#''you should focus on the good things'' ''should i focus on you then?''
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pucksandpower · 1 day ago
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Fourth Time’s the Charm
Max Verstappen x Norris!Reader
Summary: it starts, as all the best things do, with a bet (“If I win the race tomorrow and take the championship, you owe me a favor. Anything I want.”)
Note: thank you so much to @altxanna for the fantastic idea
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The lights of the Las Vegas strip pulse outside the massive floor-to-ceiling windows of Max’s penthouse, but neither of you cares. You’re both tangled up in each other under the covers, limbs lazily draped and intertwined. The TV is playing some action movie you both stopped paying attention to an hour ago, the volume low, serving as nothing more than background noise.
“You’re awfully quiet tonight,” you say, your voice soft as you trace a finger along Max’s arm, admiring the way his muscles shift beneath his skin.
“Just thinking,” he murmurs, resting his head against the pillow. His accent wraps around the words in a way that feels so familiar it’s comforting.
“About the race?” You ask, already knowing the answer.
Max turns his head to look at you, his blue eyes catching the dim light from the window. “What else would I be thinking about?”
You hum, tilting your head in mock thought. “Oh, I don’t know. Maybe about how your girlfriend is ridiculously good-looking? Or how lucky you are to have me?”
His lips quirk into a smile, the kind that’s as much in his eyes as it is on his face. “You’re right. I should focus on what really matters.” He shifts slightly, leaning closer to you. “You’re ridiculously good-looking, and I’m very lucky.”
You laugh and shove his shoulder lightly. “That’s better.”
He catches your hand before you can pull it away, his fingers lacing with yours. His expression grows more serious as he says, “But yes, I’m thinking about the race. I’m thinking about winning.”
You roll your eyes at the sheer confidence in his tone. “You think you’re going to win.”
Max raises an eyebrow. “Think? I know I’m going to win. You don’t believe in me?”
“Oh, I believe in you,” you say, smirking. “I just also believe in my brother. And if Lando finishes ahead of you, the title fight goes to Qatar.”
He groans dramatically, letting his head fall back against the pillow. “Don’t remind me. The idea of dragging this out another week …”
“What, scared Lando might pull it off?”
He narrows his eyes at you, feigning offense. “Scared? Me? No. I’m just saying it would be … inconvenient.”
“Uh-huh.” You grin, shifting onto your side to face him fully. “I don’t know, Max. Lando’s been looking pretty good lately. He might surprise you tomorrow.”
Max’s hand slides to your waist, pulling you closer. “You’re really going to sit here, in my bed, and tell me your brother is going to beat me?”
“I’m just saying it’s possible,” you tease.
He shakes his head, but there’s a spark of amusement in his eyes. “Alright, then. If you’re so confident, let’s make it interesting.”
Your eyebrows lift. “Oh? What do you have in mind?”
“A bet,” he says simply.
You prop yourself up on your elbow, intrigued. “A bet?”
Max nods, his smirk growing. “If I win the race tomorrow and take the championship, you owe me a favor. Anything I want.”
You raise an eyebrow. “Anything?”
“Anything.”
You consider it for a moment, then ask, “And if Lando finishes ahead of you?”
“Then you get a favor. Anything you want.”
You bite your lip to keep from smiling too broadly. “You really think you’re that unbeatable, huh?”
“I know I am,” he says, his confidence practically radiating off him.
“Alright, Verstappen,” you say, holding out your hand. “You’ve got yourself a deal.”
He clasps your hand in his, his grip firm but warm. “Deal.”
You let your hand linger in his for a moment before pulling it away. “So, what’s this big favor you’re going to ask for if you win?”
He leans back against the pillows, his smirk turning devilish. “You’ll find out when I win.”
“If you win,” you correct, lying back down beside him.
“I’ll win,” he says confidently, his voice low as his hand trails down your back.
You roll your eyes but can’t help the smile that creeps onto your face. “You’re insufferable, you know that?”
“And yet, here you are,” he says, pulling you closer until your head rests against his chest.
You can hear the steady rhythm of his heartbeat, and for a moment, the room falls quiet. It’s peaceful in a way you don’t get to experience often, and you savor it.
“You know,” you say after a while, your voice quiet, “if Lando does win tomorrow, it’s not because you’re not good enough. He’s just …”
“Your brother?” Max finishes, his tone teasing.
You laugh softly. “Yeah, that too. But he’s been working so hard for this, Max. You both have. It’s … complicated.”
He runs a hand through your hair, his touch gentle. “I know. But on the track, it’s not complicated. It’s just me, the car, and the finish line. No brothers, no girlfriends. Just racing.”
You tilt your head to look up at him. “And what about after the race?”
“After the race …” He pauses, his fingers brushing against your cheek. “After the race, I’m just me. And you’re just you. That doesn’t change, no matter what.”
You don’t respond right away, letting his words sink in. Then, with a small smile, you say, “You’re really not scared at all, are you?”
“Of Lando? No,” he says, his voice light. “Of you? A little.”
You laugh, shoving him lightly. “Good. You should be.”
He catches your hand again, this time pressing a kiss to your palm. “I’ll remember that.”
You let out a soft sigh, your body relaxing against his. “You’d better get some sleep, Verstappen. You’ve got a big day tomorrow.”
He hums in agreement, but instead of pulling away, he leans in, pressing his lips to your neck. “One more kiss,” he murmurs against your skin.
You close your eyes, your breath hitching slightly. “Just one?”
He pulls back just enough to meet your eyes, his smirk returning. “Maybe two.”
You shake your head, laughing softly as he pulls you back under the covers.
And for now, the world outside doesn’t matter.
***
The final lap of the Las Vegas Grand Prix feels endless. The crowd’s roar grows louder with every corner, drowning out even the hum of the engines. Your hands are clammy as you grip the edge of your seat in the Red Bull garage, your eyes glued to the screen. Max’s car slices through the neon-lit streets of Vegas, and Lando is right behind him.
It’s close. Too close.
“Come on, Lando,” you mutter under your breath, though your heart isn’t entirely in it.
Max is P5. Lando is P6. A single position apart. If it stays this way, the championship is Max’s.
You’re not sure who you’re rooting for anymore.
The chequered flag waves as Max crosses the line, and your both heart drops and soars. P5. It’s done.
“MAX VERSTAPPEN, YOU ARE THE 2024 WORLD CHAMPION!” GP’s voice explodes over the team radio, his excitement nearly incomprehensible.
Max’s laughter comes through the speakers, unrestrained and wild. It’s a sound you know all too well — relief, joy, triumph all rolled into one.
“Yessss!” Max shouts. “That was incredible! Thank you so much for this season!”
You can’t help the smile tugging at your lips, even as the realization sinks in. He won. He really won.
The camera cuts to the Red Bull garage, where the team is in chaos — cheers, hugs, champagne spraying already. Christian adjusts his headset, leaning in to speak.
“Max, congratulations, mate. What an unbelievable season. You’ve done it again.”
“Thanks, Christian. Four in a row — unreal.”
You watch the screen as Max’s car slows on the cooldown lap, weaving slightly in celebration. You know him well enough to see it, even through the helmet — the ease in his shoulders, the grin he must be wearing.
Then his voice cuts through the radio again, this time steadier, more purposeful.
“And just so you know, I’m calling in my favor now.”
Christian’s confused laugh is audible even through the crackling radio. “Your favor? What are you talking about?”
You freeze, the air catching in your lungs.
Max chuckles, low and mischievous. “I had a bet with my girlfriend. I told her I’d win tonight. She owes me a favor, and I know exactly what I want.”
Your stomach flips, a mixture of dread and anticipation.
GP’s voice comes through, confused but amused. “Are we supposed to know what this favor is?”
“No, no,” Max says, his tone casual but firm. “But you’ll find out soon enough.”
Christian presses again, trying to pry it out of him. “Come on, Max. What’s the favor?”
There’s a pause, the kind that feels deliberate, like Max is savoring the moment.
“I want to marry her. Tonight. Right here in Vegas.”
The words hit you like a bolt of lightning, your pulse racing.
GP bursts out laughing. “Wait, what? Are you serious?”
“Dead serious,” Max replies, his voice steady, no hint of hesitation.
You sit frozen, your heart thundering in your chest. Did he just-
“Max,” Christian says, a mixture of disbelief and laughter in his tone, “does she even know about this?”
“She does now,” Max says, and you can hear the grin in his voice.
The team radio falls silent for a moment, and the TV commentary fills the void as the podium finishers begin to line up. But you barely register any of it.
Max is proposing. No — not proposing. Declaring.
The camera pans to his car as he pulls into parc fermé, the four-time World Champion. The team swarms him, pulling him from the car, hoisting him into the air. The crowd’s cheers are deafening, but all you can think about is his voice in your head.
“I want to marry her. Tonight.”
You barely notice when someone taps your shoulder, Max’s PR officer. “You should get down to the celebrations,” she says, her voice brimming with excitement. “He’ll want you there.”
Your legs feel like jelly as you stand, weaving through the sea of Red Bull personnel to get to the barriers.
***
When you finally see him, his helmet is off, his face flushed from the race and grinning so wide it’s like he’s glowing. He spots you instantly, cutting through the crowd like no one else exists.
“Max,” you start, but he doesn’t let you finish.
“You heard me,” he says, his voice low but firm, his eyes locked on yours. “I want to marry you tonight.”
You stare at him, still trying to catch up. “You’re insane.”
He steps closer, his hand finding yours, his thumb brushing over your knuckles. “Probably. But I’m serious.”
“Max, you just won a world championship,” you say, trying to keep your voice steady. “You’re supposed to be celebrating, not-”
“I am celebrating,” he interrupts, his voice softening. “With you. And I don’t want to wait anymore. I’ve known for years that I want you. Why wait?”
Your heart feels like it might burst out of your chest. “This is insane. People don’t just get married in Vegas on a whim.”
He tilts his head, a teasing smile playing on his lips. “People do it all the time, actually.”
“Max-”
“I love you,” he says, his voice dropping lower. “I love you, and I want to start the rest of my life with you. Tonight. Right now.”
You can feel the weight of everyone’s eyes on you — the team, the media, everyone waiting for your reaction. But in this moment, it’s just the two of you.
“Say yes,” he whispers, his forehead resting against yours. “Say yes, and let me win you, too.”
You laugh, a shaky, breathless sound that comes out more like a sob. “You’re impossible.”
“And you love me for it.”
You take a deep breath, your hand tightening around his. “Fine,” you say, your voice barely above a whisper. “Yes.”
The smile that breaks across his face is pure joy, unfiltered and blinding. He pulls you into his arms, lifting you off the ground as the team around you erupts into cheers.
“Alright, Verstappen,” you say, laughing as he spins you. “You’ve got your favor. Let’s get married.”
***
The wedding chapel is everything you expected it to be: over-the-top, tacky in the most endearing way, and bathed in flickering neon lights. A bright red Cadillac is parked out front, its headlights beaming into the frigid Vegas night. Inside, the carpet is a deep, gaudy red, and plastic flowers line the aisle. The faint smell of cigarettes lingers in the air, clinging to the cheap velvet curtains.
It’s surreal, to say the least.
“This is insane,” you mumble, standing in a side room with Lando, who’s staring at you like he’s still trying to process what’s happening.
“You think this is insane?” He replies, pointing vaguely toward the chapel. “What about the fact that you’re marrying Max Verstappen in a Vegas chapel at 3 a.m. with a guy dressed as Elvis officiating?”
You groan, adjusting the makeshift bouquet of roses someone from the Red Bull team had pulled together. “Don’t remind me.”
Lando smirks, leaning against the doorframe. “I don’t think I have to. This is going to live in my head rent-free for the rest of my life.”
You shoot him a look. “You don’t have to be here, you know.”
“Are you kidding?” He folds his arms, the grin never leaving his face. “I wouldn’t miss this for anything. Besides, who else is going to walk you down the aisle?”
Your stomach flips at the thought. “I can’t believe this is happening.”
Lando softens a little, stepping closer. “Hey,” he says, his voice quieter now, “you sure about this? I mean, it’s Max. And Vegas. And Elvis.”
You bite your lip, your fingers fidgeting with the hem of your dress. “I’m sure.”
“Yeah?”
“Yeah,” you say, meeting his eyes. “I love him, Lando. He’s ridiculous, and he drives me insane, but I love him.”
Lando watches you for a moment, then sighs dramatically. “Well, I guess if anyone’s crazy enough to keep up with Max, it’s you.”
“Gee, thanks,” you say dryly, but your smile betrays you.
There’s a knock on the door, and one of the chapel staff pokes their head in. “We’re ready for you.”
Your heart leaps into your throat.
Lando claps his hands together, his grin back in full force. “Alright, let’s do this.”
***
The chapel is even more ridiculous than you’d imagined. A man dressed as Elvis stands at the altar, adjusting his oversized sunglasses and strumming a guitar idly as he waits. Max is already there, looking completely at ease, as if this is just another podium ceremony.
When he sees you, his face lights up, and any lingering nerves you had melt away.
“You ready?” Lando whispers, offering his arm.
“As I’ll ever be,” you whisper back, looping your arm through his.
The music starts — a surprisingly heartfelt rendition of “Can’t Help Falling in Love” sung by Elvis — and you can’t help but laugh under your breath.
“You’re walking down the aisle to Elvis,” Lando says, shaking his head. “Unreal.”
“Shut up,” you mutter, though you’re smiling.
The walk feels like it takes forever and no time at all. Max’s gaze is fixed on you the entire time, his expression soft and unguarded in a way you don’t see often. By the time you reach him, your cheeks hurt from smiling so much.
Lando hands you off with an exaggerated sigh. “Take care of her. She’s the only one who can put up with you.”
“Don’t worry,” Max says, smirking as he shakes Lando’s hand. “I plan to.”
Lando steps back, but not before whispering, “If you hurt her, I’ll crash you out next season.”
Max laughs, then turns back to you, his hands finding yours.
“You look amazing,” he says, his voice low enough that only you can hear.
“I look ridiculous,” you whisper back.
His grin widens. “Even better.”
Elvis clears his throat, drawing your attention. “Alright, folks, let’s get this show on the road!”
The ceremony is exactly as absurd as you’d expected, and yet somehow, it feels perfect.
“Dearly beloved,” Elvis begins, his voice smooth and practiced, “we are gathered here tonight to witness the union of Max and …” He pauses, looking at you with a raised eyebrow.
You realize no one ever told him your name.
“Uh,” you startle back to reality for a moment, “Y/N.”
“Max and Y/N,” Elvis continues smoothly, as if this sort of thing happens all the time.
He launches into the ceremony, peppering in car-themed metaphors and Elvis song references.
“Marriage,” he says at one point, “is a lot like a road trip. Sometimes it’s smooth sailing, sometimes you hit a few potholes, but as long as you’ve got each other, you’ll always find your way back to Graceland.”
You glance at Max, who’s barely holding back a laugh.
“Are you laughing at our wedding vows?” You whisper.
“I’m laughing at the potholes,” he whispers back.
Elvis continues, undeterred.
When it’s time for the personal vows, Max surprises you.
“I know this is all … unconventional,” he says, his hands still holding yours. “But that’s us, isn’t it? Unconventional. From the first time we met, I knew you were different. You don’t just keep up with me; you challenge me. You push me to be better, on and off the track. And you put up with all my nonsense, which is honestly impressive.”
You laugh, tears stinging your eyes.
“I promise to always be your biggest fan, even when you’re cheering for your brother,” Max continues, his voice softer now. “I promise to always fight for you, always support you, and always love you, no matter how crazy life gets.”
You’re not sure when the tears started falling, but they’re there, hot and fast.
“Your turn,” Elvis says, nodding at you.
You take a shaky breath, your voice trembling. “Max, you drive me crazy. You’re stubborn, competitive, and impossible to argue with. But you’re also kind, loyal, and the most passionate person I’ve ever met. You make me laugh when I don’t want to, and you make me believe in things I never thought I could.”
His eyes soften, and you squeeze his hands tighter.
“I promise to always stand by your side, even when you’re impossible. I promise to love you, challenge you, and never let you win a bet without a fight.”
Max grins, and the rest of the room seems to fade away.
When Elvis finally declares you husband and wife, it feels like the world stops.
“You may now kiss your bride,” he says with a flourish.
Max doesn’t hesitate, pulling you close and kissing you like the world outside doesn’t exist. The room erupts into cheers, Lando’s voice loudest among them.
When you finally pull away, Max leans his forehead against yours, his voice barely a whisper.
“We did it.”
You smile, your hands resting on his chest. “Yeah. We did.”
And just like that, Max Verstappen is your husband.
***
The rest of the night passes in a blur of laughter, chaos, and an overwhelming sense of unreality. The “reception” is cobbled together on the fly, with Red Bull team members and an assortment of drivers spilling out of limos and taxis into a nearby lounge they commandeer for the celebration.
Max stays close to you the entire time, his hand resting on your lower back or entwined with yours. Every time you glance at him, he’s already looking at you, his expression so full of love it makes your chest ache.
Eventually, you both slip away from the commotion, winding your way back to Max’s penthouse. The city hums below, the neon lights still pulsing with energy, but inside, everything feels quiet. Peaceful.
You’re curled up together in bed, the chaos of the night left behind, when Max finally speaks. “So,” he says, breaking the comfortable silence, “are you going to tell me what your favor would’ve been if you had won the bet?”
You laugh softly, shaking your head. “I don’t think you’re ready for that, Verstappen.”
His brows lift, a grin tugging at the corners of his lips. “Oh, now you have to tell me.”
You tilt your head, feigning deep thought. “Well, it would’ve been something big. Something life-changing.”
His grin widens, and he leans in closer, his voice dropping to a conspiratorial whisper. “Life-changing, huh? What, were you going to make me switch teams? Retire early?”
You smirk, letting the pause hang in the air just long enough for him to grow impatient. “A ring.”
Max blinks, caught off guard for a split second. “A ring?”
“Mm-hmm.” You trace lazy circles on his chest, pretending not to notice his stunned expression. “I was going to ask for a ring. But you, being Max Verstappen, had to be a few laps ahead and beat me to it. Like usual.”
His laughter bursts out, warm and unrestrained. “You’re telling me you were going to propose to me?”
You shrug, unable to keep the playful smile off your face. “What can I say? I wanted to beat you at your own game.”
Max shifts onto his side, propping himself up on one elbow to look at you fully. His grin is impossibly wide, his blue eyes sparkling with amusement and something deeper. “You’re unbelievable.”
“You married me,” you point out, grinning back.
“I did,” he agrees, leaning down to press a kiss to your forehead. “And I’d do it again. But I have to say, I think I prefer this version. Me proposing. You saying yes. Vegas. Elvis.”
You laugh, swatting his chest lightly. “You’re never going to let me live this down, are you?”
“Not a chance.” He’s still smiling, but his voice softens, turning serious. “I love you, you know. And I don’t care if it’s Vegas or a ten-minute ceremony or some ridiculous bet. This — us — feels right. It always has.”
Your teasing expression falters, replaced by something softer. “I love you, too. Even if you are insufferable.”
He chuckles, pulling you closer. “Insufferable and married. To you. Forever.”
You roll your eyes but can’t help the smile that spreads across your face. “Forever, huh?”
“Forever,” he repeats firmly, pressing a kiss to your temple. “And just for the record, I would’ve said yes if you’d proposed first.”
“Yeah?”
“Yeah.” His lips brush against yours, his voice barely above a whisper. “But I’m glad I won this time.”
You laugh against his mouth, your arms winding around his neck as you pull him closer. “Don’t get used to it, Verstappen.”
“I wouldn’t dream of it, Mrs. Verstappen.”
The name catches you off guard, and your heart stutters in your chest. Mrs. Verstappen. It’s ridiculous and perfect and makes you want to laugh and cry at the same time.
“You like that?” He asks, clearly noticing your reaction.
You bite your lip, nodding. “I think I could get used to it.”
His grin returns, smug and full of mischief. “Good. Because you don’t have a choice now.”
You shake your head, laughing as you lean into him, letting the weight of the night settle around you. The city lights outside keep shining, the noise of Las Vegas carrying on far below, but in this moment, it’s just the two of you.
And that’s all that matters.
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jo-com · 2 days ago
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⋆🍨。𖦹 °✩ ➛ The little Things
CEO!Max Verstappen x Fem!reader
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Summary: Gestures that Max does for you.
Genre: Hardcore fluff cause why not
Note: There are some grammatical errors and this is definitely not proofread so... Hope you guys enjoy 🤞🏻
✩₊˚.⋆☾⋆⁺₊✧ ➛ My Masterlist
─────── ─ 𐙚 ˚🍰 ⋆。─ ───────
Engraved Jewelries
"Oh my god Max! You seriously didn't have to" you beamed happily─ gently taking the small box from his hands and transferring it to yours.
You then rested the box to your lap and opened it at ease. As soon as you saw the content inside, you felt your whole body freeze for a second. Your eyes widened in disbelief and mouth slightly hung open from shock.
Max got you this diamond necklace. Real diamonds might i add, that had the two of your’s picture carved in it.
Your gaze shifted from the present and then to his standing figure─ only to see him have this satisfied smug look on his face.
It was another casual day so you didn't expect to be given such priceless gift. Max always does these things where he gives you expensive stuff without needing to have an occasion attached.
Most of the time he gives you jewelries that are somehow connected to him. It’s either bracelets that has his initials, rings with your carved nicknames, or earrings that has a small number on it. The number on his racing jacket of course.
For Max those expensive gifts that he had given you are just “small trinkets” to show everyone that you are his and only his.
The price doesn’t matter— nothing is expensive when it comes to spending things for his lady.
You settled the gift on the table and hurriedly went to him— hugging him tight as a sign of your appreciation and gratitude.
“Thank you so much love” you spoke. Slowly leaning in on him and closing the gap between you two.
Max leaned in and reciprocated your kiss, “Anything to make my girl happy.”
Leaves meeting early
It was a busy afternoon for max. He had a tons of meeting scheduled one after the other.
Right now, Max was currently in his fifth for the day.
He was bored and tired to say the least— seeing how his mind was occupied with nothing else but you. He wanted nothing more but to stay and lay down beside you.
As he stared off the distance, his phone suddenly rang out loud; causing his employees to stop mid conversation and shift their focus to the ringing.
Max took notice and grabbed his phone infront of him. He looked at the screen and saw your number calling. His once bored demeanor changed into an excited one.
One of the employees coughed making Max stare back at them. All their eyes fixiated on him.
Max quickly answered the call and put his phone near his ear. He then flickered his hands— signaling for them to continue.
“Hi pretty, how are you?” Max answered gently over the phone.
To which one of his employees heard and was shock as hell to hear something that his cold boss would never even dare mutter in their workplace.
You coughed over the other end with a hint of sniffle, “i am good baby, just caught a little cold.”
Max hurriedly asked you a bunch of questions— bombarding you with endless concerns that made your head throb a little.
After calling and talking back and forth for about 10 minutes; you answered back at him.
“It’s fine hon, i’ll be better in no time i promise. You should get back to work. Call you later okay? I love you” and with that, max ended the call, but not before saying i love you back.
He then took his attention back to the meeting at hand and swiftly corrected the position of his tie. “I think that would be all, let’s rain check this, shall we?”
His secretary was stunned and was quick to react, “but sir, we need to get this report done by tomorrow”
Max only rolled his eyes and pinch the bridge of his nose. “I have other important matters to attend to, you’ll just have to handle this one.”
The secretary was too afraid to answer back and just nodded in agreement.
He stood up and left the meeting room and drove over to your apartment— showering you with endless love and care.
Knowing you well
It was your time of the month— your lower area hurts so bad that you had to compress your stomach with your pillow.
As if on cue; Max had held on a mini tray that has all the essentials you need. (Heating pad, sweets, and coffee).
“Here my love, put this there” max spoke— handing the hot compress over to you.
You then took it and smiled weekly at him; having no energy to move your whole body and reflex.
Max went over to your side and settled the tray to your side table. Then nestled between your pillows— snuggling you closer to him.
You let out a hum and scooted even closer, “Hmm thank you baby”
“Always here for you beautiful, by the way i have your favorite movie set up. Should i play it?”
You shook your head a no and just closed your eyes, “Maybe in a minute, i want to stay like this for a while.”
Max only snuggled closer in response— kissing your head to the side. Making the two of you as comfortable in each others embrace.
Even though max is cold and scary looking, you love this side of him that you can only see. How he makes you feel so special without him knowing. It’s just those little things that make you happy and content.
Thats all!! Hope you liked that guys. Sorry for not posting for a while, senior high made my life hell for the past few months. But i’ll be updating again!! 💕💕
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aliyahwritings · 3 days ago
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THE CONTRACTED HEART — Rafe Cameron (09)
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MASTERLIST | Basketball Player & Model!Female Reader
Summary: Rafe Cameron, a basketball star, needs a marriage to fix his image, while Model!Reader needs one for citizenship. They may be the perfect solution for each other.
Warnings: smut, descriptions of violence, jealousy, usage of drugs, talks about body image/ed, angst, and lots of bickering. Reader is confident, a people-pleaser, has a traumatic past, and is a sunshine with an attitude. Rafe is a whore, possessive, cocky, and secretive about his past.
Word Count: 4.7k
Aliyah's Notes: y'all are getting fed cause this chapter and the next one are gonna be cute asf so enjoy :)
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Three days before the engagement party felt like an endless marathon, with every hour packed to the brim with decisions and errands. The morning started early—too early for your liking—as Aisha and Nina practically dragged you out of bed.
Nina, ever the “mom” of the group, had already prepared an itinerary. She stood in the kitchen, arms crossed, her phone in hand, while you slumped in a chair, still clinging to the remnants of sleep. “Alright, ladies,” Nina began, her tone brisk, “we’ve got a packed schedule. Venue first, then flowers, then caterers. We’ll fit in the designer appointment after lunch, assuming someone,” her eyes flicked pointedly toward you, “doesn’t take forever to make decisions.”
Aisha smirked, sipping her coffee as she leaned against the counter. “You know she’ll take forever. She was debating the color of napkins for twenty minutes for her birthday party.”
“Because they matter!” you protested, sitting up straighter, your natural energy kicking in. “The wrong napkin can throw off the entire table aesthetic. Imagine gold chargers with plain white napkins—horrible!”
Aisha groaned dramatically, while Nina pinched the bridge of her nose. “God give me strength,” Nina muttered in Tagalog under her breath before clapping her hands. “Alright, let’s move. The decorator is expecting us in twenty minutes, and I’m not letting us be late.”
The three of you piled into Nina’s car, and the drive to the venue was filled with your endless chatter. You couldn’t help yourself; you were excited. Ever since your night at Rafe’s, you’ve been walking around with a weight lift off your shoulders, and a smile on your face. “Okay, but seriously, do you think white and gold is too basic? Should I add a pop of color? Like blush pink? Or emerald green! Oh, that could be so chic—”
“Breathe, Miss. Yapper,” Aisha interrupted, shooting you a look from the front seat. “You’ve already settled on white and gold. Don’t backtrack now.”
“She’s just overthinking again,” Nina said from the driver’s seat, her voice calm but firm. “You always do this, sweetie. Just trust your instincts. They’re good… most of the time.”
“Most of the time?!” you repeated, feigning offense.
“Girl, you’re the one who almost ordered heart-shaped balloons for your ex’s retirement party,” your best friend deadpanned.
“He always complained about his job, alright! I thought he was happy to retire.”
The two of them burst into laughter, and you couldn’t help but join in. They always knew how to make you laugh, even when your perfectionism threatened to take over.
When you arrived at the venue, the decorator was already waiting, surrounded by samples of linens, centerpieces, and lighting options. The grand ballroom looked beautiful even in its unfinished state, with its high ceilings and floor-to-ceiling windows letting in streams of sunlight. But you could already see a million tiny things that needed to be fixed or adjusted.
Nina took charge of logistics, confirming delivery times and setups with the decorator, while Aisha kept you in check. Every time you tried to change something—a table arrangement here, a floral display there—Aisha would cross her arms and give you a warning glare.
“Focus, Y/N. You’re going to drive this poor decorator insane,” Aisha muttered as you debated, for the third time, whether the table runners should have a satin or matte finish.
“It’s not insane to want things to be perfect,” you argued, though your voice was tinged with doubt.
“It’s insane when you’re deciding between two things that look exactly the same,” Aisha countered.
“Pale beige and normal beige are completely different—”
Nina swooped in to mediate, her tone soothing. “Look, kids, both options are gorgeous. Y/N, pick one and move on. We still have three more stops today.”
You sighed, finally nodding and pointing to the matte finish. The decorator gave you a grateful smile, and you moved on to the next decision.
By the time you left the venue, your head was spinning, but there was no time to slow down. The next stop was the florist, where the three of you pored over bouquets and arrangements.
“Peonies are elegant, but are they too soft for the theme?” you mused aloud, holding up a sample.
“Peonies are fine,” Nina assured you, already checking her phone for the next appointment.
“Roses are boring,” Aisha chimed in, inspecting a cluster of orchids. “But these could work. They’re dramatic. Like you.”
You stuck your tongue out at her, earning a rare laugh from Nina. “She’s not wrong,” Nina said with a small smile.
The florist walked you through the arrangements, but your perfectionism struck again. You wanted everything to complement the aesthetic without feeling overdone. Nina stepped in when she sensed you starting to spiral.
“Y/N, just pick a theme and stick with it,” she said gently but firmly. “You can’t have every flower in the world at your party. Less is more.”
Aisha nodded in agreement. “Listen to her. She’s right. For once.”
Nina rolled her eyes but didn’t dignify the comment with a response.
Eventually, you settled on a mix of peonies, orchids, and eucalyptus, feeling a little more confident as you left the florist.
Lunch was a quick stop at a café, where you barely had time to scarf down a sandwich before heading to your next appointment. The designer fitting was a whirlwind of fabrics, sequins, and pins, with you trying on dress after dress while Nina and Aisha offered their unfiltered opinions.
By the end of the day, you were utterly spent. You stumbled through the door of your apartment, exhaustion hit you like a ton of bricks. You kicked off your heels, letting them clatter onto the floor, and flopped onto the couch with a moan. Your feet ached, your head was pounding, and the thought of the work you have for tomorrow made you want to cry.
Just as you were debating whether to order takeout or crawl into bed and call it a night. Your phone buzzed—-your new phone that you bought yesterday after losing your original one and your keys at the charity event—-on the coffee table. You reached for it, squinting at the screen.
Rafe: “Longest. Day. Ever.”
A small smile tugged at your lips despite your fatigue. You propped yourself up against the armrest and typed back.
You: “Tell me about it. I’m so dead! Who knew choosing flowers could feel like a full-body workout?”
His response came almost immediately.
Rafe: “Yeah? Well, at least you didn’t have to run for AN HOUR!!! My legs feel like they’re about to give up on me.”
You: “Poor baby. Want me to send you a trophy for Most Exhausted Future Fiancé-to-Be?”
Rafe: “Ha. Ha. So funny.”
Rafe: “Are you sure we’re not married yet? You already sound like a nagging wife.”
The audacity of him made you chuckle and roll your eyes. You typed quickly, unable to help yourself.
You: “Excuse you? If I’m a nagging wife, then you’re a whiny husband.”
Rafe: “Whatever you say, nagging wife.”
You let out a quiet laugh, shaking your head as you sank further into the couch. The teasing back-and-forth was an oddly comforting way to unwind after such a chaotic day.
You: “Seriously though, did you at least eat? Or are you surviving off your ego again?”
Rafe: “Does a protein bar and water count?”
You groaned audibly, your fingers flying across the screen.
You: “No, Rafe. A protein bar and water do NOT count. A protein bar is not food; it’s a snack. Please tell me you’ve got something decent in your fridge.”
Rafe: “Define ‘decent’…”
You: “I’m going to kill you.”
Rafe: “That’s very romantic, baby, but you’re avoiding the question. What’s the verdict? Is my fridge decent enough for you, Your Honor?”
You: “No.”
You: “Knowing you, it’s probably full of water bottles, expired vegetables, and mystery leftovers. Am I wrong?”
Rafe: “I don’t like this attack on my character.”
You: “Answer the question, Cameron.”
Rafe: “Fine. Maybe you’re right. I don’t have the energy to argue. Or to cook, for that matter.”
You sighed again, a twinge of concern sneaking past your teasing. You guessed he pushed himself hard during training, but the least he could do was take care of himself after.
You: “Alright, what do you feel like eating? I’ll bring you something.”
Rafe: “What? No. You just spent all day running around. You don’t have to do that.”
You: “Too late. I offered, and I’m not taking it back. So, what’ll it be?”
Rafe: “...You’re really doing this, huh?”
You: “Absolutely.”
Rafe: “Fine. Surprise me. Just nothing too fancy. I’m starving.”
You: “Got it. Be there in an hour.”
Rafe: “Angel.”
Shaking your head, you pocketed your phone and headed to the kitchen. After a quick assessment of what you had on hand, you decided on a simple but satisfying dish: chicken biryani. 
Cooking helped you relax after the chaotic day. The process of measuring spices, chopping onions, and stirring the pot grounded you, your mind focused on creating something warm and filling. By the time the dish was done, the air was fragrant with the scent of saffron, cardamom, and cloves.
You packed the biryani into a container, added a side of pudding kheer for balance, and grabbed some naan for good measure. After a quick freshen-up, you were on your way to Rafe’s penthouse.
When he opened the door, the sight of him hit you like a punch to the gut. Rafe stood there in low-hanging sweatpants that clung to his hips, no shirt in sight, leaving every inch of his toned chest and sculpted abs on full display. His damp hair was a tousled mess, drops of water clinging to his skin, catching the light as they slid down the defined lines of his torso. He leaned casually against the doorframe, his gaze raking over you with a mix of cocky amusement and exhaustion. The lazy grin tugging at his lips was enough to make your pulse stutter—and the way his voice dipped, low and teasing, when he finally spoke didn’t help. 
“Well, well,” he drawled. “Look who showed up. My nagging wife bearing gifts.”
You rolled your eyes, forcing yourself to focus on the container in your hands instead of his sexy, very sexy abs. “You want dinner or not, Cameron? ‘Cause I can take it back?”
He instantly straightened up. “Come in, Your Honor,” he stepped aside to let you in, his grin widening when he saw the bag in your hand.
The penthouse was dimly lit, the warm glow of the city skyline visible through the floor-to-ceiling windows. You set the food on the kitchen island, trying to ignore the way he was watching you with that infuriating smirk.
You looked at your attire, and rolled your eyes. “Stop staring at my ass and grab plates,” you ordered, sounding stern.
“Yes, ma’am,” he said, clearly amused, but he obeyed.
The two of you sat at the island, the meal between you. You put your hair in a bun, and said; “So, this is chicken biryani—” you pointed to it. “—and this is kheer and some naan.”
“This looks amazing, Y/N,” he let out a groan of appreciation.
You blushed at the compliment. “Thank you. You ever had Asian food before?”
“I had sushi and ramen with my team—”
You chuckled. “I meant South Asian food, Rafe.”
“Oh. South Asian…”
“Yeah,” you nodded. “You know, Indian, Sri Lankan, Pakistani, etc… Did you?”
He shook his head. “I don’t remember. I eat basic white man food, to be honest.”
“I realized,” you laughed. “Well, eat well.”
Rafe took his first bite, and his eyes widened. “Yo! This is delicious, what the fuck?”
You smiled, watching as he devoured the food like he hadn’t eaten in days. “Told you protein bars wouldn’t cut it—”
“You’re not going to eat?”
“I already ate,” you lied.
“Bullshit,” he said, giving you a pointed look. “Have some with me. I don’t like eating alone.”
You hesitated for a moment before giving in, grabbing a fork and joining him. The two of you ate in companionable silence, the tension of the day melting away with each bite.
For a brief moment, it didn’t feel like you were preparing for an engagement party or navigating the complicated arrangement that had brought you together. It felt easy, natural—like something that didn’t require overthinking.
You stood at the sink, sleeves rolled up, rinsing off the plates and containers. Warm water rushed over your hands as you scrubbed away the remnants of biryani and naan. The scent of spices lingered in the air, a comforting reminder of the meal you’d shared. Behind you, Rafe leaned against the counter, his tall frame relaxed but his eyes fixed on you.
“You know,” he said, his voice cutting through the quiet hum of the faucet, “you really don’t have to do this.”
“You’ve said that already,” you replied without turning around, focusing instead on rinsing the plate in your hand.
“Because I mean it. I can clean tomorrow,” he quipped, folding his arms across his bare chest.
A chuckle escaped you, and you tossed him a look over your shoulder. “Some of us were raised to clean up immediately after eating. It’s a brown girl thing—no one leaves the kitchen messy in my house.”
Rafe raised an eyebrow, his lips curving into a smirk. “Ah, so it’s cultural?”
“Hell yeah,” you replied, turning back to the sink. “If my mom ever caught me walking away from a pile of dishes, I wouldn’t live to see another day.”
“Sounds intense,” he teased, though his tone was laced with curiosity.
“You’re just white,” you shot back, and he laughed. “But also… I kind of like it,” you admitted, your voice softer now. “It feels wrong to leave things undone. Like you’re disrespecting the meal or something.”
Rafe was quiet for a moment, and you could feel his gaze lingering on you, not with judgment but something that felt closer to admiration.
“You’re kind of incredible, you know that?” he said finally.
You blinked, caught off guard. “For doing the dishes? Your standards are low, Cameron.���
He laughed, the sound deep and genuine. “No, I mean… just in general. You don’t have to cook for me or clean up after me, but you do it anyway. And you don’t even make a big deal out of it. You’re just… thoughtful.”
His words made you pause, your hands still under the running water. For a man who often masked his feelings behind sarcasm and cockiness, the sincerity in his voice hit you harder than you expected.
“Well,” you said, trying to keep your tone light, “don’t get used to it. Just because I cleaned your kitchen tonight doesn’t mean I’m signing up to do it forever.”
Rafe grinned, stepping closer. “Noted. One-time deal.”
You rolled your eyes, shaking your head as you shut off the faucet and reached for the dish towel. “Besides, I wasn’t cleaning for you. I was cleaning for my own peace of mind.”
“Still,” he said, his voice dropping slightly, “thanks. For all of it.”
You glanced over at him, caught off guard again by the softness in his tone. The cocky grin he usually wore was replaced by something more subdued, more genuine. It made your chest tighten in a way you weren’t ready to think about.
“It’s not a big deal,” you said, your voice quieter now. “Just food and a few dishes.”
“To you, maybe,” he said, leaning against the counter beside you. “But it’s been a while since anyone’s done something like this for me. I don’t even know the last time I had an actual home-cooked meal.”
That admission tugged at something deep inside you, a mix of sympathy and affection you weren’t quite prepared for. You focused on folding the towel in your hands, hoping he wouldn’t notice the way your cheeks warmed.
“Well, someone has to make sure you don’t live off protein bars and bad decisions,” you said lightly, trying to steer the conversation back into familiar territory.
Rafe chuckled, the sound low and warm. “Guess I should count myself lucky it’s you.”
Your eyes flicked up to his, and for a moment, you forgot how to respond. The way he was looking at you—soft, unguarded, and almost reverent—made your heart skip a beat.
“Alright, stop,” you said, breaking the moment and brushing past him toward the counter. “You’re making it weird.”
“Making what weird?” he asked, following you with an amused grin.
“Everything,” you shot back, grabbing your bag. “And don’t think I didn’t notice you slacking off while I did all the work. Next time, you’re cleaning.”
“Deal,” he said, holding up his hands in mock surrender. “As long as there’s a next time.”
You hesitated at the door, looking back at him. His smirk was still there, but so was that softness in his eyes, the one that made it hard to look away. Bag slung over your shoulder and shoes slipped back on, ready to leave Rafe’s penthouse and head home for what was left of the night. The day had drained you, and though the quiet domestic moment you’d just shared with him was nice—unexpectedly so—you still needed to recharge for tomorrow’s chaos.
“You don’t have to leave yet,” he said, almost too casually, as if trying to disguise the sincerity in his tone.
You paused, glancing back at him. “Rafe, it’s late. I’m exhausted. You’re exhausted. We both need sleep.”
He shrugged, his mouth curling into that boyish grin that usually meant trouble. “So? Five more minutes won’t hurt. Sit down, relax. You’ve been running around all day.”
You narrowed your eyes at him but relented, curiosity getting the better of you. “Fine. Five minutes,” you muttered, dropping your bag onto the floor again and heading to the couch.
Rafe followed you, sitting on the other end of the couch, though he shifted closer. His arm rested along the backrest, his entire posture relaxed in a way that only made you more aware of him.
“So,” he began, his tone lighter now, “what did you actually do today? Besides fighting with tablecloths and flowers, I mean.”
You groaned, leaning back into the cushions. “It feels like that’s all I did. The decorators kept bringing me options that were either too tacky or too plain. And don’t even get me started on the florists. Nina kept trying to keep me on schedule, Aisha rolled her eyes at every single arrangement, and I was stuck in the middle.”
His laugh was low and warm. “Sounds like a nightmare.”
“It was,” you said, though there was a faint smile tugging at your lips now. “But somehow, it’s all starting to come together. Slowly. Painfully. I think we’re making progress.”
He tilted his head, watching you with that quiet intensity he always seemed to have when you weren’t paying attention. “You really care about this party, huh?”
You hesitated, the weight of his gaze making it harder to brush off the question. “Yeah, I guess I do,” you admitted softly. “I mean, if we don’t make it believable then I’d have to go back to my country, and I can’t let that happen.”
Rafe was silent for a moment, his eyes never leaving yours. The soft light in the room cast shadows across his face, making him look more vulnerable, less guarded than usual.
“You’re putting so much thought into it,” he said finally, his voice quieter now. “More than anyone else would, I think.”
You shrugged, your gaze dropping to your hands. “Just doing what needs to be done. Nothing special.”
“It is special,” he said, his tone firm but gentle.
The sincerity in his voice made your chest tighten. You glanced up at him, meeting his gaze for a moment that felt like it stretched on forever. There was something unspoken in his expression, something soft and unfamiliar that made your heart stutter.
“Okay, your turn,” you said quickly, needing to break the tension. “What did you do today, besides run yourself into the ground?”
His smirk returned, though it didn’t quite reach his eyes. “Practice, drills, meetings. The usual.”
“You make it sound so thrilling,” you teased, crossing your arms.
“Oh, it’s a blast,” he said with mock enthusiasm. “Nothing like running suicides and lifting until your arms feel like they’re gonna fall off. And then sitting in a room listening to people tell you how to market yourself better.”
“Sounds glamorous,” you said, leaning back into the couch with a small laugh.
Rafe chuckled, his gaze softening as he watched you. “It’s not. But then again, you make flower arrangements sound like boot camp, so I guess we’re even.”
You smiled, letting the comfortable quiet settle between you for a moment. The hum of the city outside was faint but constant, a reminder of how late it had gotten.
“I should really go,” you said, breaking the silence and sitting up.
Rafe’s hand reached out, brushing against yours as he spoke. “You don’t have to.”
The softness in his voice caught you off guard, and for a moment, you stayed still, his fingers lingering near yours. The space between you suddenly felt smaller, charged with something neither of you were ready to name.
“Rafe,” you said gently, pulling your hand back, though your voice betrayed your hesitation.
“Stay a little longer,” he said, his eyes searching for yours. “This is… nice. Just sitting here. Talking.”
Your heart thudded in your chest at his words, and you looked away, pretending to straighten your bag. “I can’t. I’ve got another long day tomorrow, and so do you.”
He sighed but didn’t argue, leaning back into the couch. “Alright. But you owe me another five minutes next time.”
You laughed softly, shaking your head as you stood. “Sure, Cameron. I’ll pencil it into my busy schedule.”
He followed you to the door again, his presence warm and steady behind you. As you stepped into the hallway, you glanced back at him, your smile softer now.
As you moved toward the door, your bag slung over your shoulder, Rafe trailed behind you, his hands tucked casually into the pockets of his sweatpants. The quiet between you was comfortable, a marked contrast to the constant noise of the day. Just as you reached for the handle, his voice broke the silence.
“So… my dad called today,” he said, his tone light but deliberate.
You paused, turning slightly to glance at him, curiosity flickering in your expression. “Oh? What about?”
Rafe leaned against the frame, his posture deceptively relaxed. “He wanted to ask about you.”
The corners of your mouth lifted in a faint smirk. “Me? Why? Should I be flattered or scared?”
He chuckled, though it came with a hint of exasperation. “Because you’re about to be my wife, and you should definitely be flattered. He’s been… curious, I guess. You’re kind of a hot topic at the moment.”
Your brow furrowed as you adjusted the strap of your bag. “What do you mean?”
Rafe shrugged, though his eyes flickered to yours briefly before looking away. “He’s been asking when he and Rose can meet you. Sarah’s been on my case about it too. She wants to meet you again. It’s like they’re more excited about this whole engagement thing than I am.”
There was an edge to his words, not quite bitterness but something close to it, and you stepped back from the door slightly, your curiosity deepening. “Is that… a bad thing?”
“No, it’s not bad,” he said quickly, though his jaw tightened ever so slightly. “It’s just… predictable. My dad’s all about appearances, and this engagement makes us look good. You make me look good.”
His words were meant to sound casual, but the weight beneath them was unmistakable. You softened your tone as you leaned against the couch. “Rafe, if you’re not comfortable with all this, you can tell me. I’m not going to—”
“It’s not that,” he interrupted, shaking his head. “It’s just… complicated.”
You tilted your head, watching him carefully. “How so?”
He hesitated, running a hand through his hair in frustration. “My family has this way of… making everything feel like a performance. You know? Like, they’re not just happy about this engagement because it’s a good thing for me. They’re happy because it’s a good thing for them. My dad’s already talking about how it’ll ‘strengthen the Cameron name,’ and Rose keeps mentioning how much she ‘adores your poise.’”
You blinked at him, momentarily caught off guard. “Wait, your step-mother said that? About me?”
He laughed lightly, nodding. “Yeah. I think she’s obsessed with you already.”
You couldn’t help the small laugh that escaped you. “Wow. And here I thought winning over your dad would be the hard part.”
“Oh, don’t worry. He’ll grill you like a steak the second he gets a chance,” Rafe said, his tone teasing but his smile tinged with something softer. “He doesn’t trust anyone, especially not when it comes to me.”
You frowned at that, your arms crossing instinctively. “Why not? You’re… I mean, you’re his son. Shouldn’t he trust you the most?”
Rafe’s smile faltered for a split second before he masked it with another shrug. “Let’s just say my track record isn’t exactly spotless. And my dad… he’s always been more interested in results than reasons. This marriage? It’s a result he likes. That’s all.”
The raw honesty in his words caught you off guard, and for a moment, you didn’t know how to respond. Finally, you stepped closer, your voice quieter now. “Rafe, if this is too much—if your family’s involvement is making it harder—I can talk to them. Set boundaries or whatever.”
He shook his head, his eyes meeting yours. “You don’t have to do that. It’s not your problem to fix.”
“Maybe not,” you said, your gaze unwavering, “but it’s my problem now too.”
“Such a good wife already,” he caressed your cheeks softly, the corner of his mouth twitched, his smirk returning faintly. “You’re really taking this whole ‘teamwork’ thing seriously, huh?”
“I’m a perfectionist,” you replied, matching his tone. “Can’t help it.”
He chuckled, the tension in his shoulders easing slightly. “You’re too good at this, you know. My family’s already halfway in love with you, and you haven’t even met them yet.”
“Maybe I should be worried,” you teased, though there was a softness in your voice now.
“Don’t be,” he said, his tone quieter as he let his hand down your face. “If anything, they’re the ones who should be worried. You’re gonna walk in there, charm everyone without even trying, and leave me to deal with their unrealistic expectations.”
You laughed, the sound light and genuine, and Rafe found himself leaning just a little closer, caught up in the warmth of the moment.
“Well, if they’re anything like you,” you said, your voice still tinged with amusement, “I’m sure I’ll survive.”
Rafe’s smirk faltered for a moment, replaced by something softer, something you couldn’t quite name. “They’re nothing like me,” he said quietly, almost to himself.
The words hung in the air, and for a moment, neither of you moved. His gaze lingered on yours, steady and unguarded in a way that made your breath catch.
“Rafe…” you began, your voice trailing off as his expression shifted ever so slightly, something unreadable flickering across his face.
But just as quickly as the moment had come, it passed. He straightened, his usual smirk slipping back into place like a mask. “You should probably get some rest,” he said, his tone lighter now. “You’ve got a big day tomorrow.”
You blinked, startled by the sudden shift, but nodded. “Yeah. You too.”
He followed you to the door, his presence steady behind you as you stepped into the hallway. As you turned back to glance at him one last time, his expression softened again, his blue eyes holding yours for a beat longer than necessary.
“Goodnight, Y/N,” he said, his voice quieter now.
“Goodnight, Rafe,” you replied, your chest tightening slightly as you walked away, the weight of his gaze following you long after you’d gone.
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chapter ten
527 notes · View notes
ellieputellas · 2 days ago
Note
can you write roommate!alexia smut
caught in the act | a. putellas x reader
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— You catch your roommate Alexia touching herself to your photos.
tags: roommate!Alexia, barçaB!reader, smut, masturbation, mentions of fingering, mention of age gap, a bit of degradation and dirty talk, not proofread 🔞 wc: 2k+
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Alexia hated having you as a roommate.
It wasn't because of the fact that you had a bad habit of putting off washing the dishes until the next morning; she learned to deal with it and wash them for you whenever it did bother her. It also wasn't because you were always watching Netflix past midnight, at full volume while she tried to get enough sleep for early morning training the next day, fully knowing the walls between your rooms were paper thin. She's learned to fall asleep to the sound of Brooklyn 99 or whatever American TV show you were addicted to at the time. It wasn’t even the fact that she’d have to set her alarm at least 30 minutes ahead of the usual time she’d wake up just so she could force you out of bed so you could both attend your respective training sessions on time.
Instead, she hated how oblivious and clueless you were to how she felt about you.
Just now, there you were in the living room watching a dumb show on Netflix as you simultaneously swiped on Bumble. She hated seeing you looking at other girls, or even getting all dolled up for dates with other girls.
She knew your type. You liked tall, fellow athletes with great style. She wondered why you never noticed her when she fit your type so well. She rolled her eyes at the sight of you fiddling with the dating app and just wanted to return to her room but you already noticed her presence.
"Hey, Alexia." You said calmly. “Come over here.”
She sighed. "Yeah?"
"What do you think about her?" You said as you chewed on the chips you were loudly snacking on. (That was another thing Alexia let you get away with — snacking everywhere and anywhere leading to a mild ant problem.)
Alexia sat beside you on the couch and leaned in to look at your phone. It was someone from Levante’s B team. Alexia frowned. She had to admit. This girl was undeniably hot with her tattoos and fit body but she knew she looked just as good as this player. If not that, she sure as hell was a better player. That should have been some merit to her.
"She’s okay..." It was all she could say to you. She didn’t want to come off as the jealous roommate.
"Really? I kinda think she's smoking hot." You said with a confused look. “She’s the hottest player I’ve played against on the pitch.”
Alexia rolled her eyes and wanted to make a snide comment but let it slide.
“She asked me out after we switched shirts after our match, and I smelled her shirt and it smelled good as fuck.” You shared, making Alexia roll her eyes again. “Plus, she’s taller than I am and you know how that’s my type… but our texts have been stale and boring as fuck.”
Alexia shrugged and tried to focus on the show you were shamelessly ignoring already. “Then just don’t go out with her.”
You sighed. “Yeah… but there is this rookie footballer I matched with on Bumble, she plays for…” You continued to tell Alexia about the other girls you were talking to but she just didn’t give a fuck.
She didn’t wanna know anything about the other girls you were seeing while she’s been into you for so long.
"Anyway, can you help me pick photos from my weekend trip with Emma? She's so great at taking photos that I feel like I have to make two separate posts on instagram just to include all of my hot photos." You said before giving your phone to Alexia. "Just swipe through them and heart all the photos you like."
As soon as she grabbed your phone, she felt her body heat up. The first photo of you was you in front of the pool with your arms up, laughing gleefully. You were wearing the tiniest bikini with a bra top just big enough to cover your nipples and that incredibly skimpy underwear.
All Alexia could think about was pushing them to the side and fucking you hard with her fingers.
Alexia blinked. "You're so...." She couldn't find the words. "Naked?"
You laughed at the older woman’s reaction. "That's all you could say?"
Alexia ignored you, completely fixated by the photos of you. Alexia liked the first photo and proceeded to swipe. The second photo was you with your back turned, exposing your ass. Alexia could feel her mouth salivate as the dirtiest thoughts entered her mind. She kept scrolling, admiring every curve and crevice of your body. She loved the way your boobs spilled over your bra and the way your thong rode up your ass and accentuated your perfect hips. She loved your collarbones but she loved the thought of marking them with her mouth more.
She was practically liking every photo, unable to think objectively of what works on Instagram or whatever. She loved seeing you this exposed.
"You never dress like this usually." Alexia commented, still going back and forth with your photos. She was pretending to be analytical with your photos but her mind was just filled with obscenities.
You huffed. “You only see me in a kit or here at home when I dress like a slob. You don’t know what I dress like.”
Alexia furrowed her eyebrows. “I’ve seen you get dressed up for dates. You’re not usually so…” She shook her head. “Whatever. I never would have imagined you’d like wearing something so tiny.”
Alexia had to swallow as her mouth had been watering at the sight of your photos. You chuckled, oblivious to your roommate's reaction. "Well, you would know that I actually do love tiny swimwear if only you went swimming with us more.”
Alexia took a mental note to say yes to every opportunity to see you in a skimpy bikini. "Still, you never post stuff like this. You only ever post game photos or food photos. This is just out of character for you.” She added on. "You must be posting to impress someone, huh?"
You furrowed your eyebrows and rolled your eyes at her. "I feel like I’m just more grown now. Like, grown enough to post more skin.” You explained. “Besides, can’t I post for myself?”
Wish you would post for me, Alexia thought.
You looked over at Alexia who was still looking through your photos. "God, what's taking you so long? Mesmerized by my tits?"
"You're so cocky." It was all Alexia could say as she blushed. She felt like it was so wrong to be thirsting over her younger roommate like this but she couldn’t help it. You were exactly what she wanted.
You chuckled. "I told you. Emma took really good photos of me! I know I look hot in those."
You looked through the photos Alexia liked and realized the only photos of you she didn't like were the ones where you were covered up. You stifled a chuckle. "Okay, I guess I should post these immediately since it would be so selfish of me to deprive the world of these photos any longer."
"So arrogant." Alexia scoffed under her breath but unbeknownst to you, it turned her on. She loved it when you got all confident. It made her want to praise you and degrade you at the same time. "I'm going back to my room to review some things for some brand deal. Text me if you wanna order food or cook for dinner later."
You absentmindedly nodded as you typed up the perfect Instagram caption and chose the perfect thirst-trap song to go with the Instagram post.
Alexia headed back in her room and immediately pulled out her iPad, refreshing her Instagram feed incessantly. "C'mon, c'mon..." She muttered under her breath. "Just post already."
Finally, your post popped up.
Alexia felt like she couldn't breathe as she was finally able to get a better look at them through the bigger screen. She was finally free to zoom in to your perfectly shaped tits without worrying you'd see. She bit her lip.
It was almost a built-in instinct or bodily response to her the way she immediately positioned herself in front of her iPad; she wasted no time. She propped the device on her bed, blasted a song loud enough to mask her noise, swiftly took off her bottoms, and eventually, guided her hands to feel her own slick with her fingers. She was soaked already just from seeing you.
"Fuck," She muttered as she began rubbing herself, looking at the photo of you on her device. She wished she could have a gigantic TV screen just so she could see more of you at a bigger scale. She wanted to be overwhelmed by the sight of you — to be consumed by your beauty.
She rubbed her clit in circles as she kept her eyes glued on the screen. She cursed again. She thought about your tits. She wondered how they'd feel in her hands. She wanted to feel the softness against her rough and imposing hands; she wanted to know if that kind of touch would make you whimper. She wondered what colors your nipples were and how they'd look and feel... and taste. She so badly wanted to push her tongue against them.
Her legs shivered as she imagined taking your breast in her mouth, sucking on it mercilessly as you moaned under her.
In reality, Alexia was alone in the darkness of her room — her tanned skin illuminated by the sole source of light from her device that blasted music to mask her grunts and the obscene sounds of her wetness.
But in her imagination, Alexia was in your room on top of you, sucking on your breasts as she positioned her knee against your core. In her imagination, you loved to beg and whine. So there you were, underneath her, squirming as she sucked on your nipple and used her hands to play with the other one. She just could tell you were the sensitive type and the idea of you almost teary-eyed due to sheer pleasure caused by her made her even wetter.
She opened her eyes once again to catch a glimpse of you in that one photo where you had a serious face as you slightly bent over. She groaned as she caught sight once again of the flesh of your boobs pressing against the fabric of your bikini. "Fucking whore." It escaped her mouth in a grunt.
In her imagination, you were dressed in the same skimpy bikini. She had your bra cups pushed to the side to grant her easy access to lick all over your boobs, leaving the occasional mark whenever she desired.
"Please, Alexia." She could practically hear your voice say it. "Fuck me now."
Alexia plunged her fingers into her cunt, causing her to grunt loudly as she pumped in and out of herself as mercilessly as she would have with you.
She was fixated on the thought of her fingers thrusting so hard in and out of you that your tits jiggled with every thrust. Alexia somehow felt you were the type to moan loudly, grab your own tits, and beg to fuck her deeper.
"Alexia! Fuck me!"
"You want me so bad, huh? You fucking slut?" She groaned under her breath, almost breathless and winded from how rough she was fucking herself. "I'll fuck you so hard, you'd go stupid."
"Alexia, harder! Please!" The imaginary voice in her brain told her. It felt so realistic
"Yeah?" She called out your name, almost in the form of an animalistic grunt. "You fucking want it harder? You a fucking slut for me?"
She increased the speed of her thrusting, causing her to moan loudly in succession. "Fuck," She said, followed by calling out your name. "Tell me who you belong to."
She pumped in and out of herself, causing her to convulse in the building pressure inside her. Her eyes were shut close but the photo of you in your bikini was permanently burned inside her mind.
"I belong to you!" Her imagination called out.
"Say my name then." She groaned.
"Alexia," It sounded so soft and gentle.
"Louder." She growled as she imagined that it was your pussy she was roughly thrusting into. Her legs shook uncontrollably as she felt herself approaching orgasm. “Say it.”
"Alexia?!" It was practically an exclamation. It felt so real that your voice echoed in her ears.
As Alexia opened her eyes, she was met by the sight of you standing at the door of her room with a shocked face. Almost immediately after, Alexia moaned out loud as her orgasm arrived.
It took half a second for her to realize that she wasn't imagining it anymore. You were there, standing and watching her fuck herself while her obnoxiously larged iPad displayed a photo of you.
"Oh shit." She was in trouble.
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a/n: not proofread. part 2 anyone? (also thank u for ur requests!)
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watchmegetobsessed · 2 days ago
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UNMATCHED II.
A/N: soooo you guys were just as horny for a part 2 to this story as i was so here we are, giving in to the temptation. disclaimer, i know their behavior is giving red flag energy but lets just put that aside for the sake of the story now lol
WORD COUNT: 3.8k
WARNING: sexual content, age gap, student-professor relationship
SUMMARY: Harry has been trying his best to forget what happened with Y/N, he is set on never making the same mistake, but it seems like fate has different plans for him.
PART 1 | MASTERLIST | SUPPORT ME!
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That skirt. That goddamned skirt. That’s gonna be the death of Harry. 
And also the fact that she went back to that asshole. 
Sitting in the busy school cafeteria Harry has zoned out of the conversation at the table a long time ago, precisely when he saw Y/N stroll in wearing that short skirt with that dickhead she should have ditched already or better, she shouldn’t have even dated him in the first place. But now they are moving in the line with their group of friends and he has his hand on her waist and it keeps inching lower, just a few more inches and his hand could be slipping under her skir–
“Harry? Hello?” 
Stella catches his attention and he is forced to move his focus back to his colleagues at the table. 
“Huh? Sorry, what did you say?” He clears his throat and keeps his eyes on his half-eaten sandwich in front of him. 
“What’s up with you? You haven’t been your usual self lately.”
“Just… tired. I’m behind with my research and have a bunch of papers to grade before winter break.”
“The joys of being a teacher,” Stella chuckles. “Don’t worry, it’ll get better with time.”
“Really?”
“No,” she smirks at him. “But you’ll care less.”
She soon returns to the conversation at the table and Harry finds himself looking for Y/N again. There’s no trace of her in the line, but he is quick to spot her at a table across the dining hall, sitting beside Dickhead who has an arm around her neck, keeping her close as he wants everyone to know that they are together.
And it irks Harry way more than it probably should. 
It’s been a little over a week since Stella’s Christmas party and also that very heated and very wrong kiss he shared with Y/N. That weekend was like hell, he kept beating himself over and over about it, cursing himself out for being so stupid and reckless. He still has no idea what came over him that let him make out with a student, but he knew one thing for sure: it couldn’t happen again. 
So when Y/N walked into the classroom before his first lecture early on monday he didn’t even let her speak before he got to the point. 
“It shouldn’t have happened. I’m so sorry for it, but I can’t undo it now. I suggest let’s pretend nothing happened, it’s for the absolute best. No one can know about it and it will never happen again.”
She seemed taken aback by his outburst, but after a bit of hesitation she nodded.
“Okay. Nothing happened. It must have been the wine.”
“Yes,” he agreed right away. “We both drank more than we should have and made a mistake.”
She flinched at his last word, but didn’t protest, only nodded, holding her textbooks tighter to her chest. She looked so sad, even disappointed that Harry almost wanted to take back what he just said, but he knew he couldn’t. 
“Are you… okay?” he dared to ask, but when she looked at him again, her eyes told nothing. 
“I’m fine. I’ll see you in class, professor.”
And she was out of the classroom before he could say another word. In class she sat in the back and not even once did she look at him. He knows, because he kept looking at her. 
He’s been trying his best to get her out of his head, but with not much luck. Not when all he can think about is how soft her lips felt against his, how insanely good she tasted mixed with the coldness of the night, how amazingly she fit into his palm, the curve of her neck, back, waist and hips… and how badly he wants to experience it again even though it’s the worst possible idea. 
Harry thinks he is going insane. Genuinely. 
He’s been burying himself into work, but his focus has been all over the place, so it’s been more like a waste of time. He is one of the last ones in the building today as well. Most professors left a long time ago, but the lights in Harry’s tiny office are still on as he is hunched over a stack of papers. When he has to read over the same line for the twentieth time he drops his pen with a tired groan and leans back in his chair. He takes his glasses off and rubs his eyes roughly, until he is practically seeing stars. 
“Fuck,” he huffs, staring at the papers that are still waiting to be graded. Checking the time on his phone he is surprised to see that it’s already past seven.
He stands from his chair and steps to the window. The campus looks quiet at this time, only a few students are walking towards the dorm that’s next to the literature department’s building. It’s a wednesday night, the semester ends next week so some lucky students who have no more exams left in the year have already left for the holidays. Harry will be going home right before Christmas, he plans to use those few days of the break to work on his research in peace. 
From his window he sees part of the parking lot next to the dorm, it’s quite dark there, he almost doesn’t notice the figures sitting in the car closest to him, but a few heartbeats later realization hits him.
It’s Y/N and the dickhead. 
They are pretty far, but Harry can tell that they are in a heated fight, judging from how Y/N is gesticulating. Obviously he can’t hear them, but if he had to guess he would say she is shouting, from what he can see. 
For a moment he tells him to just ignore the scene, it’s none of anyone else’s business, let alone his. But when he sees the asshole slap his hands against the wheel several times, making Y/N jump, Harry is moving before he could second guess his actions. 
He practically sprints down that stairs, already trying to figure out how he’ll interject without appearing like a creep, but he forgets all his plans when he is marching towards the parking lot and sees the scene unfold from up close. 
At some point they must have gotten out of the car, because Harry catches the dickhead getting back into the driving seat, Y/N is crying and tries to stop him from shutting the door, but he swings it with such force that she stumbles forward, holding onto the handle. When Harry sees her almost fall to the asphalt he starts running, just as the car comes to life and he drives away so fast, he almost runs over Y/N’s feet. 
“Fuck you, Charlie! Fuck you!” She screams after the car, tears streaming down her cheeks. 
“Hey, hey, hey!” Harry rushes over to her, grabs her by her shoulders and turns her away from the direction of the car. “Hey, what happened?”
She is gasping for air from the crying as she wraps her arms around her, those beautiful eyes that are usually filled with curiosity are now full of confusion and hurt. 
“Y/N, look at me,” he begs and she hiccups a few times before she finally looks him in the eyes. 
“H-Harry?”
He ignores how good it feels to hear her call him by his first name again and tries to focus on the situation.
“Yeah. Let’s get inside, okay? It’s freezing cold.”
She nods and lets him steer her towards the building and up to his office. By the time she sits in the old armchair in the corner of his office she has stopped sobbing, but her expression looks just as miserable as before. 
“I’ll make you a tea. Do you like tea?” he asks, stepping over to the tiny side table where he keeps his kettle and tiny tea collection with two mugs. She nods and he is quick to turn on the kettle. He grabs a chamomile filter and drops it into one of the mugs and while the water boils he hands her a box of tissues that she accepts with a quietly murmured thank you. 
When the tea is done he hands her the mug and sits in his chair, unsure what to say. He definitely did not plan to have her in his office anytime soon and definitely not like this. 
“Go on, lecture me about being with him,” she says at last, staring into the mug in her hands. 
“I wasn’t planning on it.”
“But you’d be right.” She looks up at him, eyes still red from the crying. 
“Why did you go back to him?” he softly asks, not wanting to make her feel even worse. 
“I don’t know,” she shrugs, looking away again. “He could be convincing, I guess.”
“Hope you won’t believe him after this.”
“No,” she chuckles bitterly before taking a sip from the tea, leaning back in the armchair. “Not even the sex will convince me to go back to him.”
Harry’s muscles jump at her words. Not because he is such a prude, but because instantly he is thinking about sex… and her… and his body reacts involuntarily. Clearing his throat he crosses his legs and looks anywhere but at her.
“I’m sorry, I shouldn’t have said that,” she chuckles softly, but she doesn’t seem sorry at all. 
“No, I… um…” Harry has no idea what to say. This feels like such an impossible situation, he is definitely walking on eggshells here and the fact that he is semi-hard does not help his case. 
While he is looking for the right words she places her mug to his desk and crosses her legs, a curious look playing in her eyes as she is looking at him. She appears calm and confident suddenly, like she wasn’t sobbing ten minutes ago. 
“I lied,” she then speaks up.
“About what?”
“I know why I went back to him.”
“Oh. Okay, why did you?”
She holds his gaze for one… two… three seconds before her lips part, then she hesitates for one more moment before answering. 
“Because I couldn’t go to you.”
A shiver runs down his spine at her words, his body is betraying him already, but he hangs onto the last bit of his rationality.
“Y/N, don’t.”
“Don’t what? Don’t tell the truth?”
“We agreed that we are not talking about it again.”
“I’m not talking about that night. I’m talking about how badly I’ve been wanting you, but knowing I can’t have you I went back to Charlie even though I knew I shouldn’t have.” 
“Y/N…” His mouth is dry and he feels ridiculously hot even though the heating hasn’t been working too well lately in his office. He is clawing at the arms of his chair, trying to keep the remains of his cool, though it feels like he is hanging on a thread.
“I won’t do anything about it, don’t worry. And I won’t bring it up again.” She sounds different this time, the confidence has turned into what feels like disappointment and it lurches something in Harry’s gut. 
Standing she smoothes her clothes before looking at Harry, a tiny sliver of expectancy glistening in her eyes. 
“Thanks for the tea. I better get going.”
She is already moving towards the door when Harry jumps to his feet, entirely lost about what to think, do or say. He strides after her and just when she is about to reach for the knob, he grabs her other hand, stopping her mid action. 
But he has no idea why he just did that. His rationality is screaming at him, but with each passing moment he spends holding her hand, the noise gets farther and farther away until it’s lost somewhere in the back of his mind. 
Slowly, she turns her head, eyes taking in the sight of their touching hands before her gaze meets his. He instantly stumbles back, letting go of her like she was on fire, but she doesn’t seem surprised. Instead, she turns around and just stands there, with a calm, but determined look on her face. 
“Careful professor,” she then speaks up. “I might take your actions as a hint.”
“A hint…” he breathes out, almost mesmerized with her, he is convinced she’s put a spell on him, because he can’t move or think straight, he just keeps staring at her.
“Yes, a hint,” she nods shortly. “That you want me just as much as I want you.”
He swallows down a moan that almost slips through his lips at her words. His whole body is burning for her, palms sweating and itching to touch her and he can almost taste her on his tongue again, desperate to pick up from where they left off not long ago. 
The tiniest smirk tugs on the corners of her mouth when she sees just how much he is struggling and she takes it as her queue to push her luck just a bit further. She takes a step closer to him, but still leaves some space between them, wanting him to close those last inches. 
“You know you can have me.” She cocks her head to the side, blinking up at him innocently. “Right here, on your desk or in that armchair. I want to be your good girl and take whatever you give me.”
“Stop it,” he manages to breathe out, but all his strength is gone, it sounds more like a plea rather than an order. 
“What if I don’t?” she sassily questions. “Will you punish me?”
Harry whimpers. They both know he is close to breaking and she is not stepping down now and she’s determined to push him over the edge. Slowly she reaches up, drags a finger across her lips before moving then down, tugging at her shirt at her chest, revealing more of the exposed skin there, then she starts playing with the top button, all while keeping her eyes focused on him. He sucks on his breath, his gaze keeps switching between her eyes and what her fingers are doing. 
Then it pops open, revealing the delicious swell of her breasts and a bit of the lacy bra as well and he knows he is gone. 
“Close the curtain,” he simply orders and a sudden rush of excitement washes over her as she quickly moves across the room, drawing the curtains on the window and turning around she is expecting him to be in the same spot, but to her surprise he is right there and before she could say a word, his lips crash down on hers with such force she would have fallen back if he didn’t already have an arm around her waist. 
His other hand is quick to find its way to her throat first, then to her jaw, angling her head perfectly so he can devour her. 
He spins them around and she gasps when her ass meets the edge of his desk, still kissing her he pushes forward, blindly tossing everything on the desk aside to make room, something clatters as it falls to the ground but neither of them cares to even look. His hands are on the back of her legs and he helps her up until she is sitting on top of the desk. 
She eagerly opens her thighs and circles her legs around his hips, pulling him closer and when she feels just how hard he already is, pushing against her clothed center, she can’t help but moan at the sensation. 
“It’s a one time thing,” he pants when her fingers start to work on his shirt and his hands find the button of her jeans. 
“Sure,” she breathes out smiling.
“Just to get it out of our system.”
“Of course,” she nods eagerly, and a moment later she is tugging his shirt off his shoulders. 
Buttons come undone, clothes are thrown across the room and soon enough all of his focus is on her naked chest, his hands exploring the tender, heated skin before his head dips down and his mouth meets her hardened nipples. 
“Oh fuck,” she moans, head falling back as she has an arm around his shoulders, the other one planted behind her on the desk. All while his hands are tugging down her jeans, finally giving him the chance to touch her inner thighs, exploring the warmth and softness he’s been fantasizing about for so long. 
He gently bites on one of her nipples, making her back arch, burying his face between her breasts before he leans back to get rid of her jeans. She has a moment to admire his naked torso, all the tattoos he’s been hiding under his clothes, his pants are hanging around his knees and his erection is throbbing through the fabric of his underwear. She can’t help but smile at the sight, it’s surely one she’ll remember forever.
When her jeans are discarded on the floor he plants his hands on her thighs and pushes them wide open, revealing her drenched panties. He brings his thumb over the wet fabric, lazily drags it over her clit, making her tremble under his touch. Then keeping eye contact with her he pulls his chair under him, sits down and rolls closer so his face is perfectly lined up with her. With his eyes still locked on hers, he leans forward, moves her panties to the side and places a sloppy, open mouthed kiss to her throbbing clit, making her moan so loud, he digs his fingers into her thighs pulling back. 
“You need to be quiet,” he warns her and she just eagerly nods, watching him take her underwear off completely and go back to where he was a moment ago. 
Harry drinks up her taste, he licks, kisses and sucks on the right spots, making her see stars as her orgasm is building up. When she feels two of his fingers slip into her she grabs a handful of his hair, tugging on it. 
But right when she is about to tip over the edge he pulls back, leaving her in a heaving mess. Reaching into one of his drawers he grabs a condom and standing up he watches her lying on his desk, chest rapidly rising and falling while he rolls the condom on. 
To his surprise, she gets up and jumps off the desk, taking the initiative by pushing him down back into the chair and straddling his lap. His hands are quick to move to her ass as his cock wedges between her drenched folds. He hisses when she starts rolling her hips, making them both even more feral for what’s about to come. 
She leans forward and kisses him, her hand reaching down between them until it finds his cock. She gives him a few lazy strokes to which he hums lowly into her mouth. Then she stops her kisses, lips still brushing against his, eyes meeting again as she lifts herself up just enough to angle him underneath her and then slowly she eases down, letting him enter her inch by inch until she is filled entirely. She gasps at the feeling of her walls stretching around him and they both stop for a few moments, just savoring how perfectly they fit together. 
She plants both her hands to the base of his neck, kisses him again and starts moving her hips. 
“Fuck, Y/N, you feel so good,” he groans, locking his arms around her, fingers digging into her naked back and side as she starts to slowly pick up her pace, bouncing on him. 
When he starts thrusting upwards, meeting her movements, her head rolls back from how deep she feels him inside her, his tip reaching the perfect spot. 
“Yes, right there!” she gasps as he buries his head in her neck, kissing and sucking on the soft skin while keeping his rhythm. “I’m so close,” she breathes out, her hands raking through his messy hair. 
Wanting even more friction she adjusts herself and then starts moving faster and rougher, aching for the release. She looks down, her eyes meet his gaze and she just knows he is as close as she is. 
“Harry,” she moans and hearing his name fall from her lips is what pushes him over the edge.
Grunting, his thrusts get rougher and fall out of their fast pace, he pushes into her over and over again as he fills the condom and watching him fall apart helps her let go as well. He feels her walls tighten around him while he is still riding out the afterwaves of his own orgasm, her mouth hangs open, nails digging into his shoulders so harshly they surely leave marks. 
Then they both slowly come off their high and she leans forward, capturing his lips in a much softer kiss than the ones they’ve shared just minutes ago. He gladly returns, their lips melt together and his fingers gently roam her naked back while he is still inside her. 
They’re quiet when she moves off him and grabs a few tissues to clean herself up while he discards the condom. The clothes are picked up from the floor one by one and a sense of unsureness settles between them as they both get dressed. 
She was the only thing on his mind just five minutes ago, but now that the sex haze is gone, his thoughts start racing. What did he do? What will happen now? This shouldn’t have happened but still, he wants to do it again and again and again. 
As if she knew he was panicking inside, she steps to him, takes his face in her hands and pulls him into a long, passionate kiss that instantly makes him forget about everything else. 
“Don’t overthink it,” she whispers against his lips. “We’re adults.”
“I’m your teacher,” he hums.
“The semester is almost over. Grade my last paper and we’re done,” she simply says with very little care about his current status. But he is not that sold on it just yet, hesitation and worry is all over his face. “Did you not want it?”
“You know how much I wanted it,” he admits defeatedly. 
“Great. I wanted it too. And I want it again. So I’ll come by tomorrow again. You’ll bend me over that desk after I had your cock in my mouth, then tell me what grade I’m getting for the semester and we do it again after that.”
He is already feeling himself getting hard again. Deep down he knows he should say no, but he has no will left to fight with himself anymore. So all he does is nod and then kiss her. 
“I’ll see you tomorrow, professor.” She grabs her coat from the floor and then walks out of his office like nothing happened. 
Harry falls into his chair and assesses the mess on and around his desk, staring at the spot where she was sitting not long ago. He knows he is making his biggest mistake ever, but sinning has never felt this good.
And right now he is willing to take this risk.
Thank you for reading, please like and reblog if you enjoyed and buy me a coffee if you want to support me!
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sleepy-steve · 2 days ago
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pt 2 of steve "dies but doesn't stay dead" harrington and eddie "ferryman of the river styx" munson // 1.9k // pt 1 ♡
november 1984
Eddie checks. Of course he checks. Asks around, eventually to his superiors to make sure he wasn’t going to get in trouble for not collecting Steve. It’s uncommon, they tell him, rare, even. But not unheard of. People die briefly and come back to life. Usually only the one time. The answer should be good enough. Should be. Isn’t though. It frustrates Eddie to no end. Months of wondering and ruminating with the firm belief that he won’t get to see Harrington again anytime soon to ask.
He doesn’t have to wait long.
This time Eddie is on the boat. Leaning over the edge, a hand dangling low to the black water, staring at the same patch of grass he first saw Steve sitting. In fairness, all souls appeared in that general area. But Eddie is fixated on the exact spot Steve had shown off his deep chest wounds. It’s for this reason that Eddie jumps three feet into the air when Steve materialises in the same spot again less than a year later.
Sitting up with a rattling gasp and a look of fury on his bashed-in face—again?! Eddie briefly thinks—Steve yells, “Fucking Hargrove!”
“Christ, Harrington!” Eddie shouts, hand over his chest despite the distinct lack of heartbeat. “Could give a guy a bit of warning.”
Steve looks around, eyes surrounded by more dark bruising taking a second to focus on Eddie, chest heaving as he calms down. “Shit, sorry, man.”
They just look at each other for a few long moments, Eddie standing like a frightened cat on his still wobbling boat. He clears his throat to break the silence. “Who, uh. Who’s Hargrove?”
Scoffing, Steve drags a hand down the side of his face, then winces as it passes over bruising. “Douchebag new guy.” He sighs, settling his forearms on his knees. “His sister is friends with some kids I know. Was coming after them, so I…” Trailing off, Steve gestures to his face.
“What? Offered yourself up as a human punching bag and got yourself killed? Again?” Eddie says, trying not to sound too judgemental.
“Yeah, well,” Steve sighs. “I wasn’t just gonna let him beat up a kid. They’ve been through enough without some dickhead coming in and kicking the shit out of them.”
Eddie feels his brows pull together slightly as he sits back down on the bench of the boat, arms crossed over the edge. It’s not like Harrington was the big bully of Hawkins High, but defender of local kids is… new. “Sounds like a grade-A asshole.”
Steve snorts. “He is.”
“Kids were lucky to have you around as their… babysitter?” Eddie offers, cracking a grin.
Steve rolls his eyes, a small smile playing at the corners of his mouth. “Something like that. Probably didn’t need me at all. Stuck around long enough to see her drug him, so they should be fine.”
Humming appreciatively, a thought moves across Eddie’s mind, and he can’t help himself. “…No monsters this time?”
“Ha, ha,” Steve rolls his eyes. “Yeah, I know you don’t believe me, but the monsters did actually come back, which is why I was with those little shits in the first place.” He sounds annoyed, but there’s a fond look behind those bruised eyes. One that gives Eddie a little spark in his chest. “But no, this death was just a regular guy.”
It’s Eddie’s turn to snort. “This death. So casual.”
A full grin breaks out on Steve’s face, contrasting heavily with the bruises and the blood under his nose. “Well, when it’s happened this many times, kinda hard not to view it as like. Just this thing that happens, y’know?”
Eddie doesn’t really know. Of everything he’s learnt about death—through his own and through everyone he’s met since—this thing Steve goes through is beyond him. Incomprehensible. He nods anyway.
“How many times have you died, Harrington?”
“Hmm…” Steve looks up as he thinks for a moment. “This would be… five? Or six?” He shrugs. “I’m not sure if it happened when I was a baby.”
He says it so casually, so matter-of-fact, Eddie almost wants to double-take. It sounds so truthful, he struggles to not believe him. Even though Eddie knows he’s not losing much by believing him, a small part of him still has doubts. And worries for his job. “You gonna get in the boat this time?”
Steve snorts. “Not this time, buddy.” Something jolts in Eddie’s chest at the familiarity. “Maybe next time though.”
“Next time,” Eddie mutters under his breath, shaking his head. “You anticipate dying again?”
“Well, no,” Steve chuckles. “But based on how things have been… and apparently I’m not too careful.” He gestures at his bruised up face, eyes bright with humour between the blues and purples and reds.
“The monsters?” Eddie supplies, just teetering on the edge of sarcasm.
“Monsters, douchebag guys, car wrecks… you just never know.”
The casual tone in which Steve talks about his deaths still has Eddie reeling. It’s been well over a year and Eddie is surrounded by death constantly, and he still struggles to think about his own. Tells himself he’d rather not dwell, which is true, but it also hurts. He shakes it off, shifting his focus to the bruised and beaten boy in front of him.
“Or… you could save yourself the trouble, and get in the boat now?” Eddie gestures down at his boat with a little hand flair. He’s joking. Mostly. If Steve did have the chance to go back to the land of the living, Eddie didn’t want to take that away from him. Not that he thought Steve was getting that chance. Not completely, anyway.
“Wish I could, but I don’t make the rules.” Steve grins at him, like they’re sharing a secret. And they kind of were. Eddie wasn’t sure how many people knew about Steve’s semi-regular dances with death.
“And since when have you ever been one to stick to the rules?” Eddie asks, propping his arm up and resting his chin on his palm. Looking at the boy on the grass. His hair is longer this time.
Steve laughs, head tilted back. “Fair point. But if you want me on that boat, you’re gonna have to come over here and drag me onto it.” He raises a brow at Eddie in challenge.
Eddie rolls his eyes. “Wish I could, but I don’t make the rules.” He repeats Steve’s words back at him, mocking him.
“Well, well, well,” Steve says, tone playful. “Look who’s being a stickler for rules now.”
“I know,” Eddie drags it out, struggling to hold back his smile. “Crazy, huh? Divine punishment for being born the son of a criminal, I guess.” Eddie’s gaze drops down to the black water beneath him.
Steve scoffs at him. “Like you never smoked pot or broke speeding laws in that van of yours.” 
Eyes widening before he can stop them, Eddie’s shocked Steve even knows about the van. Shocked that Steve knows anything about him at all. What world is he in where the king of Hawkins High knows about Eddie and his beat up old van? Even being in the grade below him, Steve had a popularity pull that was noticed by those in Eddie’s grade. Confusion and surprise subsiding, Eddie finds himself leaning forward even further.
“Coming from you?” Eddie challenges back. “We all know about the famous Harrington ragers, Mister Keg King.”
The title makes Steve roll his eyes. “Never saw you at one.”
It was true. Eddie hadn’t attended any of the parties, for fear of his reputation making him a target. He drops his gaze again. “Didn’t think I’d be welcome there.”
Steve doesn’t respond, and the silence grows between them. They haven’t moved, but Eddie feels further away from him. Like the weird little familiarity they’d developed was being forcefully shoved apart. Eddie doesn’t look up to see Steve’s reaction. Doesn’t want the pity.
“So, you really can’t get out of the boat?” Steve breaks the silence with a complete topic change.
“Nope,” Eddie responds, popping the P. “She’s my new baby, now that I don’t have my van.” He pats the side of the boat with his free hand.
Steve shifts forward until he’s sitting as close as he can to the water’s edge without getting wet. Close enough for Eddie to see the broken capillaries under his skin and the little green flecks in his eyes. He takes in the cuts on Steve’s jaw and forehead, the two black eyes, the blood under his nose. The way his knuckles are bruised and bloodied to match. Something in Eddie feels oddly… protective. Like he wants to jump in front of anything that might hurt this guy he doesn’t even really know that well.
“Change your mind about getting in the boat?” Eddie asks, voice low, now that Steve is so close.
“No,” Steve huffs a laugh. “But you can’t move, so I figured I should.”
“Just that desperate to be close to me, are you?” It slips out of Eddie’s mouth before he can think about it. And Eddie wants to punch himself in the face over it.
But to his surprise, Steve doesn’t recoil away or yell at him. Instead, he laughs softly, cheeks faintly pink beneath the bruising. “What can I say? The allure of your… baby…” He says it with a smirk. “Very tempting.”
Taken aback by Steve’s… flirting is the only word to describe it, but that can’t be right, Eddie immediately switches to joke mode. He won’t entertain the idea that Steve Harrington was honest-to-god flirting with him. He won’t.
“I’ll get you into this boat one day, Harrington. Mark my words.” 
He knocks on the edge of the boat twice before smoothing his hand over the wood. Watches as Steve’s eyes follow his hand, seemingly fixated on it. Eddie briefly wonders what would happen if he touched Steve. Would that commit Steve to being stuck here? Commit him to moving on? Would Eddie even be able to feel him?
Gaze shifting back to Eddie’s face, a smile grows on Steve’s face. “Maybe. One day.” He shrugs, like his eventual death is a fun, whimsical topic.
Eddie is about to comment on Steve’s tone, but before he can, Steve’s head whips to the side, hearing something Eddie can’t. Just like last time.
Unlike last time, Steve doesn’t get up right away. “Looks like my time’s up.”
“How do you know?” Eddie is so curious, he can’t help but ask.
“I can hear—” Steve waves vaguely around his ear. “—stuff. From where I am. The kids are yelling. Hope they’re not too freaked out.”
“Guess you better get back then,” Eddie says, trying to hide his disappointment.
“Yep.” Steve pulls himself up into a standing position, now suddenly looking down at Eddie, who leans back on instinct, shifting back on the boat bench. “But I’ll see you next time.”
“I’ll be here.” Eddie gestures at the boat, palm up. Like he has anywhere else to go. “See ya, Harrington. Stay away from monsters.”
“I’ll try,” Steve laughs, walking backwards on the grass. Keeping his eyes on Eddie as he retreats.
“Try not to get that pretty face bashed in again,” Eddie calls after Steve’s already fading form, grinning wide.
Steve just laughs, the sound of it echoing even after his body disappears from Eddie’s sight.
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rock sound #312 (nov 2024)
transcript below cut:
ROCK SOUND 25 ICON
FALL OUT BOY
A BAND THAT CAPTURED THE HEARTS, MINDS AND HEADPHONES OF A GENERATION OF KIDS WORLDWIDE, FALL OUT BOY UNDOUBTEDLY CHANGED THE LANDSCAPE OF THE ALTERNATIVE SCENE FOREVER, NEVER AFRAID TO EXPERIMENT, TAKE CHANCES AND MAKE BOLD CHOICES AS THEY PUSHED FORWARD. FOLLOWING A SUMMER SPENT EXPLORING THE 'DAYS OF FALL OUT PAST', PATRICK STUMP AND PETE  WENTZ REFLECT ON THEIR PATH FROM POP PUNK, HARDCORE MISFITS TO ALL-CONQUERING, STADIUM-FILLING SONGWRITERS AS THEY ACCEPT THEIR ROCK SOUND 25 ICON AWARD.
WORDS JAMES WILSON-TAYLOR
PHOTOS ELLIOTT INGHAM
Let's begin with your most recent performance which was at When We Were Young festival in Las Vegas. It was such a special weekend, how are you reflecting on that moment?
PATRICK: It's wild, because the band, I think, is going on 23 years now, which really came as a surprise to me. I know it's this thing that old people always say, 'Man, it really goes by so fast', but then it happens to you and you're just taken aback. There were so many times throughout the weekend, every 10 minutes, where I'd turn around and see somebody and be like, 'Holy shit, I haven't seen you in 18 years', or something crazy like that. It was hard not to have a good time. When I was going up to perform with Motion City Soundtrack, which was an exciting thing in itself, I turn around and Bayside is there. And I haven't seen Bayside since we toured with them. God, I don't remember when that was, you know? So there was so much of that. You couldn't help but have a good time.
PETE: I mean, that's an insane festival, right? When they announce it, it looks fake every time. The lineup looks like some kid drew it on their folder at school. For our band, the thing that's a little weird, I think, is that by deciding to change between every album, and then we had the three year break which caused another big time jump, I think that it would be hard for us to focus on one album for that show. We're a band where our fans will debate the best record. So it was amazing that we were able to look backwards and try to build this show that would go through all the eras - nod to Taylor obviously on that one. But it's also an insane idea to take a show that should really be put on for one weekend in a theatre and then try to take it around the world at festivals. The whole time on stage for this particular show production, I'm just like 'Is this thing going to go on time?' Because if the whole thing is working totally flawlessly, it just barely works, you know what I mean? So I give a lot of credit to our crew for doing that, because it's not really a rock show. I know we play rock music and it's a rock festival, but the show itself is not really a rock production, and our crew does a very good job of bending that to fit within the medium.
That show allows you to nod to the past but without falling fully into nostalgia. You are still pushing the band into newer places within it.
PATRICK: That's always been a central thing. We're a weird band, because a lot of bands I know went through a period of rejecting their past, and frankly, I encounter this thing a lot, where people have expected that we stopped interacting with older material. But we always maintained a connection with a lot of the older music. We still close with 'Saturday'. So for us, it was never about letting go of the past. It was about bringing that along with you wherever you go. I'm still the same weird little guy that likes too much music to really pin down. It's just that I've carried that with me through all the different things that I've done and that the band has done. So for us, in terms of going forward and playing new stuff, that's always the thing that's important to me; that there should be new stuff to propel it. I never wanted to be an artist that just gave up on new music and went out and played the hits and collected the check and moved on. It's all got to be creative. That's why I do it. I want to make new music. That's always why I do it. So something like When We Were Young is kind of odd really. It's an odd fit for that, because it's nostalgic, which is not really my vibe all that much. But I found a lot of nostalgia in it. I found a lot of value in looking back and going 'Wow, this was really cool. It was amazing that we did this, that we all did this'. That scene of bands, we're all old now, but it has taken off into such a moment culturally that people can point to.
Let's jump all the way back to the first ever Fall Out Boy show. There is very little evidence of it available online but what are your memories of that performance?
PATRICK: So the very first Fall Out Boy show was at DePaul University in a fancy looking dining hall. I actually applied to DePaul, but I never went there because the band went on tour. I think there were only two or three other bands. One was a band called Stillwell, who were kind of a math rock emo band, and then this heavier, more metallic band. And then we were there, and we had a guitar player, John Flamandan, who I have not seen since that show. He was only in the band for a week or two, and we were still figuring ourselves out. We had three songs and I had never sung before in front of people. I did a talent show at school one time when I was a kid and theatre kind of stuff where you would sing, but it was more in that context. And I was also a kid too. This was the first time ever that I'm the singer for a band and I was fucking terrified. We had a drummer named Ben Rose, really great guy. I haven't seen Ben in a million years, either, but we were still figuring ourselves out. The other thing is that all of us, with me being the exception, were in other bands, and all of our other bands were better than Fall Out Boy was. We were very sloppy and didn't know what we were doing, and so I don't think any of us really took it seriously. But there was a thing that was really funny about it, where even though we kind of thought we sucked, and even though we weren't really focusing on it, we had a lot of fun with each other. We enjoyed trying this other thing, because we were hardcore kids, and we were not the pop punk kids and the pop punk bands in town, that was like 'the thing', and we were not really welcome in that. There was a fun in trying to figure out how to make melodic and pop music when we really didn't have any history with that. It was very obvious that we didn't know what we were doing at the beginning.
So when did it begin to feel like things were finally clicking? When did you find your roles and what you wanted the band to be? 
PETE: In regards to the music, I liked Fall Out boy, way before I probably should have. I remember playing the early demos and it giving me a feeling that I hadn't felt with any of the other bands that I had been in. Now, looking back on it, I might have been a tad early on that. Then as far as the roles, I think that they've been carving themselves out over time. We've always allowed ourselves to gravitate to our strengths. Between me and Patrick, we'd probably make one great, atypical rock artist if we were one person. Because our strengths are things that the other doesn't love as much. But I think that what has happened more is it's less of a fight now and there's more trust. We have a trust with each other. There's things that Patrick will play for me or explain to me, and I don't even really need him to explain it, because I trust him. I may not totally understand it, but I trust him as an artist. On the other side of that, it's also very nice to have someone who can veto your idea, you know what I mean? It's nice to have those kind of checks and balances.
PATRICK: I had been in this band called Patterson, and all three of the other guys sang in kind of a gravelly, Hot Water Music vibe. I was not intending to be a singer, but I would try and sing backups and, it wasn't a criticism, but there was this vibe that, while I could do the gravelly thing, my voice was coming through and it didn't fit. It was too pretty and that became a thing I was kind of embarrassed of. So when Fall Out Boy started, I was actively trying to disguise that and mute it and hide behind affectation. Pete would really push me to stretch my vowels because that was in vogue in pop punk at the time. There were all these different ways that we were trying to suppress me, musically, because we were just trying to figure out how to do the things that the bands we liked did. But that wasn't really us, you know? It's really funny, because 'Take This To Your Grave' was recorded in three sections, about six months apart. Over the course of that time, I can hear us figuring it out. I think a really defining moment for me was 'Saturday', because I am not brave, I am not a bold person, and I do not put myself out there. When I was showing the band 'Saturday', we were jamming on the bit after the second chorus, and I was mumbling around, just mucking my way through it, and I did the falsetto thing. I didn't think anyone could hear me over us bashing around in Joe's parents house in this tiny little room. But Pete stopped, and he goes, 'Do that again'. I was so terrified of doing that in front of these guys, because you gotta remember, I was incredibly shy, but also a drummer. I'd never sung in front of anyone before, and now I'm singing in a band and I'm certainly not going to take chances. So I thought the falsetto thing was really not going to happen, but when I did it, there was this really funny thing. Somehow that song clicked, and it opened up this door for us where we do something different than everybody else. We were aiming to be a pop punk or hardcore band, but we found this thing that felt more natural to me.
As you embarked on Warped Tour, simultaneously you were finding this huge level of pop and mainstream success. How was it navigating and finding your way through those two very different spaces?
PATRICK: I used to work at a used record store and what shows up is all the records after their success. So I got really acquainted and really comfortable with and prepared for the idea of musical failure. I just wanted to do it because I enjoyed doing it. But in terms of planning one's life, I was certain that I would, at most, get to put out a record and then have to go to school when it didn't work out. My parents were very cautious. I said to them after 'Take This To Your Grave' came out that I'm gonna see where this goes, because I didn't expect to be on a label and get to tour. I'm gonna give it a semester, and then it will almost certainly fail, and then after it fails, I'll go to school. And then it didn't fail. Warped Tour was very crazy too, I was talking about this at When We Were Young with My Chem. Both of us were these little shit bands that no one cared about when we booked the tour. Then we got to the tour, and all these people were showing up for us, way more than we expected, way more than Warped Tour expected. So Warped Tour was putting both of us on these little side stages, and the stages would collapse because people were so excited. It was this moment that came out of nowhere all of a sudden. Then we go to Island Records, and I had another conversation with my parents, because every band that I had known up to that point, even the biggest bands in town, they would have their big indie record and then they would go to the major label and drop off the face of the planet forever. So I was certain that was going to happen. I told them again, I'm going to put out this record, and then I'll go to school when this fails. 
PETE: I think that if you really wanted someone to feel like an alien, you would put them on TRL while they were on Warped Tour. You know what I mean? Because it is just bananas. On our bus, the air conditioning didn't work, so we were basically blowing out heat in the summer, but we were just so happy to be on a bus and so happy to be playing shows. You go from that to, two days later, stepping off the bus to brush your teeth and there's a line of people wanting to watch you brush your teeth. In some ways, it was super cool that it was happening with My Chemical Romance too because it didn't feel as random, right? It feels more meant to be. It feels like something is happening. To be on Warped Tour at that time - and if you weren't there, it would be probably hard to imagine, because it's like if Cirque Du Soleil had none of the acrobatics and ran on Monster energy drink. It was a traveling circus, but for it to reach critical mass while we were there, in some ways, was great, because you're not just sitting at home. In between touring, I would come home and I'd be sitting in my bedroom at my parents house. I would think about mortality and the edge of the whole thing and all these existential thoughts you feel when you're by yourself. But on Warped Tour, you go to the signing, you play laser tag, you go to the radio station. So in some ways, it's like you're in this little boot camp, and you don't really even think about anything too much. I guess it was a little bit of a blur.
Pete, when you introduced 'Bang The Doldrums' at When We Were Young, you encouraged the crowd to 'keep making weird shit'. That could almost be a mantra for the band as a whole. Your weirder moments are the ones that made you. Even a song like 'Dance Dance' has a rhythm section you never would have expected to hear on a rock track at that time.
PETE: You know, I just watched 'Joker 2' and I loved it. I do understand why people wouldn't because it subverts the whole thing. It subverts everything about the first one. That's something I've always really loved, when I watch artists who could keep making the same thing, and instead they make something that's challenging to them or challenging to their audience. Sometimes you miss, sometimes you do a big thing and you miss, and we've definitely done that. But I gotta say, all the things that I've really loved about art and music, and that has enriched my life, is when people take chances. You don't get the invention of anything new without that. To not make weird stuff would feel odd, and I personally would much rather lose and miss doing our own thing. To play it safe and cut yourself off around the edges and sand it down and then miss also, those are the worst misses, because you didn't even go big as yourself. This is where we connect with each other, we connect by our flaws and the little weird neuroses that we have. I rarely look at something and go 'Wow, that safe little idea really moved me'. I guess it happens, but I think about this with something like 'Joker 2' where this director was given the keys and you can just do anything. I think a lot of times somebody would just make an expected follow up but some people turn right when they're supposed to turn left. That's always been interesting on an artistic level, but at the same time, I think you're more likely to miss big when you do that.
PATRICK: Going into 'From Under The Cork Tree', I had this sense that this is my only shot. It has already outperformed what I expected. I don't want to be locked into doing the same thing forever, because I know me. I know I'm not Mr. Pop Punk, that's just one of many things I like. So I would be so bummed if for the rest of my life, I had to impersonate myself from when I was 17 and have to live in that forever. So I consciously wanted to put a lot of weird stuff on that record because I thought it was probably my only moment. 'Sugar, We're Goin Down' was a fairly straight ahead pop punk song but even that was weird for us, because it was slow. I remember being really scared about how slow it was, because it's almost mosh tempo for the whole song, which was not anything we had done up to that point. But in every direction, in every song, I was actively trying to push the boundaries as much as I could. 'Dance, Dance' was one of those ones where I was seeing what I can get away with, because I might never get this chance again. We were on tour with a friend's band, and I remember playing the record for them. I remember specifically playing 'Our Lawyer…' that opens the record, which has that 6/8 time feel, and they kind of look at me, like 'What?'. Then I played 'Dance, Dance', and they're like, 'Hey man, you know, whatever works for you. It's been nice knowing you'. But I just knew that, on the off chance that I ended up still being a musician in my 40s, I wanted to still love the music that we made. I didn't want to ever resent it. It's ironic because people say that bands sell out when they don't make the same thing over and over again. But wait a second. Say that again. Think about that.
That attitude seemed to carry directly into 'Infinity On High'. If you may never end up doing this again then let's make sure we bring in the orchestra while we still can... 
PATRICK: That was literally something that I did say to myself this might be the last time, the likelihood is we're going to fail because that's what happens, so this might be the last time that I ever get a chance to have somebody pay for an orchestra and a choir. I always think of The Who when they did 'A Quick One, While He's Away' and there's a part where they go 'cello, cello', because they couldn't afford real cellos, they couldn't afford players. That's what I thought would happen for me in life. So I went in and thought, let's do it all. Let's throw everything at the wall, because there's no chance that it's going to happen again. So many things came together on that record, but I didn't expect it. 'Arms Race' was a very weird song, and I was shocked when management went along with it and had kind of decided that would be the single. I was in disbelief. It did not feel like a single but it worked for us. It was a pretty big song and then 'Thnks Fr Th Mmrs' was easily the big hit off that record. So then we have two hit songs off of an album that I didn't even know would come out at that point. But again, it was very much just about taking the risks and seeing what the hell happened.
As you went on hiatus for a few years, you worked on a number of other creative projects. How did those end up influencing your approach to the band when you returned?
PETE: On the areas of the band where I led, I wanted to be a better leader. When you're younger and you're fighting for your ideas, I don't think that I was the greatest listener. I just wanted to be a better cog in the machine. When you're in a band originally, no one gives you the little band handbook and says 'these are the things you should do', you know? I just wanted to be a better version of who I was in the band. 
PATRICK: There's a combination of things. 'Soul Punk' is a weird record. I love that record but I kind of resent that record for so many things. It's my solo record, but it's also not very me in a lot of ways. I had started with a very odd little art rock record, and then I had some personal tragedies happen. My EP that I put out far out sold expectations so then all of a sudden, Island Records goes, 'Oh, we think this could actually be something we want singles for'. I think we had all expected that I would be putting out a smaller indie record but then all of a sudden they were like 'oh, you could be a pop star'. So then I have to retrofit this art rock record into pop star hit music, and also channel personal tragedy through it. I hadn't ever really been a front man - I'd been a singer, but I hadn't really been a front man, and I hadn't really written lyrics, certainly not introspective, personal lyrics. So that whole record is so strange and muted to me. So I went from that album, which also failed so fucking hard - I should have gone to school after that one. But Pete had reached out to me just as a friend, and said 'I know you're in your own thing right now, and I know that you're not the kind of person that is going to be in my fantasy football league, so I'm not going to see you unless we make music. But you're my buddy, and that kind of bums me out that I don't see you at all, so I guess we have to make music'. I thought that was a fairly convincing pitch. It's true, that was what we do when we hang out - we make music. So we reconvene, and going into it, I had all these lessons that really made me understand Pete better, because Pete is the natural front end person. So many of our arguments and frustrations and the things that we didn't see eye to eye on, I grew to understand having now been in the position of the point man that had to make all the decisions for my solo thing. It really flipped my understanding of why he said the things he would say, or why he did things he would do. I remember early on thinking he was so pushy, but then, in retrospect, you realise he was doing it for a reason. There's so many little things that really changed for me doing 'Soul Punk' that were not musical but were more about how you run a band and how you run a business, that made me understand and respect him a lot more.
What are memories of that initial return and, specifically, that tiny first show back at the Metro venue in Chicago?
PETE: Those first shows were definitely magical because I really wasn't sure that we would be on a stage again together. I don't have as many memories of some of our other first things. We were just talking about Warped Tour, I don't have many memories of those because it is almost wasted on you when it's a blur and there's so many things happening. But with this, I really wanted to not take it for granted and wanted to take in all the moments and have snapshots in our own heads of that show. I did a lot of other art during the time when we were off, everybody did, but there's a magic between the four of us and it was nice to know that it was real. When we got on that stage again at the Metro for the first time, there was something that's just a little different. I can't really put my finger on it, but it makes that art that we were making separately different than all the other stuff.
Musically, as you moved forward, everything sounded much bigger, almost ready for arenas and stadiums. Was that a conscious decision on your part?
PETE: Patrick felt like he was bursting with these ideas. It felt like these had been lying in wait, and they were big, and they were out there, and whether he'd saved them for those records, I don't really know. That's what it felt like to me. With 'Save Rock And Roll', we knew we had basically one shot. There were really three options; you'll have this other period in your career, no one will care or this will be the torch that burns the whole thing down. So we wanted to have it be at least on our terms. Then I think with 'American Beauty...' it was slightly different, because we made that record as fast as we could. We were in a pop sphere. Is there a way for a band to be competitive with DJs and rappers in terms of response time? Are we able to be on the scene and have it happen as quickly? I think it kind of made us insane a little bit. With 'American Beauty…', we really realised that we were not going to walk that same path in pop culture and that we would need to 'Trojan horse' our way into the conversation in some way. So we thought these songs could be played in stadiums, that these songs could be end titles. What are other avenues? Because radio didn't want this right now, so what are other avenues to make it to that conversation? Maybe this is just in my head but I thought 'Uma Thurman' could be a sister song to 'Dance, Dance' or maybe even 'Arms Race' where it is weird but it has pop elements to it.
PATRICK: I had a feeling on 'Save Rock And Roll' that it was kind of disjointed. It was a lot of good songs, but they were all over the place. So when we went into 'American Beauty…', I really wanted to make something cohesive. I do think that record is very coherent and very succinct - you either like it or you don't, and that's pretty much it all the way through. By the time we got to 'MANIA', I had done all this production and I'd started to get into scoring. The band had done so many things and taken so many weird chances that I just felt free to do whatever. At that point, no one's going to disown me if I try something really strange so let's see what happens. 'Young And Menace' was a big part of that experiment. People hate that song, and that's okay. It was meant to be challenging, it's obviously not supposed to be a pop song. It's an abrasive song, it should not have been a single. However, I do think that record should have been more like that. Towards the end of the production, there was this scramble of like, 'Oh, fuck, we have no pop music on this and we need to have singles' and things like that. That took over that record and became the last minute push. I think the last half of that record was recorded in the span of two weeks towards the end of the recording to try and pad it with more pop related songs. I look at that record and think it should have all been 'Young And Menace'. That should have been our 'Kid A' or something. It should have really challenged people.
But we have spoken before about how 'Folie à Deux' found its audience much later. It does feel like something similar is already beginning to happen with 'MANIA'...
PETE: I agree with you, and I think that's a great question, because I always thought like that. There's things that you're not there for, but you wish you were there. I always thought about it when we put out 'MANIA', because I don't know if it's for everyone, but this is your moment where you could change the course of history, you know, this could be your next 'Folie à Deux', which is bizarre because they're completely different records. But it also seems, and I think I have this with films and bands and stuff as well, that while one thing ascends, you see people grab onto the thing that other people wouldn't know, right? It's like me talking about 'Joker 2' - why not talk about the first one? That's the one that everybody likes. Maybe it's contrarian, I don't really know. I just purely like it. I'm sure that's what people say about 'Folie à Deux' and 'MANIA' as well. But there's something in the ascent where people begin to diverge, you are able to separate them and go 'Well, maybe this one's just for me and people like me. I like these other ones that other people talk about, but this one speaks to me'. I think over time, as they separate, the more people are able to say that. And then I can say this, because Patrick does music, I think that sometimes he's early on ideas, and time catches up with it a little bit as well. The ideas, and the guest on the record, they all make a little bit more sense as time goes on.
'MANIA' is almost the first of your albums designed for the streaming era. Everything is so different so people could almost pick and choose their own playlist.
PETE: Of course, you can curate it yourself. That's a great point. I think that the other point that you just made me think of is this was the first time where we realised, well, there's not really gatekeepers. The song will raise its hand, just like exactly what you're saying. So we should have probably just had 'The Last Of The Real Ones' be an early single, because that song was the one that people reacted to. But I think that there was still the old way of thinking in terms of picking the song that we think has the best chance, or whatever. But since then, we've just allowed the songs to dictate what path they take. I think that that's brilliant. If I'd had a chance to do that, curate my own record and pick the Metallica songs or whatever,that would be fantastic. So it was truly a learning experience in the way you release art to me.
PATRICK: After 'MANIA', I realised Fall Out Boy can't be the place for me to try everything. It's just not. We've been around for too long. We've been doing things for too long. It can't be my place to throw everything at the wall. There's too much that I've learned from scoring and from production now to put it all into it. So the scoring thing really became even more necessary. I needed it, emotionally. I needed a place to do everything, to have tubas and learn how to write jazz and how to write for the first trumpet. So then going into 'So Much (For) Stardust', it had the effect of making me more excited about rock music again, because I didn't feel the weight of all of this musical experimentation so I could just enjoy writing a rock song. It's funny, because I think it really grew into that towards the end of writing the record. I'd bet you, if we waited another month, it would probably be all more rock, because I had a rediscovered interest in it.
It's interesting you talk about the enjoyment of rock music again because that joy comes through on 'So Much (For) Stardust' in a major way, particularly on something like the title track. When the four of you all hit those closing harmonies together, especially live, that's a moment where everything feels fully cohesive and together and you can really enjoy yourselves. There's still experimental moments on the album but you guys are in a very confident and comfortable space right now and it definitely shows in the music. 
PATRICK: Yeah, I think that's a great point. When you talk about experimentation too and comfort, that's really the thing isn't it? This is always a thing that bugged me, because I never liked to jam when I was a kid. I really wanted to learn the part, memorise it and play it. Miles Davis was a side man for 20 years before he started doing his thing. You need to learn the shit out of your music theory and your instrument - you need to learn all the rules before you break them. I always had that mindset. But at this point, we as a band have worked with each other so much that now we can fuck around musically in ways that we didn't used to be able to and it's really exciting. There's just so much I notice now. There are ways that we all play that are really hard to describe. I think if you were to pull any one of the four of us out of it, I would really miss it. I would really miss that. It is this kind of alchemy of the way everyone works together. It's confidence, it's also comfort. It's like there's a home to it that I feel works so well. It's how I'm able to sing the way I sing, or it's how Andy's able to play the way he plays. There's something to it. We unlock stuff for each other.
Before we close, we must mention the other big live moment you had this year. You had played at Download Festival before but taking the headline slot, especially given the history of Donington, must have felt extra special. 
PETE: It felt insane. We always have a little bit of nerves about Download, wondering are we heavy enough? To the credit of the fans and the other bands playing, we have always felt so welcomed when we're there. There's very few times where you can look back on a time when... so, if I was a professional baseball player, and I'm throwing a ball against the wall in my parents garage as a kid, I could draw a direct link from the feeling of wanting to do that. I remember watching Metallica videos at Donington and thinking 'I want to be in Metallica at Donington'. That's not exactly how it turned out, but in some ways there is that direct link. On just a personal level, my family came over and got to see the festival. They were wearing the boots and we were in the mud. All this stuff that I would describe to them sounds insane when you tell your family in America - 'It's raining, but people love it'. For them to get to experience that was super special for me as well. We played the biggest production we've ever had and to get to do that there, the whole thing really made my summer.
PATRICK: There's not really words for it. It feels so improbable and so unlikely. Something hit me this last year, this last tour, where I would get out on stage and I'd be like, 'Wait, fucking seriously? People still want to see us and want to hear us?' It feels so strange and surreal. I go home and I'm just some schlubby Dad and I have to take out the compost and I have to remember to run the dishwasher. I live this not very exciting life, and then I get out there at Download and it's all these people. Because I'm naturally kind of shy, for years, I would look down when I played because I was so stressed about what was happening. Confidence and all these have given me a different posture so when I go out there, I can really see it, and it really hits you. Download, like you said, we've done before, but there's something very different about where I am now as a person. So I can really be there. And when you walk out on that stage, it is astounding. It forces you to play better and work harder, because these people waited for us. The show is the audience and your interaction with it. In the same way that the band has this alchemy to it, we can't play a show like that without that audience.
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shizunitis · 2 days ago
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How do you think Shen Qingqiu would be affected if he had Xin Mo?
holy fuck i've been thinking about this for months and now that i've been asked i'm kind of lost. anon i love you prepare for a whole lotta yapping
the question is vague enough to both give me room to fuck around and to not know what to focus on. so i'll go with trying to figure out what the chain of events would be, mostly. i'm very sleepy though. that should be taken into consideration.
xin mo uses its masters' trauma and psychological issues against them. which means we just have to take shen qingqiu's issues and ramp them up enough to see what that would do to him. how that change would present itself is highly dependent on how he comes upon xin mo, as well.
first off, what does he want? shen qingqiu wants, in no particular order: to survive, to have luo binghe by his side and safe, and to protect his sect from a wrathful luo binghe.
he dislikes violence but doesn't shy away from it when it's expected of him to be unmoved by it. he's a deeply curious person and likes theorising, cultivation, and feeling powerful and respected. he thinks of himself as a "faker" but is proud of his moral stances, especially when they differ from the original goods'.
his biggest frustration throughout the novel is the fact that he cannot protect luo binghe from the plot and all the suffering that would bring him, and that he is under the control of something so opposed to his own goals as the system.
let's say shen qingqiu were to fall into the abyss and find xin mo himself, and therefore the system's control of him would be weakened, as it was when binghe was down there. this would mean he didn't betray binghe, maybe even took his place. this has to happen because he figures out the system is his biggest obstacle, before he gets to xin mo, or else my whole thing falls apart. maybe shang qinghua plays a part in this, maybe not.
it doesn't matter much how, but if he doesn't come to this realisation at some point, he would not place his target on the system, nor would he get the courage to try to change things according to his own wishes.
so. abyss -> revenge on the system -> find xin mo -> cultivate with it -> get out of the abyss.
first off, the sect wouldn't stand for him using a clearly harmful (to both himself and the world around him) demonic sword, or any sort of demonic cultivation at all, so he'd have to hide it if he were to make his way back. paranoia and fear would probably change him into an overprotective person, someone who slowly becomes less careful about what he has to do in order to protect his people, especially when we factor in how he'd had to, for years, live under the control and supervision of the system.
there is also the problem of getting close to the protagonist again. if he were to make contact, the system would re-activate, and his attempt to kill it would be useless.
he'd draw himself away from the people he cares about so he could watch over them. he would study and try to use the sword to change things in his favour, with the right incentive. the harm brought to his cultivation by the sword would probably force him to become more secretive so he isn't discovered.
he would probably seclude himself away from cang qiong, binghe and most of the world. whether he goes into the demon realm or not doesn't matter. he would rely on only himself, unless he can get shang qinghua involved in his plans. i imagine shang qinghua would be opposed to it, not only because the system would be against it, but because shen qingqiu's death or pain would spell his own destruction (by luo binghe's hand) if he didn't try to stop it.
the threat of huan hua palace and people discovering binghe's true nature would probably allow for the sword to take advantage of him more and more as he uses it to fight against them. i don't think the opm would not go after luo binghe, especially with shen qingqiu out of the picture, so i'm imagining the old fuck would offer luo binghe some sort of help just to get him close. shen qingqiu wouldn't stand for it, and we know that as he gets more desperate, shen qingqiu tends toward pragmatism. he would do what needs to get done, i guess.
"stuck between a rock and a hard place" pretty much describes shen qingqiu in svsss. having that not be the system's fault, for once, would probably push him to the edge enough that he does something extremely stupid and turns the entire cultivation world against him in an attempt to protect binghe from the opm's influence.
i don't think he would go too far, outwardly. he would probably bring more harm unto himself with xin mo than binghe had, and would probably suffer more than anyone else involved. him being so tight-lipped about his own motivations would get him scorned and named a traitor to the human realm. he'd have shen jiu's reputation post-trial, maybe. he would become colder, lifeless, honed-in on his goals.
this was an extremely long-winded way of saying that shen yuan, corrupted by xin mo, would become a husk of his former self. i imagine a moment where he tries to be warm again, that whole fond teacher shtick, and would find himself horrified at how much of an act that is now, rather than acting cold and heartless. i think he'd have turned his caring into caring too much to the point of leaving himself behind.
i had a wip of shen yuan transmigrating into luo binghe and having to lean into xin mo's influence so that he could get luo binghe reinstated into his own body that i put on the shelf at some point. he ended up baiting people into trying to assassinate him, and used their sacrifice as a way to power some sort of revival technique.
shen yuan needs plausible deniability for every action he does, especially ones he sees as morally reprehensible. so. add that to the whole thing above and that's the bulk of it, i think. maybe. god please tell me i make sense i need a shizun headpat
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ivesambrose · 2 days ago
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𝑾𝒉𝒂𝒕'𝒔 𝒕𝒉𝒆 𝒏𝒆𝒙𝒕 𝒄𝒉𝒂𝒑𝒕𝒆𝒓 𝒐𝒇 𝒚𝒐𝒖𝒓 𝒍𝒊𝒇𝒆
•❅──────✧❅✦❅✧──────❅•
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More timeless readings here
Services Offered ✨
Client Love 💞
Thank you for the tip mon cher 🌹
To book a personal reading with me message or send me an email with your name and query on [email protected]
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The next chapter of your life indicates a period of discipline, structure and determination. Long term plans or goals instead of short term gratification. I feel previous months of stagnation, struggle and mental turmoil has led to you having the mindset of being rather unfazed towards anything because you have likely realised that regardless of what you 'see' you're in control. You've learnt to trust your intuition and inner guidance over anyone else. You might encounter power struggles in between but this will lead to emotional growth nonetheless.
There is a lot of joy, celebration and new connections to look forward to as well. It might seem like despite the good happening to you and what you've wanted for so long finally being yours, you feel rather defensive. Remember to push through despite past struggles. To fully be in the present and enjoy what you have and what you deserve. For some of you I do see you making really good friends but due to past experiences you're rather guarded towards them. The message I'm getting is that yes, do use discernment when dealing with people. Do establish necessary boundaries. But don't let promising friendships falter due to fears.
You can also expect your dreams to be more within reach, renewal and unexpected help coming through, the path getting clear when you least expect it, healing from mental strain that have remained unspoken.
Lastly, you will experience a balance in giving and receiving. This will be necessary when it comes to your material and spiritual growth.
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The next chapter of your life calls for adjustment and change. Drastic ones. If it's causing you some tension know that this area of your life requires that change. You can't expect to step into the next chapter of your life otherwise. I see that this involves your daily routine, health, work, with opportunities of personal growth and recognition in those areas. You may also be stepping into a new role of responsibility that requires self discipline on your part. You will be pushed to focus on your physical health a lot more. So if you feel like you're getting sick often it's a sign to stress less about it and take mindful steps towards it instead. Be it getting a proper check up or holding yourself accountable. You don't have to rush anything however, improvement will happen gradually. Some of you likely just need more movement but not the kind that puts your body on overdrive. There will be rapid progress and sudden opportunities coming your way out of the blue, a lot of communication and even travel. Career wise, it's looking really good! You will also be transitioning away from a very difficult time of your life. You may also have new intellectual pursuits, you'd want to learn new things or will be acquiring a lot of necessary knowledge. you will also find yourself juggling many tasks or projects at once but this will lead to a sort of mastery over your life You'll be feeling rather accomplished.
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The next chapter calls for self expression, communication as well as creativity however some challenges or conflicts might arise as you assert your individuality or learn to find your voice in new environments.
You can however, look forward to emotional growth, new beginnings in your emotional life as well creative expressions.
Steady and solid growth when it comes to your finances as well. Something that makes you feel like you don't need to rely on others and you have financial freedom so one less thing to feel anxious about that has possibly been weighing down on you far too much .
Once again, try not to over exhert yourself or you'll end up attaching the experience to something that should come to you rather smoothly. In other words, you really need to drop the mindsets of the people that have been projected onto you and have become your belief systems. It's time to make some of your own without losing sight of what you truly value.
You can also expect more mental clarity and better insights in regards to what to do, where to invest, your life's purpose and what truly brings you joy. But instead of running from it like you did before, you'll embrace it.
You might feel more drawn towards arts, aesthetics, cooking, gardening etc as well.
Having time and proper consideration towards things you earlier didn't have the state of mind for.
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ukkoperkele · 3 days ago
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Just to share my own thoughts, I don't think that was the point. @fortunatelyginger
The article is not taking the male perspective into account since this time the writer is focused on girls. I doubt she was bringing up girls' and women's problems in her book about men's problems either, because that wasn't her focus. Not focusing on the male perspective in this article doesn't makes boys' and men's experiences with bullying from women any less real.
The article is showing one possible explanation why teenage girls are feeling unwell. These girls are telling about their experiences with harsh online and in-person bullying from these certain boys in their school. Not from men as a whole. It is also true that people who are struggling are more likely to take their anger and sadness out on others especially without proper support or knowledge about healthy coping mechanisms. Boys still often lack support.
Regular cruel comments and sexualization are undoubtedly a valid cause for someone to start feeling unwell. Teenagers are at an age where their identity and emotional regulation skills are still developing. Receiving this kind of treatment will usually take a bigger toll on teens than adults.
It's been a while since I was a teen, but I remember this kind of bullying from both girls and boys. Both also received it. Teens in general can be cruel as hell.
However, in my experience teenage boys were doing this kind of bullying more often, or at least they were generally more aggressive and open about it than girls. The worst bullies were usually from dysfunctional families. Girls also usually had, and most likely still have, more pressure than boys when it comes to looks, and that pressure is not only coming from boys. This is an indivual experience, but I wouldn't be surprised if this was still the case in some schools.
Andrew Tate has some good points when it comes to self-improvement, but he also has more harmful takes on human value and mental health. "This is why women should not vote, they're morons" comment after a (trans)woman was expressing stress over elections is not something I would like my own sons to hear or look up to. Someone like HealthyGamer, a Harvard trained psychiatrist focusing especially on boy's and men's mental health, would be a better choice.
Tate's followers from what I've seen are not usually the kindest to women, some of them being blatantly hateful online. When young impressionable boys who have no proper critical thinking skills or media literacy skills yet see this kind of content and comments, there is a risk they will absorb all the things they're fed, including hatred towards women, without a second thought. They don't have the maturity to pick the genuinely helpful tips and ignore the rest. This in turn can affect the way they treat girls and women in their close circle. I think this is what the article was trying to convey by mentioning Tate.
These bullies might not be the only or the main reason why girls are unwell, but it is certainly still a serious problem that parents and teachers should pay more attention to. Teenagers are old enough to understand right from wrong. Behavior like this needs to be corrected not only in boys, but in teens in general.
Social media is creating more apathetic and cruel kids. You can also see it from the way those boys reacted to a fellow boy trying to stand up for her. Basic human decendy shouldn't be ridiculed or seen as something negative.
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Why are British teenage girls so unhappy? Here’s the answer (Caitlin Moran, The Times, Sep 13 2024)
"The report, by the Children’s Society, found that British 15-year-old girls are the most unhappy in Europe.
British girls aged 10-15 are “significantly less happy” with their life, appearance, family and school than the average boy — and their happiness is still declining.
Boys’ life satisfaction, meanwhile, remains broadly stable. (��)
But I still didn’t have an “aha!” moment about why this so disproportionately affects girls until… I talked to some teenage girls.
It was at a party, and I went to vape with them on the patio. Because I take my nicotine like children do.
“Duh — it’s the boys,” one said when I brought it up, as all the others agreed.
“The boys?” I asked.
My last book, What About Men?, had been all about how much boys struggle these days: their loneliness; their suicide rates. I’d spent the past year feeling very sympathetic towards boys.
“Yeah, well, who do you think they’re taking out their unhappiness on? It’s us,” another girl said.
“One boy at school used to draw a picture every day of how ugly I was,” a third girl said. “Every day for two years.”
“They’ve all got ‘Rate The Girls’ polls on their WhatsApps,” the first said. “They mark you down for weight gain, haircuts, what you say.”
“But then, if you’re hot, it’s just as bad, in a different way, because they’ll be talking about how they want to f*** you.”
The girls discussed coping techniques. Bad news: none of them worked.
“The only way you can stop them is if you become ‘one of the boys’ and hang out with them. But then,” the second girl said with a sigh, “all the other girls call you a slut. Because you’ve gone over to the boys’ side.”
“Surely it’s not all the boys?” I said. “There must be some nice boys?”
“Oh, yeah,” one girl said. “But they keep their heads down. Because… well, look.”
She showed me the Instagram account of her friend. Under every picture she posted of herself — smiling in a new dress; with her dog — dozens of anonymous accounts had replied with the most rank abuse.
“Fat.” “Slut.” “You gonna try and kill yourself again, for attention?”
“They’re all boys from her school,” she said. “And look, this one boy tried to defend her.”
I saw a series of messages from a brave teenage boy, posting things like, “You’re all big men, leaving these replies under anonymous accounts.”
As I could see, this boy immediately became a target too. Mainly accusations that he was “white knighting” this girl: “You wanna f*** her, bro?”
“So,” I asked, “you don’t think it’s social media pressure to be beautiful, or the economy, that’s making girls so sad?”
“Well, yeah, them too,” the first girl said. “But, Monday-Friday, 9-3, I’m not on social media. I’m not… in the economy. I’m just with these boys. And no one talks about how horrible they are.”
I thought about another recent report, showing a 30 per cent ideological gap between Gen Z men, who are increasingly conservative, and Gen Z women, who are increasingly progressive.
I thought about Andrew Tate, who has nine million mostly young male followers — and faces human trafficking charges, which he denies.
And I thought: maybe these girls are on to something. Maybe more people need to vape with teenage girls and ask them for the school gossip."
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all-purpose-dish-soap · 2 days ago
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64 / 4.1k / soap soulmate au, final part
...
"You doing okay?"
Hearing Graves’ voice knocks what little breath you had out of your lungs. It's been months, but that's him. Your old boss. You never thought you'd hear his voice again.
"I've been better," you say finally. "Been awhile."
"Yeah, it has," he says. "Wish you'd've called me to catch up sometime, rather than under the circumstances. You don't sound too banged up. They treat you alright?"
"I'm fine."
"I didn't ask how you feel. I asked if they roughed you up."
You feel your own temper shorten in response. "I need you to call KorTac off."
There's a pause. You can imagine his frowning face, the way he's thinking that one over. "I'll take that under advisement," he finally says, but you can tell he's not going to do what you ask of him. "Puttin' me in a predicament here, kid. You're giving those boys a hard time, and here I thought I was helping you out. Paying your bail, so to speak."
"It’s more complicated than that."
"Always is. Let’s just have you dropped off back on base with us. You can clean yourself up and we’ll talk."
He waits for your crisp yes, sir, but it never comes.
He speaks again. "You got somewhere else to be?"
"I can't go back."
"Can't or won't? You got something you ain't tellin me, soldier?"
"I said I can't go back. And I'm not your soldier anymore. You're not my boss. I don't work for you."
"You know Shadows don't leave one of our own behind. Not to rot in some CIA prison cell. So lose the attitude," he says, voice like iron. "This ain't a good time to play games, kid. You're comin' back with me because I spent a pretty penny on you. You owe me. You have your personal business, fine. Come on back to base and let's talk this out face to face before you go makin' any hasty decisions."
You're so frustrated it's hard to form words. You should be grateful. You know that. Graves doesn’t pretend to care about his men. He cares enough to lead from the front. But you met your soulmate, and you can’t act like it didn't change you. You need to make things right. You also can’t exactly tell Graves you kind of sold him out.
"Hey. Focus up." He doesn't raise his voice to a command. Still, the order is in his voice, and you have been long trained to follow your commander's orders. Then he sighs. "What happened to you, kid?"
"You betrayed the 141. You killed innocent people in Las Almas, looking for them."
You can almost hear his jaw working behind his clenched teeth, the muscles in his face tight. He does not allow this kind of disrespect. "You think I like what I had to do? General Shepherd's orders were clear. We followed them. 141 did not." He huffs out a sigh. "I didn't enjoy it. But that's the job. You of all people know that."
You swallow. "You told us they were our brothers. You killed innocent people, Commander. Johnny said he saw you do it--"
"Johnny?" Grave's voice rises. "You on a first name basis with Soap now?"
"We all know what happened in Las Almas," you retort. Your skin goes hot at the way he says Johnny's name. "I won't work for Shepherd anymore after that. I won't fucking do it."
"Don't pull that with me." The warning is written in his voice. This isn't like you. To the Shadows, you’re calm. Cold. You don't lose your temper. You don't talk back. Especially not to Graves. "You think you can walk away at the drop of a hat just because you don't agree with an order? It doesn't work like that. You follow an order, even if you don't like it, even if it pisses you off. You don't get to decide what you think is right or wrong to carry out. When I give you an order, you follow it. That's your job. Your loyalty is with me. Not with the 141."
"I did my job."
"Then act like it," he snaps. "Stop acting like I'm some evil bastard out here. I made the only choice I could. Task Force 141 was not supposed to be there. They knew my orders, and what did they do? They came after my men, went behind my back, screwed us over. We did what we had to. You wanna be pissed at someone? Be pissed at them."
You glare down at the ice, but say nothing.
"You know I'm right." He knows you. He's getting to you. "And you know what else I find interesting? You don't seem a bit surprised to hear me alive." His voice is too casual and sharp as a knife. "Didn't you get the memo? Did no one forward you my obituary, soldier?"
You stiffen. You're not supposed to know he's alive.
"You're an awful liar. Always have been." He pauses for a long moment. "It ain't easy, surviving against the 141 if they want you dead. You know how I managed it, soldier?"
Yes. "No,” you retort. “And stop calling me that. I'm not your soldier. I don't work for you anymore."
"The hell you aren't. Maybe you're not on the payroll anymore, and maybe you're no longer under my command, but once a Shadow, always a Shadow. That makes you my responsibility. And my goddamn headache." Something shuffles on the other end of the line. "You know exactly what I'm willing to do to keep one of my Shadows safe. But if you're so keen on turning yourself in, fine. I'll have you in front of Shepherd's desk first thing tomorrow. Is that what you want? You know Soap and Ghost put Shadows in the ground that night in Las Almas."
"Shadows tried to put Johnny and Ghost in the ground first."
"This isn't about who shot first. This is about you." His voice is dangerously low, but he keeps his temper in check. Then he huffs a laugh. "You keep callin’ him Johnny. Makes my brain itch." Johnny MacTavish. John MacTavish. Yeah, that's it. "I'll be damned," he mutters.
You touch your exposed soulmark compulsively as if to hide it. Most soldiers hide theirs, but yours has always been tough to cover up. He's seen it more than a few times.
"Got you right out from under my fuckin' nose."
Your stomach tightens. You feel too exposed, like suddenly he’s putting the story together--how 141 got in.
"Shoulda known. Shoulda known. You know the military has a registry for this shit. There are rules. What's wrong with you?"
"I made a mistake," you mutter.
That might be the funniest thing he ever heard. And he's heard some good jokes. "You don't make mistakes, kiddo. You never have. That's not how I trained you." He's right, and you know it. "But hey. Guess it's true what they say about it."
"What?"
"Soulbonds. Make you take your best-laid plans and raze ‘em. Full scorched earth.”
“This isn’t about that. I’m making this decision on my own.”
“You think?” He takes a puff on his cigarette. “I don’t. I don't blame you, either. You sure as hell fought it as best you could. Didn't give in to save your own life. If that's not the soulbond making your decision for you, soldier, I don't know what is."
You look up at the sky. For all the time you spent working with Graves, that past version of you might as well be dead. Maybe that’s the grave you’ve been digging. "I can't work for Shepherd anymore. I won't do it."
"You're a good soldier, 86. You were loyal. I still think you're loyal, even if I'm not who you're loyal to," he finally says. His voice is still calm. It doesn't make you feel any better. "You know if you choose to walk away from this, the next time we meet might well be as enemies."
"Then I guess we won't meet again, sir."
He says nothing. Then he lets out a long huff. You really are going to do him dirty. You can hear his scowl. "That's a damn shame, kid. But you have more of a spine than I gave you credit for," he says. There's a tone of reluctant respect to it. That's as close as you're going to get to a compliment from him now. "You're a loose end, then. You'd best stay well out of the way. Mine and Shepherd's. I hope you're not making the wrong choice, 86," he says quietly. "I really hope you're not."
"It’s out of your hands now. And pay KorTac," you add. "Pay my squad. They did their job."
That makes him scoff. "Now why would I do that? You might be a traitor, but you're still my investment. You were worth more on my payroll than theirs, and that’s a fact I intend to maintain."
"You owe me," you remind him.
"Don't push your luck," he warns. "You're an asset. You don’t get the privileges of rank anymore. But, well..." He sighs. You imagine him with his heels kicked back on his desk, cigarette in hand. "I’ll tell you what. I’m in a charitable mood. I'll pay them off. I'm a man of my word when the time comes to pay off my debts. Hell, I’ll even throw in a tip for a job well done." Despite the annoyance in his voice, you don't doubt he'll do just that. "But that doesn’t mean I trust you anymore. I trusted you once, and you went rogue. I let you go now, that means I expect you to keep my secrets. Don't you go singing if Shepherd puts you in a chair. You got that?"
You glance up out of the corner of your eye at Soap, whose hands are still clenched in tight fists at his sides. "If Shepherd puts me in a chair, he's the one who's gonna sing. Not me."
Graves chuckles. "You're a good soldier, 86, but you can't take on an old war dog like Shepherd. Leave that to someone more qualified."
"Like who? You?"
"As I said, you best steer clear. I don't want to hear your name again." His voice hardens, and you hear your old commander again. "Good luck, kid. You'll need it. And give Soap hell."
You toss the phone back to Horangi. He listens to what Graves has to say. Then, eyes meeting yours for a moment, he wordlessly moves out away from the river, leaving you weary with relief. It's over. Finally.
Soap watches him disappear into the trees. Then, he looks back at you, alone and shivering on the ice. You look half-dead, bleeding, and your lips are near blue. He wants to make his way to you, but the ice is scarcely holding you. It won't hold him, too.
"Oi," Soap calls. His voice is rough with anxiety. "Get over here. You're gonnae freeze to death even if you don't fall through."
You blink up at him. Standing in the rising sun the way he is now, he looks like someone’s guardian angel. Yours? You'd like very much to be wrapped in his wings.
You make your way over to the bank, but the rocky ledge up is slippery and icy. Behind you, between the ice where you're standing and the bank, there's a yawning gap. To your left, there's a bridge, but snow has already melted off the surface of the ice, and it looks thin. "There's no way up," you call. "But downriver..."
"No’ a chance in hell I’m going to let you try to cross that," Soap says as he approaches the edge. "You'll be swept away and drown, hen. You're not in any condition to swim, and even if you were, that river's too bloody fast to risk it."
"Then what do you suggest?"
His eyes sweep over the river once more. It's wide; too wide to attempt a jump across. The ice has fallen in, leaving it almost impossible to make it to the bank. It isn't safe. The longer you stand there, the more the ice cracks under you. He admires your guts for putting yourself on the line like that to get back to him, but damn you. His blood pressure has never been higher.
Soap throws off his pack and slings his gear onto the bank. "I'll pull you up."
"But..."
"But nothing." With the adrenaline still pumping through his system, Soap thinks nothing of the risk of the bank collapsing under you both with his added weight. The only thing on his mind is getting you back in one piece. "We both know damn well, if I was the one on the ice now, you'd already be down there trying to help me, so for once, just shut up and let me help you."
Can't argue with that.
He pulls out an ice hook--mountaineering equipment; he was prepared to climb this mission, luckily--and offers it to you.
You toss the grenade as far as you can in the opposite direction. Then you raise your hands to grasp the rope. He's holding the sharp end and giving you the handle. You try to keep hold, but as he lifts, your bloodied hands slip just as the grenade explodes nearby, too close, spiderwebbing the ice with a final crack.
You land hard, break through, and disappear under the freezing water.
Soap has never known panic faster than when he sees you go under.
He dives after you. He has to get you back to the surface before whatever air you had in your lungs gives out. Your survival is his survival.
He finds you in the rushing black abyss when your fingers hook around his sleeve. Wrapping his hands around your arms, Soap anchors you to his chest.
You come to in his arms. You're colder than you ever have been in your life. Your fingertips tingle in pain and numbness. He's carrying you ashore somehow--far downriver, thinner ice--and he ducks into an old cabin with you in his arms.
Soap kicks the door shut behind him and moves into the cabin to set you on the floor, propping your back against the wall. His hands work fast as he pulls out his knife to cut away your soaked thermal clothes and gear. You dip in and out of consciousness until he wads up a fistful of gauze and packs it into your side wound. The sudden pain chokes you. Then a wave of nausea washes over you. You’d like nothing more than to tell him where precisely he can shove that gauze, but you’re too lightheaded.
"You with me, hen?" His gruff voice wavers. "I need you to stay awake."
He gathers you up in his arms and lifts you into his lap. It's a tight fit, wedged underneath the frosty window and between a table and an upturned stool. You register the warmth of his skin on yours and dimly realize he's stripped both of you almost bare, huddling around you to prevent hypothermia.
You soak up Soap’s body heat instantly. He's a furnace, and he needs to be, given the state you're in. He tucks you as close as he can. You're both shivering, but he doesn't care. He can be cold as long as you're warm. His broad body shields you from the drafts leaking into the decrepit cabin.
"No, no, eyes open." He tilts your face up as your eyes flutter. "Don't go passin' out on me."
You gaze up at him in your stupor. Maybe it's the blood loss, but even through your own pain and frustration, he's the most gorgeous thing you've ever seen.
"You have really odd eyes," you mutter. "Like blueberry soft serve."
Oh, you're definitely delirious. Maybe concussed.
But he can't deny the look you're giving him right now makes his stomach flip. The sight of you in his lap, your frost-scorched fingers wrapped idly around his ID tag and staring up at him like he's just pulled the moon out of the sky for you... it's the first time he’s seen you with your guard down.
He swallows and keeps you pressed against his skin. There’s a lot of blood. He can’t tell what’s yours and what isn’t. "You're in no shape to flatter me."
You hum, your fingers dabbing idly at a smear of blood on his chest.
He doesn't move to stop you. Instead, his eyes flick down to your hand. Your fingers leave a trail of sparks over everywhere you touch.
With a soft sigh, Soap catches your wrist. "Quit it, hen."
"Quit what?"
"Teasin'. Makin' me wish you'd put those hands to other uses," he says, voice quiet and rough. It's just you and him in the little cabin. The world is far away. His thumb rubs against the inside of your wrist, trying to bring some warmth back into your skin. "You're in no shape to be feelin' me up, either."
Your head lolls against his shoulder. "Maybe it's the perfect time. Maybe we won't get another time."
Hearing you say that twists his insides into knots. He leans down to rest his forehead against yours. "Maybe you just need to shut up and let me take care of you. Don't talk like that." His voice leaves no room for argument. He tightens his grip on you, pressing you closer as if he can somehow press that into your skin by sheer will alone. "There'll be plenty of times for you to get your hands on me."
"Mm." You tuck into him tighter. You'd be mortified with yourself if you weren't half-dead from blood loss. "Sorry."
He exhales into your hair, pressing chaste kisses there.
You're practically in his lap, the two of you tangled into each other from head to foot in the space under the window. He's surrounded by the smell of you. It's a soothing presence in all that surrounds him.
He shouldn't want to touch you, shouldn't want to take advantage of your weakness--but the thought of having you so open and wanting, of you willingly in his arms, makes something in him ache. Makes the selfish parts of him scream.
"You're a pain in my arse," he says. He focuses on taking inventory of your wounds, brushing over your arms with his touch to assess the damage. "You gonnae bleed out on me?"
You shiver a little as he drags you closer by your bare thigh. "Wouldn't be the worst way to go."
"Oi," he snaps in warning. He slides his hand up your side, checking for bleeding. It’s just as much a caress over your bare skin. He has to ignore how his skin tingles every time the curve of your body slides against his in that tantalizing way. Something in his lower belly tightens. "You don't get to tap out after makin' me go through all this trouble for you. You're livin' through tonight or else."
"Or else what?"
"Or else." He moves his hand up to the base of your throat, his large, calloused fingers wrapping around your neck and tilting your chin up to look at him. He fixes his blue eyes on yours to take in the dazed expression on your face. "I'll drag your arse out of hell and tan it until you can't sit right."
You're too weary to laugh, but you rest your scuffed cheek on his thumb, and it pushes your lips into a smirk. "All for me?"
"Aye. Hell of a lot more trouble than your pretty face should be worth."
You pull free and rest your head on his shoulder again. "Where do you live?"
"Glasgow," he says. "Not sure I should be tellin' you that."
You trace his chest around the chain of his ID tag. So many muscles. "Probably not."
"And what about you? Do I get to know?"
"No. Maybe. If we get out of here."
"Yeah? Well, you're not goin' anywhere with this wound. Bleedin' out, nearly froze to death, and still mouthin' off. No idea how to shut up and be good." He looks down at the injury, assessing how bad it really is in the dim light of the cabin. "You lost a lot of blood. I bet you feel tired." He brushes your hair off your face. "Stay awake a bit longer. The boys'll be here soon."
"I shouldn't," you mutter.
Soap doesn't miss the slurring of your words. He knew the blood loss would affect you, but he was hoping for more time before he had to really worry. "Shouldn't stay? Too late to get away from me now," he says, trying to keep his tone casual. Your skin is too cold for comfort. The gauze in your wound soaking through with blood can't mean anything good. "I don’t trust you as far as I can throw you. Sure as hell not letting you out of my sight. You've got a lot to repay me for."
You try to keep your eyes open. Every blink is more sluggish than the last. "Like what?"
"Runnin' away and makin' me chase after you, for one. Puttin' yourself in the line of fire for me, second. Takin' a swim in a frozen river. Scared me to death." He presses his lips to the crown of your head, a gentle, chaste touch at odds with the possessive, dominating instinct he can feel creeping into his thoughts. You're vulnerable right now, something he should never want, but part of him wonders if he’d ever have caught up with you without this. "Aye, you owe me. First thing we do once you're patched up? We have a long talk. We have a whole hell of a lot we need to say to one another. And you'll answer every question I ask you."
"I dunno if you'll like the stuff I say," you mutter.
"Hardly matters. You’re plenty keen on spittin’ fire at me as it is. No reason you can’t keep tellin’ me everything I don’t want tae hear."
Another shiver wracks your body.
Soap rubs your arms. "You gotta give your word you stay awake for me, aye? Stay here."
His radio beeps nearby. You huff. "Fine."
"Fine." He leans over to grab his radio and tries to keep an arm around your shoulders to keep you warm as he does. He keeps you cradled against his chest as he responds to Price.
"Soap here."
You don't hear the conversation. Instead, you listen to Soap's voice vibrate through his chest. He speaks to Price in hushed tones, talking about your condition and the team's ETA.
Price has a laundry list of questions, but Soap manages to wrangle them into holding off until they have everyone back on base. No sense exhausting you on a mission that's already been a shitshow. Finally, they're done. Soap lets the radio go to focus entirely on you again. "Still with me?"
"How long do we have?"
"Shouldn't be too much longer," he says. He checks your side again. The coldness of the air has soaked into the wet gauze. You shiver again. It makes something in him ache. "ETA's about ten minutes out."
You pull his lips down to yours and kiss him.
He's surprised, but he doesn't pull back--not from you. He lets you kiss him. Your taste seeps into his brain and turns all rational thought to white noise. One hand cups your jaw with a surprising gentleness, and the other slides behind your waist to keep you against his body. He's gentle--you need to be handled with care right now.
He pulls back before he loses himself in the desire to deepen the kiss. His eyes search your face, his forehead pressed against yours, his breath hot against your lips.
"You're lucky you're injured," he murmurs. "Or you'd be in a very different kind of trouble right now."
You shiver, but not with the cold. Just that one kiss has you feeling much warmer. You touch your name where it's written on his arm. Then you curl your fingers around the back of his neck and pull yourself closer. "Hold onto that thought for later," you murmur. "Give me something to wait for."
Then you kiss him again.
...
← previous part / [part 13] / epilogue →
part 1 / more Soap / masterlist
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secretress · 1 day ago
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❝𝐏𝐀𝐂: 𝐈 𝐦𝐚𝐲 𝐛𝐞 𝐟𝐫𝐨𝐦 𝐚𝐧𝐨𝐭𝐡𝐞𝐫 𝐜𝐨𝐮𝐧𝐭𝐫𝐲 𝐨𝐫 𝐬𝐭𝐚𝐭𝐞, 𝐛𝐮𝐭 𝐦𝐚𝐫𝐤 𝐦𝐲 𝐰𝐨𝐫𝐝𝐬, 𝐈 𝐰𝐢𝐥𝐥 𝐟𝐢𝐧𝐝 𝐲𝐨𝐮 𝐚𝐧𝐝 𝐦𝐚𝐤𝐞 𝐲𝐨𝐮 𝐦𝐢𝐧𝐞.❞
Where is your future lover from? (Detailed)
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Masterlist.
Authors note,
I finally fixed my links (starting here and with my masterlist), now you can press on them instead of clicking on my profile.
Moodboard. Divider.
Pile I.
Trigger warning: faintest mention of self-harm.
France, Indonesia, Canada, China, Afghanistan, San Marino, Norway, Some of you have someone who is on a cruise/overseas (may be a fisherman, work with the ocean, ocean is key), Sudan, and French Guiana.
You already know where and who your future person is. I, originally, was going to use tarot to figure it out, until I saw 4:44 on the clock, and it hit me, as it will do the same with you. Since you already know where they are, your mind has been running with ideas on what to do about it. Some of you like to travel a lot and want to find them since you are intuitive as it is. And the rest of you want them to come to you like a knight saving their princess. One word of advice for everyone here: allow your heart and intuition to decide for you. I know that listening to your logical mind is better and it can protect you, and sometimes where they are from and finding them can be exciting, but at the same time, with your current energy, it will not help nor happen for you. Right now, your main focus should be working on yourself, healing, and connecting with your flaws. I know that you have healed a lot, and I am so proud of you for that, but you need to connect with your flaws. Not everyone is perfect, not everyone will have the best or good qualities, and that is okay. Not everyone will always be perfect and only have a few of their qualities; sometimes they will have their flaws, and that is how they will act for that day. And that is okay. Everyone has flaws, and everyone has good qualities to them, and that is what makes them human.
A lot of you have been focusing on what is good and what is bad; try to focus on what you want your morals to be instead. A lot of you don’t believe in what society says about morality and how they pressure the world to focus on their ideology, but because of this, you started to feel guilty for it. Don’t. You are allowed to have your own morals and your own ideas on what is right and what is wrong, or in this case, what works best for you. That is the beauty of having your own mindset and not following the crowd, and that is another thing that makes you beautiful. Because I find you and your energy beautiful, and you need to start to believe that. You need to start to fall in love with yourself and learn to appreciate all parts of you. Some of you feel nervous about the flaws you have, and that is okay. But, at the same time, if you don't show appreciation to them, then you will start to feel scared around who you are. You cannot allow your future person to fill the void you feel. You have to do that for yourself first. Because if you don't, you will lose yourself throughout the relationship and become a people pleaser like you did in your younger days.
A lot of you desire for me to speak more about your future person, but there is nothing that I can channel, nor would tarot give me anything. The problem is your current energy. You need to stop chasing ways to find them and start to chase yourself back and accept all of you. I keep thinking of a mile run; some students will work hard to become the best, and some will cheer the slower ones so they can make it at the end. You are in between these two types of people. I know that you have healed, and again, very proud of you, but you honestly need to get a grip and start to cheer for yourself and your flaws. Fall in love with yourself again, you are deserving of that. I do not care what you have done in the past, everyone has forgiven you, so why can’t you? What makes it so worthy to sabotage your happiness for your past mistakes? What is done is done, and you know that, so why indulge further? Make yourself happy so you can be that princess and allow your knight to come your way. Because your future lover is supposed to come to you, not the other way around. Stop taking care of others, respect your younger self for healing your people pleasing ways, and get a grip back into the path you desire. It is your time for your happiness because you deserve that.
I know that sometimes you seek others’ validations or need for comfort, so take it from me. I read people’s energy, and your energy is fine. You’re okay, you deserve happiness, and I am telling you to go seek it. It is time for you to appreciate yourself instead of allowing yourself to be a widower to your past. Stop letting others hurt you and make you believe your flaws are disgusting when they are not. Who are they to say something about who you are when they do not know anything about you? Sure, you can say I don’t know anything about you, and that is true, but yet again, I am reading your energy, so I have the gist here. Do not allow your insecure thoughts to eat you alive again. Our insecurities can always shift into something positive, and you deserve that happiness, and when you do meet your future person, they will show you the same. But please, do not wait for them to arrive to feel their touch, do it for yourself. Take care of yourself, pamper yourself, appreciate yourself, put yourself on a pedestal, and no, that is not wrong. It is not selfish. Those who say it is selfish are the people who do not know how to respect themselves, they do not. They may have grown up in an environment where it was frowned upon, but yet again, it is a lack of respect. So, do not do that to yourself, understood? Some of you think you have selfish tendencies, and yes, you do, however, it is something that can be switched to gratitude. You need to show more gratitude for those who can be a little more selfish; those who aren’t and others say that you are, stop allowing them to make you feel that way and start to become more selfish. Being selfish is not a bad thing, excessive amounts are the problem. So balance it out with gratitude and self-love for yourself. Please show yourself compassion when things become harder and stress arises. Stop nitpicking everything you do, stop going back into picking your skin, chewing something that damages your teeth, and/or picking your nose with sharp nails (it can cause scabs in your nose damaging your inner lining meaning bacteria has a better chance of entering and thus bacterial infections). Stop the self-harm too, you do not deserve that. Okay? You deserve happiness.
Masterlist.
Pile II.
Greenland and Mauritius (drawn to it two times), Ireland, Some of your future person lives on a boat so their locations differentiates, Russia.
Your future spouse’s energy is so beautiful. I instantly kept saying, “wow, wow, okay, wow, wow.” Your future spouse's energy keeps shifting, meaning they like to travel a lot, but at the same time, people are drawn to them like a magnet. Their energy is very strong. It reminds me of taking shots and getting dizzy after one. So strong, wow.
A lot of you are trying to figure out if someone in your friends’ circle is your future spouse. From the readings you have read, the signs you have seen or wanted, the way the people speak to you, and the way you feel about them have made it harder for you to pinpoint or locate who they are. It is no one in your circle, but someone in your circle knows your future spouse online. And they will introduce you to them in the near future. My intuition says, “you are not ready to meet them. You need to let go of being the investigator and stop reading pacs. Give up on them and take a break for the sake of your mind and peace. It’s time for you to let go and have fun before you are introduced to them and fall for them on the sight of their words addressed to you.” They are such a romantic with you, with others, they are like, ‘’meh, whatever. Okay, and?” But with you, it is like let me just find the most perfect, stunning, angelic … (more lovely words) rings for the most perfect person in the world; you are my world, my life, my presence .. and so forth. Very lovey dovey with you, you make them so soft. At first it was gross and weird to have this switch of who they were, but then you started to make them realize how nice it was to feel something more. You are their safe haven, and the same can be said about them for you.
I see a pretty garden, filled with nice roses and pink roses, some dandelions, and dragonflies surrounding the both of you. You have an outfit similar to Alice in Alice in Wonderland, and they have an outfit similar to the White Queen. It’s such a warm and bright atmosphere that you can get lost in it and fall into a rabbit hole. The same can be said about who you both are and how your energy will melt perfectly with one another. So drawn to one another that no one can separate you both away from one another. Your adventurous and childlike wonder personality is what grabs your future lover’s attention and spins their world into the story itself. In short, your relationship will be magical but overwhelming with their parents and yours. There is going to be clashing. A lot of communication will mend it but not heal the relationship. Do not pour yourself into fixing it, focus on you and them.
Masterlist.
Pile III.
Trigger warning: faintest mention of rape.
Mongolia, Panama, Burundi, Northern Mariana Islands, China, Canada, Russia, and Kazakhstan.
Your future spouse grew up and is still living in a close bonded village or community. Their mindset is closed, very closed, hence why the energies you have read differ from one another.
II of Swords and X of Swords.
I need you to listen to me very carefully. Although this is a future lover or spouse reading, your lover is not someone you are supposed to be with. Their energy is so.. so very overwhelming, complex, and so damn off putting. I can’t even read it.. it is that bad. I have no idea if you are speaking with them on a dating app, met them and had a “lovely” date with them, if they are your ex, or even dating you, but leave or do not engage with them. I will describe them. I wish I could give you a cute reading about who they are, but their energy is so blank—so empty, shadow like, and so very much draining you.
This person blends into the crowds and projects themselves as a kind and lovely person who went through so much trauma. This person has told you, or will tell you (future energies appeared), that these people were awful, and these people made them feel small, but they were able to heal, or at least tried to feel better about themselves. (Red flags are waving in my mind), they like to talk about France or are associated with France (born there, love the food, know the culture, etc.). They will subtly mention how perfect you are but secretly hide their disgust for you. You may have noticed it and brushed it aside from how exhausted you have been lately. I would not say you have been gaslighting yourself; you could be, but something along the lines of ignoring it or acting ‘oblivious’ because you want something good to finally happen to you. They like to bounce around each topic, never fully explaining what they are saying but ‘appearing’ intelligent because they bullshit their words. Some of you have noticed it and have called them out on it, but they either love bomb you and you let it go, or they manipulate you and you believe their lies or will (future energies only). They believe you are easy to trick, and they are right. You are easily swayed to someone’s side because of how open-minded you are; you need to start to limit that and focus on your ideals.
They love, and I mean love, being perverse around you. They always act as if they are modest and clean, that they have innocent and pure thoughts, but they do not. Very disgusting mindset, it reminds me of those who think it is okay to rape others. Yuck.
With the X of Swords (ten of swords), they.. (sigh, I am so sorry for you, truly. I hope one day you can finally heal and find the right person for you). They prefer to put you down and make themselves feel better about themselves. Usually, people who are insecure do that, yet they are not. They see themselves as this perfect being who deserves the best, and everyone deserves filth for being around their existence. Very high unhealthy self-esteem and very close tendencies to being a sociopath. I am not sure if they are diagnosed or not, but they do or would have pride for that, for being a psychopath or a sociopath.
You got two sword cards, and when it comes to the more depressive or weaker genre, this symbolizes abuse, lack of empathy or care, and being harsh. This may explain this person’s inner thoughts and how they interact with others, yet on a surface level they act like the better parts of what the swords symbolize: being creative, being brave and taking charge, learning to communicate or perfecting it, and being overall intelligent with a touch of care. I believe now you know who this person is, and the fear that surrounds your heart is making you overwhelmed because you put so much into this relationship only to find out that it was a lie.  I believe it is time for you to let them go and let go of everything about who they are and what they did for you. In reality, it was for them so they could have you wrapped around their finger, and unfortunately, you gave them easy access. Block them, cut contact with them, simply get rid of them, and bring back your peace.
Intuition told me that you need two oracle cards, and I will explain it for you. The first one you got was ‘’dna.’’ It states, ‘’you are predisposed to follow the karmic dictates of your ancestral patterning to some extent, yet as you evolve in your consciousness and expand the light of awareness, you can make choices that shift and modify this ancestral design.’’ Meaning, you have to follow along what your beliefs were all along, stop allowing others to sway you and follow their beliefs, their morals, and their tradition. Though it is good to have an open mind, an open mind with a huge heart, and being naive is what makes you fall down; it is your downfall, and it will be hard to build back the same place you fell from. You can ever truly go back to that, but you can always rebuild it and make a place that is better for you, but at the same time, a safer and calmer place for you to rest when things become tough. The next and last card channeled is ‘’iceberg.’’ It states, ‘’whatever you suppress or deny and attempt to keep out of conscious awareness will show up somewhere and somehow.  These are your shadow aspects.  Now is the time to allow these elements to surface and embrace them.’’ It means exactly what I have been saying to you. Learn to appreciate your open mindset, but learn to push away being so naive that you fall into that spiral I previously spoke of. Learn to appreciate that you care, that you want good things coming your way, and that you know and understand that you deserve good things, but push away those who do not mean well to you. They will sink you like how the Titanic sank with the iceberg. And that is something you simply do not deserve.
Masterlist.
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octahyde · 1 day ago
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Ok actually one thing that really really bothers me about how widespread people are negatively reacting to the anime just for the fact that anime onlys are going to be in the fandom is like
This is going to make TWST so much more accessible
Like… not everyone can sit down for several hours and read a visual novel. It’s very time and focus intensive. Not everyone can read logs of the dialogue on wikis, either. There are several people who are unable to enjoy this story based solely on medium. A good example is my qpp; he loves TWST. He loves the story. He loves the characters. But he can’t get past Book 3 because the format is completely inaccessible to him. He’s tried. I’ve tried with him. He just… cannot do it. The novels are a godsend because it’s a way he can finally read the story in a format that works for him. The anime will also help a lot because he’ll be able to hear the voice acting, which is a very important part of TWST’s story telling.
Or even just in general, I don’t think I need to post about how I Like Horror, but I am unable to read anything longer than a short story. In particular, I am almost fully unable to read King because of how incompatible his writing style is- despite really wanting to. I have tried and failed to read Pet Sematery more times than I can count. The 80’s movie, though? I love it. It lets me experience a very important work to the genre in ways I would otherwise be completely unable to. Same with Misery.
Like… it’s super frustrating to see people advocate for story accessibility in things like video games, only to turn around and say “except for things I LIKE, they’ll get my favs wrong!!!” Especially when it’s in a fairly inaccessible medium.
I especially have a bone to pick with Idia fans I see on Twitter doing this. There’s a lot of fear “normies” will be ableist about their favorite cartoon character, while… in the process being extremely ableist to actual human beings. It’s extremely frustrating and upsetting to see people prioritize their (heavily mentally disabled, I might add) favorite fictional character over actual irl disabled people. I don’t think people, especially autistic people who can’t do VNs, should be limited from a beautiful story just because other people you can block Might Make Incel Jokes.
(My qpp? He’s autistic. And schizophrenic. And has CPTSD. He relates a LOT to Idia just from what I’ve told him about her and her arc.)
Like… get your fucking priorities straight. I was hyperfixated on Danganronpa when the DR1 anime came out. I was hyperfixated on Persona 4 when the P4 anime came out. Ace Attorney has been one of my absolute favorite series since middle school, and I was going through my obligatory hyperfixation phase I have every few years when the AA anime came out. I massively prefer the YuGiOh manga to the DM anime.
Anime onlys are EXTREMELY easy to avoid and are not the fucking end of the world.
Especially in a fandom with so many autistic people. Have some empathy for disabled people who have different symptoms than you do.
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tortillamastersblog · 1 day ago
Text
Back To You - Part 4 | Sam Carpenter
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Pairing: Sam Carpenter x reader
Warnings: mentions of violence, death, blood, injuries, and swearing
Summary: When Sam left after turning eighteen, you were devastated. You’d been in love with her since you were kids and her leaving meant you never got to tell her how you truly felt.
Fast forward a couple of years, Tara gets attacked and Sam returns. . .
Previous Part | Next Part | Masterlist
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Present
Billy Loomis is Sam’s real dad. . .
Tara’s words and her recount of her conversation with Sam makes all the puzzle pieces fall into place.
That’s why Sam snuck into my room all those years ago. That’s why she changed so much after, and that’s why she left.
It all makes sense now, but it doesn’t change the fact that she hurt Tara by leaving, hurt me by leaving. It also doesn’t change the fact that she wasn’t there for me when I needed her to most. When I begged her to come back and she just screamed at me to stop calling without even letting me explain why I was calling in the first place.
I’m feeling so many things right now, it’s kind of overwhelming, but I try my best to stay calm so I don’t freak Tara out.
She’s been moved to a private floor since Sam left and slept earlier while I called Liam and Paige again. Now, she’s awake once more, curled into my side while we’re watching a movie together.
I really try to focus on what’s going on, but my mind keeps drifting back to Sam.
She could have talked to me! She could have told me about her real dad. Why didn’t she? Did she think I was going to hate her for it? Did she think I would stop being her friend if I knew?
I wouldn’t have done any of that. Who her father is doesn’t change who she is. At least that’s my opinion. She must think otherwise, because if she didn’t, she wouldn’t have left.
I’m mad at her for abandoning Tara and leaving me. I’m sad she felt like she couldn’t talk to me, and I’m heartbroken thinking about how she tried to numb her pain by doing every drug imaginable and sleeping with anyone who would have her.
I still love her, that’s for sure because if I didn’t, I wouldn’t be feeling like this, but I’m just not sure love is enough for me to forgive and forget everything she’s done.
“Hey.” Tara’s voice and her finger poking my chin snaps me out of my thoughts.
I clear my throat quietly and look down at her. “Yeah?”
“You okay?” she asks, her kind brown eyes darting between my own.
“No, not really, Sprout.” Tara wrinkles her nose and I chuckle. She’s never liked that nickname. “But I will be, and so will you.“
“You sure?” she asks and I nod.
“I’m sure. Now watch the movie, or I’m changing it,” I tease, making her laugh softly.
“Okay, okay. . .” She looks me over one last time before turning her attention back to the movie, mumbling, “You’re so annoying.”
I just hum and scratch her head, settling deeper into the bed and actually focusing on the movie. Thoughts of Sam are still swirling around in the back of my mind, but I ignore them as best as I can.
About half an hour later, the movie is still playing and, much to my surprise, I’m actually invested in the story now.
Some shuffling and a grunt in the hallway outside makes me look away from the TV though. We’re on a private floor and no one but Deputy Vinson should be here. A nurse comes in every two hours or so to check on Tara, but she was just here before we started the movie.
Alarm bells almost instantly go off in the back of my head, but I don’t want to scare Tara, so I stay calm and shout, “Hello?”
There’s no answer.
“Vinson?”
Again, nothing.
My stomach drops. This is not good. This is not good, at all.
“Y/N?” Tara whispers fearfully, the beeping sound of her heart rate monitor next to the bed speeding up.
I swallow thickly and continue to stare at the open doorway, straining my ears to hear anything else. It stays quiet though, and with every second that passes, the uneasiness in the pit of my stomach grows.
“Y/N,” Tara whimpers and when our eyes meet I see the fear I’m feeling inside reflected back at me.
He’s back. It’s Ghostface. It has to be him. He’s returned to finish the job.
I can feel my own heart rate picking up speed, and after another beat of silence, I decide that we have to leave. We’re sitting ducks if we stay.
“Fuck this.” I swallow again and nod to myself before pushing the blanket to the bottom of the bed. “We’re leaving, Sprout.”
Tara’s eyes widen and she doesn’t protest when I disconnect the IV from the back of her hand. For a moment, she’s frozen, watching me disconnect her from all the machines she’s attached to, before springing into action herself.
With shaking hands, she removes the oxygen tube while I get up and pull the nearby wheelchair to the side of the bed.
I won’t be able to do anything with only one arm, so even though it hurts and I know I’m probably going to tear my stitches, I take off my sling.
I wince at the stinging pain that shoots through my neck and arm, but grit my teeth and help Tara with the rest of the wires. Then I make sure the wheelchair’s breaks are on before turning back to the bed.
“We have to get moving, c’mon. I know this is going to hurt, but we have to go,” I say, slipping my arms under Tara’s knees and under her back. I don’t lift her yet though, waiting for her to nod before hoisting her up.
The gasp she lets out makes me hurt for her, but I can’t stop now.
We have to leave.
Carefully, I lift her out of the bed and place her in the wheelchair, making sure I don’t bump her broken leg against anything.
My shoulder protests, screaming in pain even though Tara is easy to lift, but I don’t stop moving especially when the lights suddenly go out.
We have to leave, now!
Tara whimpers in fear and in pain, and I rush to turn off the breaks on the wheelchair before pushing her to the doorway.
He’s here. I know it.
I peek into the ominously dark hallway all while trying not to let panic take over my mind.
Fear is healthy, panic is deadly.
That’s what my father taught me, and I know if we’re going to get out of this alive, I have to keep a clear head.
The hallway is empty, and the only way out is by getting to the elevator at the end of the hallway, so I slowly push Tara out of the room, keeping my eyes and ears open for any movement near by.
Just get to the elevator.
The deafening sound of Tara’s phone ringing on the bedside table back in her room makes both of us jump for a moment.
Tara sobs quietly, and I tighten my grip on the wheelchair.
I glance over my shoulder, seeing the screen of the phone light up the room before turning back around. There’s no time to get it now, and even less time to answer it.
I push Tara into the hallway, slowly and quietly while letting my eyes dart around in the darkness for any sign of danger.
It still eerily quiet though and I don’t see anything, so I continue pushing her until we get to the nurses’ station.
That’s where a chocked gasp claws it’s way out of Tara and when I follow her line of sight, I freeze for a second.
Laying right there on his back on the ground, with a slit throat and a pool of blood around his head is one of the deputies Sheriff Hicks assigned to Tara’s floor. He’s still alive, even though only barely, and chokes on his own blood, his wide eyes staring unblinkingly at the ceiling.
There’s nothing we can do to help him, he’ll be dead within a minute, but still, the sight of him, so helpless and alone, makes the blood in my veins freeze.
That could be me, or worse, Tara.
Stop! Don’t think about that, Y/N. Focus.
My dad’s voice rings in my head and makes me snap out of it. He’s right, I have to focus.
I’m about to continue pushing Tara towards the elevator, but then a thought strikes me.
I pause and look around again before letting go of the wheelchair and crouching down next to the deputy. I reach for his belt, fumbling around until my hand grazes the holster of his gun.
With a gun, we’d at least stand a change against Ghostface, but as fate would have it, the holster is empty. The gun is gone.
Fuck.
Not only does that mean that we have nothing to defend ourselves with, it also means that Ghostface has the gun.
Tara sobs into her hands and watches me get back up, only to flinch and freeze a second later when we hear a door being opened somewhere down the hall.
There’s no time to ponder over the gun and its whereabouts now. I spin around and take a hold of the wheelchair again.
Getting to the elevator now is too risky. It’s too far away, so I wheel Tara into the room right next to the nurses’ station.
We need help.
Tara whimpers and cries quietly while I close the door behind us. I don’t shut it all the way, just enough to hide us from plain sight while still being able to see what’s going on outside. Then, I fumble around for my phone in my sweatpants.
Just like with the gun though, I come up empty, and the realization that it must have slipped out of my pocket while watching the movie makes my heart drop.
No, no, no, no, no. This can’t be happening.
My hands begin shaking, and it’s getting harder to keep my panic at bay.
We’re alone with a psychopathic killer, we have no way out, no help is coming, and I’m not in any shape to fight properly.
Tears well up in my eyes and I feel my bottom lip quivering. There’s no way out.
My heart starts pounding in my ears and my hands start shaking.
Please, no. Not now.
I’ve had enough panic attacks after my parents death to know what it feels like when one is about to start, and even though it sucks having them at any time, it would be especially inconvenient right now.
I force myself to calm my breaths and blink away the tears, but it doesn’t help much.
We’re trapped.
We’re alone.
I continue to focus on steadying my breathing while also keeping an ear out for any more sounds in the hallway.
That is until Tara nudges me. I clench and unclench my fists, and look at her. She has tears streaming down her face, but she’s urgently gesturing at something she can’t reach.
I follow the length of her arm with my eyes and almost start crying with relief when I spot the phone on the wall right next to the door.
I lunge for it and start dialing 911 with shaking hands only to stop a moment later when another door opens out in the hallway.
Tara clutches the back of my sweater with her uninjured hand and bites her bottom lip to prevent any more sobs from escaping her.
I flinch when another door gets opened, this time closer by, and hold my breath.
This is it. He’s here.
I lower the phone and square my shoulders, ready to fight when the door to our room suddenly swings open.
Tara yelps and I instinctively punch whoever just walked in.
“Ow!” Richie stumbles back against the doorframe and raises a hand to where my fist just connected with his jaw. “Ah, goddamn it!”
“Richie?” Tara’s pulls on the back of my sweater to get me to step out of her line of sight while I simply stare at Richie in disbelief.
I’m honestly relieved it’s just him, and that he’s here because now we’re no longer alone, but I can’t find it in myself to feel sorry for punching him.
“What are you doing here?” Tara asks as Richie continues to recover from the punch.
“Sam called,” he explains and as he continues to talk, I feel some of the tension in my body dissipate. “She said that you were in trouble.”
He doesn’t look at me when he says it, and the revelation that Sam probably only called about Tara is like a blow to the stomach.
I don’t get much time to dwell on it though because a split second later, Ghosface appears behind Richie, ready to strike with a knife in his hand.
“Look out!” I shout, stepping in front of Tara again.
Richie spins just in time to avoid getting stabbed, but the knife manages to cut his forearm. Ghostface goes in for another stab, but Richie manages to catch his wrist before he can bring the knife down on him.
He grunts and they struggle for a moment, but then Ghostface manages to grab the back of Richies head and slam him into the door frame, knocking him out.
“Shit!” I clench my jaw when Ghostface turns his attention to Tara and me, and quickly grab the IV stand next to us, flinging it at him.
Ghostface goes down because the monitor on the IV stand hits him in the head, and I rush to wheel Tara out of the room.
We’re almost back in the hallway, away from Ghostface, when he suddenly lands a punch on the back of my left knee, making my leg buckle. I stumble and manage to regain my footing without going down, but that little trip costs me a lot of precious seconds.
“Y/N!” Tara twists around in the wheelchair with wide eyes and even though I know Ghostface is now back on his feet and right behind me, it still catches me off guard when he wraps his arm around my neck from behind and punches me in the side, right below my ribs.
“Ah, fuck!” I grunt and grab his forearm, trying to pry it away from my neck, but it doesn’t budge. “Go, Tara!”
Another blow, this time to my ribs, takes my breath away, and even though I’m in pain, it fills me with an unexplainable rage.
Instead of trying to get his arm away from my neck again, I dig my heels into the ground and push backward until we hit a wall. Ghostface hisses in pain and I use the momentary distraction to get out of the headlock.
Then, I run to Tara, limping slightly and ignoring the sound of a phone ringing nearby. She’s crying and struggling to move in the wheelchair, and the sight of the blood soaked bandage around her hand makes my stomach clench.
I’m about to reach her, my arms already outstretched to grab onto the wheelchair, but then I’m tackled to the ground from behind.
My head hits the floor, making black dots dance in my vision for a moment and then my head is yanked up by my hair.
“Hold it right there, Tara,” Ghostface says, the voice changer eerily distorting his voice, “or I’ll slit Y/N’s throat.”
Tara freezes and wheels around in time to see Ghostface press the blade of his knife against my neck. He’s kneeling on my back and I know I have no way of escaping without getting my throat slit.
It stings when he pushes the knife down a little too hard, drawing some blood in the process, but I don’t dare to move.
“Y/N!” Tara cries and I try not to cough because of the weight on my back. “No, please don’t.“
“Tara, go!” I rasp, feeling the edge of the knife dig even deeper into the skin of my neck.
Tara shakes he head desperately, tears rolling down her cheeks. “No, Y/N, I—“
“Do you hear that, Sam?” Ghostface says and at the mention of Sam’s name my heart drops. He must be on the phone with her. “Your little sister and Y/N, begging for each other’s lives. Pathetic, don’t you think?”
Tara makes a move to wheel closer, but I pin her down with a stare to stop her. Go, I mouth, but Tara doesn’t move while Ghostface continues talking to Sam.
I can’t hear everything he’s saying because my ears are ringing, but when he suddenly gets off my back and approaches Tara with calculated steps, I hear him say, “So, the choice is up to you. Who is it going to be, Sam? Richie, Y/N, or Tara?”
Tara whimpers as Ghostface gets nearer, but she’s too injured to get away. She manages to turn the wheelchair around, but Ghostface is right there before she can even attempt to get away.
He grabs the handles of the chair and tips it forward forcefully, making Tara fall and land on the ground with a cry of pain.
No, not her. Not Tara. Please, anyone but her. She’s been through enough.
“Stop!” I groan, trying to get up, but slipping on something sticky on the floor. My shoulder stings and the side where Ghostface punched me burns, but I try to get back up again, and this time, I manage. On unsteady feet, I limp toward Ghostface who’s now standing over Tara.
He twirls the knife in his hand and raises his arm, getting ready to strike while Tara sobs.
“No!” I’m not going to make it. “Tara!”
Just then, the elevator dings and the doors open. Ghostface looks up, surprised, and dives out of the way when gunshots ring out.
My eyes widen at the sight of Sam and Dewey?! who dart out of the elevator.
“Tara!” Sam rushes to her sister’s side and drops to her knees, trying to help her to her feet.
“I’ll get Richie,” Dewey says, but then he freezes when his eyes land on me. “Y/N?! What are you doing here? Are you hurt?”
I wave him off and shake my head, looking around to see where Ghostface went. “Not now, I’m fine. Go get Richie, I’ll help Sam with Tara.”
“Okay.” Dewey nods and stares at me a moment longer before dashing past me to help Richie.
The last time we saw each other was at my parents’ funeral. He used to be like an uncle to me because he was friends with my dad, but after the accident, we kind of drifted apart.
Now is no time to dwell on the past though. I push through my dizziness and the pain in my side, shoulder and leg, and limp the rest of the way to Tara and Sam.
Sam’s already managed to get a crying and whimpering Tara to her feet, but Tara can’t walk with her broken leg, so as soon as I’m within reach I tug on Sam’s jacket to get her to stop dragging Tara to the elevator.
“Stop, let me help.”
Sam’s eyes widen. “Y/N, y-you’re here?”
“Of course, I’m here,” I snap, not because I’m mad but because there’s no time to talk. “Now, let’s get a move on!”
Still in disbelief, Sam doesn’t say anything else as I scoop Tara up into my arms.
“Ow,” she whines and I quickly apologize for hurting her.
I limp to the elevator with Sam hot on my heels and lean against the wall as soon as we’re inside. My legs are shaking and my entire body hurts, but I’m not letting go of Tara until we’re safe.
Sam holds the doors open while Richie and Dewey make their way to the elevator.
They’ve almost made it when, out of nowhere, Ghostface comes back, crashing into them from the side. Richie falls to the ground, and Dewey gets pushed against the wall which makes him fire his gun.
A struggle ensues between Dewey and Ghostface while Richie tries to get back up, and for a moment it looks as though Ghostface’s got the upper hand, but then Dewey headbutts him.
Ghostface stumbles back and Dewey grabs his gun off the ground, firing it at Ghostface before he can come at him again.
He stumbles back at the force of the shots hitting him in the chest until he crashes into the glass display cabinet on the opposite wall.
He sinks to the ground and stops moving, and even though I’m not convinced he’s dead, there’s no time to make sure he is. We have to get out of here as fast as possible.
Dewey must think so too because he gets to his feet and immediately pulls Richie up as well.
“Let’s get out of here,” he grunts, dragging Richie toward the elevator. “Come on, hurry up.”
They finally make it, and Richie slumps against the wall next to Sam who runs her hands over him and checks for any not-so obvious injuries.
“You okay?” she asks, her voice laced with worry.
Richie nods and exhales shakily. “Yeah, you?”
Sam nods. “Fine.” Then she turns her attention back to Tara who’s got her arms wrapped around my neck and is crying into my shoulder.
“It hurts, Sam,” she cries, and I press a kiss to her forehead while Sam takes a hold of her hand.
Dewey pushes the elevator button for the first floor, but before the doors can slide shut, he stops them with his hand and says, “The head. . .”
Richie frowns. “What?”
“You have to shoot ‘em in the head or they always come back,” Dewey explains, stepping back out of the elevator.
Sam gapes at him and asks exactly what I’m thinking. “Dewey, who gives a fuck?”
A forlorn look enters his eyes and as the doors slide shut, he says, “I do.”
“No! Dewey!” I try to step forward to stop him, but as soon as I shift my weight off the wall, my legs start trembling, so I slump back and grit my teeth.
It’s too late.
The doors close and the elevator starts descending. A tense silence settles over us for the duration of the ride, but then the doors open and Richie stumbles out first, shouting for help.
Doctors and nurses swarm us almost instantly and within seconds, a gurney is brought over and I place Tara on it.
She’s okay.
Seeing her being taken care of lifts a huge weight off my shoulders and the relief on Sam’s face makes me smile a little.
She’s going to be okay.
The dizziness I felt before suddenly returns full force now that the adrenaline is wearing off, but I can’t sit down and rest until Dewey is safe, too.
He’s up there all alone. Someone has to help him.
I stumble back to the elevator but a hand on my stomach stops me from entering it.
I look down, swaying slightly, before following the arm connect to the hand all the way up with my eyes until they land on Sam’s face.
Wait. . . Sam?
“Where are you going, Y/N?” she asks, frowning.
I blink to get rid of the irritating black dots growing in my vision and try to push past her. “D-Dewey, he needs—he needs help, Sam.”
“I know,” she says, stopping me again by grabbing a fistful of my sweater. “But you can’t go up there. The police are already on their way.”
“But. . . But Dewey,” I slur. I grasp at Sam’s hand to get her to let go of me which, much to my surprise, she actually does.
It doesn’t last long though because not even a second later my knees buckle and I fall forward, right into her arms.
“Y/N? Y/N!” Sam panics and grabs onto anything she can to stop both of us from toppling to the ground. “Oh my God, you’re hurt.”
I awkwardly slide down her body, bringing her down with me until we’re both on the floor and I’m gasping for air.
“Y/N, hey. . . Hey!” Sam grunts and manages to scramble out from underneath me before propping me up against the wall next to us. “Look at me. What’s wrong? What hurts?” she asks, but I can’t answer. My lungs suddenly feel like they’re on fire and every breath I take makes it harder to breathe.
“What happened? Did Ghostface—“ She falls silent when her eyes land on her hands and when I look down, I see why.
They’re covered in blood. My blood. But. . . how?
I think about everything that happened, and then dread settles in the pit of my stomach when the realization hits.
Ghostface wasn’t punching me. When he “hit” me all those times, he wasn’t punching me. He wasn’t punching me at all. He was stabbing me.
Welp, that explains why my side hurts so much. I thought I was going soft.
My eyes flutter shut and I cough, tasting blood in my mouth.
I guess no one noticed I was hurt until now because I didn’t feel anything until the adrenaline wore off and the blood soaking my clothes wasn’t visible because both my sweater and my sweatpants are black.
“Y/N, hey! Don’t you dare close your eyes.” Sam cups my cheeks and shakes my head slightly to get me to open my eyes again. “We need some help over here!” she shouts over her shoulder before looking back at me.
She’s frantic, more frantic than I’ve ever seen her, and her eyes are filling with tears. Her hands drop off my face and she’s quick to push my sweater up to take in the extent of my injuries.
“Oh my God.” Her voice cracks and when she presses her hands against my side to slow the bleeding, I cry out in pain.
I gasp like a fish out of water, still struggling to get enough air into my lungs, and push at her hands.
“No, stop— Stop!” she protests, desperately pressing her hands against my side again.
“Hurts,” I wheeze and Sam nods frantically with tears dripping down her cheeks.
“I know, I know,” she says, “but I’m trying to help.”
I writhe in agony, but don’t try to push her off again. I don’t think I even could if I tried because with every passing moment I feel weaker.
My eyes are also threatening to close again and when Sam notices, she presses down harder on my side and shouts for help again.
This time, a nearby nurse notices and she springs into action. She rushes over, dragging a doctor with her and tells another nurse to bring a gurney.
I don’t focus on her though. No, I keep my attention on Sam and how she’s desperately try to stop my bleeding.
She’s crying, covered in blood, and on the verge of hyperventilating, but she’s still beautiful.
So beautiful. . .
I cough again just as the nurse and doctor drop down next to me, and when Sam takes her hands away so they can examine me, I give into the urge to close my eyes.
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Whew! I wrote this in one sitting, and only proofread it once, so please excuse any mistakes I may have made/overlooked.
Tag list: @artrizzler19 @btay3115 @canyonyodeler @quadofthec @pussyydestroyer @bella423
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faithshouseofchaos · 2 days ago
Note
Yaknow maybe you should write a blurb where driver male reader gets into f1 the same time logans dropped(i wanna say kicked because it cant be described as just dropped yaknow?) And theyve been dateing for a while so when he gets into f1 he Decides he's going to ignore the other drivers like they did logan (Except maybe talk to alex a little even tho their on different teams) and reader just demolishes the rest of the drivers on track and gets first for the races left (while being nice to franco only because logan said so) and the other drivers ask oscar why reader is to cold to them and he doesnt know cause readers doing the same to him even tho their childhood friends he even tells them that he's never seen reader this petty and it probably something personal that happend off track and that he'll be better by they end of the season (even tho reader wont)
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Cold revenge— Logan sargeant x male reader
Word count — 1535
Fluff with a angst
The paddock was louder than he’d expected, bustling with voices and familiar faces. But Y/N wasn’t here to make friends—not with them. Not when they’d let Logan go so easily. He could feel a flash of resentment bubble up as he brushed past the crowd, heading straight for his garage.
As the season started, his focus sharpened, race after race. He was taking wins like they were meant for him, hardly sparing a glance for the other drivers. He’d see Oscar trying to catch his eye now and then, probably wondering what was up, but Y/N kept things short, tight smiles and nods before walking off. Alex got a little more acknowledgment, mostly because Logan had always had a soft spot for him. And Franco? Logan had asked him to be cool with Franco, so he’d manage that, too.
It wasn’t long before the other drivers started noticing. In the paddock, the whispers grew. During post-race interviews, Y/N’s answers were straightforward, never really engaging with the usual back-and-forth banter. Charles leaned over to Oscar one day, raising an eyebrow. “What’s with Y/N? He hasn’t even looked at half of us since he got here.”
Oscar shrugged, visibly stung, like he didn’t have a clue either. “Honestly, I don’t know. Maybe something off-track. He’s never been this… intense.”
Race by race, Y/N kept winning, his focus relentless. But with each victory, he caught himself glancing at his phone, waiting for Logan’s usual text—a “good job” or a thumbs-up emoji. Y/N knew Logan was watching, but lately, the messages were shorter, more… careful.
By the third race, Y/N noticed Franco hanging back after qualifying. The two exchanged glances, Franco giving him a slight, knowing smile. At first, Y/N wasn’t sure whether to respond, but he remembered Logan’s words, that Franco was “alright.” Begrudgingly, he gave Franco a quick nod as he walked past.
Next race weekend, Franco didn’t hold back. “Good job out there,” he said in his usual friendly tone as they passed each other in the paddock. “Could’ve made it look less easy, you know?” he added with a smirk.
Y/N couldn’t help the small grin that slipped out. “Guess I’m just doing my job.”
Franco laughed, clapping him on the shoulder. “Well, good to see you’re human after all. Logan would be proud, yeah?”
A flicker of surprise crossed Y/N’s face. Hearing Logan’s name reminded him of the loyalty that had been fueling him, but Franco’s easygoing attitude softened his edge. “Yeah… he’s been watching.”
The next time he ran into Franco, it felt almost natural to swap a few words. They didn’t talk much, but Franco’s relaxed, warm nature was slowly breaking down the ice.
Not long after, Y/N found himself in a post-race briefing alongside Alex, who had a way of putting people at ease. Alex gave him a quick glance as they waited. “You know, Logan’s been talking you up—says you’re unstoppable out there.”
Y/N managed a quiet chuckle. “Guess I have to live up to that, huh?”
Alex smiled, nodding. “If anyone could, it’d be you. Just… don’t let the intensity take you down too, yeah?”
For a second, Y/N hesitated, then nodded. It was odd—Logan had always admired Alex’s resilience and calm, and now Y/N could see why. Alex’s words settled something inside him, easing the sharp edges he’d been carrying.
Over time, the walls began to come down, bit by bit. Y/N would pass Franco in the paddock, giving him a small grin. Alex became someone he actually stopped to chat with on occasion, their exchanges short but genuine. He still wasn’t the chattiest guy in the paddock, but for the first time, it felt like he didn’t need to keep everyone at arm’s length.
By the season’s end, Y/N had found a balance between his loyalty to Logan and his own journey. The paddock had gone from hostile ground to something familiar, and as he stood on the podium after the final race, he couldn’t help but look at Franco and Alex in the crowd, grateful for the unlikely friendships he’d found along the way.
Let me know how you like this! This version keeps Y/N’s guarded personality intact but lets Franco and Alex start bringing him out of his shell gradually.
Finally, after a particularly tense win, Y/N found a message waiting from Logan: Come over tonight? Need to catch up, just us.
When he arrived, Logan had already set up in his living room, a few beers on the coffee table, the TV playing softly in the background. Logan shot him a grin as he walked in, patting the seat next to him. “Congrats, champ,” he said, holding up a beer. “Guess the whole ‘quiet assassin’ thing is working for you.”
Y/N chuckled, easing onto the couch. “Guess so. I’m just here to win.”
Logan took a swig, then gave him a long look. “Yeah… noticed you’re not exactly chatty with the others.”
Y/N shrugged, avoiding his eyes. “Not here to make friends. They didn’t exactly do you any favors.”
Logan shook his head, a fond but tired smile creeping across his face. “I get it, really. But they’re not the bad guys here, Y/N. This… grudge or whatever—don’t make it yours.”
For a moment, Y/N was quiet, letting Logan’s words sink in. He felt a pang of guilt; maybe he’d taken things too far.
But the next weekend, in the paddock, he felt a little lighter. He saw Carlos out of the corner of his eye, who gave him a nod he’d usually ignore. This time, he raised a hand in a casual wave. Carlos blinked, surprised, but returned the smile.
Then, during pre-race prep, he found himself standing next to Pierre, who hesitated before glancing over with a small smirk. “So… you’re finally letting us exist?”
Y/N shrugged, a grin slipping through. “Just maybe.”
As the season wore on, Y/N gradually loosened up—small nods here, a smile there. He was still mostly quiet, but the wall was cracking.
Y/N was heading back to his garage after another win, the adrenaline still pulsing through his veins. He’d barely stepped out of his car when he spotted Oscar lingering nearby, leaning against the wall with a look that was somewhere between curiosity and frustration. It wasn’t the first time Oscar had tried to catch him alone, but this time, Y/N stopped.
Oscar pushed off the wall, hands in his pockets as he approached. “Got a minute?”
Y/N nodded, folding his arms. “What’s up?”
Oscar looked at him, clearly trying to pick his words carefully. “Look… I don’t know what’s going on with you lately. You’re here, but it’s like you’re not. You barely even look at any of us.”
Y/N’s jaw clenched slightly. He wanted to deflect, but he could see the concern in Oscar’s eyes, mixed with a bit of hurt. “It’s nothing personal. Just… keeping my focus.”
Oscar scoffed, crossing his arms. “Come on, mate. It’s not just focus—you’ve been shutting everyone out, including me.” He hesitated, then sighed. “We’ve been friends since before all this. I get that F1 changes people, but it feels like you’re a stranger here. It’s like something happened and you’re just… cold.”
Y/N looked down, feeling the weight of Oscar’s words. He’d been so focused on staying loyal to Logan’s memory in F1 that he hadn’t thought about what it looked like to the people who actually cared about him.
“It’s about Logan,” he said finally, his voice low. “He got kicked out, and they barely gave him a second thought. I didn’t want to let it go, so I guess… I figured keeping to myself was my way of showing I’m not here to be their friend.”
Oscar’s expression softened as he nodded slowly. “I get it. I really do. But Logan wouldn’t want you to be this way, would he? Being here, it’s your time, your career. Don’t let what happened to Logan weigh you down. You’ve got nothing to prove to anyone but yourself.”
Y/N felt something shift. He’d been carrying this silent anger for so long, and now, faced with Oscar’s steady gaze, he realized maybe he didn’t have to carry it alone.
“Yeah, maybe you’re right,” Y/N said quietly. “It’s just… hard to shake it off.”
Oscar clapped him on the shoulder, a reassuring smile spreading across his face. “I know. But just… let us in, alright? You’ve got people here who want to see you succeed, not just win.”
Y/N managed a faint smile. “Thanks, Oscar. I’ll try.”
As he walked back to his garage, he felt a weight lift, and for the first time, he was ready to let the walls down—just a little.
By the final race, he was in the paddock with Logan’s voice in his head, letting go of the need to prove anything. And when he finished the season with a win, he found himself in the center of the team celebration, surrounded by drivers who’d finally started to see the real Y/N.
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compostboy · 3 hours ago
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This isn't directed at OP, I just think it has to be said
You can also be the fascist shoehorning people into dehumanizing categories, I think we need to remind ourselves of that
I'm not going to talk about pedophilia being used as a weapon for queerphobia, people have done that better than me and will continue to do that.
What I want to bring up is the "zios" part here when... Historically that is exactly what has been used to persecute Jewish people, in Russia, Europe, America, West Asia, North Africa, leftist political circles? Like the logic absolutely did go "zionists should be murdered and tortured->jews and jewish expression are zionist->jews in general should be murdered and tortured" not an exaggeration, that ALREADY HAPPENED do you know how many died, fled, were prohibited from fleeing, went missing?
Wikipedia page for the fabricated "The Protocols of the Elder's of Zion"
Wikipedia for the Limerick Pogrom
Kyiv Pogrom
Shiraz Pogrom
1917 Jaffa Deportation
Pogroms during Russian civil war
More Kyiv Pogroms
Pinsk Massacre
Massena Blood Libel
Thrace Pogroms
Constantine Riots
Gabès Riots
Iași Pogroms
Tripolitania Riots
Egyptian Riot
Kielce Pogrom
Aleppo Riots
Oujda & Jerada Riots
Night of the Murdered Poets
Doctor's Plot & Anti-Zionism as antisemitism
Soviet Anti-Zionism(/Zionology)
Soviet Jewish History
Anti-Zionist Committee of the Soviet Public
Here are some of the things happening in the 1900's
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you can find a timeline over 20th century antisemitism here
Here is a timeline of antisemitism throughout history
As you can see if you read through all of these events, antisemitism takes many shapes, and often the perpetrators will say "of course I'm not attacking Jews, I am attacking ___ (and willing to kill Jews if they are ___ which I assume they are without real evidence)"
The ___ can be anything
Child killer is a very common ___. Who wouldn't hate someone who killed a child? A poor innocent child, of a majority religion nontheless? If they kill children, surely then we can harass, assault, pillage, lynch and kill dozens or hundreds or thousands of them without trial?
That may seem like a sudden big leap in logic to many people but it keeps happening over and over and over and over again. Throughout history. It still does.
If you want your anti-zionism to NOT be antisemitic, you have to actually do the work and learn about all different kinds of antisemitism, Jewish history, and learn from Jewish people how to be an ally. And I'm not perfect! But I'm speaking out right now because I believe it's better to do something good imperfectly than to do nothing and stay silent
Very concerning to see that kind of talk.
You are not supporting the freedom of the Palestinian people by saying that kind of thing.
Focus on making sure people have food and aid and pressure your government to oppose the Israeli occupation and settlements. Build community without borders. Uphold international law and human rights. Criticize and protest against governments.
Do not start any kind of "jew hunt" or incentivize or participate in pogroms
Do not speak about political enemies as someone to sniff out, round up, and exterminate, no matter how vile you think their actions have been or values are
There is no upside to that kind of talk or action
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Do something good by donating to Palestinian Children's Relief Fund instead
me in real life: torture and murder are horrible and you shouldn't do them.
me in fiction: torture and murder are literally the two sexiest and most fun things you could possibly do and you should do them all the time.
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