#' in which they both respond by staking their entire lives on each other and stuff. christ. aughhghggggggggggggg
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THROWINF MYSELF DOWN A CCHIMENY SO I CAN DIE SLOWLY IN THE CORBWEBS
YEAHHâźď¸âźď¸âźď¸âźď¸âźď¸
god im glad you're so Completely Normal about them im going to hold you to that talking about them for hours thing bc every time you add to this i think of like eight other things i've been meaning to talk about or haven't even thought of. horrible beautiful entropic kuwameshi discourse wherein brainrot begets brainrot. we are mad scientists shaking hands and everything is on fire and we're eprobably married or something. ok here goes. first things first: fUCKIGNucjgun. ourhfhh. secondly: the yusuke side of kuwameshi makes me want to rip my teeth out like yusuke thinks no one loves him and then boom the wake happens and i think if he wasn't so [gestures vaguely] emotionally stunted he'd maybe think a little more about what it means that kuwabara kept running back to him again and again even if it meant limping away and what it means to him to be loved for no reason. without anything to gain. he never had anything to offer anyone really he was just a dirty scrappy smart-mouthed kid so no one loved him (or so he felt) and yet here is this fucking guy who just loves the everloving shit out of him and he's kind of great? he's kind of an amazing person?? he's kind of wonderful and strange and a doofus and noble and fun and oh well i guess i have to make sure nothing happens to him because i could kill everybody in the world and then myself and it wouldn't make a dent in the vengeance debt i'd be owed. in a bro way of course.
hes fucking unforgivably ridiculous is my point. god. hhhhhhhhh
minutes away from smashing in all my neighbors' windows with a baseball bat over this but instead i will say YEAH THE KUWABARA MASOCHISM LINE. I THINK ABOUT IT A LOT. and not just because of my penchant for weird homoerotic dudes-fighting media but because yusuke too one look at him thought "oh this guy again" and said "you're one of those intricate rituals guys aren't you" with lethal force. if i was kuwabara and he told me that i think i actually would have died on the spot that would have killed me. he's right of course but still
OH AND THE TETHER TO HUMANITY THING see team urameshi (minus genkai) each fall along this little punnet square im gonna make now hold on save to drafts
ok it's an oversimplification but this creates a sort of gradient where kuwabara is the most human/representative of humanity and hiei is the most demon/representative of demonkind and kurama and yusuke fall into more ambiguous/transitional zones over the course of the story, where what exactly they are is a little more complicated. kurama's obviously human-adjacent and his character's about that ambiguity the whole time that's like. literally how we're introduced to him, but yusuke becomes demon-like/ambiguous much more distinctly (though he is always far more sympathetic towards demons and morally gray ppl/outcasts than anyone else in the square, which skews him more demon-aligned than kuwabara, if we wanna think of it that way (see yusuke befriending previous opponents/enemies of both demon and human varieties while kuwabara tends to only skew human, with kurama being an exception and hiei being a much more difficult/begrudging exception (just like how yusuke is an exception to hiei and kuwabara is a begrudging exception to him. hiei and kuwabara's foilship on this front is insane to me but i digress)).
and once yusuke wakes up and says it's mazokuing time and atavisms all over the place kuwabara's the last one that's purely objectively distinctly human and that isolates him and makes him feel like he can't follow. they're all going back to demonland to do demon shit and even if he could keep up with them he knows he wouldn't belong, wouldn't match with what they were or what they'd become. and he doesn't want to feel out of place in team urameshi any more than he already does (hiei's actually in a similar boat, reflected in his hesitancy to engage with humans, humanity, the team, and friendship kinda broadly. it's an insecurity they both share, though much of the source of that also comes from being rejected for being seen as a bloodthirsty monster, something he shares with yusuke and that is addressed. again, yusuke's more gray position on things makes it easier for him to get hiei, whereas kuwabara (as much as he's looked down upon as a bloodthirsty punk by some) clings to his honor code as a way of distinguishing himself and proving them wrong, and thus isn't really able to reach hiei. but hiei has his own honor code and shows surprise and dismissal at the idea of humans having honor codes. again, this is something they have in common, that anti-the-other-side bias despite having a good bit in common. oh my god. anyway), see his reaction to finding out genkai died and no one told him, etc. he is yusuke's primary tether to humanity and his old self as focused on by the story (as well as keiko, though with different emphases) and they both let yusuke go. yusuke leaves and kuwabara, for once, does not follow him. he needs to move on. (it's a lot like how keiko is portrayed. yusuke's shit wears on them both so so much ough)
so when kuwabara finally chooses not to follow, to stop chasing after yusuke, in effect trying to reform his identity around himself rather than yusuke and living his own life and accepting that as much as he loves him it's not meant to be, it means that the healthiest thing for him is to stay at home. to be away from yusuke because he means so much to him, because he's nothing without him, so maybe he can love him in a way that hurts less. and it sucks. it's brutal. and kuwabara pushes on anyway.
and after all that, after taking some time to figure himself out (and in turn giving kuwabara some space to figure himself out), yusuke decides to come back. he chooses to chase after kuwabara, to rejoin his loved ones, to return and love and be loved again. to accept the world that treated him like shit and never thanked him for risking him and his friends' lives to save it and that he resented and that he ran from. he comes back home to kuwabara. he gives up fighting (for the most part) like he did. he settles down. he comes home, because humanity and love are worth it. because kuwabara and all he represents and all he is is worth it.
and ain't that fuckin peachy that kuwabara's love is finally returned (both in that he comes home and yusuke's care from him is actually expressed outside of life-or-death situations)? (head in my hands screaming bawling my eyes out)
i don't mean to say "humans nice demons bad therefore it's good yusuke returned home" btw because like. frankly i have watched the show and am capable of basic reading comprehension. that's the whole damn point of the demon human thing is that it's not that simple. etc. what i like about yusuke returning home and returning to kuwabara and humanity is more that it shows him coming to love and accept the broken fucked up world he came from.
yusuke comes home to live with the people who love him in spite of every reason he has not to. because the people are worth loving even when they spit on him and the world is worth saving even when he's never thanked for it. yusuke's not really an honorable guy (not in an honor-code sense), but he gives people chances. he gives people chances over and over because he knows what it's like to be dismissed and mistrusted and he gives the world a chance over and over and over and he is rewarded for it as much as he is punished for it and goddamn. he keeps trying so much he comes back from the dead twice. sheesh. and yusuke coming home is him giving demonhood and the demon world a chance and trying to listen to himself and figure out if that's the place he belongs and deciding "no, because most of the people i love are in the human realm. so i'm going back." like he has from the beginning, yusuke chooses his loved ones. he has people he cares for in the demon realm and that demonness is a part of him, and i think he accepts that. but these are the people he wants to be around the most, the people he loves the most, the place where he wants his roots to stay.
he goes back to the human realm because the things he loves the most, more than endless fights or adventure or strange new landscapes, novelty and impermanence and relative anonymity, is here. being known and loved. loving and knowing and staying long enough to watch things change and grow and die.
he goes back because those things that are so precious to him can't follow. or, in the case of kuwabara, they weren't willing to follow.
point is the show ends at a perfect-as-it-could-be place for kuwameshi actually becoming something more healthy and balanced for the both of them. love that can express itself in ways besides sacrificing yourself for them and listening to them mourning you in the most excruciating way possible and then not talking about it afterwards. head in my hands AGAIN they're esufkucingsdl;jfasdfd. hell on earth. phew
thinking about how when hiei kurama and kuwabara were trying to bust out of itsuki's interdimensional monster guy and kurama was like ok. itsuki we're going to torture you until you let us out. so we can fight sensui 4-v-1 kuwabara was so desperate to save yusuke that he was fine with both of these plans that he otherwise would have found so dishonorable he woulda died to avoid them. but not if it's for yusuke. and when sensui kills him anyway kuwabara's also fine with 3-v-1 if it means he gets to avenge yusuke, even if it means humanity basically gets wiped out because of it. kurama and hiei are the same, but it's kuwabara who most consistently risks his life by clinging to his honor code, and here is probably the one time he breaks it. bc he can't lose yusuke again. if he doesn't even know who he is without yusuke then how is he supposed to be the same guy with the stupid honor code? like that matters now. he can't be the bigger man if he's barely even a person without him. jeeeezzzzz
#anyway sorry if some of this reads weird at some point someone started like vacuuming and it threw me real bad. momentum lost brain fuzzy.#i think i found the thread again but im too hungry to read over it again that closely so. eyah :>#yyh#yu yu hakusho#kuwameshi#etc etc also i love that this post is like normal except for this humongous thread between two frothing bloodshot-eyed freaks. and it rules#i've been waiting to have this kind of AND THIS OHHHH MAN AND THIS FUCKING GGOUGHHGHH back and forth for ages so thank you mwah#also i didn't think that hard about the demon-human gradient you could argue about kurama's range being wider or yusuke's placement being#different. its not to scale <3 hope that helps#also i think it's cool how kurama's demon-human whatever fluctuates much more while yusuke kinda turns the corner real fast#like no wonder he left home to figure that out. sheesh#also i forgot to mention it but i also imagine that some of the going back to the human realm decision was like. well my friends over here#are probably gonna die faster. i don't wanna miss out on their lives and our lives together bc im chasing after fights all the time#ANYWAY. im gonna go eat something before i like. idk. develop appendicitis or something#also writing this post made me realize some of the similar flavors of kuwameshi and ryumako klil la kill (my beloved ryumako kill al kill)#in the 'neglected abused lonely violent punk' x 'goofy dumbass who takes one look at them and goes oh it's time to love them unconditionall#' in which they both respond by staking their entire lives on each other and stuff. christ. aughhghggggggggggggg#i am not getting ryumako brainitis over this i need to eat i need to go#i can't do two back to back babbling gushy meta analysis essays i need halftime snack time please
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please rant about bubbline, i need a win
the brilliance of bubbline has been vastly misunderstood for years and iâll explain. people see bubbline as your standard sapphic couple with no real depth, people see the pairing and go âgfsâ and move on HOWEVER they are so much more than just girlfriends. they are two immortal beings who for years have been wrapped around the other fingers and have had a relationship based on miscommunication until wrapping that up during the stakes era (varmints s7 is what confirms this but we get into that later)
so the entirety of bubbline is based on miscommunication and you may be wondering: aimsey, how? well thatâs because of the fact both of the pair believed the other was in the wrong. but, for us to discuss this, i must explain their relationship in its entirety. we understand how long their relationship has truly been going on for when there is a clip in obsidian distant lands (ODS) where bubblegum catches marcys rock tshirt, both when the pairing are younger or well âa longer time agoâ - this shows how long theyâve truly been in each others lives. now, fast forward to the scene we get in ODS where marceline and bubblegum argue over the sense of power, as well as immaturity. we see marceline wanting to just hang with her girlfriend, while in a disruptive manner, meant no harm, and we see bubblegum attempting to focus on work while accidentally shutting marceline down in the process. that quickly escalates into a full blown argument, and quotes like âyouâre acting like monster trashâ is thrown at marceline which, marcy being an angsty little half demon, didnât take too lightly in which she responded to the comment with a song that basically says ânvm. youâre not cool. iâm glad i woke up. fuck you and your candy kingdomâ and it ends with bubblegum breaking up with marcy. sad right? you havenât seen anything yet
so now we move on to the tv show. the first we see of the two is the episode âgo with itâ where marcy is asked to help finn in his adventure to try and ask out the princess. you may be wondering âhuh? but if bubblegum is her ex why would she help-â WRONG! because she doesnât help! she gives finn completely wrong advice which ends in finn getting thrown out of the candy kingdom. the interaction between the two during this episode is bitter, where we see marceline speak in a high pitched tone and say âhello bonnibelâ almost mockingly, in response to bubblegums âhey marceline..â which is incredibly stand offifish. from the get go, we know something happened between them (and with obvious clues now we know the timeline but as a first time viewer, this random episode in s1 can confuse everyone because why do these two characters have beef we donât know about?)
now, moving onto an important core episode in their timeline which is âwhat was missingâ in season 3. one of the most popular adventure time episodes, and one of the most popular bubbline moments where we see bubblegum and marcy being forced to be together due to finn and jake attempting to take down a âdoor lordâ that includes all of the teams prized possessions. (tldr: little gremlin dude stole jake, finn, bubblegum and marcelines* top favourite and most memorable items.. we will get back to this shortly). anyway, they have to sing a song of truth to get passed and with a failed attempt, marceline tries and lets say she just unleashes all the resentment and anger sheâs had towards bubblegum in the form of a song! she says stuff like âi wanna drink the red from your pretty pink faceâ, âsorry i donât treat you like a goddessâ, and âwhy should i be the one to make up with you.. so why do i want to?â - indicating she WANTS to. which is probably the first time bubblegum has heard this, because bubblegums reaction is very much just â:Oâ the entire time. anyway, song goes on, marcy blames bubblegum for her messing up (in reality marcy only messed up because she began saying she wants to bury bubblegum but that isnât true so the door didnât accept it. L). anyway, they make up soon enough when finn does his little finn thing and everything is fine.. until bubblegum tries to go against the door lord with a âcalculationâ which appears to be false and it messes everything up - marcy uses this failure of hers to kinda rub it in her face, watching the princess fail was a positive in marcelines eyes as she was used to seeing bubblegum put work before her so of course she will use any moment of bonnie messing up as a win. she says âlooks like you arenât as perfect as you thought..â which has bonnie respond with âi never said you had to be perfect!â .. OUCHIE!! this leads to them getting upset, finn doing a little sing song which actually opens the door, and them getting their stuff back.. YIPPEE! now, you may be wondering âwhat was the stuff bubbline had stolen from them?â WELLLL LEMME TELL YOU. bubblegums most prized possession was THE ROCK T-SHIRT that MARCY GAVE HER years ago. marceline blushes as she says âyou.. kept the shirt i gave you?â and bubblegum replies âyeah it uh.. means a lot to meâ and marcy asks why because bonnie never wears it, to which bonnie replies âi wear it all the time. as panamaâs.â .. NOTHING MORE GAY THAN SLEEPING IN YOUR EXES SHIRT THEY GAVE YOU THERE IS NO HETEROSEXUAL EXPLANATION FOR THIS!!!! anyway, marcy didnât actually *have* an item stolen from her and instead it seems she just wanted to hang out with the team, more importantly wanted to hang out with her pink haired ex girlfriend. good stuff!
anyway, next important interaction iâm highlighting comes from the season 5 episode âsky witchâ (there is a lot of smaller key moments but iâm jumping to this one okay moving on) anyway, there is a huge moment at the start of sky witch where bubblegum begins by.. sniffing the shirt marceline gave her.. as she wakes up, to then opening her closet to get ready for the day and we see a polaroid of the pairing IN THE CLOSET⌠you get my drift? anyway, it slowly moves on to marcy asking PB for help with something (in reality she needs PB to help her recover a teddy bear that was stolen from her that was given to her by her literal father figure during the mushroom war.. so it has a lot of significance. remember that). anyway, PB agrees after the tiniest of convincing and on they go! they go on this adventure, but we will skip to the end where PB magically gets the teddy back.. how? well, we donât find out until the end of the episode where bubblegum actually traded the rock shirt marcy gave her all those years ago. why did that work you ask? because the sky witch works from the value of items, and not money value, but emotional significance.. SO IT MEANS THE ROCK SHIRT MARCY GAVE HER HAD MORE EMOTIONAL ATTACHMENT AND SIGNIFICANCE THAN THE LITERAL TEDDY GIVEN TO MARCY DURING A LITERAL WAR FROM HER OWN FATHER FIGURE THAT ABANDONED HER!!!!!! MY GOD!!!!!!!!!!!
okay okay, need more information? iâve got you! we will quickly move onto VARMINTS my favourite episode of all time. âwhy aimsey?â because it gives us all the answers and clues we were waiting for when it comes to PB and marcys relationship. we learn that bonnie was unaware of the reason as to why marcy believed they stopped talking and broke up, we see bonnie apologise for hurting marcy and shutting her out, and we see marceline accept her apology as the pair can finally move on and accept the past. after seven whole seasons we get closure baby! the episode is brilliant in millions of ways, as we see bonnie be vulnerable around marceline regarding her loss of the candy kingdom, we see marcy reconciling with bonnie as they travel through the tunnels the pair used to explore years and years before, and itâs just a very nice episode. we are hit with the infamous quote âbonnibel bubblegum, always so prepared.â to which bonnie replies in a stern tone âyeah, i have to be always so prepared, we canât all just wing it!â which is almost a dig at marcelines free spirit nature, but not out of malice, out of jealousy. bonnie wishes she had that, and not the huge amount of responsibility she has been burdened with since she was barely old enough to understand what it means to be mature. marcy saying the words âis that why you stopped talking to me?â after hearing bonnie go on a rant about how responsibility is difficult always hits me in my heart because it proves marcy to this day, although being bitter about it, believes the reason bonnie shut her out was because bonnie preferred work over her and that was marcelines biggest fear (as we know from getting shut out from her mother, her father and being abandoned by simon). bonnie going âno?!â because she genuinely just didnât even think to see that may have been the reason the two fell out; both of the pair believing it was the other that lead to the fallout and bonnie not realising it may have involved her a lot more than she thought and it wasnât just down to marceline being immature. anyway, episode ends with bonnie apologising, marcy accepts it, and we get a very sweet moment where bonnie is vulnerable and explains she is exhausted and marcy allows her to sleep on her shoulder as she rests. very cute :)
okay now stakes the mini series is a whole new realm for stuff regarding the pairs relationship. the stakes mini series is highlighting marcelines relationship with vampirism, and is a very beautiful series i recommend everyone watches. it begins with marceline burning in the sun, and slowly moves on to her asking bonnie to help her with the procedure of turning her into a human because she no longer wants to be a vampire - huge thing to ask, and bonnie ensures she is sure, and they do the procedure. a moment from this i think about a lot is where bonnie says this while doing the procedure regarding the fact marcy will no longer be immortal: âand when you die, iâll be the one who puts you in the groundâ. i think itâs just a nice quote. anyway, there are so many key moments from stakes but iâll highlight important ones because itâs 5 episodes jam packed of bubbline but another moment is where they are searching for one of the vampires to hunt (thisâll make more sense if you watch it but TLDR: the procedure also unleashed all the vampires marcy has defeated in her years of growing up). PB and marcy are doing jumping jacks, and marcy is explaining a dream she had where in the dream marcy was all old, but PB was still ânice and pinkâ - meaning marcy was dreaming of her immortality being taken away, and dreaming about how in her future when sheâs old, sheâs with PB and sheâs grown old with her (aww). bubblegum replies âyou think iâm nice?â and itâs a very sweet moment where the pair blush. marcy then explains she has a weird feeling in her stomach, and PB asks if itâs just fear and marcy explains she knows what fear feels like already, and then goes âmaybe itâs.. love?â regarding what the feeling is while looking at bubblegum and ITS SUCH A BEAUTIFUL MOMENT THAT DRIVES ME INSANE BECAUSE HOLY!!!! MOLY!!!!!!!! she was just hungry (lmao) and we move on! another scene is where marceline gets hurt badly, and bonnie is begging for her to wake up as she holds marcys lifeless body in her arms and itâs just a very emotional scene of bonnie begging her to wake up when she thinks marcy is about to die and itâs just very sad and beautiful. iâm gonna quickly move on towards the end of stakes as we have more to cover but during the end, marcy gets turned back into a vampire but explains she has learned a lot and she thanks bubblegum, and says the beautiful quote âthanks for helping me grow up. now i guess we get to hang out together foreverâ and bonnie blushes in return and itâs just such an AAHHHHH scene!!!!!
now, we are rushing towards the finale (iâm missing some very key moments but iâve been writing this for an hour straight without stopping i will fill in the blanks later) but basically during the final episode, marcy stops bonnie and begs her not to go to war - bonnie replies she has to, and in this moment you can see marcy more so terrified that this will result in her losing bonnie for the second time due to work and she doesnât want this. its canon at this point the pair are dating again, and we see them chit chat before moving on as the battle starts. fast forward to bonnie getting really injured, and in result of this marceline loses her literal shit and punts the monster that killed bonnie after believing her girlfriend just got smothered and really badly injured - after this, marcy is out of breath and we see bonnie sit up and whisper âmarcy?â in a soft tone and marcy flies over just overjoyed she is okay. marcy says âeven when we werenât talking i was scared something bad would happen to you and i wouldnât be there to protect youâ and itâs such a raw line where itâs just obvious throughout all these years marceline never truly moved on from her. marcy and her giggle and then bubbline share their first on screen kiss that made thousands of gays across the globe pass away!!!
then, we have the beautiful obsidian distant lands that gives us insight into their very healthy relationship as we learn a lot more about the pair, and we just get some beautiful shared moments between them and even them canonically calling each other girlfriends which will never not be engraved in my brain!
this was everything from the top of my head (they will be my number one hyperfixation whether i like it or not until i pass away) but yeah! tldr: miscommunication lead to them not speaking for a very long time when the pair both just wanted to be loved but didnât know how to balance their own stuff on top of loving the other. the miscommunication lied with bonnie throwing herself into her work instead of giving marceline attention, ultimately losing marcys trust in the process, and where marceline being a free spirit lead to bonnie just not being able to work like that as she âisnât built like thatâ (her own quote âpeople get built different. we donât need to figure it out, we just gotta accept itâ. despite it being about her brother, i like to apply it to her also here). and marceline not giving PB the credit of her being a literal ruler burdened with responsibility. both were too young iâd say, but them growing up together and allowing the other to heal in their own ways lead them to each other again :)
THAT IS THE HISTORY OF BUBBLINE BY AIMSEYTV
#i am so very sorry for how long this answer is#this is all from the top of my head#there may be mistakes but i donât care#if you try to reblog this with your own opinions that are anything negative regarding the pairing i will block you#just kidding#or am i#do not mischaracteris bonnie or marcy i will forever get them more than you#that was mean#anyway#asksey#bubbline#history of bubbline#princess bubblegum#marceline#adventure time
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A Few Thoughts About Hurt/Comfort
I have been asked this month to make a post about hurt/comfort in Avengers comics. And I love h/c -- I actually have a massive number of WIPs right now that are h/c -- so I am very happy to talk about it! Anyway, this is not really all that planned out and this mostly turned into an excursus on Tony Stark's pain. I'm sure you're all surprised.
Like pretty much everyone else, I'm sure, I have found that everything lately has been... pretty tough. And the coping mechanism that really got me through last year and this year was reading and writing a lot of h/c, on the theory that, however lousy a day I'm having, I can absolutely make sure that Tony Stark has a worse one. And then I can make sure he gets hugs. Wish fulfillment? Why, yes. (Once at Hallmark I was trying to find a "get well soon" card, forgot what it was called, and described it to my wife as "a hurt/comfort card.") I think Marvel Comics -- the Avengers side, in particular -- is an interesting canon for h/c for a lot of reasons. Though, honestly, if you asked me to recommend you, a hurt/comfort fan, a new fandom, I would probably just hand you some Starsky & Hutch DVDs. Go watch "The Fix" and get back to me later. If you like that, there's way more where that came from. But there's still lots to love in Marvel! Superhero comics are really a goldmine as far as the hurt side of h/c. Because superheroes, and you probably have noticed this, get hurt a lot. They get hurt repeatedly, in fantastical ways that are probably impossible in real life both physically and emotionally (at least, I don't think anyone's invented mind control yet), and even the heroes without superhuman healing powers tend to get physically hurt a whole lot worse than actual people can take. Currently in Iron Man comics, Tony has a broken back and is dealing with this by locking himself into the armor as a backboard and injecting himself with massive doses of painkillers. He's busy! He's got stuff to do! He doesn't have time to lie around and heal! So, basically, if you name a kind of pain that you would like to see happen to a character, it's probably happened to superheroes. Multiple times. The downside, though, is that comics do not really deliver that well when it comes to the comfort part of h/c. They could. It's not inherent to the medium that they don't. But because of the serial nature of comics and also the fact the primary audience is dudes who want to read about people in spandex punching each other, a lot of the time they don't really feel the need to provide closure and write about people dealing with any of the hurt. (Raise your hand if you're still annoyed with the end of Hickman's Avengers run.) But at the same time, I think that's a quality that makes Avengers ripe for h/c fanfic. Because, generally speaking, fandom likes to provide the things that canon doesn't, and fandom is more than happy to provide the comfort. If you enjoy canonical h/c in comics, I think you really can't go wrong with Iron Man. One of the big innovations of modern Marvel Comics was the concept that heroes would also suffer from relatable human problems, and in practice what this means is that a lot of heroes start with a fully-loaded angst-ridden backstory and origin story, ripe for h/c. So Tony starts out by incurring a heart injury that he fully expects is going to kill him, which he responds to by vowing he won't get close to anyone so they won't be sad when he dies, and throughout the early Silver Age is constantly on the brink of death as his heart nearly gives out on him practically every issue. And then even after his heart gets (mostly) better, there are various plots involving his armor being detrimental to his health and him choosing to fight on anyway. It's hard for me to think of another superhero hitting that particular variety of h/c in exactly the same way. Sure, superheroes risk their lives constantly, because this is how superhero comics work, but Tony is the only one I can think of who is this constantly this badly off, physically. Like, think of all the other heroes who have had a continual solo presence as fan favorites across Marvel history -- Captain America, Thor, Spider-Man, Wolverine, maybe even Deadpool. You know what those guys all have? Healing factors! For the most part, they are not running around continually on the verge of death, and while there are certainly memorable arcs involving several of them being severely injured and/or dead, you really have to work at it. It's not their constant state of affairs, whereas Tony is the kind of superhero who shows up to a fight already bleeding out under his armor. Yeah, I know Extremis gave him a healing factor. But he didn't have it very long, and also he did some extremely dangerous things while he did have it; I'm pretty sure I've never seen Wolverine saying that he'll just solve a problem by cutting off his own foot. So, anyway, yeah, there are a bunch of good arcs involving h/c for Tony. If you're looking for physical injury, he has a whole bunch of heart problems over the years, gets several new hearts, then ruins his brain, et cetera. That level of hurt is basically the background pain of Tony's life; every so often, his heart will get damaged or he'll have to live in the armor or the armor will be killing him, et cetera. If you're looking for more unusual trauma, I am, as always, going to rec Manhunt, a relatively obscure arc in late v3 (IM v3 #65-69) in which Tony has an extremely bad week. His tech is stolen and used to bomb a building. Then he gets shot in the chest. Then while he's at the hospital a nurse tries and fails to poison him, and she then tries to beat him to death. Then he checks himself out of the hospital and a helicopter shoots missiles at him. Then he becomes a fugitive from justice. And then, oh, yeah, he has to fight the Mandarin. It is... a lot. (Volume 3 of Iron Man is pretty good as far as h/c possibilities. You've got a lot of physical pain, Carol's drinking arc, the Sentient Armor, both DreamVision arcs, and Manhunt. Manhunt is finally supposed to be out in trade this month, by the way.) There are of course the drinking arcs, which probably count as their own type of hurt. But if you haven't read the second drinking arc (IM #160-200), please do. Marvel likes to up the stakes on events (Fear Itself, Secret Empire) by making Tony drink, and it does work, I think. I feel like I've spoken at length about Tony's drinking elsewhere so I don't really want to rehash it all here. And then there's the emotional pain. Angst and drama is something that happens to a whole bunch of characters, yes, especially in comics, but somehow Tony seems to end up with possibly more than his fair share of it. Fandom likes to make a lot of Howard Stark's A+ Parenting, so much so that you might think, if you didn't know canon, that this was just fandom running with a throwaway mention of Tony's terrible childhood and making it worse. But, no, canon really does go there with a reasonable amount of frequency. Howard's actual first appearance is in a flashback where he's ordering teenage Tony to break up with his girlfriend because she's the daughter of one of Howard's business rivals. And then we get into the verbal abuse, and the physical abuse, and the time Howard made Tony take his first drink, and the part where Howard was a demon in hell who Tony fought while he insulted him. And more! Currently, in canon, Howard is alive again and is in league with Mephisto for the express purpose of ruining Tony's life. Also when Tony was a baby, Howard tried to trade him to Dracula. I think you can make an argument that fandom is actually showing restraint when compared to canon. Tony also has a whole lot of Terrible Exes whose presence and/or former presence in Tony's life can be used for a lot of hurt. If you've read any amount of fanfic, you probably know that the exes who get the most play in fandom are Sunset Bain and Tiberius Stone -- not that Tony and Ty were ever canonically a couple, of course, but fandom is definitely enamored of this idea. Ty and Sunset both have relatively similar interactions with Tony in canon, in that they are both liars and emotional abusers, heavy on the gaslighting, with the purpose of becoming more successful than Tony. They both also attempt to murder Tony, although this is after he figures out they're evil, at least. (Yes, I know, this is not how either of them usually appear in AUs.) Tony also has a bunch of exes who also have just straight-up tried to murder or otherwise hurt him, sometimes while they are dating, and sometimes before Tony dates them: Whitney Frost, Indries Moomji, Kathy Dare, and Maya Hansen come to mind. There are probably more I'm not thinking of! But, yes, if you want to write about a guy in a series of terrible relationships, please consider Iron Man comics. If mind control is one of your favorite flavors of hurt, Tony's pretty good for that too. We all know about The Crossing. I suppose when I say "mind control" I mostly mean "armor control" because there are an awful lot of plots where someone else makes Tony's armor do whatever they want it to do and Tony is along for the ride -- Demon in a Bottle, Sentient Armor, and Execute Program are the first things that come to mind. There is also a fairly obscure What If that is What If Iron Man Lost The Armor Wars in which Justin Hammer apparently really wants Tony in a mind control collar to take off all his clothes and lounge around in his underwear. No, really. I think a lot of pain for Tony often revolves around his issues with control, generally -- his alcoholism comes into play here again. The entire aftermath of Civil War is also notable for its propensity to hurt Tony over and over and over. Is he stoically soldiering on through his grief after Steve dies? Hell, no! He cries, like, six separate times. He 100% blames himself for Steve's death. It's great. Everybody loves The Confession and the funeral in Fallen Son, but one of my personal favorites is Avengers/Invaders, in which Tony is confronted with a time-traveling Steve from WWII and in order not to screw up the timeline, he can't tell Steve he knows him. He is clearly not coping well. He shuts himself in a room with a giant wall of pictures of Steve! Also there's a part where he has to try to convince Steve he can trust him and he ends up having to tie Steve to a chair to talk to him, and Steve looks at him and asks, "Who did you kill to get where you are?" and I feel like that is probably one of the worst moments in Tony's life. No wonder he gave himself amnesia. So now we might want to ask, okay, but why is hurting Tony in fanfiction so much fun? I mean, I can tell you why I think it's fun. I can't speak for anyone else. One reason is that he is very emotional and very affected by everything he does. Sometimes you will see people complaining that the heroes of m/m fanfic cry too much and this is not realistic. This is not a problem if you're writing Tony! He can cry as much as you want and it's perfectly in character. I don't think it would be as fun to hurt him if he didn't express so much of his pain. But he does. He also feels guilty, and for me that's a very satisfying character element. If he were well-adjusted and didn't blame himself for so many things, it wouldn't be nearly as fun as watching him blame himself for everyone whose death he thinks he is responsible for, whether or not he is. And then he just keeps going, and it's, y'know, nice to watch him be resilient, too. So, I guess, I think hurting him is interesting because it's easy to hurt him, his weak points are pretty obvious, and he reacts a lot. Steve doesn't hurt quite as much as Tony does, in canon. It's certainly possible to hurt him -- I mean, they did actually kill him after Civil War, after all -- but I don't think the canonical patterns of hurting him are as numerous. Obviously deseruming Steve is a fairly popular go-to in terms of physical hurt; he's been deserumed at least three times that I know of. I think's easy to see the appeal there of taking a character who is fairly physically resilient and making him... much less so. Certainly Marvel seems to see the appeal. But other than that I don't think he has any other really common way to get physically injured. Unlike Tony, whose origin story is basically "oh no, I've acquired a disability," Steve's origin story is "I drank a serum that cured all my disabilities." Which, I mean, great wish fulfillment but there's not really as much there to poke at. Pretty much all of Steve's pain is emotional, but, unlike Tony, his pain isn't often specifically in response to someone directly, purposefully hurting him. Hickman's Avengers run is a big exception, yes. His pain seems to come up most often as a kind of situational angst. He feels like a man out of time. He feels out of touch with the modern era, with people his own age. He feels guilt because he feels responsible for Bucky's death. He feels like he can't trust the government and therefore he can't be Captain America. He worries that he doesn't know how to have a normal life. And, yes, these are deep and important worries but it's different than, like, Indries Moomji dumping Tony with the intent to make him sad enough to start drinking. Very few of Steve's villains want to personally ruin Steve's entire life the way Tony's villains do; mostly they just want to do things like bring back the Nazis. In terms of Steve's potential for h/c, I think Steve is harder to hurt than Tony is. Physically, he is definitely harder to hurt. You can deserum him, sure, but unless you want everything you write to be a deseruming fic you're probably not going to want to do that more than a couple of times. And if you want to hurt him physically while he has the serum, you have to hurt him hard. Usually past the point where a regular human would ever survive it. He's also harder to break, emotionally, than Tony is -- which means it's very satisfying when you can get him to break, but this is a guy who's only cried twice (that I remember) in canon. So if you want to get him to cry, you really, really have to wreck him, and he doesn't have as many obvious weak spots. He also doesn't generally sit around blaming himself for things that aren't his fault, and the whole "stewing in guilt" genre of plots for him basically came down to "he was sad that he thought Bucky's death was his fault," and that's really the biggest regret he seems to have, and also Bucky's not dead anymore. The Steve/Tony relationship itself, I would think, is also appealing to h/c fans because canon provides a lot of ways for them to hurt each other. Some people only ship pairings who would never, y'know, take turns beating each other half to death in major event comics. (And for a lot of Marvel Comics history, that was also Steve & Tony, so if you want them to be BFFs who have never fought, you can just set your fic earlier.) They have definitely hurt each other both physically and emotionally, so if you're looking for something easy and satisfying as a h/c fan, you can just read or write something where they... make up. What about Marvel characters other than Steve and Tony? Surely some of them are angsty, yes? Well, yes, but also it depends on the particular flavor of angst that you like. If you like the way Tony hurts, you may very well enjoy Doctor Strange comics, because they have a very similar attitude towards life -- they are both former alcoholics whose origin stories involve physical disabilities, who routinely make tactical decisions that negatively affect their continued existence and/or happiness a whole lot. It's very much an "I must suffer alone in the dark and no one will ever know what I am doing to save the world but it's the right thing to do" sort of vibe. Like, you can read comics where Strange is lying in hell with two broken legs, hallucinating that Clea has finally come to save him. Strange's biggest fear, akin to Tony's control issues, is basically that one day he's going to be an asshole again, so he's out there trying as hard as he can to do good. Also, if you like tentacles, he has all of them. I mean that. Carol also occasionally hits similar angst spots, and her drinking arc is great. A lot of people like Natasha, too; I have read zero Black Widow comics but I get the impression many people enjoy her brand of angst. The mutant metaphor is a little different in terms of overall vibe, but some people really like it as a source of angst -- the whole "protecting a world who hates and fears them" thing. It may not work for you, but if you like your hurt to include things like systemic oppression, go pick up some X-Men comics. Start with something like God Loves Man Kills. I feel like I liked this sort of thing a lot more as a teenager but that I kind of aged out of liking the mutants quite so much. It's also worth mentioning that not everything that hits the spot in one universe will be the same in the others, and I'm mentioning this because I feel like I have to say something about MCU Bucky. MCU fandom seems to get a lot of mileage out of Bucky's guilt about being the Winter Soldier, everything he was forced to do, et cetera. I have definitely read my share of those fics, and FATWS sure went right for that angst too. But as far as I can tell, he doesn't hit the same way at all in 616. And I like him a lot in 616; I'm always pleased when he shows up on a team. (He was so good in Strikeforce. Everyone was so good in Strikeforce.) But the thing is, 616 Bucky is, basically, phenomenally well-adjusted, given everything he's gone through, and I'm including the time he wrestled a bear in a gulag. He gets over having been the Winter Soldier, and now he's just, y'know, a guy with a cool arm who likes to bring guns to every fight to horrify his teammates, and he snarks at Clint. If you're looking for that angst, that is really not him these days. He's all better. So pretty much all that is canon. So what do we do in fandom for h/c? Well, as far as I can tell, a decent amount of it is canon-based or very canon-close -- there are a whole lot of stories exploring the angst of Civil War or Hickman's Avengers run. Tony's drinking comes up a fair amount, and if one of Tony's Evil Exes comes back to haunt him, it's pretty much only Tiberius Stone. I don't think I've read a lot of fic with Steve getting deserumed; it doesn't seem as popular in fandom as in canon. When Steve gets hurt, he tends to just get physically whumped pretty hard, and there's a fair amount of that for Tony too, but of course Steve can take more. There's also a thriving, uh, subgenre of pain involving Hydra Steve doing terrible things to Tony, presumably the terrible things he would have wanted to do to Tony in canon if Tony had had a flesh body. There's the usual kinds of h/c setups that appear in basically every fandom as well -- sickfic, whump, dub-con/non-con. You get the idea. But since fandom in general likes to take specific inspiration from canon, there's a lot of fic where the hurt tends to resemble things that happen more in canon. Like, I feel like comics fic probably has more tentacle fic and more mind control than canons that don't come pre-stocked with those. Probably everybody has a whole lot of "tied up by bad guys," though. And then, of course, fandom brings the comfort that canon does not. This is true in pretty much every fandom -- I mean, you aren't going to find a lot of actual canons where Character A saves Character B from mortal peril and then there's gay sex -- but, like I was saying, comics don't provide a lot of closure before it's onto the next thing. Usually with a different creative team, who has no interest in wrapping up anything from the last team. Steve and Tony talked about the incursions exactly once after Secret Wars and nobody mentioned the part where Steve spent several months trying to hunt Tony down and kill him. Tony is never going to remember the events of Civil War. Hydra Steve died ignominiously in a fire and no one has ever talked about him again. Honestly, if you're looking for a way to get some comfort in your fanfic, picking an event, any event, and just having the characters talk about it will be way more than any of them get in canon. I feel like honestly that can often be a pretty satisfying to read. And even though comics canon physically hurts characters pretty often and pretty badly, they also often skip right past the recovery. Maybe you'll get one page of a character in a hospital bed at the end of the story arc. Maybe you won't. Demon in a Bottle has one splash page of Tony going through alcohol withdrawal and then he's all better. I think Manhunt skips to Tony getting out of the hospital at the end. That's just not a story that they want to tell very often. The second drinking arc is notable in that it devotes almost as many issues to Tony's recovery as it does to getting him to rock-bottom. Similarly, Steve is done with his Nomad angst way way faster than you probably think he is (though The Captain does go in for a fair number of issues). So one of the things we often want to do in fandom is focus on all the bits that canon skips over, both in the "why did no one ever mention this story arc ever again" way and the "wow, so how long are they in the hospital after that" way. That's really all I can think of about h/c! I'm off to write some more of it!
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Hereâs more of that âRaph is a systemâ compilation post, this one has less old stuff and more new stuff. (Part 1 is here) (Youâre reading Part 2) (Part 3 is here)
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While one can only develop DID at a young age, new alters can form afterwards at any age; specifically, they form to deal with situations existing alters arenât equipped for. So when and why did Mind Raph form?
Leo and Host Raph mind-melded in âInsane in the Mama Trainâ, so it makes sense that Leo was later able to call on MR in âSpa Dayâ. But how does that explain MR first appearing in the earlier episode âNothing But Truffleâ to help Mikey and Todd? The turtles are mystic sci-fi supersoldier protagonists, so itâs feasible they could subconsciously call on each other from time to time before learning the mind meld technique!
Mikey did briefly manifest to encourage Donnie near the end of âBreaking Purpleâ. It makes sense that the turtles would call on Raph the most, since heâs the oldest brother. But thereâs A Lot going on in Raphâs brain, such that he probably wouldnât want his brothers to start poking around in there. Heâs supposed to be the solid, dependable leader, they shouldnât have to worry about him! MR formed as a sort of âbufferâ; heâs the one who answers when his brothers call so that none of the baggage leaks through. This means MR is pretty similar to HR, but he leans more towards the âhelpful oldest brotherâ side of things. While HR was freaking out in âRaphâs Ride-Alongâ, MR was able to come up with solid plans and (mostly) stay calm. It only failed in the end due to cartoon shenanigans and cops being bastards.
None of the turtles react to this âcall-and-respondâ ability with surprise, suggesting theyâve been able to do it for a while. Most human kids develop fine motor skills and basic critical thinking at eight-ish years old, so it tracks that the turtlesâ mystic abilities would also start to develop at that life stage; perhaps at six or seven years old for them.
He probably manifests without being called sometimes, to say âyou should eat something before you head outâ, or âwerenât you supposed to be in bed two hours ago?â, or âplease stop trying to make our toaster a âsmart toasterâ. Itâs okay to have a dumb toaster. Dumb toasters toast bread perfectly well and donât try to overthrow humanity.â
MR isnât necessarily a perfect uwu cinnamon roll, though.
âJust givinâ Real Raph a little advice.â (Bad Hair Day)
That MR calls HR âReal Raphâ implies he thinks he and the other two arenât real, and thatâs... probably not good. Because if something isnât real, it doesnât matter, and if it doesnât matter, why pay attention to it? Everything will be fine so long as he acts like heâs fine and he knows what heâs doing! :) Heâs the oldest brother, after all! Heâs the one who helps! Which means he doesnât need any help! So whatâs the point of asking for help or accepting it from those who offer? Itâs just not necessary! :)
âGrit your teeth and smileâ can be a useful tactic (again, the ride-along episode), but sometimes you have to admit that youâre not a Staunch Immovable Pillar and that you need help. And I know that was the whole point of the finale, but the entire world was at stake then! Doing something to save literally billions of lives is one thing, but doing it again to save yourself is quite another.
No one can do everything on their own. Sometimes others are better equipped to deal with the situation at hand; and itâs important to let them do so. This could be shown both externally and internally!
Externally, Leoâs taking the lead now, and he and Raph will sometimes disagree with each other about how to handle a situation because this is TMNT and time is a flat circle. But Raph isnât worthless just because heâs not perfect, and that Leo will sometimes has a better solution doesnât necessarily mean heâs trying to show Raph up or attack his character. (Leo might actually pull that shit once or twice, but he has flaws and needs character development too.)
And internally, sometimes HR and MR need to trust SR and RR to take the lead, even though they arenât as ânormalâ. SR is the one who can handle being alone for a while, so it would make sense for him to show up if the turtles got separated in a space/time/dimensional arc, where a regular search effort wonât yield results right away. And RR... well, Iâll talk about him in the next installment.
â
The last part shouldnât take as long b/c Iâve got that good good serotonin going rn lol. As always, Iâm down for constructive criticism about these topics.
#rottmnt#the 'raph is a system' theory#rottmnt raph#mind raph#maybe sr could show up in the movie and thrash some krang who knows#my stuff abt rr is is a bit more extrapolate-y since we didn't get to see as much of him but i think it's still canon-compliant-ish
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Witch Bitch
Pairing: Bucky x Witch!Reader
Word Count: 3,943
Warnings: witch stuff, burning at the stake đł
A/N: this is heavily inspired by american horror story: coven bc i recently watched and ive been binging all of it lately but its not necessary to know anything about ahs lol i kinda just used their fancy magical terminology and concepts bc they were coolđ¤ŞÂ
MAIN MASTERLIST
The best time of the day was breakfast. It was the time when Bucky, Sam, and Sharon were most often together. Sometimes training overlapped and they missed lunch. Sometimes missions ran long or friends were in town and they missed dinner. But the morning? They were all early birds, all awake by seven. They took that shared characteristic and shared breakfast together whenever they could. Bucky usually took care of the coffee, Sam usually took care of the eggs and bacon, and Sharon usually took care of the bagels, toasting them to perfection before slathering on a layer of cream cheese.
It was a moment of peace in their day. Quiet before the noise of the gym or the conference room or the jets or the private trainings or the interviews with prospective agents or anything else they do on a daily basis. It was a time for three friends to just sit and eat and enjoy each other's company as though they are just that: three friends. Not super soldiers or captains or special agents. Just people being normal. Normal doesnât last long, though. It never does for them.
Buckyâs on dish washing duty this morning while Sam and Sharon chat idly behind him, waiting for him to finish so they can all leave together. A soft voice interrupts them, though, making the three of them stop what theyâre doing because no one has access to this floor except for the people that live here - meaning them three.
âWhoâs in charge here?â You ask.
âWho the hell are you?! How did you get up here?!â Sharon asks, ignoring your question.
You were in a long, flowy black skirt, slit cut in the left side exposing your leg, and a long-sleeve black shirt, tucked beneath the waistband. Think black boots cover your feet and a black hat sits on your head to complete your look. Bucky almost doesnât notice the folded black umbrella underneath your arm as his eyes trail down the multiple chains and necklaces around your neck, falling between your breasts.
âIâve been trying to find someone to help me but the people in this building are not very helpful. I figured Iâd find whoâs in charge myself, something that you all donât seem to want to help me with, either.â You explain.
âThe only way to even enter this building is through strict appointment and background checks, and no oneâs even allowed past the nineteenth floor.â Sam explains.
âWhy are you entertaining this? Iâm getting her out of here.â Sharon says, moving to walk towards you to take you out of the building herself.
As she nears closer and closer, you wave your hand lazily, without taking your eyes off Bucky, the only one who hasnât said anything this whole time, and Sharon collapses on the floor soundlessly.
âJesus!â
âWhat did you do!â
Both Bucky and Sam panic as they rush to Sharonâs body on the floor. They frantically run their hands over her body, looking for the point of injury that made her collapse the way she did, but they find nothing. No holes, no blood; she didnât even make a sound.
âSheâs not breathing and she doesnât have a pulse, what the fuck did you do to her?!â Sam yells at you.
You roll your eyes, âOkay, you got me. I donât need help finding whoâs in charge, I already know itâs you. I still do need your help, though.â
Youâre ignored as the two men hover over their friend, unsure of what to do or what even happened to her.
âOh, alright, move.â You order them, stepping over Sharonâs body.
You stand before her, lifting your hands to hover over her body before closing your eyes and letting out a deep and long exhale. Bucky and Sam watch as it takes only about seven seconds for their friend to suddenly gasp for air, jumping back to life. The boys crowd her once more, checking her eyes, her pulse, everything to convince themselves that sheâs actually alive like that, and if she was even dead in the first place.
Sam finally looks back up at you from the ground, as though he just remembered that youâre there, âWhat are you?â
You smirk in response, ready to finally get what you came here for.
âŚ
âSo, youâre a witch?â Sam asks, the four of them now occupying a private conference room for some privacy.
âA witch who killed me.â Sharon adds.
âAnd a witch that brought you right back.â You reply, leaning back on your chair, leg crossed over your knee, slit exposing your thigh. Buckyâs eye twitch to look at your bare skin for a second before returning to meet your eyes.
âSo⌠what do you do?â Bucky asks.
You smile at his innocent curiosity, âAll witches donât have one universal power. Some are clairvoyant, some do voodoo, some dabble in pyrokinesis, divination, transmutation, descendum,â You glance over to Sharon, whoâs still pouting at you, âResurrection.â
âAnd can you do all of those?â Bucky asks.
âAlmost all of them, but Iâm not here to talk about me.â
âWhy are you here?â Sharon asks.
âYou guys hunt the Naziâs, right?â You ask, aiming your question towards Sam, knowing heâs the Captain in charge.
âHydra, yes.â He confirms.
âWell, your Naziâs somehow got a hold of my magic. And they are playing with very dangerous fire,â You begin.
Bucky interrupts, âWeâre all for taking down Hydra, but, donât you think youâre a little more⌠powerful than us?â He asks.
âBucky!â Sharon slaps his arm, as though sheâs shocked that he would ever admit such a thing.
âI am. But Iâm not that powerful, either. Not anymore, at least. A group of those Hydra invaded the coven my sisters and I were at. I was the only one that escaped.â You tell them.
âDid Hydra take them?â Sam asks.
âNo, they killed them.â You respond, growing irritated as the subject grows touchier and touchier.
âCanât you just bring them back like you did me?â Sharon inquires.
âNo! I canât. Like I said, Iâm not that powerful anymore. Maybe Iâd be able to bring back a house full of dead girls when it was me and twelve others but itâs just me now. I wouldnât come all the way over here if I had other options.â
Silence grows over the group as they process what youâve gone through. Surviving through the massacre of your fellow witches and not being powerful enough to find the people that did it on your own. Youâre vulnerable.
âSo what can we do?â Sam asks, ready to join forces with you.
âHelp me locate the men who did this so I can handle the magic part.â You tell him.
âWhat magic do they have?â
âAlthough witches control most of the magic, sometimes it can be taken on in⌠physical forms. Specifically blood. The blood they retrieved was from a witch that was skilled in Vitali Vitalis.â
âThe alive within the living.â Bucky translates.
âThere are two worlds: the living and the dead,â You begin to explain, âVitali Vitalis keeps the balance between these two things and itâs one of the most difficult powers for a witch to master. Oftentimes itâs used to give parts of your own life, health, and energy to someone who needs it. But it can also allow you to take life from someone and give it to yourself.â
âLike immortality?â Sam questions.
âNot quite. Any witch can be killed with a knife or bullet. This kind of magic keeps you from dying of age. Iâve only ever known one witch who mastered it.â
âWhat happened to her?â
âShe used it for evil, like this. Took the souls of hundreds in order to allow herself to live for almost three centuries. Until she was killed, of course.â You finish, a small smile on your lips knowing that she got what she deserved.
âWhat, you burn her at the stake?â Sharon jokes.
âYes, actually. We did.â You tell her matter-of-factly, becoming more and more irritated at the fact that she doesnât seem to take this is as seriously as you are.
Bucky interrupts, sensing the rising tension between the two girls, âSo when we find these guys, youâre going to burn them at the stake, too?â He asks.
âYes,â You say, as though itâs the most obvious thing in the world, âThe consequence of using magic like this for evil is death by fire. I hope you all donât think the rules will change on account of these men being Naziâs?â
âWell, we just have a different way of doing things -â Sam begin to defend
âYes, Iâm aware. The countless destruction caused by you and other militaries, the millions of innocent lives lost yearly, not only in the constant war and irresponsible handling of your nuclear and alien weaponry, but by incorrect prosecution. Not to mention the billions of dollars spent on your ridiculous prison systems that donât work when actual bad people escape and the death penalty practices in certain states. I just figured my way was easier. And cheaper.â You reply.
Silence crowds over the four of them once more as they think over all their options.
âIâm in.â Bucky speaks first.
âMe, too. Even if I donât like you.â Sharon follows.
âFeelingâs mutual, dear.â You smile at her.
The three of them look to Sam, waiting for his commitment as well.
âAlright. Letâs get to work.â
Plans were made, theories of location were thought of, and plans to execute the mission were put into place, all of which included you. A temporary room was given to you when the information of your lack of a place to stay was brought to light. Only for the duration of this mission, is what Sam told you, but you can spot the amount of love and light in his heart from miles away.
It was later that night, and youâve since cleansed the room, going as far as to place a protective spell on the entire floor. Youâve lost too much already, and youâre not about to risk anything.
A knock at the door sounds and the visitor youâd been expecting has finally arrived. You walk towards the door, still in your clothes from earlier but now youâve removed your shoes, and open the door to reveal Bucky.
âI was waiting for you.â You tell him.
âHowâd you know Iâd come?â He asks, stepping through the door when you step aside, silently gesturing to him to enter.
âI can hear your thoughts. You've been debating whether or not to come see me for the past thirty minutes. Your mind is very loud.â
âTell me about it.â He mumbles to himself, thinking about the countless nightmares, voices, and all the other reminders of just how loud his mind was.
âYou can ask all your questions, you know. I wonât take any offence. Youâre just curious.â You tell him, settling on your bed, hoping heâll join you and stop hovering near the door.
Luckily he takes the hint and takes a seat across from you.
âIâve never met a witch before. A real one, I mean. Like, someone born a witch. Like Salem witches -â
âI understand.â You chuckle lightly.
âYou donât seem⌠afraid of me. Or, hesitant, rather.â You tell him, thinking about how heâs received your presence here compared to his colleagues.
âI was wary when you killed my friend, but⌠you just need some help, is all. Iâm sorry, by the way, Iâm not sure if I said it before, but, Iâm sorry for what happened to your friends.â He tells you.
Heâs very polite. But you supposed thatâs not abnormal considering he got his manners from the 1920âs. You like it, though. You give him an appreciative smile before giving him the okay to ask you whatever he wanted.
âSo you said that witches can master multiple powers but have one specialty; is yours resurrection?â
âYes; it was the first power I ever exhibited when I was a teenager. I was about fourteen or fifteen. My next mastered skill is descendum and then clairvoyance, where I was in my twenties, or so.â You tell him as he looks at you with pure fascination in his eyes.
âWhat is - what is descendum?â
You pause, âThe power to descend your soul down into the afterlife - to hell. And return alive.â
His eyes widened, not even knowing that was something someone can do; not even knowing that hell existed in the first place, âSo, youâve been to hell?â
âYes. Iâve also been able to retrieve people from hell, their soul. A variation of my power of resurrection, I suppose.â You explain, not being too fond of that power; descending to hell.
Bucky sits in silence for a few minutes, and you let him. You can hear the question lingering around in his head; what heâs thinking. But you let him build up his own courage to ask it. You know heâs only scared of the answer; the answer you know heâs not going to like.
âWhat is hell like?â He whispers.
âIt doesnât matter what my hell is like. Everyone has their own personal hell they experience when they die.â You tell him.
Confusion clouds his features as he registers your answer.
âIs there⌠Is there no heaven?â
You smirk, âItâs nice that youâve remained religious after all this time.â
âYes, there's heaven. But only for the purest and most innocent of souls. And rarely do people escape life without sin. Everyone has evil in them.â You tell him, knowing itâs a harsh truth that no one wants to hear.
The people Buckyâs killed, the crime heâs committed, the families heâs hurt; it all passes through his mind. Everyone has evil in them.
âWhat was your hell like?â
âIâm not telling you that.â You tell him quickly.
Bucky ponders what his own hell will be like, after seeing the way youâre clearly shaken up about your own. The fall from the train. The man in a lab coat sawing off the rest of his arm. The needles poking through his skin in the middle of some facility. The chair.
He doesnât realize that heâs looked away from you until he snaps his thoughts back to the present and sees heâs looking down into his lap. He glances up to see your face, your soft features and kind eyes staring at him. He glances from your eyes to your lips and back up again before clearing his throat, not realizing how close he got to you during his time here sitting on your bed.
âYou know, I, uh, I should go. Thank you for, uh, answering my questions, but we head out pretty - pretty early tomorrow, so,â He trails off, standing and patting down his shirt to smooth out the nonexistent wrinkles in a nervous habit.
He makes his way towards the door and his hand touches the knob when he hears your voice, âHey, Bucky?â He turns slightly to face you again, a hum to indicate for you to continue.
âThank you for coming to see me. And thank you for all the kindness youâve shown me. Youâre a very good person.â You tell him sincerely.
He gives you a nod of youâre welcome before exiting.
Heâs not sure if you told him that because you truly mean it, or if itâs because of the state of anxiety and existential crises youâve put him in now that heâs going to be thinking about his personal hell, but he appreciates it, nonetheless.
He thinks youâre a pretty good person, yourself.
âŚ
The mission goes off without a hitch. The combined skill of the Avengersâ stealth, spyware, and experience along with your magic and witchery makes for an easy capture of the men who killed your witch sisters and stole your magic.
Itâs not long before the facility they were at was shut down and cleared out, arresting any officers and rescuing any prisoners or hostages, and the five men specifically responsible for the destruction of your coven are in separate custody. Whatâs left of the blood is returned to you, as well.
Thatâs where the group of you stand now, a decision to be made about the criminals youâve captured. To be put in the maximum security prison floating in the ocean, or to be put to death by fire.
âI donât believe in being the executioner of people.â Sam tries to convince.
You canât help but let a laugh escape you, âDo you know who you work for?! Do you know who you are?!â You remind him.
âThose guys canât escape the Raft.â He tries, referring to prison in the middle of the ocean youâve heard about.
âYou did.â You respond, knowing about when Steve Rogers took him out of that prison, along with other superheros.
You see Bucky and Sharon look between the two of you, torn between how these Hydra criminals should receive their fate. Staring into the hot depths of flames or rotting alone in a cell? Both seem to be too merciful, in Buckyâs opinion.
âThis isnât just running the facility or experiments, Sam. This is different. They were using dark magic to commit crimes. Maybe they should face the consequences of a dark-magic-punishment.â Sharon offers.
You donât have time to be shocked at Sharon agreeing with you and picking your side before Bucky agrees and Sam is outnumbered. He stares at you and gives a single nod, allowing you to do this your way.
You smile, a silent thank you for giving you the closure and opportunity to serve justice to those who did you harm. âOff to Massachusetts, then.â You tell them, and Sam takes his seat in the pilot's chair, Bucky accompanying him in the front of the jet.
You take a seat, making yourself comfortable for the flight to Salem and you feel a body take the seat next to you. You glance up to see Sharon looking at you, but you notice she has something in her hand, offering it to you.
You look down to see a small plastic bag of fruit gummies. But not just any fruit gummies, you realize. Halloween themed fruit gummies. The pictures on the outside show the various options inside: witchâs hat, a broom stick, a melting pot, a vial, and a magic wand. Hilarious.
You take the gummies, though, accepting her attempt at a truce.
Itâs not long before you and your temporary teammates find themselves standing before a large, empty field, multiple wooden stakes standing about fifteen feet tall scattered about with plenty of space in between.
You lead the walk to a group of them standing tall in line, so the men can be burned at the same time, as opposed to one by one. A group of large, burly agents lug the Hydra operatives along, behind you and the rest of the team.
Bucky hangs around your left, as to not be in the way of the black umbrella held in your right hand, and Sam and Sharon trail behind you. You can sense their uneasiness and tune out their worried thoughts. Everyoneâs first burning is always an experience; theyâll get over it.
Bucky doesnât seem worried, though. In fact, you canât hear his thoughts this time around. But he still stands tall and straight, walking with confidence, so you make a safe assumption that heâs okay.
None of the menâs cuffs or shackles are removed, but thick rope is tied on top of it, around the wrist and looped around the waist, tying them to the stake. The cuffs are special grade - high tech Avengers vibranium - and they can be retrieved later once the fire burns out.
âAny last words?â You ask, more for tradition than whether or not you actually care.
They look scared, obviously not expecting their fate to look anything like this. You remember seeing Bucky tackle one of them in the facility, prying his mouth open to rip out a tooth, or what looked like a tooth, like a dog caught eating something it wasnât supposed to. A cyanide pill.
Silence comes from them, except for one of them, âHail Hydra!â He yells, as if that cowardly and pathetic phrase would change anything.
With a raise of your hand, seemingly with no effort, you wave it and the stakes all begin to rise up in flames. Thereâs nothing to spark, no twigs, no gasoline, nothing, and Bucky watches as the flames rise, growing stronger as they engulf the five men. They begin to scream, and Bucky looks over at you, as if to confirm you didnât bring gasoline or something with you, and he sees a smile slowly grow on your lips.
They havenât stopped screaming; theyâre still alive when you turn and begin to walk back the way everyone came. Bucky follows, and eventually Sam and Sharon do, too, the other agents staying behind until the end to retrieve the cuffs and shackles that will survive the fire.
âSo, now what?â Sharon asks, the air quieter as the screams have slowly stopped in the distance.
I canât imagine what kind of paperwork follows this, âBack to the tower.â Sam responds.
âThe covenâs only a short walk from here.â You say, not needing to elaborate much more. The men have been caught and brought to justice, but you still have a broken, battered, and beaten down coven to fix.
A friend of yours was meant to go by and retrieve the⌠bodies. Which youâre grateful for. But magic wonât help you fix the walls, the floors, mop the blood, or find other witches in need of an escape and a place to improve and master their powers. You have a lot of work to do.
As the view of the jet gets closer, you prepare to bid your goodbyes to the Avengers, your thank youâs as well. Regardless of your attitude towards them before, you couldnât have done this without them.
A metal hand engulfs yours, pulling you back a bit as Sam and Sharon continue on.
âDo you need any help?â Buckyâs warm and gentle voice floods your ears, hand still in yours.
âYou guys have been more than enough help, now, really.â You try to tell him, but he has none of it.
âYou may be tough, but you canât fix up that house by yourself,â He tells you, âI can be pretty handy, fixed up a few things back in my day.â A soft smile grows on his face.
You glance over his shoulder as Sam and Sharon wait by the entrance of the jet, âDonât you have to go back?â
âThey wonât miss me.â He tells you, not even looking back to confirm with his teammates, hand dropping to run it through his hair.
You giggle at him, before giving him a shy nod in answer to his offer to help you fix up your big house.
âIâm going to hang out here for a few days.â He yells over his shoulder.
âWe figured.â Sam calls out, and Sharon throws you a wave as they board the jet, the opening close after them.
âLead the way?â Bucky offers you, taking your hand once more, interlocking the fingers this time.
And so the two of you are off, one of your hands still clutching the umbrella, holding it above your head, and the other hand interlaced with the one of a handsome and kind super soldier. This wasnât the way Bucky expected the last two days to transpire, but heâs glad they led to holding the hand of a very pretty witch.
#bucky barnes#bucky barnes x reader#bucky barnes x witch!reader#marvel#bucky oneshot#love me some magic#also if anyone watches ahs... hmu i love it#ive watched all of them except cult and im currently rewatching freak show rn
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which bmc scenes make you the softest bc for me it's gotta be most of the stagedorks scenes ESPECIALLY a guy that i'd kinda be into. mostly bc of christine cause her and michael are my favs (i love them all sm though) but also bc of jeremy because he is a close second to both of them. also vimh but vimh makes me cry a lot although nowadays i can hardly watch one scene without at the very least tearing up. anyways yeah which ones make you soft
i simply rewatched bmc and took notes for this and really got off track at points in the sense of sticking to What Makes You Softest but thatâs how it goes babey
ACT ONE - in mts when jeremy is just having a whole moment being smitten in christine's presence while she's inelegantly picking herself up off the floor and smearing on lip balm and adjusting a skirt wedgie - jeremy and michael just being default that glad to meet each other in the middle of a random schoolday - michael hyping up jeremy's crush on christine and just encouraging this momentum to get jeremy to sign up for the play - ilpr.....that christine stops after like, the first two verses and goes back to her book b/c she doesn't figure someone's looking to listen to her beyond that but then she sees jeremy's still 110% paying attention and the whole rest of the song enfolds with increasing enthusiasm - jake doing that whole bit "all the pressure i feel to be the best at everything all the time" lmao classic stuff here, depressing content delivered in this humorousse way. charming moment - "leave me alone, i've had a bad day" - 2pg......when michael taps jeremy on the shoulder to get jeremy to join in on his choreo, which jeremy then does.....that michael asks if jeremy will be too cool for Video Games and jeremy just responds Emotionally Directly......we love the Favorite Person moment......that this song just ends with the two of them grooving 2gether god bless - jeremy stammering and Tics and Fidgeting when the squip remarks uponst it - jeremy delivering the Looking Pretty Sexy Brooke as awkwardly as possible and she's just like "thanks :)" - jeremy's own Theatricality coming out......hey hamlet - jeremy spinning around in place alternately addressing both brooke and the squip with "oh i'm supposed to meet my friend michael" - nice little detail wherein brooke signals for chloe to join in on her choreo - speaking of, v fond of the Moment jeremy is in on both their choreo......brooke sort of alarming jeremy with her whole attempted grande finale, straw and all, ft. the first instance of her messing with his hair so much she's just tugging his entire head around - cute that jake and rich have a sort of 2pg-esque handshake routine too - jeremy's "that's sad, what should i do" reaction re: jenna - rich's Earnest invitation to come over and play xbox... - "bonjour, jeremy" "ooh brooke!" and this whole exchange, her complimenting him, him laughing at "That Was French" and remembering to ask about pinkberry - love the whole choreo sequence/s in sync up, especially fond of his Moments with the girls, bumping hips with chloe (twice), hearing some Gossip from jenna, posing with brooke.... ;__; - the bowling alley performance art exchange before agtikbi ;____; - agtikbi......the glittery hearts choreo.....the whatever! the interlude or whatever!!! the I Guess A Part Of Me section hhhhoughhh ;o; ;o; ;o; ;o; ;o; that she pulls him into a hug and puts her head against his shoulder omggg ;_________; - brooke just trying to interact with jeremy the Right Way w/o any guidance on the bleachers and it continues to be awkward and funny....like comforting just his Leg while he converses w/his squip.....how she just ends up Physically pushing him around by the hands and head and shoulder and etc......whole situation here in upgrade.mp3 clearly less than Ideal but jeremy and brooke are nevertheless very cute individually And together - meanwhile jake also trying to genuinely Be With christine in upgrade is also charming lol, quitting archery to hang w/a girl like her.... - i always love when the Playful Shove brooke gives jeremy at "but at the mall, you looked at me" pushes him back a whole few steps....this moment of them truly Getting each other sans anyone else's interference.....tres magnifique - jeremy being That psyched to see michael for the first time (in like, less than one full day lol)....michael being That psyched just hearing that jeremy's cool scifi thing worked out after all - lgw ;_________________________; - like i'm some normal, handsome guy..... - giving us All that silence after "The Problem Has Always Been Me" - the whole bit where he launches into the "I'm Not The [series of insults]" and i've realized it's really especially a stretch to say i'm Soft for these moments in lgw but i Am vulnerable and that's its power. little 1" tall will roland on my screen here just made me shed a real tear doing That.....
ACT TWO - brooke's Howl at the end of her verse lmawooo - oughhh jeremy and brooke Greeting each other at the party too, jeremy unable to disappoint her and going for the Real Compliment, just v charming. rip - jake and jeremy's danceoff lol hell yes and then jake just having Misunderstood the costume plan between him and christine lol - the squip getting in on the dancing :) go you funky little ai - jeremy and brooke singing that last verse of Halloween v enthusiastically at each other, - again that jeremy is just genuinely glad to see michael.... - the inherent intimacy of singing mitb b/c your bff dumped you..... - AGTIKBI REPRISE..... ;______________________________; hhhhuouuuoh my god :'3 the lil detail that at the Height of things christine is Shy and turns away.....just. This Scene oh my god - soft in a vulnerable way like, rip to jenna where we're seeing chloe's Lack Of Enthusiasm in accepting a call from her :[ - the Shift at the start of the pants song :] - and the lil mitb reprise during said pants song lmao, also always having a great time w/this concept of "maybe this teen having a rough time needs some guidance from someone grown w/all that bonus maturity here" - i wish there was a way i could help everyone but i don't know how so i guess i'll just do theatre..... - jenna being Moved simply being asked for the first time ever How She Is u_u then her being like "....Okay!" lmfao jenna's great - just have to say in whatever context i'm v fond of pitiful children there at the end lmfao the bass kicks in like that and we're having a great time - the audience always having that response to "all the way to broadway" - jeremy going "you came to see me in the play? :)" like, that he's processing the significance of that in the middle of these Very Raised Stakes - i'm soft for will roland's vocal glitching mouth noises live every night!!! - jeremy like "ha! >:)" flipping his squip off after he's successfully Apologized lmfaoooo love him - but then having that real And I'm Stronger Than You Think I Am victory like :'| - that michael's been by like a ton btw during jeremy's probably somewhat concerning coma. also cherish the lil dance he does while they're celebrating mr. heere's bepantsedness - jake and jeremy sharing a Dab - and just the Popular Kids actively seeking him out to help re: christine b/c they just Want To Be Supportive.....very nice - this vimh interlude or whatever with christine and jeremy like jlsdfhh i think of this all the time - me and the voices in my head have made up our collective mind ;__; what do they say we should do ;______; and the Woohoo! ;_______________; - huoughh kiss and you KNOW especially the [jeremy spinning away in sheer enthusiasm] of 2.0 just KILLS THE MAN ;O; - jeremy not missing a beat despite the squip's interruption leeet's GOOOOOOOOOOOOOO - the more than survive na na na na na na na na na na na's but they're all So, and jeremy ending With everyone but also there with Himself and it's so Good and Everything Wants What Vimh Has!!!!!!!!!!!!!!!!!!!!!!!!!! hhrough ;0; - that jason does that spin at curtain call w/his excellent squip costume... - that in virtually any given curtain call when they get into line together there's that lil ritual of george smacking will's ass lmao love languages
i mean tl;dr quite Same in that like, most likely to inspire tearing up over something or other includes agtikbi reprise and vimh which is just like, again any finale wants what it has, and the I Guess A Part Of Me bit of the non-reprise agtikbi like Oof augh this is so cute, and lgw always Gets me, and while i was rewatching speaking of being soft and move-able i was also just continually struck with delight over various moments throughout, and noticing little details for the first time thank god. just Vulnerable the whole time
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Binge-Watching: Pokemon Master Quest, Episodes 55-57
In which the Johto League gets underway, and we check in with Gary one last time before the sparks start flying.
Game Day
Ladies, gentlemen, and everyone in between, itâs time for the Johto League to begin at last! Ash has made his way across the entire damn countryside, Larvitarâs been reunited with its Tyrannitar mom, and now thereâs nothing left to do but fight his way to the top or crash and burn trying. Either way, itâs gonna be one heck of a challenge. Ashâs first battle against a Furret almost goes disastrously south when he canât respond to the Furrettâs constant Dig attacks, and thatâs just his first opponent (though Pikachu lighting up the underground tunnels with a thunderbolt was a cool counter). Chances are the semi-finals are gonna be stacked with trainers at least as strong, if not moreso, than that. Hopefully, Ash can pull off what he couldnât in the Indigo League and make all his fights entertaining instead of just time filler.
Whatever happens, though, Iâm just happy weâre finally in the home stretch. Johtoâs been way too dragged out for its own good, but now that itâs finally in wrap-up mode, itâs able to start paying off all the investment its built up over time. We even get our first namedrop of the Hoenn region, complete with a surprise Blaziken to build anticipation. The decks are already being stacked for what comes next! And thereâs something really cool about seeing that torch carried forward. This isnât just the end of Johto, itâs the beginning of Pokemonâs next phase, a new world full of new possibilities. Whether or not it lives up to those possibilities, weâll have to see. But I canât help but look forward to what comes after we turn the final page.
Friends to the End
Speaking of final pages, thereâs one more important character we need to check up on before heading into the final stretch. So once again, letâs do something I never thought Iâd do at the start of this show and thank the stars for Gary Oak. How did this obnoxious brat turn into such an endearing rival character? Is it just my love of rivals who actually point out each otherâs weaknesses and encourage each other to get better? Regardless, Garyâs probably grown the most of any character in this cast, both as a trainer and a person. He and Ash are genuinely friends now, able to see the good in each other while still competing hard to be number 1. Can you imagine Gary at the start of the show admiring what good comrades Ash and Pikachu had become? Or talking wistfully about how lucky they are to be together now, with all the coincidences that brought their paths together? Or wondering where their hopes and dreams will take them in the future, with the heavy implication he hopes their paths wonât diverge forever? Okay, listen, Iâm trying my best to keep the shipper goggles off here, but the way Gary talks to Ash here really sounds like a confession of love. Motherfucker was a second away from pulling the old âthe moon is beautiful tonightâ card, I swear to god. Oh well, nothing like a good old shonen shiptease to set the stakes for a memorable final battle. Hereâs hoping it lives up to the hype!
Best of Team Rocket
-âTheyâre making us look bad!â âAnd with our recent track record, that isnât too hard to pull off.â
-James has such lyrical lines of dialogue sometimes.
-âSneazel? Sounds like something you need a tissue for.â
-âMore hunk than we could handle.â
-âWithout us, there wouldnât be any food in the first place!â Jessie channeling the collective rage of the entire service sector, lol.
Odds and Ends
-Is... is this guy really named Blurt? Did his parents just hate him or something?
-âIâm the strong silent type, except I talk a lot and break stuff by mistake!â aksjdhads okay I like Blurt
-This frame is a renaissance painting,
-âWhoever smelt it, dealt it!â Weâll... work on that, Ash.
-Ooh, I like that Larvitar still gets nervous around strangers. Just because he opened up to Ashâs gang doesnât mean his anxietyâs just gonna vanish.
-âI spy three buffoons in the sky!â god dammit theyâre entertaining too
-âI thought you said nothingâs impossible!â âDonât take me literally!â These guys are too entertaining for one-off villains.
-Something about the lighting effects on Tyrannitarâs hyper beam really sells how powerful it is.
-Okay, but these two characters are absolutely voiced by the same guy and hearing them hold a conversation is trippy as fuck.
-âI knew that wasnât a Sneazel!â âGee, howâd you figure that one out?â Mistyâs sass game is on point today.
-âWanna hear my plan? We win, and then we win, and then we win some more!â Quality plan, Ash. Quality plan.
-Honestly, Gary catching a falling torch is the most impressive thing heâs ever done. Nerves of steel, this kid.
The end fast approaches. See you next time!
#anime#the anime binge-watcher#tabw#pokemon#pokemon gen2#Ash Ketchum#pikachu#misty pokemon#brock pokemon#team rocket#meowth
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Make You Mine This Valentines Day
Words: 10,690 - Yeah so this is officially the longest one shot Iâve ever written ;)
Warnings: Sub Dean, Dom OC, Restraints (Rope), Safe Word, Oral (Both Receiving) Face Riding, Orgasm Control, Slight Sub Crash, Dirty Talk, Swearing (Think Thatâs It!)
Pairing: Dean Winchester X OC Michelle
Characters: Dean Winchester, Sam Winchester, OC (Michelle), Douche At The Bar
Summery: After yet another hunt, Sam, Dean and Michelle end up in a bar, where Dean and Michelle make several bets that could favour them both. Will they follow through on the most sinful of their desires?
A/N: Okay, so this went on for longer than I intended ;) But i promise itâs worth it once you get to the good stuff :P I wrote this for one of my favourite people! Michelle ( @holyhellpit +Â @dylanholyhellobrien) she is such an amazing person and Iâm sorry this is late babe! But I really hope you like it! - Please let me know what you think! I love the feedback as we all do!Â
Another night, another hunt that had ended with the three of them in some run down bar, in the middle of some Podunk town, that practically nobody had heard of. The wallpaper was peeling from the walls, there were the obvious town drunks scattered around the place, as well as the drifters just like themselves.Â
Michelle watched from her seat as Sam and Dean ordered their drinks and it was more than obvious to her at least, that she wasnât the only person in the bar with eyes on the tall and gorgeous Winchester brothers. There were plenty of people eyeing them, some with interest or annoyance, others were completely lusting after them, the sighs were almost audible.
Rolling her eyes Michelle turned away from the scene in her eye line. Instead, she let her mind wander back to the last few days, how Dean in particular had been acting really damn strange around her. There was something about the way that heâd behaved towards her and around her that was so very different. She just couldnât quite put her finger on it, but it seemed like every time she walked into a room and the guys were in the middle of a conversation, it would stop immediately. The entire thing was really beginning to bug her, what the hell were the two of them hiding from her.Â
She was pulled back to the present when the two brothers returned to the table, taking up either side of her. Thanking Sam for her drink she let the guys talk, as her eyes drifted over to the pool table where a few possible targets had taken up residence, they had been there for at least the last fifteen minutes. Leaning closer to Dean she gently nudged him, âYou wanna go hustle a game, Iâll even let you be the drunk guyâÂ
Dean chuckles a little taking a sip from his beer, placing the bottle back on the table he slips out of the booth, âAfter you sweetheart, Iâll be over in a minuteâ Dean stands and heads to the bathroom, Michelle turns to Sam as she stands from the booth.Â
Before she can speak to him though she notices a look that passes between the younger Winchester and the bartender. âYou okay Michelle?â Sam asks distractedly, his eyes never really leaving the beautiful woman behind the bar whoâs now waving at him.Â
âWhy donât you go say hi to the poor woman, sheâs clearly interested and so are youâ Michelle laughs, kicking Samâs booted foot, forcing his eyes to meet hers, the blush on his cheeks only makes the moment that much more adorable.Â
âYou sure? You guys gonna be okay?â Sam questions, which makes Michelle frown slightly. It was only her and Dean why the hell wouldnât they be okay. The three of them had been living together long enough.Â
âOf course weâll be okay, why wouldnât we be?âÂ
Something unreadable passes across Samâs face as he laughs awkwardly, for no foreseeable reason. âWell you know, I just donât want you guys to kill each other, you know, if Iâm not aroundâ Sam answers quickly, clearly trying to brush it off as if it were nothing.Â
Michelle decides that it may be best to just let it go, after all he was probably just flustered with the flirty barmaid and being called on it, it didnât mean anything. Right?
âOkayâŚ..Well, Iâm just gonna go get started over thereâ she points in the general direction of the guys that are gathered around the pool table. Rolling her eyes Michelle quickly notices that Sam couldnât be paying her any less attention to her if he tried. âSo I'm just gonna go. Do me a favour and just tell Dean Iâm over there, if you can even hear me, I guessâ she half laughs half sighs before walking away.Â
Michelle makes sure as she walks to put that little extra swing into her hips, this outfit was always her best for hustling pool. Sam and Dean had noticed a while back, how every opponent that she had gone up against became distracted, almost as soon as she bent over the table to take a shot. Not that the brothers had been completely unaffected either, that much was kind of obvious.Â
The outfit was simple enough, the black lacy stockings fitted her toned legs like a glove. The tight black skirt hit just above her knees, but every time she would bend over even a little the lacy hem of the stockings was revealed, much to the delight of anyone watching her. The red and black plaid shirt she wore was probably one of Deanâs, it was a little baggy in places but it was pulled tight around her chest. Which gave her the perfect dip in her cleavage.Â
She can practically feel the eyes on her from the pool table as she all but struts over, taking a pool cue from the wall before turning to face them. âRoom for a little one?âÂ
There seems to be a silent conversation going on between two of the guys, before one of them elbows the other, eyes going wide as he looks between her and his friend. âWell Iâd much rather play with youâ he smirks in a way which makes Michelleâs skin crawl. When Sam and Dean smirked even while they were all joking, it was charming and maybe even sexy. This guy though was a different level of sleaze bag and Michelle would happily take his money. âGrin and bare itâ she says to herself returning his smile a little forcefully.
âHow about we make it a little more interestingâÂ
That statement seems to make the guys ears prick up even further, âOh yeah honey, howâre we gonna do that then?â he asks stepping closer to the table and closer to her.
âHow about a little bet? Winner gets a hundred bucksâ she says simply, chalking up her cue waiting for his answer.
âSure, sounds easy enough darlinâ. If you need a hand donât you be shyâ the guys winks, eyes scanning her body shamelessly as he licks his lips.
Michelle canât help but laugh at that, spotting Dean stumbling towards them behind the guy she was talking to. âOh donât worry your head about that hot shotâ his eyebrows practically shoot up into his hairline at her quick change in behaviour. âHeâs a little drunk, but my man knows his way around a stickâ her remark hits Deanâs ears and he grins like an idiot practically falling into one of the chairs by the table.
A chorus of laughter surrounds the table as she racks up the balls in the triangle. âOh baby girl he is drunk off his assâ the guy practically snorts with laughter.
Michelle pulls the triangle from around the balls and tosses it to one side, just as she turns to see Dean standing from his chair, still swaying slightly. The death glare he sends the other guy is even enough to convince Michelle that Dean is angry as all hell. Deanâs big hands land on her hips and she smiles at the other guy as Deanâs mouth presses against her ear, âWhy donât you show them just how good you are sweetheartâÂ
âWhy donât you breakâ she smiles at the guy turning in Deanâs arms she glares up at him.
âSure thing sugarâ the guy responds, as his friends all remark at just how easy this is gonna be.
âAre you actually drunk right now?â she questions Dean, rolling her eyes when that lazy drunk smile spreads across his pouting lips.
âMaybe, just a littleâ he chuckles, holding up his hand leaving a small distance between his thumb and forefinger.Â
âWell how the hell are you gonna beat him now?â Michelle laughs unable to help herself as Dean sways a little in her grip. Their earlier plan had been for Dean to take over and double the stakes of the previous bet.Â
Dean scoffs at that, leaning even closer. His lips a breath away from hers, âI could beat this douche bag in my sleepâ he argues, stumbling back until he takes a seat in the chair behind him.
Michelle squeaks out a little laughter, louder than sheâd meant to as she falls into Deanâs lap, âNot convincing me there Winchester, no way in hellâ sheâs still laughing as she stands. Her opponent tells her to take the damn shot, âSorryâ she giggles, trying to stay in character while pulling herself back together, before she makes her way back over to the table.
Carefully bending over the table just slightly Michelle has to ignore the way Dean presses up behind her again. His fingers tighten on her hips when she adjusts her cue in her hands. She hears him groan deep in his throat from behind her. She realises that she isnât even sure which parts are for show anymore, Dean had gone completely off script.
Taking her shot is a little more difficult than she would care to admit, but she manages to sink a ball into the right corner pocket. A whistle from the other guy pulls her attention slightly, âNice shot darlinââ he remarks but Michelle doesnât get time to answer.
As she stands straight to find her next shot Deanâs lips press to her ear, âCome on you know I can beat him, I bet youâÂ
She doesnât turn to him this time, she simply bends again to take her next shot. âWhat are you betting Dean?â She whispers so that only he can hear, his hands slide along her arms holding her hands over the cue, his front plastered against her back.Â
âIf I lose Iâll clean your room for a month and cook you anything you wantâ he smirks against her ear as he pulls back to far, turning the cue at the wrong angle.
She swallows hand feeling his strength bearing down on her, âAnd if you win?â she asks quietly as Dean tightens his grip on the cue.
âIf I win you let me take you out on a dateâ he says with finality, right at the same time as he takes the shot. The shocked noise that leaves Michelleâs lips as he misses is something he could never get tired of hearing, all those perfect little noises for only his ears.
Dean backs off from her, neither of them listening to what the other guy is saying as she steps closer to Dean. âAre you serious?âÂ
âAs a heart attackâ he replies still grinning like an idiot, as his gorgeous green eyes linger a little too long on her lips. âSo are we on?âÂ
Chewing on her lips she looks up at his eyes again, âYouâre insaneâ she laughs a little as Dean leans on the pool table beside her hip.Â
âThen say no, but you won't. I know youâ Dean replies, dragging his teeth over his bottom lip.
She mulls it over for less than a minute before nodding, âYeah, fine. Youâre onâÂ
Dean winks as he pulls away from her completely, âIâm gonna take over from my girl, she ainât feelinâ so goodâ Dean slurs convincingly, âDouble or nothing ass hatâ Dean snaps as Michelle hands him the pool cue trying to hide her smile.
The guy snorts with laughter, completely ignoring Dean and looking back at Michelle. âI think your man has lost his damn mindâÂ
Michelle simply grins and Dean watches her closely as she takes the seat he had been in previously, slowly crossing her legs. It takes everything in him not to moan when the top of her lacy stockings are revealed from beneath her tight fitting skirt. She takes a sip of her drink before shrugging. âYou heard the man, big guy. Besides, Iâm his very best lucky charm. Although, if youâre scared, you can always say no and just pay upâ shooting Dean a wink as she takes another sip from her drink.Â
The guy considers this for a moment before looking back at Dean and shrugs. He holds up his hands before picking his cue back up, making another shot that he misses. âHave at it man, just donât come crying to me when I take your money and I keep your girl, make her mine and make her scream all fucking nightâ As the words leave the strangers mouth, Michelle can practically see Deanâs entire posture change and stiffen, like heâs sobering up before her very eyes.Â
Michelle canât help but laugh at the guys' words, until she notices the shift in Deanâs stance. She canât see Deanâs face, but just by the pure look of fear on the strangers, Michelle is sure that the look Dean had shot him was a warning.
Dean smirks with that dangerous glint in his eyes, reminiscent of his demon days. Other than that his features are schooled, his voice eerily calm as he speaks. âYou speak about her like that again and you won't be walking out of this barâÂ
Now as much as she wanted to tell Dean to calm down, remind him that she could take care of herself. There was something about him just then that was so downright sexy, something she had tried to ignore the entire time sheâd known the Winchesters. But instead she just smiled, watching from her little corner as the guy nodded quickly, avoiding meeting Deanâs gaze completely. Clearing his throat he gestured to the table, âJust, uh. Take your shot manâ he tried to hide the waver in his voice, but it was clear to just about anyone who was close enough to hear.
Chewing on her lip Michelle watched the game play out, just the way Dean usually played. Either that little angry moment had sobered him up, or he really wasnât that drunk to begin with. Dean tossed his pool cue on the table, as he turned to walk towards her money in hand the guy and his friends rounded the pool table. On instinct Michelle shot up from her seat, pushing Dean out of the way practically catching the guys fist before it made contact with her or the back of Deanâs head.Â
The guy was seething and shot out again, before Dean could get involved Michelle blocked him with her body. Before anyone knew what was happening Michelle had twisted the guys arm behind his back and pressed his face into the table. Dean grinned proudly coming to stand behind her, knowing that she had learnt that move from him.Â
The usual sweet lilt to her voice was gone, replaced by what was known as her hunter voice. âSeriously? Hitting a man from behind? Do you have any balls whatsoever?â Michelle spat twisting the guys arm harder making him whimper in pain. âYou lost. Fair and square, now get your buddies and get the fuck outâÂ
âYou tricked usâ the guy cried out as Dean pulled him free of Michelleâs grip, he couldnât stand it anymore she was so fucking hot when she got like this. Dean shoved the guy easily towards his friends who caught him after the slight stumble.Â
âYou heard the lady, now leave. While you still canâ Dean all but growled.
They left quickly after that and Michelle turned to glare at Dean, âHey! I had that handledâ she pouted shoving his chest lightly.Â
Dean ran his teeth over his bottom teeth as he looked down at her, he took her hand in his and pushed the money against her palm. Closing her hand around it she smiles up at him, finding herself drawn to his gorgeous lips and perfect teeth. âWell, as it turns out sweetheart, I was way more interested in talking to you. About the fact that I just won our little betâ Dean replied quietly as she steps closer to him.
âHmm, yeah. I guess you didâ Michelle replies thoughtfully, âBut, I was wondering if you wanted to raise the stakes?â she questions, taking the seat she had been in before, Deanâs smile falls as he takes the seat opposite.
Dean sighs rubbing awkwardly at the back of his neck, âWhat you wanna change the deal? Back out now I won because thatâs fine I meâŚâ Michelle Stops Deanâs rambling pressing a finger to his lips, which quickly close.
âJust let me talk huh?â she laughs a little and Dean nods as she pulls her fingers away he licks his lips. âYou won the bet, so the date is still onâ she smiles when he grins adorably at her, clearly fighting the urge to speak again. âI was just gonna say if I can beat you at a game, then Iâm in charge of the date. Completely. Everything. All. Night. Longâ Dean swallows hard at the meaning behind the last three words, but nods all the same.
âA-And if- When I win?â he questions, voice shaking a little. He meets her eyes as he clears his throat. Scolding himself inwardly for the way he sounded just then he sits a little straighter in his seat regaining his confidence. He seems to mull over his answer a little before he finally continues with the thought, âWhen I win, youâre on pie and beer runs whenever I need to go for the next month, along with laundry dutyâ Michelle nods still smiling as he reels off his list, âNot done sweetheartâ he chides her, making her laugh before continuing. âSince the date is still on, I get a kiss right here, right nowâ he finishes flashing Michelle a cocky smirk as he racks up the balls.
Michelle quickly returns his smirk, holding out her hand to him. Her tongue runs along the back of her teeth as his hand practically wraps around hers, âYouâve got yourself a deal WinchesterâÂ
âGood. Then let's see what you got. Donât go holdinâ out on me nowâ Dean grins as she removes the triangle from the table, Dean bends to take his shot.Â
Michelle knows what sheâs doing as she leans on the pool table right across from him, resting her arms against the wood she leans forward. Her breasts pushing up further, creating a deeper cleavage which Dean tries and fails to ignore. Their eyes meet across the green felt and he licks his lips, briefly allowing his eyes to drop to her chest before moving his eyes back to hers.Â
âSomething wrong Dean?â she questions innocently, running her teeth over her bottom lip as she adjusts just slightly tucking a few curls behind her ear.
Dean groans to himself, gripping the pool cue a little too tight he follows her movement by accident. Which pushes the pool cue forward and just barely knocks the white ball into the colours. âYou did that on purposeâ Dean says accusingly, while he half laughs half huffs. Watching as she walks around the table, running her fingers along the wood as she gets closer to Dean.Â
Dean, the man who is currently fighting with himself not to just grab hold of Michelle, throw her onto the pool table and say fuck it to the stupid bet. âWell Dean, since we didnât establish any rules does it really matter?â as she winks at him Dean mumbles something that she doesnât catch under his breath.
Lining up to take her shot she feels Dean press up behind her, hands on her hips. Rolling her eyes she just smiles. Much to Deanâs surprise Michelle remains as un-distracted as before, potting the next three balls with ease. When his hand brushes against the lace just under the line of her skirt, Michelle canât help but shiver. Which of course knocks her off her game, so she instead pots one of Deanâs balls. âYou dick!â she laughs shoving his chest as Dean grins down at her again. âOkay, new rule no touching, at least not until the date. Because that is just way too much cheatingâÂ
âOkay thatâs fairâ Dean laughs, taking the pool cue from her.
The game continues until theyâre down to the black ball, with it being Deanâs turn Michelle is sure heâs about to wipe the floor with her. âI might let you out of the laundry sweetheart, not sure you have the stomach for itâ Dean winks as he lines the shot up perfectly.Â
âDean?â Sam calls loudly from across the bar, Dean moves a little too fast to turn to look at his brother.Â
Michelle laughs to herself as Dean seemingly doesnât realise what heâs just done. The cue had knocked into the ball when heâd turned to speak to Sam. âWhat?â Dean asks as Sam comes over to the table, smirking he points at the woman behind the bar.Â
Dean glances back at the table and he knows sheâs seen the ball move by the massive smile on those beautiful lips of hers. He just hopes that the rash move with the cue wasnât too obvious. But there was something about having her in control of anything and everything that did things to him. When she suggested it he couldnât explain the way his stomach flipped until heâd allowed himself to think about it, then his mind had been made up. Not that he wanted her to know that, âIâm jusâ gonna leave with herâ ,Sam slurs happily waving at the woman, who giggles at him before waving back.
âOkay, have fun little brotherâ Dean laughs clapping Sam on the shoulder as his brother walks off humming under his breath.
âAh ah ah, no you donâtâ Michelle laughs as he bends to take the shot.
âWhatâre you talking about?â Dean asks looking between her and the ball, then it seems to hit him. âOh come on! That does not count!â
Michelle smiles and nods her head taking the cue from him, âSam was nowhere near the table when you hit the ball honey, it countsâÂ
âOh fucking hell! Fineâ even as he says the words heâs trying to sound annoyed, but the look on his face is telling a different story. Did he do that on purpose?
Sam leaves with the woman just as Michelle sinks the ball, turning to find Dean holding his hands up behind her. âI guess you win then sweetheartâÂ
Michelle shrugs stepping into his space so his back hits the wall, âI usually get what I wantâ she winks, watching Deanâs Adamâs apple bob harshly as swallows a little harder than usual. Grabbing his shirt in her hands she leans up on tip toes so that her lips just barely brush his.
âFuckâ Dean groans under his breath as she presses her body against him.Â
His hands ball into fists fighting the urge to touch her, âSo does tomorrow work for you?â she asks voice breathy against his lips.Â
âYeah t-tomorrow works. Isnât that-â
Michelle cuts him off with a seductive smile, causing her lips to just barely brush his. âValentines day? Yeah, is that okay?â she checks quickly, feeling suddenly a little uncertain for the first time tonight. But when Dean nods she lets out a breath she didnât realise sheâd been holding until now. Backing away from him she watches Dean relax a little, âOkay good then, Iâll look forward to it. You wanna head out?âÂ
âYeah sounds good gorgeous. Just gonna go take a leakâ he winks at her, quickly kissing her cheek. Before he jogs off in the direction of the little boys room, she canât help but smile at his retreating form.
Michelle finishes her drink before pulling on her coat, itâs almost like she can feel eyes on her as she leaves the bar and she canât explain it. Shivers run up her spine as she walks outside, in the direction of the impala pushing her hands into her pockets as she walks.Â
As she turns and leans back against the impala a figure emerges from the darkness. Her hand hovers over her gun as the large figure approaches slowly, the light from the front of the bar ticks on and she lets out a sigh of relief. âDean, almost fucking shot you! Are you trying to give me a heart attack you idiot!âÂ
Her hand moves from her gun to press against her rapidly thumping heart. Ignoring the way Dean laughed as he stumbled a little towards her. âSo adorable when you shit scaredâ he grins unlocking the Impala, they both slide into the front seat.
âYou sure youâre okay to drive?â Michelle asks as he turns the key in the ignition and revs the engine.Â
âYes dear. Iâm fineâ he sasses as he pulls out of the parking lot his eyes drop down to her thighs, where her skirt had ridden up, revealing the lace of her stockings and Dean suddenly feels like all the moisture has left his mouth. âYou, uh - Are you gonna wear them for our date?â he questions nodding towards the lacy material covering her incredible legs.Â
Dean canât help but watch as her fingers glide over the sheer material, pushing her thumb just in the top where the lac sits, pinging it back against her skin. Dean canât help but lick his lips before his eyes are forced back to the road, âThese? Yeah I think I mightâ she smiles seductively, as Dean turns to meet her eyes.Â
The elder Winchester clears his throat, shifting awkwardly in his seat. âW-What else?â he questions, swallowing around the massive lump that seems to have formed in his throat, just as he turns down the road that leans to the bunker.
Michelle shrugs still unable to stop smiling at the way he seems to have gone a little shy around her. Moving closer to him her thigh brushes against his and she sees him visibly shiver, âYouâre gonna have to wait and see babyâÂ
The rest of the ride is left in comfortable silence, except for the sexual tension which is clearly obvious to the pair of them. They walk inside the bunker together, as they reach their respective rooms Dean catches hold of her arm and she turns to face him. âAre you sure about this? You sure you donât wanna change your m-â
Michelle cuts off his rambling pushing him back against his door, Deanâs mouth drops open as her small hands grip his plaid shirt tightly. She pulls him down towards her roughly pressing her lips to his. Dean canât help but moan into the kiss when Michelle presses her body against his. Those big hands land on her waist and she has to pull away from the kiss, knowing that sheâs losing herself to the magic of Dean Winchesterâs mouth. âDoes that answer your question?â she asks breathlessly, running her thumb along his bottom lip wiping away the traces of lipstick.
Pressing a hand to his jeans Dean licks his lips, letting his eyes drift down to hers. âYeah sweetheart. Loud and clearâ he replies just as breathless.
With that Michelle bids him goodnight and heads to bed, leaving Dean to watch her leave.
Not sleeping well was never fun but unfortunately it was something that Michelle was used to. By the time that she heads into the kitchen Dean has already left on a supply run, leaving a letter to explain his absence.Â
Sam still hadnât returned from his date which made her smile, he really did need a good night, poor guy.
Knowing that her outfit is hanging up in her room Michelle opts to read for a little while, itâs almost five in the evening when Dean returns home. âWhere the hell have you been all day?â she laughs standing from her chair as Dean practically juggles the bags heâs holding through the door.
Michelle helps him lower the bags onto the table, âSorry sweetheart, had to wrap up a caseâ as he says the words its then she notices the cut just above his eyebrow.
âDean, I couldâve come with youâ she sighs as Dean continues putting away the shopping.
âLook, It went fine just stop worrying, just a salt and burnâ
âAt least let me look at your headâ Michelle reasons pulling out the first aid kit as Dean surprises her and takes a seat at the table.Â
âYes bossâ he smirks as she steps between his legs.Â
She canât help but smile at those words, âYou do know weâre not on the date yet, right?âÂ
Dean shrugs looking up at her with those stunning green eyes, âYeah I guessâ he says as his hands run up the backs of her thighs. Wincing a little as she dabs the cotton bud against the cut, he tries to focus on her face, the concentration in her eyes and the curve of her gorgeous lips. âSo are you gonna tell me what youâre wearing tonight or not?â he questions huskily, fingers unconsciously tightening on her thighs and pulling her closer.Â
âNo more touching for you Mr handsyâ Michelle warns him slapping his hands away from her, she shakes her head when he groans in protest, a small smile on her lips, âLook, just sit still Dean, I really need to go get readyâÂ
âSpoilsportâ Dean huffs out, but she can see he wants to smile even if he doesnât let it show on his face.
Finishing up with his wound Michelle looks him in the eyes. âYou havenât seen anything yet honeyâ the way she says the words has him confused, whether or not he should be nervous or excited or a little of both. Heâs hypnotised by the sway of her hips as he watches her leave, a few minutes past and he decides to head to his own room to get ready.
After her shower she heads back to her bedroom, happy to see that Dean is still nowhere to be seen. Michelle had told him to be ready for seven, thereâs part of her that almost canât believe this is actually happening, but the possibilities of tonight are endless.Â
Taking her time to get ready she does her hair and makeup first, getting her hair just right so that her natural curls look better than they had in months, hunting always got in the way of any real time to take care of herself as much as sheâd like. Keeping her makeup mostly light she opts for a red lip, after all it is Valentines day.
Pulling on her red and black lacy underwear she smiles at the way it hugs her curves perfectly, rolling the stockings up her legs the sheer black fabric is so soft against her skin. Once the stockings are hooked into her garter, she pulls on the gorgeous form fitting dress. Just as Michelle is struggling to zip up the zipper thereâs a knock at her door. The nervousness bubbles in her stomach, taking a deep breath she tells the person knocking to come in.
When their eyes meet in her mirror she smiles at the look of shock on Deanâs face, he looks just as gorgeous as ever, there was no denying he was hot, but sheâd always tried not to think about it until heâd suggested the date as part of the bet. That damn red shirt that clings perfectly to his body. Itâs practically straining around his biceps forcing the muscle to show fully, clings tightly to his forearms and pulled taut across his firm chest. He takes a slow step into the room, âYou look fucking incredibleâ Dean groans teeth running across his bottom lip.
Michelle canât help but stare at his mouth, wonder what it would look like when she watches him come undone beneath her. âLooking pretty damn good yourself Winchester,â she replies her voice a little breathy as he steps closer sheâs still fighting with the zipper of her dress.
âYou need a hand there sweetheart?â Dean asks nodding towards her back and pulling her from her thoughts. Michelle gives him a small nod and her best seductive smile.
His eyes are so much darker than when heâd entered her room, when he steps up behind her, his fingers skim down the skin of her back, pulling goosebumps across her body. Michelle keeps her eyes locked on his, fighting the urge to chew on her lip as he pushes her curls over one shoulder, exposing her back fully, he slowly pulls the zipper up. âYou ready to go Dean?â her voice is like honey as she turns to face him, grabbing her coat from the side of the mirror.Â
âMy ladyâ he winks holding out his arm for her.
Michelle canât help but laugh hooking her arm through his, âSuch a gentlemanâ she says letting out a fake gasp.Â
The ride to the restaurant Michelle had picked was short and sweet, their conversation was kept light, sharing hunting stories from the past and the good stories of Deanâs childhood, looking after Sam and all the things the two of them would get up to while John was away hunting.
Dean pulls into the parking lot telling her to stay put as he gets out of the Impala, walking around to her side he opens the door holding out his hand to her. Michelle takes his hand stepping out gracefully to stand by his side as Dean locks up his baby. To her surprise as he turns back to her he links his fingers with hers, âWhere have you been hiding âthisâ Dean?â Michelle asks jokingly as they walk through the doors.
âPlenty more where that came from sweetheartâ Dean winks as theyâre lead over to their table.Â
âPromises promises honeyâ Michelle replies returning his wink as they take their seats, so that theyâre sitting opposite each other.Â
âCan I get you something to drink?â A voice questions pulling Michelleâs attention away from Dean momentarily.
âCould we get two beers pleaseâ Michelle smiles kindly, handing the drinks menu back to the young waiter. Who is gone almost as quickly as he appeared.
âSo, youâre ordering for me now huh?â Dean questions a smirk pulling at his lips when his fingers brush the back of her hand.
âSorry. Force of habit I guessâ she laughs quietly, âYou want me to stop?âÂ
Dean bites his lip when the front of her shoe brushes against his inner thighs when she rests her foot between his legs on the chair. One of Deanâs hands drops under the table wrapping around her ankle. He swallows hard as he meets her gorgeous eyes, the blue swimming behind the green as she leans forward her chin on her hand. âYouâre in charge right?â he asks huskily, releasing her ankle to grip the side of his chair.
Michelle hums thoughtfully taking a sip from her beer, âWhat and thatâs still okay with you?â the young woman checks as she watches him intently.
Deanâs grin takes her by surprise, âMore than okay sweetheart, you won the bet after all. But donât worry I plan on giving as good as I get when itâs my turnâ The way Dean says the words is like a dirty promise, one that makes her very curious.
âI hope you like a challenge DeanâÂ
Deanâs lips wrap around his beer bottle, showing a peek of his tongue as he does so, âOh I love a good challenge darlinââ Dean drawls licking the drop of beer from his plump bottom lip.
Michelle is slightly lost for words at that comment, but luckily the waiter returns asking for their orders. Dean orders a steak and fries, while Michelle orders the vegetable pasta.Â
âSam mustâve had a really great night last night, have you heard anything from him?â Michelle questions, changing the conversation for a moment.Â
âUh, yeah I have. Turns out heâs agreed to go out on a date with her tonight which means-âÂ
â-We have the bunker all to ourselvesâ Michelle interrupts with a smirk which Dean returns.Â
âExactlyâ Dean replies simply, licking those damn lips again.Â
The waiter with the world's worst timing returns with their meals, Dean has to do his utmost to repress a growl at the man. âEnjoy your meals, please let me know if there is anything else I can do for youâ he tells the couple kindly.Â
Michelle kicks Deanâs shin under the table, pulling a groan from the older man. Years of working with him she could tell within seconds he was about to say something they would both regret. âThank youâ she smiles at the young man who nods with a small smile, not before glancing between the pair with a look of confusion on his face.Â
âWhat the hell was that?!â Dean hisses across the table nudging her shoe with his foot.Â
Michelle canât help but laugh around her mouthful of pasta, âDonât give me that you know what it was about!âÂ
After that they easily fall into their usual laughing and joking routine, enjoying their typical friendly banter. After a few more beers and their dinners are finished Dean grabs the dessert menu. âYou want dessert? I could go for pieâ he grins waving the menu at her.Â
Michelle takes the menu with a smile, dropping it on the table. Standing from her chair she walks around the table to his side, wrapping her arms around his neck, pressing her lips against his ear. âIâd rather get out of hereâ she whispers lips brushing his ear lobe as her hands slowly move down his chest, âThought we could see just how much you like me being in controlâ she pulls his earlobe between her teeth gently, she can hear his breath hitch in his throat as she releases his earlobe and presses a kiss to the side of his neck.
Dean hands her his keys to the Impala, âGo get in baby, Iâll settle up hereâÂ
Wrapping her hand around the keys Michelle pulls on her coat, as Dean calls the waiter over. âOh and Dean I already got the pieâÂ
She only hears him groan her name as she leaves still slightly giddy, quickly making her way back towards the Impala.Â
Sheâs barely waiting for five minutes when Dean returns to the car a little breathless. âEverything okay?â Michelle asks looking him over slowly, as she hands Dean the keys.Â
Dean pushes the key in the ignition before turning back to her, âYeah, all good sweetheart. Guess I just wanna get us homeâ he chuckles a little awkwardly rubbing the back of his neck.
Michelle leans into him as Dean pulls out of the parking lot. Letting her fingers brush the inside of his thigh, âGuess you better hurry up then cowboyâÂ
With that Dean puts his foot down, the ride is tense to say the least and the sexual tension could be cut with a knife.Â
They step inside the bunker and Michelle pulls Dean into a demanding kiss, Dean canât help but growl into her mouth as he pulls her against him. His hands grip her ass tightly, trying to pull her ever closer. Regretfully she pulls away from his mouth, pressing a single finger to his lips when he tries to chase the kiss.
Deanâs eyes flutter open meeting the the perfect mix of green and blue, âMy room, one minuteâ Michelle smirks, slowly backing away from him, she can almost see him holding himself back from chasing her down those steps.Â
âCome on seriously!â he shouts after her but sheâs already running towards her room.
Once sheâs inside she pulls the chair from the corner of her room and pushes it into the center of the room. She can feel the nervous excitement bubbling in her stomach as she waits for the knock to come. Pulling out a bottle of whiskey from the draw she sits it on the side beside the chair.Â
Thereâs a knock at her door that makes her smile, taking a deep calming breath she turns back to the door with her most seductive smile. âCome inâ When Dean walks into her room it reminds her of earlier that evening, âYou doing okay there?â she asks as Dean walks in with a smile that would make anyone swoon.Â
âYeah, I'm okay sweetheart. Just a little nervous I guessâ he chuckles awkwardly, but that stops when Michelle pushes up on her tiptoes and presses her lips giving him a chaste kiss.
Deanâs hands run across the bottom of her back, âUnzip me Deanâ she tells him calmly, not looking away from his eyes. Dean nods swallowing the lump in his throat as his hands hesitantly move up her back, finding the zipper he pulls it down slowly. His eyes are fixed on her face as the zip hits the stopping point. âGood boy, now take a seatâÂ
Dean does as heâs told, taking the seat in the middle of the room. Michelle walks closer to him, stepping between his open legs. Slowly and teasingly she slips the dress from her shoulders, down her arms and over her full breasts, until itâs able to fall freely to the floor. Stepping out of it she kicks the material to the side along with her shoes. Dean groans deep in his chest, shamelessly letting his eyes run across her body. âFucking hell baby, you look so hotâ He goes to stand and Michelle frowns shaking her head, pushing against his chest with a firm hand so he falls back into the seat with a huff of breath.Â
âMaybe we should go over the rules DeanâÂ
âWait rules? What, like sexy rules?â he grins excitedly, looking up at her with wide eyes, a clearly excited look in his eyes.
She ignores the question and how much it makes her want to laugh, Dean is fixated on her as she starts to circle around him. âSo rule number one, green is for good. If at any time you say red it all stops. Is that clear?â Dean nods quickly as she comes to a stop in front of him. âUse your words babyâ Michelle tells him softly, tipping his chin with the tip of her finger so that heâs looking up at her.
Licking his lips Dean shifts in the chair, âYeah so clear sweetheartâ Dean replies in a breathy whisper.Â
âRule twoâ she purrs reaching down, running her fingers over the line of his cock pressing against the seam of his jeans. âYou donât come, unless I tell you tooâÂ
Dean groans at that, âFuck sweetheart, youâre gonna kill meâ he lets out a grunt as Michelle grips the back of his hair and tugs short and sharp.
As she leans forward her lips brush his and Dean sucks in a breath, âRule three baby, no sweetheart and no baby. You can call me-â she pauses as if sheâs trying to think of something, loving the way that he squirms in his seat. Her tongue brushes his bottom lip and he practically whimpers, â-You will call me by my name, is that clearâ Michelle lets the warning bleed through her voice.
She can see the tightening in Deanâs jaw at the words, but waits patiently for his answer hoping that she hasnât pushed him too far. Deanâs hands are griping the sides of the chair tightly and his eyes are dark and glassy, he still hasnât looked away though. Then his body relaxes slightly, âYes Michelleâ he breathes quietly and she canât deny the way that her pussy flutters when those words leave his parted lips.
âSuch a good boy Dean,â she praises him, loving how he relaxes a little further with those simple words.Â
Michelle quickly presses her lips to his, the fingers of her free hand slowly brush down Deanâs throat, the muscles straining with the way his head is pulled back. With Deanâs parted lips Michelle's tongue pushes into his mouth easily, entwining with Deanâs ripping a moan from deep in his chest, his skilful tongue already proving itself as she sighs into his mouth.
As she slowly pulls away Deanâs breathing is a little erratic, âPlease Michelleâ Dean whines as she pulls away from him slowly.Â
âDonât worry baby, youâre doing so well. Now come hereâ Michelleâs voice remains calm as Dean stands slowly on shaky legs walking towards her.Â
Her hands run slowly up his chest, pushing his red shirt over his broad shoulders. âColour?âÂ
âGreen, Iâm okayâ he replies quietly as her fingers brush across his stomach, pushing his black t-shirt up and he helps her pull it over his head.Â
âGood boyâ she smiles gently, Dean returns her smile biting his bottom lip when her fingers start tugging at his belt. When the belt clangs open she backs off slightly, âTake those off and sit back downâÂ
Dean keeps his eyes on hers a slightly cocky smirk on his lips as he pops the button of his jeans, pulling down the zip slowly. Pushing the jeans down over his hips and ass before he kicks them off to the side and takes his seat again. He canât help but adjust himself in his boxers, especially when he notices Michelle taking a swig of whiskey, watching the way her lips wrap around the bottle. He canât help but smile as she winces when she swallows the liquid. Bottle in hand she walks back over to him sitting in his lap, letting her thighs drape over his. Dean groans when she rolls her hips over him, he can feel the heat of her little pussy as it brushes over his covered cock.
Michelle tips the bottle to his lips and Dean takes a long drink before she pulls it away placing it on the floor beside the chair, savouring the burn as it goes down his throat smoothly.Â
Michelle starts rolling her hips again keeping her hands on his shoulders, enjoying the gasps and moans that it pulls from Deanâs lips, âYou look so good like this Dean, fucking perfectâ she breathes heavily against his neck, sucking a mark into his neck, teeth scraping against the skin as she pulls away, causing Dean to groan loudly.
âWanna feel you Michelle, please. Take your panties off, pleaseâ there's a shake to his voice as he looks up at her, she can practically hear the chair groaning under his grip.
âBreathe baby, youâre gonna break the chairâ she giggles a little at Deanâs grunt, when he pushes his hips up Michelle gently pinches his nipple, pulling a small gasp from the hunter. âDonât make me tie you up, DeanâÂ
Dean stills in his seat, taking deeper breaths as he tries to calm himself down. Michelle stands from his lap, hooking her thumbs in the sides of her panties. âYou want these off baby?â she asks seductively as she rolls her hips.Â
âFuck, please Michelleâ Dean groans, reaching for her, his fingers digging into her hips as he tries to pull her towards him. Taking her hands out of her panties they land on his. Dean quickly realises by the look in her eyes that heâs broken the bet rule, she was in charge and not once had she said he could touch her.
Swallowing thickly he pulls his hands away biting his lip as he looks down, she grabs his hair in her hand again and pulls his head up, forcing him to look her in the eyes. âBoxers off and get on the bed, these stay on until youâre a good boy againâ her voice is a warning all on itâs own, Dean canât help but marvel at how powerful and sexy she is.Â
The last words suddenly hit him and his eyes went a little wider, âIâm sorry Mistress. Take them off please, Iâll be goodâ Dean begs with pleading eyes.
âDid I fucking stutter Dean. Bed now. This is your last warning, youâre not in charge tonight I amâ Deanâs cock twitches as he silently climbs on the bed, heâd been in similar situations before, but with Michelle everything was so much more intense. Heâd never needed someone to fuck him so bad in his life. Dean pulls off his boxers and lays on the bed, hands at his sides by his hips. âColour?â Michelle checks climbing on the bed between his slightly parted legs.
Dean almost swallows his fucking tongue at the sight of her, âG-Greenâ he half stutters as her nails rake down his thighs.Â
He can feel his warm pre-come leaking out onto his stomach, âThereâs my good boy. Now hands above your head, hold on to the headboardâ she instructs, her voice sounding more like a purr to Dean.
Straddling his legs she leans behind herself and unhooks her bra, letting it fall down her arms. âOh fucking hellâ Dean moans dropping his head back into the pillows.
âDean look at me baby, wanna see your gorgeous faceâ her words make him moan as her breath ghosts over his aching cock.Â
Dean lifts his head from the pillow, he canât stop the whimper falling past his lips, when her tongue just barely brushes the head of his cock. Michelle moans at the taste of his pre-come hits her taste buds. âPlease Michelle suck my cock, I need itâ Dean begs shamelessly, pushing his ass down into the bed to stop himself from pushing towards her mouth.Â
âSo pretty when you beg babyâ she smiles, nails creating red tracks down his thigh as she drags them across his skin. âYou think you really deserve it?âÂ
The question seems to catch Dean off guard for a moment, but he bites his lip and shakes his head. When she presses a kiss to the tip of his swollen cock. Quickly remembering himself he speaks up. âNo Michelle, Iâve been a bad boyâÂ
âIâm impressedâ she smiles straddling his hips, her panty covered pussy sliding over his bare cock. Deanâs teeth sink into his bottom lip as he watches her, trying not to beg for more than he deserves. Michelle loves the look on his face as she continues to use him, every moan he bites back she can still hear, the way his thighs shake beneath her ass.
Suddenly she stops her movements, causing Dean to suck in breath at the needy throb of his cock. Michelle stands from the bed, making Dean whimper and crane his neck when she comes to stand by his head at the side of the bed. Pushing her panties down slowly, past her hips and over the curve ass she lets them fall the rest of the way and kicks them to the side. âI think you deserve a little treat, so tell me Dean. What do you want?âÂ
Dean answers without hesitation, âWanna make you come Michelle, sit on my face pleaseâÂ
She shivers at his neediness to please her, âSince you asked so nicely babyâ smiling as she climbs onto the bed, her knees on either side of his head. Michelleâs hands push into his hair as she slowly lowers herself close to his eager mouth.Â
âYou smell so fucking goodâ Dean practically growls, licking his lips when she tugs harshly at his hair. As soon as sheâs close enough Deanâs tongue brushes through her soaked folds, the moan that comes from him vibrates through Michelleâs body. She lets herself lower down further, practically sitting on his face as she rolls her hips against his tongue.
Michelleâs eyes flick up to the headboard, seeing Deanâs hands flex around the bars. She knows what he wants and when his tongue pushes inside her she almost gives in. As he shakes his head back and forth, his nose continues to brush against her clit. Sheâs so fucking close, the coil in her stomach so close to snapping. âDeanâ she whimpers his name looking down at him, her eyelids heavy, breath coming out thick and fast. âSo close baby boy. Gonna come all over your face. You feel so goodâÂ
Her needy whining praise makes him double his efforts, growling into her as he feels her walls beginning flutter around his tongue and her thighs begin to quiver around his head. Her grip tightens in his hair with the final brush against her clit she comes, itâs hard and fast, almost painful as it burns itâs way across her skin. A scream of his name, followed by a string of curses is all he hears, though its muffled by her thighs squeezing tightly. She clings to him to stay up right as Dean happily laps up everything that she gives him.Â
Releasing his hair she gently runs her fingers through the soft locks, sitting back on his chest as she comes down from her high. âThat was the sexiest thing Iâve ever fucking seen Michelleâ Dean groans as she moves down his body pressing kisses to his skin.Â
âThank you baby, you were so good for meâ she purrs licking along the tip of his very red swollen cock, lapping up his heady pre-come. âThink itâs your turn nowâ Dean whimpers when she doesnât stop there, wrapping her hand around his thick length, slowly pumping him in her fist, wrapping her lips around the swollen head and sucking lightly.Â
âOh fuck meâ Dean cries out, throwing his head back into the pillows. The muscles in his thighs are burning as he clenches them tightly. The obvious sheen of sweat that coats both their bodies visible in the bedroom light
She pulls off of his cock looking up at him as he looks down with a blissed out look on his face, âOh donât worry honey, I plan on itâ she smiles licking a line from the base to the tip of his length. Then she takes him back into her mouth again, moving one of her hands to his thigh as the other gently plays with his balls.Â
âFuck! Please. Iâm gonna comeâ Dean practically shouts when his cock hits the back of her throat. Michelle smiles around him despite herself knowing whatâs coming before it even happens. Almost thirty seconds later he does it, Deanâs hands drop from the headboard and push into her hair. Despite the way Dean tugs at her hair trying to pull her back, Michelle releases his cock with a lewd pop. âPlease donât stop. Iâm so closeâ His eyes are wild begging her, his lips red from his teeth sinking into them.Â
âColour?â Michelle questions quietly, Deanâs hands drop from her hair and he swallows hard.
After a little thought he answers just barely above a whisper, âG-GreenâÂ
âYou sure?â she checks, straddling his hips nails gently scraping down his chest, over his soft stomach.
âYeah, green. I-Iâm good MichelleâÂ
âGood boyâ she praises leaning forward over him, kissing licking and sucking at his neck, loving the way his breathing quicken beneath her. âYou ever been tied up before baby? Because you clearly canât keep those big strong hands to yourself can you?â Her question seems to take him by surprise but he shifts and clears his throat when she looks up their eyes meet.
She presses a chaste kiss to his lips, tasting herself there. âYes Michelle. Iâm sorry, just wanna touch youâÂ
Michelle ignores the last bit as she asks her question, âDid you like it?â she asks kissing his plump lips again.
âYesâ he swallows the breathy whine that leaves his lips as she reaches behind him, pulling out the rope from the back of the bed. Dean looks up above his head and licks his lips when she wraps the soft rope around his wrists.
Once sheâs finished Dean tugs at his bindings, causing Michelle to smile. âFeel okay?âÂ
âYeah, sâgoodâ Dean answers as she moves back down his body, gripping his cock in her hand stroking it gently.Â
âIâm gonna fuck you now baby, would you like that?âÂ
âGod please, yes please. I need itâ Dean whines desperately.
âBeg me DeanâÂ
That three words almost makes him come, Michelle squeezes the base of his cock as he throbs in her hand. âI canât take it anymore please. I want you to fuck me. Wanna come just for you, want you to fucking own meâÂ
Her pussy flutters at that and how the fuck can you say no to that. âI already do babyâ she smirks sinking down on his cock. Whimpering as he fills her perfectly, heâs so much bigger than anyone sheâs ever had before. The shiver that rolls through her body has her falling against his chest as Deanâs eyes roll into the back of his head. âFuck thatâs bigâ she half laughs half moans.Â
Dean groans as her laughter shoots straight through his cock, âMichelle, Iâm not gonna lastâ Dean breathes out, his voice shaking as he looks up at her.
âThatâs okay baby, just wait for me to tell you too. Itâs gonna feel so good I promiseâ Michelle tells him calmly as she rolls her hips.Â
âYouâre so fucking tightâÂ
Leaning on his chest Michelle begins to lift herself off his cock and sink back down. The rise and fall of her body makes her tits bounce, Deanâs fucking hypnotised by her body and the way that she moves. âFeel so good Deanâ she whines nails sinking into his chest. Continuing to bounce on his cock.Â
âPlease untie me Michelle, I just wanna feel youâ Dean begs through his panting breath, hands tightly wrapped around the ropes that bind him to the bed.Â
âIf I -fuck!â she cries out when Deanâs hips thrust up against her, she reaches back harshly slapping his thigh, Dean hisses through his teeth. âDonât start Deanâ she warns breathlessly as Dean growls back. âDo you want me to fucking stop Deanâ she warns and his eyes immediately go wide.Â
âNo! No god Iâm sorry just pleaseâ he whines desperately, giving another tug of his arms.
âI was about to say if youâre good then Iâll untie you, but you still do as I sayâÂ
âYes anything you say, just wanna make you feel goodâ Dean rushes to explain licking his lips when she reaches forward.
âGood boy. Now, fuck me while I untie youâ she instructs him, pressing a quick but rough kiss to his lips.
âOh fuck yesâ Dean groans huskily, as he roughly thrusts his hips up, immediately brushing against her most sensitive spot. Michelle cries out as one of Deanâs hands slips free, groping at her breast roughly, rolling her sensitive nipple between his thumb and forefinger. Deanâs thrusts are fucking brutal and she can feel the coil in her stomach wound tight, almost ready to burst. Almost as if Dean can read her mind, he drops her breast after a final tug at her nipple, reaching between their sweaty bodies he presses two rough fingers to her sensitive clit. Dean has to fight every urge and need not to come with her, heâs so fucking hard and her slick is dripping onto his balls. Heâs not sure heâs ever been this turned on in his entire life.
White light bursts behind her eyelids as she comes, gripping to Deanâs arms as his hands roughly grip her ass, firmly sliding down her stocking covered legs. Loving the way that she feels under his hands.Â
When she comes down from her orgasm she blinks her eyes open, quickly meeting Deanâs gorgeous green eyes. âDid you come?â she pants against his chest looking up at him, Dean whimpers shaking his head as she clenches around him.
âN-Noâ Dean replies in a broken whisper.
Michelle is slightly shocked as she looks at him, âSit up baby, youâve done so amazing for meâ Dean shifts slightly beneath her as she sits up in his lap, his hands hesitate slightly as he sits up pressing his sweaty chest to hers. âItâs okay Dean, touch me please I want you toâ He wraps one arm around her back, pulling her close as the other pushes into her thick curls. âKiss me babyâ she breathes softly against his lips as her hands push into his damp hair.
Dean presses his lips to hers, the soft careful kiss quickly turns insistent and desperate. Michelle moves again, rolling her hips against him swallowing all of his moans and whimpers as she works him towards his release again. Deanâs grip tightens on her as she picks up the pace, âShit so close Michelleâ he whines into her mouth as their tongues roll against one another.
Her lips release his soft barely their kisses across his jaw and down his throat. âJust hold it a little longer babyâ He feels her pussy flutter around him again and whines loudly, âUse that pretty mouth baby talk to meâ she moans against his ear, tugging the ear lobe between her teeth gently.
Dean feels like heâs loosing his fucking mind, sheâs everything heâs ever wanted and so much more. Her forehead drops to his and she places a sweet kiss on the tip of his nose. âWant you to come all over my fucking cock, hear you scream my name. That bet was the best thing I ever did, just wanna be your good boyâ he whines loudly, knowing what it does to her to hear him so desperate.
âOh god Dean. Come for me baby boyâ Michelle whimpers as her nails dig into Deanâs shoulders feeling herself falling off the edge as Dean starts meeting thrusts, she comes again, this time looking into his eyes.
She watches Dean fall apart under her just like sheâd thought about since that bet, heâs the sexiest thing in the fucking world in that moment. He growls so fucking deep she can feel it in her chest, every muscle in his body goes stiff as board. His parted lips beg to be bitten and kissed and sucked, his eyes squeezed shut as he clung tightly to her. As Michelle did her best to work him through it.
He falls back on the bed practically shivering as he holds her tight, Michelle squeals a little laugh. Quickly realising what he needs, she pulls the covers up and holds him against her. âHey, youâre okay Dean Iâve got youâ she whispers against the top of his head as he nuzzles against her chest, his arms wrapped around her waist as he breathes her in.
After five minutes of gently whispering praises to him and kissing the top of his head Dean finally speaks. âS-Shit, sorry. That was just so fucking intenseâÂ
Slipping down the bed so that her face is level with his she presses a gentle kiss against his lips. âHey, donât you dare apologise! You did so well Dean, really I donât think Iâve come so much or so hardâ her small laugh makes him smile, green eyes shining as they meet the perfect mix of green and blue swirling in her eyes.
âThank you, you were something else thoughâ he grins hands finally moving across her body soothingly, making her sigh and smile against his lips.Â
âYou feeling a little better now?â she questions cupping his cheeks gently, thumbs brushing over his freckled cheeks.
âYeah. Iâm okayâ he smiles kissing her slow and sweet, âJust glad I finally got the balls to ask you out, Iâve wanted you for so longâÂ
The shock is obvious as he looks at her with a frown, âYou have?âÂ
He blushes a little, shrugging with a shy smile. âSurprised you didnât noticeâ he laughs brushing the hair out of her eyes.
âI guess I never let myself think about itâ she replies quietly, her tiredness making itself known with a big yawn, which Dean quickly reciprocates.
âMaybe we could talk a little more. After a sleepâ he smiles as her legs tangle with his. She hums in agreement snuggling up against him, his head resting against her chest again. Michelle sighs utterly blissed out as she combs her fingers through his hair.
âNight Dean, thank youâÂ
âNight sweetheartâ Dean says making her smile against the top of his head, thinking that if he ever did get control of her she was sure she wouldnât mind.
My tags:Â
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@aprofoundbondwithdean @manawhaat @thing-you-do-with-that-thing  @nichelle-my-belle @notnaturalanahi @bkwrm523 @deanscarlett @roxy-davenport @impala-dreamer @samsgoddess @frenchybell @scorpiongirl1â @deandoesthingstomeâ @deansleatherâ @curliesallovertheplaceâ @whywhydoyouwantmetosaymynameâ @waywardjoyâ @mrswhozeewhatsisâ @imadeangirl-butimsamcuriousâ @kayteonlineâ @supernatural-jacklesâ @wevegotworktodoâ @quiddy-writesâ @babypieandwhiskeyâ @supermoonpandaâ @deanwinchesterforpromqueenâ @chaos-and-the-calm67â @memariana91â @plaidstiel-wormstacheâ @teamfreewill-imagineâ @chelsea-winchesterâ @becs-bunkerâ @castieltrash1â @supernaturalyobessedâ @ruined-by-destielâ @winchester-writesâ @evilskank-inthemegacovenâ @maraisabellegrey-blogâ @faith-in-deanâ @winchestersmolderâ @bennyyhâ @clueless-goldâ @deanwinchesterxreaderâ @winchester-family-businessâ @there-must-be-a-lockâ @just-another-winchesterâ @emoryhemsworthâ @cas-backwards-tieâ @winecatsandpizzaâ @firefly-in-darknessâ @supersassyprobablysadâ
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what about your favourite cherik fics of all time? (:
Dear anon, I am so sorry for the delay. Iâve been meaning to put this list for about a week now, but I feel as if Iâm missing some fics. Most of these are fandom favourites and might not come as any surprise, but these are my all time favourite fics that Iâve probably read more than once and more than twice. I tried to keep a wide variety of fics, including both one-shots and multi-chapters as well as different genres. I hope you enjoy these fics as much as I do.
Earnestly-endlesslyâs Favourite Cherik FicsÂ
***********************************************
Anarchy in the U.K. â Yahtzee
Summary: âGood God, Erik thought. The Prince of Wales is gay.â
Charles lives in the unceasing glare of the public spotlight, yet keeps his sexual orientation a closely held secret, afraid he could lose his throne and force his deeply troubled younger sister into a role that would crush her. Erik, journalist and world traveler, has been a loner most of his life; he has little patience for closet cases. But a chance meeting in Kenya brings these two opposites together and sets in motion a love affair that will challenge the British monarchy â and their most deeply held beliefs about who they are, and who they should be.
Continuing Education â aesc and spicedpiano
Summary: To his students, Erik Lehnsherr is despotic and terrifying. To his department head, heâs the brilliant young researcher who abandoned his prestigious job overnight, moving across the country to join MITâs faculty. But to Charles Xavier, he is a contradiction. As Erik and Charles settle into their new roles as colleagues, their professional rivalry starts to spill over into the personal.
The Sonnet Series â afrocurl, nekosmuse
Summary: Erik Lehnsherr is a visiting professor at Columbia University, as well as an acclaimed and award winning poet. Charles Xavier is a lead researcher with the Genetics Department who is well on his way to tenure. But what happens when Charles has to cancel a class because half his students abandon him in favour of a mysterious new English Lit professor? Naturally he ends up sitting in in the class, where Professor Lehnsherr mistakes him for a student. Itâs really too bad Erik has such a strict policy against dating students. Itâs also too bad Erik doesnât seem to know how to use Google.
Bifurcation â spicedpiano
Summary: Bifurcation - (n.) the splitting of a main body into two parts.
In medicine, a single mistake can mean the difference between life and death.
For cardiothoracic surgeon Charles Xavier, a fatal error leaves him standing at a crossroads ⌠and at the mercy of the man he has not faced since their relationship fell apart thirteen months ago.
Dr. Erik Lehnsherr has a fearsome reputation. Due to his incisive autopsy reports, he has gotten more surgeons fired in two years than any other pathologist has managed over an entire career. But when an old enemy returns to Erikâs life, he must find a way to temper his pride â or lose the man he loves, all over again.
Runs in the Family â Anonysquirrel (chibrisuchan)
Summary: In which mpreg!Charles Bakes All The Things, overprotective!Erik calls his small round tea-drinking husband âVatiâs little teapotâ, Tony Stark/Bad Ideas is Stark Industriesâ most profitable OTP, and Alex and Steve are somehow along for the ride. And the cookies.
For the Record â endingthemes
Summary: As prominent figures in the mutant rights movement, activists Charles Xavier and Erik Lehnsherr are pretty much household names. When a romance scandal between them breaks, their celebrity reaches new heights, and though the increased exposure is great, thereâs a big problem â the two of them are just friends.
Too bad no one believes them.
Rumor Mill â Ikeracity
Summary: Erik is the grumpiest, most foul tempered worker at Stark industries. His grumpiness is the stuff of legends. So itâs obviously the talk of the office when Erik is being made to go to the company party and heâs bringing his husband. Thereâs rumors flying round about how much of a masochist or equally antisocial bastard Erikâs husband must be to put up with him. Others think he must be a meek mouse perhaps bullied by Erik.
What they werenât expecting was the confident, charming, adorable and unbelievably nice Charles that turns up on Erikâs arm. What they certainly werenât expecting was how much Erik obviously adores his husband and how happy he is to let others see this.
Into Your Tar, Honey â tomato_greens
Summary:Â Really, Alex doesnât know why heâs in the damn class. (Or, the one in which Charles teaches an online Introduction to Biology course, and Alex reads more than he expected to.)
If You Like The Book, Youâll Hate the Movie â paperclipbitch
Summary:Â Modern-Day High School AU. Itâs not until Hank realises half the class are glancing towards the back of the classroom with something like nerves and something like schadenfreude that he finds out Alex Summers is back.
The boy with the heart on his sleeve â euphorbic
Summary: Charles loses a high-stakes bet to Raven and is required to get a tattoo. However, when he makes a disparaging remark about the art form, Ravenâs acerbic mentor, Erik, steps in.
Or, the one where Erik and Raven are tattoo artists.
Enigma â Yahtzee
Summary: Written for the following prompt: Erik dies, or finds a reversey-time mutant, or a magical time travelling device, and wakes up in the past. This time, though, itâs before he ever met Charles - in fact, itâs before his mother died.
He can save his mother that one time (thanks to his mastery over powers carrying back), but what does Erik do after that? Does he stick around, or escape and run to find Charles again (and hope everything doesnât go wrong)?
Mutually Beneficial Transaction â Pookaseraph
Summary: In his sophomore year at Columbia University, Erik, feeling slowly strangled by his mounting college debt, places an add on a sugar daddies website. He doesnât know exactly what to expect from it, but when heâs contacted by a man named Charles who seems less creepy than the other people who have responded to his profile, he decides to give it a shot. Charles is nothing like what he expected, and Erik finds himself slowly falling in love with his sugar daddy while trying to find out exactly what caused this amazing guy to buy his emotional and sexual intimacy when he clearly deserves so much more than that.
Food, Family, and Friends with Benefits â endingthemes
Summary: âEveryone,â Edie says, voice bursting with pride. âErikâs here, and heâs brought his friend.â She takes Charlesâ arm and pulls him forward, presenting him like a shiny object. âThis is Charles.â
Charles manages a weak wave and an even weaker, âHello.â
(In which Charles gets dragged along to his fuck buddyâs parentâs house to celebrate a Jewish holiday, and things get weird.)
In Plain Sight â arcapelago (arcanewinter)
Summary: A story where Charles and Erik have basically been together from the first time they met. The whole fate, wow we found each other thing. Now I would like the others not to know and try to bring the two 'oblivious' guys together. They of course enjoy this quite a lotÂ
Limited Release â rageprufrock
Summary:Â When Alex Summers broke out of supermax to rescue his stupid kid brother, he had no idea it was going to be so fucking complicated.
Daycare Verse â brilligspoons, pocky_slash
Summary: A modern AU in which Charles runs a mutant daycare and Erik is his long-suffering engineer boyfriend.
Marrying a Mob â Ook
Summary:Â Charles is a teacher at a very exclusive school. When armed men burst in on the trail of two children, of course he stands up to them and gets hurt. The children are Erik Lehnsherr's children (of course); a "prominent businessman" or, less politely, "mobster". Erik is grateful to Charles for saving his children's lives at the cost of his kneecap. So very grateful.Naturally he tries to reward Charles for his actions. Equally naturally, Charles will be having none of that.Azazel finds the whole thing unspeakably hilarious. Naturally.
Chessmen (XMFC/Inception fusion AU) â kaydeefalls
Bodenâs Mate: âShaw has information that we need, and we need him alive to extract it,â Moira says, and there it is: the job is on the table. Extraction.
XMFC/Inception fusion AU. Erik is an extractor, Alex is his point man. Theyâre assembling a team to go after the most dangerous mind in dreamsharing: Sebastian Shaw. But unless Alex and the team can keep him in check, Erikâs desire for vengeance might just rip the whole job apart around them â and then thereâs the shade that haunts his dreamsâŚ
Queenâs Gambit: âMy name is Nick Fury,â he tells Raven. âAnd Iâm here to talk to you about Cain Marko.â
XMFC/Inception fusion, sequel to Bodenâs Mate. Ravenâs running her own extractions these days, but the job S.H.I.E.L.D.âs dumped in her lap is a real shitshow. Two marks, two simultaneous dreams, eleven dreamers, and a hell of a lot of baggage. Time to call in a few favors â and did she mention the job involves inception?
Tabula Rasa â kaydeefalls
Summary: Five ways Erik might have first met Charles.
Humane Society â smilebackwards
Summary: Once Erik finally allows himself to decide that Charles is pretty much the best thing since sliced bread, he spends the next week being incredibly bitter that heâs Charlesâ cat and not his boyfriend.
Idiot Control Now â cygnaut
Summary: Hank screws something up in the lab and everyoneâs powers increase tenfold. Not knowing how to control them like this, they all try to cope and not kill each other by mistake while Hank tries to find a way to reverse the effects. Charles has a particularly hard time of it.
White Nights â spicedpiano, tahariel
Summary: Duke Erik Lehnsherr of Ironhold needs an omega to carry on his line, and Earl Charles Xavier of Westchester needs an alpha to give him the political leverage he needs in order to make his sister Queen. An arranged marriage brings them together, but Erikâs lust for war and Charlesâ hidden agenda threaten to tear them apart. In the frozen Northlands of Ironhold life is hard and cold, and both Charles and Erik must give up their pretense and see each other as they really are: perfect for each other, if only theyâll acknowledge it.
Nation Building and other Diplomatic Negotiations â Pookaseraph
Summary: With the recent passage of a submissive registration law in the United Kingdom, there are now only two industrialized nation with a relatively stable government to have neither a mutant nor a submissive registration law. Erik Lehnsherr, the newly minted King of Genosha, and his Prime Minister Emma Frost intend to take advantage of this turn of events to bring the Xavier Institute to the island nation of Genosha. They both know bringing Charles Xavier, the noted activist of mutant and submissive rights, to the island will necessarily politicize the man, and create all manner of complications. With a constitution not yet finalized and external threats to Genoshan security all around them, Erik, Emma, and Charles will fight for what they believe in to shape Genosha into what it should be.
A Genosha AU with moderate D/s elements.
Politico â cygnaut
Summary: Modern Genosha Politics AU. In which Erik is l'enfant terrible of the mutant National Assembly, and his staff just wants to get him laid.
The Courtship â dvs
Summary: A story about a courtship that began five hundred years ago.
This Family comes with Batteries â Fishwrites, lynneh
Summary: A orphaned Charles Xavier goes to live with his Godfather: Tony Stark. This story is a tale of what would have happened to the events of MCU, if Tony was raising a six year old telepath in Stark Tower. There is also the matter of Charlesâ robot AI manny/bodyguard/tutor/only-friend, David.
Space Oddity â MonstrousRegiment, Pangea
Space Jam: Prince Charles Xavier is Deputy Commander of the TEF Heartsteel and the newest mission theyâve been assigned starts out less than desirable and quickly goes downhill from there. Itâs alright, though, heâll cope.
It doesnât help, though, that heâs in unrequited love with his best friend and Commander of the Heartsteel, War-Prince Erik Lehnsherr.
Jupiter Jazz: Prince Charles Xavier is still Deputy Commander of the TEF Heartsteel and life has been great ever since he and his best friend and Commander of the Heartsteel, War-Prince Erik Lehnsherr, finally got all of their feelings out on the table. Better than great, really.
It doesnât help, though, that the Nyrulians are a bit sore over him blowing up their ship, and a war is brewing. And because Charles has that kind of luck, theyâre in the middle of it.
I have loved the stars too fondly: Erik and Charles, directly after the events of Jupiter Jazz.Nothing will ever be the same.
The stars incline us, they do not bind us â ikeracity, pangea
Summary: Intergalactic Federation pilot Lieutenant Charles Xavier is assigned last-minute to a high profile mission: transporting over two thousand prison inmates from an old and overfilled prison complex to a newer, higher-capacity prison stronghold located on the outer reaches of the galaxy. Just as heâs settling down for a long and uneventful ride, things take a turn for the worse after the inmates riot and stage a hostile takeover of the ship, leaving Charles to find himself at the complete mercy of cold-blooded killers and facing the chilling prospect that he might not ever make it back home alive.
Tough little baby telepath â aesc, pearl_o
Summary: Teenage telepath Charles Xavier takes a job as a consultant, working with prickly police detective Erik Lehnsherr. Charles is used to being on his own and taking care of himself; he has no reason to think that his relationship with this stern, icy man is going to change any of that.
An absence which could not be more there â aesc
Summary: He prepared to shift another half-step over to the Current Events section (which would, of course, enrage him) when the teaser positioned by the modelâs left elbow caught his eye: DATING WHILE TELEPATHIC: WHY I DONâT DO IT.
Backseat âverse´ â tahariel
Summary: âCharles has a very sweet nature,â Raven is saying, her hand falling to the back of his head and stroking his hair very gently, carelessly affectionate. âHe doesnât need someone to force him down, heâs very happy to go there himself. If Erik is the sort to need a fight, then thereâs no way I could let him have my brother.â
Simple and Uncomplicated â Pookaseraph
Summary: Erik and Charles had been fuck buddies for some, but when Charles is in an accident he figured their relationship would be over. Erikâs visit to his bedside in the hospital changes his assumptions even as he has trouble believing Erik is sincere.
Made To Be Broken â Yahtzee
Summary: Charles makes a New Yearâs Resolution: âNo more straight men,â Charles repeated as he began scrolling through the apartment directory for Emmaâs name. âNo more futility. No more pointless hoping and heartbreak. In 2013, I never want to hear the words âexception,â âexperimentingâ or âphase.â If, God forbid, I hear âbicuriousâ even once, I may take a hostage.â Then he goes into the party, and Erik is there.
Five Bullet Points â Sperare
Summary: It was supposed to be Erik locked away in a prison one hundred stories below the ground.
Charles was never supposed to be there with him.
Terrifying Domesticity â ishipitsobad
Summary: Erik is the most dangerous and notorious mafia boss around for miles, and yet the strangest things terrify him. For example: his children, and his very pregnant mate.
The Trouble With Telepaths â endingthemes
Summary:Â âAre you shy about me meeting your family?â Erik asks with a huge smile. âAre you kidding me?ââItâs not funny,â Charles says, his hands firmly planted on his hips, and itâs honestly hilarious so Erik laughs right in his face.(Or a Star Trek AU in which Captain Erik Lehnsherr pays a visit to First Officer Charles Xavier's home planet and encounters a few surprises.)
Stolen â ishipitsobad
Summary: Erik is a miserable, grumpy, cantankerous bastard, and he has every fucking right to be. He drew the short end of the stick when he got the Underworld as his domain, and there isn't very much fun to be had in judging and governing dead souls who would rather be anywhere else but with Erik in the depths of Hell.
So when he meets Charles, brilliant and lovely Charles who is more popularly known amongst the mortals as Persephone, and feels the promise of something wonderful that could make his eternally doomed existence infinitely more bearable... you can bet all your drachmas Erik's not going to let Charles go any fucking time soon.
The Mutant Games â TurtleTotem
Summary:Â "You'll be fine, darling," Charles murmured, half-asleep, into golden hair as Raven crawled sniffling into his bed. "Your name's only in there once, Raven. They're not going to pick you." (Hunger Games AU)
City by the sea â Black_Betty
Summary: It never bothered Charles that he essentially belonged to someone else from birth. Ever since he could remember he had been told stories about the mysterious prince who was his betrothed, and who one day would be called husband. As he grew older, Charles caught his thoughts drifting away from lessons under strict tutors, his mind slipping into the hazy daydream of his life yet to comeâŚ
In Shadow and in Silence â Yahtzee
Summary: Written for the following prompt: Erik is an aggressive, dangerous, cynical mutant, hardened from years of being passed through private laboratories and used for experimentation. Heâs covered in surgical scars from operations, tattooed and bar coded like a lab rat, and blind from an experiment done on his eyes. ⌠Charles Xavier finds out about him. Charles runs a sort of sanctuary for mutants that provides lost, abandoned, abused, runaway mutants with shelter, comfort, and help with ability control. He thinks he can rehabilitate Erik and save him from execution, and convinces the government that he can.
When Erik arrives, he is a lot worse than Charles thought he would be ⌠Everyone else can see that Erik is a nuclear bomb waiting to go off, but Charles refuses to give up on him. âŚ
The first time Charles sneaks up on him wearing no metal, it triggers him and he reacts instinctively, with violence. ⌠Erik discovers why Charles understands him so well: he was once used in experiments as well, experiments run by his own family, and in one of them, he lost his voice, so he uses his telepathy to communicate.
Blind Erik, mute Charles, the love.
Everyday Love in Stockholm â tahariel
Summary: Prompt: Magneto is the ruler of the posthuman world. His only secret? Charles Xavier, the human heâs kept locked in his bedroom ever since his right-hand woman, Mystique, came to him pleading for mercy for her stepbrother, who accepted her mutant form and protected her as a child. The human he started fucking after Mystique was killed in battle, despite the guilt he feels at contaminating even this last promise to the woman who was integral to his lifeâs work and happiness.
The Tower and the Hurricane â dreamlittleyo
Summary:Â (Post-movie AU.) Five years after Shaw's death, Erik's predictions prove painfully accurate. Violence rages on both sides of the human/mutant conflict. In a world ravaged by war, it doesn't really matter who's more at fault. Charles struggles to teach his students a better way, but what choices will he make when peace really isn't an option?
Honest Bone and Burning Thought â Black_Betty
Summary: And so sometimes, his mind buzzing away, bright and brilliant and humming with pure expansive energy, Charles speaks without thinking at all. Without censoring himself. Without realizing that his brain has reached out and snatched something that was never his to know, or takeâŚ
The Attempt â Yahtzee
Summary:Â Written for the following prompt: Charles knows everything about Erik, knows how obsessive and self-destructive he is, how Erik would do anything, give anything, in his quest for vengeance against Shaw. But he also knows that Erik loves him in ways that aren't exactly platonic. I'd like to see a completely straight!Charles, out of pure love and care of Erik, initiate a romantic relationship with him. It can be because he wishes to give Erik something positive in his life or because he thinks it might help change Erik's mind about Shaw, the reason is up to author. Also, while Charles finds intimacy with Erik strange and awkward, he does enjoy the new, non-romantic layers that have developed in their relationship.
#favourite cherik fics#fic recs#cherik fic recs#long post#I can't seem to make short lists#eh sorry about that#asks#cherik
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Sunday, December 27, 2020
Millions of Americans lose jobless benefits as Trump refuses to sign aid bill (Reuters) Millions of Americans saw their jobless benefits expire on Saturday after U.S. President Donald Trump refused to sign into law a $2.3 trillion pandemic aid and spending package, protesting that it did not do enough to help everyday people. Trump stunned Republicans and Democrats alike when he said this week he was unhappy with the massive bill, which provides $892 billion in badly needed coronavirus relief, including extending special unemployment benefits expiring on Dec. 26, and $1.4 trillion for normal government spending. Without Trumpâs signature, about 14 million people could lose those extra benefits, according to Labor Department data. A partial government shutdown will begin on Tuesday unless Congress can agree a stop-gap government funding bill before then.
Downtown Nashville explosion knocks some communications offline (AP) A recreational vehicle parked in the deserted streets of downtown Nashville exploded early Christmas morning, causing widespread communications outages that took down police emergency systems and grounded holiday travel at the cityâs airport. Police were responding to a report of shots fired Friday when they encountered the RV blaring a recorded warning that a bomb would detonate in 15 minutes, Metro Nashville Police Chief John Drake said. Police evacuated nearby buildings and called in the bomb squad. The RV exploded shortly afterward, Drake said. The blast sent black smoke and flames billowing from the heart of downtown Nashvilleâs tourist scene, an area packed with honky-tonks, restaurants and shops. Buildings shook and windows shattered streets away from the explosion near a building owned by AT&T that lies one block from the companyâs office tower, a landmark in downtown. AT&T said the affected building is the central office of a telephone exchange, with network equipment in it. The blast interrupted service, but the company declined to say how widespread outages were.
Powerful mobile phone surveillance tool (The Intercept) UNTIL NOW, the Bartonville, Texas, company Hawk Analytics and its product CellHawk have largely escaped public scrutiny. CellHawk has been in wide use by law enforcement; the software is helping police departments, the FBI, and private investigators around the United States convert information collected by cellular providers into maps of peopleâs locations, movements, and relationships. Police records obtained by The Intercept reveal a troublingly powerful surveillance tool operated in obscurity, with scant oversight. CellHawkâs maker says it can process a yearâs worth of cellphone records in 20 minutes, automating a process that used to require painstaking work by investigators, including hand-drawn paper plots. According to the companyâs website, CellHawk uses GPS records in its âunique animation analysis tool,â which, according to company promotional materials, plots a targetâs calls and locations over time. âWatch data come to life as it moves around town or the entire county,â the site states. The company has touted features that make CellHawk sound more like a tool for automated, continuous surveillance than for just processing the occasional spreadsheet from a cellular company. CellHawkâs website touts the ability to send email and text alerts âto surveillance teamsâ when a target moves, or enters or exits a particular âlocation or Geozone (e.g. your entire county border).â
In other white Christmas news, 74 pounds of cocaine found floating off the Florida Keys (Miami Herald) The Keys sheriffâs office came across some white stuff Christmas week. But it wasnât the usual kind of snow. About 74 pounds of cocaine were spotted floating off the Lower Keys by a fisherman Wednesday afternoon. The packages were put in a Monroe County sheriffâs patrol boat and turned over to the U.S. Border Patrol. Lost shipments are trending in South Florida and the Keys. In August and September, almost 150 pounds of marijuana were found floating off the island chain or washed up on the shore. In July, more than 50 pounds of cocaine washed up near Grassy Key. Earlier that month, 29 bricks of cocaine came ashore in the Middle Keys city of Marathon, according to federal agents.
Brexit Deal Done, Britain Now Scrambles to See How It Will Work (NYT) For weary Brexit negotiators on both sides of the English Channel, a Christmas Eve trade agreement sealed 11 months of painstaking deliberations over Britainâs departure from the European Union, encompassing details as arcane as what species of fish could be caught by each sideâs boats in British waters. But for many othersâamong them bankers, traders, truckers, architects and millions of migrantsâChristmas was only the beginning, Day 1 of a high-stakes and unpredictable experiment in how to unstitch a tight web of commercial relations across Europe. The deal, far from closing the book on Britainâs tumultuous partnership with Europe, has opened a new one, beginning on its first pages with what analysts say will be the biggest overnight change in modern commercial relations. Britainâs services sectorâencompassing not only Londonâs powerful financial industry, but also lawyers, architects, consultants and othersâwas largely left out of the 1,246-page deal, despite the sector accounting for 80 percent of British economic activity. Negotiators have not formally published the voluminous trade deal, though both sides have offered summaries, leaving analysts and ordinary citizens uncertain about some details even as lawmakers in Britain and Europe prepare to vote on it in a matter of days.
Virus besets Belarus prisons filled with presidentâs critics (AP) A wave of COVID-19 has engulfed prisons in Belarus that are packed with people in custody for demonstrating against the nationâs authoritarian president, and some of the protesters who contracted the coronavirus while incarcerated accuse authorities of neglecting or even encouraging infections. Activists who spoke to The Associated Press after their release described massively overcrowded cells without proper ventilation or basic amenities and a lack of medical treatment. Kastus Lisetsky, 35, a musician who received a 15-day sentence for attending a protest, said that before he entered prison, he and three bandmates were held in a Minsk jail and had to sleep on the floor of a cell intended for only two people. All four have contracted the virus. Lisetsky must return to prison to serve the remaining seven days of his sentence after heâs discharged from the hospital. He accused the government of allowing the virus to run wild among those jailed for political reasons. âThe guards say openly that they do it deliberately on orders,â Lisetsky said. More than 30,000 people have been detained for taking part in protests against the August reelection of Belarusian President Alexander Lukashenko in a vote that opposition activists and some election workers say was rigged to give Lukashenko a sixth term.
Japan bans new entries of foreigners after virus variant arrives (Reuters) Japan on Saturday said it would temporarily ban non-resident foreign nationals from entering the country as it tightens its borders following the detection of a new, highly infectious variant of the coronavirus. The ban will take effect from Dec. 28 and will run through January, the government said in an emailed statement. Japanese citizens and foreign residents will be allowed to enter but must show proof of a negative coronavirus test 72 hours before departing for Japan and must quarantine for two weeks after arrival, the statement said.
As Virus Resurges in Africa, Doctors Fear the Worst Is Yet to Come (NYT) When the pandemic began, global public health officials raised grave concerns about the vulnerabilities of Africa. But its countries overall appeared to fare far better than those in Europe or the Americas, upending scientistsâ expectations. Now, the coronavirus is on the rise again in swaths of the continent, posing a new, possibly deadlier threat. In South Africa, a crush of new cases that spread from Port Elizabeth is growing exponentially across the nation, with deaths mounting. Eight countries, including Nigeria, Uganda and Mali, recently recorded their highest daily case counts all year. âThe second wave is here,â John N. Nkengasong, the head of the Africa Centers for Disease Control and Prevention, has declared. In South Africa, the continentâs leader by far in coronavirus cases and deaths, the growing devastation in its medical system has led to the rationing of care for older adults. Last week, officials announced that a new variant of the virus that may be associated with faster transmission has become dominant. With stricter control measures lifted and many people no longer seeing the virus as a threat, public health officials fear that Africaâs second wave could be far worse than its first.
Syriaâs bread lines are so long that children have to skip school to wait in them (Washington Post) Every morning, Abu Mohammed and his two eldest sons wake up for dawn prayer in Damascus, then take turns heading to the bakery. They wait for at least three hours, barely making it to work or school on time, he said. Often, the boys miss their first few classes. Sometimes they miss the whole day. Abu Mohammed, who declined to give his full name for fear of harassment by the security services, is among a rapidly growing number of Syrians languishing in seemingly endless lines. The bread crisis is perhaps the most visible and painful manifestation of Syriaâs economic meltdown. It has seen the amount of subsidized bread most families can buy reduced by half or even more. Subsidized prices have doubled since October. Outside major cities, the deprivation may be even worse. âThe poor man living in the village no longer has gas; he has wood. Heâs out of bread; he makes his own,â said a resident of the coastal city Tartous, interviewed over Facebook.
Our Digital Lives Drive a Brick-and-Mortar Boom in Data Centers (NYT) The shift to digital work and play from home, hastened by the pandemic, has wreaked havoc on commercial real estate. But experts say it has also generated one surprising bright spot for the industry: data centers. The growing reliance on cloud-based technologyâand the big, blocky buildings that house its hardwareâhas created greater opportunities for developers and investors as businesses and consumers gobble up more data in a world that has become increasingly connected. âOur houses are connected, our cars are connected, our streetlights and parking meters are connected, and every single one of those connections is passing data back and forth,â said Sean OâHara, president of the exchange-traded funds division at Pacer Financial, an investment advisory firm in Malvern, Pa. And companies that provide data storage are preparing for even greater demand as new technologies like 5G and artificial intelligence become more widely used.
The Secret to Longevity? 4-Minute Bursts of Intense Exercise May Help (NYT) If you increase your heart rate, will your life span follow? That possibility is at the heart of an ambitious new study of exercise and mortality. The study, one of the largest and longest-term experimental examinations to date of exercise and mortality, shows that older men and women who exercise in almost any fashion are relatively unlikely to die prematurely. But if some of that exercise is intense, the study also finds, the risk of early mortality declines even more, and the quality of peopleâs lives climbs. In essence, says Dorthe Stensvold, a researcher at the Norwegian University of Science and Technology who led the new study, intense trainingâwhich was part of the routines of both the interval and control groupsâprovided slightly better protection against premature death than moderate workouts alone.
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J/H 6-18: Substitute
Of all the Pam Burkhart episodes, this was probably the most fun to rewrite. Jackie moving into the hotel is an idea I'm pretty happy with, and the rewrites here meant reducing Mitch's part, which was great (Pam isn't a great character, but she's largely innocuous; I can't stand Mitch in these episodes.)
We're assuming that episode order shifts around a little here; "Substitute" is now 6-18. We assume that 6-17, "Happy Jack," plays out as we know it.
FF.Net AO3
***
SHOW TITLE Â INT. HOTEL ROOM â DAY Â A simple hotel room at the Point Place Hotel: bed, bath, a crappy black-and-white TV. But this basic layout has brightly colored pillows and glittery framed portraits to jazz it up. JACKIE goes around the room, adjusting her things on the bed and dresser. Â DONNA enters, a box full of stuffed unicorns in her arms. Â DONNA: Here you go: one box worth of unicorns. Which leaves three boxes worth still in my room. Â JACKIE: Yeah, I donât have space for everything here. But, this way, you wonât have to miss me. Every morning, when you wake up, those happy unicorn faces will be a little piece of Jackie to brighten up your day. Â Donna laughs as she sets down the box. Â DONNA: You know, Jackie, I am gonna miss you. Since youâve started living with us, my dadâs finally had someone to watch The Love Boat with. Are you sure you wonât change your mind? Â JACKIE: Iâm sure, Donna. When my mom came back, I stayed with you and your dad because I couldnât go back to living with her. If sheâs still moving into your house, then I canât be there. Â Donna opens her arms, and Jackie steps in for a big hug. Â DONNA: Okay, Iâm gonna go. Weâll hold on to the rest of your stuff. Â JACKIE: Just donât lose any of it inside your giant shoes. Â They both smile, and Donna exits. Â Sheâs no sooner gone than HYDE enters, three keys in his hand. He presents them to Jackie. Â HYDE: Okay, Jackie. Hereâs your room key, the kitchen key if you ever need me, and the master key. Gets you in to all the closets, cabinets â basically all the towels, soaps, and booze you could want. Â JACKIE: Guests arenât supposed to have this. Â HYDE: (shrugs) Neither are kitchen staff. Â Jackie nods, âa-ha,â and puts the keys away. Â HYDE: Hey, so, Formanâs taking the guys mini golfing. You wanna come? Â JACKIE: No. I just want to lie down for a while. Â HYDE: Okay. Â He kisses her forehead. Â HYDE (contâd): Iâll check in on you when I come back for my shift. Iâll make dinner. Â JACKIE: Hey, I hadnât thought of that - with you working here, itâs like I have my own personal valet. Will you bring me breakfast in bed every morning for room service? Â HYDE: No. Â JACKIE: Will you bring me fresh towels and make the bed every day? Â HYDE: No. Â JACKIE: (beat) Will you be late to mini golf and help me âbreak inâ the bed? Â HYDE: Anything to make your stay more comfortable. Â They both smile and step into a kiss. Jackie puts her arms around Hydeâs neck and pulls him down on top of her on the bed.
MAIN CREDITS Â BUMPER Â EXT. GOLFCOURSE â DAY Â The Point Place mini golf course, with all the charmingly tacky landmarks youâd expect of a small-town setup like this. ERIC, FEZ, and KELSO watch as a YOUNG BOY putts his ball into the windmill and sinks it. The guys give a quiet golf clap. Once the boy runs off, Fez moves into position to take his shot. Â Hyde walks up between Eric and Kelso. His walk is just a little awkward and bow-legged. Â HYDE: Hey. Sorry Iâm late. Â ERIC: Oh, did moving Jackie into the hotel take more time than you thought? Â HYDE: No, we were done with that a while ago. Â ERIC: (shrugs) Man, she must really be upset at her mom. I mean, I donât think Pamâs even moved in with Bob yet. Â KELSO: She hasnât. On my weekends home from the police academy, Iâve been staking out all your houses for surveillance practice. Pamâs still not camping at the Pinciottiâs. But she and Bob are really getting Bobâs moneyâs worth out of that hot tub. Â FEZ: FORE! Â He takes, not a gentle put, but a full-on swing. Â ERIC: WHOA! Â Fezâs ball goes sailing over the course and out towards the parking lot. Â HYDE: Watch out! Â ERIC: Parking lot! Â Glass shatters. Fez, Eric, and Hyde all wince. Â KELSO: Eh, it was just a Pinto. Â Eric and Hyde round on Fez. Â HYDE: Fez, this is putt-putt. Your choices are putt or putt. Â Before Fez can respond, a short â very short â figure steps out from behind the nearby counter â MITCH, in the silliest of golf hats. Â MITCH: Hey, what the hell? (sees Eric) Oh, Forman. I shouldâve known it was you guys. Most people who come here canât hit the ball that hard on account of theyâre in kindergarten. Â ERIC: Mitch. Congratulations. This seems like the perfect job for someone your size, what with the free lodging in the little castle at hole six. Â MITCH: Yeah, thereâs just enough room in there for me and your mom. Â The guy all âooh.â Â KELSO: (to Eric) Yeah, the sweetest burns involve doing it with your mom. Â MITCH: Look, just quit hitting the ball that hard, or you guys are out of here. Â He pokes at Ericâs chest and goes back to the counter. Â ERIC: God, I hate that guy. Tear him a new hole in one. Â HYDE: Wow, Forman. Havenât seen you this pissed since I chased you around your house with that spider in a jar. You were, like - (doing Eric) âHyde, I swear to God!â (normal voice) But you never did anything. Â ERIC: Yeah? Well, Iâm about to do something. Â He tees up for his shot and, like Fez, gives a full swing. His ball shoots up, ricochets off the windmill, and flies over to the counter, where Mitch is on the phone. The ball beans him in the head. Mitch drops the phone and drops like a rock. The guys drop their clubs and rush over. Â BUMPER Â INT. HOTEL HALL â DAY Â Later in the afternoon. A row of doors. From one, ROY stumbles out, a womanâs kimono clutched in his hands. The door slams shut behind him. Â Roy clutches at the kimono and stares blankly at the door. He doesnât notice Jackie come up behind him until she taps him on the shoulder. Â JACKIE: Hey, Roy. Â ROY: Oh, hey, Jackie. Howâre you liking the hotel? Â JACKIE: Well, itâs nice to have a maid again. And she has a bigger moustache than my dad, just like our maid back home. (nods to kimono) Whatcha got there? Â ROY: Oh, you know weâre having that Japanese cultural festival in the hotel this week? Yeah, thereâs these dancers who put on a show. They wear these kimonos. Â JACKIE: Oh, was that one lost? Â ROY: No, I was in their room when they came in, so I hid in the closet. They threw me out. Â He looks down at his feet, unable to meet Jackieâs raised, condescending brows. Â An extremely hairy man in a flowered sundress and a hand fan comes up the hall, behind Jackie and Roy. They are slow to turn and notice him, but when they do, Jackieâs eyes bulge out and she takes a step back. Roy takes the sight in stride. Â ROY (contâd): Oh, hey, Frank. Â FRANK snaps his fan shut and shakes it at Roy. Â FRANK: Iâve told you â when Iâm here in my gown, you call me Lady Laguna! Â JACKIE: (scoffs) You call that a gown? Â Frankâs glare snaps her way. Jackie inches toward Roy, who holds the kimono out between them and Frank like a shield. Â JACKIE (contâd): Whatever the lady says. Â Frank gives her a brusque nod. He proceeds down the hall, his head turned to watch Jackie and Roy the entire time. Â BUMPER Â MUSIC NOTE: âStuck in the Middle with Youâ by Stealers Wheel. Â INT. FORMAN BASEMENT â DAY Â For once, the basement is empty. Magazines, comics, and a Millennium Falcon-shaped carrying case full of action figures cover the coffee table. Not that the basement stays empty: Kelso opens the door and leads in Hyde and Eric, supporting Mitch between them. Fez brings up the rear. Mitch has a large bandage covering his forehead. Â The guys see Mitch over to the couch, where they set him down in the center seat. Eric sits to his right as Hyde crosses to his chair, Fez sits in the lawn chair, and Kelso sits on Mitchâs left. Â ERIC: Mitch, I am so sorry. The doctor said it was only a mild concussion, so... Â MITCH: What? Iâve lost the ability to process language, on account of I have a concussion! (sighs) Forman, why are we always fighting? I canât even remember how we got this way. Â KELSO: Iâve had chicks say that to me. Â FEZ: No. That was me. Â Kelso and Fez share an awkward look. Â MITCH: (to Eric) Donât you think that we should be friends? I mean, weâre pretty much the same guy. Weâre into all the same stuff â Spider-Man, Batman, Famous Monsters of Filmland... (sees Star Wars toys) And Star Wars! Look at this! Â He picks up the Darth Vader figure from the case. Â MITCH (contâd): I canât believe you got a hold of the Darth Vader with the green lightsaber! Pew! Pew! Pew! Â He starts swinging the doll around as he makes the noise. Eric shakes his head and takes the doll from him. Â ERIC: What? No, no. Itâs â Â He proceeds to make more accurate, and more nerdy, lightsaber sound effects. Â ERIC: (to Hyde) What a geek. Â FEZ: (to Kelso) They look happy. Why donât we have a game? Â KELSO: Man, you are always on about that these days. âWhy donât we have a song? Why donât we have a movie?â Â FEZ: If you gave me an answer, maybe I wouldnât always be on about it. Â KELSO: Look, can we not do this when we have company over? Weâll talk about it later. Â FEZ: Oh, sure. Later, later, always later, but later never comes! Â They both snap their heads away from each other. Eric, Mitch, and Hyde take a moment to stare at them before going back to their business. Â MITCH: Come on, Eric. Letâs hang out. Â ERIC: Â Okay, well... youâre obviously having some kind of reaction to your medications. Why donât you just give your dad a call, get a ride home. Â He indicates the phone. Mitch looks down, puts a finger to his bandage, and pokes at it repeatedly. Â MITCH:Â (on each poke) Ow. Ow. Ow. Ow. Ow. Ow. Ow. Â Eric heaves a deep sigh, rolls his eyes, and hands Darth Vader back to Mitch. Â ERIC:Â You can be Darth Vader. Just donât wreck the lightsaber. Â MITCH: Really? Thanks! Â He starts swinging Darth Vader around again, with inaccurate sound effects. Â HYDE: Uh, Forman? Â Hyde stands, takes Eric by the arm, and pulls him to the deep freeze. Â HYDE (contâd): (hushed) Man, what the hell are you thinking? Weâve already got a weak, squeaky nerd-boy hanging around here â you. And Mitch doesnât have any of your better qualities, like a house I can live in. I mean, look at him. Â He points over to Mitch, who is pointing to Kelso. More specifically, heâs leaning into Kelso, his finger hovering just barely away from Kelsoâs temple. Â KELSO: What are you doing? Â MITCH: Iâm not touching you. Â KELSO: Stop it. Â MITCH: But Iâm not touching you. Â KELSO: Stop not touching me! Â MITCH: Okay. Â He gives Kelso a sharp poke to the temple. Â MITCH (contâd): (laughs) Wasnât it better when I wasnât touching you? Â KELSO: (laughs) Yeah. Â Mitch puts his finger back up, and Kelso does the same to him. Eric looks back to Hyde. Â ERIC:Â Look, Mitch knows Iâm just being nice, okay? This canât last more than a few days, tops. And, I mean, whatâs the worst that can happen? Â The basement door opens, and Donna enters. Â MITCH: (to Donna) Oh, wow! You are gorgeous! Youâre the hottest redhead since Batgirl! And youâre not just gorgeous â I mean, you radiate intelligence and deep thought. A real sense of self. Â DONNA: Eric, I like your new friend. Â She smiles at a beaming Mitch as Eric and Hyde share a look. Â BUMPER Â INT. HOTEL â NIGHT Â The hotel ballroom. It is filled with booths, stands, tables, and small stages, all for the Japanese cultural festival, which has drawn a healthy nighttime crowd. At a makeshift Japanese steakhouse grill, the chef performs for the gathered crowd, slicing and preparing fish with an elaborate display of cutting and knife throwing. Â Jackie sits at the bar watching. She is wearing a dark floral kimono, with her hair in a French twist style held with chopsticks. Hyde, in his chefâs jacket, comes up behind her. Â HYDE: Oh, I could get used to this look. Â Jackie turns around, stands. Â JACKIE: Oh, there you are. Â She kisses him. Â HYDE: Howâs it going? Â JACKIE: Well, I was yelled at by Lady Laguna, the concierge keeps inviting me to the âprivate suiteâ under his desk, and Royâs offered me a charming look at what Fez will be like in 20 years. Â HYDE: Now, Jackie, thatâs not fair. Fez has actually had a girlfriend. Â Jackie considers that, shrugs. Â HYDE (contâd): Look, man, if this isnât working out, then maybe you can move back with â Â JACKIE: No, no â Iâm fine. (sighs) Can we just go back to my room and have some dinner? Â HYDE: Sure. Hope you donât mind salad and burgers. Roy didnât shut the freezer all the way when he went in there to cry, so the ground beefâs about the only thing left thatâs not a 50/50 risk of salmonella. Â They hold hands and start to head for the exit when they bump into another couple â RED and KITTY. And BOB is with them too. Â JACKIE: Oh! Hi, Mr. and Mrs. Forman. Hi, Mr. Pinciotti. Â KITTY: Well, hello, Jackie. Â BOB: Hi there, Jackie. Isnât this festival great? (points to grill) I love this one. Itâs not just dinner. Itâs a thrill ride, âcause thereâs a small chance youâre getting knifed. Â RED: I donât know, Bob. Iâve tried to avoid Asians with weapons ever since 7,000 of them tried to kill me. Â KITTY: (laughs) Well, itâs thanks to the work of brave men like you that Americaâs enemies are now performing at a tiny local festival in a two-star hotel. Â JACKIE: What are you all doing here? Â BOB: Pammy thought itâd make a good double date. Â JACKIE: Wait, my momâs here? Â BOB: Yep. Sheâs just freshening up. Â JACKIE: (to Hyde) My room, Steven. Now. Â She lets Hyde lead her by the hand around the adults. Bob starts after them. Â BOB: Come on, Jackie. Give your mom a chance. I think she really wanted to come here so she could see you. Â Jackie pulls Hyde to a stop, rounds on Bob. Â JACKIE: Well, I donât want to see her, so you can stop trying to help her get to me. Â BOB: I just donât like seeing you two not get along. And your momâs been such a peach since we got together. I wanna help you two out. Â JACKIE: Well, she doesnât deserve it! Steven, is there another way out of here? A back door or a secret bookcase passage? Â HYDE: Okay, someoneâs had a relapse on Nancy Drew. Â Nevertheless, he takes her away from the main entrance to a small door in the far corner. Â JACKIE: God, I canât believe Bob! Why canât he just accept that I donât want to see my... Â Hyde opens the door to: Â INT. HALLWAY â NIGHT Â A small hallway connecting just two doors, a staff passageway. Inside, Jackie and Hyde find two people making out â PAM and a Japanese man dressed for the grill. Â JACKIE: MOM? Â Pam breaks away from her partner, breathless. Â PAM: Oh, Jackie, there you are. Meet Hirohito. Â HIROHITO smiles and waves. Jackie, eyes wide, rounds on Hyde. Â JACKIE: What is it with this hotel and cheating? Â Hyde shifts on his feet as Jackie turns back to her mom, gaping. Â FADE TO BLACK Â COMMMERCIAL Â BUMPER Â INT. HALLWAY â NIGHT Â Right where we left off. As Hyde and Hirohito stand uncomfortably by, Jackie advances on Pam. Â JACKIE: Mom, what are you doing? Youâre supposed to be here with Bob. Â PAM: Oh, you ran into Bob. Isnât he just a doll, bringing me here? Who wouldâve thought a man with such bad dress sense could be so sweet? Â JACKIE: Yeah, Bob is sweet. And youâre cheating on him! With some cook at a crappy hotel! Â She can feel Hydeâs eyes on the back of her neck. She steps back to him and puts a hand on his chest. Â JACKIE (contâd): Which can be a good thing, if youâve got the right combination of looks and brains to make up for it, and if youâre not with someone else. Â PAM: Oh, honey, donât be silly. Hirohitoâs only here for the festival. His day job is as a Lincoln dealer. Â HIROHITO: 34th and Donegal. Â JACKIE: (gasps) Lincolns? Could you get a deal on a pink â no, no! (to Pam) Mom, how can you do this to Bob? He really likes you, and heâs done nothing but stick up for you since you came back to town. Â PAM: Oh, Bob will be fine. Â JACKIE: No, he wonât! Bobâs had a horrible time with break-ups before, but heâs never had anyone cheat on him. How can you do this when youâre moving in together? Â PAM: Well... Jackie, the truth is, when you wouldnât speak to me after I came back, when Bob asked me out, it seemed like the only way I could see you. And when he asked me to move in, I thought it was a way you and I could be together. But now that youâve moved out... did I mention Hirohito has a summer home back east? Â HIROHITO: Cape Cod. Â JACKIE: (to Pam) So you just used Bob to try and get to me? Mom, you canât just throw your looks at some guy and use him to get whatever you want. Iâve learned the world doesnât work like that. Â PAM: Oh, I knew I shouldnât have sent you to public school. Â JACKIE: Just think, Mom. What if it had worked? You and me would be back home, or living with this Hirohito guy, but what happens when someone else comes along whoâs richer? Or what happens when you get another chance to run off to Mexico, or Paris, or Milan? Â HIROHITO: Kyoto is lovely this time of year, too. Â Everyone turns to glare at him. Â HIROHITO (contâd): But, carry on. Â JACKIE: (to Pam) Mom, all this does is show me that youâre still running from one place to another, looking for something better instead of just being happy with what you have. Thatâs why you left after Daddy went to prison, and itâs why I havenât wanted to see you. And why I still donât. Â She passes Pam and Hirohito and runs out the other end of the hallway. Pam shifts on her feet, Hirohito scratches at the back of his neck. Â Hyde takes a step toward them. Â HYDE: (to Hirohito) Hey, if the Lincoln thing doesnât work out, this crappy hotel does actually need a cook for weekend shifts. Just one thing â (points to Pam) No dogs allowed in the kitchen. Â He passes them and follows after Jackie. Â BUMPER Â EXT. FORMAN DRIVEWAY â DAY Â The next morning. The Toyota rests in the driveway, the hood popped. Eric holds a flashlight for Red as he works on the engine. Kitty is in the Toyota, behind the wheel. Â RED: (to Eric) I just think itâs pretty suspicious that after we left the Japanese festival, our Japanese car broke down. Â Ericâs chance to throw some snark at that xenophobia is cut short when Mitch strolls up the driveway. Â MITCH: (to Eric) Hey, buddy. Â Kitty steps out of the car to take a look at Ericâs new friend. Mitch makes a show of reacting to her. Â MITCH (contâd): Whoa, Eric, you didnât tell me you had an older sister. Â ERIC: Oh, please. If youâre gonna go with fake charm, letâs keep it in the realm of reality, okay? Â KITTY: Oh, you shut your porky mouth. I have the skin of a 25-year old. Who smokes. Â Mitch turns to Red, polishing a nut. Â MITCH: You know, Mr. Forman, I learned a little about cars from my uncle who used to fix tanks in Vietnam. Now thatâs heroâs work, fixing machines that kill people you donât agree with. My only regret is that I havenât yet had a chance to fight for my country. Â RED: Really? Ericâs only regret is that he doesnât live in space. Â ERIC: Thatâs not my only regret. Itâs just one of them. Â He goes back to holding the flashlight, only now, itâs for Mitch. Â CUT TO: Â INT. FORMAN BASEMENT â DAY Â A truncated gathering. Kelso leans on the deep freeze, nursing a popsicle, Donna sits in Hydeâs chair, Eric on the back of one end of the couch, Mitch in the seat on the other end, and Fez in the lawn chair. âMy Best Friendâs Girlâ by the Cars plays on the radio. Â Fez, Kelso, and especially Eric wear long faces as Donna humors Mitchâs nerdy babble. Â MITCH: So Iâm at this garage sale, and I look down, and there they were â Godzilla, Mothra, and Rodan, all in mint condition! It was the most beautiful sight Iâd ever seen. (to Donna) At least until I met you. Â Donna giggles, runs a hand through her hair. Eric climbs down from the back of the couch and stands over Mitch. Â ERIC: Okay, Mitch. Donât you have something you need to do? Â MITCH: You know, youâre right. I almost forgot. I said Iâd make omelets for everyone! (points to Kelso) Onions... (points to Fez) Peppers... (points to Donna) And only the most succulent of honey-glazed ham for a honey-red honey. Â ERIC: Okay, âhoney-red?â Thatâs not even a thing! Â Donna giggles, nudges Eric with her foot. Â DONNA: That sounds great, Mitch. Â Kelso and Fez nod their approval. Mitch nods back, heads up the stairs. Â Eric sits down in the couch seat closest to Donna. Â ERIC: Donna, why do you keep encouraging Mitch? Â DONNA: Eric, itâs no big deal. Â ERIC: Yes, it is. Look, he already likes everything I like, heâs buttering up my parents, now heâs making moves on you... itâs like Invasion of the Body Snatchers if the pod people were all leprechauns. Â Kelso crosses to the other end of the couch, near Fez, and sits down. Â FEZ: Okay, Kelso. I have a game we can have. Truth or Dare? Â KELSO: (rolls eyes) All right, fine. Truth. Â FEZ: Have you ever snuck into Donnaâs bathroom when she was showering? Â Eric and Donna look over at Kelso. He shifts in his seat. Â KELSO: (to Fez) I mean, dare. Â FEZ: Oh, come on, out with the truth! I know youâve snuck in there. I was there, and I saw you! Â Donna and Eric, and Kelso, look to him, as Mitch comes down the stairs with two plates in hand. Â FEZ: I mean, dare, yes. Dare. Â MITCH: Oh, are you guys playing Truth or Dare? Iâm in. Â He passes the plates in his hands to Kelso and Donna, then takes a seat in the hoppity hop. Â MITCH (contâd): Okay, Mitch â truth or dare? Um, I pick dare, Mitch. Okay, Mitch. I dare you to kiss Donna. (gasps) Mitch! Naughty Mitch. Â DONNA: (laughing) Mitch, you goofball, thatâs not how it works. Itâd have to be, like, âI dare you to kiss me.â Â MITCH: (shrugs) Okay. Â He leaps from the hoppity hop onto Donna with a massive kiss. Â ERIC: What the hell? Â KELSO: (laughs) He did it! Â FEZ: Look at him go! Heâs like a hummingbird! Â Donna pushes Mitch off her, helped by Eric pulling him off. Â ERIC: Mitch, I canât believe you! You just flew at her like one of the little monkeys from The Wizard of Oz! Â DONNA:Â Eric, relax. He was just fooling around. He didnât mean anything by it. Â MITCH: Yeah, Eric. Whatâs a little fooling around among friends? (to Donna) Wait, what was that second thing you said? Â ERIC: (to Mitch) Weâre not friends, man! We never were! I only let you hang out here because I felt bad for you, but guess what? I donât like you! And neither does anyone else! Â MITCH: (beat) Fine. I wonât bother you guys anymore. Â Head bowed, he makes his way to the basement door. He exits, then immediately sticks his head back in. Â MITCH (contâd): Somebody needs to check Fezâs omelet in about three minutes! Â He exits again. Â Eric sighs, sits back down. The others all eye him carefully; they donât often see that kind of outburst from him. Â KELSO: Well, that was brutal. Â DONNA: Yeah. Nice going, Eric. Â ERIC: What? Donna, he just mauled you like a miniature French cat. Â DONNA: Yeah, well... he worshipped me, okay? I always thought Jackie was ridiculous for falling for stuff like that, but I swear, I thought Mitch was gonna light a fire and dance around me! Â KELSO: Yeah, I feel bad for the little guy. I just wanna put him up on my shoulders and buy him a balloon. (to Fez) So, Fez â what if I dared you to kiss Donna? Â Fez sits up, intrigued. Donna rolls her eyes. Â BUMPER Â INT. HOTEL â DAY Â Day 2 of the Japanese cultural festival. A thinner crowd in the daytime. Jackie walks the floor in her regular clothes. She finds Roy doing the same thing, clipboard in hand. Â JACKIE: Hi, Roy. So, any more luck with the Japanese dancers? Â ROY: I think so. One of them came to see me in the kitchen this morning. She was screaming, âgive me back my kimono,â but... Â He trails off, shrugs. Jackie gives him an indulgent nod and continues on her way. Â She passes by the Japanese steakhouse set-up, where Hirohito is working the grill. Pam and Bob are at the bar. Before they can see her, Jackie ducks behind a nearby dragon figure flanking another booth. But she is still within range to hear. Â PAM: Iâm sorry, Bob. Â BOB: Hey, when things got tough between Midge and me, we did all sorts of crazy things to stay close to Donna. Although talking it over while the guy you were seeing behind my back makes our food â thatâs a new one. Â HIROHITO: And still, you tipped. Thank you. Â He gives Bob a slight bow, and Bob gives a wave back. Pam smiles, rubs Bobâs back. Â PAM: You know, Bob, you arenât the smoothest or the classiest guy Iâve ever dated, but you are the sweetest. (sighs) You know, for the first time in my life, I feel like I need to do some work on myself. Not on the outside, obviously, because â well, come on. But on the inside. (takes Bobâs hand) And I could use some help. Â BOB: Sure. Â He leans in, kisses her cheek. Â BOB (contâd): You wanna try seeing Jackie again? Â PAM: (beat) No. No, I think she needs her space. And she needs to see that Iâve made some changes. She deserves to see that. And Iâd better start making them. Â BOB: Okay. Â They stand, link arms, and start to walk away. Â PAM: Now, for change number one â how attached are you to those zebra rings? Â That conversation continues as they exit the ballroom. Â Jackie steps out from behind the dragon and looks after them. She cups a hand over her mouth as the other goes over her heart. Â Hyde, in his chefâs jacket, comes up behind her. Â HYDE: Hey. Â She turns around to him, her eyes slightly wet. Â HYDE (contâd): Everything okay? Â JACKIE: Yeah, yeah. Â She hugs him around the waist. He hugs her back. Â JACKIE (contâd): Um, Steven? Do you have your master key on you? Â HYDE: No... Â JACKIE: Well, Iâve got mine, so whereâs the nearest closet? Â Hyde smiles at her. He takes her hand and leads her toward the corner door. Â BUMPER Â EXT. GOLFCOURSE â NIGHT Â Mini golf, after hours. Mitch, alone, oils the windmill. Eric slowly comes up behind him. Â ERIC: Hey, Mitch. Look, I â I wanted to apologize. Â MITCH: Thatâs okay. I guess I was out of line too. I shouldnât have jumped on your girlfriend. In front of you. Itâs just â you have such a great life. And if I never see you or your friends ever again, Iâm always gonna treasure that time that I spent with Donna. Â ERIC: Okay, well... then Iâll just say goodbye. Â Eric turns to leave. He makes it about three steps before Mitch heaves a heavy sigh, stopping Eric in his tracks. Â MITCH: So lonely... Â Eric wrestles with the air, screws up his face â and caves. Â ERIC: Hey, Mitch, uh... you know, if you ever wanna hang out, you know, youâre always... you know. Â In a flash, Mitch is at his side. Â MITCH: Great, thanks! Â ERIC: Oh, are we gonna do this now? Â MITCH: Yeah, buddy, letâs do it! Â ERIC: (beat) Okay. Â MITCH: All right. Hey, so â do you think I might have a shot with Donna? Â ERIC: Mitch, sheâs my fiancĂŠe. Â MITCH: So thatâs a maybe! Â He walks off, hands in the air. Eric drags his own hands down his face as he considers what heâs locked himself into for the foreseeable future. Â FADE TO BLACK Â CREDITS Â INT. HOTEL â NIGHT Â The ballroom, the festival still under way. Roy approaches the corner door and opens it. He finds Jackie and Hyde in the midst of a furious make-out session. They stop and freeze when Roy sees them. Â ROY: Are you allowed to do that in here? Â JACKIE: (beat) Are you allowed to ransom a dancerâs kimono for a date? Â Roy considers that for a moment. He studies Jackieâs face carefully; sheâs ready to play hard ball on this. Â ROY: I was never here. Â Jackie and Hyde nod. They go back to making out, Roy shuts the door, and continues on his way. Â END.
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How I Think The Star Wars Sequels Should Have Happened: Another MrMallard Nerd Moment
(MAJOR SPOILERS)
The Force Awakens:
fine jumping on point. Not perfect, but honestly a return to form in regards to making Star Wars movies fun again. Keep TFA as-is, warts and all - the trick is paying this movie off by the end.
The Last Jedi:
Less faux-Guardians of the Galaxy humor. That's not to say "no humor", I honestly thought Luke Skywalker had the best jokes of the movie, but less "your mother" and less "Finn wakes up from a coma and drips IV fluid everywhere, Wakka Wakka!". The former is corny, the latter is undignified and actively cheapens character development from the prior movie.
Cut the stampeding race-beasts, because it reeks of Disney's "fuck you we're Disney" money, but keep Canto Bight as a whole. The alien designs are charming - it's a nice moment of fanservice, along with the Jizz music. It also serves as a nice character-building exercise for Rose and Finn.
Ultimately, I think it might have been a better idea to kill off Leia in this movie considering Carrie Fisher's passing. I don't dislike her in this movie, and I honestly enjoyed the scene of her in space - my first thought was "holy fuck she can use the force!!" - but I think it would have been better for her to pass on in this movie, both logistically and for her character. That, or they should have scaled back her cobbled together Frankenstein-performance of CGI, cut lines and recontextualised footage in TRoS. Either/or.
Keep the mutiny plot with Poe, but something has to be done with how they treat the secret plan. The resolution to the mutiny plot was the thing that bothered me the most with TLJ, but it's pretty much the only thing for Poe to do in the movie and it adds conflict to the main story I guess. Making the Holdo/Poe seem a little less personal might help? idk. honestly a lot of this storyline felt forced.
Don't try and resolve Rey's backstory in this movie. Keep it as a running mystery. I understand that they were trying to go for a clever subversion in this movie, but it just added another stupid thing that TRoS bad to address and it honestly kinda ruins the trilogy.
Honestly, either cut Crait entirely and make it the beginning of the next movie - bc the movie's already two hours long and it feels like the final battle stretches the movie out beyond its natural ending point - or shorten it a bit and make it a bit more functional. It looks cool, but at that point it's like tacking an extra mile onto a marathon.
Also, don't shoehorn a failed heroic sacrifice with Finn imo. That, or give him more screentime and character development to build up to that moment. Post-TFA, he's really half-baked, and I honestly think he should have been more of a focal character next to Rey. The heroic sacrifice felt like it came out of nowhere, and by thwarting it and adding the Rose Tico scene, it felt like a waste of time even having it in there. It comes and goes with no fanfare.
Honestly, I would have preferred if Luke stayed alive at the end of the movie. I think his death was a movie too soon. Saying that, I think they nailed his death in this movie - if they were gonna kill him off, I think they did it right. Also, don't kill off Snoke. It's a cool scene, but it fucks up the next movie.
Re: Rose Tico - she's not my favorite part of the movie, but I don't actively hate her and I think the response to her character that Kelly Marie Tran had to face was absolutely disgusting. I think her plotline with Finn was a little underbaked, and that scene at the end where she prevents his heroic sacrifice just kinda sidelines them both. I think making her a navigator would have helped her character in TLJ and TRoS.
In short: trim a few excessive CGI scenes, cut a few cornball jokes out, play around with the characterisation and tone of the mutiny plot, dignify Finn's character instead of reducing him to a rehashed coward, comedic relief character and pointless failed Rebel martyr, and maybe keep Luke Skywalker alive at the end. Bring the movie in at around 2 hours max.
Keep Luke Skywalker as-is, bc his character is a highlight of TLJ.
The Rise of Skywalker:
Kill off Luke Skywalker in this movie. Seriously, just cut and paste his death at the end of TLJ into this movie. Work him into a reduced role when Rey junks her ship, like the force projection messed him up and he doesn't have much longer to live, and have him help her when she returns to his island planet instead of adding a phoned-in Force Ghost appearance. Maybe have her there when he passes?
Reduce Leia's role in this movie instead of stitching together a Frankenstein's Monster of a performance. Not to be morbid by that reference - it's just that everything she says feels so stilted and wrong, like you can definitely tell they've thrown all the scraps they have left into her character in this movie. It doesn't feel natural or respectful for her character to spit out non-sequiters for the characters to respond to in an equally unnatural sort of way.
Honestly? Canonise Fey/Rinn, however you want to portmanteau Rey and Finn's ship name. If you give Finn more of a character arc in TLJ instead of side-lining him, and establish that he and Rey are particularly close - which they are IMO - and then pay off that "I have something to tell you" beat with a confession of love. This isn't a stab against Reylo, though I've certainly had words to say about Reylo, I just think Finn/Rey is a more wholesome ship and I prefer this dynamic to the fuckin dark side/light side paradigm of Reylo. I Just don't care for it. Kylo Ren's conflicted nature doesn't have to resolve in romance. Gimme Rey/Finn.
Snoke gets offed by Palpatine. There's no breeding vat for Snokes, but if the movie wants to suggest that he's still just a puppet or a creation, that's fine. That, or build Snoke up as the bad guy, and either follow through on that or have Palpatine be a twist halfway through the movie.
Maybe make Palpatine a Sith Ghost? They do exist to some degree. Or have him stuck in some other limbo that requires him to hijack Rey. Anything is better than that "if I do this you do this, but then I'll do this so you would have to do this, but really I'm going to do this so either way my entire plan was completely unnecessary lmao" clusterfuck where he's a living corpse impaled on a robot arm.
Cut out the macguffins, or make them feel less inconsequential. Okay, so the dagger storyline involves rebooting C3PO. It has stakes and gravitas to a degree. Cool - keep that. What the fuck is up with the wayfinders though? Why are there only two? Why do they need to be so convoluted?
Maybe have Maz Kanata talk about Luke's lightsaber, and/or have her involved in finding a way to Palpatine. It would pay off her appearance in TFA and explain her importance to Luke.
By making Rose Tico a great navigator in TLJ, her role on the team can be expanded in TRoS and she can do like star charts and stuff for all the different worlds they're going to - she can come along instead of being fucked over by JJ Abrams in this movie. She can even help with Maz Kanata's wayfinding plan. In short - make her a part of the team.
Honestly, fuck the Knights of Ren right off. They're a waste of time. That, or set them up in TLJ - hell, have one of them on Canto Bight and another one on Snoke's ship. Maybe even retcon Phasma into being a Knight of Ren. Anything but bringing them back as a mook squad in this movie, with no weight or character.
Honestly? Show Palpatine surviving the Death Star crash. The retcon is all the more painful for being completely and utterly unexplained. Doesn't matter if you have to touch the source material to do it, CG in a force shield as Palpatine falls through fire and have him hobble to a life support pod that takes him to where he is in TRoS. Literally anything is better than "Somehow, Palpatine returned".
Either cut the healing powers, or leave them in sans Reylo kiss.
In short: reduce Leia's role instead of using cut content and a CGI puppet to stitch together a performance, leave Luke alive until this movie, kill Snoke in this movie OR have him be the big bad, make Finn/Rey a thing over Reylo - again, no hate, I just prefer this pairing over Reylo - write more details about Palpatine's survival, either put some Knights of Ren into TLJ or don't have them at all, get rid of the Wayfinder macguffins and/or work Maz Kanata and "master navigator" Rose Tico into a plot to find Palpatine.
At the end of the day, there should have been a planning committee for the Star Wars story, not for the merchandise. You can see from how the sequel trilogy crammed out merchandise that Disney was clearly asking for marketable merch, but the story is a trainwreck - there was a Star Wars committee, just not where the property needed one.
The sequel trilogy was a worthwhile experiment imo - it didn't pay off, but it was worth doing just to see if it was possible. But even then, I would prefer three decent movies over a couple of experimental trainwrecks retroactively ruining one decent movie.
This post was mostly trying to work with what the movies already have, though by TRoS you really do have to start overhauling shit to make it work. In my eyes, the longest that these movies should run is two hours - any more than that is a slog, especially when the movie feels like it takes two hours. The Last Jedi felt like two and a half hours. The Rise of Skywalker felt like a two hour movie crammed into 80 minutes, despite the fact it was longer than 2 hours. The best way to make these movies more watchable is to make them shorter - cut out superfluous money shot scenes like the Canto Bight chase, have more efficient scenes to balance out the stylish scenes. The sequel trilogy is short on efficiency imo, and without a movie where it feels like progress is being made, the style doesn't work.
So tweak some things to make each movie more efficient.
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Shiny Toy With a Price
Once again I have committed the fandom version of a hit-and-run by delivering a single story based on a Taylor Swift song and then fleeing the scene of the crime. This one is based on/around Cruel Summer and there are a few little hints buried throughout the story that reference it. I hope you enjoy.
Summary:Â That summer was particularly hot and cruel and it hadn't rained since May. (Or Bruce wants to label his relationship with Selina and she is adamantly against such an idea.)
If asked to describe the summer of Year Zero, Selina would immediately respond that it was the hottest summer of her life. Whether or not this was actually the case is up for debate, but it certainly felt like the hottest summer. And a lot of Gothamites agreed. It hadnât rained since May and by the time July rolled around, any plant that hadnât been tended to religiously was dead and people were desperately praying for any amount of rain. The streets were full of people in as few items of clothing as they could be, water with ice in it was treated like pure gold, and people would huddle in groups to be in front of one of the few working air conditioners.
What only a handful of people knew, and one of the secrets you couldnât pay Selina to spill, was that Bruce and Alfredâs small apartment was one of the only places with a working, refrigerated air conditioning system. Bruce has claimed the apartment early enough after the bridges blew and Alfred has booby trapped it enough that no one was ever able to really vandalize the small 3-bed, 2-bath apartment. That apartment, with itâs pink wallpaper that Alfred and Selina had painted a deep blue in the early morning one of the first days she was able to walk and the doors that squeaked no matter how much oil she and Bruce poured on the hinges, quickly became her refuge during the Hottest Summer Ever.
The apartment was about four blocks away from the GCPD and a five-minute walk if you used the roofs (seven minutes if you used the regular streets). It wasnât unusual for Bruce to get up before the sun and head to the police station, at which point Selina, who had usually camped out on the small fire escape outside his window, would sneak in and take her turn getting a couple of hours of sleep. It was a weird set-up, which seemed fitting considering how Selina had no idea how this year would be remembered once the bridges were back and Bruce lived in a mansion that wasnât full of board games with mismatched pieces and her clothes and the truly disgusting alcohol that Alfred had gotten from Lucius that one time. But then again, things had always been weird for them and there was nothing to indicate anything would change any time soon.
Looking back on it now, years after the incident and years after Bruce left and years after she became Catwoman and a socialite and years before Bruce will return dressed as a bat, Selina doesnât know if she regrets the night they stole Alfredâs vodka or if she just wishes it has happened sooner so that maybe they could have figured everything out before he jumped on a plane headed to somewhere Selina wasnât.
Rule one of nights that Alfred was out was that Selina must always supply snacks. The rule had started when they were much younger and Selina had taught him how to get snacks out of a vending machine without paying. He had, of course, refused to try this more than once because it was all about the âresearchâ and would be âirresponsible to steal something as small as a pack of potato chipsâ. Selina had found the sentiment to be one of the most ridiculous ones he had ever shared and then promptly determined that she would always have some stolen vending machine snacks on her when she saw him. That had quickly stopped meaning that she brought the food back to her squat where heâd be waiting and started to mean that she snuck Twinkies and gummy worms and flat soda into his mansion where the small offerings seems stupid and inconsequential in comparison to Alfredâs expertly-made quiches and chocolates from Germany and steakss that cost more than Selina wanted to think about. But the bridges blowing had changed things and once again she was able to offer a valuable commodity and she certainly loved that more than shyly passing Bruce a half-eaten oatmeal creme pie when he could have bought the factory that made it with his pocket change.
So, it was for that reason that Selina snuck through the window that July evening with her arms full of treats with enough processed sugar to kill a man. She had found a vending machine a few blocks away that was mostly full since it has been vandalized past the point of being recognized as a vending machine many years earlier. Bruce, who looked like he hadnât even considered sleeping for at least a month, greeted her with an exceptionally jubilant smile.
âWe figured it out!â he exclaimed as he helped her unload the snacks on the small table.
âThe water?â
âYeah! We just altered one of the old water purifiers and then added on... â he paused, looking at her with a slightly resigned face. âWe made a new water purifier from some old ones and some other tech.â
âThanks for the dumbed down version. Do you want Twizzlers or Red Vines?â Selina asked holding up one packet in each hand. Bruce paused for a moment, considering, before grabbing the Twizzlers. Selina smiled to herself; Bruce hated Twizzlers and must have known the ones he had just taken would be as hard as a rock, but he also knew that Red Vines were her favorite. Even if that wasnât the thought process that had gone into his candy selection, she was going to assume that it was. She was in a city full of criminals, cut off from the rest of the world and would probably die of heat stroke if the weather didnât let up soon; she should be allowed to entertain some slightly romantic ideas.
âSo,â she said as she plopped down on the couch with Red Vines in one hand and her arms and legs slung over every inch of the piece of furniture. âWhat now? You wanna lose another game of Monopoly?â
Bruce shot her a glare from the kitchen before he came and settled on the coffee table next to the couch. âI would have won if you hadnât cheated and you know it.â (Selina rolled her eyes at that.) âBut I actually have something much better.â
âDo tellâŚâ
âYahtzee.â
If Selinaâs eyebrows could have risen any higher they would have touched her hair line. âYahtzee?â
âYahtzee. Plus some gambling.â
âOkay⌠Explain.â
Bruce laid out the rules. The game would play normally, but they would have to place bets on what they would roll. Each round they would bet something small and as the game went on, what they bet would have to increase in value.
By the time they had finished the first game (Selina won), the pair had discovered some issues with the rules of the game as they stood. Namely, they ran out of things to bet very, very quickly and it had reached the point where Bruce was betting Alfredâs things and Selina was trying to bet random items she found in Bruceâs room (she had bet a very pricey watch his father had bought him for his tenth birthday and her heart had nearly stopped thinking about the price what she likely saw as simply a shiny toy) and it had simply devolved into a very low-stakes game once it became clear none of the items would actually change hands at the end of the night.
Bruce, always one to try and fix any problem presented to him, searched around the apartment to find any way to spice up this game that was rapidly becoming boring when Selina threw a couch pillow at him.
âIâve got it. You remember that vodka Lucius gave Alfred a couple months ago? The stuff they found in that raid?â Bruce nodded slowly, not entirely certain where Selina was going with this train of thought but pretty certain he would be regretting going along with it in the morning. âWe play the game the same way, but, instead of betting objects, we bet how many shots we take.â
âThat seems like a great way to get alcohol poisoning.â
âCâmon! It wonât kill us and we can come up with some excuse about, I donât know, someone stealing it if Alfred ever notices that itâs gone. Itâll be fun.â Selina, who at this point was standing on the couch to talk to Bruce from his vantage point in the kitchen, did her best to give him a sweet face. Instead of a response, Bruce simply grabbed the vodka and rolled his eyes as the setting sun behind him gave him a faintly angelic halo. One day, Bruce figured, Selina would realize she wouldnât ever have to try and convince him to join her in things. One day sheâd figure out that he followed her not because he thought her ideas were good or because he was curious or because he had no other choice. Hopefully, one day sheâd realize that he was ready to follow her off of a cliff not to figure out what was at the bottom of siad cliff, but because she was the one to walk off of it.
Another hour passed and as the sun finally set a cool breeze began to blow through the apartment. It was with all the windows open in the apartment and the faint sounds of music coming from the apartmentâs kitchen that Selina screamed âyahtzeeâ and emerged from the game victorious once again. Both teens laughed as Bruce finished the bottle in resignation. Neither of them were strangers to alcohol, but this was the first time they had actually been drunk at the same time. Normally they simply had angry confrontations where one was sober and the other was not, but this situation, with both more than a little high on each otherâs company, the sinking temperatures, and the relief of having survived another day, was infinitely preferable to their other drunken encounters. Bruce swept the dice into the mostly destroyed box they had found them in as Selina laid back on the couch, playing with one of the die she had snagged at the end of the game.
Once the game was put away, Bruce came to sit down, lifting Selinaâs legs and settling down on the couch before lowering them onto his lap. The two sat in companionable silence for a few minutes before Bruce broke the silence.
âHey. Are you okay?â
Confused what would spark such a random question, Selina looked at him quizzically. âUh. Yeah. Why?â
âI was just thinking that I really donât know where you sleep and we have an extra room here and it just seems ridiculous that youâd be wandering around Gotham where you can get hurt when you could be here and with us and safe and I just donât know why youâd risk everything just to avoid staying here-â
âYou think Iâm avoiding staying here? Why would you think that?â Selina was sitting up on the couch now, curling her legs under her to look Bruce in the face.
Bruce played with his hands and stared out the window, âI just figured you wanted to keep us a secret, like you did when we were younger. You didnât like labeling things and I figured you stayed away and didnât live with us because you were scared of being labeled.â
âOkay,â Selina held up her hands. âWhat exactly do you think we are? Because I thought we were just friends hanging out and friends donât live with friends when theyâre stuck on an island full of criminals and separated from the rest of humanity.â
âReally? You think weâre just friends? Then what on Earth was up with you kissing me in Haven or sleeping in my bed when I leave in the morning or coming over for a date whenever Alfred is out? Do you kiss all your friends? What are the rules here, Selina? Because you may not need to know them but I do.â
âWhy do there need to be rules and labels? Canât we just be us? Weâve never needed rules before.â Selina tries not to shout but this conversation was tired and pointless the first time they had it all those years ago and it hasnât gotten any better in the intervening time. He knows that labels freak her out and he knows that setting rules freak her out and he knows all of this because theyâve been over it so many times that she feels like she could have this argument in her sleep.
âAre you kidding me?â Bruce stands up and drags his hands over his face. âIâve always needed the rules and the labels! And I canât figure out why you donât want them. Are you ashamed of me? Am I your dirty little secret?â
Selina is up in an instant, glaring up at Bruce. âThat is insane and you know it! Everyone knows weâre connected. Iâm not trying to keep that a secret.â
âThen why canât I call you my girlfriend?â Bruceâs voice is raised at this point and itâs becoming painfully clear to both parties that this has escalated from their usual labels conversation to a drunken argument.
âWhy does it matter that you call me that? Itâs not going to change anything!â
âItâll change everything! Iâm tired of keeping you a secret!â
âFrom who? Who are you keeping me a secret from? Â Because Iâm pretty sure everyone knows that weâre-â
âWeâre WHAT? When Jim asks me about you, do I say youâre just my friend? My girlfriend? An alley cat that spends more time in my apartment than Alfred does? I feel like Iâm carrying us around as a secret everywhere and I canât keep doing that. If weâre going anywhere with this, I need a label. Iâm not going to keep you if it means keeping you as a secret.â
âOh my⌠Bruce what does that even mean?â
Bruceâs hands are in his hair as he stares up at the ceiling in frustration. âIt means that this is the ultimatum.â
Selina snorts before biting her lip and replying, âAn ultimatum. Really? Thatâs where weâre at? I came over to hang out with you and now youâre giving me an ultimatum?â
âYeah because every day Iâm dying over trying to figure out what I mean to you and I canât keep doing it. If Iâm just your boyfriend then Iâm happy to do that and if Iâm just your friend then Iâll be honored to fill that role, but I cannot keep living in a realm where some days youâll kiss me and other days you just want to be friends and then the other days where youâll ignore me. I just need to know.â
For a moment, everything is silent except for the sound of the crickets outside and the quiet ticking of the clock. Selina shakes her head ever so slightly and stares at the ground as she whispers, âI could be bleeding and youâd be the last to know.â
âWhat?â
Slightly louder now as the tears begin to well in Selinaâs eyes: âI could be bleeding and youâd be the last to know.â
âThatâs ridiculous. What do you mean? Weâre together constantly and of course I would know if you were bleeding and-â
âNo,â thereâs a small flame in Selinaâs eyes now. âNo, you wouldnât because you donât know that every day Iâm bleeding and lying and saying Iâm fine when really I'm dying and trying to figure out how I feel and waiting for you to cut me to the bone.â
âThen why donât you tell me? Selina, I just want you to tell me these things so that I can-â
âHAVE A LABEL? Bruce, you want a label so badly and I donât have one! Weâre both feel like weâre always trying to make it work but weâre never making any progress and me sneaking in here every day is just sealing our fates so now weâre tied together and you want to know how I feel and I canât tell you -â
âWHY? Why canât you tell me? What could possibly be so bad that you canât tell me?â
âWhatâs so bad? Bruce, donât you get it? I LOVE YOU AND ITâS THE WORST THING TO EVER HAPPEN TO ME!â
Silence falls over the apartment again as Bruce sinks down onto the coffee table.
And then he looks up at her, meeting her eyes with his, and grins the most devilish grin she has ever seen and, for the first time since May, it starts to rain outside.
#guys I always do this#anyway I think Cruel Summer played through all my dreams last night#silence emily#I have a writing tag somewhere buried in here but I don't know where it is#and I'm not going to go looking for it at this point in time#batcat#Selina kyle#bruce wayne#gotham
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The Sixth Time - An L.A. by Night Fanfic
Seeing as how his sanctum is currently off-limits, Annabelle invites Jasper over to her place. He gets a little bold during feeding again and they talk about the Blood Bond.
L.A. By Night Alternative Universe where Jasper has been feeding from Annabelle for several weeks/months and they have developed a Blood Bond. SPOILERS for the end of Campaign 1 including the one-shots. This was written before Season 2, Episode 4.
Itâs worth reading the rest of the series before this part.
The Entire âFeeds Fromâ Master List Can be Found Here
I lay no claim to owning any of the characters involved.Â
As always, special thanks to @cravatfiend for the support, feedback and encouragement during the writing of the drafts. Special love to @gokaiyellow for their additional input and for being as patient as they can, and to @fluffy-wookiees because it was our conversation about Blood Bonds that inspired the main chunk of this fic. Thank you to everyone else who has enjoyed this series so far.Â
Also posted to the authorâs Ao3.
First published Feb. 11, 2019.
The Sixth Time Jasper Fed From Annabelle
Jasper was trying to read in bed, but he was having difficulty concentrating. He could hear his newest prisoner from the Ivory Tower ranting and raving from all the way across his sanctum. In the month previous, Baron Abrams had secretly managed to acquire Nelli's sire, Chaz Price. Chaz had then been placed in Jasper's possession for safekeeping until the Barons and the Prince and whoever else in charge of Kindred politics in California worked out their political arguments.
Chaz was currently calling Jasper every insult under the sun and moon, but Jasper was doing his best to ignore it. This had been going on more or less since he had woken Chaz up from his staked Torpor in his cage. He had heard it all before, from Tara, and from others. It was better to let Chaz get it all out of his system now. Jasper didn't know how long he was to keep him here. It had already been weeks. It could be months, it could be years. Jasper hoped it wouldnât be decades.
Jasper put down his book, which was about famous ghosts from around Hollywood, and sighed. It wasn't Chaz's insults that were distracting him, not really. It was an odd feeling of loneliness. Before Chaz, his sanctum had been relatively quiet, save for the times when Annabelle had come over. Jasper reached down off the side of the bed furthest from the door and found the small plastic tea light candle he had hidden down there, out of sight behind one of the bed legs. He brought it up and flicked the little switch on the bottom to turn on the fake flame. It flickered dimly. The button battery that powered it was slowly dying.
He missed her, he realised. On a night like this, he might have called her to come over and hang out. They might have watched a movie. She might let him feed off her. He licked his fangs at the memories he had of biting into her flesh, of tasting her powerful Brujah Vitae, and of the sounds she made as the endorphins brought on by the Kiss clouded her brain and made her body react in rather interesting ways.
His phone buzzed with a text message. He looked at the screen. It was Annabelle, texting him privately, away from the group coterie chat. He smiled. She had been thinking of him too. Was it her emotions he was feeling, mixed with his own? Their Blood Bond had faded somewhat since their last encounter many weeks ago, but if Jasper concentrated, he could feel where Annabelle was in the city, and was sure that if she were in any great danger or emotional state, he would know about it.
âI had a dream about you yesterday,â Annabelle's message read.
Jasper dreamed about her all the time, but he hadn't ever told her about it. He wasn't surprised she had been dreaming about him too.
âWhat happened in it?â He inquired.
âYou were feeding from me.â
Jasper smirked. He could envision Annabelle blushing while she was typing that.
âWhere?â he asked, both meaning where on her body, and also a location for them both to be in. He had only ever fed from her in his sanctum, but with Chaz here under his secret lock and key, Annabelle wasn't allowed back in.
âEverywhere,â was Annabelle's reply. Jasper chuckled.
âDid you have a favourite place?â he asked. He wasn't usually this much of a texter, but he didn't want Chaz to hear him making any calls.
âNeck.â Again, Jasper could picture Annabelle blushing.
âMine too,â he replied truthfully. He sighed a little to himself. His hunger was under control at the moment, thanks to the elder Toreador still cursing him out in his cage, but feeding from his prisoner and feeding from Annabelle were two totally different things. Annabelle wanted him to bite her. She enjoyed it almost as much as he did. Sometimes, he thought she enjoyed it more than him, especially when she used Blush of Life while he bit her. He hesitated a very long moment, before texting her again. âI miss you.â
âI miss you too.â
He blinked at her reply, not sure how to respond.
Annabelle didn't send him another message for a long time. He briefly thought that she might be done for the night, but he was wrong.
âElle is going out of town this weekend to visit her parents,â Annabelle told him. âAnd Mark is still away.â
He waited without replying. Annabelle was typing another message, erasing it, and re-wording it. He knew what she was going to ask him, and was about to pre-emptively inquire about it when her message finally got through.
âWould you like to come over on Saturday?â
He did. He very much wanted to spend the weekend with her, at her place. They hadn't seen a lot of each other in a long time. He had also never been inside her house, and had to admit he was curious.
Still, there was something inside him that made him hesitate in his reply. It wasn't Chaz. Chaz could sit a few days on his own, and Jasper would make sure he fed him before he left.
No, it was something else, something more intimate. Jasper knew that if he did go, the weekend was likely to turn into another feeding date, and likely an extended one at that. He doubted either of them would be able to help themselves, strong though their willpower was. If Annabelle did let him bite her again, their Blood Bond would redevelop and strengthen. This wasn't necessarily a bad thing, but it still made him a little nervous. There was ever growing tension between the Anarchs and the Camarilla these nights, and if, somehow, the Camarilla worked out that Jasper was holding Chaz captive, they could use Annabelle to get to him. He had already promised himself that any Kindred who hurt Annabelle would not last the night if Jasper were able to get to them. He also knew that Annabelle could definitely handle herself in a fight. But she was also still a Neonite, having been Kindred for less than a year, and the Camarilla was home to many very powerful vampires who could take her apart quite easily if they wanted to.
Jasper's phone buzzed again. Annabelle had sent him a single question mark, waiting for his reply.
It was dangerous, and he knew he shouldnât, but damn it... he wanted to. He had already admitted that he missed her. It was already too late to deny his growing feelings, beyond just the bond with her blood.
âYes, I would,â he texted her. âWhat time?â
He could picture her smiling, her pretty face lit up both with the light from her phone, and the joy and anticipation she got from his reply.
â11:00 Sat.â she replied.
âSee you then,â Jasper promised.
Annabelle sent him a smiley face. He didn't return it, but he smiled physically.
**
Saturday night came and Jasper arrived completely unseen to Annabelle's door. He had taken every precaution he could think of to secure his haven and the prisoner inside it. He wanted to enjoy this weekend without having to worry, though it would always be on the back of his mind. He found that he wasn't as nervous about visiting Annabelle at her home as he thought he might be. His Beast was getting excited though. He could feel it in his chest and throat. He growled at it, closing his eyes and counting to ten. He hadn't lost control with Annabelle on one of their dates yet, and he wasn't about to.
He knocked, letting himself become visible as he interacted with the door. He pulled his hood down lower over his face, just in case someone from another house was watching. He didn't have long to wait. Annabelle flung the door open and greeted him happily.
âJasper, hey!â
He smiled at her. âHi.â
âCome in.â She beckoned him into the warm interior of the home and he stepped over the threshold. She closed the door behind them. He instantly found himself glancing around, taking in the space.
Annabelle led him through to a tiny living room. There was one bookshelf full of books, one full of DVDs and Blu-Rays and another full of CD's. Jasper found himself drawn to them. He tilted his head to read the covers and cases.
Annabelle watched him with a little amused smile. âHow have you been?â
âOh you know... â he shrugged. âSame as ever.â
She gave him a flat look. âDon't be mysterious with me, Jasper.â
He gave her a little half smile. âI've been pretty good.â
âYeah? Me too.â
There was something unsaid between them. It was easier, sometimes, to say things like âI've missed youâ over text rather than out loud.
Jasper sat on a sofa. It was second hand, inexpensive student furniture, but he felt at home with that. In fact, a lot of Annabelle's place reminded him of his own, except she had a lot more stuff. Photos of Annabelle, Mark and Elleanore together, knick-knacks, Anime figures, even the odd stuffed animal were everywhere. The room was neat and cluttered at the same time. There was a framed Les Miserables poster on the wall that made him smile. There was also a lot of vampire media, mostly shoved into one corner. Books and DVDs and Blu-Rays about Dracula, Underworld, Anne Rice, and more. He shook his head a little when he saw that.
âHow's your new... guest?â Annabelle asked.
âA pain in the ass,â Jasper said. âI was glad you invited me over.â
âYou know... I still don't approve of all that,â she said with a frown.
âYeah... I know, but when you change the world, I won't keep anyone in a cage ever again.â
Annabelle's jaw tightened a little and she searched his face for any sign he was making fun of her. She couldnât see any. âRight. Well...â she sighed. âWould you like to finish watching Hellsing?â
They had left off part way through the second to last episode. Jasper grinned. âYes, please.â
They sat next to each other on the sofa as they watched the OVA on Annabelle's small flat screen TV. Gradually, so gradually neither of them were aware of it, they got closer and closer to each other. Soon, they were touching hands, then a hand was on a knee. By the end of it, they were leaning against each other and neither of them minded. The epic religious choir music that played over the final end credits made Jasper smile. Annabelle noticed.
âWhat's that look for?â she asked him
âThis music is awesome.â
âIt is pretty cool,â she agreed. âThis is your thing?â
âOh yeah. It reminds me of O, Fortuna.â
Annabelle giggled. âYou're such a dramatic goth.â
Jasper snorted and shrugged. âWell...â
âDon't you deny it!â
âI wasn't going to!â he said defensibly, but with a smile.
A quiet settled between them. Annabelle bit her lip and touched his hand. âWould you like a tour?â
âSure,â Jasper said.
Annabelle got up and showed Jasper around. It didn't take long in the small house. Living room, kitchen, bath, laundry, bedrooms. The room Annabelle slept in felt so very much like her that Jasper couldnât help but smile. Anime, band posters and little love notes from her partners decorated the walls. There were some clothes stacked on a chair by a desk covered in textbooks and old protest fliers. Her window had a large, thick blanket covering it, duck-taped securely to the wall with multiple layers. Jasper eyed this critically. Annabelle followed his gaze.
âOh, that's very secure, don't worry,â she assured him.
âAre you sure?â
âYeah. I mean, it hasn't fallen down yet. Just don't pull on it too hard.â
Jasper scowled, not reassured. He didn't feel like he should have to tell Annabelle how dangerous something like that could be.
âJasper, it's okay,â Annabelle said again. âThe blind is down on the other side. The blanket's just for extra security. Besides... I'm still here, aren't I?â
He licked his fangs, thinking this over. Annabelle swallowed.
âOkay,â he relented reluctantly.
âUm... besides, look at this!â Annabelle stepped towards her bed, which was quite a lot wider than Jasper's. âLook at how big my bed is,â she teased, waving her hands like a girl on The Price is Right. âIt can fit two, sometimes three people in it!â
Jasper snickered. âVery impressive,â he admitted.
Annabelle sat on the bed, playfully bouncing a few times. Her smile was infectious. âI almost can't believe you're here,â she told him. âI almost can't picture you in a home like this.â
He shrugged and sat on the bed next to her. âWell... I was, sort of. A long time ago.â He sighed and looked around again, remembering.
Annabelle's smile faded. She hadn't meant to dig up sad, old memories of the life he had to leave behind, but she didn't. âJasper, I'm sorry.â
His brow furrowed a little and he looked at her, his thoughts snapped out of whatever he had been remembering. âWhy?â
âI feel sometimes like... maybe I'm a little insensitive to that fact that... I still kind of have my old life, a bit, and you don't. And I'm sorry. I don't mean to be insensitive.â
âIt's okay,â he said quietly. âI know you don't mean to, but sometimes it is a little like... you know... check your privilege.â He smirked a little.
She smirked a little too.
He wanted to change the subject and, feeling bold, took her hand in his. âSo... what else did you have planned for this weekend?â Jasper turned her hand over palm-up and ran a faint line over her wrist with his cold, pale thumb. He had bitten her there before and he was deliberately trying to remind her of that. It worked. He felt her shiver, just a tiny bit, and she swallowed again.
âUm... well...â her voice cracked. She cleared her throat. âI did think that we could... feed, if you wanted to.â
âI've missed someone giving me permission,â he admitted to her. âIt makes me feel a little less horrible, sometimes.â
âOh, Jasper...â Annabelle bit her lower lip, her heat breaking a little. âI don't think you're horrible.â
âI am a little though.â He knew there was no denying that, but he wasn't particularly sad about it. It was a fact.
âWell... not here, you're not,â Annabelle insisted. âHere, you have permission.â
He showed his fangs when he smiled. âThank you.â He stroked her wrist again. He couldnât feel her pulse, not yet, but he imagined it might be getting a little faster if it could.
âIt's been a while,â Jasper said after a moment of silence. âWhere would you... like me to begin?â
Again, Annabelle smiled like she would have turned scarlet. âWherever you want,â she said quietly. He voice was a little breathy. Already, her body was reminding her of the experience to come. The bite â the Kiss â was a taboo pleasure that she couldnât achieve with her boyfriend and girlfriend, although she had tried. Of course, sex with them was good. It always had been. But this... whatever she and Jasper had was something different, something more... well, the only thing Annabelle could think to describe it was vampiric. It felt wrong but oh, so very good at the same time.
For Jasper, it was the most intimate he had allowed himself to be with someone in five years. He did not count his other feedings from Kindred as being anything like this. With them, it had been a necessary thing, or so he told himself. Though he enjoyed the taste of terror and he enjoyed toying with Camarilla assholes, being with Annabelle and being willingly offered her blood was something he found himself enjoying far more.
âNeck?â Jasper asked.
Annabelle's free hand went to the collar of her T-shirt, which was much higher than that of the tank tops she had worn previously when he had bitten her throat. âI'll get blood on my shirt,â she mumbled.
âIf you don't want blood on your shirt, take it off,â Jasper told her, surprising himself with the bold words. He was mildly surprised again when she did what he requested. He thought she might have said no, but she didn't. The shirt hit the bedroom floor. She wasn't wearing the lacy bra he had seen before, but he liked the way this one went with her skin tone. He found himself staring and looked away. He heard Annabelle chuckle.
âIt's okay,â she said. She sounded nervous, but excited. âAre you okay?â
He looked at her again and swallowed. Was this not everything he wanted? He had repressed that side of him long ago due to the Nosferatu curse, but Annabelle was bringing it out in him again. She didn't care that he was a Nosferatu. She was happy to be with him. Jasper nodded. âIt's just been a while,â he mumbled.
She scooted away, back onto the bed and gave him an inviting look. âIt'll come back to you.â
He followed her up the bed and lay next to her. The extra space was nice, but he didnât want to admit it out loud.
âYou know...â he said, with a pause to touch his tongue to his fangs, âIf someone had told me four or five years ago that this is where I would end up one day, I would have thought someone was playing a cruel joke on me.â
Annabelle smiled at him. âLucky you then, I guess.â
Jasper chuckled. âYeah.â He hesitantly reached out to touch her shoulder, trailing his fingers up to her neck and Annabelle leaned into his touch. This made him feel bolder. It reminded him that he was wanted. His hand lingered over her pulse point and he blinked in amazement when he felt her activate Blush of Life. Like magic, her skin warmed and he could feel the quick but steady pulse in her neck. Annabelle sighed and fidgeted a little. His hand was deathly cold.
Jasper thought he should say something, but nothing was imminently coming to mind. He shifted, leaning over her a little. His fangs itched and his Beast growled. Her warm, inviting skin and the delicious Vitae under it were temptingly close. When he did open his mouth to speak, his voice was a snarl.
âMay I?â
Annabelle shivered at the growl. Her skin erupted into goosebumps. Already, she was turned on. Her body remembered the pleasure he had brought her in the past. âYes,â Annabelle breathed.
Slowly, as if to drag out every moment, Jasper slid his long, sharp fangs into her flesh. Again, he had gone for the spot where her neck met her shoulder. Annabelle let out a gasp and a whimper at the pain of it. Her body tensed and she found herself gripping a pillow. She could feel Jasper's tongue on her skin. He shifted again a little and she felt him place a hand on her opposite shoulder to the one he was biting and slowly trail it downwards over her body right as the ecstasy hit her.
Annabelle let out a long, soft moan of arousal as the pleasure slowly crawled across her body. Jasper's hand trailed down over her bra, over her breast, and settled on her ribs. He could taste the lust in her blood. He only wanted to take a little bit at the moment, just a sample. They had all weekend, after all. Annabelle trembled and squirmed beneath him. Her grip on the pillow tightened. She was biting back another moan or cry of pleasure. His Beast was almost purring inside him, listening to her heavy breathing and tasting her desire. It wanted more, it always wanted more, but Jasper had to hold back.
Annabelle sighed as he lifted his fangs away from her. She hadn't quite reached the climax her body had been heading towards, but she was shaking with the anticipation of it. She was about to say something, but she felt Jasper's cold tongue dip south of her collarbone and lick up a warm drop of Vitae that had begun to run slowly downwards. His hand found hers that had been clutching the pillow and, without saying anything, he brought it down to her crotch. She was wearing jeans, and she was aware of how restrictive they were currently feeling. Jasper pressed Annabelle's hand to the oh-so-sensitive area that was begging to be touched between her legs and give her neck wound another little suck.
Annabelle's body bucked with that blessed, cursed release she had been seeking. He kept her hand pressed to her jeans and his mouth on her neck to catch any more drips and to keep her climax going as long as it could. He could feel her fingers moving involuntarily against herself, trapped under his own. The scream Annabelle had been fighting back escaped through her clenched teeth.
Jasper tenderly licked her wound closed and drew back from her a little bit, including pulling his hand away from hers. Annabelle's body curled into a slight foetal position as she trembled in the aftershocks. He could her her cursing to herself under her breath. Jasper stroked her arm, smiling to himself. That had been a spur of the moment idea, but he liked the results.
Annabelle's face was bright red when she looked at him. He tried and failed to look innocent.
âWhat?â he asked.
Annabelle clenched her jaw, but smiled at him. âYou... that...â
âYes?â
She playfully punched his chest. He fell back onto the bed in mock pain. âOw.â
âSorry,â she mumbled. She snuggled up to him and he put an arm around her near naked torso.
âI still don't know what that was for,â he chided.
âYeah, you do.â Her pulse was still slightly fast. Her hips squirmed a little.
âHow are you feeling?â He knew the answer, but wanted her to say it.
âGood,â Annabelle sighed in contentment. âYou have a way of making me feel so good...â
He stroked her shoulder in little circles. His white fingers contrasted dramatically with her skin tone. âNot too hungry?â
âI'm alright.â
âGood.â
âThat... thing you were talking about a while ago...â Annabelle said, âwhere you feel my emotions... that's still a thing, right?â
âYeah, that's still a thing,â he said softly, still stroking her shoulder. He could feel them now, the bond newly refreshed after having faded somewhat the past several weeks.
âWhat am I feeling now?â
âHappy,â Jasper smirked. âAnd you're still a little surprised at yourself because you never thought that this would happen.â He gestured to the two of them, snuggling on Annabelle's bed. âI feel the same way.â
He heard Annabelle exhale as she smiled. Her body was so warm against his. Part of him loved it. Another part of him was reminded how repulsive his body must be in comparison to hers. He tried to ignore that.
âIs there a name for that... feeling emotions thing?â Annabelle asked.
âI think it's a Blood Bond.â Jasper replied.
âOh... that sounds kind of nice.â
âMmm... but it isn't always.â
She tilted her face to give him a curious look.
Jasper considered for a few seconds how to explain it. âYou know about ghouls?â
She frowned but nodded. âYeah...â
âWhat are they?â He knew, but was testing her.
âThey're people who have drunk vampire blood and become slaves. It sounds awful,â Annabelle said.
âIt can be, but it can be useful for the vampire, especially if they have few morals about ordering people around and removing their free will. So... if that's what happens when a human drinks vampire blood, what do you think happens if another Kindred does it, beyond the feeling emotions thing?â
âDo... they become a slave as well?â Annabelle asked, mild horror creeping into her voice and in her expression.
âThat can happen,â Jasper said gently, honestly. He sighed. âYou giving your blood to me... gives you power over me, potentially, especially because we've done it so often, and because we've almost always done it right from the source, as it were.â
âSo... I could give you an order right now... and you'd have to obey it?â Annabelle looked slightly terrified.
Jasper nodded.
âOh, my God...â Annabelle said slowly. She hugged him a little tighter. âI would never, ever do that to you.â
âI know,â he said softly.
âEver,â Annabelle insisted. The idea of taking away his free will chilled her.
âI know,â he repeated. âI trust you, Annabelle. You're one of the very few Kindred whom I trust, because I know that you'd never make me do anything against my will...â He sighed again. âUnlike some others I could mention,â he growled to himself.
âWhat? When? Who?â
âDo you recall me doing anything that seemed a little wild and out of character several months ago? Maybe something a little wacky in front of a big crowd?â Jasper sounded annoyed at the memory.
Annabelle gasped as it hit her. âThe Succubus Club?â
Jasper growled and nodded.
âThe dancing?â
âThat was Victoria Ashe,â he said, his voice several degrees rougher in anger. âShe made me do that.â
âBut... you looked...â
âLike I was enjoying it? Yeah, because at the time, I was. I was lucky that she didn't order me to do something really horrific. If she had told me to try to kill you, I probably would have.â
Annabelle tensed in anger. âThat... woman!â She had her own growl now. âAnd Nelli was all buddy-buddy with her!â
âToreadors are like that. They have a certain way of making people love them, and want to do what they ask. It's like when Victor orders people to forget things, and they do. It's how they operate. Don't be mad at Nelli... or do, I don't care.â
âI'm sorry I laughed at you, and applauded,â Annabelle said, remembering her reactions to seeing him moonwalk on that dance floor.
âIt's okay.â
âIs that a Blood Bond? Did she...â Annabelle didn't want to finish the question.
âNo,â Jasper assured her, and he sounded grateful. âNo, she didn't give me her blood.â He stroked her arm and her side, trying to soothe her a little. He could tell she was getting riled up, that her inner rebel wanting to put the boot into the rich elite was emerging. There was a time and a place for that, which was not here and now.
âI'd stake her so hard if I could,â Annabelle mumbled into Jasper's lean chest. He smiled.
âYou do that, Annabelle. If you ever see her again, you do that.â
âDamn right, I will.â
They were quiet for a few moments, with Jasper gently stroking her smooth skin. She was still warm. It could last a long while, if she wanted it to. âYou know... going back to the Blood Bond thing...â Jasper said quietly. âThe way you and I have been doing it, letting me bite you... it would be very frowned upon by most Kindred society.â He grinned. âWe've been very naughty, you and I.â
Annabelle snorted. She didn't have a very high opinion of what most Kindred society thought. âYou mean they don't do it like this?â
âNo. Going right from the vein is a little taboo.â He drifted a hand up to her neck and she wriggled a little.
âHow do they do it then?â
âCutting, apparently. Dripping blood into mouths, that kind of thing.â Annabelle could feel him shrug a little.
âLike at the end of Hellsing?â
âYeah.â
Annabelle's brow furrowed. She found herself playing with a buckle on his chest. She didn't know where he had found hoodies with buckles. âHow do you know that?â
âI asked Eva.â
Annabelle's frown deepened. âDid you tell her about us?â
âNo. I just asked her about the details of how Blood Bonding works. If she suspects anything, it's because... well, the Tremere have many mysterious ways of finding things out.â He caught himself smiling at that. He had a certain admiration for the Tremere.
Annabelle relaxed a little. She didn't mind Eva, despite any magic she had done on her in the past. She was mysterious, but seemed to be in Jasper's favour. âOh. Okay.â
They were quiet again, comfortably cuddling. Everything Jasper had just told Annabelle about Blood Bonds was turning around and around in her mind. It gave her a degree of anxiety, but she believed the fact that Jasper trusted her so sincerely was an honour.
âJasper?â She asked softly.
âYes?â
âDo you... mind being Blood Bonded to me?â
He gave her a comforting little squeeze. âNo.â
âAre you sure? That's not just my magic Vitae talking, is it?â
Jasper chuckled. âYes, I'm sure. If I did mind... we wouldn't have had another date after that time when I was hit by a truck.â
âOh.â She remembered the evening he was referencing well. She had been so very worried about him when she found out, and that worry had turned into terror when he didn't answer her calls or texts. Despite his efforts of healing, he had still been extremely badly hurt when she finally found him, and Annabelle was happy she found him when she did. The potential consequences of what could have happened if she hadn't were too scary to consider. She also wished she had been there to have prevented the incidence from happening in the first place. That night was the first time she had let Jasper feed from her neck. Every other time before that had been from her wrist. It was a big move, she knew, but she wanted it. It felt better to her, somehow. They had shared his bed for the first time afterwards. âWas that when the... Bond happened?â
âI think so, yeah,â Jasper said.
âAh.â
âYeah,â Jasper sighed.
âBut it doesn't have to be a bad thing?â Annabelle confirmed. âThe Blood Bond?â
Jasper shook his head. âNo, it doesn't. Don't worry about me if I mind it or not. If I ever do want to... I can just keep away from you for a little while and that'll weaken it.â
âOh, that's why I haven't seen you in a long time!â
âYeah. That and... ya know... my guest.â Jasper smiled sharply.
âUh-huh.â
âBut there is a silver lining, of sorts,â Jasper explained. âIf you are in trouble, and need me, I will feel it. You can summon me, wish I was there, and I'll feel it and come to you.â
âOh, yeah?â
âYeah. Now... you can see how another Kindred might abuse that power...â he paused to let Annabelle picture it, âbut I trust you to not abuse it.â He gave the top of her head a little nuzzle.
âRight. I get it.â She smiled. âThank you for trusting me with this, Jasper.â
âThank you for letting me feed from you,â he replied.
âYou're welcome.â
They spent the rest of the night chatting and watching bad reality TV on Annabelle's computer. When the sun rose and they felt the need to retire, they fell asleep spooning on Annabelle's large bed. The city of Los Angeles moved on around them, but they were content and dead to the world.
#la by night#l.a. by night#vampire the masquerade#fanfic#fanfiction#jasper/annabelle#blood bond#times jasper fed from annabelle
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Annie Briggs and Natasha Negovanlis give us the scoop on their new hit webseries, âCLAIREvoyantâ
Over the last few years, Natasha Negovanlis and Annie Briggs have become near and dear to the LGBTQ fandom for their roles in the smash hit webseries/movie, Carmilla. The two castmates and dear friends have now teamed up to being viewers a new comedy series (with itâs share of tender and hard hitting dramatic scenes) about two best friends, Claire and Ruby, who create a fake psychic website to try to drum up rent money. When Claire discovers she might actually be a powerful psychic, it makes a complicated scenario even more challenging, and hilarious. Natasha and Annie not only star in the series, but they are co-creators and writers as well along with Jason Packer. Bella Books sat down with Natasha and Annie to get more of their insights into the series and what it has been like creating something together.  Bella Books: You guys made a web series baby together, and now your baby is out there in the world. What has it been like for you for the past few days, watching all these responses roll in and seeing your creative work out there? Natasha Negovanlis: Itâs been wild! Iâve only shat my pants a few times. Annie Briggs: Oh, thatâs a good sign. Like Natasha said, itâs been totally wild. These things are always a combination of great excitement and relief and nervousnessâthe whole bit. Because we had a pre-existing audience, we knew that we would have some viewership. We were very fortunate that we were going into this with an audience already, but whatâs been really exciting to see is that there are a number of people in a different demographic who have been responding so positively to it. And itâs been really cool to have friends reach out to us personally, and to see how people are relating to it as well. Natasha: Well, I keep joking that we wrote an absurdist show, and we keep marketing it as an absurdist comedy. But itâs quite funny to see people comment things like, âThis scene was too real.â  Bella Books: How did the idea for CLAIREvoyant start in the first place, and how did you know â or did you â that the two of you would work so well together as creators? Annie: Too much wine, Dana. No, no! Natasha: Annie, donât say these things. Annie: Natasha, you talk to the seedlings of this. Natasha: The creation of CLAIREvoyant was sort of a number of different things. The biggest thing was obviously our mutual fascination for psychics, the occult, and our interest in things like divination and tarot. Years ago, before I had ever met Annie, I had a character that I created, Vivienne, who we ended up using for the psychic. [It really began] just one day with an old roommate because I was down in the dumps. I had just been dumped and fired for my barista job. The only way I knew how to deal with that was to put on every piece of jewelry I owned and sit in my bathtub and call a psychic and make these little videos. But that was a very early, early seedling. And then one day Annie and I were hanging out and just chatting about different things, and I was talking about how I went to a nail salon. I was like, âItâs so interesting. What does she do outside of her work? What is her life like? Who are these people like?â We were just talking about it, and being a couple of silly gals that we are, we came up with these silly characters and we spent the rest of the evening as these characters. The next day Annie texted me and she was like, âI think we might be onto something.â Annie: In terms of the development of the project, we spent quite a few years in development on this. I would say the process was organic in many aspects. The characters we created came out of ourselves, exaggerated aspects of ourselves and other people that weâve known and lived with. Also, in terms of working together, I feel very fortunate that Natasha and I mind-melded a lot on this project. So, we were really on the same page for a lot of the creative decisions, which was great. It made working together very intuitive and incredibly collaborative. On the flip side of that, we spent a couple years working together on this. Itâs not all roses all the time. There were certainly times that were tricky for us when we werenât seeing eye to eye. Thatâs just part of the creative process. You donât know really what youâre getting yourself into when you start out with these things. But Iâm still so grateful that on the whole this thing just flew out of us in a really beautiful, collaborative way. Natasha: Yeah, and I think in areas where we didnât necessarily see eye to eye, our skillsets really complemented one anotherâs, and we had a lot of trust in each otherâs abilities to take on certain areas. I think we just really complemented each other. It was also really nice to just become better friends and strengthen our bond as friends throughout this creative process because a lot of the times that we would meet up it was to work on this show and it really helped us get to know each other better. When we worked on Carmilla, our characters as Carmilla and Perry didnât really interact with each other that much. We went for the entire first season not really knowing each other. We met on set, but we didnât get to work together. It was really through different fan events and cast events that we bonded and found out that we had so much in common. I think it was the very first time we hung out alone, one on one, that we came up with the idea for the show, which I just realized in hindsight. Itâs so funny! Annie: Thatâs really true. It was the first time that we just had a solo date. Bella Books: Well, itâs so evident that the two of you are so simpatico in this. In every scene the two of you have suchâŚitâs like, I donât want to say machine because that makes it sound like itâs stiff, but youâre such a well-oiled machine together. Annie: Thatâs great to hear. From an acting standpoint, it was an interesting experience coming in to play these roles. We didnât, as you often do, we didnât receive the scripts two weeks before filming or ten days before filming. Weâve been sitting with these characters for a couple years. So, by the time we rolled around onto set and actually got to play off each other they were integrated into us in a completely different kind of way. Natasha: Yeah, in a way, we had almost been playing these characters when we would just hang out sometimes. Like we would morph into them. So, I think we really knew our characters, and we had that benefit as well. It was interesting though. I think we did discover a lot about each other on set just doing comedy, you know, learning how to work. Because we actually have quite different acting methods, I would say. I donât know if you would say that, but we kind of do. Annie: Oh, no. For sure. Natasha: And learning how to balance that. But it still really translated so well because we have so much love and respect for each other. Iâm glad that people find it funny.   Bella Books: I love a good, awkward queer. And, Natasha, Claire is gifted with an abundance of awkwardness. And you were talking about how people say, âOh, man, I relate to that.â That is the thing I have heard more than anything. So many people really relate to Claireâs awkwardness around women. After playing somebody for so long whoâs so steady and confident, what was it like to go in the complete opposite direction â so different from Carmilla? It seems like youâre having a blast. Natasha: Oh, Iâm having so much fun. People often ask, for both of us actually, if these characters are outside of our comfort zones. We have to say no. As actors you get cast as a number of characters; itâs our job to play different characters. My typecasting is very much a Carmilla type, but Claire is so much closer to me in real life. Itâs funny because when we wrote these characters we wanted to create women that people could relate to, but I didnât set out thinking that those moments would be the relatable moments. I didnât think, like, âIâm going to write this really relatable character.â I thought that Iâm a weirdo and now Iâm just going to write this weirdo character. I just kind of put it out into the universe, so it means a lot when people say they relate to it. For so long Iâve been really oversexualized in my roles, which I donât mind. When I auditioned for Carmilla, people said, âNatasha could have chemistry with a rock.â Thatâs something I really leaned into for a large part of my twenties. In reality, I had a really awkward, hard time dating women, in particular. Men were easy. Men I knew how to figure out. I started dating men when I was super young, and I kind of knew how it all worked. But because there was almost something greater at stake for me, with women, I just had zero game. Annie: I really loved finishing every day on set and pulling Nat aside and just beaming because I really think she totally shines in this role. Natasha: I think that you shine in this role! Bella Books: I was going to say that you both shine. Annie: It was a real joy to see her play this character, and the whole time I was just grinning to myself being like, âYep, yep. This is the good stuff.â Natasha: Iâm so shocked by that.  Bella Books: Iâve been seeing a lot of young Canadian actors, particularly those that are queer or queer allies, making their own art. What do you think that is, and is that something thatâs just really embraced in Canada? Annie: My hunch, or my initial reaction to that, would be that we have a great industry here in Canada, but itâs not the same as in the States. Natasha: Yeah, yeah. Annie: Thereâs sometimes a sense on our side of things that thereâs not the kind of agency or heat oftentimes here. So, I think as an actor, especially when so much of your career, and the trajectory of how things are played out, is in the hands of other people, you can get bored very quickly. I just see a lot of people in Canada deciding to take matters into their own hands if other people arenât going to be doing it around them. Thatâs how I feel personally. Natasha: Yeah, I think Annie said it so beautifully. Echoing what she said, Iâm obviously such a supporter of the Canadian industry, but it is very different and there is a lack of roles and work. Canadians are less likely to take a chance on a new face. Thereâs also just less money here, so I think people are, as Annie said, taking matters into their own hands and creating the content they want to create. On the flip side, I do know that Canada provides a lot more government and financial support for digital than in the States. And I do know that there are a lot of grants and small independent production funds and opportunities. So, weâre really lucky in Canada in that regard. Because our film and TV industries are not quite as strong as Americaâs, I think the digital side has really seen that and ran with it. Annie: And as new creators and people starting out on the other side of the camera in development, it feels like a more accessible way to cut your teeth. Natasha: That being said, I think itâs important to note that weâre really grateful for the opportunity that the IPF provided for us as well. Theyâre such a great production fund for new creators and we wouldnât be able to make the show without them. Annie: Hear, hear!   Bella Books: Tell us a little bit more about Nico and Xavier. We havenât seen a lot of them yet, but from what we have seen they are as charming as all get out. Annie: You will see more of them, Dana. You will! Bella Books: I had a feeling we would. Natasha: What can we say? Bella Books: Or, you know what, you can talk about the actors, Sabryn Rock and Jsin Sasha. That would be great, too. They are also as charming as all get out. Annie: They certainly are. And I will say that both Sabryn and Jsin just rose to the occasion so beautifully. Shooting in digital is a super expedited schedule, and thereâs a lot of material to cover. Again, weâre working in comedy with coverage. We were going really fast. It can be difficult for people if they havenât worked in that way before, but they were fantastic to work withâso giving and funny. Natasha: They were so lovely, and without giving away too much, we do put them in some pretty ridiculous scenarios. So, they were real troopers. Real good sports. Whatâs exciting also is seeing how people are pleased with the way we cast. But when we auditioned them, they were truly the best people for the roles. What can we say about them though? Iâd say Xavier is a very sensitive, poetic, artistic soul, and Nico is a really no bullshit kind of gal.   Bella Books: There are so many killer lines in the series. I was laughing so hard. Iâm still dying over the Mary Floppins part. Do each of you have a favorite line or favorite little scene you wrote? Natasha: Actually, the scene where we do talk about our vaginas is one of my favorite scenes because itâs such a real moment. You have the characters close together. You have them bonding, and theyâre just having this very matter-of-fact conversation. And when you actually look at the text, theyâre saying some pretty ridiculous things. Thatâs also one of my favorite scenes because there are lines in that scene that all three writers wrote. It was such a collaborative scene.  Bella Books: Alright, Iâve got one more question for you. Natasha, what is something you admire about Annie? And, Annie, same question for you. Both: Oh my godddd. What? Oh no. Annie: Well, I could wax on⌠Natasha: âŚAbout me⌠Annie: About this ladyâs complexity as a human being in myriad of wonderful virtues, but one of the first things that comes to mind, which I continually feel so fortunate to experience from Natasha and saw so much during the creative process in shooting this series, is that Natasha is such a huge champion and supporter of women in the industry. She really does a lot for other ladies, throwing support and shedding light on their other work. This can be a really cutthroat business, where thereâs this horrible mentality of scarcity floating around. Natasha does her best and damnedest to combat that. Itâs really beautiful to see, and itâs really inspiring. Natasha: Oh my god! Thatâs really nice. Well, how do I follow that? I think one of my favorite things about Annie is how openminded she is and how non-judgmental she is. Like, I sometimes have the tendency to be a little hot tempered. Wisdom just oozes out of you all the time, and you just have such a sense of maturity. Annie: You know, in university my roommates used to call me Grandmother Willow. And, I was, like, 19 at the time. Natasha: Absolutely, though! I think your ability to be calm and patient and grounded and rational during situations is so inspiring and really helpful when youâre working with someone as a co-creator but then also as a friend. You always give sage advice, but youâre never judgmental when youâre giving it, and thatâs what I really like.  CLAIREvoyant airs on the KindaTV Youtube channel with new episodes premiering on Wednesdays at 7pm EST.  http://dlvr.it/QV4SpP
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âEnd Timeâ Prep?
As I was doing some research on âEnd Timeâ teaching, I came across an article posted on the Focus on the Family website called, âPreparing for the End Timesâ. Â
What I liked about the article, and why I reposted much of it here, is because I do feel like GOSPEL (aka âGood Newsâ) seems to become muddy in a message that is supposed to be âGOOD NEWSâ but sounds like a lot of chaos spoken with âangry passionâ. Â
We all know we are living in a time that many of us have never, ever faced before. I donât remember any other time in my 43 years that we have faced a world pandemic. And no matter what your thoughts are on this pandemic, we can agree that it has messed up a lot of things. Â
I am reminded of the verse in the Bible that says, âthe devil (thief) comes ONLY to steal, to kill, and to destroy...â and I sense that one of the most often used ways he accomplishes this is by bringing division amoungst those that bring the best message ever...the message of hope...the message of Jesus. If that slimy thief can mess up the validity of our message by pitting us against each other, than he can turn this battleground into his own little playground. Â
So, dear saints, do you want to be the pawn, manipulated by the enemy? Or, perhaps, would you like to step up and be the BODY of KING JESUS and rule with authority? The choice is yourâs. DO what He says, or...........
When we look at ANY time there has been a global crisis, or even just a really BIG one, I think we have questioned, âIs this it?â That is great, because it means you are at least aware that there IS an end time. But we mustnât get our focus too much on âstuffâ, because the ONLY way that we will be ready, if it IS âthat timeâ, is by being focused on Jesus and what He is telling us to do in this moment. Â
Enjoy this article (copied from https://www.focusonthefamily.com/family-qa/preparing-for-the-end-times/)
What should Christians be doing to get ready for the cataclysmic events preceding the end of the Age and the Second Coming of Christ? Given the current state of affairs in the world, it's hard to avoid the conclusion that the Lord may be returning soon. I'm trying to hold on to my confidence in God and live by faith, but some of my friends and relatives tell me that's not enough. They're selling their homes, moving to remote desert or mountain locations, stockpiling food, buying weapons and ammunition â the list goes on and on. Is this right? Are we really supposed to run and hide as things get worse? Or should we stay where we are and continue to minister to the people around us?
The Bible clearly instructs us to be vigilant. But it also teaches that no one can say for certain that we are living in the âend times.â This is at best a debatable proposition. Jesus Himself repeatedly said that no one knows or can know the day or hour of His return (Matthew 24:36; Mark 13:32; Acts 1:7). To be sure, we are surrounded by events and developments that could be interpreted as signs of the end. On every hand we see famines, earthquakes, disasters, troubles, persecutions, wars and rumors of wars (Mark 13:7-9). But has there ever been a period in the history of the world when this was not the case?
Can you imagine what it was like to be a believer in Rome under the emperor Caligula, or Nero, or Domitian? To face the arena, the stake, or the lionâs den for your faith? What do you suppose Christians were thinking when the legions captured Jerusalem and destroyed the Temple in A.D. 70? Or when Attila overran Europe in the 5th century, the Vikings in the 9th, Genghis Khan in the 13th, or the Muslim Turks in the 16th? Might anyone have concluded that the end was near when the Black Death decimated Christendom, wiping out entire towns and claiming more than 25 million lives between 1347 and 1352? How did the situation look to believers at the beginning of the last century, when the so-called Great War destroyed the flower of an entire generation (37 million casualties)? Or a few decades later, when the shadow of Hitler and the Third Reich was rising over Germany and Eastern Europe? Clearly, the early 21st century has no monopoly on death, disaster, devastation, and terror. You donât need to know a great deal about history to realize this.
But letâs assume for a moment that these are the end times. What then? How should a Christian respond? Fortunately, the apostle Peter gives us a straightforward answer to this question. Writing specifically with reference to the end of the age, when âthe heavens will pass away with a great noise, and the elements will melt with fervent heat, [and] both the earth and the works that are in it will be burned up,â Peter does not suggest that believers head for the hills, adopt a âfortress mentality,â and start stockpiling food and weapons. Instead, he asks, âSince all these things will be dissolved, what manner of persons ought you to be in holy conduct and godliness, looking for and hastening the coming of the day of God, because of which the heavens will be dissolved, being on fire, and the elements will melt with fervent heat?â (II Peter 3:10-12).
As Peter sees it, end-time Christians are called to do one thing: they are to practice holiness and do good to others wherever and whenever they can. They are supposed to work the works of God âwhile it is dayâ (John 9:4). Paul seems to have been thinking the same way when he wrote to the Galatians, âTherefore as we have opportunity, let us do good to all, especially to those who are of the household of faithâ (Galatians 6:10).
Our mission, should you choose to accept it, is to live as Christ, to die to self daily, and to love folks to life! Jesus IS coming back. He is coming back, not for folks that can talk a good talk, or those that can talk and argue the loudest. He is coming back for a church without spot nor wrinkle! He is coming back for His bride. Heâs coming back for those that are ready and have been obedient to His commands.  Get ready! Get ready! Get ready! Get ready! Get ready! because someday, I believe, quite soon, He is going to say, âReady or not, here I come!â
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