#'but dante a lot of the characters are over 1000 years old!'

[realityrewind]

there is no way kaeya is 22 i hate genshin

[thessaliah]

Who do you think is the villain of the event?

Before I read the event, I thought it was going to be Kiara, but even with some dangerous-creepy scenes, I feel she's being a red herring. Same for Abigail. They are definitely dangerous to keep away but I don't think they are behind the Singularity. Xiang Yu and our Moth acted as if they knew something and couldn't go to our adventures, together with other things we can take a premature guess. This is the potential culprit:

We have a lot of hints about immortality experimentation, a shipwreck, ancient chinese characters, etc. It could be connected to Xu Fu, so Qin somehow ditching the vacation, for now (event boost Servant), and acting suspiciously in the beginning is a clue. The second is why Xiang Yu couldn’t go with them. It seems this is about Hinako's old flame she forgot completely and is having dreams about them. Someone she met long before Xiang Yu and couldn’t recall their name. I need to double-check but apparently, this was back in the Xia Dynasty. I have a feeling the culprit is some combination of Xu Fu and Anqi Sheng, the immortal that appeared in one of the Moth's dreams and whom Xu Fu was dispatched to look for but didn’t return- sufficiently empty of background to get filled by whatever they want. We only know he's over 1000 years old when he contacted Qin and Xu Fu was sent to Japan to look for him. Maybe the reason why Dantes says this Singularity is too compatible with him is because it was sort of a prison for Anqi Sheng? While the woman Anqi loved forgot and moved on. Or was cursed by a nonhuman appearance. So the creature on the outline is Anqi while the human is Xu Fu - Xu Fu took 3000 boys and 3000 girls with him (or her, it’s Fate who knows), maybe in Fate, he/she performed children experiments that created an elixir to make them child-like, which explains the slender outline. 

It’s too soon to know. There could be a Lovecraft element connected to the Dreamlands so Abigail will play a role, but it does look like the source if Yu’s personal drama, and someone with ties to Qin.

[reaperkaneki]

spoiler-filled thoughts after finishing orlok’s route:

- good boy, so precious, love him to bits! he’s so pure and sweet despite being a murder machine lol. his seiyuu does an absolutely phenomenal job, to the point where toshiyuki toyonaga might have become one of my faves—not from orlok alone, but afterthis and his performance as claude he’s definitely solidified himself. the two roles sound nothing alike, the absolute madman. crying voice kino

- him being ambidextrous as a result of being naturally left handed is really funny and fitting. i did guess it early on!

- no sex in this route, which im fine with. he’s baby! he’s baby boy! he doesn’t even know what food tastes like! he’s murder machine. and especially considering his background as part of the church, he would probably want to get married first. wait, does orlok know what marriage is—

- his good and normal ends were to be expected. they came to conclusions that were obvious but felt congruous with orlok and lili’s characters in this route. i am disappointed to not learn more about emilio in this route beyond what i learned in dante’s, but i’m guessing the game will wait until the finale to explain everything (wondering if it’ll be an ozmafia situation where the context changes everything and renders the whole game moot, but i don’t think it’ll be that drastic).

- his bad end, however... holy shit that took me by surprise. utterly vile. genuinely sat there going, “oh no, oh, yikes, YIKES, oof, oh, don’t do that, don’t do that” to the point where my bf asked if i was good (wherein i proceeded to explain the entire ending to him and everyone agreed that shit was fucked up). the explanation of his backstory in that end i found trite, however. i really thought it was gonna be something like ‘orlok is secretly a falzone’ and tbh i think that would have been very sexy of them. also i feel like nicola should also be able to activate the artifact on account of being another blood relation, and there shouldve been an ending with that, but i guess due to nicola’s complete disbelief and hatred for their bloodline’s obligations, there’s no chance for it to come up in text.

- he is also basically saint germain.... 2! if sainty weren’t a jaded 1000+ year old, he would be a lot like orlok. from the culty religious background, to the mysterious assassin vibes, to the conflicting feelings over killing the heroine “for the greater good”, and even his hair is exactly the same. which explains partially why i like him despite him not being my type—SG is my absolute best boy in CR (despite there being Two characters with glasses. ah, well. the heart wants what the heart wants).

- it’s probably not fair to make so many comparisons to other visual novels given that otome relies heavily on character tropes (not a bad thing, the shorthand gives players a good idea of whether they might be into certain characters enough to pick up the game. routes and character development are the backbone of most otome, after all, unless it happens to be a mystery/thriller). buuuuut the low hanging fruit is there and i’m gonna take it.

[cbk1000]

Book Tag                                                        

Tagged by @garglyswoof

1. Favorite book of all time?

If I pick one, all the others will get jealous, and anyway, with much hand-wringing I could maybe provide a top ten list of books that are very important to me for one reason or another, but picking one solitary favourite is an impossible task, and I won’t attempt it.

2. What are you currently reading?

Leucippe and Clitophon. It’s one of the few surviving novels of Ancient Greece, and it’s delightfully bizarre, and also features an argument about how gay sex is better than straight sex, but I’m not sure it can hold a candle to that one Roman novel that involved bestiality, a man getting his face peed on, and the protagonist twice escaping peril thanks to the timely arrival of some explosive diarrhea.

3. Have you ever considered writing a book?

Why yes, yes I have. It’s the one great existential crisis of my life, actually, thanks for asking.

4. Favourite series?

These are probably all going to be fantasy, because no other genre feels like you just absolutely can’t tell a story unless it’s 22 1000+ page volumes long. (If anyone wants to call me out here, let me just point out that there are 13 fics in that series, the first three are around 30 pages, and even the longest one is only about 200. It’s about 1400 pages altogether, which is like one and a half volumes in The Wheel of Time series or whatever. So THERE.)

Phedre’s Trilogy. I love Jacqueline Carey’s worldbuilding and the concept of a bunch of pansexuals running around doinking each other and playing dangerous political murder games.

Imriel’s Trilogy. See above. There’s actually a third trilogy set in the same universe a couple hundred years later, but honestly, I didn’t find it as compelling and didn’t read the third book. The first two are grand, though.

The Banned and the Banished. I read this series as a kid and it was dark and fucked-up and further proof that my parents left me to my own devices when it came to reading and really did not vet my books, because this would have made the TIMMY SHIELD YOUR EYES list for sure. The image of a naked woman parting her knees and a bunch of spiders crawling out of her vagina is still, for obvious reasons, viscerally with me.

The Deathgate Cycle. Another childhood favourite. Just a really good old school fantasy series with some great worldbuilding; I’ve been eyeing them again lately because I’ve been in the mood for some fantasy.  

The Chronicles of Narnia. I’ve made it really clear that I’m not remotely religious, so you’d think the overt themes of Christianity might annoy me, but these are just great stories, and honestly, I don’t find them overly preachy; I think C.S. Lewis’ writing has so much to take away from it, whether the reader is devoutly faithful or an unrepentant sinner like myself.

5. Book you’d like to read?

Sea of Darkness by Brian Hicks. This is actually one of my dad’s Christmas presents. It’s about the history and discovery of the H.L. Hunley, a submarine that sank during the American Civil War. 

Nicholas II: Life and Death by Edvard Radinsky. I spotted this at the used bookstore Friday afternoon and it immediately called to the obsessive Russophile part of me, so I had a flick through it and decided I must own it. Then I remembered that I was pretty sure I’d seen the Russian edition in one of the bookstores I use for all my Russian reading needs, and rushed home to find it. I did nick a copy from e-bay, so it’s now on its way to me, and, weather permitting, in about a week we will find our way into one another’s arms and I can read yet again about the brutal demise of the Romanovs and wring my hands over it, except this time in Russian, so with 3x the misery for half the price.  

Neil Gaiman’s The View From the Cheap Seats. This is a collection of essays on writing and creating that I’ve been eyeing for a while because Gaiman has such a great attitude about writing and seems like such a down-to-earth guy who probably has some great things to say about literature and the way it shapes us. 

 The Telling Room by Michael Paterniti. It’s about cheese. Also, Kelly’s descriptions of it really intrigued me.

And Quiet Flows the Don/Quiet Don (It’s literally just Quiet Don in Russian, but the English title is And Quiet Flows the Don, I’m sure because a lot of English speakers have no idea that it’s a river in Russia.) This is a massive War and Peace sized novel on the Don Cossacks during the turbulent years of WWI and the following Revolutions that I’ve been meaning to read for a while; I’m just waiting for my Russian vocab to catch up; I think I’m going to attempt it soon.

7. Favourite fictional character(s)?

D’artagnan, the little poncing YOU WANNA’ GO?? shit

 Edmond Dantes/The Count of Monte Christo, because I aspire to those levels of revenge but I know I’m far too impatient to carry out anything so glorious.

Magdalen from Wilkie Collin’s No Name because despite restrictive Victorian conventions meant to keep women in their parlors with a dainty cup of tea, she said ‘Fuck you all, I’m gonna’ steal back the rightful inheritance you cheated me out of through cunning and deception’ and went on to outwit a bunch of men.

Pierre Bezukhov from War and Peace because he’s such a great bumbling dweebus of a well-meaning Russian aristocrat, and I’ve always had a soft spot for him

Elizabeth Bennett, Pride and Prejudice. She destroys men with only her words; a true rolemodel for us all.

8. Book Ships

Elizabeth Bennett/Mr. Darcy

Sarra Ambrai/Collan Rosvenir from Melanie Rawn’s Exiles series. At one point I was so upset by something that happens to this couple that I actually threw the book across my room

Scarlett O’Hara and Rhett Butler; they’re both terrible people, and tbh I think Scarlett totally gets what she deserves in the end, but their push and pull is so entertaining.

Jo and Laurie from Little Women and, ok, I know it doesn’t happen, I know this book was published over a century ago, but I’m still salty about it, all right??

9. Pick up the book closest to you, open page one and write down the first paragraph.

The closest book to me is a Russian translation of Ken Follett’s The Pillars of the Earth, so I walked over to the closest available English books and picked one at random. It’s a collection of Keats’ poetry:

Now Morning from her orient chamber came,

And her first footsteps touched a verdant hill;

Crowning its lawny crest with amber flame,

Silv’ring the untainted gushes of its rill;

Which, pure from mossy beds of simple flowers,

By many streams a little lake did fill,

Which round its marge reflected woven bowers,

And, in its middle space, a sky that never lowers.

10. What’s the 1st fandom you were in?

I don’t remember ever really participating in any fandom related to books. I do remember when I was a kid getting pretty into an online forum dedicated to Quest for Glory (90s point and click fantasy game), though. 

Tagging: @sunoftheguns @terriblygrimm @goldcaught @maevelin @darthrey @hellsbellschime @samcarter34

[courage-a-word-of-justice]

ACCA 2 | Nanbaka 16 | SGRS 16 | Marginal #4 2 | Classicaloid 15 | Blue Exorcist: Kyoto Saga 2 - 3 | D Gray Man Hallow 1 | ReLIFE 2 - 6

The idea for D Gray Man Hallow from now on: Once all 2016 shows are done (rewatches or not), expect the 2016 ranking.

(ACCA 2)

What in Dante’s Inferno? I’m properly listening to the OP as it was intended in the anime…and it doesn’t quite look like what I expected.

I don’t like tomatoes, so no bread for me.

This is a cute…albeit unconventional way to introduce the series’ core concepts. Also, acorn berets.

Kabocha = pumpkin, while murasaki = purple. That’s made from purple lettuce, so I don’t blame ‘em for calling it that.

Mushroomhead = Rail.

I thought ACCA paid really high if he got cigarettes for free.

Oh no, is Nino going to go against Jean?

Bihinshitsu = equipment room.

2m 22 cm is over 6 foot…wow.

Walnut-topped cake filled with nuts.

The systems managers seem really incompetent…I suspect something’s up.

The guys all deilberately seem to have the same face.

A-hah. As I thought. (Dang you, title spoiler.)

If this ED were to evolve, it would be even better than Yuri on Ice’s OP. (That’s saying something.) Unfortunately, that doesn’t seem to be happening…

Doesn’t seem like there’ll be any title spoilers next time either.

(Nanbaka 16)

I’m less likely to skip Rin! Rin! Hi! Hi! than some of the other Ops when I’m watching. That does make it slightly unwieldy as a rewatching show, though.

“Wow, he’s trash.” – Dat me.

Samon has a brother?

In a world full of filial piety, the worst one can do is to insult someone else’s family.

I’m not very good with “kept secret” stories, which is why I’m trying to do “Next to Me” well enough…at least to my standards, anyway. My standards are very high, you know.

They must’ve done something to the snacks…

(Showa Genroku: Sukeroku Futatabi-hen 3)

The fireworks are so lifelike in this ep!

Daiku Shirabe…I found out about the story from an ANN article, so I should’ve seen its appearance coming…“Tamaya” is something you yell during fireworks displays. Apparently it was the name of a fireworks company somewhere along the line.

The flattening refers to how Yota had to bow for forgiveness, but I think I kinda explained that already.

“Shinuchissei”…Yota seems to slur the end of his sentences.

I actually went “WHAT?!” at Yota not being fazed by the big daddy boss.

Note for later: The baby (I heard his name was Shinnosuke) was born November 23rd.

The jazz soundtrack really sells this show.

...so this is the rant from Daiku Shirabe. It’s fast (compared to even the usual), but it has lots of heart. Plus the showcasing of the tattoo really did its significance justice.

I think the bridge is called Matsubashi (Pine Bridge).

Yota could’ve fabricated the shaking of his hands.…wow. Yota has such yaoi hands. Just what you’d expect from a former BL artist.

I thought Yakumo was more of a cat person. Whose dog is Hanako?

Aw. I felt sorry for Matsuda, even if I have a suspicion he feigned those tears. Well, regardless, now I know Matsuda has grandkids anyway…so win win.

I knew he was either summoning the master Sukeroku II pissed off or Sukeroku himself.

“Tou-chan” was an unexpected nickname I didn’t think Konatsu would use.

Update: I thought about it, and even Shinnosuke’s name takes after the legacy. Remember? Sukeroku used to be called Shin! 

(Marginal #4 2)

One of the things that makes this show stand out is the space-styled episode titles.

Ooh. Pretty cherry blossoms.

Pan shots. Of course.

I know this isn’t the sort of show that gets too much coverage, and I even think it looks a bit ugly at times (not to mention a bit weird) but when you’re not caught up on most of the other big idol shows, this is the best you can do.

I think game boy (orange twin…er, aka R)’s trying too hard with his terms.

Now that Atom is talking about heart, it really does look like he’s a Toshiki Masuda character through and through, although he doesn’t look very angry when he sounds angry. I’ll chalk that up to the art department.

“Don’t think, feel” seems to be attributed to lots of places, so I don’t know the original source. However, since game boy (um, aka R) cites a movie star, it’s apparently Bruce Lee (if my Google-fu serves me right).

L makes stuff sound deeeeep.

WHAAAAAAAAAAAAAAT?! Rui wasn’t surprised by the juice.

Atom is such a Ryuu sometimes...

…okay, enough with the underwear jokes…The twin jokes are a bit weird. Plus the ships can be smelt from a mile away…but that’s not enough to save a show.

“Ore-sama”? I only just realised Atom uses such a term.

Enough about the lucky underwear! *flips table*

Oh, I saw Ayanokouji in the background at one point.

I’m with Rui most times, including the need for deduction.

I’m still questioning the sanity of someone who wrote an entire episode plot about lucky underwear.

Alright, since I feel brain dead after that, I’m going to drop it, meaning ACCA is the show that forges ahead. Well, I’m lucky I was hoping to watch FLCL to fill in the gap once I’m done with my 3 remaining rewatches at this point in time (ReLIFE, D Gray Man, Morose Mononokean). The latter two will have, from ep 7, fresh impressions, so hopefully you can look forward to them.  

(Classicaloid 15)

Selfies: a worldwide phenomenon…I never got into that stuff, but if I were to analyse ‘em, I’d say they tap into the human need to be self centred.

There’s something sad about seeing someone rejected, eve if that someone is a piece of trash like Sousuke…

The game the Classicaloids are playing appears to be a game of Life.

Unfortunately, Kanae’s right…again. Sad life for you, Sousuke.

Motz literally became a flippin’ Akoya, right down to wearing a dress. Plus, the Amazon brigade came back.

Aw, I really felt for the glasses guy, even if briefly.

“Basics of Programming”? Don’t need that for Garage Band, Sousuke.

Hanted house and cosplay café...

…eh? Tchaiko still calls herself a former member of Cla:Kla?

Oh. I never realised until now, but Hamamatsu + festival (matsuri) = Hamamatsuri.

With that song (Sousuke’s song), it’s a sad blooper reel.

(Blue Exorcist: Kyoto Saga ep 2)

I got a wallpaper of Shima trying not to laugh (it was from the official Blue Exorcist anime page, but only for a period around Shima’s b’day). So this ep is where it comes from.

“Bon” means “young master” anyway, so it doesn’t matter.

“…a herbal tea antidote…”

Kyoto is meant to be the imperial capital…at least around the 1700s, it was the imperial capital.

Mamushi means “pit viper”. She’s not one to mess with.

He’s got some reflexes, that Ryuji.

Uwabami is also a type of snake…I forgot which one though.

Wait, Uwabami’s the man?! Uwabami was a woman in Oumagadoki Zoo…

Seriously, are they all getting drunk on juice…? Oh, okay. So that’s what happened.

(ep 3)

Rin’s shirt says “Sankyu” in goroawase and English, LOL.

Even if you love weeds, please don’t smoke ‘em, kids.

I thought Rin was going to pull a Shaft head tilt out of nowhere when he looked back at Konekomaru.

Update: For efficiency, the tag for this one is “Chesarka watches AoEx”. However, I don’t normally refer to it as such. I’d probably refer to it as “Ao Eku” if I wee speaking (due to the season 1 DVD extras), but “Blue Exorcist” is the shortest mode of the name I’d use in typing format.

(D Gray Man Hallow ep 1)

I am familiar with this source material, so do be aware of that. However, I didn’t finish the anime the first time around, so do be aware of that too.

Sometimes the art style for this anime can be a little off. The noses can be a little too pointy and too close to the eyes, so on and so forth.Allen doesn’t even look like he’s blushing with this art style too…that’s a bit of a disappointment.

Even the golems have it in for each other…LOL.

Johnny has apparently been stealing the spotlight for quite some time, but I haven’t noticed it all that much. Probably because I read volumes 21 – 24 in one go…

I think.Cross Marian looks more like Grelle (Black Butler) than ever in colour.

Why does Lenalee have such a short skirt?

When even the masked guy has a sweatdrop, you know there’s trouble.

(ReLIFE ep 2)

Unfortunately for Kariu, I understand there is no “next time”…

I’ve found out even at 18, people don’t judge two people of different gender sitting together eating lunch…of course, cultural standards notwithstanding.

Stud earrings are fine if you play sports, I think.

According to Google-sensei, it’s only about $11, my country’s money. It’s not that much if you work…but knowing Japanese standards (which say you should focus on getting into uni before getting a job), it does seem a bit much for someone who doesn’t work and doesn’t get any allowance. So in a weird way, it does make sense to me.

...but you took Kariu’s hand when she offered you the rubber, Arata?

Hey, that joke was in Erased too.

Kazu-kun = Karamatsu…kinda. LOL.

I always seemed to understand Hishiron, and yet also understand Arata to some extent too. Maybe I’m the perfect in-between for these two. Probably because I tend to break off friendships as soon as the year ends, and yet prior friendships are a core part to my social strategy.

Unfortuately, the downside to “minimalistic” is that it’s obvious when it goes off model.

LINE sticker…LOL. LINE’s very popular in Japan.

(ep 3)

I’ve wondered whether Yayoi Sou is a lady or not. Considering the circumstances, it probably is that Sensei is a female.

Hideyo is the dude on the 1000 note, obviously.

Ah…fitness tests. The bane of youth. No one says “stupid loud” though.

Oh. Tamarai’s there around the time of Asaji’s throw.

Lookit that rabbit on Usa-sensei’s shirt. No one says “crazy athletic” either…you outdated subbers.

Akira (Inukai) is kinda like Yurio, come to think of it, eh?

Didn’t you just say it yourself (about you being old) though, Arata?

Yoake literally had a blank face there, LOL.

There appears to be a Sato GP on the way to Aoba. Huh.

Ah…a show’s a real classic if it makes you laugh every time…

(ep 4)

Where’s the guy who does sad interpretations of OPs and EDs? (This guy.)

I know your feels, Kariu. (see the Tumblr debacle for an instance of this)

There appears to be something about whales near the fishtank.

The cityscapes in this are so nice.

There’s a map of Japan on one wall of Kaizaki’s place.

Go forth, young Kariu! Pick up your fallen balls! (teehee)

CGI balls, LOL.

It’s creepy (but also dramatic) when the lights of the eyes are the last to move.

(ep 5)

Sumire! Her name means “violet” (the flower).

There are some nuances lost in translation, like yappari and the levels of formality…but those are typically lost.

This “lecture” is probably the highest point you can get in the show (so far). It’s times like this you can really see an author’s strengths in storytelling.

The piano really sells the Hishiro/Kaizaki meeting.

What a strange angle that “lean to the left” shot is.

I’ve found out swear words have a lot of leeway when it comes to levels of “oh no”. These swar words include yabai and temee. Due to the context of Wan! and the fact it was Chuuya who kept using them, I went with the nastier variants [in my scanlating days] but sometimes a non-swearing variant is enough. However, kirai (to dislike) is pretty nasty if you use it in Japanese.

Kaizaki’s delivery of these lines really sells their comedic effect. The electronic keyboard makes it sound like night, but also makes it sound 1) like night and 2) creepy, for some reason.

Freeter is almost as bad as NEET, Kaizaki.

There appears to be a 100 man (10 thousand) coin bank behind Yoake, which makes that...1000000 yen. (chorus in back: One million yen?!)

(ep 6)

Apparently someone tried to type the same Japanese words into Google and didn’t get the same results, LOL.

Hishiron uses a Mac, LOL.

“Thanks for having us” probably isn’t the right words for it. Ojamashimasu means “sorry for intruding”, but it sounds heavily formal when translated, so I can see why the subbers did what they did though.

*laughs* MDs (minidiscs)? I know what they are, even though they’re meant to be completely dead by now. Apparently they’re a product of the 90s that never caught on..although I admit I’ve never used an MD in my life, let alone held one. It does kinda look like a floppy disc, though. (chorus in back: You poke through old stuff too much, don’t you?)

Those fadeout cups are so cool! I want one.

Ah, maths. The sad thing about my life is that up until a certain point I was good at maths. Then the hard stuff came up and I started to fail.

I thought it was Third Street Oga was talking about, but it’s 3rd chome, sort of like a suburb.

Knowing An, she may have deliberately put Oga out of the way for her own purposes…if you know what I mean.

CGI car just ruined the suspenseful mood, dangit.

Sometimes I just turn off my volume and turn on some music on Spotify. That way, you can make your own soundtrack.

Why did Arata have such a dumb face in the thought bubble?

Wow, she’s a real fujoshi, that one [An].

“Dude”? I cringe so much at her use of it, despite the fact I use it myself. 

You liar, Onoya. Knowing who subject 1 was means that I know they couldn’t have even thought about that part…

[lefilmdujour]

Another 500th movie celebration

My Tumblr just reached the 1000 movies mark, so I figured it’s time I write something about my last 2 and a half years of movie viewings and recommend 50 more movies out of the ones I’ve seen since the last 500th movie celebration.

Times have been strange in the last couple of years, and my movie habits have reflected it. There have been times when watching films was all I would do, but there have also been moments of complete disconnection from the medium. I went from watching several movies every day to spending months avoiding anything to do with sitting through a movie. 

Part of it had to do with the space I share with my demons, but mostly there has been a change of pace. My laptop died, it took me months to get another one only to also die on me. On the other hand, an enormous chunk of my viewings have been in cinemas or squats, which is a very positive change but led me to watch more recent films in detriment of classics or ancient underappreciated gems. I also got my first TV in over a decade this month, and my very first Netflix account last week, so I may be exploring streaming a bit more, although so far I am not finding the experience  at all satisfying. All pointless excuses since I went through 500+ movies in a little over two years, which is not bad at all.

It was hard to pick only 50 movies this time, and the list would have probably looked a little different if I did it tomorrow. Regardless, here are 50 movies I recommend, and why. Random order, all deserving of love and attention.

Ghost World (Terry Zwigoff) - This movie is unfairly  ignored in the best comic book adaptation lists out there on the internet. The opening scene is memorable, the soundtrack is a lesson in early Blues, and the characters are quirky and well written.

Hate (Mathieu Kassovitz) - An absolute classic about the class system in France and its tendency to end up in riots. Beautiful shot and highly quotable. Saw it a few times, the last of them with a live score from Asian Dub Foundation. One of the greats.

Audition (Takashi Miike) - Whenever I’m asked about my favorite horror movie, I tend to fall back on this one. Audition is very slow, starting out soft but with an underlying tension that builds until the absolutely gut-wrenching finale that makes us question our own sanity. Brilliant subversion of the “hear, don’t see” rule, just the though of some of the sounds used in the most graphic scenes still send shivers down my spine.

Kedi (Ceyda Torun) - A Turkish documentary about street cats, what’s there not to like?

Sympathy for Lady Vengeance (Park Chan-wook) - The third in the loosely-connected Vengeance trilogy by Park Chan-wook, and my favorite of the bunch, especially the Fade to Black and White edition, in which the movie very gradually loses color as the violence grows. A visual masterpiece.

Paterson (Jim Jarmusch) - The poetry of routine. Adam Driver is one hell of an actor.

Love Me If You Dare (Yann Samuell) - Two people that obviously love each other but are not mature enough to follow it through. Frustrating. Beautiful. Made me sob.

The Exterminating Angel (Luis Buñuel) - I am realizing that a good part of this list deals with frustration. A group of people finds themselves unable to leave a party for no apparent reason. Buñuel is a genious in surrealism, I have yet to watch most of his Mexican period.

The Mutants (Teresa Villaverde) - Kids on the run from themselves. Strong visuals, very moving interactions at times. A hard but very rewarding watch. Teresa Villaverde’s entire filmography also gets a seal of approval.

Bad Education (Pedro Almodóvar) - A movie about sexuality and problematic relationships, taken to unbelievable extremes.

The Death of Mr. Lazarescu (Cristi Puiu) - The adventures of Mr. Lazarescu as he struggles to find help for the sudden pain he feels and ends up being passed on from hospital to hospital. Felt very real. Sold as a comedy, but I found it terrifying. 

The Killing of a Sacred Deer (Yorgos Lanthimos) - A classic greek tragedy brought to the modern age. My favorite Lanthimos film, ranking slightly below Dogtooth. The deadpan acting and the unnerving sound serves as wonderful misdirection.

It’s Such a Beautiful Day (Don Hertzfeldt) - Three shorts stitched together to create a confusing, philosophical, absurd, funny and deep masterpiece. The animation skills of Don Hertzfeldt needs more recognition.

Amores Perros (Alejandro González Iñárritu) - A movie so good it didn’t even had an English name. Three tales of love, violence and loss, all linked by a dog.

Endless Poetry (Alejandro Jodorowsky) - Jodorowsky’s romanticized auto-biography, played by his own sons.Bohemian and poetic.

The Passion of Joan of Arc (Carl Theodor Dreyer) - Show this movie to someone who refuses to watch silent movies. The acting is so impactful and emotional, and the use of close ups was highly unusual for the time. A 90-plus years old masterpiece.

Everything is Illuminated (Liev Schreiber) - Sunflowers.

Dunkirk (Christopher Nolan) - I have a soft spot for war movies, as to remind myself how brutal people can be to their fellow man and how meaningless the concept of nations truly is. This movie in particular achieves greatness due to its usage of sound, the best I’ve heard in recent memory.

Vagabond (Agnès Varda) - Be careful of what you wish for yourself, you may end up frozen and miserable in a ditch (spoilers for literally the first few seconds of the film).

Stroszek (Werner Herzog) - I know Herzog mostly through his documentaries. His voice brings me the feeling of a deranged grandpa sharing stories of a reality tainted by dementia. I have yet to explore his fiction work in-depth, and this has been my starting point. Stroszek is bleak and desperate but humor still shines through it at times. Ian Curtis allegedly hung himself after watching it. Not sure if this story is real, but it once more feeds into the Herzog myth.

HyperNormalization (Adam Curtis) - Put together through found footage and newscasts, HyperNormalization is an unforgiving study on how we got to where we currently are. Fake becomes real. Trust is an abandoned concept. “They've undermined our confidence in the news that we are reading/And they make us fight each other with our faces buried deep inside our phones”, as AJJ sings in Normalization Blues. Which you should also check out.

Chicken with Plums (Marjane Satrapi & Vincent Paronnaud) - A man decides to die, so he goes to bed and waits. An apparent simple plot that uncovers a world of beauty and poetry, as life passes slowly through the man’s eyes.

The Florida Project (Sam Baker) - William Dafoe was born to play the role of a motel manager. He is so natural in his role that I think he would actually be great in that job. The rest of the movie is great too, but his performance is the highlight for me.

Lucky (John Carroll Lynch) - Speaking of great performances, Lucky is Harry Dean Stanton’s final movie and a great send off. IMDB describes it best: “The spiritual journey of a ninety-year-old atheist.“

Paris, Texas (Wim Wenders) - More Harry Dean Stanton. The desert plays a more than decorative role in this wonderful movie, representing the emptiness that comes from estrangement. A story about reunion and all that can come from it.

On Chesil Beach (Dominic Cooke) - I sometimes cry in movies, but this one shook me to the core. A play on expectations and reactions and their devastating impact on relationships. We all fuck up sometimes. Try not to fuck up like these characters did, not on that level, you will never be able to make up for it.

The Royal Tenenbaums (Wes Anderson) - An absolute classic. A movie about the concept of family.

No Country for Old Men (Coen Brothers) - Murder mysteries and bad haircuts.

Dawson City: Frozen Time (Bill Morrison) - I highly recommend this documentary for anyone who professes their love for cinema. The story of how hundreds of lost silent movies were preserved though sheer luck and human stupidity. Seeing these damaged frames coming back to life is truly magical.

Mandy (Panos Cosmatos) - Some films turn into cult experiences through the years, some selected few are already born that way. Mandy is a psychedelic freak-out and Nicholas Cage fits like a glove in its weirdness. If you didn’t catch it while in cinemas, you’re already missing out on the full experience. Mandy is filled with film grain, which adds to the hallucinogenic experience with its continuous movement, a feature that does not translate when transferred to a digital medium. 

City of God (Fernando Meirelles & Kátia Lund) - A masterpiece of Brazilian cinema, very meaningful and relatable if you grew up in a similar environment. One of the most quotable films in my memory, something that gets lost in translation if you don’t speak Portuguese. My Tumblr is mostly pictures because I “só sei lê só as figura”.

Loro (Paolo Sorrentino) - On the topic of languages, I watched this Italian movie with Dutch subtitles, by mistake. It is actually an interesting exercise, watching something without fully grasping every word and letting your mind patch the pieces together to make a coherent narrative. Impressive cinematography, amazing script. I learned a lot about corruption, not everyone has a price. I also learned I can speak Italian now.

Roma (Alfonso Cuarón) - Beautiful shot, every frame of it can be turned into a picture. Roma is about the meaning of family, seen from the eyes of someone who will never be part of it. A lot of people considered this movie boring and pointless. These people probably have maids at home.

Bad Times at the El Royale (Drew Goddard) - Engaging heist movie, well developed characters, amazing soundtrack.

Melancholia (Lars von Trier) - The World is coming to an end and the date and time has been announced. How would you react to these news? Would it matter?

Climax (Gaspar Noé) - A very scary experience, equal parts trippy and evil like all Gaspar Noé’s movies. A dark ballet that that shocks and confuses the senses. Dante’s Inferno.

Fish Tank (Andrea Arnold) - A strong story about ambitions, neglect and survival. Katie Jarvis is very realistic in her performance, a little too much judging by her history after the movie.

A Girl Walks Home Alone at Night (Ana Lily Amirpour) - An Iranian feminist movie about vampirism and records. Watched it with live score from The Black Heart Rebellion for extra cool points.

Another Day of Life (Raul de la Fuente & Damian Nenow) - Based on Ryszard Kapuściński‘s autobiography, Another Day of Life consists of rotoscopic animation sprinkled with interviews. A look at the Cold War in the African continent, and an important watch for everyone, especially Portuguese and Angolan nationals.

Once Upon a Time in Hollywood (Quentin Tarantino) - Rich in dialogues and paced very slowly until the insane climax, this is probably the best Tarantino film after Pulp Fiction. Filled to the brim with cinematic references, it’s a delight to all film nerds. Looking forward for an Bud Spencer/Terrence Hill film adaption with Leonardo Dicaprio and Brad Pitt after this.

The Beach Bum (Harmony Korine) - Google’s top voted tags: Boring. Mindless. Cringe-Worthy. Forgettable. Slow. Illogical. Looks like this movie didn’t resonate well with the audiences, but then again Harmony Korine’s stuff is not for the masses. I personally think this is one of his best movies, a true exercise on nihilism. The main character is lovable and detestable in equal parts, and every action is pointless. Such is life, the only meaning it has is attributed by yourself.

The Mirror (Andrei Tarkovsky) - A man reflects on his life. Memories tend to get fuzzy, conflicting and confusing. More like a poem than a narrative. A dreamy masterpiece.

The Spirit of the Beehive (Víctor Erice) - The most charming child of this list, she couldn’t memorize the names of the characters she interacted with so they were changed to the names of the actual actors. The innocence of childhood in dark times.

A Pigeon Sat on a Branch Reflecting on Existence (Roy Andersson) - A series of absurd vignettes connected by a pair of novelty items salesmen and their struggle to bring a smile to a grey World. Slow, but humorous and delightful. An unconventional and memorable ride.

Man Bites Dog (Rémy Belvaux, André Bonzel & Benoît Poelvoorde) - Fake documentary about a serial killer. Heavy, gruesome and hard to watch, despite the false sense of humor in some scenes.A glimpse at the darkness of human nature.

Tangerine (Sean Baker) - Shot with cell phones. A story about love, gender and friendship. Funny, sad, touching.

The Guilty (Gustav Möller) - Focused on a shift of an emergency dispatcher, the camera focuses only on his face and phone interactions with the callers.A very effective thriller, its setting leads us to create our own narratives just to subvert them at the most unexpected times.

Cold War (Paweł Pawlikowski) - Loosely inspired in Pawlikowski’s parents, Cold War is a beautiful love story set against impossible odds. Powerful and heartbreaking. 

Parasite (Bong Joon-ho) - Poor family scams rich family. Rich family takes advantage of poor family. Everybody feeds off of everyone. Drama/Comedy/Thriller/Horror/Romance about control, delivered in a masterclass on cinematic rhythm. Best film of its year for me.

The Straight Story (David Lynch) - More than the fact that this movie is radically different than the remaining Lynch work, The Straight Story is a wonderful exercise in pacing and storytelling. Mr. Straight’s stories allow us to fill in the blanks with our imagination, and their impact in him is also felt in us. An underappreciated gem in its apparent simplicity.

Thank you very much for reading.

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Where do insights come from?

“That’s a slogan, not an idea” says the character Don Draper in a great scene in the TV-series Mad Men where he as the chief creative director is evaluating a line for an campaign.

It sure is an important ability to be able to make the distinction between different kind of concepts – and as we just saw in the last writing, understand and tell the difference between an idea and an insight.

In the book ‘Catching the Big idea’ a great idea is defined as: “An idea is only a good idea if it solves a problem.” This statement goes to show the importance of  starting with an insight as the problem (tension, dilemma or somewhat emotional dissonance) that the idea can tap into.

While the connotations of the word insight may have been seen as somewhat softer and non-business than words like ‘strategy’and ‘ideas’then insights are the very foundation for both.

Insights are so important that getting them should not be left to chance. But nobody said it was easy – we cant just rely on one source for getting insights.

Because as we now know about interviews then people lie to researchers. For instance many will exaggerate they sex they have and under report their alcohol consumption.

Another example: Only 27% of respondents expressed a positive attitude about Porsche 911 drivers … yet 89% agreed “it would be my lucky day” if given a chance to be one (Weeks & Williams JM 2006)

Well. as J.P. Morgan famously put it: “a person does things for two reasons: a good reason and a real reason”.

So to get to get true insight calls for observation and interpretation – and having and nurturing a certain mindset on things.

Of course new technology can help us with data but to as digitalization, AI and big data gets more and more wide spread then it will be harder to use to get a competitive advantage for insights in it self as it is not unique to your company and will in many cases show you what others also can see.

But you are the real software. Your‘analogue’ability to observe and read- and recognize patterns will be a very valuable asset in the digital future. That is why it is so essential to learn from the mind tricks of the trades of the old Mad mens mindset

So what is their secret source for getting insights?

I should say from working with brilliant ad people through the years that what they all had as a trait was that they were eclectic in the sense that they were selecting or choosing from various sources.in their life style and work – and just live with and open mind talking to people where ever they go.

The famous ad man Paul Arden once visited Copenhagen to helpthe local Saatchi & Saatchi office on a national campaign platform for the Danish brewery Carlsberg. At the time the brewery in all foeigh markets ran probably the best tag line in the world: ‘Probably the Best Beer in the World’

But first of all that was not an idea in it self, second of all it would make not much sense for the home market to talk about the world (as the saying goes here ”Where would you buy your bread: form the  baker who says ’The best bread in the world’, the one who says : the best bread in town’or the one who says’the best bread in the whole street?).

When out for dinner with the agency one night Arden look to the table next to his and saw the guys there we’re drinking Carlsberg pilsner. He turned to them as said ’Do you min asking you: Why do you drink Carlsberg?’ Now in this case the two Danes were proud to state their choice of beer brand and said as with one voice: ”Because it is our beer.”

The insight into the Danish pride in their very own beer and the immediate willingness to stand up for it as their both national and personal treasure gave the idea for the locally legendary and long running ”Our beer”campaigns.

So talk to everybody. Not to interview them but just to get an immediate response and a whiff of whats going on and why they do what they do.

So where do insights come from? As we see inisghts can come from anyone, anywhere. you pick them by watching and listening – and then try so make sense of the common, with your common sense, intuition and interpretations.  

Understanding the world and human behaviour is something that is a lifetime task and you get better with experience. As Jon Steel says it in his great book ‘Truth, Lies and Advertiisng’: It takes five years to become a good planner’. But we can all agree that it doesn't end there.

To constantly get better you must like a sponge passionately soak in all of the aspects from human life. Just as you may find insights from a multitude of sources you also can cultivate your mindset to be receptive and ready to recognize insights as you encounter them.

Reading is a great short cut to experience. So is talking to experts along with people watch and making small talk in everyday life with friends, colleagues and strangers in the street. Talk to extreme users and high spenders and newbies and non-spenders.

Talk to people at both end of the bell curve, not just the middle mainstream. Go to get the extremes without prejudice to find new insights. Like a colleague I had who interviewed prostitutes for a chewing gum brand who wanted understand users from all walks of life better.

Read.

Read texts from and talk to anthropologist, psychotherapists, philosophers and priests.

Read classic literature as Fjrdor Dostojevskij, Milan Kundera and other great writers who provide great insight into the dilemmas of human existence. 

 In Mad Men you’ll see Don Draper read Dantes Inferno. That’s not just some prop placed in the actors hand. It offers a hint on how the creative character thinks and arrives at his insights and ideas.

Subscribe to blogs, channels, magazines and channels on contemporary and popular cultureRead newspapers. All sections – not inly the business and sports section.

Immerse in live cuture: Go to comedy shows, concerts, talks, readings, debates, the cinema and theatre – just jist rely on streaming at home: You’ll get another experience both from having – not only the luxury but also the intensity – of having people performing live n front of you while sensing tehuman reaktions from the people in the audience around you.

But do also watch popular and not so popular streaming series, films and documentaries. Look through 1000 ads at www.adsoftheworld.com and deduct the idea behind the ad and the insight behind the idea. Rewinding reality like that will sharpen your ability to recognize good insights.

Sounds like a lot of work. But its not. It's a way of life and a way of looking at the word -  and a quite enjoyable one. An in this view the world is not flat, it is deep and with exiting  tensions right under  the surface, just waiting to be discovered and resolved.

So think in depth not just breadth, but drill down multiple places to extrapolate the findings over the white spaces of the map and connect the dots with the strongest contradictions.

Insights can come from anyone everywhere, but I also learned at a young age in advertising: Don’t waste your time on people who can’t help you. Fortunately the world is full of wonderful, authentic and original people everywhere willing to reveal their hopes and fears so you and get an in-depth understanding of people and how and why they do what they do and reach and arrive at an insight.

An insight that here may be more of a hunch, a gut feel, but that you can frase into a hypotheis that you can test with some of the newst applies digital data technology – or just the good old analogues way: See if people smile when you share your insight :-)