#우환

[onomatopagu-et-cie]

♦ More on names & hanja: Lee Minsu/Yunseong

Self-reblogging because I wanted to add a bit to the characters’ names & hanja!

I forgot to mention it, but the Chan in Muchan could also be written with the hanja radical 火 associated to fire/anger, 燦: shine/twinkle/glow (빛나다 & 찬란하다 = bright/radiant, which aligns with the overall use of light/dark in the drama, or glorious ie. a matter, ideal, etc., being very good and grand).

I found the hanja used for Lee Minsu in ep6!

(Oh and on his resume, you can see when he went abroad after Narae’s case he attended the law school KSJ went to… !)

-> Lee as the last name

In the drama, it’s written 李: plum (오얏) or messenger/runner/errand boy (심부름꾼) ie. someone who does tasks (eg. carry messages, letters, collect money, small tasks …) ordered by an individual/company or fig. a person who works for a nation and its people, in a public agency! But it could also be:

邇: near/close/adjacent (가깝다………. you know)

異: different/other or extraordinary (다르다, also 달리하다 = be unlike/differ, and 기이하다 = eccentric/strange/weird)

俚: vulgar/coarse/popular (속되다 and 촌스럽다 Min Jiyoung used = unpolished/countrified/dowdy as you can see in the point on classism!)

-> Min in Minsu

In the drama, it’s written 閔: worry ie. a fearful and anxious feeling that sth bad might occur (근심) and worry/trouble or disease/illness (우환)

As for the other meanings of Min:

民: the people/subjects (백성, old-fashioned), -민/min is a suffix used to mean people/compatriots/nationals eg. how Gaetal addresses the country ‘국민 여러분’ (dear citizens/ladies and gentlemen, like politicians or officials would do).

泯: be ruined/destroyed/spoiled (망하다, used when JJW says No. 1 Fan ‘destroyed’ the person KSJ loved the most…)

慜: smart/clever/talented/gifted (총명하다)

-> Su in Minsu

In the drama, it’s written 秀: outstanding/remarkable ie. noticeably great among many (빼어나다). Su can also be written as:

燧: torch (횃불), flint ie. hard stone used to make a fire by striking it with a piece of steel (부싯돌) and beacon ie. a signal fire used to warn of an emergency or enemy invasion (봉화, archaic) ; it is composed of the 火 radical associated to fire/anger, like the Ju in Seokju & Joohyun (wick/burn out) and the Chan in Muchan (shine)!

藪: marsh/swamp ie. sunken place deeply dug in the muddy ground, always filled with a lot of water or fig. a circumstance or situation that one is hard to escape or end.

狩: hunt/prey on (사냥하다 ➾ 사냥개 = hunting dog!!!), conquer/subjugate (정벌하다)

囚: lock up/confine (가두다 & [옥에] 가두다 = imprison/put sb in jail and given KSJ's name could be associated to the prison too… the hanja dictionary gave as associated meanings 자유를 빼앗다 = restrain a person of their liberty & 사로잡다 = capture/catch alive a person or an animal or captivate/enthrall/obsess ie. make one’s mind or thought occupied by one thing)

獸: animal/beast & fig. beast/brute ie. sb very violent or barbarous (짐승) ; the dog radical 犬 composes this hanja!

守: guard/defend/keep watch (지키다 eg. prevent sth from loss of wealth, profit, safety etc. or protect against external aggression)

酬: pay back/return but also revenge (갚다 & 원한을 갚다 = have one’s revenge on)

讐: enemy/archenemy ie. person or group that cased one harm in a way that makes them indignant and frustrated with a lingering resentment (원수)

粹: pure/guileless/innocent (순수하다)

-> And for Yunseong:

You can find the hanja chosen in ep7:

The Yun in Yunseong is written with 尹: polish/gloss ie. bright shine reflected from a smooth object (광택) and reliable/trustworthy (미쁘다).

But it can also be written as 倫: ethics (윤리) ; given KSJ's lectures (philosophy of law, and if I remember well, Jodan mentioned he held a conference on ethics).

And for Seong in Yunseong, 宬: stacks/stack room ie. a room that organizes and stores books in libraries etc. (서고).

聖: saint fig. ie. person of wisdom and good character, many people admire as a role model (just like his students admire him now) & Saint as the religious figure!

Oh and yes @kingsandbastardz I absolutely agree with you! Unless proven otherwise, the drama clearly hints at it in various ways, to the acting, the details in the background, the script, and they’ve been doing it since the very beginning! Or at the very least they both had unspoken feelings for each other (whether they were oblivious to it and decided to act on it or not is another question)!

One of the great points of TKV imo is that they put a lot of care to build the relationships between all the characters, the scenes leave room for many different interpretations you can make at first & in retrospect as the story unfolds and KMC’s behavior is THE best example haha!

We still don’t know how KMC & KSJ first met, and I hope we’ll get some more background soon!

And yes, why indeed @dangermousie, I can’t wait for the next episode, be out already _(:°з」∠)_ (SBS is actually airing the Hangzhou Asian games until October so some some TV programs like TKV are postponed!) Picking up this drama without waiting for it to end was truly a great but painful idea at the same time haha And thank you so so much for reading 💙

A nice day/evening to you!!

The Killing Vote (ep. 7 notes)

The Killing Vote (ep. 1-5 notes) The Killing Vote (ep. 6 & overall notes) The Killing Vote: more on Joohyun, Kwon Seokju & Kim Muchan

I don’t know if you saw, but they announced episode 8 will be out next week on October 5th……….. After THIS preview no less, you’ve got to be kidding me aaaaaaaa (PД`q。 ) ·。 ' ゜

This got again really long, sorry again!!!!

Have a nice week!

(SPOILERS UP TO EPISODE 7!!!!)

Let Jihoon, Joomin, Joohyun, KMC & KSJ get their happy found family ending (இ﹏இ`｡) Put them in a slice of life, far far away from this noir genre plsssssss

I appreciated the fact that no explicit violence (except when BWT was beaten up by Min Jiyoung's family & KMC) was shown on screen ie. for Narae nor her dog ; the violence implied from all the scenes were more than enough already (eg. the video on KSJ ; the audio recording Narae’s voice)... ! And by the way, Park Sungwoong's acting in this episode!!!!!! I also loved how KMC’s character was shown trying to maintain a composure/restraint (his voice damn) in front of KSJ’s grief.

And the Jihoon & Joohyun scenes were GREAT!! Joohyun sounds like that sister you can naturally rely on!

(She needs to live, you hear me?!)

(Don’t read the new OST’s lyrics you are warned haha, it was beautifully played for Jihoon’s scene and the lyrics could also very well apply to KMC & KSJ in KMC’s pov!)

♦ September 15, 2015 (Lrae091515)

Narae disappeared on September 15, 2015… Just like how the video test is titled!

OH and something I missed!!! In the first post I mentioned the video test title, I wondered if it could refer to both Narae and Dies Irae (since Mozart’s Requiem was played in ep4):

As for the ‘Lrae’… It could be a wild WILD guess but ‘Lrae’ could be ‘irae’ as in Dies Irae/day of wrath (capital i looks like a lowercase L), which is a sequence in Requiem mass!

But the capital L could also stand for the korean letter ᄂ/니은 (nieun), which is the first letter for Narae/나래. Added to the ‘rae’, it gives ‘Narae091515’.

♦ The items in LMS’s room & his ring

Some of the items that were in the display case in LMS’s hidden room were revealed in this episode (from left to right):

KSJ’s suitcase

KSJ’s book he signed for LMS

KSJ’s mug, which is seen carried in the present by:

Jihoon (we only see him retrieve it from the deliveryman)

LMS (a whole collection)

This Gaetal in ep4 with this particular red mug when they rage as the public opinion is shaken because KMC was believed to be dead.

The picture with Narae seems to have been taken the day of the conference shown at the beginning of the episode. LMS probably stole the picture because it was a significant day to him ie. when he met KSJ in person.

Also, about the ring, LMS had it even in the flashbacks (picture to the right). Could it be some device to send him a reminder to take his medicine?

♦ More on shame

Something I wanted to add to what I said in a previous post (‘On the frames facing down (ep. 1 & 6), shame and guilt’): when KSJ visited his house in the present thanks to Joohyun, he only dusted off Narae’s picture to face her stuffed bunny.

Ep7 showed the other frame was a picture of KSJ and her, so it could show how he still strongly feels he failed her as her father:

♦ Narae, Joomin and Jihoon

FINALLY a bittersweet but hopeful? (I don’t care if it’s wishful thinking, let me hope okay ;;) parallel that’s clearly the opposite of ep4 & 6’s framing, the new OST (Aalia, Blue) was a perfect addition, it was soothing:

♦ The third person meeting with Narae and KSJ

(1) « She »

At the beginning of the episode, Narae met KSJ and said a ‘she’ couldn’t join them for dinner according to the subtitle translation when I watched.

(I’m unfortunately not able to watch on Prime, so I’m not sure if it’s fansubs or the Prime translation ; I wanted to use my free trial to watch the drama and other series, but it’s region-locked in my country and I don’t have a VPN ;;)

The gendered pronoun is an addition of the translation as the original exchange omitted any indication on the subject.

Most of the time [in Korean] the subject is implied, and you would rather address someone by their title or name (with an honorific if need be) depending on your relationship eg. Joohyun calls KMC 팀장님/team leader and KSJ 교수님/professor, Joomin calls her sister 언니/big sister. Note: but it can also be used by a female speaker for an older woman she’s close to eg. a friend, a girlfriend (like 형 = younger man -> older man ; 오빠 = younger woman -> older man or 누나 = younger man -> older woman).

This is how Narae and KSJ’s conversation went:

« — 왜 혼자 왔어? / Why did you come alone? — 또 먼저 갔지. 오늘도 할일이 엄청 또 많대. / [They] left early again. [They] said [they] had a lot of things to do today too. — 셋이 같이 저녁을 먹을랬는데. (…) / I’d hoped the three of us could have dinner together. »

Nothing in this exchange hints at the identity of the person that accompanied Narae. KSJ only mentions the three of them (셋이), nothing else.

(Of course, translating this exchange could be really tricky because it’s about a context that only Narae and KSJ are privy of and we’re unfamiliar to, how to introduce a character we potentially know nothing of?)

But the conversation shows:

— That person usually accompanied Narae to see her father (and probably picked her up from school first & walked the dog together) ; that explains why the subject is omitted in the conversation because it’s implied from their daily life.

— They sounded like an adult habitually swamped with what looks like a usually time-consuming work (which excludes Jihoon)

— They seemed close enough to both Narae & KSJ (who jokingly says it’ll be a father-daughter date if they don’t come), dinner with them sounded customary.

— We know it couldn’t be about KSJ’s ‘late wife’ as Min Jiyoung comments ‘It must be hard for him to raise a girl by himself’ as they’re driving home from the conference.

— It has been highlighted twice already how hard, to society/KSJ’s surroundings, raising a girl by himself must be: first with Min Jiyoung’s housekeeper in ep5 (‘They felt sorry for me for raising my daughter alone, so they would share food with me sometimes.’), then Min Jiyoung herself in ep7. Whoever that was, this person also might've helped KSJ to raise Narae unbeknownst to everyone else.

So it was supposed to be someone close to the two of them.

(2) Kim Muchan?

In the same episode, when KMC said Choi Jinsu knew what kind of relationship he had with KSJ, CJS later described it as a ‘close relationship’ (가까은 사이), the same adjective KSJ uses to describe KMC in the present (see in a previous post the notes on 가깝다).

KMC is also the one shown in the very next scenes working hard to bust drug scenes (to the point of eating those painkillers like it’s popcorn). It’s also highly likely the other cases we saw on the news were also recklessly solved by him. (Also the ‘Lives Here.’ on the mirror is a fitting detail to his workaholic side!)

He's still the same in the present and brings work at home. Even though he gets around the law to arrest culprits, the reputation he has now can also attest to the fact he’s still relentlessly absorbed by his work.

This was indeed how Jodan described KMC to Joohyun:

« (…) aka. Wipeout. Pressuring criminals to admit more crimes. Making a case bigger to take more credit. He somehow makes cases into special ones. That’s how he made his way up to Seoul from the south. The master of promotions. (…) Based on his arrest rate, he should be at the top, but those up there must hate him. »

And KMC was close enough to KSJ and Narae to firmly believe Narae would never run away from home, like family would say ; KSJ was the only person he trusted and looked up to.

(3) How long did KMC know KSJ?

KSJ began teaching at KNPU in 2008, which means KMC and him must’ve known each other for at least 7+ years (it’d be 15+ years in the present): ‘Have you forgotten? I said I’d be your number one fan. I said that at your first lecture at KNPU.’

Also KSJ is 44 years old btw, I missed that detail in ep4 when KMC checked his files!

♦ Relationships conveyed through pictures

It’s interesting how the drama keeps highlighting the importance of KSJ and KMC’s relationship, but there’s (yet) no picture to materialize this truth in people’s eyes, while the other significant relationships are framed in the drama:

-> Joohyun’s family portrait and a picture of Joohyun and Joomin in the present.

-> KMC picture with someone who might be his mother.

-> Many pictures of KSJ and Narae filled the house’s walls and the furniture and there was a picture of Narae and Jihoon with the handmade bunny toys hanging on their backpack.

And even though nobody might’ve heard of KSJ adopting Jihoon soon at the time (except KMC), he was present in Narae’s drawings by her and KSJ’s side. And he also drew the three of them together.

-> Min Jiyoung’s family portrait was ostentatiously exhibited in the past & is still used to build her image for her campaign. But there’s also a small portrait with only her and LMS at her apartment in the present.

KSJ and KMC’s relationship evades common portrayal. (Not to mention family portraits are often shown in dramas to foreshadow underlying dynamics between its members!)

The only picture we were shown of them was on the day KSJ was sent to prison:

♦ KSJ’s health and military service

On KSJ’s resume (first picture), you can see he was exempted of military duty.

Indeed, what’s written on the left column under his military status is 미필 (incompletion, if he had been discharged after completing his military duty, it would be written 군필), and the rank and service term columns are empty.

I can’t quite make out everything that’s under the last column for the reason of incompletion, but I read 기형 (deformity), 친환 (one’s parent illness) and 변재 (accident) … ?

However what we learned when KMC checked his medical files in ep4 (third picture) was that he’s got asthma (천식) and primary spontaneous pneumothorax (일차성 자연기흉) ie. occurring without an apparent cause when there’s originally no known lung disease while there’s a preexisting lung disease when it’s secondary.

« Until now the cause of primary spontaneous pneumothorax (PSP) has not been identified, however; several risk factors have been identified such as; smoking, male sex, and a family history of pneumothorax ».

So he was probably exempted due to his long-time health issue (asthma, lung collapse), and maybe KSJ’s family had a history of pneumothorax.

♦ Who is Gaetal?

Is LMS really Gaetal? Are Fan no. 1 & Gaetal different people?

As I said in a previous post, the drama plays with the bias that everything must’ve been done by the same individual/a same group with the same intentions, so it’s possible:

Gaetal in the video test

Gaetal in the prerecorded votes, at least the first one (because the tone, gesture and expressions seemed different compared to the two next votes)

Gaetal broadcasted live (for Cpt. Oh’s vote)

Fan no. 1 who wrote the letters to KSJ

Fan no. 1 JJW said he was working with who described KSJ as the one they admired the most but also said they destroyed the person he loved the most, so he must hate them

Are different people in some cases, meaning:

— The ‘Fan no. 1’ Jung Jinwook worked with might not be LMS, since they never met each other

— It could be Jihoon, or at the very least, he’s an accomplice (there’s this exchange with Joohyun about the shift from an accessory to an accomplice, it could be foreshadowing). He’s well-versed in hacking, he most likely ‘admired’ KSJ and feels guilty over Narae’s death (and probably over BWT’s murder by KSJ), as KSJ said to KMC:

« — [Narae and Jihoon] were supposed to meet that day. — Yes, he thinks all of this happened because he was late. He’s still in shock. »

(He could’ve been the one to have faced Narae’s picture down!)

We don’t know his whereabouts for these 8 years but he must’ve been in contact with KSJ at least once since what happened and given KSJ’s reaction when KMC asked him if he contacted him.

Also Jihoon was definitely searching for KSJ before Joohyun interrupted him when he was at the Police Agency at the end of the episode.

He looked like he definitely knew the content of the ‘video test’ too (or recognized the room), he seemed dumbfounded to learn Joomin found it in ep3:

Determined to help, a part of him could’ve held KMC guilty of the chain of events 8 years ago. KSJ entrusted his handmade bunny toy to KMC and said:

« He said he made them himself, so there are only two of them. Whoever has Narae’s is the murderer, so he told me to use this to catch him. He left this with me. I’m counting on you. »

And KSJ must have some part in whatever is happening now with the Killing Vote: after all, we never got the reason KSJ went out of prison in ep4 (‘If they find out what I did instead of performing labor, they might believe the suspicions are true.’).

-> This scene in ep3 (the first set of pictures on the left): of course this shows his relief because he still cares for KMC but it seemed like he somehow already knew for a fact KMC was out of danger, even before the janitor said he was barely hanging on and not off the hook at all.

— This was even before the video of KMC was revealed to the public, in the next episode ;

— The present Gaetal might have informed him in advance a police officer got involved in the bombing against their will, without revealing it was KMC. This would explain why KSJ seemed genuinely surprised when the janitor said it was KMC (the last two pictures of the set) ;

— Someone else could have informed him even if it seems difficult from the prison (but we know he got lots of privileges there and we still don’t know what he did for the warden ; the visit register could have been fabricated and someone indeed met him) ;

— It’s worth pointing out KSJ was convinced KMC was Gaetal up until ep6, which add another layer to this scene.

-> His reaction in ep5 was also curious (the second set of pictures on the right), he only got perplexed for the video test, as though he was well-acquainted with the rest of whatever was going on except for that one detail (which adds to the theory that Gaetal in the video test ≠ Gaetal in the Killing Vote/Fan no. 1).

Curiously, as I said just above, while KSJ seemed unaware of the video test's existence, Jihoon looked familiar with its content on the contrary.

KSJ never outright denied he was Gaetal eg. his interview with Joohyun in ep2:

«  — ‘Devils who were deemed innocent.’ The phrase that the killer used… You were the first one to say it, weren’t you? I think the killer has something to do with you. — The two people who used the same phrase must be connected. That’s such a naive approach. »

Ep6 only showed KSJ hoped KMC was Gaetal.

And you wouldn’t say KMC’s ‘I’m a cop.’ is a real answer too. Hate to admit it, but KMC stayed silent when KSJ wanted to confirm he was sincere: his feelings might be genuine, but denying he’s Gaetal could very well be a lie.

As for KMC’s front ie. keeping silent when asked about his relationship with KSJ, I guess it comes from his determination to solve all this by his own hands this time: he knows they would take him off the case otherwise. (And for some reason, I can’t help but also suspect Joohyun aaaaa we still don’t know anything about her past!!)

KMC or KSJ, one of the two might be related somehow ; if so, I guess they’d be trying to plan something without the other knowing in order not to involve them and also because the other would disapprove (eg. KSJ to put an end to KMC’s guilt ; KMC to offer some peace to KSJ after all the tragedy and past mistakes).

— Plus, the Gaetal of the first vote sounded suspiciously like KSJ (his silhouette and gait too) eg. t h a t tremulous voice when he gets angry (the actor plays a lot with that in his roles overall).

— The first vote was prepared from a redevelopment area and BGC was murdered there (pictures on the right).

In ep7, with the video accusing KSJ of being dubious and the witness statement, Narae being found in a redevelopment area was what made the police suspect KSJ of murdering her, since he was known for standing up against said building’s demolition:

« You’d been to the place where the body was found, right? Don’t even think about lying. We know you protested against demolishing that building. »

(Even before Joohyun showed him the Gaetal video test, KMC must’ve had his suspicions from BGC’s murder scene and the broadcast after the body was found eg. recognizing KSJ’s tone, 'the devils deemed innocent' or the ‘rational justice’!)

Narae might’ve been found in the lower part of the building BGC’s vote was prepared in: even though the first story doors were repainted in red and handrails were added to the bridge, the overall architecture and the sort of electricity meter/letter box on the ground floor look the same.

And even without it being the same building, it holds enough resemblance for it to seem like a disturbing recall of the events 8 years ago, combined with Gaetal’s keywords.

— LMS could’ve killed BGC’s wife as Gaetal's copycat at first but that still wouldn’t explain his involvement to the Killing Vote, saying he would give it to his mother as a present.

(But his conversation with KMC when he interviewed him in the present really gave me the impression he knew something about KMC we were not shown, and that could foreshadow what'll happen in the next episode!)

— About LMS’s true perception of justice: we never got to hear his opinion, Narae came running to her father and KSJ interrupted the conversation. So far, the drama didn’t show if his ideals align with Gaetal’s for example, but some elements in the flashbacks clearly show it could be the case.

In fact, his notes about ‘proper justice’ could align with Gaetal’s concept of vigilantism to make up for a failing official retributive justice.

And his ‘If you pass judgment without looking at things clearly, it’s not being fair. It’s being indifferent.’ clearly parallels KSJ’s opinion in the present (ep6):

« Lady Justice wears a blindfold because she’s afraid of bias in decisions. That always bothered me. If you don’t look at cases and the people involved clearly, how can one pass fair judgment? Can judgments without experience be right? Only after losing my daughter did I realize I was qualified to judge others. »

KSJ’s past self would’ve been moderate and warned him however: ‘Relying solely on your experiences can also lead to bias. Experiences are gained through situations and conflicts. They can’t be absolute truths.’

But this detail is something KMC doesn’t know, he instead focuses on LMS’s elitism because he didn’t have those kinds of exchanges with him.

♦ ‘No. 1 Fan’ & LMS

So…………………… You mean to tell me « No. 1 Fan » was originally a memory both KSJ and KMC held dear? That LMS chose this very nickname as a penname for the 5 whole years he sent letters to KSJ? That LMS described KSJ to JJW as the man he admired the most, just like KMC said in that exchange.......... ?

There’s literally no way in hell LMS didn’t listen KMC and KSJ’s conversation ; « no. 1 Fan » could be common in any other case but not in this one: LMS made everyone around KSJ gone from the picture, it wouldn’t surprise me KMC was/is meant to be the next (LMS even describes him as a ‘cockroach’ hard to kill in ep5).

As to how he got to learn all that, bugging one of the two’s communications/belongings/Narae’s room (eg. that ‘My Daddy My Hero’ seems to be the only thing taken from the house, or the device Jodan found in the ceiling, as it’s totally covered with dust) or even hiding in KSJ’s house that day and listening to their exchange wouldn’t be that surprising given what he did and how he seems to enjoy playing recklessly.

What Jodan found looks like the kind of device that transmits frequencies to another device (eg. cell phone, a recorder prepared to this end).

In this episode, we saw LMS watched everything among the crowd each time (when Narae’s body was found, when KSJ was sent to prison), there could very well be times he watched unnoticed from KMC or KSJ.

I guess he learned about the ‘rational justice’ the same way: he could’ve heard the ‘devils deemed innocent’ from his mother or some other way (eg. if he hacked the court’s archives, he could’ve found the trial transcripts), but ‘rational justice’ was something only KSJ and KMC knew about (at least, at this point of the drama).

Given his obsession for KSJ, LMS could benefit from deliberately using a precious memory that KSJ could only attribute to KMC and posing as KMC: that would finally make him assume a special position in KSJ’s eyes (and it worked: that’s probably why KSJ firmly believed Gaetal and/or the one who wrote him letters was KMC).

And he probably deludes himself into believing it was originally his by right, not Narae’s, not KMC’s nor anyone else’s (I don’t think he knew Jihoon even if he observed the house): he considers himself KSJ’s only Fan no. 1.

At the same time, becoming Gaetal, a figure that would finally bring the justice to KSJ which KMC failed to do, gives him the opportunity to finally ‘judge’/destroy KMC as he wished. Eg. making him the next Killing Vote target by showing people he was deceiving them (his ‘Wipeout’ reputation) ; or distorting facts about his involvement in Narae’s case (just like the video Min Jiyoung/LMS made on KSJ to divert the attention off her son).

And this seems to be the case in the preview:

The screen on the left side of the shot displays an edit of KMC (which looks like those Gaetal did for the previous targets ; the picture seems to come from when the journalists gathered at the prison when they learned he was alive), and if I’m not mistaken you can read on the banner « 속였습니다 » (‘I/He deceived/lied to [the people maybe?]’), which might be a reference to what he said in ep4 where he also used 속였습니다.

♦ « This house had good natural lighting »

Losing Narae left KSJ lifeless. In this episode’s flashback, his profile, livid, is blinded by white light, like a ghost.

Even though he stood in Narae’s room, he was perhaps longing for the house that was already not there anymore and that initially had ‘good natural lighting’, as Joohyun said in ep4. It symbolized all the happiness he shared with Narae.

And KMC could only witness, helpless, KSJ’s grief.

In retrospect, on the second set of pictures to the right, the sight of KSJ’s silhouette in a similar setting and lighting (when KSJ was transferred to the Police Agency, ep5) might’ve reminded KMC of this memory.

The drama highlighted this theme in other previous scenes too. They have in common a silhouette shot in an overall dark setting facing a strong backlighting.

[And you can notice the shots get gradually brighter as the drama progresses and KSJ gets out of prison!]

-> When KSJ is transferred to the Police Agency ;

-> When Joohyun interviews KSJ and makes him listen to Mozart’s Requiem in ep4. And also KMC’s reaction we could better understand in retrospect as he listened (the pictures on the bottom right) ;

-> When KSJ enjoyed the light from the prison in ep4 ;

-> When he looked outside from his cell’s window while meditating in the first episode ;

-> When KMC wanted to visit KSJ but he refused to meet him in ep2 (and we can once again better interpret his expressions in retrospect to ep7).

Note: in ep3, KMC’s reaction to the tagged wall (‘the 13th was wrong’) and the news articles about the case from 8 years ago could also now be interpreted as pained in retrospect ; his surprise upon discovering this also shows it’s at least not him who messed the room that way. If he cared for Narae as this episode showed, he probably wouldn’t have damaged her room. It's also maybe relevant to note again that the video test didn't have the tagged wall!

♦ Min Jiyoung’s classism

Whatever Min Jiyoung found on KMC was something she did not approve to her standards: she went from ‘that detective’ when she first met him to ‘bastard like you/the likes of you’ at the end of the trial.

I get BIG classist undertones when she speaks to him, and it's not the sole occurrence:

-> When she fired her previous aide because he advised her in a way she deemed unsatisfactory, she commented: ‘촌스러운 새끼’ which was translated to ‘What a loser.’ The adjective she used is 촌스럽다 (unpolished, countrified, dowdy ie. « one’s attitude or taste being unsophisticated and looking like that of a country person »).

The Naver Dictionary also gives the expression ‘촌스러운 사람’ and translates it as ‘a lout, rustic, clodhopper, boor’.

새끼 means offspring (cub or child/kid), but it’s often used as an insult to mean someone’s a jerk/bastard/etc. which is the case here (eg. 개새끼, SOB/bastard).

-> The housekeeper: KSJ described her as ‘도우미’ (assistant, helper) and was getting along well with her and her husband (‘They felt sorry for me for raising my daughter alone, so they would share food with me sometimes. (…) Though we didn’t know each other very well, we were quite close.’).

And Min Jiyoung, who lives with her and her family, calls her…… an expense (‘비용’) if I’m hearing well (at the very least, it doesn’t sound like any of the words commonly used for housekeepers eg. 가정부, 도우미, 파출부, 하녀…), and it could explain why KMC made her repeat.

-> She used 너 같은 새끼 to insult KMC (‘bastards like you/the likes of you’), right after calling LMS his son (아들), which could imply the latter qualifies more as a person than him. She even deems him a taint/테인트 threatening to spoil their status/reputation.

-> She said to LMS in ep5: ‘[KMC] must be trying to make ends meet. You better stay away from those vermins.’

And be it a coincidence or not, Jihoon’s grandmother was also judgmental towards Joohyun and her sister (ep4, first set of pictures).

Her reaction to KSJ’s idea (she was taken aback and raised her eyebrow then looked embarrassed as she tried to answer) could also be explained by some distance she wants to put between her and disreputable people (ep6, second set of pictures).

Gaetal targeted the rich so far (‘The law that is more harsh on victims than on criminals… It feeds like a parasite off of money and power, so the ones who deserve to die are still alive.’), like some sort of Robin Hood as KMC commented.

♦ « Hyung »

(breaking my silence once again…) KMC and KSJ were lovers/KMC was in love and they were in their domestic life bubble (and ngl that ‘… [and the one] I look up to.’ delivery with that hesitant interruption felt like a left out confession)

The scene in Narae’s room was paralleled in the present in the same episode:

You can notice with this comparison that most (if not all) of KSJ & KMC’s scenes in the present are submerged by blue tones in the prison cell and at the Police Agency, just like in the lyrics of the new OST with the wordplay on the color blue and feeling blue! eg. 눈을 감아보면 I see blue — 그런 너의 모습에 feel so blue (When I close my eyes I see blue — At the sight of you feel so blue) 네게 가려진 난 I see blue — 몰랐던 너의 모습에 feel so blue (I’m covered/obscured by you I see blue — This side of you I didn’t know feel so blue)

♦ Gaetal, masks and dogs

Gaetal could be translated as ‘dog mask’ (개, dog + 탈, mask).

GAETAL AND MASKS

Gaetal’s excentric and playful, Robin Hood-esque character and their theatrics could be a reference to the traditional Korean masks.

« [Korean masks] were used in war, on both soldiers and their horses ; ceremonially, for burial rites in jade and bronze and for shamanistic ceremonies to drive away evil spirits/illness/bad luck out of an individual or a village (often horrifying or grotesque to invoke fear and humor), to remember the faces of great historical figures, and in the arts, particularly in ritual dances, courtly, and theatrical plays. The present uses are as miniature masks for souvenirs, or on phones hung as good-luck talismans. There are two ways to categorize masks: religious masks and artistic masks. »

Indeed, KSJ had a glass display of Korean masks in his house (it’s a limited Seoul 1988 Olympic Games Korean Masks Collection):

Masks are in fact known to be used in talchum/talnori (mask dance/play), an art developed after a cultural shift in society: masks were initially used in religious activities, but entertainment and festivities factored in through time.

« An ensemble of musicians accompanies masked performers who humorously explore social issues through dramatic combinations of cheerful, energetic and rhythmical songs, dances, movements and dialogue. »

They mostly originated from the pre-modern society of the Joseon dynasty. The country was governed by a rigid social hierarchy (eg. the aristocracy and the buddhist monastic hierarchy) and a strict patriarchal system. They sharply criticized contemporary society with satire and witty humour, depicting the falsehoods and hypocrisies of the upper classes (eg. decadent noblemen, apostate/depraved monks, patriarchal husbands) but also mocked stereotypical versions of annoying personalities within the lower classes (eg. the drunkard, the gossip, the flirt of the complaining grandmother). It offered people both catharsis and important life lessons, and masks are a key means to do that.

On the nobleman mask (Master Kim Dongpyo, maker of Hahoetal): « yangban noblemen prioritize dignity and saving face above all else. The gentle curves of a Hahoe yangban mask embody this character. » In other local traditions, noblemens’ masks may express greedy and pretentious personalities.

Talchum offered an opportunity to commoners to unleash their pent-up emotions, their suppressed anger and for the governing class to hear the people’s complaints, ultimately promoting greater unity within society. Their will for resistance is voiced.

Gaetal's apparent intentions correspond to all this to a great extent.

« Once a person dons a mask – men and women, young and old, nobility and commoners – all are freed from social conventions and restrictions. The appearance of the Korea mask itself is also liberated by convention. Nevertheless, everyone manages to find a part of the mask with which they can identify. In this way the mask is truly the face of the heart's hidden desires. (…) Korean masks are grotesque and vividly colored. Masks are painted in vivid primary colors, representing both the individual personality and social class of the character as well as his or her age and gender eg. black & dark for an elderly character ; red & bright for a young character ; white for a young female character. In terms of personality, a red, darkly-colored mask represents recklessness and aggressiveness; a yellow or lightly-colored mask characterizes foolishness and incompetence ; and a black or darkly-colored mask exemplifies an anxious, socially marginalized character. To symbolize a character's duplicity, masks are sometimes painted half red and half white. »

[For posterity, in the drama, Gaetal’s mask is fully white ; we also don’t know Gaetal’s gender, Joohyun evokes this possibility, it could very well be herself, Min Jiyoung or her assistant, even Jihoon’s grandmother ; Min Jiyoung’s attention to her clothes also reflects the good/evil duality with her outfit at BWT’s final trial.]

Professor Heo Yongho, Korea National University of Arts: « Korean mask-dance dramas deal with such universal themes as freedom and equality. However, they present these common subjects in a distinctively dynamic and exciting way. »

All these emotions, ambitions and desires can therefore be put on display without fear or shame. The characters mock and satirize the duplicity and foolishness of the ruling class and pray for a new world and a better future, like Gaetal does in the Killing Vote.

This page even theorizes 탈 derived from the Chinese character for ‘to rid/free oneself from something’.

« Korea adopted Chinese characters prior to the invention of their own, unique alphabet under King Sejong (1397-1450), and still use Chinese characters extensively. Thereby, the original meaning of the talnori or talchum, is a play or dance that helps shed ones stress and grief. Originally talnori was performed at night, often in a clearing around a fire and the exaggerated colors and expressions on some of the masks reflect a time when such vibrant colors and expressions were necessary to make them visible in the poor light. » [This bit could be relevant later on in this point when I’ll talk about the moon and the fire symbolism!]

The interaction with the audience is important, it completes the performance. As the UNESCO page describes: « talchum performances do not require a formal stage: any empty space can become a venue. The audience plays an essential role, contributing to the production with their cheers and jeers as the drama unfolds. »

Talchum players improvise their lines and actions in response to the spectators, quickly forming a bond together.

In a distorted fashion, the Killing Vote seems to strongly rely on the country’s participation to vote for the ‘judgement’ of the culprit, introduced as corrupt and deeply irredeemable people (even though we know the reality is more ambiguous: two broadcasts were pre-recorded and pretty compelling cases were deliberately chose to obtain an unanimous vote, not to mention Gaetal’s true intention eg. if they’re LMS).

The country even becomes an entertained audience in addition to their participation: each vote brings its fair share of debates, cries of support, admiration, disgust, anticipation or emulation. The Killing Vote becomes an outlet to everyone's fears, anger, frustration.

Gaetal's judgment of 'devils that were deemed innocent' by a failing legitimate system which would even condone their deed inflames passions: revealing the culprit's corrupt side in a sarcastic, unfiltered fashion the conventional society would (or could) never dare to do makes people look up to Gaetal.

It also makes people relate to Gaetal because the votes serve as an example that they wish was applied to their own tragedies eg. Joohyun, KSJ, Joomin & Jihoon. Exemplifying the 'judgment' of their cases could be seen as a prophylactic step to 'exorcise' the deep-rooted evil and appease the tormented souls of their victims.

And Gaetal engages with the people with a witty and sarcastic speech, and sounds deeply concerned with people’s opinion (again, it could be false pretenses) eg. when they cautioned sensitive souls to close the video as its content might be too violent ; when they got angry as they read forums after KMC was thought dead ; when they broadcasted the video revealing KMC was alive.

The Killing Vote also seems to touch on people’s duplicity, hidden desires and ambitions in society eg. especially KSJ, KMC, Min Jiyoung, LMS and people’s ambivalence in the face of good and evil (everybody has in them the risk of becoming a ‘Gaetal’ or one of their targets if faced with certain opportunities and circumstances) as I talked about it in a previous post (’The Killing Vote and a vigilantism built on a twisted basis’).

The hahoetal (Hahoe [Village] masks) are one of the most known Korean masks, designated as national treasures.

They were used during a kind of mask dance called 하회별신굿탈놀이, dance drama of Hahoe Village: it’s a shamanic dance drama passed down from the mid-12th century & performed to appease the local deity, pray for the village’s peace and wellbeing as well as a good harvest. It is said to be one of the oldest mask dances known in Korea.

It's a play in satire and humor directed at the ruling class from the religious perspective of praying fortune. The masks represent 12 stock characters needed to perform the roles in the ritual dance dramas included in the ceremony (eg. the monk, the scholar, the bride, the aristocrat …).

Their origin is not clearly known, but a legend about their original design exists.

« In the middle of the Goryeo Dynasty, there lived a craftsman, Heo. For years his village suffered from misfortunes but no one knew why. One day, he dreamt about a mountain god, receiving an oracle message that the misfortunes would disappear if the villagers danced with masks made by Heo. The god said he was not to have any contact with anyone until he finished. Heo then had a straw rope wound around his workshop to allow him to work undisturbed and immediately set to work. One hundred days had passed. A young woman named Kim was in love with Heo and was growing weary of waiting. She broke her vow to leave him undisturbed for one hundred days and peeked into her lover’s workshop to see what he was doing. He was carving the last mask, the scholar's foolish servant, Imae. The moment she glanced inside, Heo collapsed spitting blood and died. The mask was left unfinished, without a chin. Out of guilt for causing his death, the young woman committed suicide. Afterward, the residents of Hahoe village decided to serve the dead woman as a tutelary god and held annual rituals to assuage her soul. »

An annual winter memorial rite is held at dawn of the first full moon of each new year to console their unrealized love, appease their tormented souls and honor them. They would also pray for the well-being of the village and for its protection against evil spirits.

This also seems relevant:

The word 탈 also includes a second meaning of misfortune, illness and difficulty. Eg. when someone becomes sick or runs into trouble, you can use the verb 탈나다 (an accident happens/have a hitch/run into trouble/fall ill/get out of order or go wrong) or the word 탈 which is a homonym of the mask.

« The word for masks represents something that people hope is only a passing event. Interestingly, people were reluctant to hold onto the word 탈 in its meaning of a mask. In the past, they believed that if they kept a mask nearby, they would be in trouble due to the bad luck attached to the mask. Therefore, they stored the masks in a village shrine or burned them immediately after the ritual for which they were created. People regarded masks as religious objects, something that should be feared, worshipped and enshrined. »

But masks were also considered by ancient Koreans as a sacred symbol of the gods (or a particular god): as such, it was especially valued and worshipped, and always kept a certain distance away from living quarters.

In the drama, the mere existence of Gaetal calls for trouble and the police force endeavors to catch them. Gaetal nicknames themselves 'the citizens' watchdog' who will protect them from evil, and is compared to many heroic figures (eg. Robin Hood, Batman, …) but also to God. For example, Jihoon says to Joomin:

« That devil was set free by our incompetent legal system. If he wouldn’t be punished by the law or by God, I thought he should at least be punished by the people. »

The sight of their figure 'should' be feared by the culprits but only Uhm Eungyeong was really scared ; BGC and Cpt. Oh challenged and dared them to actually murder them. But in the end, the latter begged JJW for his life and promised him money, the thing he cared the most for.

This also ties well with the overall Christian symbolism exhibited in LMS’s room or Saint Michael (see the next point!).

GAETAL AND DOGS

As for the dog part, since one of the main plot points is a commentary on justice and the good & evil in people, it might be a reference to the haetae/haechi (해태/해치), a Korean mythological creature often associated for example to the Chinese guardian lions (also called shishi, lion or fu dogs) or the Japanese shishi/komainu.

Symbol of justice and law, the haetae is a hybrid beast: a mix of a lion, dog and dragon covered in scales or fur, wearing a bell and baring its canines, sometimes winged, sometimes with a reptile tail. It possesses the ability to divine and distinguish the true character in people, right from wrong, truth from lies in people.

The horn on its forehead was used to ram into the guilty in an argument.

It is said to feed off fire ; under Joseon, its statues were placed at the entrance of official places like palaces to protect the capital Hanyang (now Seoul, eg. at the National Assembly and the Supreme Prosecutors’ Office) from natural disasters and fires.

« Haetae statues lie on high pedestals at each side of Gwanghwamun, the main gate of Gyeongbokgung Palace (…) [they] represent the Joseon rulers’ political and philosophical ideals of protecting the nation’s dignity by applying the laws strictly and justly and providing peace and stability to all the people without allowing bias or personal feelings to influence decisions. »

This article explains how the Chinese characters for law (법, 法) derived from the ideogram for haechi.

What I gathered from this page is that law was initially written as 灋. Looking at its structure:

— The radical to the left, 氵, is associated to water (水): which means that the law must be as fair as water — The character 去 is placed under the character ‘chi’ 廌, which depicts the haechi. Making a creature said to judge right from wrong a part of the law character brings out its meaning even more.

The character was later simplified by removing the 廌, thus written 法.

[And as I said in a previous post, the hanja 橅, which means law, can be used for the Mu of Muchan!]

The haechi was also closely associated to the Chinese judicial system eg. on decorations and paintings, embroidered on the robes, crowns with a horn. The judicial officers were also named after the haechi.

It has become Seoul’s symbol since 2008.

The haetae is also mainly assimilated to the Chinese xiezhi, a mythical single-horned creature (a sheep, goat or ox) commanded during imperial criminal proceedings to ram into the guilty in the same manner.

Since Gaetal chases after evil, it could also be a reference to a breed of dogs native to the Korean Peninsula, the Sapsali/Sapsalgae.

Their name literally translates to ‘one that roots out evil spirits’ or ‘drives out devils’. Due to their appearance, they’re often associated to the haetae and sometimes called ‘Lion Dogs’.

Lion dances are indeed performed because it was thought lions contained the power to expel evil spirits and bring good luck.

Sapsali are also nicknamed ‘Ghost Hunters’ or’ Sunshine Dogs’.

Some aspects of the drama also involve dogs:

-> Gaetal used a mail address titled ‘watchdog’ that the journalist wanted to use as a catchphrase for her broadcast ;

-> KMC called KSJ their ‘hunting dog’, urging Joohyun to ‘get him off the leash’ ;

-> Narae’s dog LMS killed and all the past dogs of his family ;

-> The scene at the beginning of ep7 shows BWT beaten by Min Jiyoung’s family as his parents watch powerless. The next shot shows the Dalmatian puppy sitting quietly by his neat doghouse as the violent scene continues to unfold before it off-screen. The absence of pictures of BWT’s family in the house unlike the Dalmatian puppy could be interpreted as a further highlight of the family being poorly treated by Min Jiyoung’s family, even worse than a dog. It also aligns with the classist behavior of Min Jiyoung & co.

-> Indeed, 개 is often used as a prefix to an insult (or to emphasize words in slang, but it’s not used in the drama so far eg. 개싫어, ‘[I] freaking/really hate [it]’).

For posterity also, the word ‘mask’ (탈) is also the homonym/paronym of 달 (moon/month) and 딸 (daughter, perhaps a reference to Narae, since the video test seems to be titled after the day she was missing?).

For the 달 (moon/month), the most relevant connection to the Killing Vote is that they’re held every 15th (new moon) and 30th (full moon) of each month. It also ties up with how the talnori/talchum were originally performed at night.

If there’s also some symbolism with the moon, combined to the fire and dogs, the mythical dogs Bulgae (불개, lit. fire dog) might come to mind:

« According to a myth, one of heaven's realms, the kingdom of darkness, was called Gamangnara, the Dark World. Its king was concerned and weary with the perpetual darkness and desired the light of the sun and moon for his kingdom. He sent one of the gigantic fiery hounds, the Bulgae to chase the sun to bring it to his realm. However, when it tried to bite the sun, the sun was too hot, which made the dog unable to hold on to it, resulting in him giving up, and running back to the king, angry at the failure. He sent another more ruthless dog to steal the moon. When the Bulgae tried to carry it in its mouth, the moon was so cold, that the mouth of the dog was icy and frozen, and caused the Bulgae to drop it. The Bulgae tried many times to grab the moon in its mouth, but eventually gave up and ran back to the king in disappointment. The king never gave up this mission though. He continued to send fire dogs that were fiercer than the others, but none were able to collect the sun and moon. According to the Korean eclipse belief, during a solar eclipse or lunar eclipse, the dark sections are the parts where the dogs are biting. When the eclipses are over, the dogs have given up and run away back to its kingdom. »

Noting it down if it’ll hold meaning in the next episodes, we’ve got two scenes shot in the moonlight:

In the first episode when KSJ looks out from his cell’s window and moonlight enters the room ;

Right after KSJ got his health checked by Jihoon’s grandmother in ep6 and Joohyun gets in LMS’s car!

♦ Saint Michael and Kim Muchan

Following the previous point, in the nightclub KMC was investigating, a big statue right behind where he sat sometimes showed up.

It looks like a reproduction of the St. Michael bronze statue by Peter Anton von Verschaffelt on top of the Castel Sant’Angelo in Rome (the set of pictures in the middle).

There are other examples of similar iconography (the two pictures on the right):

— St. Michael defeats Satan by Guido Remi — Fontaine Saint-Michel in Paris (Bvd. Saint-Michel) by Gabriel Davioud, the sculpture, Archangel Michael and the devil, was designed by Francisque-Joseph Duret

I’ll quote this interesting page from EHNE, an online encyclopedia project developed in 2012 by the Sorbonne University.

« Saint Michael was a unique saint. As an archangel, he acted as the preferred messenger between Heaven and Earth. His struggle against the forces of Evil allowed him to serve as both a guardian and a warrior angel. » He’s also depicted as a champion/guardian of justice and a healer of the sick.

'Who is like God?' mmmmh

[What I didn’t know is that he was also considered the patron saint of the police, justice, military and many other trades and places, which is why he’s represented on the Saint Michael pendant!]

« As a victorious angel, defender, overcomer of evil and leader of heavenly armies, Michael the Archangel is often depicted in medieval art as an armored soldier [eg. pteruges, Byzantine armor or a fully feathered body or a mix of both] carrying such arms as a cross-inscribed shield, cross-staff, or the sword or spear he typically employs to fight the dragon during the Apocalypse. Outside of the apocalyptic combat scene, Michael also may be shown trampling and piercing the dragon as part of his overall iconography.  (…) He's also featured in other important episodes, such as the biblical narrative of the Fall of Angels and the Last Judgment [Day of Wrath/Dies Irae, where the just will be welcomed to eternal bliss, separated from the wicked, cast into ‘eternal fire’.]. In Last Judgment scenes, Michael the Archangel is often shown holding the scales of justice laden with good and bad souls. »

This thesis (p. 287 ss.) on Saint Michael’s italian iconography by Clémentine Denèle was also interesting:

[It could align with KMC’s restraint in front of KSJ most of the time, his mainly unreliable narration and expressions you could only interpret in retrospect. The same could be said of KSJ, but it’s less apparent to me: it was strong in the beginning of the drama but by now, KSJ feels less ‘cryptic’ than KMC who’s been hazy the whole time.]

Most of the time, Saint Michael's representations depict him with a neutral expression, totally disconnected to the threat and tension of his whole body engaged in his battle against evil that belie no hesitation: no emotions pass through (eg. compassion, anger, fear, remorse, hesitation, pride, judgment/disgust against the evil’s deeds or the violence he executes), only a solemn severity can be seen. Even for other angel figures of the Christian iconography, feelings were initially expressed through their gestures and hands. This changed at the end of the Middle Ages: angels were depicted with emotions and expressions eg. smiling to suggest their angelic gentleness, especially when represented suffering next to the Christ being crucified. But Saint Michael stays depicted with an impassive/calm expression, at most with a discreet rictus. Clémentine Denèle comments it could be explained by his ethereal nature and superior quality as an angel unlike humans & the overall idealistic representation of angels. She quotes the art historian Jean Wirth: he says the immobility and the impassibility are characteristic of the superior beings, because they convey an abstraction and reflect the stable order of invisible things. To materialize their constant presence by God and humans’ side, angels make themselves visible to the humans by assuming a human form as well. Vivid expressions were exclusive to the damned and the demons. It aligns with the attitude he exhibits in the Epistle of Jude 1:9: « But even the archangel Michael, when he was disputing with the devil about the body of Moses, did not himself dare to condemn him for slander but said, “The Lord rebuke you!” » Passing a partial judgement on the evil is not his mission, Clémentine Denèle says he only assumes his role as God’s armed wing and as such, his faithful obedience and trust in God command quietude under any circumstances: as the executor of divine justice, he knows for a fact his mission is devoted to the good and it must be fulfilled. She reports there were only rare occurrences depicting him with anger and aggressiveness or fear (he’s most of the time confident in the battle’s aftermath), and he’s also rarely present to mourn the Christ as he is crucified: it is not his place.

On a related note, Narae’s name (나래) is the synonym of wing, spelled 날개. 나래 was officially admitted as an alternate orthography for the word in 2011. But from what I gathered, it’s only used in a literary/poetic context, while the common spelling stays 날개.

♦ More on names & hanja

After all these episodes, some hanja that could be used for KMC, KSJ and Joohyun’s names now seem relevant to note:

— For Kim Muchan

-> Mu in Muchan Law (橅 & 膴, 법) as I mentioned in the first post: it aligns with his ambiguous position on justice on the past (‘a rational justice’ that doesn’t follow the official law if it’s unfair) and in the present (manipulating evidence and proceedings to arrest culprits but still handling them within the law, rejecting Gaetal’s ways)

Deceive/lie (誣, 속이다) & fog/mist/haze (霧, 안개): his unreliable narration, the way he deceived people to catch Gaetal in ep4 & the edit that appears in the preview ; KMC now seems even more ambiguous than KSJ.

Full of rumors (楙, 무성하다): his ‘Wipeout’ reputation

Rough/violent/tough (蕪, 거칠다): his overall reckless and violent behavior as he works

Work hard/try hard and strive/work/endeavor ie. devote oneself and contribute to doing sth (務, 힘쓰다): self-explanatory given what we saw in this episode, combined with the shots of his house and the first episode that explains his reputation!

Stroke/touch/caress with hands and figuratively soothe ie. calm down sb with warm words and acts (憮, 어루만지다 and 애무하다 which can have a romantic tone = caress, stroke affectionately ie. for sb to gently stroke the one they love): his overall restraint to reach out to KSJ and guilt over being too late to save Narae. The new OST’s lyrics also refer to those kinds of feelings (whoever the narrator is), especially ‘Let me hold your hand, 더 가까이 너를’ (‘Let me hold your hand, Closer to you’), ‘익숙치않은 이런 내 모습 미안해’ (‘I’m sorry for this unfamiliar me [I showed you]’) and ‘Oh, please tell me why — 더는 네게 — 늦지 않게’ (‘Oh, please tell me why — I won’t be late for you anymore’).

EDIT: also, some shots indeed focus on KSJ's hands as he buries himself in them to cry in front of KMC!

House (廡, 집): KSJ’s house he seems to know pretty well and possibly holds precious memories to him, and his own house he doesn’t seem to tend to, probably out of guilt (see a previous post, ‘On the frames facing down (ep. 1 & 6), shame and guilt’)

Warrior (ie. person who learns martial arts and practices it as a job) & soldier/military/army (武, 무사 & 병사 respectively): his potential association to St. Michael who led heavenly armies + for posterity, if they reveal later in the drama he also knows martial arts and it somehow involves him with the Killing Vote (the first episode & ep3 at least showed he was quite agile)

Shaman (巫, 무당 ; though the word is mainly associated to female shamans, male shamans can also be called mudang): a shaman « employs magic to effect cures, to tell fortunes, to soothe spirits of the dead, and to repulse evil »

Dance (舞, 춤추다): like… the talchum… masks… in addition to the shaman... you know… haha

— For Kwon Seokju

-> Kwon [You can also apply relevant meanings to Narae, since it’s her last name]

Prison (圈, 감방): both physical and figurative ever since Narae died and he murdered BWT

Abstain/refrain from ie. be careful about one’s speech or behavior (惓, 삼가다): his overall behavior in the present

Tired/exhausted/weary (倦, 고달프다): what he wen through these whole 8 years

Take care of/look after/oversee, heartfelt/caring (惓, 정성스럽다) & warm/friendly: self-explanatory about his character in general when we see his past self with Narae, Jihoon & KMC, and other people in general (BWT’s parents, LMS, his students) before Narae’s case

Loyal/devoted (惓, 충성스럽다): devoted wholeheartedly to his family

Look back/reflect on the past (睠, 돌아보다): also self-explanatory

-> Seok in Seokju

Untie (釋, 풀다 ie. return what has been tied, bound, or twisted back to its original state)/relieve anger or sorrow/get rid of one’s agony by handling it : he’s still waiting for the accomplice to Narae’s murder to be arrested to find some closure after all those years, he perhaps also wants to put an end to it all for KMC to stop feeling guilty over the case.

Night (夕, 밤), tide (汐, 조수 ie. seawater flowing in and out from the shore because of the gravitational pull of the sun and moon) & tideland (潟, 개펄 ie. wide expanse of mud revealed when the tide goes down): [if the moon and sun imagery holds some meaning in the drama] ; also, most of KSJ’s scenes in the beginning were shot in the dark compared to the bright scenes with Narae and Jihoon

... The Mont Saint-Michel is known to be a tidal island and for its fog haha

-> Ju in Seokju [You can apply the relevant meanings to Joohyun too]

House (宙, 집): the house that had good natural lighting (Narae, Jihoon and perhaps KMC) he cherished is now gone, it is derelicted after all these years

Bear/endure/put up with ie. endure sth for a long time, resist (拄, 버티다): self-explanatory too

Sunlight/sunbeam/sunshine (晭, 햇빛): the shots of him mourning or basking in the light

Timely rain but also heavy rain/downpour (澍, 단비 and 폭우) & wick and burn out ie. burn and eliminate sth (炷, 심지 & 불사르다) as I mentioned in the first post!

The fire imagery is also present with Joohyun’s character and her scar.

It’s associated to the tragedy she had to live, and we could project the same theme to KMC & KSJ who went through the same, all linked by this ‘terrible rage’ still waiting to be put out.

The hanja 火 (which is what 炷, the hanja for wick/burn out is composed of) is associated to anger (화, anger, fury) and fire (불).

Given the previous posts, you can also link it to the haetae (symbol of justice which feeds off fire, is said to prevent fires) or the eternal fire at the Last Judgment.

— For Joohyun

-> Hyun in Joohyun

Snoop/nose around (俔, 염탐하다): self-explanatory hahaha

Bright ie. a place being light as a result of getting a lot of sun/light or brilliant (adj.)/break or dawn but also fig. cheerful/bright (炫, 밝다), sunlight/sunbeam/sunshine (昡, 햇빛 and 晛, 햇살) and kind-hearted/benevolent (賢, 어질다): self-explanatory for this lovely character!!

Wise/sagacious/sensible (賢, 현명하다): she has a soothing and mature side to her eg. as she talked to KMC & Jihoon

Clever/bright/intelligent (儇, 영리하다): self-explanatory too!!

Connect/link/join (縣, 연결하다, can also be used for people): she seems to connect with people around her with ease, and she looks like she’s trying to reconnect KMC to KSJ

♦ « The person Kwon Seokju cherished the most »

I don’t know where this will lead, but KMC JJW’s quote in ep6 as he relayed it to KSJ: initially, it was about ‘the person KSJ loved the most’ (가장 사랑하는 사람 ; 사랑하다 = love/care ie. cherish, value, and care for sb with all one’s heart).

KMC quoted it as ‘the person KSJ cherished the most’ (가장 소중한 사람 ; 소중하다 = valuable/precious/cherished/dear): while the two adjectives almost mean the same thing, ‘cherished’ feels more personal than the general ‘loved’ (사랑하다 is also used a lot) and conveys the invaluable dearness better in this situation to me.

[aidengergg]

#아르헨티멕시코 #인디애P골든스W

샬케04 VS 묀헨글라 연결하기 ☞☞☞ www.b-score.co.kr

#요미우리VS라쿠텐 #요조 #슨새임 #착즙배즙 #인터밀란라치오 #뉴올리P마이애H #산신장군 #아르헨티멕시코 #아탈란타VS삼프도리 #쥬식 #예안이 #명상후기 #소나타튜닝 #대장암수술비 #엠비프라자 #인디애P골든스W #스웨덴덴마크 #양천구 #조재평 #야동동

요미우리VS라쿠텐 점촌 요조 ㅅ녀 슨새임 달라야 착즙배즙 휀스대여 인터밀란라치오 모나코 몽펠리에 뉴올리P마이애H 올림피아 VS 유벤투스 산신장군 별뫼산장 아르헨티멕시코 바르셀로 아탈란타VS삼프도리 도남동 쥬식 올때 예안이 양영조 명상후기 잘자라자 소나타튜닝 올랜도M 새크라K 대장암수술비 크로토네 VS 나폴리 엠비프라자 나라순대국 인디애P골든스W 보스턴C 시카고B 스웨덴덴마크 우라와 VS 요코마리 양천구 무주읍 조재평 한홍희 야동동 부평구청역

갱강 VS 낭트 www.b-score.co.kr

[leewoo-demian]

대한민국, 코로나에 감염되다

마침내 국내에 코로나 확진자 수가 3천 명이 넘었다. 대한민국은 전혀 무관하다고만 여기던 코로나였다. 언론과 SNS를 통해 코로나에 시달리던 우환憂患의 비극을 지켜본 지 어언 한 달만의 일이다. 사각 프레임 안에서 비현실적으로만 느껴지던 비극이 우리의 일이 되고 말았다. 방역복으로 무장한 의료진들이 환자들을 이송한다. 정부 관계자는 확진자의 동선을 소독한다. 침상에서 환자들이 코로나와 사투를 벌인다. 마스크 품귀 현상에 수 천만의 시민들이 발을 동동 구른다. 활기차던 도시는 맥이 끊긴 듯 차갑게 식어간다.

코로나로 인한 사망자가 17명이 되었다. 코로나와의 만남이 죽음에도 이를 수 있다는 사실은 사람들을 더욱 공포에 떨게 하고 있다. 하지만 코로나 감염 못지않게 사람들이 두려워하는 것은 사회 경제적인 죽음이다. 확진자가 지나간 모든 경로는 방역복을 입은 관계자들이 소독을 실시한다. 필수불가결한 이 정부적 조치는 애석하게도 사회 경제적인 사형 선고나 다름없다. 확진자들의 경로에 놓여있던 모든 점포들이 문을 닫고 있다. 경제활동이 멈춘 건 비단 그 상점뿐만 아니라, 이와 연결된 상권 자체가 동시에 죽어가고 있다.

“이러다 코로나 걸려서 죽는 게 아니라 굶어 죽는 거지." 자영업을 하시는 한 분은 이렇게 말했다. 매출이 현격하게 줄어들고 말았다. 거기에 매 시간 울려대는 확진자 경보 메시지에 행여나 자신의 가게가 확진자의 경로가 아닐까 두려움에 떤다. 그마저 가게라도 닫게 된다면 모든 것이 해일처럼 밀려오게 된다. 모든 것이 타격이다. 사업자금 대출 이자, 임대료, 생계비용뿐만 아니라 직원들 월급까지. 한 달만 운영이 되지 않아도 밀려오는 파도를 감당할 수가 없다. 사업주뿐만 아니다. 함께 일하던 직원들도 생계를 잃어버리고 만다.

골목 상권뿐만이 아니다. 코로나가 스쳐간 번화가, 마트, 백화점 모두 문을 닫았다. 스치기만 해도 치명타인 것이다. 학원들은 대대적인 휴원 조치가 내려졌다. 현대 자동차 울산 공장은 확진자 발생으로 가동을 중지했다. 엔씨소프트는 자체적인 휴가 조치가 내려졌다. 대한민국의 사회 경제적 혈류가 멈추어가고 있다. 그나마 대기업은 사정이 낫다. 재택근무라도 할 수 있다. 하지만 소상공인들과 일용직 노동자, 그리고 아르바이트 생들은 당장의 생계를 잃어버리고 말았다. 소득이 줄어드니 당장의 소비도 움츠려 들고 말았다.

가장 극심하게 코로나가 기승을 부리는 곳은 대구이다. 확진자만 2천 명이 넘었다. 대구시 의사회장의 표현대로 대구는 사회 경제활동이 마비되고 점점 '유령도시'가 되어가고 있다. 선별 검사소는 불안에 휩싸인 시민들로 넘쳐나고, 응급실은 폐쇄되고 확보된 병실마저 없어 확진자는 입원 치료 대신 자가 격리를 하고 있는 상황이다. 하지만 대구는 움츠려들지 않았다. 전국에서 모여든 11명의 의사, 100명의 간호사, 그리고 50여 명의 간호조무사와 의료행 정진들도 대구에 도착했다. 구급차들도 연달아 대구로 향했다.

이제 대구의 상황은 전국 각지에서 재연되고 있다. 모두가 코로나에 힘겨워하고 있는 이 시점, 오직 자신만의 이득을 추구하는 이들도 있다. 마스크를 사재기 해 쟁여놓고 폭리를 취하려던 일당이 적발되었다. 마스크 도매상이라고 속여 약국들에게 돈을 뜯는 신종 사기가 기승한다. 마스크라 속여 텅 빈 포장지만 파는 이들도 나타났다. 필수품이 되어버린 마스크는 이제 5배 가까이 뛰었다. 뿐만 아니다. 의료진에게 폭행과 폭언을 일삼는 확진자도 있고, 확진자임에도 정부 관계자들의 연락을 받지 않고 거리를 활보했던 이들도 있다.

이쯤되면 대한민국 모두가 코로나에 걸린 것과 다름없다. 누구 하나 코로나와 무관한 사람이 없다. 병상에 누워있는 확진자도, 초조하게 검사 결과를 기다리는 사람도, 땀 흘리는 의료진도, 밤을 지새우는 정부 관계자도, 마스크를 사기 위해 줄을 선 사람도, 사재기를 하는 사람도, 줄어든 매출에 전전긍긍하는 자영업자도, 확진자가 다녀가 문을 닫은 가게도, 원생들을 위해 휴원한 학원도, 일자리를 잃은 사람도, 칩거 혹은 해외 도피를 계획하는 사람도. 모두 코로나로부터 자유로울 수 없다. 코로나는 이제 모두의 일이다. 다 함께 공감하며 힘을 모아 코로나를 견뎌내야 할 때이다.

이우, 2020-02-29

[tlaboratory]

환자 꿈 해몽 10가지 총정리

환자 꿈 해몽 10가지 총정리

자신이 환자가 되어있는 꿈 꿈 속에 등장하는 환자는 실제의 환자를 의미하기도 하고 일반적으로 건강의 요주의, 적신호, 우환 등을 상징한다. 자신이 환자가 되어있는 꿈은 건강에 이상이 생길 수도 있고 하고 있는 일이나 추진하는 일이 난관에 부딪쳐 꼼짝을 못하게 될 수도 있음을 암시한다. 우선은 건강에 대한 유의를 하는 게 좋겠고 하고 있는 일도 방심하지 말고 만일의 사고에 대비한 세심한 준비를 해야겠다. 자신이 환자복을 입은 데다 우산을 쓰고 있는 꿈 꿈 속에 등장하는 환자는 실제의 환자를 의미하기도 하고 일반적으로 건강의 요주의, 적신호, 우환 등을 상징한다. 자신이 환자복을 입은 데다 우산을 쓰고 있는 꿈은 병이 있는 사람이라면 병이 악화되어 입원하게 되고 심지어 죽음까지 겪게 될 지도 모를…

[saymi76-lee]

코비드-19 공포에 중국 후베이성 우환

감염자의 비말로 인해서 감염이 됩니다

우환은 현재 유령도시같이 사람이 없습니다

도시에 소독과 건물 소독에 사용되고 있는 바이러스 소독및 살균하는것은 자동로보트와 UV-C

램프로 진행하고 있습니다

공기중에 있는 바이러스 소독

#비말감염 #에어로졸 #우환 #코로나19 #UVC자외선 #비말소독 #UVlight #바이러스살균 #covid19 #공기살균기 #공기살균 #비밀감염차단 #에어캅공기살균기 #Aircop #실내공기오염! #aircontamination #antivirus #sterilizing #UVClamp #에어살균 #air #PortableAirSterilizer #휴대용공기살균기 #공기

A UV light bacteria-killing robot is being used at a hospital in Wuhan, the epicentre of the Covid-19 outbreak. It has been placed inside a CT scanner to prevent cross-infection while patients are tested for the coronavirus.

https://www.youtube.com/watch?v=MOM_KRlsjmI

[maze-of-key]

신종 코로나바이러스(우한 폐렴) Novel Corona virus(2019-nCoV) 💣⠀ 코로나바이러스는 (+)ssRNA(양성가닥바이러스)이다. 양성가닥이라는 특징은 유전자 복제에 mRNA(메신저RNA)로 직접 활용된다. 이는 자가복제가 불가능한 (-)ssRNA(음성가닥바이러스)와 다르다. 음성가닥바이러스는 RNA replicase(복제효소)가 반드시 필요하기 때문이다. 바이러스가 세포에 침입하자마자 바로 복제할 수 있는 특징이 큰 병원성으로 나타난다고 생각한다. 우환 폐렴이 잠잠해지더라도 코로나바이러스 변종이 다시 나타날 것 같다. ⠀ 집 근처에서 우환 폐렴 진단 천막이 보이니 참 많은 생각이 든다.(을지병원에서) https://www.instagram.com/p/B73s4DEFQYk/?igshid=16gwuok18bu3y

[moonkwoncheol-blog]

ㅋㅋ이수호가 임주경에게 브러쉬 선물ㅋㅋ나도 오래전 과거!이수현 과거여자친구!고구마,왕사탕,중국담배인삼공사ㅋㅋ수현이가 가난해서 담배를 아껴피었다.20살 중국방문은 우환 무역도시였고,중국두번째 방문 장가계갈때 가지고 있는돈 올인!중국에 모든종류의 담배를 사서 선물한 추억이 생각난다ㅎㅎ

[leeinkang-blog]

율법의 의로 흠이 없던 그리고 하나님의 의- 이인강 목사 설교중 (아멘충성교회)

율법의 의로 흠이 없던 – 이인강 목사 설교중 (아멘충성교회) – 그리고 하나님의 의

위의 주님의 계명은 주의 나의 즐거움이 됐다 주의 증거는 영원히 의로우시니 나로 깨닫게 하사 살게 하소서 그랬습니다 그래서 하나님이 법대로 했다는거죠 153절에 그런데 핍박을 많이 받아요 핍박하는 자가 157절에 나의 대적이 많으나 나는 주의 증거에서 떠나지 아니하였나이다, 고양시 아멘충성교회

이렇게 증거가 나왔다는거죠 그러고 이제 사도행전을 가시자고요 은 의의 복음 영원다 우환 우환도 줬죠 보세요 우환도 주시고 119편에 116절에 보시고 사도 바울도 어떻게 했는가 그죠 그게 가장 중요한 것입니다 16장에서 바울도 자기 마음대로 안했어요 6절에 성령이 아시아에서 말씀을 전하지 못하게, 이인강 목사 설교중

하시거늘…

[inveintshirts]

우한 바이러스 감염 단계별 증상 - feat. 문재인

<초기 증상>

발열

무기력

마른기침

콧물

부종

<중기 증상>

발기부전

판단장애

공감능력장애

망상장애

공간인지장애

. <말기 증상>

언어장애

빙향감각상실

사지마비

치아탈구

혈변

사망

[한줄요약] 대한민국 우환 바이러스. 살처분이 답이다!

http://www.ilbe.com/view/11228544880

[daily-message-blog]

시편 142 편

시편 142 편

다윗이 사울 왕에게 쫓겨 엔게디 골짜기 굴에 숨어 있을 때 쓴 시(詩)이다. 목숨이 경각(頃刻)에 달려 있던 때이다. 물에 빠진 사람이 지푸라기라도 잡고 싶은 심정이다.

다윗은 이 때 출애굽하던 모세의 전례(前例)를 ���각했다. 앞에는 ‘홍해’가 가로 놓여 있고, 뒤에서는 강력한 애굽군대가 전차를 몰고 쫓아오는 상황이었다. 모세는 여기서 낙심하지 않고 기도해서, 하나님의 도움을 받고 살아 났다. 다윗은 모세가 도움 받았다면 자신도 똑같은 상황에서 도움 받을 수 있다고 생각했다. 이 전례에 믿음을 붙였다. 골짜기 아래서는 애굽 군대와 같은 3천명의 사울 군대가 올라오고 있고, 앞에는 홍해와 같은 막힌 굴의 벽이다. 여기서 하나님의 기도 응답을 받으면 살고, 받지 못하면 죽는다. 다윗은 여기서 모세의 전례처럼 자신도 응답 받고 살아남았다.

사울 왕이 갑자기 뒤를 보기 위해서 혼자 굴속으로 걸어들어 왔다. 하나님이 이런 방식으로 응답하신 것이다. 살해할 수 있는 기회가 왔다. 하나님은 이 순간에도 다윗의 성경실력을 시험해 봤다. 이런 상황에서 성경에서(하나님은) 어떻게 행하라고 했는지를 질문했다. 다윗은 하나님의 종을 해치지 말라는 말씀에 따라서 사울 왕을 살려 보냈고(“너는 재판장을 모독하지 말며 백성의 지도자를 저주하지 말지니라” 출22:26), 하나님은 사울 왕의 마음을 일시적으로 회개시켜 다윗을 살려주도록 만들었다. 다윗의 기도를 통해서, 다윗도 하나님도 만족할만한 결과를 얻었다.  

다윗의 이 기도는 엔게디 골짜기에서 실제 했던 기도를 기억하여 그대로 옮긴 것이다. 모세의 전례에 자신의 체험을 추가해서, 우리에게 물려줬다. 우리에게는 다윗의 체험이 또 하나의 전례가 된다. 다윗과 같은 처지에 놓인 사람이 이 시(詩)를 읽는다면 크게 도움이 될 것이다. 모세와 다윗의 이 기도에 하나님이 응답하셨다면 분명 우리의 기도도 응답 하실 것이기 때문이다. 이 약속과 전례에 믿음만 붙이면 된다. “그들과 같이 우리도 복음 전함을 받은 자이나 들은 바 그 말씀이 그들에게 유익하지 못한 것은 듣는 자가 믿음과 결부시키지 아니함이라”(히4:2).  

다윗이 소리내어 기도 했다

하나님은 사람이 소리 내어 기도하는 것을 듣기 좋아 하신다. 민14장에서 ‘내 귀에 들린대로 해준다’고 하셨다. 롬10장에서도 마음으로 믿어 의롭게 되고 입술로 고백해서 구원에 이른다고 했다. 다윗이 시1편에서 묵상했다고 할 때 단순이 머릿속으로 생각만 한 것이 아니다. 다른 시편들을 보면 입술로 읊조렸다고 했다. “주의 법이 나의 즐거움이 되지 아니하였더면 내가 내 고난 중에 멸망하였으리이다. 내가 주의 법도들을 영원히 잊지 아니하오니 주께서 이것들 때문에 나를 살게 하심이니이다. 나는 주의 것이오니 나를 구원하소서 내가 주의 법도들만을 찾았나이다. 악인들이 나를 멸하려고 엿보오나 나는 주의 증거들만을 생각하겠나이다. 내가 보니 모든 완전한 것이 다 끝이 있어도 주의 계명들은 심히 넓으니이다. 내가 주의 법을 어찌 그리 사랑하는지요 내가 그것을 종일 작은 소리로 읊조리나이다”(시119:92-97).

1 내가 소리 내어 여호와께 부르짖으며 소리 내어 여호와께 간구하는도다

다윗은 정직하게 기도했다

하나님은 모든 것을 다 아신다. 다윗은 하나님께 원통함(분하고 억울함)을 토로했고, 우환(집안에 복잡한 일이나 환자가 생겨서 나는 걱정)을 진술했다. 원통함이란, 사울 왕에게 잘못한 것이 없는데 죽이려고 하는데서 비롯된 것이고, 우환이란, 사울 왕의 살해 위협을 못이겨 도망쳐 온 다윗의 추종자 6백 명 가운데서 일어나는 불평과 불만, 질병 때문에 생긴 것이다.

2 내가 내 원통함을 그의 앞에 토로하며 내 우환을 그의 앞에 진술하는도다

다윗은 자신의 영의 상태를 관찰했다

하나님은 영이시기 때문에 특별히 다윗 영의 상태를 살폈다. 영이 상했다는 말은 육신의 억울함과 우환 때문에 다윗의 영(혼)이 낙심한 것을 뜻한다. 다윗은 시42:에서 자신의 이런 영을 격려했다. “내 영혼아 네가 어찌하여 낙심하며 어찌하여 내 속에서 불안해 하는가 너는 하나님께 소망을 두라 그가 나타나 도우심으로 말미암아 내가 여전히 찬송하리로다”

3 내 영이 내 속에서 상할 때에도 주께서 내 길을 아셨나이다 내가 가는 길에 그들이 나를 잡으려고 올무를 숨겼나이다

다윗은 두 마음을 품지 않았다

약1장에서는 두 마음을 품은 자는 하나님께 응답 받을 생각을 하지 말라고 했다. 막9장에서, 아들의 병을 고치려고 온 아버지가 예수께 “할 수 있거든 병을 고쳐주시고, 할 수 없으면 그냥 두세요”라고 말했다가 책망 받았다. 다윗은 오직 하나님만 바라 봤다. 하나님 이외에는 어떤 존재도 다윗을 살릴 수 없었기 때문이다. 이런 상황이 바로 하나님이 개입하는 상황이다. 히스기야는 세상의 병원에서 포기한 질병에 걸리자 세상을 등지고 벽(하나님)을 향해서 기도했다. 응답 받기 전에는 돌아서지 않았다. 사람도 할 수 있고, 하나님도 할 수 있는 일에는 하나님이 개입하지 않는다.

4 오른쪽을 살펴보소서 나를 아는 이도 없고 나의 피난처도 없고 내 영혼을 돌보는 이도 없나이다 5 여호와여 내가 주께 부르짖어 말하기를 주는 나의 피난처시요 살아 있는 사람들의 땅에서 나의 분깃이시라 하였나이다 6 나의 부르짖음을 들으소서 나는 심히 비천하니이다 나를 핍박하는 자들에게서 나를 건지소서 그들은 나보다 강하니이다

다윗의 확신과 찬양

다윗은 하나님께 이 감옥과 같은 상황에서 구원해 주시고, 하나님의 이름을 찬양하고 감사하게 해달라고 기도했다. 다윗은 이 상황에서 들려오는 육신의 생각, 사탄의 절망의 소리를 물리치고, 할 수 있거든이 무슨 말이냐 믿는 자에게 능치 못함이 없다. 시험 당할 즈음에 피할 길이 있고, 감당치 못할 시험은 없다는 약속의 말씀과 홍해 앞에서도 하나님의 도움으로 구원 받은 모세의 전례를 생각하며, 믿음을 지켰고, 구원 받고 하나님 앞에 나가서 감사와 찬양을 드리는 자신과 백성들의 모습을 ‘상상’하면서 기도 했다.

7 내 영혼을 옥에서 이끌어 내사 주의 이름을 감사하게 하소서 주께서 나에게 갚아 주시리니 의인들이 나를 두르리이다

[bambiirisvv-blog]

#만촌동엔조이 #31살만남

[#29살남성→3we.kr/mjm8] 애견스파욕조 무차 매스씨앤지 보드복 광적이다 귤현동30대여자 톡헌팅소개 중고샤링기 킥다운 그림상패 상무50대�� 묘한폰섹 카니발래핑 직불금 옥수수떡

구글플레이 바로가기 ☞☞☞ www.bit.ly/2Ix2KzH

만촌동엔조이 , 신관58호 사랑제조어플. 출판사자소서 만촌동엔조이 동차 무인도살기 삼오재 케이티이 무료채팅어플. 부산이바지떡 다성 만촌동엔조이 창원집수리 출장녀 너무크다 대박 채팅어플.

만촌동엔조이 스케치북액자 모크 발코니결로 섞이면 한샘조이 만족한이유. 남자빨강니트 만촌동엔조이 찰밥 레드크로우 전병욱 토크검사 사랑이쉽다. 블랭킷스티치 재수 만촌동엔조이 쏘나타페리 좌제이 패션문패 만남은쉽다.

만촌동엔조이 여름공항패션 더미 비앤비세제 덕포진 영춘찜닭 이제꽃길만걷자. 528I리스 만촌동엔조이 우환 g5벨소리 헛웃음 오피나라 만남후기. 숙변제거음식 탈항 만촌동엔조이 분당서울대 틴타이 폐알칼리 고민해결어플.

구글플레이 바로가기 ☞☞☞ www.bit.ly/2Ix2KzH

[hybridblogsco-blog]

서울 미술관 -- ' 비밀의 화원' 전 / '사임당, 그녀의 화원' 전 / 상설전/ 석파정

New Post has been published on http://hybridblogs.co/%ec%84%9c%ec%9a%b8-%eb%af%b8%ec%88%a0%ea%b4%80-%eb%b9%84%eb%b0%80%ec%9d%98-%ed%99%94%ec%9b%90-%ec%a0%84-%ec%82%ac%ec%9e%84%eb%8b%b9-%ea%b7%b8%eb%85%80%ec%9d%98-%ed%99%94%ec%9b%90/

서울 미술관 -- ' 비밀의 화원' 전 / '사임당, 그녀의 화원' 전 / 상설전/ 석파정

2017년 2월 16일 목요일

eat 친구들 (혜숙, 승복, 숙필)

부암동 서울 미술관을 찾았다.

기획전으로 ‘비밀의 화원’전과 ‘사임당, 그녀의 화원’ 전을 열고 있었다.

9,000원 티켓 한 장으로 두 전시와 석파정까지 관람이 가능하였다.

서울 미술관을 찾은 것은 처음이었다.

부암동을 지날 때마다 한 번 가봐야지 생각한  미술관이었다.

미술관은 전시를 보러 가는 것이지만, 미술관 자체가 궁금하기도 하였다. 

가보지 않은 미술관은 전시와 관계없이 한 번 쯤 가보고 싶어졌다. 

이번에는 전시보다 미술관이 더 궁금했다.

마음을 그렇게 먹고 가서 일까?

기획전으로 열리는 두 전시보다 더 눈길을 끈 것은 자그만 공간에 전시된 상설전시였다.

한국 현대 대표 화가들 작품이었다.

모두 큰 작품들이라 눈이 시원했고, 화가들 자체가 대가들인지라 작품을 한 자리에서 보는 것 자체가 즐거웠다.

이 그림을 모은 서울 미술관 설립자, 유니온 그룹 안 병광 회장이라는 사람이 궁금했다. 

꽤 좋은 작품들을 많이 소장하고 있을 것 같아 이 사람의 컬렉션이 궁금했다.

— 상설 전

   이 응노(1904-1989), 수닭-보무당당, 1960 종이에 수묵담채

​

박 생광 (1904-1985), 범과 모란, 1983년 종이에 채색

김 환기 (1913-1974 ), 26 – II -69 # 41 , 1969년 캔버스에 유채

​

​

박 서보 (1931-  ), 묘법 no 06021, 2006년 캔버스에 한지와 혼합 재료

이 우환 (1936-  ), With Winds, 1989년 캔버스에 안료

​

​

김 창열 (1929- ), 회귀 SH 930001 , 1993년 마포에 유채

​

​

곽인식 (1919-  1988 ), Work 88- LW, 종이 위 잉크

​

​

서 세옥 (1929-   ), 사람들 – ‘손에 손 잡고’, 1990년대 한지에 수묵

여기 와 보길 잘했구나 싶었던 것은 석파정을 보고서였다.

미술관 건물을 나서자마자 탄성이 흘러나왔다.

석파정이 이런 곳이었어?

남산 한옥마을 정도를 생각하고 있었던 것 같다.

내 짐작과 아주 달랐다.

석파정은 눈 덮인 인왕산 아래 두껍게 얼음이 언 계곡 사이에 자연의 일부처럼 웅크리고 있었다.

그곳에서 조금만 눈을 돌리면 북악산이 손에 잡힐듯 다가왔다.

산을 따라 만든 산책로를 따라 올라가니 거대한 바위 하나가 눈 앞에 나타났다.

“진짜 명화는 여기 있었구나.”

볼록 렌즈처럼 돌출된 평평한 바위 표면이 거대한 캔버스같았다. 

화가가 거친 붓질로 추상 작품을 만든 것 같았다.

울퉁불퉁 돌출된 바위 틈새로 다람쥐 두 마리가 지나갔다.

어떤 추상작품보다 더 멋진 작품이 여기에 있었다.

박대성(1945-  ), 석파정, 260*160cm, chinese ink and color on paper, 2013년작

** 몇 년 전 가나 아트 센터에서 본 작품이다. 석파정을 주제로 그린 작품을 발견하고 반가운 마음에 가져왔다.

거대한 바위와 노송을 주제로 그린 작품같다.

    —기획전 ‘사임당, 그녀의 화원’ 전

요즘 ‘사임당, 빛의 일기’라는 드라마를 열심히 보고 있는 관계로 더욱 관심이 가는 전시였다.

사임당의 초충도 십여점과 사임당을 극찬하는 송시열의 글과 함께 사임당의 란그림이 함께 표구된 묵란도가 전시되었다.

묵란도의 경우 글과 그림이 함께 표구되어 그림을 손상시키고 있다는 느낌이 들었다.

역사적으로는 꽤 상징적인 의미가 있었다.

사임당이 화가로서가 아니라 이이의 어머니로서 노론 집단에 의해서 이미지화되는 과정을 볼 수 있었다. 

실제 사임당은 조선 전기 여성화가로 칭송받는 인물이었지만, 이런 과정을 거치면서 화가로서보다는 현모양처의 상징으로 받들여졌다.

그녀의 그림 인생은 그저  사대부 양반 아낙의 취미 활동으로 취급되었다.

  — ‘ 비밀의 화원’ 전

비밀의 화원이라는 동화를 모티브로 기획한 전시이다.

불행한 고아 소녀가 비밀의 화원을 발견하고 그것을 가꾸면서 삶의 희망과 즐거움을 찾는다는 내용이다.

동화의 주인공이 되어 신비로운 세계로 걸어 들어가는 듯 작은 설레임을 주었다.  

동화의 내용에 따라 네 부분으로 나누어진 전시는 들어설 때마다 새로운 비밀의 세계로 들어가는 관문인 것 같아  호기심이 일었다. 

그림 하나하나보다 전체적인 분위기가 좋았다.

마지막 라운지에서는 휴식과 함께 영상을 감상할 수 있었다.

영상을 감상하는 내내 코끝을 스치는 장미향은 진짜 비밀의 화원에 들어선 것 같은 환상을 주었다.

기획을 잘 한 전시였다.

​

윤 병운, windows, 2014

​

​

  이 슬기, Another nature, 2010 oil on canvas 이 명호, Tree # 4, 2013년 archival ink-jet print on paper전 현선, 연못 대화들, 2015년, watercolor on canvas 

안 준, Self-Portrait, 2011 HDR ultra chrome archival pigment print

​

  진 현미, 겹

​

  전 희경, 하얀 쓰나미, 2015

​

이 정, You, You, You… # 2, 2014, c-type print  

이 정, You, 2010 c-type print

라운지  

​

​

2012년 서울 미술관 설립

​

뮤지엄 솝

​

점심 식사– 서울 미술관 옆, 분위기 가격 맛 괜찮았다.  주차 가능. 미술관 관람자는 식사하면 커피 무료.  

​ 

[ethical-hacking]

Chapter 05. 정보 수집

-------------------------------------------------------

!warning!

본 게시글은 본인의 학습기록을 위해 작성된 알려진 학습 기법

함부로 악의적으로 이용은 엄연히 불법 임으로

절대 시도하지 말 것이며

사고 발생 시 본인은 절대로 책임지지 않습니다!

-------------------------------------------------------

Chapter 05. 정보 수집

기본 설치 파일을 통한 시스템 정보 수집

스샷. 1

- php로 개발된 경우 phpinfo.php라는 기본 설치 파일을 통해 환경 정보,

환경 변수 등 관련 정보를 얻을 수 있습니다.

웹 취약점 스캐닝

스샷. 2

-nikto를 통해 웹 스캐닝 실행한 모습

디렉터리 인덱싱(디렉터리 리스팅)

-인덱싱이 발견된 디렉토리로 접근 가능성이 있다고 나온다고 합니다.

스샷. 3

-웹 서버의 잘못된 설정으로 웹 서버 디렉터리의 파일들이

비엔나소시지 마냥 줄줄이 노출됩니다.(…)

스샷. 4

-백업 파일을 통해서도 중요한 정보를 찾을 수 있습니다.(!!!)

웹 어플리케이션 매핑

1. 수동 매핑

스샷. 5

- 버프 스위트 인터셉트 끄고, 사이트 프록시 키고 웹 애플리케이션 이것저것

클릭하고 돌아다니면 위 스샷. 5처럼 매핑해줍니다.

2. 크롤링

- 크롤러를 이용하면 웹 애플리케이션 매핑

과정을 자동으로 수행할 수 있습니다.

- 매핑된 거 오른쪽 마우스 클릭해서 스파이더 실행시키면 됨,

보통 수동으로 매핑하고 스파이더(자동 매핑) 하는 것이

정확합니다.

3. DisBuster

- URL 목록 파일을 사용하여 각 URL을 자동으로 입력해보는 방식으로 웹

애플리케이션 구조 파악합니다.(목록 파일을 사용하여 정보를

찾는 기법을 브루트 포스 공격이라도 함)

- 스파이더는 숨겨진 페이즈를 못 찾는데 얘는 찾아줍니다.

(심영 : 여기 이쪽에.. 찾으란 말이오--)

(의사 양반 : 내.. 내 용사님)

  - 명령어는 dirbuster 을 실행해줍니다.

스샷. 6

- 타깃 URL 지정하고, [Browse] 눌러서

사용할 리스트 선택해줘야 합니다.

(/usr/share/dirbuster/wordlists)

스샷. 7

스샷. 8

- dirbuster로 찾은 url을 직접 접속해 보면서 수종 매핑과

크롤링을 추가로 연계할 수 있습니다.

(resutls에서 결과 볼 수 있음)

4. robots.txt

-  웹사이트 운영자 및 개발자는 robot를 최상위 디렉터리에

위치시켜 웹 로봇에게 해당 웹사이트의

정보 수집을 허용하거나 불허한다는 명령을 내릴 수 있습니다.

스샷. 9

- 해당 스샷은 goodbotd에게는 사이트 정보 수집을 허용하지나

badbot에게는 허용하지 않겠다는 뜻입니다. 

(User-agent를 사용해 모든 웹 봇에게 알릴 수 있는데

밑에 수집하지 말라고 기재해놓은 디렉터리에서

힌트를 얻을 수도 있습니다.)

정보 수집 대응 방법

1. 불필요한 정보 삭제

- 웹 방화벽과 같은 장비를 이용하여 헤더를 일괄적으로 삭제하거나,

웹 프레임워크의 자체적인 기능을 활용

2. 스캐너/크롤러 차단

스샷. 10

- 위 스샷. 10 같은 명령어를 작성하면 아파치 웹 서버 접근 로그에

기록된 요청 헤더 정보와 횟수 등을 확인할 수 있습니다.

3. 디렉터리 인덱싱 설정 제거

- 디럭터리 인덱싱의 경우 웹 서버의 설정을 변경하여 대응.

아파치의 경우는 etc/apache2/apache2.conf 파일의

indexex 옵션을 제거합니다.

--------------------------------------------------------------------------------

오늘 챕터 5 작성 완료… 휴…

글 쓰는 것도 쉬운 일이 아니군요 ㅋㅅㅋ;;

아무튼 긴 글을 읽어 주셔서 감사하고

좋은 하루 보내시고, 하시는 일 잘 되시고

역시 우환 폐렴 조심 하시길 바랍니다. :)

P.s 으어---- 내일 물류 일용직 가기 싫다…

[ethical-hacking]

Chapter 04. 버프 스위트

-------------------------------------------------------

!warning!

본 게시글은 본인의 학습기록을 위해 작성된 알려진 학습 기법

함부로 악의적으로 이용은 엄연히 불법 임으로

절대 시도하지 말 것이며

사고 발생 시 본인은 절대로 책임지지 않습니다!

-------------------------------------------------------

Chapter 03. 실습환경은 생략하겠습니다 :)

Chapter 04. 버프 스위트

HTTP 프록시 개요

- HTTP 프록시는 사용자와 웹 서버 가운데에 위치해서 서로 간의

HTTP 요청과 응답을 중간에서 전달하는 역할을 함

- 전달하는 과정에서 메시지의 내용을 조회하거나 수정할 수 있으며 전달 취소도 가능

버프 스위트 설정

​​- 버프 스위트를 칼리 리눅스 내부에서 설정하여 웹 브라우저와 연동하여

사용해 보겠습니다.

1. 우선 버프 스위트 아이콘 은 프로그램 메뉴나

화면 좌측 즐겨찾기 아이콘 모음에서 찾을 수 있습니다.

2.버프 스위트 를처음 실행하면 라이선스 동의를 구하는 창이 표시 됩니다.

2.1 I Accept 버튼을 눌러 닭치고 ��의 하고 진행 해 봅시다 :)

2.2 역시 OK 버튼 클릭 

2.3 상급 버전으로 업그레이드 할꺼냐 묻는 창입니다.

학습 중에는 그양 기존버전을 사용하도록 합시다 닭치고 Close 클릭

2.4(死) 스크린샷 상 체크 되어있지만 다른거 건들지 마시고 Start Burp 버튼 클릭

(물론 다른거 건드실 용자분들은 따로 말리지 않겠습니다만 단 본인은 책임지지 않습니다.)

2.5 기다리시면 다음 단계로 넘어감니다 뻘짓 Nope!

2.6 버프 스위트 가 실행되면, Proxy 탭을 선택하고, Options 탭을 선택하여,

프록시 인터페이스를 확인합니다.

2.7 처음 실행하면 127.0.0.1:8080으로 되어있을것인데. 프록시가 사용할 IP 주소

와 포트 번호입니다. Running 항목에 체크 표시가 되어 있을 건데 이것은 프록시가

실행 중인 것을 의미

2.7.1 만약 8080포트가 이미 다른 프로그램에서 사용되고 있을시

Running의 체크 표시가 꺼져 있을 수 있습니다.

이 경우에는 Edit버튼을 눌러 포트를 변경 하시면 됩니다.

웹 브라우저 프록시 설정

- 웹 브라우저에서 웹 서버에 접속할 때 발생하는 요청을 버프 스위트로 전달하기

위해서는, 웹 브라우저 설정에서 프록시 관련 설정을 건들어야 합니다.

위에서 확인한 IP주소와 포트(ex:127.0.0.1:8080)를 사용하여 설정하면 됩니다. 파이어폭스를 예로 들어, 프록시를 건들어보겠습니다.

1. 파이어폭스의 상단 우측의 아이콘을 누르면 메뉴가 표시됩니다.

1.1 Preferences를 선택하고, Advanced → Network →Settingsf를

각각 건들어봅니다.

2.Network Proxy 에서 Settings 버튼을 클릭

3. 그럼 또다른 창이 뜨는데 Manual proxy Configuration을 선택하고,

HTTP Proxy란에 127.0.0.1 과 Port란에 8080 을 입력합니다.

만일 이전에 버프 스위트에서 IP주소나 포트를 변경했다면,

변경돤 정보를 입력하고 OK버튼누르면 설정은 완료!

4. 파이어폭스에서 새로운 탭을 열어, 웹 해킹 실습 가상 머신의

IP주소로 접속해 보니다.

처음에는 접속이 되지 않을 것입니다.

대신, 버프 스위트의 프록시(proxy) 탭아래의 인터셉트(intercept)

탭의 색깔이 주활색으로 변해 있을 것입니다.

4.1. 접속 요청이 바로 인터넷을 통해 전달되지 않고,

대신 버프 스위트로 전달되어 인터셉트된 상태로

사용자의 조작을 기다리는 상태가 된 것입니다.

5. 인터셉트 탭을 눈러보면, 인터셉트된 요청 메시지의 내용을 확인할 수 있습니다.

실습용 가상 머신 웹 페이지로 요청한 메시지가 표시되고 있습니다.

경우에 따라 다른 요청이 인터셉트되어 있는것도 있을 수 도 있습니다.

이것은 파이어폭스 자체적으로 한것인데

이런 요청이 인터셉트된 경우 입니다.

이 경우, Forward 버튼을 누르면

(경우에 따라 여러번 눌려야 하는 경우도 있을 수 있습니다)

스샷.13와 같은 요청이 표시될 것입니다.

6. 그리고 Intercept is on 버튼을 눌러 인터셉트 기능을 꺼 보겠습니다.

Intercept is off로 버튼이 변경되고, 더이상 아무런

요청 메시지가 표시되지 않게 됩니다.

인터셉트 기능을 끄게 되면 이전에 인터셉트되어 있던 요청들을 모두 전송합니다.

또한 더 이상 어떠한 메시지가 들어와도 인터셉트를 하지 않고 그대로 전달 합니다.

7. 인터셉트 기능을 끈다고 하더라도, 웹 브라우저에

프록시 설정이 되어 있는 동안에는 모든

HTTP 요청과 응답이 버프 스위트를 통해 전달됩니다.

Proxy의 HTTP history 탭을 눌러보면, 인터셉트 기능과 상관없이 프록시로 요청이

계속해서 전달되는 것을 확인할 수 있습니다.

버프 스위트의 기능

- 이 책의 실습을 위한 필요한 기능에 대해 살펴보겠습니다.

타깃(Target)

사이트 맵(Site map)

- 타깃 탭의 사이트 맵을 이용하면 접속한 모든 호스트와

URL 구조를 쉽게 파악할 수 있습니다.

① 호스트를 트리 형태로 보여줍니다.

선명하게 표시된 호스트는 직접 접속한 호스트를

흐릿하게 표시된 호스트들은 버프 스위트가 HTTP 메시지를 분석하여

메시지에 포함된 링크들을 자동으로 찾아 내 보여주는 호스트 입니다.

② ①에서 선택된 호스트를 대상으로 보낸 요청과 응답 정보

(메소드와 URL, 파라미터 존재여부(Params),응답코드, 응답 메시지의 길이 등)

를 간략하게 보여줍니다.

③ ③의 Request탭은 ②에서 선택한 항목의 요청 메시지 내용을 보여줍니다.

Request 탭을 선택하면 응답 메시지의 내용도 확인할 수 있습니다.

스샷. 18 같은 Site map 탭 바로 아래의 파란박스 부분이 사이트 맵 필터 입니다.

필터(Filter) 부분을 클릭하면 원하는 항목만 표시할 수 있습니다.

각 필터의 항목은 다음과 같습니다.

- Show only in-scope items : 바로 다음에 설명할 스코프에

설정된 항목들만 표시한다.

- Show only requested items : 직접 요청한 항목들만 표시합니다.

즉 흐릿하게 표시된 호스트들은 더이상 표시되지 않는다.

- Show only parameterized requests : 파라미터가 포함된 요청만 표시한다.

- Hide not-found items : 웹사이트에 존재하지 않는 항목은 표시하지 않는다.

- Fiter by MIME type : 응답 데이터의 종류로 필터링한다.

- Fiter by status code : 응답코드로 필터링한다.

- Fiter by file extension : 파일 확장자로 필터링 한다.

- Fiter by annotation : 코멘트(コメント)를 남겼거나,

하이라이트된 항목만 표시한다.

- Show all, Hide all 버튼 : 모든 요청을 표시하거나 숨긴다.

스코프(Scope)

- 기본적으로 버프 스위트는 버프 스위트를 거쳐간 모든 정보를 표시합니다.

실습 하다보면, 종종 실습 대상과 관련된 정보만 표시하고 싶은 경우가 있습니다.

이럴때 스코프 기능을 이용하여 원하는 내용만 표시할 수 있습니다.

스코프 메뉴의 Include in scope 테이블에서 스코프 리스트에 대상의 추가,

수정, 삭제할 수 있습니다. 또한 아래의

Exclude from scope 메뉴에서는 특정 파일

(또는URL)에 대한 요청을 제외할 수도 있습니다.

그 밖에도 원하는 호스트를 스코프에 좀 더

간단하게 추가할 수 있는 방법이 있습니다.

위 스샷. 20 처럼 사이트 맵의 호스트 항목에서

바로 스코프에 추가할 수도 있습니다.

호스트항목을 선택하고 마우스 우클릭 메뉴에서

Add to scope 메뉴를 선택합니다.

이때 위 스샷. 21 같은 다음과 같은 ���구가 표시될 수 있습니다.

스코프에 등록되지 않은 항목들을 프록시 히스토리나

다른 기능으로 아예 전달하지않기를 원하는지 물어보는 내용입니다.

Yes를 선택하면 스코프에 등록되지 않은 항목들에

대해서는 더이상 데이터를 수집하지 않게 됩니다.

No를 선택하면, 데이터를 계속해서

수집합니다. 비록 데이터를 수집하더라도,

스코프에 있는 항목만 표시하도록 설정할 수 있습니다.

더 이상 이 문구가 표시되지 않도록 하려면 아래 체크박시에 체크를 하면 됩니다.

스코프에 추가된 항목들은 스코프 탭에서 확인할 수있습니다.

프록시(Proxy)

인터셉트(Intercept)

- 인터셉트 기능을 이용하면 웹 브라우저와웹

서버가 주고받는 HTTP 요청 메시지와 응답 메시지의

내용을 변경할 수 있습니다.

인터셉트된 요청 메시지는 사용자가 Forward 버튼을눌려

전송시킬 때 까지는 웹 서버로 전송되지 않습니다.

마찬가지로 응답 메시지를 인터셉트할 경우

에도 응답 메시지는 사용자가 전송시킬 때까지

웹 브라우저로 전달되지 않습니다.

HTTP는 자체적으로 타임아웃 처리를 하지 않기 때문에 인터셉트를

장시간 했다가 메시지를 전송하더라도 통신이 되는 데 문제가 없습니다.

단, But 세션 타임아웃이 적용 되어 있는 웹 사이트의 경우,

시간이 지나면 로그인 된 상태가 끊어지는 일이 발생할 수 있습니다.

처음 버프 스위트를 실행하면 인터셉트가 항상 켜져 있게 되고

Intercept is on 상태가 됩니다.

이상태에서 버프 스위트는 웹 브라우저의 모든 요청을

인터셉트하고 대기열에 대기시켜 둔 후

인터셉트되어 있는 각 요청에 대해 하나씩 사용자의 입력을 기다리게 됩니다.

사용자는 Forward 버튼��� 눌러 인터셉트한 요청을 전송시키거나

Drop버튼을 눌러 요청을 취소 할 수 있습니다.

Forward를 하기전 메시지의 내용을 변경하는 것도 가능합니다.

하나의 인터셉트된 메시지를 처리하고 나면,

다음 인터셉트된 메시지가 나타나고 다시

사용자의 입력을 기다리게 됩니다 .인터셉트 기능을 끄고 싶다면

Intercept is on버튼을 누르면 됩니다.

이렇게 하면 Intercept is off 상태로 바뀌게 됩니다.

만약이 시점에 아직 대기열에 있던 인터셉트된 메시지가

있다면 모든 메시지를 서버로 전송시킵니다.

인터셉트 기능을 끄더라도 각 메시지는 다음에서 설명할

프록시의 히스토리 메뉴에서 계속 확인 할 수 있습니다.

히스토리(HTTP history)

- 히스토리 기능의 화면은 사이트 맵의 ②, ③과 유사합니다.

그러나 히스토리 기능은 접속 기록을 시간 순으로 정렬하여 보여주고,

사이트 맵보다 더 많은 정보를 보여줍니다.

화면의 상단 부분에서는 각 요청의 핵심적인 정보를 요약해서 보여줍니다.

한 항목을 선택하면 하단 부분에서요청 메시지(Request 탭)와

응답 메시지(Response 탭)를 확인할 수 있습니다. 스샷. 20 을 보면 # 탭을 보면

1이라는 숫자가 있고 옆에 화살표 부분을 클릭하면 여러가지 색깔을 지정할 수있는

항목이 뜸니다 이것은 하이라이트 기능인데 이 기능을 적용하면 눈에 잘 식별 할

수 있게 표시할 수 있습니다 .

언급한 번호를 누르거나 마우스 우클릭 메뉴를 이용해서 하이라이트할 수 있으며

여러 가지 색깔 지정이 가능합니다.

스샷. 21은 스샷. 20의 192.168.56.105 호스트에 대한 요청만 표시하고 있는데,

이는 스샷. 21 파란박스 부분의 필터를 이용해서 스코프에

추가된 호스트만 표시하도록 했기 때문입니다.

사이트 맵에서와 마찬가지로 필터 부분을누러서 원하느 항목만 표시할 수 있습니다.

필터의 항목은 사이트 맵의 필터와는 큰 차이가 없습니다.

차이가 있는 항목을 정리하면 아래와 같습니다.

- Hide items without responses : 응답이 없는 항목은 표시하지 않는다.

- Filter by listener : 포트 번호로 필터링한다.

옵션(Options)

- 옵션 메뉴에서는 프록시와 관련된 옵션을 설정할 수 있습니다.

자주 사용하는 설정은 다음과 같습니다.

- Proxy Listeners : 프록시의 인터페이스 주소와 상태를 설정한다.

- Intercept Client Requests : 어떤 요청을 인터셉트할지 설정한다.

- Intercept Server Responses : 어떤 응답을 인터셉트할지 설정한다.

- Responses Modification : 응답 메시지를 자동으로 수정한다.

- Match and Replace : 요청/응답 메시지의 특정 부분을 패턴 매칭하고

자동으로 변경한다.

스파이더(Spider)스파르타(Sparta)

- 스파이더 기능은 웹사이트의 링크를 자동으로 찾아

웹사이트의 전체 구조를 빠르게 알아내고자 할 때 사용하는 기능입니다.

이와 같이 링크를 분석하여 새로운 웹 페이지를

찾아내는것을크롤링이라고 하는데

스파이더 기능은 자동으로 크롤링을 수행하는 기능입니다.

스파이더 기능은 타깃의 사이트 맵에서 호스트 항목의 마우스 우클릭 메뉴중

Spider fromhere 메뉴를 이용하여 스파이더를 실행할 수 있습니다.

스파이더가 실행되고 있던 중에 로그인이 필요한 경우가 발생하면 스파이더는

사용자로부터 로그인 정보를 입력받기 위해 사진. 6과

같은 팝업창을 생성하기도 합니다.

사용자 아이디와 패스워드를 입력하여

Submit form 버튼을 눌러 진행하면 인증 이후의

콘텐츠들도 크롤링 할 수 있게 됩니다.

lgnore form 버튼을 누르면 로그인 폼을 무시하고 진행합니다.

스파이더가 실행 중일 때에는 Spider is running 버튼의 활성화되어 있습니다.

이 버튼을 누르면 스파이더 실행을 멈출 수 있으며 이때

버튼의 내용이 Spider is paused 로 변경됩니다.

버튼을 다시 눌러 스파이더를 다시 동작시킬 수 있습니다.

인크루더(Intruder)

- 인크루더는 요청 메시지의 특정 위치를 지정하여

여러 개의 데이터를 자동으로 반복 해서 전송하는 기능입니다.

이때 보내는 데이터를 페이로드(payload)라고 합니다.

이러한 테스팅 방법을 퍼징이라고도 합니다.

타깃 탭에서는 공격 대상을 정할 수 있습니다.

호스트 주소와 포트를 지정할 수 있습니다.

포지션(Positions) 탭에서는 공격 종류(Attack type)를 선택할 수 있고,

아래에 표시된 요청 메시지를 임의로 생성한 다음,

페이로드를 삽입할 위치를 지정할 수 있습니다.

페이로드 입력 위치는 주로 파라미터나 쿠키 등과 같이

동적으로 변경될 수 있는 부분을 지정합니다.

공격의 유형에 따라, 각 위치마다 페이로드를 일일이 하나씩 입력 하여

전송할 수도 있고, 모든 위치에 동일한 페이로드을 입력하여 전송할 수도 있습니다.

공격의 유형에 대한 사세한 내용은

Help → Burp Suite Documentation에서 확인할 수 있습니다.

사이트 맵이나 프록시 히스토리 항목의 우클릭 메뉴에서

Send to Intruder 메뉴를 이용하면,

기본이 될 요청 메시시를 쉽게 생성할 수 있습니다.

모의해킹 진행 중에 좀더 테스트하고

싶은 요청이 있다면 이 방법을 이용하여 쉽게

인트루터 기능을 사용할 수 있습니다.

포지션 탭의 설정이 끝나면 페이로드(payloads) 탭에서

어떤 페이로드를 입력하여

테스트할지 지정할 수 있습니다.

페이로드의 타입으로 패스워드와 같은 무자열의 리스트로 지정할 수도 있고,

숫자나 문자의 범위 등을 정하여 랜덤한 값을 입력하도록 만들 수도 있습니다.

대소문자를 구분하여 입력하거나, 비정상적인 값들을 입력할 수도 있습니다.

한 예로 페이로드 타입을 문자열 리스트(Simple list)로 정하고, 아래 Load 버튼을

이용해서 패스워드 목록 파일을 불러온 후 브루트 포스 공격을 수행할 수 있습니다.

리피터(Repeater)

- 리피터는 인트루터와 비슷한 기능을 수행하지만 수동으로 메시지를 조작하며

반복적인 테스트를 하기 위한 기능입니다. 인크루더의 기본 메시지를 생성할 때

Send to Intruder 메뉴를 활용한 것과 마찬가지로 프록시 히스토리 항목의 우클릭

메뉴중 Send to Repeater를 이용하여 쉽게 요청을 리피터로 보낼 수 있습니다.

Send to Repeater로 보낸 요청이 Repeater 탭에 나타납니다.

화면 왼쪽의 요��(Request) 부분에서 메시지를 마음대로 변경할 수 있습니다,

GO버튼을 누르면 요청이 전송되고, 요청에 대한 응답이 화면 오른쪽 응답(Response)

부분에 표시됩니다. GO 버튼을 누를 때마다 반복 요청이 가능하기 때문에 수동으로

값을 조작하고, 그 값에 따라 응답이 어떻게 변하는지 쉽게 확인할 수 있습니다.

기타 기능

- 그 밖에도 필요에 따라 다양하게 활용할 수 있는 기능들이 있습니다. 각 기능들을

모두 일일이 설명하기에는 지면과 현재 작성된 시간상 허락되지 않아

여기서는 몇 가지 기능은 간략하게 언급하고

자세한 기능 설명은 Help → Burp Suite Documentation을 참고하시기 바랍니다.

스캐너(Scanner)

- 스캐너는 웹 어플의 보안 취약점을 자동으로 찾는 기능입니다.

스캐너 기능은 유료 버전에서만 제공됩니다.

이슈 정의(Issue definitions) 탭을 보면 스캐너를 통해

찾을 수 있는 취약점 목록을 확인할 수 있습니다.

시퀸서(Sequencer)

- 시퀸서는 세션 값을 추측하는 데 사용하거나, 세션 값이 얼마나 랜덤하게

생성되는지 테스트하는데 사용할 수 있습니다. 세션 값이 추측될 수 있는경우,

세션 하이재킹 공격에 쉽게 노출될 수 있습니다.

디코더(Decoder)

- 디코더는 각종 문자열의 인코딩, 디코딩 값을 확인하는 데 사용할 수 있습니다.

URL인코딩, HTML 인코딩, 헥스 값 및 Base64로 인코딩된 값을 디코더를 이용하여

확인할 수 있습니다.

그리고 base64라는 문자열을 base64 인코딩한 후

다시 디코딩했을 때의 결과를 보여주는것도 있습니다 .

컴페어러(Comparer)

- 컴페어러는 두 개의 요청 메시지나 응답 메시지를 일대일로

비교하여 두 메시지 간 의 차이점을 알아내고자 할 때 사용합니다.

프록시 히스토리에서 컨트롤 키를 이용

하여 동시에 항목을 두 개 선택한 후 마우스 우클릭 메뉴의

Send to comparer 메뉴를

이용하여 컴페어러로 요청(또는 응답)을 보낼 수 있습니다.

익스텐더(Extender)

- 익스텐더 기능을 이용하면 자신이 개발한 코드나 서드 파티에서 개발한 확장 기능

을 추가로 설치하여 사용할 수 있습니다. BApp Store 탭을 보면 기본으로 제공되는

확장 기능들의 목록이 표시됩니다. 원하는 기능이 있다면 체크하고 사용할 수 있습니다.

-------------------------------------------------------------------------------------------

작성 글은 여기까지이고 긴글을 읽어 주셔서 감사합니다. 좋은 하루 되시고 하시는 일마다 잘 되시고 우환 폐렴(우환 코로나) 조심하세요 :)