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The Honorable Choice - Part 1
Pairing:Â Dean Winchester x OFCÂ
Summary: June 1872. Captain Dean Winchester of the U.S. Cavalry is tasked with one job: break a wild mustang. He just didnât expect the woman who infiltrates his camp, intent on freeing her tribeâs horse.
AN: I got inspired after a recent rewatch of Spirit: The Stallion of the Cimarron (literally a perfect movie), as well as having Yellowstone in the back of my brain. I thought this idea might be a good fit for this @jacklesversebingo prompt.
Disclaimer:Â Iâve done extensive research for this one, both on the American Indian Lakota tribe, and on American history during this time in the late 1800s (AKA: the Old West, during the American Indian Wars and the Sioux Wars). Of course, one of my main goals is to avoid inaccuracies, both historical and cultural.
Jacklesverse Bingo24 Prompt: Western AU
Song Inspo: The Spirit Soundtrack
Word Count:Â 4.6K
Tags/Warnings: 18+ only to be safe. Racism/racial slurs, attempted sexual assault (not successful), protective Dean, angst, some violence and some action.
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Part 1: Pride & Prejudice
June 1872
Dean hears some of his men shouting, along with the telltale cracking of bone that would make a less seasoned soldier wince. He spares a look to Benny, his Lieutenant, and sets down his glass of whiskey.
Deanâs path takes him brusquely out of his office and toward the stables. He grabs his gun and his hat on the way there, setting the latter on his head.
Is it too much to ask for one night where he can drink in peace?
Dean comes to find a young woman being detained by two of his men, Kline and Novak. Roman sports a bloody nose and his eye is already beginning to swell. The woman fights against their hold.
Even under the pale moonlight, Dean notes the way sheâs dressed: a deer skin dress cinched at the waist, over thin pants and shoes. He surveys her tan skin, her black hair that blends into the night, twisted into a long braid, and the anger in her dark eyes.
âWhat have we got here?â Dean says. He stows his gun in its holster as he approaches her, resting his hands at his belt.
âI caught her breaking into the stables, Captain,â Roman says. He prods with a hiss at his busted nose while trying to stem the bleeding. Thatâs going to be a bad break.
She remains tight lipped, stubborn.Â
âProbably doesnât even understand English. Savage bitch,â he says. Dean shoots him an impassive look to cover up his annoyance.
âPut a cork in it, Roman,â he orders. Then, he focuses back on her. âYouâre a Lakota, arenât you?â
Aside from their main mission here in the Dakota Territory, the Colonel has been fixed on fighting back against the Lakota Indians, especially after they sabotaged the supply line last month.
The proud tilt of the womanâs chin is her only answer to Deanâs question. Her gaze drags down his form with disdain, like heâs the savage. His mouth twitches mirthlessly.Â
âThe Lakota rear up their own horses pretty damn well. Why would you want to steal one of ours?â he asks.
She glances away from him, first at her feet, then over at the campâs latest âguest.â Dean, Benny, and a few of his men wrangled up a horse a few days ago. Heâs a beautiful Kiger mustang with a nasty mean streak. He barely got through a trim this afternoon, and almost took a chunk out of Rufus when he tried to brand the horse.
The Colonel ordered them to tie the horse up to a post just outside the corralâno food or water for three days. Heâd turned to Dean with a firm set to his face and issued a single order.
âBreak him.â
Now, Dean catches the furtive look the Lakota woman gives the horse, who flicks his tail. The animal stares right at her, as if into her eyes.
âOh, donât tell me you here for him,â Dean says with a chuckle. âThat thingâs a little too much for you, sweetheart.â
That earns her attention, steely and unimpressed.
âHe is too much for you,â she says. Her voice is smooth, and would even be pleasant, if not for the circumstances. âHe is one of ours. You will never break him.â
Dean's eyes widen a fraction. He glances back at the mustang.
So that's why she's here, he thinks. She's trying to mount a rescue. Dean feels a twinge deep inside, but he can't allow himself to care about that. They've collected a strong horse that will be a good support for their objectives here, once he's broken.
âAh, well see,â Dean says, tipping his Stetson up to meet her gaze. âThatâs kind of our specialty.â
âSir, should we take her to the stockade?â Novak asks. He seems reluctant to do so to a woman, even an Indian, but heâs always been good at following orders.
Dean opens his mouth to reply, but another voice cuts him off. Colonel Asmodeus Sanderson steps out and takes a look at their captive.
âNot the stockade,â he says, with that Southern drawl that betrays his Kentucky roots. âNot yet.â
He approaches her with a slow, calculated gait. His hands gather behind his back. Dean gives her credit for looking Sanderson in the eye. She seems rightly wary, but not afraid.
âWe wonât hurt you. I give you my word,â the Colonel says, âif youâll lead us to your peopleâs camp.â
He takes a hold of her chin, turning her face this way and that, like heâs examining a dirty animal, and all that heâll have to do to make it clean. She spits in his face.
Dean bites the inside of his lip against a smile. Sheâs got as much fight in her as the mustang. However, he has to school his face back into stoicism when Sanderson rears back in anger.
The harsh smack rings out in the clearing, along with the womanâs cry. Dean doesnât allow himself to outwardly react, but inside, his spine tightens as he fights his instincts.
Only Kline and Novakâs hold on her arms keeps her upright. She pants for breath, but again, she meets the Colonel with a face that doesnât give away anything, despite the reddening mark on her cheek.
âThe post,â he barks. âThree days. No food or water.â
Dean is kept busy by his duties. He makes sure the camp is running in order, accepting shipments of supplies and ammunition, among other things. Cas Novak is in charge of the stables, caring for the horses and putting them through their training. Jack Kline is young and strong and a good assistant, along with others in his unit.
Right now, Dean and Benny are going over the plans with Colonel Sanderson for continuing construction on the railroad, from here to the Black Hills. Itâs a path that cuts straight through Sioux territoryâthe bands of Dakota and Lakota Indians that occupy the land.
âThe natives are fightinâ us tooth and nail,â Sanderson says. âBut maybe our guest will be able to help usâŠnegotiate.â
Dean remains quiet, ignoring yet another uneasy twinge in his gut. He didnât join the army to fight the Indians. He doesnât always understand their way of doing things, but he understands why they fightâto protect their land, and to protect their own. Itâs the same reason Dean fights, when he has to.
He joined the army becauseâŠwell, it felt like the right thing to do at the time. His father had been a Cavalry Major, and heâd died an honorable death, now about a decade past.
Has it really been ten years? Christ.
Dean wipes his brow. Even with the windows open, the office is humid and smells like ass. He glances outside, where both the mustang and the woman are tied to their posts under a sweltering sun at high noon.
Not for the first time, Dean wonders what his dad would think of him now.Â
After the meeting, Dean and Benny fall into step together to inspect the camp. The summer sun shines hot on their blue uniforms, and occasionally they raise their hats to mop the sweat from their brows.
Things are running as usual, but many of the menâs eyes occasionally turn to the posts. Deanâs attention wanders there too without him realizing, catching on the womanâs dark hair. It shines even blacker in the sunlight, like a ravenâs wing. He knows the shade because his dad used to have a feather kept in his journal, like a bookmark.
âYou okay, brother?â Benny asks. Dean realizes what heâs doing, and his attention returns to the task at hand. Get it together.
Always forward, never backward.
âJust fine,â Dean replies. Benny gives him a knowing look.
âA bit unsavory, ainât it?â he says. âKeeping her chained up without even a lick of water.â
âThe Indians are getting smarter, bolder. Theyâre ambushing our men, going after our supply lines, and now, stealing our horses,â Dean says. âThis is strategy.â
Benny shrugs slightly, making a sound of agreement. Dean hesitates, his gloved fingers flexing against his sides.
âIf she was a man, you guys wouldnât give a shit about putting a bullet through her head,â Dean says.
Bennyâs gaze shifts downward. He doesnât reply, but he concedes the point all the same.
They continue their route, and Dean keeps the rest of the conversation on the work at hand.
Mila has gone far longer without drink, but the sun is particularly unforgiving today. Sheâs prayed and prayed for even one cloud to glide overhead and shield her for a while. Itâs not much better for her companion. He paces in place, occasionally tugging his head against the rope that binds him to his post.
She makes a clicking sound at the horse, getting his attention. She calls him by his name, and his ears flicker in her direction. He offers her a short whinny in response.
âI see you, Mato. I am with you,â she says in her native tongue. She hopes the sound of her voice will soothe him. He looks tired and hungry, but his eyes flick hard and untrusting on any man who comes near him. His spirit isnât broken.
âHey! Shut the hell up over there,â Roman shouts at her from where he and Cas are taking a short lunch break. Cas gives him a certain look, crossed mostly with annoyance.
Mila resists the urge to roll her eyes. Instead, she closes them and tilts her face back to the sun. In a way, it feels cleansing. Maybe it can wash away the stench of the White Menâs hands on her body, manhandling her, checking her for weapons.
She spends the rest of the day watching the camp. One of their leaders, the Green Eyed One, called this a fort. It does look fortified, with tall walls made of thick wood constructed to form a cageâwhether to keep others out, or to keep the men and horses in.
She identifies the Colonel as their chief, of a kind. Green Eyes is second in command, followed by the Bearded One with a strange voice. Even the scruffy Blue Eyed One has some authority, mostly over the Child Faced One. There are too many others to rank them all, but she knows the Loud Mouthed One is arrogant, even after she broke his nose. The way he carries himself, he clearly thinks he has more power than he actually has.
In her mind, Mila conjures up different plans of escape. All of them fall short in some way. The men didnât find all of her weapons; a small knife is hidden deep in her boot. She could saw at her binds within an hour, but even with Mato to carry her out and away, the problem is escaping this camp without alerting the men. Without getting shot.
She has three days to think.
That night, the moon refuses to give her clarity. Her stomach is too empty, her throat too dry, her tongue thick in her mouth. Her attention shifts in and out of consciousness, until the sound of boots crunching in the dirt trills unease down her spine. More alert, she sits up straighter.
The Loud Mouthed One. The one they call Roman comes to taunt her, offering her water, then drinking for himself instead. He comes closer to examine her. He has a small bind over his broken nose.
âYou know, youâre a pretty one,â he says, taking another cold sip as his gaze drags over her form. âFor a wild thing.â
His face nears hers, clean shaven, though his thin smile reminds her of a rattlesnake. Dread and repulsion churn at odds in her stomach as she realizes what he's really here for. It doesn't matter if he truly wants her, or just wants to pay her back for his face. Either way, he means to take her here in the dirt.
She looks away, not wanting to let him see her fear, or the dread tightening her stomach, rising into her throat. He winds long fingers into her hair. At first the hold is gentle, deceptive. Then it's tight against her scalp. She hisses in pain when he tugs her head back and forces her to look at him. Her breathing quickens as she tries to pull away.
He draws in close to try and claim her in a kiss, but she head-butts him, hard.
He cries out and stumbles back, his flask falling to the ground.
He angrily grabs her and hauls her up to her feet. He pushes her hard against the post and unbuckles his belt, just to stuff it in her mouth. With his free hand, he begins to undo his pants.
She refuses to cry out, even though she spits out his belt and fights him, trying to kick out his knees.
Suddenly, the manâs body is ripped away from her. Mila loses her footing and falls to the dusty ground, sliding against the wooden beam sheâs tied to. The wind is knocked out of her, but when she raises her head, she watches with wide eyes as the Green Eyed One beats the other man into the dirt. It doesnât take much, just a few well-placed fists.
Roman lies there catching his breath, and he spits a wad of phlegm and blood. His left eye will match his nose, thatâs for sure.
Green Eyes looks angry and disgusted. He huffs and puffs while staring down at his subordinate. He pushes back his short brown hair and points an ungloved hand at Roman.
âGet back to the goddamn barracks. Youâre gonna be mucking out stalls until shitâs coming out of your ears,â he growls.
Roman doesnât argue, though itâs obvious that he wants to. He just picks himself up, makes a show of straightening up his open uniform jacket while catching his breath. He walks past Green Eyes with a resentful, angry look. Green Eyes watches him until he disappears inside.
Then, he turns to her. His gaze softens somewhat, but itâs still unreadable. He crouches down in front of her, resting his arms on his thighs. Milaâs gaze briefly falls to his hands. Theyâre calloused, the hands of a laboring man. He carries himself like a warrior.
âSorry about that,â he says.
Itâs not what she expected. Mila eyes him warily when he moves closer. She presses her back against the post until it hurts her spine. He raises up his hands placatingly.
âIâm not gonna hurt you,â he says.
âThat is what your Colonel said,â she says. Her voice cracks with dryness. âI didnât believe him either.â
His lips flicker at a rueful smile. It wrinkles crowâs feet around his eyes, breaking his stony face.
âFair enough.â
He reaches for his belt and retrieves a flask, similar to the one his subordinate carried. He extends it out to her.
âItâs water, unless you prefer whiskey. I know I do,â he says.
She raises a brow at him, but hearing the sloshing inside the flask, her thirst takes over her wariness, and even her pride. She tentatively leans forward. He brings it closer so she can press her lips to the opening. Despite his Colonelâs orders, he lets her drink as much water as sheâs able. When sheâs done, he pockets the flask and sighs, running a hand through his hair.
âWhatâs your name?â he asks.
That, she will not give him. Names are sacred to her people, and this man, while seeming to have a shred of honor, isnât worthy.
âDonât wanna even tell me your name?â he says. He nods slightly. âOkay, well, Iâm Dean. Captain Winchester, to this band of delinquents.â
He gestures around the camp with a dismissive hand. Mila only watches him. Sheâs never seen a White act like this, breaking his leaderâs rules, beingâŠkind.
What a strange man.
But if he had any real convictions, he would untie her and let her go, along with Mato. She wonât hold her breath.
Deanâs brows raise up toward his hairline, and his full lips form a pout. Realizing heâs not going to get anything more from her, he lets out a tired huff and straightens up.
âWell, goodnight,â he says.
He finally leaves her alone, but she canât help but follow the swaggering path of his bowed legs and heavy boots. They carry him away and back indoors. Â
A strange man.
By the morning of the third day, Dean is ready to do what he does best. Or at least, one thing he does best.
Heâs no stranger to horses. He grew up on a farm in Lawrence, Kansas, where he and his brother would help take care of the animals. Dean was older, so he helped his father till the land and train the horses. Sometimes he and Sam would sneak off and race their favorite ones, until their mom called them back for dinner.
In fact, part of what earned Dean his rank in the U.S. Cavalry was how well he could command a horse. His own is resting in the stables.
Today, heâs getting in the ring with the mustang.
âŠWell, not right away. He lets a few of his guys go first to tire him out. Even after three days of no food or water, the horse is living up to his bad attitude. He bucks each of them off after just a few seconds in the corral. Dean can tell itâs becoming a kind of game for the horse. His dun-colored coat shines in the sun, his brown socked legs kicking up dust and manure as he brays angrily at whoever tries to mount him.
Dean notices the Lakota woman watching with an amused smile on her face while she sits with her hands tied to her post. Sheâs enjoying the show, like she knew this would happen. It seems to give her energy every time another man is thrown off the horse and limps out of the ring.
Dean shakes his head. Pitiful.
He puts two gloved fingers to his mouth and whistles the entire clearing to attention. He saves Kline the chance to bruise his spine and pats him on the shoulder. Dean steps into the corral and positions himself into the stirrups, wrapping the reins around his hand. The horse is breathing hard, but heâs not done. Heâs still got fight in him. Dean sees it in his brown eyes.
âAll right, mustang. Youâre big and bad. I get it,â Dean says lowly. âBut I donât scare easy. Gimme your best damn shot.â
Cas and Benny give him wary looks from where they stand outside the gate.
âHold onto your hat, Cap,â Benny mutters.
Dean adjusts his hat and rests his gun on the post for safe keeping. He wants to feel as natural as possible, like itâs just him and this horse, out back in his family farm. He holds on tight to the reins. Heâs fully prepared for how the mustang takes off at a galloping clip around the ring. He twists and bucks, but Dean claps his thighs tight and holds on for the ride.
The horse gets smarter.
He runs for the water trough just outside the ring. He slams Dean against the side of it once, twiceâand manages to throw him off, with Dean landing right in the water trough.
He bursts out from the dirty water, sopping wet and spluttering in anger. He looks over at the horse trotting around, whinnying and tossing his head like heâs laughing. Dean canât help it. His anger fades, and he smiles.
This guyâs got some brass balls, Iâll give him that.
The Lakota woman laughs. Dean hears it and his head swivels toward her. She bites her lip, but she knows sheâs been caught. Despite his injured pride, Deanâs lips curve with a smirk. Just gonna laugh at me, huh?
âI see things are going well,â comes a familiar drawl.
Deanâs face falls as he looks up and finds Colonel Sanderson. Dean pulls himself out of the trough and tries to squeeze some water out of his uniform. He clears his throat.
âWell, uh, itâs going, sir. Just gonna take a little more time than I thought,â Dean says. He quickly reclaims his hat from the ring, giving the mustang a smart berth. After he climbs back out, he goes over to the post where he left his pistol.
âHold him steady,â Sanderson barks out the order, but not at Dean. The other men wrangle the horse back into the pen, where Sanderson climbs up and mounts the horse himself.
To his credit, he stays on longer than even Dean thought he would. The mustang gallops and circles. He tries slamming Sanderson on the sides of the corral, tries bucking him and bucking him, but the man clings on, even when his hat falls into the dirt.
The horse is exhausted. He eventually stops in the middle of the ring, panting for breath, his legs shaking slightly. Dean straightens at attention.
So does the Lakota woman, he notices. She looks worried, her brows furrowing.
Sanderson swipes a hand over his graying hair and moustache to collect himself. He raises his head with an arrogant smile.
âYou see, gentlemen. Any horse can be broken,â he says. He kicks the horse with his spur. âMove along, mustang.â
To everyoneâs amazement, the horse obeys him. He moves forward at a slow clip. All the men applaud, even Dean, belatedly.
âThere are those in Washington who believe the West will never be settled,â Sanderson continues. âThe Northern Pacific Railroad will never breach Nebraska.â
His gaze draws over to the woman. Her eyes are filled with tears as she watches the Colonel makes his rounds.
âA hostile Lakota,â he says in derision, âwill never submit to providence.â
She stares back at him with steel in her watery eyes.
Dean doesnât realize his jaw is clenched tight until he feels the strain in his jaw. He forces himself to relax, with his hand on his dampened belt.
âAnd itâs that kind of small thinking that would say this horse would never be broken,â Sanderson says. âDiscipline, time, and patience. Thatâs all you need to level a wild thing.â
Just then, the horse stops abruptly.
âMustang?â Sanderson asks in warning.
Dean tenses. He knows whatâs about to happen.
âSir!â he calls out.
But itâs too late.
The stallion revs and charges, bucking even wilder than before. He swings his head and rears back high on his hind legs with a powerful bray. Sanderson yells in fear and strain, but he stays on the creatureâs back.
The horseâs angry eyes take on a darker shade of conviction. When all four of his hooves hit the ground, he finally bucks hard enough to get the Colonel off his back, though he still clings to the reins near the animalâs head. He comes face to face with the horseâs crazed eyes. His own are wide and full of terror.
Hot breath heats Sandersonâs face. Then the horse swings his head and tosses the man out of the ring. In the process, the horse falls on his side and shatters a section of the wooden beams that fenced him in.
While he shakes his head and gets his hooves under him, Dean and Benny help the Colonel up to his feet. His uniform is a wreck, and now, with a bruised body and likely a couple of broken ribs, the man is fuming.
Kline and Roman wrangle the horseâs reins and keep him more or less in place. The Colonel shoves Dean and Benny off of him. He reaches for his gun at his belt and aims it at the mustang. Dean goes rigid in shock, but he knows he canât interfere. If he does, it could warrant some major discipline.
The Colonel pulls the hammer back on the revolver, but before he can pull the trigger, the sound of cutting rope and a feminine yell breaks the silence in the clearing. The Lakota woman pulls the Colonelâs arms down, and the gun goes off into the ground. Her elbow comes up quick to strike the man between the eyes. He careens back into Benny, who catches him.
Meanwhile, the woman swings up onto the mustang. She grabs a stronghold by the neck and barks something in her native language. It spurs the horse onward, and he breaks through the crowd of men at a gallop.
Dean watches with widening eyes and furrowing brows. âShit!â
He runs to the stables where he finds Baby waiting for him. Her black coat ripples as she stamps impatiently.
âCome on, sweetheart,â he beckons. He leads the mare out of the stable, and after grabbing a coil of rope from the supply bench, he mounts her smoothly. With a subtle kick of his heel, she picks up speed to follow the mustang and his rider.
Theyâre already approaching the gate where the men are quickly trying to close it. Thereâs still a window of opportunity for escape, but not only is Dean on their heels, Roman also stands on a pile of crates filled with iron parts that are due to be shipped out in the morning for continued construction on the railroad. Roman holds a rifle. He trains his weapon on the woman, taking deadly aim.
Deanâs jaw clenches and his brows furrow. He knows then, in the breadth of a few seconds, that he has to make a choice. If he does nothing, both she and the horse are as good as dead.
Sam used to call him reckless, stubborn as the horses he spent long hours taming.
Right about now, his brother is probably right.
Dean reaches for his gun, aims, and shoots within the span of those seconds. Roman goes down before he even knows what hits him. His chest plumes with blood after he slides down the crates and flops heavy to the ground. His eyes stare unseeing at the crisp blue sky.
The mustang tears through the narrow opening in the gate, and Dean isnât far behind. The woman is an excellent rider, far better than he expected her to be. She clings to the horseâs neck and mane, and she doesnât even use the stirrups. She clings on when the horse leaps over rocks, and when she notices Dean tailing her, she urges the horse at an even faster gallop.
Deanâs face furrows with determination. Baby is built for speed too.
He gives her a little kick with his heel. âCome on, Baby. Go!â
Heâs able to keep up with the mustang just a few yards behind, even when they reach rougher terrain, going further up and into a canyon. He follows them through every curve and dip, guiding his horse just as much as she's guiding him.
Dean takes his rope in hand and turns it above his head, but his attempt to lasso the mustang's neck fails; the woman saws straight through the rope with her knife.
"Damn it!" Dean mutters.
He's forced to let go of his frayed rope when he and Baby nearly careen off the edge of a cliff. His heart settles high in his throat as he grits his teeth, but he pulls back on the reins hard and leans in the opposite direction. Baby's able to bank left, saving them from a long way down to certain death.
They continue up the narrow path the mustang has trod ahead. It carves around and through the mountain.
Dean mentally grasps for a plan, aside from just keeping up. Without even a bit of rope, he doesnât know how heâs going to slow the woman down without hurting her or the horse. He doesnât want to have to use his gun.
Eventually, the canyon breaks into a patch of desert, and then, grassy plains and tall forest trees. The mustang begins to tire and slow to a stop. His rider murmurs soothing things to him, stroking his neck. She turns back to look at Dean over her shoulder in dismay. She knows sheâs caught.
âAll right, sweetheart. Thatâs enough,â Dean says.
He sidles up next to her and intends to grab the mustangâs reins.
Thatâs when her swift kick comes, dead in his forehead.
AN:Â And here we go! đ
Feels right that November is Native American Indian Heritage Month. đ«¶đœ For that reason especially I've done my best to do the Lakota people justice, even in this little series and complete work of fiction.
There's a lot packed in this first chapter, and yep, I did borrow a bit of scene from one of the best scenes in Spirit as an homage. From here on out, we're literally going off road...
Next Time:
Dean falls out of his saddle with a yell, landing hard in the grass. The impact knocks the air out of his chest and his hat off his head, not to mention the pain that rattles down his back.
âSon of a bitch,â he wheezes, while trying to get back up.
The woman jumps down from the mustangâs back and all but leaps on Dean. Straddling his waist and grabbing a fistful of his collar, she lets out a battle cry and raises a small knife at him. Itâs probably no more than two inches long.
Dean may be on the ground with a smarting forehead, but heâs still got the upper hand. He grabs her knife-wielding arm and whips out his pistol from his belt. Her eyes widen, and she stills above him. The gun lies between them, aimed for her chest. Theyâre both breathing hard.
Dean has a problem.
Looking into her eyes, soulful and brown, the slope of her nose and her full lips, parted with shockâŠÂ
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& @thedirtiestdeeds / fcw sc.
With a weary sigh, the man watches the other man, eyes narrowing upon the realization that Mox is coming towards him. The two donât talk, not often and not ever so his entire body tenses, eyebrow arching when the two are close enough to talk, waiting for something.
#đ verseâstuck in the past with nowhere left to go: nxt roman#đ main: roman#đ„ face to face#đ short response#đŹ notplotted plots#đŹ notplotted arcs#â npp: best friends man: thedirtiestdeeds#â npa: bfm: before the friendship: thedirtiestdeeds: fcwnxt#âș dean ambrose#âș deano: thedirtiestdeeds#đź look into the future: queue âem up buttercup#đ closed starter
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âWhy are you looking at me like that?â
little prompts - accepting // @labellemaryse
âLike what?â His lips curl into a smirk, arms crossed in front of his chest. âMânot lookinâ at ya any specific way,â he teases.
#labellemaryse#đmain: roman#đ„face to face#đshort response#đŹnotplotted#â©npa: surprising things come out of nowhere: labellemaryse#â©npa: stcoon: looking at you: labellemaryse#âȘmaryse#â©frenchwoman: labellemaryse#đźlook into the future: queue 'em up buttercup
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The Honorable Choice - Part 2
Pairing:Â Dean Winchester x OFCÂ
Summary: June 1872. Captain Dean Winchester of the U.S. Cavalry is tasked with one job: break a wild mustang. He just didnât expect the woman who infiltrates his camp, intent on freeing her tribeâs horse.
AN: âGetting to know you, getting to know all about youâŠâ âŹ
ïž If youâve seen The King & I, then youâll probably be singing that line in your head like I do.
Disclaimer:Â Iâve done extensive research for this one, both on the American Indian Lakota tribe, and on American history during this time in the late 1800s (AKA: the Old West, during the American Indian Wars and the Sioux Wars). Of course, one of my main goals is to avoid inaccuracies, both historical and cultural.
Jacklesverse Bingo24 Prompt: @jacklesversebingo Western AU
Song Inspo: The Spirit Soundtrack
Word Count:Â 3.1K
Tags/Warnings:Â Angst, protective Dean, historical tidbits, fluff
đ Series Masterlist || Bingo Masterlist
đïž Listen to the podfic version here!
Part 2: Death & Sacrifice
Dean falls out of his saddle with a yell, landing hard in the grass. The impact knocks the air out of his chest and the hat off his head, not to mention the pain that rattles down his back.
âSon of a bitch,â he wheezes, while trying to get back up.
The woman jumps down from the mustangâs back and all but leaps on Dean. Straddling his waist and grabbing a fistful of his collar, she lets out a battle cry and raises a small knife at him. Itâs probably no more than two inches long.
Dean may be on the ground with a smarting forehead, but heâs still got the upper hand. He grabs her knife-wielding arm and whips out his pistol from his belt. Her eyes widen, and she stills above him. The gun lies between them, aimed for her chest. Theyâre both breathing hard.
Dean has a problem.
Looking into her eyes, soulful and brown, the slope of her nose and her full lips, parted with shockâŠÂ
He just canât do it.
His finger eases off the trigger of his gun, and he lowers it to the ground beside him.
âI told you,â he says. âIâm not gonna hurt you.â
Her head tilts as she stares at his gun, then at him. She relaxes somewhat, and she backs off of him, sliding from his lap down to the grass beside him. Her closed fist with the knife comes to rest at her side. She gives him a look of wary bewilderment.
âYou are a strange man,â she says.
Dean has to laugh a little, smiling at her afterward.
âI guess so,â he replies.
Her brows furrow. âYou killed one of your ownâŠfor me?â
He nods, and his smile falls with a weary sigh. The hard part about that is he doesnât feel much guilt about what heâs done. At the same time, he does, and the conflict churns in his stomach. He knew what kind of man Roman was. He was the kind of soldier that couldâve filled Colonel Sandersonâs shoes one day. A fellow soldier under Deanâs command...
And a sack of shit in human clothes.
Dean leans back on his hands in the grass and slides his legs out long. His stare falls to the earth between his boots. The ground is soft underneath him. Maybe it rained this morning.Â
âYeah, thatâs gonna make it tough when I go back,â he says. âAt best, thatâs a court martial. At worstâŠâ
The Lakota woman frowns, her dark brows nearly meeting in the middle as she considers him. He wonders what she sees when she looks at him.
âTell you what,â Dean said. âGive yourself and your horse a rest tonight. Iâll go back and tell them I lost you in the canyon.â
Her eyes widen further in surprise. He canât blame her for it. Heâs surprising himself every time he opens his mouth.
âWill they kill you?â she asks.
Dean shrugs. âNah, Iâll be fine.â
She levels him with a firmer look, one that demands the truth.
His nonchalance wanes, and he sighs.
âThey might,â he says.
She shakes her head. She seems to deliberate over something, but eventually she comes to a decision. Just when she opens her mouth to speak, a gunshot rings out and hits the ground not far from their feet. A warning.
The sound of hooves thundering on the earth reach them before they look up. Two horses gallop towards them in the distance, their riders wearing blue uniforms.
They both tense up, but Dean is the first one to move. He grabs her arm and helps her stand along with him. They scramble back and lead the horses by their reins further into the trees. They find a denser patch and a raised hill to crouch down and hide behind.
The mustang is too tired to go very far, but Baby is already making anxious sounds, protective of her rider.
âShhh,â Dean whispers, and runs a soothing hand over her side. He leads her to lay down with her legs tucked underneath her.
The Lakota manages to do the same with the mustang after whispering to him softly in her language. Thereâs a trust between them, Dean realizes. They have a connection that seems to mirror his own with his horse. He doesnât know how he didnât see it before.
âCaptain!â Benny calls out.
Dean grimaces, but he stays quiet. He turns to the woman and holds a finger over his lips. She stares back at him in apprehension. He begins to creep slowly around the hill, but she grabs onto his wrist. For a second, she looks just as surprised as him by the reflexive action. Then, she shakes her head at him.
Donât go out there, her eyes say.
Dean smiles, and he gives her a reassuring wink. He gently removes her hand and gestures at her to stay where she is. He army crawls up the side of the hill. It gives him a vantage point to watch his men, who approach just a few feet down below.Â
âCaptain Winchester!â Cas calls next.
âWe donât want to have to come and get you, Dean. Come on,â Benny says. He does sound reluctant, for his part. His voice grows more somber when he says, âColonelâs given us orders to bring you and the girl backâŠdead or alive.â
Dean knows the position heâs put his own men in. He doesnât blame them for following the Colonelâs orders. He just hopes they can forgive him for what heâs about to do.
He leaps off the edge of the hill with a yell and brings Benny with him to the ground. He sweeps Casâs legs out from underneath him, then tosses a punch that lands on the corner of Bennyâs chin. He kicks Bennyâs gun away, and wrestles Cas until his pistol falls from his hand. The three men scrap and trade blows, until Dean is the only one left standing. His men are groaning on the dusty ground, slowly picking themselves up.
Deanâs heaving for breath as well as he leans back against the side of the hill. Despite that momentary victory, he knows what they all know: that this fight isnât going to end until either theyâre dead, or heâs dead.
âWhereâs the girl, Dean?â Benny says. He implores him to see sense. âWe take her back with us, we can smooth all this over with the Colonel. All of it, even Roman.âÂ
Dean lets out a deep breath, but he shakes his head.
âCanât do that, Benny,â he says. âIâm sorry.â
Thereâs a question circling in his friendâs eyes, but after a beat, Benny seems to know the answer to it. He picks up his gun from the ground. Just like Dean once did, the Lieutenant now has a choice to make.
He shares a heavy look with Cas. The two of them nod, before they focus back on Dean.
Bennyâs hand falls, and he stows his gun.
âYou died today,â Benny says. âWe found your body somewhere in the canyon. Your horse too.â
Dean nods, with something of a smile. He supposes faking his death is the only option now. He rips the badge off his uniform jacket and tosses it to Benny.
âThereâs your proof,â he says.
Dean shares a grim nod of respect with Cas while Benny examines the torn patch denoting a captainâs rank.
âTake care of each other,â Dean says.
Bennyâs head raises, and he meets Dean with a somber gaze.
âGoodbye, brother.â
Dean doesnât return to her until the men are out of sight through the trees. Sheâs still hiding along with the resting horses, waiting for him. That alone surprises him. It would bring a small smile to his face, if the weight of that goodbye didnât feel so heavy on his shoulders.
He reaches out a hand for her. It takes her a moment to consider it, but she accepts his offer.
He helps her to her feet, after which, she quickly pulls her hand back. Sheâs wary of his touch, her face guarded when she looks up at him. Dean supposes he canât blame her, even if it does strike a nerve. After what he just did for herâŠ
His face becomes stoic, and he turns away to grab his hat from the dusty ground. âWe should probably head out.â
She nods and calls to her horse to encourage him to his feet. Despite himself, Dean can't help but be curious. How did this girl manage to tame that wild beast?
âDoes he have a name?â he asks.
âMato,â she replies.
âMato,â Dean echoes. âDoes that mean something? You know, in your language.â
She eyes him wryly, brushing her hand over Matoâs hide.
âIt means angry, like a bear,â she says.
Dean snorts. âYeah, good name.â
He remembers his bruised side (and ego) from when the mustang threw him off his back.
Dean watches her with another realization as she gracefully mounts the horse. Baby has gotten up to her feet as well, already nudging the back of his arm with her snout. He rubs her nose in affection.
Then he turns to climb up onto her back, settling his feet into the stirrups and loosely grabbing the reins. He follows his companionâs lead farther into the forest, but he guides his horse to fall into step beside hers.
âWill you tell me your name now?â he asks. âThink weâve been through enough together at this point, donât you think?â
She considers it with a tilt of her head. She looks over at him with a small smile.
âKimmĂmila,â she says. The syllables roll off her tongue effortlessly.
Dean raises his brows. âKimâŠKimmeela.â
She shakes her head at him, her lips pursing.
âKimmĂmila.â
Lord help him, but he tries his best. His brows furrow.
âKimâŠmila,â he attempts. She guides Mato closer and grabs Dean by his cheeks with one hand.
âKimmĂ.â
âKimmĂ,â he repeats with his cheeks squished. His face is starting to warm up, and not altogether in embarrassment.
âMila,â she says with a nod.
âMila,â Dean says. âKimmĂmila.â
Heâs treated to her smile, warm and true. She releases him, her gaze flitting over his face. Then she keeps riding. Dean grins to himself.
âThink Iâm gonna call you Mila,â he says. Make it easier on myself.
She even laughs, a honeyed sound. âYes, my father does too.â
âWhat does it mean? Your name.â
âIn your language?â she says, in a tone that teases him back. She becomes thoughtful as she searches for the word. âIt meansâŠbutterfly.â
âReally?â Dean remarks. She doesnât strike him as a butterfly.
More like a lioness, he thinks, only somewhat holding back his grin.
She gives him some side-eye, despite her amusement.
âYou think it does not suit me,â she observes.
âWell, I didn't say thatââ
âI donât think so either,â she admits. âThere are many things that donât suit me.â
Dean chuckles. He can imagine that.
âBut my mother had a dream before I was born,â Mila says. âShe saw beautiful wings, and said I would have a free mind. When I grew, and wanted to spend my days with horses more than cooking and sewing things, she didnât call me free. She called me stubborn.â Her face begins to fall. âMaybe too stubborn.â
Dean offers her a rueful, sympathetic look. âYeah, I get it. My brother always said I was damn hardheaded,â he says. ââŠMaybe weâve got more in common than we thought, huh?â
Milaâs smile returns, however slightly.
âYou have a brother?â she asks.
âOh, yeah. Heâs a lawyer, so heâs more needed back home,â Dean replies.
Damn. He really does miss his bookish little brother.
He explains to her about his family, his brother and mother who still live in Lawrence, and how he joined the army, in part to honor his father.
âWhat happened to him?â she asks.
âHe diedâŠin some cornfield near Sharpsburg, Maryland, fighting the Confederacy,â he replies, heaving a breath.
"Con...federacy?" she questions.
"The South," Dean explains. "See, most of our southern states thought they should be their own country, letting slaves plow their fields and mind their kids. I may have lived on a farm, but my father always paid his workers. He fought for the Union."
"So you fought among yourselves, over land that did not belong to you," Mila points out.
Dean falls silent. After a little while, he concedes her point with an incline of his head.
"Fair enough," he says, glancing over at her. âI think my dad thought the fighting would end with the war, but, uh...it never really ends, does it?â
Her expression of curiosity fades, turning more solemn.
âNo,â she agrees. ââŠI am sorry for your father.â
Dean's a little surprised to hear that from her, but he nods his thanks. They continue to talk as the sun begins to set in the west. When it dips behind the canyon, they stop to make camp for the night, and he helps her catch a rabbit to roast on the fire they build together.
That night over the meal, she slowly opens up to him. He learns that sheâs an only child, though she has a sibling-like bond with her older cousin, Ć Ăłta. She spends most of her days planting or harvesting their crops, depending on the season, as well as sewing, painting, helping the elders of her tribe with tasks, and helping her mother and aunt cook.
When the rabbit is gone, she unbinds her long, thick hair and untangles it while she speaks. She explains that the Lakota are just one of many tribes. There are six other bands of Sioux who live in this region. Along with the Dakota and the Nakota, they are the âSeven Council Firesâ who have made the Great Plains their home for generations.
She tells him about the way her tribe lives, caring for one another, giving the land back as much as they take, and letting it rest. The men hunt and protect the village from the outside, but the women protect the inside, their way of life.
Most of all, Mila tells him, she loves caring for the horses. She goes out and rides whenever she can duck out of her motherâs watchful eye.
Dean enjoys listening to her stories. He likes what he learns about her, but also, he just likes the sound of her voice, smooth and steady, almost calming. He thinks she might like the sound of his too, the way sheâs smiled at him, laughed with him, glanced at him when she thinks heâs not looking.
She still picks a spot as far away from him as she can to sleep though. She keeps the fire pit in between them. He even catches sight of her knife, hidden in the hand she tucks underneath her cheek. Evidently, she doesnât fully trust him just yet.
It annoys him at first, considering how many times heâs saved her already. How much heâs sacrificed just to get them this farâŠ
Until he remembers how they met. He remembers the disdain and anger in her brown eyes, then the mistrust, and the fear hidden underneath. He thinks of every experience sheâs likely had so far with the U.S. Military, and anyone else who looks like him.
Dean settles down on the ground and stares up at the innumerable stars in a raven sky. Heâs exhausted, but his thoughts donât let him rest for a while.Â
At the very least, the way she looks at him now is softer than that first day.
In the morning, Mila watches the strange man wake.
He blinks and rubs his bleary eyes, yawning, groaning at the sunâs brightness like a child. She hides her smile by bowing her head over the apple sheâs cutting with her knife. The orchards span wide across the forest, and soon heâll find two yellow-red apples beside his head.
His brows raise at them, then he looks up at Mila sitting with her legs crossed behind the small fire pit. The wood there is just ash and blackened remains now, but it still carries the smell of burning.
âMorning,â he greets.
She nods back at him and pretends not to watch when he sits up with a groan, stretching and bending his arms high behind his head. He removed his uniform jacket to sleep. It allows her to see every dip of male muscle that his plain white shirt clings to, even in the long sleeves.
Her gaze furtively runs over the broad shoulders, the tapered waist, then back up to his half-bearded face, defined by a strong jaw and dark brows. The sun catches on his brown hair and teases the ends of it golden.
She would never admit it, but heâs not unpleasant to look at.Â
Last night, she declined his offer to travel with her until she reaches her tribe safely, but he was insistent. Again, strange.
So here she is, with him. Here they are.Â
Dean turns to see the horses grazing nearby. Mato no longer has the saddle and bridle his men put on him. He looks rested and at ease. He even whinnies at Baby, tossing his head a little. She answers him and flicks her tail. They continue eating together.
Dean smiles, then grabs an apple. He raises it to her in thanks before he takes a large bite. Its juices run down the corner of his mouth, and he wipes at it with the back of his hand. Mila canât help but be drawn to the sight.
She tears her eyes away when he looks over at her.
âWe have a long way to go. Three days, if the weather is good,â she says, continuing to carve pieces of her apple to eat. âWe will know we are close when we reach the river.â
Dean nods in understanding. With a grunt, he gets to his feet and takes another bite out of his breakfast. She doesnât expect the way he approaches her with a hand outstretched. She looks up at it, then at his expectant face.
âCome on. Letâs hit the road then,â he says.
Mila considers his offer for another moment. He seems to be making this a habit. Amused, she wonders if this is just kindness, or if the women of his people arenât allowed to stand without a manâs help.
She pockets her knife, swipes her braided hair over her shoulder, and slips her hand into his, allowing him to help her to her feet. When she gets there, heâs closer than he should be.
A breath gets trapped in her throat as she once again looks between his warm hand closed over her smaller one, and his face. In the small space between them, there is a different kind of tension than before. Mila canât tell what the man is thinking when he looks at her like that, but she doesnât like it.
And at the same time, she does.
She takes back her hand, and she goes to the horses. She firmly ignores how her heart gallops, even as she rubs at her chest like itâs an ache that can be soothed.
She doesnât hear Deanâs unsteady breath, nor does she see the way his green eyes follow her.
AN:Â *rubs hands together*Â Well, here they are! It's all starting to come together. What did you think of Dean's decision?
Coming up next, we have the final part: some action, some fluff, and some potentially perilous situations for Mila and Dean...
Next Time:
âYeah, about thatâŠIâm thinking your tribe doesnât take very well to outsiders,â he says. âWhite men in particular.â
Mila presses her lips together. He can tell sheâs been thinking the same thing, but she turns to him with a determined set to her features.
âI will protect you,â she says.
Dean frowns. He doesnât like the sound of that. On one hand, it warms him that she seems to really mean it. On the other hand, he doesnât want to know what itâll take for her to protect him.
âWhatâs that supposed to mean?â he asks.
She turns her face away and doesnât seem to want to answer at first.
âMilaâŠâ
âThe Chief is my uncle,â she says at last. âHe will listen to me.â
Dean blinks. Well, that changes thingsâŠmaybe.
COMING 11/17!
Or read Part 3 on Patreon now!
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#Death & Sacrifice#The Honorable Choice#Part 2#Jacklesversebingo24#dean winchester#dean winchester angst#dean winchester x oc#supernatural#spn#dean winchester fanfiction#dean x oc#dean winchester imagine#dean winchester smut#dean winchester fanfic#supernatural fanfiction#supernatural x reader#spn fanfic#jensen ackles#jensen ackles x oc#jensen ackles fanfiction#jackles#dean winchester au#western au#dean au#dean winchester x original character#dean winchester x original female character#dean winchester x ofc#benny lafitte#castiel#zepskies writes
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âWho the fuck cares?â
fuck sentence meme - accepting // @kissmepretty
âI care! I wouldnât be here otherwise!â
#kissmepretty#đmain: roman#đ„face to face#đone liners#đŹnotplotted#â©npa: surprising friendships into more: kissmepretty#â©npa: sfim: i care: kissmepretty#âȘcarmella#âȘstaten island girl: kissmepretty#đźlook into the future: queue 'em up buttercup
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â
random starters - accepting // @lasskickcrÂ
âShouldnât you buy me dinner first?â
#lasskickcr#đmain: roman#đ„face to face#đone liners#đŹnotplotted#â©npa: nothing but flirting fun: lasskickcr#â©npa: nbff: buying dinner: lasskickcr#âȘbecky lynch#âȘlasskicking cutie: lasskickcr#đźlook into the future: queue 'em up buttercup
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â any muse đ
random starters - accepting // @beavtyandgrace / carmella because of reasons :3
âLet me buy you a drink?â He asks, looking at the female with a soft smile, heart pounding.
#beavtyandgrace#codeofsiilence#đmain: roman#đ„face to face#đone liners#đŹnotplotted#â©npa: teasing and more: beavtyandgrace: carmella#â©npa: tam: drinks: beavtyandgrace: carmella#âȘcarmella#âȘprincess of fun:  beavtyandgrace: carmella#đźlook into the future: queue 'em up buttercup
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@bornofhardknocks - from [here]
Heâs taken aback by the question, frowning in confusion as he stares at the fellow Samoan in , not understanding. Not only that, but he knew there was nothing wrong his face, and he didnât know if Samoa Joe was just being an ass or something had miraculously happened since he left the locker room. âPretty sure thereâs nothinâ wrong with my face. Whaddya want?â
#đmain: roman#đ„face to face#đshort response#đŹnotplotted#â©npa: face talk: bornofhardknocks: joe#âȘsamoa joe#âȘthe other samoan: bornofhardknocks: joe#đźlook into the future: queue 'em up buttercup
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@rcbuild- from [here]
He hums softly in contentment upon hearing the younger manâs question, feeling happy that he has the man in his arms, something heâs not had in quite a while. His upper lip curls at Sethâs statement, and he shrugs lightly, kissing the open space available to him on the back of Sethâs neck before sighing.
âYeah, Iâm done. Thank goodness. Wanted to see you as soon as I possibly could,â he chuckles lightly, squeezing just a little bit.
#đmain: roman#đ„face to face#đshort response#đŹnotplotted#â©npa: when apologies need to be accepted: rcbuild#â©npa: wantba: hugs from behind: rcbuild#âȘseth rollins#âȘman rebuit: rcbuild#đźlook into the future: queue 'em up buttercup
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@topeconhiilo / from [here]
Heâs weak. Itâs the one thing going through his mind after he says the words, but he wouldnât take them back, doesnât want to take them back, no matter how insecure the other man is about them. âMaybe because part of me has actually forgiven ya,â he whispers softly, looking at Seth carefully, worried that maybe he should have just kept his mouth shut, in case Seth runs scared.
#đmain: roman#đ„face to face#đshort response#đŹnotplotted#â©spa: back in each other's lives: topeconhiilo: seth#â©npa: bieol: needing you: topeconhiilo: seth#âȘseth rollins#âȘ two toned something: topeconhiilo: seth#đźlook into the future: queue 'em up buttercup
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@rcbuild / from [here]
He wasnât surprised one bit when he found his arms full of Seth and his back on the ground, kissing each other heavily. He could hear their friends outside of the closet, but he couldnât focus on that, not when he had Seth on top of him and he could feel himself building up for more.
A moan escapes from his mouth as he thrusts his hips upward before frowning upon hearing the words, âTimeâs up!â with the door opening. He doesnât want to stop kissing Seth, doesnât want to stop this one bit, and manages to bring the younger man closer.
#đmain: roman#đ„face to face#đshort response#đŹnotplotted#â©pa: when truths are admitted: rcbuild#â©npa: wtaa: closet kissing: rcbuild#âȘseth rollins#âȘman rebuit: rcbuild#đźlook into the future: queue 'em up buttercup
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@lasskickcr / from [here]
His eyes widen when he hears the sniffles and then the tears, wondering what could possibly wrong with Becky for her to be crying instead of laughing and smiling like heâs used to seeing her. He didnât want to play the game, and he knew that Becky probably didnât want to either, but crying? It left him confused. And when she said it wasnât him, well, he was thankful, he couldnât help but sigh in relief, his body relaxing completely.
âAre ya alright?â He ask Becky few seconds later, shifting on the spot as he feels awkward over everything. He doesnât know if heâs supposed to comfort her or stay still or what, and it causes him to be in limbo, the urge to comfort the female there but the knowledge of whether itâd be accepted, not.
âDo ya, uh, need me to turn âround and walk âway or somethinâ?â He asks, stepping forward a little before pausing in his steps and waiting awkwardly for Beckyâs response.
#đmain: roman#đ„face to face#đmedium response#đŹnotplotted#â©npa: stuck in a closet with you can never be bad: lasskickcr#â©npa: siacwycnbb: the game: lasskickcr#âȘbecky lynch#âȘlass kicking female: lasskickcr#đźlook into the future: queue 'em up buttercup
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@rcbuild - [here]
âReally? So when you desired to get to the top of the company, you didnât do foolish things?â He asks, snapping lightly with a fond roll of his eyes as he slides down a wall and sits on the ground.
#đmain: roman#đ„face to face#đshort response#đŹnotplotted#â©pa: when truths are admitted: rcbuild#â©npa: wtaa: foolish things: rcbuild#âȘseth rollins#âȘman rebuit: rcbuild#đźlook into the future: queue 'em up buttercup
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@ringsoldiers - for jey
âJeyyyeyyyy, uce! Happy birthday, cus. What are ya plans, man? Anythinâ good.â
#sincedvyone#đmain: roman#đ„face to face#đone liners#đŹnotplotted#â©npa: birthday wishes: ringsoldiers: jey#âȘjey uso#âȘuce man: ringsoldiers: jey
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@topeconhiilo - for jey
âU C E! Man, I canât believe youâre gettinâ old. Howâs it feel, cuz? Are ya gonna come out on Smackdown with a party! Because ya should! Anyways, I hope youâre havinâ a good day, man,â
#jeyvso#đmain: roman#đ„face to face#đshort response#đŹnotplotted#â©npa: birthday talks: topeconhiilo: jjey#âȘjey uso#âȘcousin extreme: topeconhiilo: jey
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@superbadassboysclub - starter she asked for but will probably lose when she next logs in :P
âYouâre going to kick ass out there, yâknow,â he says quietly, softly, scratching at his face as the sheet lowers down his body, eyes resting as Seth gets dressed. Heâs content where he is, but not emotionally as his heart is thrumming as he tries to ignore the pain of sleeping with Seth, of not getting emotions in return. Heâll deal with it, he knows. Itâs whatever. âWhat, no response again?â He scoffs, rubbing his face harder now and scowling, grabbing his own clothes.Â
#đmain: roman#đ„face to face#đshort response#đŹnotplotted#â©npa: just two friends with hidden desires: superbadassboysclub: seth#â©npa: jtfwhd: emotions: superbadassboysclub: seth#âȘseth rollins#superbadassboysclub seth tag pending
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