, there's nothing but a smile on her face as she accepts it and a stirring tenseness in Hibiki's. Requesting a discussion with Kenjaku, they affirm their desire to enter the Culling Game of which Kenjaku hums with curiosity. After their talk, Hibiki proceeds forth and joins the Culling Games- entering through the Sendai colony. Day one of Uzumiya Hibiki's entrance into the culling games results in no deaths of any participants. Day two of Uzumiya Hibiki's entrance into the culling game results in a total earning of 157 points; the first ever death of a living beings by Uzumiya Hibiki's hand in thirteen years.

CULLING GAMES TO SHINJUKU SHOWDOWN ARC:

> In a haze, Uzumiya Hibiki moves through the Sendai Colony. For the first time in their life, even in perspective of the Uzumiya massacre, they make the choice to kill. For every sorcerer they kill, they question them before they make their killing blow. “Did I show you something you’ve never felt before?” The same question, every time, with every victim; and every answer is noted, kept there locked in their mind and throat. And the bitterness and ecstasy that both comes with it. Briefly, Uzumiya Hibiki makes contact with Kasumi Miwa and they share a brief discussion where without hesitation, the former teacher allows the girl to go. It’s the first time she’s ever seen the teacher with their hair down. After they speak, Hibiki transfers a portion of their points to her without notifying her. Two days later, Uzumiya Hibiki makes contact with Okkotsu Yuta when he enters to disrupt the deadlock and is stopped only by the teenager’s usage of cursed speech. There, Yuta explains to Uzumiya Hibiki their plans on the salvation of Gojo Satoru. Silently, the sorcerer listens. When Yuta’s cursed speech wears off and Uzumiya Hibiki remains still, Yuta continues. Hibiki never speaks. At the end, all the teacher does is pat the boy on the head and continue onwards. Leaving Okkotsu Yuta without a single answer.

> On November 14th, as soldiers by Kenjaku’s influence invade the Tokyo No. 1 colony, a lone soldier invades the Sendai colony from the south and comes upon Uzumiya Hibiki to deliver a message. The soldier dies seconds after. By the message’s contents, the next day, now able to move through colonies due to the addition of a rule by the false Tsumiki, they enter the Tokyo No. 1 colony. There, they are witness to Megumi’s transformation into a vessel for Sukuna. As Hana, the young girl serving as a vessel for Angel, is tricked and mauled by Sukuna, Uzumiya Hibiki catches the young girl’s body as she falls. Placing her in a safe area for retrieval by the Jujutsu Tech sorcerers and slipping a small note into her pocket. Addressed to one Satoru Gojou.

> Exiting out from the Tokyo No. 1 colony, Uzumiya Hibiki meets up with Uraume, Sukuna, and Kenjaku at the Bath. There, they discuss with Kenjaku their impression of Tengen and a possibility they’ve finally questioned. For so long, they’d debated the usage of their Domain Expansion as a means to an end— a killing floor. Yet, taken by Sukuna’s words during Shibuya, they impress upon the fact that they believe now it has a means of creating— of birthing. If Abyssal Origin can revert oneself back to the earliest point of existence, what kind of sorcerer could one create if they were allowed to exist at the furthest point of their existence? They wish to test the theory and they bow their head to request of Sukuna the opportunity to test it on Satoru Gojou. To produce a sorcerer beyond the measure of existence itself for the King of Curses. When the note finally reaches the freed Satoru Gojou, it reads of only three words. “End it all.”

[inzuinzudesu]

Please zoom in to see small Kakashi! 😭 He kinda disappeared 😭😭😭

Text translation: "Infinite Tsukuyomi" (無限月読)

Drew these in mid-July - when I started doing digital again actually 🤔

Took inspo from the Balut - a street food in my country; I hear a lot of people are grossed out by it?? Don't know if this is controversial, but I personally love the dish. Essentially grew up with it after all!

Wanted to draw something that feels a bit creepy but still has a sense of mysticality to it???

Meh, don't know if the feeling got across or not

I thought since Halloween is coming up, might as well post this haha

About the process of drawing these!

These were very fun to draw! I messed around a lot with photoshop to achieve this glowy dusty effect?? From the brushes to the blending options, and maaan the filter gallery 😭😭 Such fun tools to play with.

The main brush I used to achieve the dusty effect is called "KYLE Bonus Chunky Charcoal", in the Kyle Dry Media brush set. If you can, I recommend checking it out! There are definitely other ways to achieve this sort of effect, though. You can probably just use some sort of scatter texture brush and it'd work just fine. Studying is all about trying things out, right? This is like my first experiment with this type of effect, and I was happy at the time. Now looking back, these could most definitely turn out better, no? I really went overboard with just the effect and forgot everything else. The blood and the plate looks horrible man. If you look closely, you can see the sketch lines haha! I got lazy!

Also, for Obito's pose, I relied heavily on a reference I found on pinterest 😭 I wish I'd changed the pose more tbh, it looks really boring.

And I gotta say, these just look underwhelming in this smaller size. Like reaaaaaally underwhelming. Would love to show you the big version, but oh well! 😭😭😭

Brain vomit time!

I love the prospect (??? is that the right word) of Obito being all god-like and powerful after Tsukuyomi, having control over everybody's dream worlds?? And like he jumps from dream to dream, but stops at Kakashi's and picks it apart???? Observing and tormenting Kakashi with his childhood form that has both sharingan???????

Kakashi would probably be confused with Obito's appearance at first, asking questions like "What are you up to this time, Obito?", but then wouldn't receive any answers??? Like little man would just stare at him creepily, and Kakashi would push this to the back of his mind for a while???

Umm below is the technical stuff, I guess??

My headcanon is that the time span in the dream world is the same as the real world. Meaning, 30 years in the dream world feel incredibly real, with no gap of memories. It's essentially a different timeline. Whether this makes sense or not, who knows haha!

Let's talk about the dream events and how they affect Kakashi! Due to Sakumo and team Minato still living, this Kakashi probably wouldn't be as lax nor sad as in canon?? The relationships and personalities would be different huh???? I'm having a headache thinking about this, so let's just say that: 1. Sakumo lived because the villagers weren't as harsh, but the animosity still remained. Kakashi still developed this obsession with rules, but he doesn't blame his dad as much. 2. Kannabi happened, Kakashi was given the sharingan, along with Obito's ninja way. Team Minato thought that Obito died for a while, but Obito is 'rescued' by Madara, same as canon. 3. Rin would still be targeted by Madara, but Obito came in time to help with the situation, blocking Kakashi's chidori from connecting with Rin's chest, but also knocking Kakashi away. Then, a Mist enemy took advantage of the situation to attack Kakashi, injuring him gravely, to the point where everybody thought he died. With this, Obito activated his Mangekyou and exploded on the Mist enemies, killing them all. Meanwhile, Rin tried to heal Kakashi, just barely saving him. As Obito had dealt with the enemies, there was no need to rush back to the village, and the Sanbi wouldn't be released till then. And so, they waited for Minato to come and help with Rin's seal. (About Obito's Mangekyou activating with Kakashi's death - would that be too far-fetched? My reasoning is that Obito would think that it was his fault Kakashi died, because it was Obito who knocked Kakashi away into the enemy, no?) 4. Because there's no one to become 'Madara' now that Obito came back to the village, Naruto is born, Minato and Kushina live.

5. The Uchiha massacre doesn't happen.

(Everything is incredibly convenient, because I don't have the brain power to make it otherwise, please help 😭😭) -> In conclusion, this Kakashi resembles the Kakashi of the real world, but less depressed and self-destructive??? He loves his living comrades. My man still has a massive obsession (more like crush lol) with Obito by the way, just like in canon. He just doesn't show it.

-> About Obito of the dream world (I'mma call him Dreambito), he is all sunshine and brightness, but he exhibits some dark thoughts and deep rage from time to time due to the residual effects of Madara's seal on his heart. The seal has been removed though. And he has this obsession with Kakashi's safety, as he almost pushed him to his death once, albeit accidentally.

-> I was debating whether to just start this dream world at the point where Obito got crushed, or to start it at the beginning of Kakashi's life. In the end, I went with the latter, cuz ya know, I like the idea of Kakashi living through a whole life all over again, just to finally come to the realization that it's all a dream. Does that make any sense at all??

Obito (child form - 13) first appears in front of Kakashi at the start of the Naruto series, when Kakashi has officially become the teacher of team 7. (Let's not change this okay, my brain would fry haha I'm not gonna deny that the idea of Obito and Kakashi becoming co-teachers of team 7 isn't incredibly fun though)

After the first encounter with this child Obito, Kakashi begins to have flashes of memories from the real world, and he hallucinates about people's deaths - mostly about the members of team Minato. This young Obito is always in the corner of his vision, most of the time silent, sometimes saying things like "You trash" to Kakashi whenever he encounters Rin, who is whole and grown up in this world.

Kakashi exhibits more destructive behaviors as this goes on, the line between the dream events and the real events slowly blurring. He takes more dangerous solo missions out of the village, and shows strong signs of PTSD, just like in canon.

The two Obitos would contrast each other?? Like Dreambito would be all concerned with Kakashi's decline in health (both mental and physical) and goes to confront and comfort him, many times over because that's how it is with them??? Dreambito might even move in with Kakashi, being the obsessive and protective Uchiha that he is. Meanwhile young Obito would be an absolute asshole, saying all these horrible things to poison Kakashi's mind haha

At this point, Dreambito'd be in the last stage on the journey of becoming Hokage, gaining the all the trust from the Uchiha clan, the village elders and the villagers as a whole. I don't know about Rin, though? Should she be romantically involved with Dreambito or no? Would Kakashi dream that??

I think Kakashi's dream would somewhat focus more on Dreambito being happy and satisfied, to be honest. I know there's Sakumo and team Minato as a whole, but as a degenerate shipper, I love the obsession between them🥺

I don't think Obito would directly interfere with what Kakashi is dreaming about, i.e. changing Dreambito's behavior, or like the political situation of the villages (?). But he would most definitely insert himself in Kakashi's psyche, no? Mess it up real good.

Kakashi would slowly realize that he is living a dream world, after all the flashes of memories that Obito generates in his mind. He would most definitely deny it at first though, I think? And then it would reach a point where Kakashi remembers everything from the real world, but he has also lived through 30 something years of the dream world, meaning he'd be in his 60s?? Does that make sense or no?

And so, while Kakashi now knows that everything is a dream, his feelings for everybody in the dream are real. If that's the case, is it really that important anymore that he escapes the Tsukuyomi? Can this dream world really be called fake at this point? Is there even anything in the real world for him to return to?

What's to say 'the real world' isn't a dream at this point?

-> Kakashi would completely close in on himself after this. He still does things that he would normally do, but it'd be all an act. He would feel completely isolated.

-> Dreambito would notice and confront him again, now that they live in the same house??? Kakashi would like say everything is fine and try to act more convincingly, but Dreambito would still know something's wrong????

-> Obito is observing from afar, who knows what his motivation is at this point.

Because this is Kakashi's dream world, I suppose he would have the power to change this world to his will, now that he's aware? This is like a lucid dream situation???

The people in the dream have their own will up until this point, but Kakashi can somewhat change their behavior if he really wants to, whether it's subconsciously or not??? Example: He can probably will Dreambito to kiss him or something lol

So on and so forth!

Man, I'm having waaay too much fun imagining the pain. There are probably like a thousand things that doesn't make sense haha! I do wonder how this sort of storyline should end though, does anybody have any ideas? Personally, I prefer slow burn with a (sort of) happy ending, but ya know, angst all the way is good too! I can't write, but I love thinking about all the things that could happen 😭😭 English isn't my first language, so this might have felt weird to read at some point haha

If anybody wants to develop this, please feel free to do so! And if you've read this far, thank you for reading this absolute brain vomit of mine! I love to yap, as you can tell haha Have a good day!

[bnhaobservation]

BNHA Observations, speculations and assorted info: The facts taking place during the year that ends with Rei's hospitalization and Tōya's assumed death

So, in order to write my fic, I spend much time observing canon scenes, comparing the manga and the anime version, take note of details, translations and info in them as well as finding out how are some things called.

Since what I noticed/speculated/found out can be of use for other fic authors I thought to share as well.

Resources:

Chapter 31 The Boy Born with Everything (全てを持って生まれた男の子 Subete o Motte Umareta Otoko no Ko) Chapter 39 Todoroki Shōto: Origin (轟焦凍：オリジン Todoroki Shōto: Origin) Chapter 44 Relaxing Day Off (休め振替休日 Yasume Furikae Kyūjitsu) Chapter 93 One For All's Ember (残り火ワンフォーオール Nokoribi One For All) Chapter 166 Be Proud, License Trainees (ホッコれ仮免講習 Hokkore Karimen Kōshū) Chapter 187 Flaming Roar! vs. Nomu: High-End (燃えよ轟け！VS脳無：ハイエンド Moeyo Todoroke! Versus Nōmu: High-End) Chapter 188 Your Father, the Number One Hero (父はNo.1ヒーロー Chichi wa Number One Hero) Chapter 192 The Todoroki Family (轟家 Todoroki-ke) Chapter 202 Match 3 (第3セット Daisan Set) Chapter 204 Tuning Up (チューニング Tuning) Chapter 249 The Hellish Todoroki Family (地獄の轟くん家 Jigoku no Todoroki-kun-chi Chapter 250 Ending (エンディング Ending) Chapter 290 Dabi's Dance (ダビダンス Dabi Dance) Chapter 302 The Wrong Way to Put Out a Fire, Part 2 (火の不始末 後編 Hi no Fushimatsu Kōhen) Chapter 350 Bound to a Fiery Fate (エン En)

Episode 19 The Boy Born with Everything (全てを持って生まれた男の子 Subete o Motte Umareta Otoko no Ko) Episode 23 Todoroki Shōto: Origin (轟焦凍：オリジン Todoroki Shōto: Origin) Episode 25 Todoroki vs. Bakugō (轟VS爆豪 Todoroki versus Bakugō) Episode 49 One For All (ワン・フォー・オール) Episode 88 His Start (始まりの Hajimarino) Episode 90 Vestiges (面影 Omokage) Episode 95 Match 3 (第３試合 Daisan Shiai) Episode 96 Match 3 Conclusion (第３試合決着 Daisan Shiai Ketchaku) Episode 105 The Hellish Todoroki Family (地獄の轟くん家 Jigoku no Todoroki-kun-chi) Episode 106 The Unforgiven (許されざる者 Yurusarezaru-mono) Episode 124 Dabi's Dance (ダビダンス Dabi Dance) Episode 130 The Wrong Way to Put Out a Fire (火の不始末 Hi no Fushimatsu)

Series 4th Outro2 "Shout Baby" by Ryoku Oushoku Shakai

My Hero Academia: School Briefs I (僕のヒーローアカデミア 雄英白書 I Boku no Hīrō Akademia U.A. Hakusho I) - Part 2 Notice from School My Hero Academia: School Briefs V (僕のヒーローアカデミア 雄英白書 祝 Boku no Hero Academia Hakusho Iwai) - Part 3 Awkward Year's-End Soba

OBSERVATIONS, SPECULATIONS AND ASSORTED INFO:

Fundamentally the year that lead to Rei's hospitalization and Touya's death is narrated into two different moments, chap 31/39, in which we've a retelling of how bad it was from Shouto's point of view and chap 290/302, in which we learn instead of Touya's side.

However, there's a fundamental difference in the two narrations. When the story tackles Touya's side, we can more or less pinpoint the dates of when this is happening, the same can't be said for when the story tackles Shouto's side. There's probably a narrative reason for this, Touya's whole story (which covers much more than just this year) is a progression of things going from good to terrible, while Shouto's story is likely meant to narrate the constant horror in which he and his mother lived until Rei lost it. So there's not really a need to pinpoint when a scene took place because that scene likely kept on repeating in similar variants for days, until Rei became unable to take it any longer.

As a result I'll narrate some fact that are part of Shouto's side first, so as to give the idea they likely repeated over and over through that year, while I'll follow the timeline of Touya's side of the story more closely.

So anyway let's dig on what happened that year.

Warning: as tumblr now has an image limit (no more than 30 per post), I had to turn more images into a single one so as to show the full scene. The result is that the image quality in some scenes is pretty low... Please, use the images solely as a visual reference of which scene you need to look at and, for the text check your own copy of BNHA.

TIMELINE

January 11: Todoroki Shōto is 5.

January 18: Todoroki Tōya is 13.

April: Todoroki Tōya starts his second year at Middle school - Todoroki Fuyumi starts Middle school - Todoroki Natsuo starts his 3rd year at Elementary school. - Todoroki Shōto attends preschool.

[Preeschool in Japan isn't mandatory but we know Shōto attended to it as Chap 166 shows on its cover the photo taken at the preschool entrance ceremony... the photo might not be necessarily taken in this year as kids can start preschool from when they're 3 but it just confirms Shōto went at it]

Sometime during the year: Endeavor and All Might talked for the last time.

A note on the translation:

‘Chō hisashiburi! 10-Nen mae no taidan furi ka na! ? Mikaketakara aisatsu shi tokou to omotte ne.’ 「超久し振り！10年前の対談振りかな！？見かけたから挨拶しとこうと思ってね。」 “It’s been a long time! It's from the talk/conversation show from 10 years ago, right! ? I saw you and thought I'd say hello.”

Endeavor and All Might's conversation is called ‘taidan furi’ (対談振り) where ‘taidan’ (対談) means “a discussion between two people which is usually set up as a special occasion and whose topic is set in advance”… while ‘furi’ (振り) is “show”. So basically, 10 years ago they didn’t have a casual chat but ended up together in some sort of talk show / combined interview. The anime makes it even more obvious because in it the sentence is:

‘10-Nen mae, media de taidan shite irai ka na! ? !’ ��10年前、メディアで対談して以来かな！？！」 “I think it's been since we had a conversation on the media 10 years ago!?”

During the year: Shōto watches All Might on television when his father isn't around [shown in chap 39 and 206. We see that Shōto's clothes are different in the two scenes and so is his position, meaning he did it more than once which "School Briefs" also confirms]

“You always were a fan of All Might, weren’t you, Shōto? But you had to wait until your father wasn’t around to watch those video clips in secret. Remember?” [Rei from "My Hero Academia: School Briefs I"]

During the year: Shōto's training is so severe it causes him to throw up. Rei tries to get in between him and Enji protesting he's only 5 and gets hit. [shown in chap 39, 202, 204]

Actually we don't know if Chapter 202 & 204 are placed in this same year (Shōto is still small but Rei isn't present and Shōto and Enji are dressed differently so it's not the same time as chap 39... and likely chap 202 and 204 show two different scenes as well since in one Enji has his moustaches on fire while in the other is his beard... never mentioning in chap 202 Shōto already has his scar so this likely happened post him being burn and could as well take place in the following year, though the fact that Enji has long sleeves might imply it's still winter...) but they seems to show other scenes of Shōto's training which still sees him throwing up and crying, which surely confirm an abusive pattern.

A note on the translation:

'Tōya wa oshikatta. Ore ijō no karyoku o sonaete irunoni. Rei no taishitsu o motte shimatte… Aitsu wa… oshikatta' 「燈矢は惜しかった。俺以上の火力を備えているのに 冷の体質を持ってしまって… あいつは…惜しかった」 “Tōya was close/disappointing/something I feel regret for/deserving better. Even though he has more firepower than me. He had Rei's constitution… That guy… was close/disappointing/something I feel regret for/deserving better.”

Oishikatta (惜しかった) has quite a bunch of meanings like to feel regret for, to find something a pity/pitiful, to mourn but also to cherish, to love dearly, to be precious... and is used to express pity/regret of an "almost but not quite" situation, in "a damn it, you were so close" kind of way.

Very likely the emphasis in the sentence isn't that Tōya could almost do it, but that it was so unfortunate Tōya couldn't do it.

This doesn't necessarily mean Tōya was already dead because it was decided Tōya couldn't fulfill Enji's ambitions way prior his death and way prior Shōto's birth.

BTW, Tōya started burning himself before Natsuo was conceived. In order for their age difference to work, it means Enji started training Tōya when Tōya was 3 (yeah, it's possible he started earlier than this age but I find difficult that a child of 2 could pull it out successfully). As a result it's possible he started training Shōto at that age as well. In case someone doesn't remember it, Quirks don't appear when one is 4 but can appear even earlier (luminescent baby anyone?), Shōto could freeze his own snot as an infant and it's implied that Enji knew Tōya had a fire Quirk when they conceived Fuyumi (meaning when Tōya was 2 months or younger) so starting their training before 4 wasn't impossible.

During the year: While Shōto is scared at the idea of becoming like his father, someone who abuses his mother, Rei comfort him saying he can decide who he'll become. [Chap 39... I pieced back the scene for better visual]

During the year: Tōya is desperate because he can't figure his reason to exist and search comfort in Natsuo [Chap 290]

Likely in sprind, anyway prior to July (as Natsuo isn't 9 yet): Tōya, Natsuo and Fuyumi play together while Shōto can only watch them. Enji refuses to let him join them saying he needs to train and they belong to different worlds. [Chap 302 & 39 & 250]

July 1: Todoroki Natsuo is 9.

Likely summer, though it could be still spring: Natsuo refuses to listen to Tōya’s complains during the night, telling him to go talk with Fuyumi. [Chap 302]

August 8: Todoroki Enji/Endeavor is 36.

Likely autumn (Rei's sleeves are longer): Rei tries to stop Tōya from leaving the house and the two have an argument. [Chap 302]

During the year: Rei begins to break starting to cry way too often to the point Shōto will end up remembering her solely crying and will forget her smiling. [Chap 31]

December 6: Todoroki Fuyumi is 13.

Winter: Tōya’s flames turn blue. [Chap 302]

A note on the translation:

'Hayaumare no chīsana karada ni yōyaku otozure hajimeta nijiseichō’「早生まれの小さな身体に漸く訪れ始めた二次性徴」 "Secondary sexual characteristics have finally begun to appear in the small body of the hayaumare.”

'Hayaumare' isn't a premature kid but someone born between January 1 and April 1. In Japan this is relevant because in order to start school you need to be 6 by the time the 2 of April comes around, meaning the Hayaumare are the youngest kids in the class as they're born in the year following the one in which the other kids, or ‘Osoumare’ (遅生まれ "born in between April 2 and December 31"), were born.

Winter (likely in a different day as the black bars on the corner hint at time passing by... possibly because when Tōya came back home Enji wasn't there yet?): Tōya asks his father to come to Sekoto Peak with him his next day off. [Chap 302]

Winter (likely in the same day): Todoroki Enji/Endeavor hits Todoroki Rei for not stopping Todoroki Tōya from training. [Chap 302]

Winter (the morning of another day as Todoroki Shōto has just woken up): Rei snaps and burns Shōto. [Chap 31, 39, 249, 302]

“Shōto?” he said, facing the sliding fusuma screen. No response. Natsuo slid the screen aside, not expecting to find his brother inside, but there he was-fast asleep on the Futon that he’s clearly plopped down onto without much care, all askew. Moving quietly so as not to wake Shōto, Natsuo crept over and peered at his brother’s face. He looked surprisingly young, despite the burn scar that sat heavily on his face like a shadow. Having been abused by Endeavor-who’s been fixated on his own ambition. Todoroki Rei had snapped one day and thrown scalding water in Shōto’s face. Natsuo would never forget the pair of tear-filled screams he’d heard that day. How painful it must have been, he thought. Natsuo caught himself extending a finger toward the scar but quickly curled it away when he realized what he was doing. Shōto’s scar probably wouldn’t exist if only the boy hadn’t inherited aspects of both his parents’ Quirks. Maybe Shōto could have enjoyed a normal childhood, full of carefree days playing with his siblings. And yet I couldn’t do a thing… Natsuo had been in elementary school when it had happened. Their father, Endeavor, had ignored his family well-being in pursuit of his ambitions-ambitions he’d projected onto young Shōto. Even now, Natsuo would beat himself up over how he used to be before the abuse really began, recalling the period in his life that had made him feel pathetic and ashamed. Before Shōto was born, Natsuo had sought his father’s love and care, and when Endeavor was around, he would turn into an excited ball of energy, eager for attention. But that love never came. It was only thanks to his warm and caring mother that Natsuo had survived those early years and learned to cope with rejection from his other parent. But after Shōto was born, even their mother grew distant, though not out of indifference. Natsuo could sense how much energy she had to devote to protecting her youngest, her baby, from her husband’s so called training-which most would label abuse- but at that age, Natsuo couldn’t help but feel that his mother had been stolen from him. After witnessing his mother and brother crying and screaming on that horrible day, Natsuo had been overcome with crushing shame. [My Hero Academia: School Briefs V]

Winter (the same day or the one after it... Shōto's clothes are different but he might have had to change because he got wet... on the other side it's also possible that Rei's hospitalization wasn't done the same day but Enji had to do preparations for it): Rei is consequently hospitalized and put in isolation. After learning about his mother's hospitalization Shōto decides to blame his father for this. [Chap 39]

A note on the translation:

'Omae ni kigai o kuwaetanode byōin ni ireta. Mattaku… daijina tokida to iu no ni…' 「おまえに危害を加えたので病院に入れた。全く…大事な時だと言うのに…」 "I put her in a hospital because she hurt you. Good grief... even though it's an important time..."

Enji is actually more specific in what he says to Shōto about Rei's fate, saying he put her in a hospital and didn't call her a fool but uses an expression of general exhasperation 'mattaku'.

Winter (likely on Todoroki Enji/Endeavor’s day off, Tōya's clothes are also noticeably different from the ones he had when he asked his father to go with him on Sekoto Peak): Tōya goes on Sekoto Peak, waiting for his father. When his father doesn’t arrive and the lights go down he ends up setting himself on fire losing his lower jaw before he manages to enter in a stream. He is then found and taken away by All for One. Enji reaches Sekoto Peak but can’t find his son except for a piece of his jawbone. Tōya is assumed dead even if Enji at first claims he didn't want to accept it. However this will lead him to focus even more on Shōto. [Chap 291, 302, 350]

Winter (after Tōya's death): After Rei's hospitalization Shōto will never visit her until he'll be in U.A. High school. Rei's psychological condition will get worse. Fuyumi, despite knowing about her family's sad situation was and will remain too scared to do anything beyond keeping up appearances. Natsuo will gradually forget things but will keep on resenting Enji for what happened to his mother and to his siblings. [Chap 39, 187, 250, 302]

TIMELINE CONSISTENCY PROBLEMS

Either Horikoshi didn't plan the Todoroki timeline or decided to change things along the way as, occasionally, what the characters say happened in a chapter get contraddicted in another... or make them seem uncaring of Enji's neglect of Natsuo (and Fuyumi) and of how he eventually casued Tōya's death.

Mind you, I'm sure they all cared about Tōya's death and about the neglect Natsuo and Fuyumi suffered because otherwise the characterization wouldn't make sense. This is likely a problem in the narration, not an attempt of the narration to deny the care.

Anyway I'm gonna list the problems in narration now. Do with them what you want. I'm sure plenty of people has headcanons that solve them just fine. This though isn't a page for theories so I didn't list any of mine either.

Not all of the problems are terrible (the only ones really bad are the ones that consistently change the timeline/why things happened) but some of them can undoubtedly confuse a reader about the characters' feelings.

Let's start with chap 350.

For start this establishes that Tōya assumed his father didn't come to him on Sekoto Peak because he was too busy with work... so the fire took place not after the discussion they had (which fits with how the timeline decided Rei needed to be hospitalized before Tōya were to burn) but neither on Enji's free day apparently... unless Tōya assumed his father gave up on his free day to work some more which is something he had already done in chap 301, when Enji left and refused to train Tōya even though it was his day off... and this can be Tōya's own way to excuse his father for not coming to Sekoto Peak.

However, after this the chapter has Tōya say he has to go back home because he did and say some awful things so he should apologize to his mother and the others and shows his father what he can do.

The problem is... we didn't really see him doing something awful. Yes, he argued with his mother but this was PRIOR to his flames turning blue, as for his siblings his argument with Fuyumi dated to PRIOR Natsuo's birth and the one with Natsuo to PRIOR his argument with his mother and wasn't even a real argument. He just begged his little brother to hear him out.

If there was an argument that day before Tōya left for Sekoto Peak... if he did something... well, this is completely discharged by the plot. It won't even be mentioned when he and his siblings will meet again... not even mentioning his mother was hospitalized and put in isolation PRIOR to him going on Sekoto Peak, so if he had an argument with her we didn't see, it still was way prior to that.

And the same goes for whatever he did of awful... as I've hard time thinking he's referring to accidentally burning down the peak.

Even his discussion with his father doesn't seem to fit the description and if he blames himself for how his father hit his mother... well, that just feel messed up especially since he wasn't even shown being there to see.

Going on.

Chap 39 said Shōto didn't visit Rei because he blamed himself, while chap 250 says it was due to Rei's psychological condition worsening after Tōya's death... to go back on chap 302 volume version which said she was put in isolation PRIOR to Tōya's death (and therefore likely couldn't see anyone even if she wanted to) and then, AFTER Tōya's death she got even worse.

In the magazine version of chap 302 Horikoshi had Rei state that Enji basically became abusive AFTER Tōya's death, and this is what eventually lead Rei to snap and be eventually hospitalized... the whole thing was corrected in the volume version so now the volume version too agrees that Rei was hospitalized FIRST and then Tōya died.

While the thing got 'fixed', the whole correction was done in a sloppy manner... it would have worked much better if the dialogues in whose two scenes were swapped because, if Rei was already hospitalized and put in isolation, she wouldn't have known if, after Tōya's death, Enji got worse. It's hard to think she's referring to the time prior Tōya's death because it feels like a non sequitur since they were talking of the time AFTER IT.

Since the narration was changed retroactively it's possible that in the first planning for the chapter Tōya's flames turning blue, him telling his father, his father abusing Rei and him running to Sekoto Peak (instead than waiting for Enji's day off) took place all in the same day... or better all in the same night as it's dark when Tōya's flames turn blue and it's dark when Tōya burns on Sekoto Peak.

This however becomes impossible when it was decided Rei was hospitalized PRIOR to Tōya dying.

It doesn't help how Rei in chapter 39 focus especially on how she shouldn't stay with Shōto due to his left side being repulsive to her, when chap 302 magazine version also implied Natsuo's look was repulsive to her and the volume version instead change things and made it all about the way they looked at her (but Shōto never looked at her in such a way though okay, she might have been losing it but she should have still worried more about Tōya who glared at her like Enji and also about Natsuo). Of course the problem of chap 39 is likely that what happens in chap 302 was likely not planned and the story was possibly meant to focus solely on Shōto so, of course, she wouldn't want to be near him and wouldn't be troubled by the other kids.

Shōto is supposed to be kept isolated by his siblings, which is also why Natsuo had no idea Shōto liked Soba as, evidently, they never ate together before. However, when Enji attack Rei from the furniture we see they seem to be all in the same room, the television one.

In chap 291 Enji claims he kept searching for Tōya, unable to believe in his death... but chap 302 presents him as resigned and completely focused on Shōto.

Either because Tōya's storiline wasn't planned yet or to keep the secret, the story in its early stages avoid mentioning him... with confusing results.

Shōto, in chap 39, won't mention to Midoriya how his father might have lead to his older brother's demise. The manga will try to excuse it by saying

'Sotsu-sen shita hanasu mon ja nēdaro' 「率先して話すもんじゃねエだろ」 "I wouldn't take the initiative to speak (about it)."

Only... during his first discussion with Midoriya Shōto:

Asked Midoriya if he was All Might illegittimate son

Told him about his father buying his mother for Quirk Marriage

Told him about his mother's depression and how she ended up burning him

Told him about how he was raised to fulfill his father's expecations and how he hated it and how he'll deny his father by refusing to use his Quirk

That's quite a lot he decided to mention, but the fact he didn't mention how his father also lead his oldest brother to his demise made it seems as if Shōto didn't see Enji responsible for it... which also seems confirmed by how, when Fuyumi asks Shōto how he feels about Enji, he replies he blames him solely for his scar and driving his mother to madness, not a word for his dead older brother or for how his siblings suffered of neglect even if Natsuo made clear he still suffers for it.

Shōto is a VERY caring boy. This narrative choice seems to imply he didn't care about his siblings when it's likely the opposite. He cared for Natsuo and likely for Tōya and Fuyumi too. The way the story is told though, is misleading because it makes him look like he only cares about himself and his mother when I don't think that's the case.

Probably though, back in chap 31 Horikoshi either hadn't planned Tōya's storyline yet or wanted to keep it secret and here he didn't want to repeat the whole narration or give too many hints about Tōya's death so he had Shōto skip it and focus on Rei. It's a choice... but it's not a great one.

Enji also for a long while won't show concern for how he caused Tōya's death.

In chap 93 Enji thinks at how his despair lead him to ruin his family... only again there's no mention of Tōya not even visually, again likely because Horikoshi either hadn't planned Tōya's storyline yet or wanted to keep it secret. Still it seems as if Enji doesn't care he lead his son to death for his own ambition.

Chapter 188 is a little better as, at least, Tōya is shown along with his siblings... but it's still not great because, even though Enji is in the middle of his attempt at being a better person, here he worries about his overheating and seems to focus solely on how he married Rei and with her he had three kids who didn't have the Quirk he wanted and then to a kid who had the Quirk he wanted to fight the over heating, and doesn't concern at all with how, in the process, he also abused his family, lead Rei to madness and Tōya to death, but it can work narratively... even if it's not so great because it remarks something we already knew and doesn't focus on his regret (which would have been more important since Enji is trying to be a better person). But okay, it can work.

Probably the worst part is chap 192 because by then Enji is making clear he plans to atone but when he worries about the lives he had cut short, even though Tōya was mentioned, the visual shows us only Rei, as if she were the only life he had cut short (as she ended up in a hospital), skipping the one of his son WHO DIED.

Yes, this is probably to keep the mystery about Tōya but it's still not a great choice since he doesn't seem concerned.

Also probably because Horikoshi either hadn't planned Tōya's (and Natsuo's) storyline yet or wanted to keep it secret in "Ultra Archive" it was said Fuyumi became a teacher solely because she felt bad about the mistreatment Shōto suffered, apparently not caring about the neglect Natsuo suffered or of how Tōya ended up dead.

Fuyumi is also showed 'not caring' when no changes are done regarding to her in chap 302.

In the magazine version Fuyumi saying "I knew our family was broken" with an image of Enji dragging away Shōto and her mother trying to stop it, can be read as "(After Tōya's death) I knew our family was broken" and this allows her to sound like she's in pain for Tōya, Shōto and her mother.

However when the manga version changes things and have Rei hospitalized before Tōya's death, showing her having a flashback of how Enji was dragging away Shōto and her mother trying to stop it, remarks she knew her family was broken PRIOR to Tōya's death but not her feelings in regard to it. This combines negatively with how it was said she became a teacher for what Shōto suffered and paints her as uncaring for what Tōya suffered.

Again, I'm sure Fuyumi cared. It's just when "Ultra Archive" was written either Horikoshi didn't think about this part of the storyline or we weren't meant to know about it so he skipped it, and in chap 302 he merely adjusted things poorly so they ended up having implications he didn't plan.

Shōto going to preschool, where other children are, but being kept isolated by his siblings because they aren't part of the Hero world, seems a contraddiction in the story. While part of it can be due to Tōya's actions when Shōto was a baby, even after Tōya's death it will be said Shōto was kept apart from Natsuo (it's unclear if the same applies to Fuyumi) but then we see that when Shōto is in U.A. he's free to also go out without supervision so it becomes weird how (or why) Enji managed to keep him apart from his siblings, when he was allowed to spend time with whoever he wanted outside of his house... and even in his house he apparently wasn't controlled.

It also doesn't speak so great of Natsuo never attempting to connect with his little brother even if "School Briefs" tries to excuse it by saying it was due to Natsuo's grief.

When giving the green sign to "Vigilantes" Horikoshi likely completely forgot that All Might and Endeavor supposedly didn't meet for 10 years as, in chap 122, the two will cooperate to stop a Villain attack. Since “Vigilantes” takes place AFTER All Might and All for One’s big fight that injured both, it can’t be more than 6 years at the very best but, much likely, it’s less as this takes place at the end of “Vigilantes”. It’s true they didn’t really talk but still, they met.

Also both the anime and the coloured version of the manga give him red hair when, by then, his hair were while.

Credits when it's due though, I don't know if Horikoshi is behind the coloured manga version or another person does the colouring and that person took the anime as inspiration. In the black and white version Horikoshi's design for Tōya is consistent as his hair aren't coloured (while he colour red hair in black), so this could be not Horikoshi's fault.

The anime seems to confirm many scenes took place during night (except for Endeavor searching for Tōya after Sekoto Peak burned)... clearly no one was keeping an eye on Tōya if Enji never noticed how late his son got home and Rei, despite knowing Tōya went on Sekoto Peak to train, never worried about her son being up on a peak alone till late at night...

That's all I could remember/find for now.

The Todoroki storyline remains my favorite in the manga but there's no deny it was handled in a way that ended up contradicting itself, likely sometimes by mistake and sometimes due to change of plans or plot reasons. It's still a great story so don't think I believe the fact it has shortcoming means it's not enjoyable.

[mofffun]

«Rita of Gokkan» Ch.15

eng translation by me

ch: [tag] [2-3] [4-6] [7-9] [10] [11] [12] [13] [14]

timeline: ep5 (N'kosopa ch4 of 4 + Ishabana ch1 of 4)

Rita and Yanma reached an understanding after fighting together.

Rita then went to Ishabana to prove their other theory about Gira.

t/n: p11 Morphonia's kaomoji comes from the keyboard correcting はぁ～ to it.

cover:

ch15:

script:

ｐ２

でけぇ貸しができたな…

…なぜ協力を求めなかった

こんなやり方続かない…

五王国同盟があれば協力して…

五王国同盟に入らねぇ

ンコソパだけでやっていく

この国はよ…

ずっと…長い間ジャンクの上だった

ｐ３

そっから必死に這い上がってきた

最初は　先の見えねぇ　毎日

その日を生きるために　タダ同然の仕事を　何度もやってきた

それでもあいつらは

国民は

ｐ４

俺を信じて　ついてきてくれた仲間だ…

ｐ５

俺はそいつら全員に

テッペンの景色みせなきゃなんねぇんだよ

ｐ６

法の番人のあんたには分からないだどろうけどな

いや……　原始的だが　筋は通ってる

ヤンマ君～

リタ～

おい！無茶するな

足が折れてるんだぞ

ｐ７

シオカラ　けが人は

全員軽傷っす！

だからよ　裁判長

俺はラクレスの

いや　誰であろうと下に付く気はねえ

媚びねぇ　諂わねぇ

それがンコソパ総長　ヤンマ。ガストだ

ｐ８

ヤ…ヤンマくん…

やっぱかっけぇっす！

発言もイケメン…

泣くほどか？

だが　これが王としての彼なりのやり方というわけか….

ｐ９

見誤っていたのは私の方だったかもしれないな

…そっか

おい　逮捕はいいのか？

今なら楽にできんじゃねぇの？

今日はあくまで事情聴取だ

見逃してやる

ｐ１０

ありがとよ

ｐ１１

はぁ～　この後はゴッカンに帰って仕事かぁ～

いや　このままイシャバーナへ行く

え？イシャバーナ！ほんとに！

準備が必要だ　もう一つの仮説

ギラ自身が“王の資格を持つ者”であるという

ｐ１２

可能性を証明するために…

リタ　久しぶりね

ｐ１３

なにか　私に用？

用がなければ

わざわざ来るわけ無いだろう

ｐ１５

いきなりヒメノ様に突っかかって…

リタ…　穏便に終わらせてくださいよ…

[prisoner-000]

Sorry to be posting about Kazui again so soon, but I just realized DECO*27 posted a timeline comment on "Cat" yesterday! Here's what he had to say:

ENG:

Good evening, this is DECO*27. Sorry, it's been a while since the release of the music video. Kazui, how did you like "Cat"?

"I wanted you to love me like a cat."

I think everything about Kazui is in here. Also, I personally love the scene where Kazui is smoking a cigarette.

Did you find Kazui's lie, guards? Rockwell, who composed and arranged the music, also commented:

"I don't think I need to say much. It is an exploration of adult sexuality/sex appeal (unsure). I wish I had been born with such an austere voice."

Original JP under the cut (if anyone who can speak japanese themselves wants to translate!):

こんばんは、 DECO*27です。

すみません、 MV公開から時間が空いてしまいました。 カズイ 「Cat」 いかがでしたか?

「愛して欲しかった 猫みたいに」

ここにカズイのすべてが詰まっているなと思います。 あと、 個人的にカズイが煙草を吸っているシーンがすごく好き です。

看守の皆さん、 カズイの嘘は見つけられましたか?

作曲編曲を担当した Rockwellからもコメントをもらいまし

た。

多くを語る必要は無いと思います。

大人の色気の探求です。

僕もこんな渋い声に生まれたかった。。。

[crechi]

[♥♣} 𝗠𝗔𝗦𝗧𝗘𝗥𝗣𝗢𝗦𝗧/𝗟𝗜𝗦𝗧 𝚘𝚏 𝚊❲𝚗❳ ABSURDIST(s) {♠♦]

for reasons of psychological turmoil.

. 𓀬

. |=||̆̑̆̑̆̑̆̑̆̑̆̑̆=|| || 𝄙 ||| 𝄙||| ||||||| 𝄚 |||||| 𝄙 ||||| |||||||||||| 𝄚𝄚 ||||||||| 𝄚 ||||||| |||||||||||||| 𝄚𝄚𝄚𝄚𝄚 ||||||||||| 𝄚𝄚||||| ———————————————————————

...and when you stand under the striped fabric, you're home.

Links/Masterposts regarding support for the palestinian genocide:

🪄🎠

^^daily click[s]

🪁💮

^^palestine relief funds

🎈📽️📣

^^＠el-shab-hassein's masterpost of verified fundraisers, as well as a timeline documenting the events of three baseless hate campaigns

🎪🎡

^^google spreadsheet of vetted fundraisers ［organized by ＠el-shab-hassein ＆ ＠nabulsi］

🎭🎞️🔪

^^israeli/palestine history resources

🌈🍭🫧

^^simple masterdoc of helpful links

🧸🪡🧶

^^masterdoc of information and support links for palestine and other countries

⚠cw!! : SWEARING; HEAVILY COLORED TEXT; NOT ALL CONTENT WITHIN THE CIRCUS IS SUITABLE FOR ALL PATRONS, SOME ACTS ARE NSFW

♢♢♢♢♢♢♢♢♢♢♢♢♢♢♢♢♢♢♢♢♢♢⛤⛧⛥

!!c: /ooh! i'm so excited; our very own shitshow! i've always wanted a circus! ?s: /petal, does this really coun- >#m: /stuff it, ringtoy. a'course it does, when we have a clown of a screwup like you here. [>#s: ... •/ check a mirror first next time, humourfreak.]

* ♢♢♢♢♢♢♢♢♢♢♢♢♢♢♢♢♢♢♢♢♢♢⛤⛧⛥

✦✦✦✦✦✦✦✦✦◇◆◇◆◇◆✦

申し訳無い；一人にしてほしいのかどうか、わからない。

―人生そのものに関するメモ　【Personal Journal】

One-shots for my OCs:

• sleep-laced tears｡soft angst；soul monitor

• time was sweet to us, today｡bullet-train type angst；tied to death

• M｡O｡S｡ getting bullied；soul monitor

𝚠𝚛𝚒𝚝𝚒𝚗𝚐 𝚙𝚛𝚘𝚖𝚙𝚝𝚜:

• struggling empath v. reader(v tiny)

• to take comfort in mortality

𝚘𝚛𝚒𝚐𝚒𝚗𝚊𝚕 𝚙𝚛𝚘𝚓𝚎𝚌𝚝𝚜 + 𝚡 𝚛𝚎𝚊𝚍𝚎𝚛𝚜:

• cauterization carnival

• getting attached: a speedrun[x reader]: ver. 01 ; ver. 02

• what is yours, was always mine；x reader [major toxic relationship warning]

• ♥

~*c: my personal clusterfuck ‹ß

♥𝐈𝐍𝐓𝐑𝐎𝐃𝐔𝐂𝐓𝐈𝐎𝐍𝐒♠

🂠🂡...ᵐᵃⁿ. ᴵ ʷᵃⁿᵗᵉᵈ ᶜˡᵘᵇˢ ˢᵒ ᵇᵃᵈ. :[

𝟶𝟶𝟷: :] = [Hi hi! My name's crechi! it's good to know you're here, now we can get to the fun part of the act! Ooh, we're gonna have such a good time together!]

pronouns n' shit

僕の三人称代名詞と諧謔〜

🂠🃑ᶠᴵˡᵗʰʸ wₐⁿdˢ, ᴵ ᵃᵐ ᵗʰᵉ 𝐉𝐎𝐊𝐄𝐑!

𝟶𝟶𝟸: ¶: = ｛Greetings, patron! You can call me Mentally̷̡̠̝̦̜̣̲̟̔̓́̓̔̊̑�̷̬͉̤͑̋̄͝�̴̰̤̰͉̤̖̒̇̈́̉́̚̚͜�̴̡̗͎̝̼̥̹̯̫̐̆͋͒̓̀̅͘ͅ�̷̡̠̝̦̜̣̲̟̔̓́̓̔̊̑�! It's always lovely to see a new face. Why don't you stay a while? I can guarantee you it'll be fun⁓｝

🂠🃁ᵒᵘʰ! ᴵ'ᵐ ˢᵖᵃʳᵏˡᵉ ᵇᵒʸ!

𝟶𝟶𝟸-𝚊: :} = 〔My name is ̷̡̠̝̦̜̣̲̟̔̓́̓̔̊̑�̷̬͉̤͑̋̄͝�̴̰̤̰͉̤̖̒̇̈́̉́̚̚͜�̴̡̗͎̝̼̥̹̯̫̐̆͋͒̓̀̅͘ͅ�̷̡̠̝̦̜̣̲̟̔̓́̓̔̊̑�̷̬͉̤͑̋̄͝�̴̰̤̰͉̤̖̒̇̈́̉́̚̚͜�̴̡̗͎̝̼̥̹̯̫̐̆͋͒̓̀̅͘ͅ�Blind. Don't worry too much about me. I'm not supposed to be here⁓ Shh! Don't tell the others!〕

pronouns page: null{unfinished}

🂠🂱ᶜˡⁱᶜʰᵉ ᵇᵘˡˡˢʰⁱᵗ ᵍᵉᵗ!ᴵ'ˡˡ ᶠᵘᶜᵏ ʷ/ ⁱᵗ

𝟶𝟶𝟹: :/ = ⟨I'm Syva. Welcome. Don't mind the other two ‹three-ish›. They're,,, chill. Sure. Trust me. _`~ Rest with us a while. Please. You know you wanna~_＿You know you should.⟩

pronouns page: null⟨it's hard when your answer to everything is ❝uh huh, sure❞⟩

𝙋𝙀𝙊𝙋𝙇𝙀 𝙉𝙊𝙏 𝘼𝙇𝙇𝙊𝙒𝙀𝘿 𝙊𝙉 𝘾𝙄𝙍𝘾𝙐𝙎 𝙂𝙍𝙊𝙐𝙉𝘿𝙎 [𝘿𝙉𝙄 𝘽𝘼𝙎𝙏𝘼𝙍𝘿𝙎]:

× ᴛʀᴀɴꜱᴘʜ���ʙᴇꜱ

× ʜᴏᴍᴏᴘʜᴏʙᴇꜱ

× ʀᴀᴄɪꜱᴛꜱ

× ᴀʙʟᴇɪꜱᴛꜱ[ᴏꜰ ᴍᴇɴᴛᴀʟ ᴀɴᴅ/ᴏʀ ᴘʜʏꜱɪᴄᴀʟ ᴅɪꜱᴀʙɪʟɪᴛɪᴇꜱ]

× ʙᴏᴅʏ-ꜱʜᴀᴍᴇʀꜱ

× ᴀɴᴛɪ-ᴠᴀxxᴇʀꜱ

× ᴀɴᴛɪ-ᴀʙᴏʀᴛɪᴏɴ ꜱᴜᴘᴘᴏʀᴛᴇʀꜱ

× ᴀɴᴛɪꜰᴜʀʀɪᴇꜱ

× ꜰᴀɪᴛʜ ᴘᴜꜱʜᴇʀꜱ

× ᴋɪɴᴋ ꜱʜᴀᴍᴇʀꜱ

× ᴀɪ ᴀʀᴛ ꜱᴜᴘᴘᴏʀᴛᴇʀꜱ/ᴀᴄᴄᴏᴜɴᴛꜱ

× ꜱᴘᴀᴍ ᴀᴄᴄᴏᴜɴᴛꜱ

× ᴘᴏʀɴ ᴀᴄᴄᴏᴜɴᴛꜱ

^list subject to expansion

｛"pushing faith" can get a lil blurry, so to be specific, we aren't talking about anyone that openly practices or writes about religion on their blog, just people who try to tell you you're wrong for not practicing their religion｝

will this stop any of them? no, not at all.

should it help the welcome guests of the tent to report them? absolutely! what helpful visitors you are ♥️.

if we find any of you inside, count your now precious seconds. if they manage to exceed eight, thank your god and agrise.

★★

when you exist under the marquee lights of the tent,

and waltz and laugh with the fire dancers and acrobats and oddmen,

and eat at the dinner table or couch sourounded by playful faces,

and dream with the lullaby of the ballerina music box as background noise,

and when you're cared about, criss-cross applesauce beneath the concealing cloak of the striped fabric, you're home. and you're safe. And you always will be so.

★★

[810bi89chi]

【ENG】

There are several reasons why I decided to distance myself from X

Well, there are reasons for the change and AI, but...

First of all, I'm tired of the timeline of frequent arguments and fights.

The other reason is that there are too many people who don't like it.

I know that there are many different people, and there are many different ideas.

But it's unavoidable to feel bad as long as you're human

I was hurt

Accused of innocence

Someone appeared to speak ill of me

There were a lot of people who abandoned me

I was cornered

I was mentally damaged to the point where it interfered with my daily life

I was in despair, it was just painful

I don't agree that they are in the same world as me

Then until I'm gone

If I'm gone, it will be easier for me, and it's good for people who don't like me

That's what I thought

It's hard to let go of something you've cherished

But now I have no choice but to do so

And I want to take care of the people who are taking care of me now

I don't want to spend time with people who don't like me

Luckily, all the people who are involved with me now are wonderful people

I want to continue to be me for those people, i want to continue to exist

I'm sorry for the dark story

But I thought that if I didn't vent like this, it would be poisonous to my body and mind

Thanks for reading this far

Please don't forget to love yourself

【日本語】

私はXから距離を置く事にした理由は幾つかある

まあ、改悪やAI諸々も理由にはあるけど…

まずは口論や喧嘩が頻繁に流れてくるタイムラインに疲れてしまったから

もう一つは嫌いな人間が増え過ぎてしまったから

人間いろんな人がいる、いろんな考えがある、そんな事は分かっている

だけども嫌な気分になるのは人間である以上仕方がない

私は傷付けられた、

無実の罪を擦り付けられた、

私を悪く言う人が現れた、

私を見捨てる人も沢山現れた

私は追い詰められた、

日常に支障をきたす程精神的にダメージを受けた、

絶望した、とにかく辛かった

そんな奴らがのうのうと同じ世界にいる事に納得がいかない

ならば私がいなくなるまで

私がいなくなれば私自身も楽になる、私の事が嫌いな人の為にもなる

そう思った

今まで大切にしていたものを手放すのは辛い

だけどもう、そうするしかなくなってしまった

それに私は今私の事を大事にしてくれている人達の事を大事にしたい

私を嫌う人間に時間を割くのは嫌だ

幸いな事に今私に関わってくれている人達は皆素敵な人達

そういう人達の為に私は私であり続けたい

暗い話をしてしまい申し訳ない

だけどこうやって吐露しないと体にも心にも毒だと思った

ここまで読んでくれてありがとう

どうか皆も自愛を忘れないで欲しい

[mayimkjs]

Mikoto's Notable T2 Timeline Convos (JP Ver)

Taken from the FOOL's MATE research doc

T1 EN

T1 JP

T2 EN

T2 JP

Blue notes are about Mikoto

Red notes are about John

Black notes are about either or both

1) 2022/10/06, Mikoto's birthday

Sakurai Haruka ミコトさん。 あの、元気にしてますか……？ Kayano Mikoto あぁ、ハルくん。 なんだか話すの久しぶりだねぇ。 うん、大丈夫だよ。そっちは元気してた……？ Sakurai Haruka あ、大丈夫です。とても、楽しく。 あの、避けてて、ごめんなさい。 ちょっと怖くて。ミコトさんのこと、正直……。 Kayano Mikoto あー、ね。 寝てる間に暴れちゃったんだってね。僕。 ……いいよ。僕だってそうすると思うもん。 なんかさー、自分がよくわからなくてイヤになっちゃうよね……はは。 あ、それでも誕生日だから話しかけにきてくれたんでしょ？　ありがと、良い男になったね。

あぁ (Ah)

ハルくん (Haru-kun)

He extends his ね to ねぇ

うん (Yeah)

あー (Ahhh)

ね (Yeah)

僕 is used

僕 is used

He extends his さ in なんかさー to さー

イヤ

はは (Haha)

あ (Ah)

2) 2022/12/15, Kotoko's birthday

Kayano Mikoto あぁ、コトちゃん。ひさしぶり。 お互い孤立しちゃってるけど、調子はどう？ 色々あったけど、とりあえず今は仲良くしようよ。 ほら、誕生日でしょ。誰にも祝われないと思うから、お祝いにきてあげたよ。 Yuzuriha Kotoko ……呑気なものだな。 どうせお前のような凶悪な人間は次も赦されない。 その時こそ、お前の最後だよ。次は仕留める。 Kayano John あぁ？　やってみろよ、イカレがよ。 僕に害するもんは叩き潰してやる……。 徹底的に返り討ちにしてやるよ……！！ Yuzuriha Kotoko ふん。ずいぶん境界が曖昧になっているな。 お前は存在自体が罪だ。私が罰を与えてやる。 それがミルグラムの、エスの、私の選択だ。

あぁ (Ah)

コトちゃん (Koto-chan)

あぁ (Haah)

僕 referes to Mikoto.

3) 2023/10/06, Mikoto's birthday

Kayano Mikoto ……本当にいるのか、もう1人の僕ってのが。 このボロボロの服も、皆を怯えさせちゃってるのも、全部そのせいだっていうのか。 ヒトゴロシだって……。そんなの信じろっていうの無理があるだろ。 Kayano Mikoto こうして話してるのも聴こえてるの？ 聴こえてるなら返事してくれよ。 なんでこんな酷いことするんだよ。なぁ。お前のせいでこうなってんだろ……答えてよ！！ Kayano John ……あぁぁぁぁ！！ だって、俺は僕のために……！ 僕が、壊れてしまうから！！ Kayano Mikoto ーー何やってんだ、僕は……。 都合よく、答えてくれるわけないだろ。もう、全部考えるの、やめた方がいいな……疲れ た……。

僕 is used by Mikoto

なぁ (Hey)

あぁぁぁぁ (Ah, ahhh)

俺 is used by John

僕 is referring to Mikoto

僕 is referring to Mikoto

僕 is used by Mikoto

4) 2024/08/05, Kazui's Birthday

Kayano Mikoto ――いや、ね。 気持ちは、ありがたいんですけど…… 何しでかすかわかんないんで、自分でも。 ちょっと一緒にいれないよなぁって。 てか……はは、怖くないんスか。カズさん。 Mukuhara Kazui んー、仕事柄、荒れる青少年の対応は慣れっこだしなぁ。 何か事情があるんだろ。詮索する気にもならないな。 まぁ気が向いたらおいでよ。 ずっと一人でいたら気が滅入るだろ。 多少のストレス解消なら付き合ってやるからさ。 Kayano Mikoto うん……あんまり、その、頼るの慣れてないんですよね。 なんていうか、迷惑かけてる気がしちゃうんで。 その情けなさの方に耐えられないんスよね……。 我ながら、めっちゃ日本人って感じっしょ、はは……。 Mukuhara Kazui ふむ……まぁ、いいさ。 そっちの方が楽なら、無理強いはしないよ。 たださ、20代なんてまだまだ子どもだよ。 自分に厳しいのは立派だが、 多少の迷惑なんてかけても構わないと思うぜ。 なにせ、俺なんか40近くでもずっと子どものまんまだ。

――いや (Well)

はは (haha)

んスか

カズさん (Kazu-san)

うん (Yeah)

んスよね

我 might mean nothing here since its in 我ながら which means "for me to do such a thing" in this context. I'll keep an eye on this though.

はは (haha)

[ym-loreposting]

The titles of Link

In the lore of the The Legend of Zelda series, there are various incarnations of Link, some of which have gone by specific titles. However, I have noticed there is a bit of misinformation surrounding the titles of these Links, mostly from this Game Theory video: https://www.youtube.com/watch?v=5n5zZDsUffs. The video gives the following titles to each Link, based on the timeline in Hyrule Historia:

Skyward Sword: Chosen Hero

The Minish Cap: Hero of the Minish

Four Swords: N/A

Ocarina of Time/Majora's Mask: Hero of Time

A Link to the Past/Oracle games/Link's Awakening: Hero of Legend

A Link Between Worlds: New Hero of Hyrule

The Legend of Zelda/Zelda II: The Adventure of Link: Hero of Hyrule

Twilight Princess: Hero of Twilight

Four Swords Adventures: Hero of Light

The Wind Waker/Phantom Hourglass: Hero of Winds

Spirit Tracks: Hero of Trains

The video is already quite old, so the Links from Tri Force Heroes and Breath of the Wild/Tears of the Kingdom are not discussed in the video. Regardless of that, some of the titles given in the video do not exist in the games. This goes for the Hero of the Minish and the Hero of Trains. Neither the Link in The Minish Cap nor in Spirit Tracks are ever given specific titles in their respective games. In-fact, this goes for most Links in the series. Heroes with a title are the exception rather than the rule.

The most well-known exception has to be the Hero of Time, the Link from Ocarina of Time and Majora's Mask. The title predates this hero however, as it is mentioned in a prophetic legend passed down by the Sheikah that describes the events of Ocarina of Time:

When evil rules all, an awakening voice from the Sacred Realm will call those destined to be Sages, who dwell in the five temples. One in a deep forest... One on a high mountain... One under a vast lake... One within the house of the dead... One inside a goddess of the sand... Together with the Hero of Time, the awakened ones will bind the evil and return the light of peace to the world... This is the legend of the temples passed down by my people, the Sheikah.

After Link pulls out the Master Sword and sleeps for seven years, he is recognized as the Hero of Time and several people call him by the title. The inscription on the Spiritual Stone pedestal in the Temple of Time even changes to reflect this:

By the time of The Wind Waker, the Link from Ocarina of Time is considered a legendary figure who is only known as the Hero of Time. He is called as such many times throughout the games and the events of Ocarina of Time are passed down in legend and via a scroll.

The Wind Waker also features the other major Link with a consistent title. The Link of this game becomes known as the Hero of Winds after he obtains the Triforce of Courage. He is given this title by the King of Red Lions, perhaps to set him apart from the Hero of Time.

This is significant for The Wind Waker's story because in the timeline The Wind Waker is set, the Hero of Time is regarded as a legendary figure who can time travel and will appear whenever Ganondorf attacks. This is in-universe an incorrect assessment of the events of Ocarina of Time, but it does lead to the King of Red Lions and the spirits Jabun, Valoo and the Great Deku Tree to search for the Hero of Time, Link from Ocarina of Time. Jabun is initially somewhat dismissive of the new hero as a result for example.

Jabun: ツイニ　オソレテイタコトガ ウゴキハジメタ　ヨウダナ It seems that what we feared has begun.

KoRL: はい、あのガノンが蘇ったようです Yes, Ganon seems to have been revived.

Jabun: オマエガ　ワタシニアイニキタトイウコトハ トキノユウシャヲ　ミツケルコトガ デキタトイウコトダナ So does your having come to see me mean that you have found the Hero of Time?

KoRL: いえ、そうではありません No, I have not.

Jabun: デハ　オマエハ　ナニヲシニ ワタシニ　アイニキタノダ Then why have you come to see me?

KoRL: 私が連れている　この者は 伝説とは　無縁の者です ですが、この者の持つ勇気に 私は、可能性を感じました The one I have brought with me is unrelated to the legend, but I can feel potential in the courage he possesses.

Jabun: カノウセイ？ ソノカノウセイトヤラニ　ハイラルノ ウンメイヲ　マカセヨウト　イウノダナ Potential? Are you saying we should leave the fate of Hyrule up to this potential?

KoRL: はい Yes.

Jabun: ワカッタ ソノモノノ　ユウキガ　シンノモノカ ドウカハ　カミガ　ハンダンスルデアロウ I understand. We should let the gods judge whether his courage is genuine or not. (Translation by jacensolo06 :http://forums.legendsalliance.com/topic/14202-translation-of-japanese-game-texts/page-27?p=404295#entry404295)

By the point that he has gotten the Triforce of Courage, Link from The Wind Waker has proven his worth beyond a doubt and so is granted his own title to set him apart from the Hero of Time. Despite this, this Link is not referred by his title in Phantom Hourglass (and he isn't mentioned at all in Spirit Tracks).

The third hero to receive a specific title is Link from Twilight Princess, but he did not get it in his own game. He would only get one in Breath of the Wild, where this Link is called by this title in the description of the Midna's Helmet headgear and in Misko's Diary where he describes the aforementioned headgear. The title is also mentioned in the description of Midna's Helmet in Tears of the Kingdom. The inclusion of this title in Breath of the Wild and Tears of the Kingdom may have been influenced by popular Fanon around Twilight Princess, since it was also included in the Game Theory video (at which point the Link from Twilight Princess had never been given a title in-game).

The last hero who receives a title is the Link from the Oracle games. He is called the Hero of the Essences of Time and Nature, some times shortened to Hero of the Essences, after the main MacGuffins of the two Oracle titles. He receives this title from the titular Oracles in the Linked Ending of the games, after he has collected both the Essences of Time and the Essences of Nature. The title may also be tied to another prophetic legend alluded to throughout the Oracle games, similarly to the Hero of Time title. The legend is mentioned in relation to the gathering of both types of Essences, with the hero in it having a Triforce mark on his left hand and being guided by the Triforce itself. Over the course of the games, Link fullfills this prophecy:

Link... The three [triangle symbol] on your left hand symbolize power, wisdom and courage-- these are the mark of the hero who is fated to appear when peace crumbles in Hyrule. With the Essences of Nature and Time and the courage you possess, you have fought back the powers of evil! The guidance of the Triforce has made you into this legendary hero! Thank you, Link.

Other than these specific titles, there are also a few generic titles that have been shared by multiple Links (but Game Theory applied them to specific Links regardless). These are titles like the Hero of Hyrule or Chosen Hero (of the Gods/Goddesses) or Legendary Hero/Hero of Legend or Ancient Hero. See for example the Hero of Hyrule title, which is used for Link in the Legend of Zelda and A Link Between Worlds, and even the subject of a ceremony going that is about the hero in general in Breath of the Wild.

The Hero of Light is a title given to players in the multiplayer mode of Hyrulean Adventure (the main story campaign of Four Swords Adventures). It is given to the player who helped out the other players the most at the end of each stage. The same goes for the title Hero of Darkness, which is given to the most destructive player of that stage. So while the title exists, the Game Theory video does not take into account its context as a multiplayer-only title which does not exist within the story of the game. Of note is that the title "Hero of Light" is also used by the protagonist of BS The Legend of Zelda: Ancient Stone Tablets, though this protagonist is not a Link.

However, the Links we play as in the games are not the only Links in the lore. There have been other heroes in the backstory of the games, some of which have received their own titles. I believe the most well-known of these if the Hero of Men, who sealed away hordes of demons in the backstory of The Minish Cap. A more obscure one is the hero who drove away Vaati in the backstory of Four Swords and Four Swords Adventures, who is called the Four-Who-Are-One in the introduction of the latter game. This title is only used in the English version of Four Swords Adventures however and does not have an equivalent in Japanese, so I am not counting it. It is also not mentioned in other English tellings of this event in the manual of Four Swords or the manual of Four Swords Adventures.

勇者が剣をぬくと体が4つに分かれ 力を合わせて グフーを退治したといいます When the brave man pulls out his sword, his body is divided into four parts. And with their combined strength and together they defeated Gufu. (translated with DeepL)

After this, this post goes in a bit of detail about new elements introduced in Tears of the Kingdom. Spoilers follow.

The last instance of a backstory hero getting a title is the hero from 10.000 years before Breath of the Wild and Tears of the Kingdom, but he is somewhat of an outlier. In Breath of the Wild, his title of "ancient hero" is not capitalized and treated as a generic title. In certain instances of Tears of the Kingdom, it is capitalized however and treated as a title specific to him, separate from other ancient heroes who are described in the descriptions of items that reference previous games.

In Breath of the Wild and Tears of the Kingdom also, there are also outfits of Links from previous games that can be obtained. From the way these outfits are named, potential titles are implied, but they are never used in their respective games. They are the Hero of the Sky for Skyward Sword Link, Hero of the Wild for Breath of the Wild Link and Hero of Awakening for Link's Awakening Link. Personally, I would not use these as proper titles because they are never given as such.

I should say here that I do not subscribe to the timelines given in Hyrule Historia or The Legend of Zelda Encyclopedia, which may be a topic for the future, but for this post it is only relevant to know I consider Four Swords and Four Swords Adventures to feature the same Link and I also follow the placement of the Oracles between A Link to the Past and Link's Awakening. The titles as given in the games for each Link are thus as follows, including backstory heroes.

Skyward Sword: N/A

Ocarina of Time/Majora's Mask: Hero of Time

The Wind Waker/Phantom Hourglass: Hero of Winds

Spirit Tracks: N/A

Tri Force Heroes: N/A

Twilight Princess: Hero of Twilight

The Minish Cap backstory: Hero of Men

The Minish Cap: N/A

Four Swords backstory: N/A

Four Swords/Four Swords Adventures: N/A

A Link to the Past/Oracle games/Link's Awakening: Hero of the Essences of Time and Nature (Hero of the Essences for short)

A Link Between Worlds: N/A

The Legend of Zelda/Zelda II: The Adventure of Link: N/A

Breath of the Wild backstory: Ancient Hero

Breath of the Wild/Tears of the Kingdom: N/A

[birubilirubin]

Thanks to someone I rechecked the dialog in Conan

付き合うことになった

You are going out with her.

彼女を潜入するために付き合うんでしょう？

Aren't you going out with her to infiltrate?

二人の女は同時に愛せるほど器用な性分じゃないでね。

I'm not dexterous enough to love two women at the same time.

The plot goes like this:

Akai approaches Akemi – Approached her to gain her trust or to make her fall in love with him and began dating - Akemi introduces him to Shiho as a lover - Became close friends with Shiho- Infiltrated the organization through Shiho’s connections

In the dialogue above, we can know the timeline was that he has not infiltrated the organization, and he wasn't dating Akemi at that time, he just met her and there was a love bombing process to gain her trust or to make her fall in love for a few days or months. It was not that he just met her and then suddenly asked her out, unless she's really a love brain and crazy about him.

器用な性分じゃない =不器用/ 無器用

不器用 (Not very dexterous / Bad at doing things)

It means that he is not good at communicating, not good at socializing, not good at getting along like a couple.

So 愛せる doesn't refer to the literal meaning of "Love", but it refers to the contextual meaning of "Doing all the things that couples do", and he's not good at handling it. So, the indication is that he was not in 2 boats at the same time.

So the 2 women are still referring to Akemi and Jodie.

Because it's hard to find the original text. So, I only heard from the animation. So maybe there are wrong words.

84さい、嘘、本当は.....

I'm 84 years old, kidding, actually I....

Interrupted by Ai's hat falling off

....ますます興味ぶかい魅力的...

You're getting more and more interesting and fascinating (because Conan can figure out the bomber from just a few clues).

８４歳バアバに言われたかねよ

I don't want to be praised by an 84-year-old grandmother

あなたの似合い18歳よ、なんてね。

I'm 18 years old just like you, I'm kidding.

えっ??

Huh??

The full sentence becomes like this

84歳、嘘、本当はあなたの似合い１８歳よ、なんてね。

I'm 84 years old, it's a lie, I'm actually 18 like you, Just kidding.

Huh?? (You're really 18 years old??)

(So it's not ambiguous right)

まだ糸は切れていない

The thread has not been cut (Their destiny has not been cut)

糸= 運命  (thread = Destiny / Bond)

Title of this chapter 運命の人 (The destined person)

This chapter tells a lot about Akai Shuichi, from the appearance of the fake Akai, Jodie and Akai’s past, and Subaru also appears. So, the destined person refers to Akai Shuichi.

Shiratori is the one destined for Kobayashi.

Aoyama also used Ayumi's mouth to explicitly say 放っとけない人は、好きな人です (The person you worry about is the person you like).

Who is the person who worries about Haibara the most, installing bugs everywhere, having his subordinates guard her or tap her when he has to leave Kudo’s house, forbidding her from going to the crime scene, picking her up when she didn’t come home?.

Akemi said "The only thing to worry about is you, Shiho", and Akemi loved Shiho.

The title of this chapter is ‘白い雪黒い影’ (White Snow Black Shadow). All chapter titles are clues, it applies in Conan.

When Shiho first appeared the chapter was titled 白い世界 (The White World).

Thanks to Gin, we know shiho is White Snow 白い雪, and she likes Scarlet 緋色

The kanji is the same as the kanji in the chapter "The emergence of scarlet". 緋色

白い雪 White Snow refers to Shiho. It was because Shiho still has her own sense of justice although she's been in the dark world since she was a baby.

黒い影 The black shadow refers to Akai. At that time, Akai was still suspected of being black.

So the narrative trick played out like this:

Akai saw Ran, and he thought of a stupid woman (×)

Haibara saw Ran, and she thought of Akemi (×)

So X = Stupid woman = Akemi.

The animation/movie team and the most fans’ logic are like that.

"I knew it was the wrong person"

Akai probably heard that a brown-haired girl (Sonoko) was following the doctor (He already knew the doctor was Vermouth)

When Subaru met Ran and Sonoko, he immediately noticed Sonoko first. "You, browned-haired girl", he said it to Sonoko.

It can be seen that the buildings marked in both pictures are very similar, and there is no fence on the street. So it was the same place where Miyano Shiho first appeared and was shot by Gin.

The most important point is that there is a phone booth in that place. Akai also came out of the phone booth.

Then, in Vermouth's apartment there was a Shiho photo, but during the full moon chapter, Akai met Haibara, but he still said "The person I was waiting for didn't show up".

So, I assume Akai has two different targets from the FBI, I.e:

1. Finding Shiho

2. Confronting Gin

He probably thought he could find those two people with him following Vermouth, but the FBI knew nothing about them.

So his revenge on Gin was not for Akemi.

The only witness to Akemi's murder was Vodka. How could Akai know the person who shot Akemi was Gin?. It could have been another member.

That's why Akai's actions towards Gin were all related to Shiho not Akemi. These three people have a story, and only they know about it.

Then, I look at the vocabulary he used was complex and romantic, and have many implied expressions, and comparing his dialog with Ayumi's, his dialog was rarely used in daily conversation (Well, although it's an Oresama character's dialog, and don't use this grammar in daily conversation, or you will get slapped by others). Every dialog box of every character is always carefully thought out, right. So I think Aoyama designed Akai's character as a character who is quite dark, deep and has hidden feelings (deep affection).

For example:

愛しい愛しい宿敵(こいびと) 愛しい and 恋人 can not only be interpreted as dearest love, but can also be interpreted as the person he misses. So it can be interpreted as (Gin who I miss).

So 恋人(こいびと) is not referring to Akemi.

Aoyama is traditional Japanese. The use of these words is often found in classical Japanese literature (Osamu Dazai, Akutagawa, etc)

The shadow is very deep, right.

File 874

From what Bourbon said, "I met your mother and your sister".

Then Shiho (Kid) said, "You are the rival of my sister's boyfriend, Moroboshi Dai. I heard from my sister that you don't get along."

"My sister's boyfriend" in Ai's mind this misunderstanding is still not resolved. Ai didn't know it was just a fake relationship. So it wasn't Shu-Ake's official CP hammer.

"I heard from my sister" We all clearly knew Akemi is just an outsider, she wouldn't know the problem with Rye and Bourbon. Based on Rye's character he wouldn't tell her about it either. Then based on Aoyama's interview, he said "Akemi didn't remember Bourbon". It is a contradiction.

It can be inferred that "I met your mother and your sister" was when he was a child, and Akemi has forgotten about him.

So this "I heard from my sister" is Aoyama's narrative trick. Because Aoyama wanted to hide Shuichi-Shiho's close relationship. He used a patch sentence (I heard from my sister) to cover up the original information.

Then, I saw some theories from Chinese fans who argued, the dialog probably like this because I also forgot it, "Like two sisters (姉妹), I know your action".

Actually, there is no need to use complex logic to analyze the dialogue in Conan, just use simple logic. "Sisters" still refers to Shiho and Akemi not Vermouth and Yukiko. "Your action is just like two sisters" This action doesn't refer to Haibara's action of crying silently, but Haibara's action of sacrificing herself for others just like Akemi sacrificed herself for Shiho, and Akai clearly knew it. So this dialog doesn't describe Akai knowing Akemi well (because cring silently). So, the girl who cries silently still refers to Shiho (Haibara). Akai only knew Akemi sacrificed herself for Shiho (from the message she sent).

Then, In Conan, the information we get from each character is not synchronized. It happens in the case of Subaru and Wakasa's identities, so you can't line them up linearly, but you have to look at each character's perspective.

Some of Ran's behaviors can refer to several characters depending on the perspective of each character describing Ran, so Ran doesn't just seems like Akemi because they both have long black hair.

For example, in one of the daily cases. A murderer saw Ran and he saw his girlfriend's shadow because Ran's voice was similiar to his girlfriend.

In Ai's mind, Ran's characteristics, bright, kind-hearted, protect her, was the same as Akemi.

Ran wanted to go home because she was worried about Conan. But Ai suddenly shouted at her to stop her, seeing her sister's shadow. This is Ai's guilt for Akemi because she couldn't stop her at that time.

But for Akai who only always saw Ran crying alone was similar to Shiho.

And in Ai's mind Ran's behavior of always holding back her crying, pretending to smile was just like herself. So that's why Ai understands Ran's feelings because they have the same behavior like pretending to be strong.

It's in chapter 335 A Gift from The Wife, sorry I don't have a picture.

This chocolate is smiling, but its face is sad.

A face torn with pain and tears, she pushed herself too hard

Mistranslation in the English version

It should be a dialogue box for Yamamura

The dialog should be like this

"If you get in contact with Hiro-chan again. You'll talk to him about me..."

Look at the angle when Shinichi said to Ai. It has the same angle, and it's a lens language where the conversation doesn't use subject and object if there are only two of them there.

In the English version the object becomes "Her"

"I will protect her......"

If he loved her, Akai should have gone to save her when he knew Akemi was in danger, or he can spend 1000 episodes taking care of her grave. But instead he appeared to meet her younger sister with a smiling face every day.

Haibara said 守ってくれるんでしょう to Conan

....んです is an emphasis sentence.

She's emphasizing that Conan will protect her right?. Because there was someone who wanted to protect her, but he didn't keep his promise.

Spoiler M26

Many of the character settings are very OOC and slightly out of the manga. First, Akai's reaction when he found out Ai was kidnapped was calm, while in the manga he was looking for her all over the city with a sad face. Second, How could he miss it, so all those bugs are useless. Third, Ai heard Akai's voice through the intercom of the diving goggles, but she didn't respond at all, and after Conan started answering the call, but her attention was only on Conan, and she only responded with "Kudo-kun", it is not Ai-chan who will think of Moroboshi Dai when she hears that someone likes to drink black coffee. Fourth, Conan said "そんな颜してんじゃねーよ" (Don't make faces like that) to Ai-chan. The production team seemed to run out of ideas and just Ctrl+C - Ctrl+V another CP's phrase and pasted it on the popular CP, although the structure is slightly different from Akai's "そんな颜するな". Fifth, the Conan-Ai kiss that seems like a copy-paste of the Conan-Ran kiss in M2. My first reaction after reading it was that there were a lot of character setups that didn't make sense and didn't match the plot of the original manga, and it was again a recycling of the previous plot.

[sen-no-kotowari]

Lee Hyperreal Image Song “Dim Light” JP Lyrics Translation

After a week the full song was posted on Lee's Activation Day, I'm here to post my translation rendition of the JP Version of "Dim Light" (*‘ω‘ *) As mentioned in a previous post, I'll postpone the audio translyrics of Dim Light indefinitely due to poor weather conditions for recording. I'll eventually start doing it once the weather becomes a bit more stable so please look forward to that. I'll be updating this post when I do upload it.In the meantime, you can give the JP version a listen over on the official PGR JP Server's Youtube Channel! Lyrics translation are under the cut (≧▽≦)

Song Title: Dim Light Sung by: Lee (CV: Matsuoka Yoshitsugu) Producer: Vanguard Sound Studio

波間を照らす　月の明かり 螺旋の先で　希望探す 空を泳いで　俯瞰する世界の行く末

Namima wo terasu  Tsuki no akari Rasen no saki de  Kibou sagasu Sora wo oyoide  Fukan suru sekai no yukusue

In the seam of the waves shine the light of a blue moon Seeking for a hope that lies beyond this lofty spire Floating within the void is a world that holds in store a future dawning so soon

ため息をついて渦に沈んでく 自ら作った牢に閉ざされて 収束の世界　目指した未来 未知の旅へ

Tameiki wo tsuite uzu ni shizundeku Mizukara tsukutta rou ni tozasarete Shuusoku no sekai  Mezashita mirai Michi no tabi he

I deeply felt the sighs I made as I sank into the vortex I'm now ensnared inside this confinement of my own making Beyond these unopened doors, a future I'm aiming for leads to an obscure journey

懐かしき　微かな光 生命(いのち)の重み　己に刻み 煌めく願い　胸に抱き 内に秘めた想い　届け！ 決して　二度と忘れはしない あなたを

Natsukashiki  Kasuka na hikari Inochi no omomi  Ono ni kizami Kirameku negai  Mune ni hibiki Uchi ni himeta omoi  Todoke! Kesshite  Nidoto wasure ha shinai Anata wo

These dim lights that were laid bare are nostalgic Engraved deep, the gravity of life is intrinsic All of these splendid wishes, I hold dear in my heart May our bonds give strength when we're far apart Never again shall I ever forget―this I swear! My dear comrade

軌跡に沿って　後ろ向きに 星が次第に霞���でゆく 記憶辿って　夜空に悲しみがそっと惨む

Kiseki ni sotte  Ushiro muki ni Hoshi ga shidai ni kasunde yuku Kioku tadotte  Yozora ni kanashimi ga sotto nijimu

As I move along this path that faced the other way, each step I take grows hazy by the whims of the stars Tracing back the memories, I silently stare up the night sky, hiding all my scars

未知なる力が刻(とき)*の中にある 無我夢中な僕を時空(とき)**が見定める さあ、目閉じて　迎えに行こう 新たな世界を

Michi naru chikara ga toki no naka ni aru Mugamuchuu na boku wo toki ga misadameru Saa, me wo tojite  Mukae ni ikou Arata na sekai wo

In every moment we live through lies a strength inexplicable Time and space will bear witness to how I would take up the mantle So close your eyes, have faith―let's welcome with open arms The new world we'll move forward to

懐かしき微かな光 生命(いのち)の重み　　己に刻み 煌めく願い　胸に抱き 内に秘めた想い　届け！ 決して　二度と　忘れはしない I just know it

Natsukashiki  Kasuka na hikari Inochi no omomi  Ono ni kizami Kirameku negai  Mune ni hibiki Uchi ni himeta omoi  Todoke! Kesshite  Nidoto wasure ha shinai I just know it

These dim lights that were laid bare are nostalgic Engraved deep, the gravity of life is intrinsic All of these splendid wishes, I hold dear in my heart May our bonds give strength when we're far apart Never again shall I ever forget―this I swear! I just know it

灰色の翼広げて 思い馳せ��時(ばしょ)***へ羽ばたく 歪な誓い　望んだ世界 憧れた光　この手に 目と目交わし(まじわし)　改めて名を 呼び合おう

Haiiro no tsubasa hirogete Omoi haseta basho he habataku Ibitsu na chikai  Nozonda sekai Akogareta hikari  Kono te ni Me to me majiwashi  Aratamete na wo Yobiaou

Unfurling this ashen-colored wings of mine, We now take flight towards the skies we've set our hearts on The timeline I have wanted emerged from a jaded vow This ray of hope in my hand now has been granted As we call out each other, our gazes now converges A warmth surges

========

Translation Notes: * = While the kanji written is 刻(koku), it is also an alternative form of 時(toki) ** = 時空(jikuu) is space-time but in some cases, it’s accepted as toki in reference to the dimension plane *** = While the kanji written is 刻(koku), the furigana reads as (basho). In this particular line, I opted to do a liberal translation instead to connect the song’s meaning for this patch update.

[muekura]

when it comes to hibiki, their relationship with sex and relationships in general is very much a draining one. they are a give-give-give person and they have been for a very long time and breaking out from that shell of constantly gifting and giving and taking pieces of themselves out to others feels almost impossible for them to do. they know what they are doing, of course— but it’s almost detectable (though not always; what hibiki lacks in social wealth they make up in effort) how much they work on autopilot for the affection they show. you’ll have a good time with them, of course, but you won’t have proof to show of what part of you they’ve kept since they’ve given so much of themselves to you.

[hongkong-team]

來自 Tumblr 和 Automattic 的一些跨性別員工的訊息：

我們希望跨性別者和 LGBTQ+ 人群在 Tumblr 上感到受歡迎，部分原因是我們作為 Tumblr 和 Automattic 的跨性別者，希望它成為一個我們自己也感到被包容的空間。我們希望這是一個支持我們，並為我們的安全而戰的平台。Tumblr 因你的存在而變得更加明亮和充滿活力，幫助管理它的 LGBTQ+ 人員一直在內為此而奮鬥，也為你。

幾天前，Matt Mullenweg（Tumblr 母公司 Automattic 的行政總裁）回應了用戶關於帳戶暫停的問題，對 Tumblr 的 LGBTQ+ 社群產生了負面影響。我們認為，Matt 對這些回應以及他的持續評論是毫無根據和有害的。Tumblr 員工不為政策問題對審核決定發表評論，原因有幾個，包括有關人員的私穩，以及每天審核數千份報告的實用性。 這項政策的缺點是，關於我們的信任和安全團隊所採取的行動的謠言和錯誤資訊很容易不受控制地傳播。有鑑於此，我們想澄清這種情況的幾個不同部分：

Predstrogen 被暫停的事實沒有準確地傳達，看似我們正在平台上禁止跨性別女性，但情況並非如此。上面連結的貼文中分享的評論例子，不符合我們對真實暴力威脅的定義，也不是暫停帳戶的決定性因素。

此後，Matt 未能認識到暫停對社群的危害。Matt 並不代表幫助執行 Tumblr 或 Automattic 的 LGBTQ+ 人士發言，在構建對這些事件的回應時也沒有諮詢我們的意見。

去年，「成人」和「性主題」社群標籤被錯誤地應用於一些用戶的貼文。一個負責在貼文上應用社群標籤的外部承包商團隊，應對跨性別相關內容時錯誤標籤負大部分責任。當我們的信任與安全團隊發現這個問題時（這在很大程度上要歸功於社群的報告），我們取消了與他們團隊應用社群標籤的能力，並增加了更多的監督，以確保它不會再次發生。在關於這一點的團隊貼文中，LGBTQ+ 員工希望推動更加透明，但被主管層推翻了。最初的提問回覆中提到的承包商終止合約是由於一個不相關的事件，該事件被錯誤地歸咎於此事件。我們感到遺憾的是，曾經發生過錯誤的標籤，以及它對 Tumblr 上的跨性別社群產生了負面影響。

跨性別轉換時間線（Transition timeline）並不違反我們的社群規定方針，也不是審核團隊在討論暫停和隨後的申訴時考慮的因素。除非包含違反社群規定的內容，否則我們不會對與跨性別轉換或跨性別身體相關的內容採取行動。

當談到跨性別者在 Tumblr 上遇到跨性別恐懼內容和與偏執用戶互動的經歷時，我們理解並感受你的挫折感。Tumblr 的政策和 Automattic 的政策是為了確保言論和表達自由而制定的。我們禁止社群規定中定義的騷擾，但我們知道這項政策未能充分保護用戶免受常用於針對 LGBTQ+ 和其他邊緣化群體的更廣泛有害言論的傷害。

展望未來，Tumblr 正在採取以下行動：

優先考慮反騷擾功能，使用戶能夠更有效地保護自己免受騷擾。

為我們員工建立更多的內部工具，以主動識別和減輕騷擾事件。

審核哪些跨性別社群經常使用的標籤被屏蔽，並努力在下星期讓它們可以使用。

我們對這一切感到非常抱歉，我們正在積極努力，讓我們的聲音更多被聽到，並防止類似的事情在未來再次發生。我們深知作為 Tumblr 用戶，處理這樣的情況是困難的，尤其是作為一個已經經常被針對和騷擾的社群成員。我們知道重新獲得你的信任是需要時間，我們將致力於重建它的工作。

我們感謝被賦予空間來表達我們的擔憂和異議，並感謝 Matt（和Automattic）對言論自由的堅定承諾為此提供了便利。

我們將繼續為使 Tumblr 對我們所有人安全而奮鬥。

— 本宣告由 Tumblr 和 Automattic 的多名跨性別員工共同撰寫。

[kabigha-bighani]

Kabigha-bighani,

Greetings! Welcome to the circle of Bighani Everbrook, formerly known by the illustrious titles Ruekali, Arkiscya, Ikerihse, Idyraihse, and Casrileya EB. This serves as your key introduction to my domain. I urge you to peruse this information thoroughly, as it acts as a safeguard against any potential misunderstandings. Your adherence to these details is greatly appreciated, and I am eager to facilitate your understanding.

Primarily, I go by the name Bighani, and I prefer to be addressed as Hani or by any of my previous names familiar to you. The user is of age (19+), I identify as pansexual, using she/they pronouns. Born under the Aquarius sign in February, my personality is encapsulated by the INTJ classification in the MBTI framework. Notably, I proudly stand as one of the founders of Everbrook Ink-Garde, a sisterhood to which I exclusively align. I am a mother of 4 (Salome, Adroula, Aksrue, Robi), loving ate of 3 (Lualhati, Miuccia, Jaguar & the whole EB) and a non-dating.

Prior to our interaction, it’s crucial to acknowledge certain triggers that profoundly impact me. Please take note: (1) I navigate the challenges of anxiety disorder and PCOS, making any jests about these off-limits. (2) Steer clear of sharing images related to my fears: frogs, brutal murders, and cockroaches, as they may elicit a strong reaction. (3) I strongly discourage the use of ACER Terms; those employing them may face automatic blocking. (4) My timeline is a space of inclusivity, but those exhibiting homophobic, zionist, racist, colorist, sexist, insensitive, Marcos apologist, DDS, enablers, or apolitical attitudes are not welcome.

With this understanding, I eagerly anticipate our future interactions, hoping that this insight paves the way for a more meaningful connection.

sending love,

Bighani Everbrook

[mofffun]

«Rita of Gokkan» Ch.22

eng translation by me

ch: [tag] [2-3] [4-6] [7-9] [10] [11] [12] [13] [14] [15] [16] [17] [18] [19] [20] [21]

timeline: ep5

retelling of Gira's trial

ch22:

t/n:

p10: In the show, Himeno chimed in herself about the DNA test instead of Rita asking for her testimony.

p11: the Chikyuu-go is かんぜんいっち/完全一致 [completely consistent (with each other)]. Same as the show but there show has a few lines more text.

-> which should've been a warning sign because with their obvious age difference, Gira's and Racules's DNA should not have shared 100% similarity like identical twins even if they are related. I suppose it was looked over due to the subtle difference between "sameness" and "consistency".

p12: 王族が王家（自ら）のものを使い the word is written as 王家 but pronounced 自ら instead. In the show, Rita said 自分

p1 p2 これよりギラの判決言い渡す 待ってくれ！！！ 僕の話は聞いてくれないのか？！ 被告人ギラは…… p3 無罪　「ガンッ」 「シィィン…」 ……え…？ p4 …失礼　よく聞き取れなかったが 無罪だ　む　ざ　い 納得のいく説明をして頂こう p5 ギラがオージャーカリバーの生体認証を突破したことは 逆説的にギラが王の資格を持つ可能性を示している 根拠（こんきょ）のない憶測（おくそく）にすぎない いーや　裁判長が正しい …… p6 レインボージュルリラ …！ この料理はどこにも存在しない だが唯一… 十数年前に　コーカサスカブト城で供されていた記録を発見した p7 ラクレス様　国王がお呼びです こぼさす食べるんだよ p8 ギラ p9 彼の本名はギラ　ハスティー られレスの弟であり　シュゴッダムの王族だ 何を根拠(こんきょ)に… p10 遺伝子（いでんし）照合（しょうごう）の結果だ そうだな？　ヒメノラン …まぁね p11 ギラの遺伝子って変わってるわね… 「ピピピピ」 嘘でしょう？！ 本当に兄弟なの…？！ 知ってて隠していたな …… p12 反逆者が兵器を奪い破壊行為を行なったのではない 王族が王家（自ら）のものを使い 王としてやるべきことをやったのだ 法に則れば何の問題もない p13 奴が行��たのは侵略だ 民を守ったなどとなぜ言い切れる…！ 民がそう証言した いい奴だよ　褒めてくれだし めっちゃいい奴だったよ ぼくが育てた野菜のこと「素晴らしい仕事ぶり」って褒めてくれた！ 被害を訴えるどころか皆一様に恩義を感じていた 悪いやつなわけないじゃん ギラはみんなのために悪役になってくれる人なの p14 私の忠告（ちゅうこく）を忘れたのか…？ 奴（反逆者ギラ）を解放するということは この私を　私の力を敵に回すということだ p15 法とは王を穿つ矛 法とは民を守る盾 なればこそゴッカンは不動なり p16 地が裂け　天が降ろうとも このリタカニスカは揺るがない！ p17 私が無罪と言ったら 「ガンッ　ガンッ」 無罪だ！！！ 「バタン」 p18 …ありがとう 仕事をしただけだ 「ゴゴゴゴ」