#'swifties will embarass you taylor swift will ESPECIALLY embarass you'

[bloodwards]

girl PLEASE

[philcollinsenjoyer]

being a swiftie is so hard people will make fun of you other swifties will embarass you taylor swift will ESPECIALLY embarass you. but bitch when love story comes on

[homosubtext]

okay I’ve been meaning to ask you this for DAYS but now I’m here bother you AND ask this

since you seem like a fellow swiftie, are there any songs off Midnights that make you think of Sakusa, Atsumu, and/or SakuAtsu? Also what are some songs of hers in general you associate with them?

anywho I adore you, sprinkling love and kisses on your forehead 💖

my 13 years as a taylor swift fan has been prepping me for this. let’s GO

midnights

labryinth - (so far this is all i have to offer from this album cause listening to new music is overwhelming so i can only handle a few new songs at a time) this song reminds me of sakusa. the pain of realizing that you have feelings for someone and that they’re Big Feelings is so hard and i think sakusa is definitely one to be like “fuck bro not again this sucks” when he likes someone. especially since it was fucking atsumu that he fell in love with, poor omi can’t catch a break. the resignation from the beginning of the song with the line “i’ll be getting over you my whole life”. it’s as if he immediately writes it off as something that would be impossible. something that’s not for him. he doesn’t think he gets to have that, and definitely not with atsumu. so immediately he’s just like ‘okay so i guess i’ll spend the rest of my life trying to get over this loser’ without even thinking of what could be if he gave it a chance. the line “you know how much i hate that everybody just expects me to bounce back” also just feels so sakusa to me. when things bother him, people brush it off and expect him to get over it quickly, never giving him time to process and recover from things. the line “you would break your back to make me break a smile” just screams sakuatsu because atsumu just wants to break through omis icy bitchy exterior to his icy bitchy interior <3

evermore

gold rush - oooooh man sakusa sakusa sakusa. “i don’t like anticipating my face in a red flush.” and “i don’t like that falling feels like flying till the bone crush” and “at dinner parties i call you out on your contrarian shit” is very much in character with him. the slight annoyance at blushing or being flustered around someone you like because oh my god how embarassing but also the fear of falling in love because it always feels so good until suddenly it doesn’t. onto the next, “cause it fades into the gray of my day old tea, cause it will never be” this line is similar to the part in labyrinth i mentioned. just the resignation here in accepting that this is a love that could never possibly happen

folklore

this is me trying - this song reminds me of sakusa a lot. I think he tries really hard and in relationships sometimes it may seem like he isn’t trying but he’s always giving his all.

mirrorball - i think this couples really well with ‘this is me trying’ but i think mirrorball is from atsumus pov. he doesn’t change himself for others but i think he thrives on attention and having focus on him. i think he struggles when it seems like sakusa doesn’t pay attention to him at first and I think it’s one of the first times in his life he considers changing who he is to try and get sakusa to like him. obviously he doesn’t change who he is and sakusa still ends up liking him anyway so it works out fine but yea

lover

daylight - this song makes me think of sakusa. the initial negative pessimistic outlook on love, life, people in general at the beginning contrasted with the end of the song where everything is bright and golden…… yea it’s giving sakuatsu <3

paper rings - i don’t have much to say about this one other than it makes me think of them and it’s fun and silly and i like that for them

afterglow - i think they have arguments bc they are both stubborn and assholes but i think they come together in the end to work things out

lover - the domesticity of this song just has a special place in my heart. the line “have i known you 20 seconds or 20 years” makes me think about how they met when they were kids at the training camps and then met again later in life when they both were on the same team, but things were different and they had grown up. “take me out and take me home” makes me think about how they would probably go out for little date nights but would ultimately go home together and spend time there too because sakusa is more of a homebody. the whole bridge of lover sounds like a speech that atsumu gives at the table when they have a dinner party with all their friends or something. like he just stands up and says all of that like it’s a wedding toast cause he’s over dramatic and loves kiyoomi so so much. the line “and at every table i’ll save you a seat” makes me think about how kiyoomi doesn’t like to be near other people so atsumu will save a seat next to him because he’s comfortable around him. also the “you’ll save all your dirtiest jokes for me” reminds me of them bc they’re both foul and rotten and i think it fits them

i think he knows - GOD this song is SO atsumu are you fucking kidding me. the DRAMA of the song and overreacting is so him. “wanna see what’s under that attitude” that is so so so atsumu @ kiyoomi are u fucking kidding me like he’s such a little shit about it too

reputation

gorgeous - the line “you should take it as a compliment that i got drunk and made fun of the way you talk” sakusa definitely got wasted and bullied atsumu for his accent. “you should think about the consequence of your magnetic field being a little too strong” sakusa definitely blames atsumu for making him fall in love LMAO. the line “there’s nothing i hate more than what i can’t have” yea of course sakusa kiyoomi, a youngest sibling, would say some shit like that smh.

1989

you are in love - the way this song frames loves makes me think of them. the unspoken “i love you”s that can be felt even if it is left unsaid reminds me of their dynamic. the line “one night he wakes, strange look on his face, pauses, then says ‘you’re my best friend’” !!!!! this line is so important to me !!! growing up, atsumus best friend was always osamu cause obviously ya know but there comes a point where atsumu is like ‘holy shit i think you’re one of my best friends’ to sakusa and i just think it’s a weird realization for both of them because they both know how telling and meaningful that is.

debut

teardrops on my guitar - i just think atsumu is dramatic and he would listen to this song and think about sakusa while he’s pining LMAO

whew that was probably WAY more than you bargained for but i have So Many thoughts about them !!! i will never shut up !! but thank you for asking and i hope you enjoy reading my analyses <3

[nicollekidman]

dude ...I used to hope Taylor swift was bi / a fellow lesbian out of optimism lol, because i admire her work and when seen through the lens of a closeted woman all the secrecy metaphors make a lot of sense.... it would be so fascinating and heartbreaking if it were true! but I’m getting too old for conspiracies . I dunno. What keeps you believing?

okay so! i’m gonna preface this with a few things: it’s gonna be long bc i haven’t talked about taylor in a long time and i’m having Feelings and Thoughts, and my journey with miss swift is necessarily very personal and i won’t pretend otherwise! 

firstly: i don’t think i need to “keep” being convinced. for me it’s not an ongoing search for evidence - i believe that her songs speak for themselves and all the personal clues that might or might not be reaches are just icing on the cake. 

i grew up in a country music-listening household and loved tim mcgraw when it came out as a single when i was in middle school! i was pretty much hooked on her songwriting for then on, and her albums always seemed to come out at pivotal points of my life. “we are never ever getting back together” was the soundtrack to my move to university in 2012 and 1989 coincided with my junior year which was revelatory in that it was the time when i was really coming to terms with being gay. my journey with taylor dovetails super closely with my own personal journey, in ways that i think are familiar to a lot of people. as a young girl i latched onto her storytelling and her confessional voice and then as i began to realize i was experiencing attraction to women, i found a lot of comfort and understanding in her lyrics. this happened for me really late in life compared to some people! i was 21/22 when i first identified as bi, and it wasn’t until later i began to think it was possible i was a lesbian. my experience with unlearning compulsory heterosexuality, examining my own emotional interior life, and thinking about why it took me over 20 years to even consider i could possibly love women made me look at taylor in a new light. 

i think everything i need is in her music. that’s where taylor is at her most uninhibited and truthful. i think when you look at the themes/relationships she’s been writing about since she was a teen, you can see that as long as you’re willing to suspend the presupposition that everyone is straight until proven otherwise, she writes in a way that resonates with gay women for a reason!! as a younger artist she relied on a lot of fairy tale imagery, perspective shifts, and idealized stories of love. especially when she talks about those songs.... (and she still does this), she’s always connecting them to movies, to books, to things outside of her own experience. and when she is clearly talking about herself, she takes second-person pov or otherwise spins narratives that are full of yearning and a hope for a perfect fairytale in the future. i think that mode of almost.... daydreaming about an idealized version of a love story hits close to home for us! and then her later albums are MUCH louder, with themes (as people have pointed out over and over again) that just don’t hold much weight if you view them through the lense of a very famous wealthy woman writing about equally well-to-do white men. when i hear songs about forbidden love, itching to hold the hand of your beloved in public, crying over seeing heroes die alone, spinning a portrait of a life in the future where she can share her home and her love with all her friends.... when she writes so acutely of pain and agony associated with living in a fishbowl and enduring long periods of being undercover and secretive with only stolen moments of peace/beauty.... EVERYTHING i need to believe she’s not straight is in her songwriting, which i view through the personal lense of being a gay woman myself. 

everything else... the masterposts and the powerpoints and the “clues”... those are helpful in terms of opening your eyes to the concept of PR relationships and recognizing that just because you’re fed something by a celebrity doesn’t mean it’s real, but it’s not the base of my feelings about taylor. i will say though, i originally was convinced that taylor was a lesbian because of swiftgron, what we know about the two of them publicly without any reaching was enough for me to recontexualize lyrics i thought i knew the story behind, and to start thinking about her whole body of work differently. i will say also that i was never one to follow along with taylor’s personal life until this point, i had a passing awarness of the men she was supposed to have dated but i didn’t give it much thought. however, i saw swiftgron stuff right as i was recognizing i was gay myself, so it opened my eyes and almost... gave me permission to understand that het is not the default!! then of course i’ve been active since 1989 and watced kaylor unfold in real time. it is still my belief that during the glass closeting era, they were obvious because the kaylor rumors benefited both of them and laid the groundwork for a coming out that was derailed by kissgate. everything afterwards..... well... 

i am not a fan of thinking of this as a “conspiracy” i think that that idea is perpetuated by homophobes that think that everyone is straight and assuming otherwise is somehow an insult or a gross invasion of privacy. i think the vast majority of people who think taylor is gay are doing what all swifties do, which is analyze her music with a layer of projection and personal identification. however i do think that taylor encouraged the speculation for a while, and fully intended to leverage existing kaylor fans into a solid base when she came out (which i do think was planned post-yntcd but was shelved). i think there is PLENTY to look at in her public image and personal posts/behavior that would lead to a person who is willing to look at things objectively to come to the conclusion that she wasn’t straight. she has absolute control over her image and there were too many public outings and “coincidences” to be an accident. 

HOWEVER i think that people who run blogs or talk about her gayness based on obscure clues and overanalyzing every micro-movement are missing the point and often too dedicated to their own placement as “Big Blogs” or receivers of “intel”, in a way that is mostly embarassing and myopic. i have always always been of the general opinion that we will never know every detail of taylor’s relationships, nor are we entitled to that information. she is a breathing, thinking, complicated woman with a HUGE public life and an equally huge private life that belongs to her alone. 

building a public platform based on smoke signals and secret messages and inside sources has never been something i’m at all interested in, and is largely unnecessary. her story is all right there in the lyrics of her songs, and the things she shares with us publicly. i do think there have been hints/clues in the past and they’re very fun to analyze (which she encouraged!!), but much of the digging/reaching is unnecessary! we will never know for sure until she comes out herself, but i believe that her whole body of work and her messaging speaks for itself. the only thing keeping people from more widely accepting this is truly the assumption that being heterosexual is a default, and you have to Prove otherwise with a preponderance of evidence. i readily admit all of this is influenced by my experiences and emotions as a gay woman, but everyone projects onto taylor swift. 

i’m fully convinced based on her music + her past public relationships with women like dianna and karlie + her intentional hints that she is a lesbian. however i am not interested in inventing “evidence” because she’s not on trial! and i’m happy to wait for her to come out, which i absolutely think was planned for lover era and then abandoned for various reasons!! 

[papaiablog]

1/???

Okay, so i know many of us like conspirasy theory and maybe someone saw that powerpoint presentation about Lorde and Jack Antonoff relationship. There is about 20+ slides trying to prove that Melodrama inspired by Jack (which i find kinda ridicilous cause he co-wrote album). Don’t you think that it would be embarassing for Lorde to share her storytelling lyrics to someone who involved in them, especially when topic is delicate? I’ll stop there cause everybody have their own opinion and i don’t want to depriciate human’s work on it.

Main reason why i write this post -> Here my conspirasy theory - Reputation, Lover and Melodrama about Taylor Swift and Lorde “relationship”. There is no secret that Swifties always try to find out about whom Taylor writes the songs. Some of them went to “classic way” and consider songs to her current boyfriends, some of them went to «gay way» and consider songs to one of her girl friends, for example: kaylor shippers think two last Taylor’s records about model Karlie Kloss.

I suppose i need to start already talking directly about my theory. As far as i know Ella(Lorde) broke up with first long-term boyfriend J**** L***(don’t want to involve his name) in the end of 2015. None of them named the actual reasons and that how borned variuatives of rumors from “he cheated on her” to “he couldn’t accept her unexpectedly fame”. Anyway, Lorde was left with broken heart what was the starting point for creating Melodrama which means she started partying like wild kid to sway away her pain. Honestly i don’t want to go to the 2015 timeline, the only important year for us to discuss is 2016. Firstly, i will show chronology of 2016 then we’ll talk about lyrics.

15 february 2016, LA - the huuuuge squad including Jack, Calvin, Ellie, Camila, Haim, Justin Warren ect. went to Grammy after-party (night club Hyde) organised by UMG.

29 february 2016, LA

Taylor and Ella went to another Grammy after-party organised by Vanity Fair.

On that day Taylor, Austin and Ella photographed by Mark Seliger. Fun fact: Taylor still has a framed portrait in her house.

26 march 2016, LA

Taylorde (im just tired to write their names) went to japanese restaraunt «Roku”