#드링킹소년소녀합창단
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GOT MY SIGNED OTOBOKE BEAVER ITEKOMA HITS CD!!!! WAASAASHJDHF
it also had a code for keep drinking by drinking boys and girls choir, which i have now found out to be a rad as hell korean punk band,, absolutely sick that i got it for free
heres the link to the album :3 https://band-dbgc.bandcamp.com/album/keep-drinking-2
#god my phone camera is just getting shitter by the day#anyways#personal#cd#cd collection#cds#otoboke beaver#itekoma hits#drinking boys and girls choir#punk#punk music#Bandcamp
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November 7, 2021: Marriage License by 드링킹소년소녀합창단 / Drinking Boys and Girls Choir
*Bandcamp here
Resources for social change:
Palestine masterpost
Black Lives Matter masterpost
(via https://open.spotify.com/album/5NZiSXuHXNIFtpECXLSC2u?si=l7VK0pAER_yXPYcUbWBcaw)
#드링킹소년소녀합창단#drinking boys and girls choir#marriage license#skate punk#punk#punk rock#2020s music#2021#korean#korean language#english#english language#south korea#south korean music#album of the day#music rec#album rec
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[FOCUS WALES × MU:CON] 드링킹소년소녀합창단 Drinking Boys and Girls Choir https://youtu.be/pzk_qh0gC4o 본 영상은 한국콘텐츠진흥원이 주최하는 국제 음악마켓 MU:CON(뮤콘)의 파트너 페스티벌, 영국 FOCUS WALES FESTIVAL의 2021년 온라인 쇼케이스 참가를 위해 제작되었습니다. Artist : 드링킹소년소녀합창단 Drinking Boys and Girls Choir 00:08 There is no spring 02:31 Odoby 03:48 Hit the corner #드링킹소년소녀합창단 #DrinkingBoysandGirlsChoir #DBGC #MUCON #FOCUSWALES #KOCCA #한국콘텐츠진흥원 KOCCA MUSIC
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Drinking Boys and Girls Choir | OK, Bye & Start Again
OK, Bye/Start again by 드링킹소년소녀합창단 Drinking Boys and Girls Choir
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Amplify Korea Podcast: Episode 65
This week previews shows by Nuvon, The Air Below, Igloo, and DBGC, with new music from TwoFive, Hoksimolla, and Platform Stereo.
Music:
👉 Nuvon 👉 The Air Below 👉 TWOFIVE - 투파이브 👉 이글루 - IGLOO 👉 혹시몰라 Hoksimolla 👉 플랫폼스테레오 👉 드링킹소년소녀합창단 - DrinkingBoys&GirlsChoir
Event:
🤘Node Launch Party 🤘The Air Below & Barbie Dolls - Free Live Music at HQ Gwangan 🤘Amplify 4 🤘이글루 - IGLOO @ ClubHEAVY 대구클럽헤비
🔊 Show notes: http://bit.ly/2BzBa3z
🔊 Listen on iTunes: https://apple.co/2EcPiDm
🔊 Listen on Stitcher: http://bit.ly/2Eu5MpM
#Nuvon#뉴본#디에어빌로우#The Air Below#TwoFive#투파이브#이글루#Igloo#Hoksimolla#혹시몰라#플랫폼스테레오#Platform Stereo#드링킹소년소녀합창단#Drinking Boys & Girls Choir#DBGC#Podcast#Korean Music Podcast#Kindie#Krock#Kpunk#Kpop#인디음악#부산인디
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2021.04.16-04.17 Daegu / Busan TOUR :) 데 X 빌 X 킹 대구&부산 미니투어!!
데드버튼즈(Deadbuttons), 빌리카터(Billy Carter), 드링킹소년소녀합창단(Drinking Boys and Girls Choir) 그리고 부산에서는 소음발광(Soumbalgwang/Only Busan)과 함께!
대구 4월 16일 오후 7시 클럽헤비 Daegu 7pm 16th April at Club Heavy
부산 4월 17일 오후 6시 오방가르드 Busan 6pm 17th April at Ovantgarde
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We're virtually there. On March 16, SXSW kicks off an online version of the time-honored live music festival, featuring artists from all over the globe streaming special performances from their countries of origin. Although limited in scope compared to pre-pandemic times, there is no shortage of outstanding showcasing artists preparing to rock/groove/move you from afar this year. Buzzard Buzzard Buzzard and The Mysterines (U.K.), Jaguar Jonze and Indigo Sparke (Australia), JAMBINAI 잠비나이 and 드링킹소년소녀합창단 - DrinkingBoys&GirlsChoir (South Korea), Iceage and School of X (Denmark), Kinky and Ruido Rosa (Mexico), millennium parade and Haru Nemuri - 春ねむり (Japan), TEKE TEKE and Holy F (Canada), 滅火器 Fire EX. and 椅子樂團 The Chairs (Taiwan), and Jade Jackson, Nino Man, Kevin Galloway, A Place To Bury Strangers, and Blushing (various United States), are just a few of the acts we’re particularly psyched to beam to our devices during the event. While we may need to wait another year before our favorite festival returns to the full-fledged, live-music madness for which it's known, this music video playlist of the entire 2021 lineup has got us fired-up for our annual foray into the future of music.
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드링킹소년소녀합창단 - DrinkingBoys&GirlsChoir via Instagram https://ift.tt/37OVN9f
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The 405 Meets Korea's Drinking Boys & Girls Choir: On the challenges of finding hard rockin' indie success in a K-pop world + Song Premiere
Drinking Boys and Girls Choir are an anomaly. The band hails from Daegu, South Korea, and even more unlikely genesis for an indie rock band than their pals and labelmates, Say Sue Me. Busan may be a world away, but offers its beaches and energetic club scene. Daegu, by comparison, is mostly know for being hot, with the highest temperatures in the country.
Yet, succeed DB&GC have, signing with Damnably preparing to bring their debut album, Keep Drinking!!, to audiences worldwide come this March. It hasn't been an easy road. The band formed as drummers and eventual members MJ and Meena met, with Meena taking on bass duties, and Bondu, returning from military service, answered their ad and became guitarist, and Drinking Boys and Girls Choir was born.
So, recording for Keep Drinking!! began all the way back in 2017, yet as MJ suffered a grave motorbike accident, the band took a hiatus for her recovery. As she healed, so did the band, and the album soon to fall into our hands was quickly, energetically born.
It's no surprise, then, that Drinking Boys and Girls Choir play like a band without time to waste. Their songs are beyond economical, nearly pure raucous energy and bombast, a rather heavier offering for anyone expecting more of Say Sue Me's more gently earnest surf rock.
Rather, DB&GC are far more influenced by NOFX and their own hometown's 90s-00s hardcore punk bands, and it shows in the burst of raw energy that is Keep Drinking!!.
The album arrives March 8th, via Damnably, and you can catch them live at SXSW this year. Prepare your bones and get excited with both a new song, 'Just Fucking Me', which The 405 is pleased to premiere, as well as a quick Q&A with the band below.
드링킹소년소녀합창단 Drinking Boys and Girls Choir - Keep Drinking by Drinking Boys and Girls Choir
So just to start
off with, what do you feel are some of the challenges you’ve faced being a band in South Korea?
I guess it is not just in Korea but meeting good band members is a real pain. A friend of mine said (on Facebook) that, ‘People say we can only meet members for our lives by God’s blessing. If I can meet God, I want to punch Him.” (Because he couldn’t find a good drummer for a long time). (Laughs)
Was it challenging finding an audience in a K-pop obsessed nation?
Oh! Sure. So we don’t expect to be a full time musician. We have money jobs. Not many punk bands here earn enough money for living.
What was your first great fan interaction / when you felt like you just might make it?
When we started DBGC in Daegu there was a moshing crew called ‘999family’. They were really supportive and they gave us such a positive energy. And when we went on a tour to Indonesia recently, a fan of ours sang along in Korean and it was really impressive and moving.
How did you guys link up with 999family in the beginning?
999family’s founder likes ska, punk, hardcore. And just coincidentally existed at the same time.
Do the foreigners staying and teaching in Korea support you guys? I know Say Sue Me have an expat fanbase in Busan.
Sure! We met a lot of good people from different countries. I would like to thank our friend Phil from Ireland who’s working for Angle magazine. He’s a good planner, promoter and a founder. We want to say thanks to Cindi for helping us writing lyrics and words in English. A friend from California felt happier than us when SXSW announced to have us.
Who are your biggest musical influences?
Definitely Crying Nut, a very famous Punk rock band in Korea. And we got influenced by bands like ...Whatever That Means, Billy Carter and so on. We also like Japanese bands like Dust Box or Hi-standard.
Growing up, who did you listen to / what band or artist kind of introduced you to punk and rock and roll?
In 90's Korea, punk bands like Crying Nut, LazyBone, and No Brain were so popular that we could easily listen to Punk music on the TV or radio. Later, MJ and Meena were sharing a band studio, there was so many older friends and they introduced us to some good music. We also listened to the radio and we started using streaming medias as well.
When I was working
in Korea, I’d show my older students music, some Radiohead, Miles Davis, David Bowie, whatever - and their reaction would often be “we didn’t even
know
music like this existed” - I feel like it’s harder to even be exposed to “different” music in Korea - when you were younger how did you first begin to find music that truly spoke to you?
Ah? Who doesn’t know Radiohead, Miles Davis, David Bowie? (Laughs) Before I was born, my mom already had copies of the Queen, the Velvet Underground and other world famous rock bands’ albums and I still listen to them.
All that said, are there K-pop artists you genuinely like? How do you feel about that scene?
We really like IU, BOA, Girl’s generation, Wonder Girls, and HOT.
When you first starting out, what was the musical scene in Daegu like? How was it there for you?
It’s not big here but we got a good relationship. We are not divided by genre and we support each other. There comes and go but still there are some support crews.
I've read how the local punk scene in Daegu influenced you, can you tell a bit about some of the bands and the history there?
Um.. the Daegu Punk scene is not big. A band is here named Geuk-Ryul (극렬) , they are a big brother of the punk scene in Daegu. 10 years ago they were really active, we did 'Wednesday show' on every Wednesday, and online radio program, and made a Street show together. but suddenly they were disappear. After that time I moved to other city and I don't know. In 2012 I back to Daegu and met MJ again and organized DBGC.
Are you all originally from Daegu? What was it like growing up there?
Meena was born and grew up in Daegu, MJ was born in Pohang but when she was young moved to Daegu and grew up here. Bondu, he was born and grew up in Chilgok, a small city around Daegu. And he moved to Daegu to go to university.
I know it’s not really a “question”, but could you tell a bit of the story about how you guys met?
MJ and I met in 2008. We belonged in each other teams as drummers. We wanted make a ‘girl band’, so Meena changed to bass and a girl guitarist joined but that band broke up very quickly. The band's name was ‘Chicken mayo ABC’. Then I moved to another city and MJ still wanted to form a punk band. So she posted on her university's online board, the title was “ Let’s do rock band!!” and Bondu replied to MJ. And then I came back to Daegu, and MJ introduced Bondu to me.
For Bondu, how was it returning from military life to play in a band? I can’t imagine! I was always sad when my friends had to go do their 2 years in the army while I was in Busan.
Not for just band, I was really happy because I could do what I wanted to. Military duty service is fuck.
MJ: No more than you feel comfortable doing, but did getting back into making the album help your recovery at all after the accident? I’m sure that was a really hard time for you, and all of you.
I am not that person kind of concern everything even I can't control it but just give up, so the recovery process was not that hard for me.(If I could never get back to drumming, it could be very sad but I might think it can't be helped and found other things.) But I didn't want to rush only because we release the album, so I took the time for my rehabilitation and practicing the drums very calmly and carefully. I had the members who waiting me so I had little bit accelerated but I guess it is quite lucky that I had enough time to take rest and get back much more strong figure in both physically and mentally.
Have you played a lot in other cities around Korea?
Sure. Korea is small and we can play around at a day from a city to another city. We’ve played in Seoul, Busan, Gwangju, Ulsan, Jeju, Cheongju, and Ulleungdo.
How would you describe your sound?
Fast, melodic and fun.
What are your biggest dreams moving forward?
We don’t have big dreams. We don’t know what’s going on in our future. We could die tomorrow. Every morning I’m happy because I wake up. For now, I just want to have a good time at SXSW and break our legs in the UK tour.
Where would you most like to tour?
Indonesia again. It was fucking good and unforgettable. I felt our tour mates ‘SNK’ as my family members. Of course we’d love to visit some other countries, too.
Can you talk about how you chose your band name?
We met winter in 2012, and started practice together in December. After a few months we wanted to first play so we did applied to rock band competition , that was one of a program in festival of university of MJ and Bondu. So, we needed a name but we couldn’t make a decision, so listed up what we like words and then attached together. That’s all. (Laughs)
I often heard Korea drinks more than any other country - I certainly had a lot of soju when I was there. How did you decide to name your band after drinking? / How much does drinking actually influence your music/lives?
I think the best way to become friends with someone is drinking. We love drinking. We’ve been drinking together and having great times since we met when we were students. We drank a lot, we had fun a lot. It’s a good memory which still bond us together. We love afterparties drinking with bands we played with. We decide what to drink depends on the food goes together. We usually drink soju but we like to drink beer with pizza or fried chicken.
Do you have any interest in writing songs in English? Naturally there's always a bit of unfair and annoying pressure towards foreign bands touring in English-speaking countries.
I prefer to sing mainly in Korean. Sometimes if I have a idea in English I write in English. I think language is not important. We are Korean so we sing in Korean. When I was young I couldn’t understand about pop songs but I liked it.
What’s your favorite memory from a show you played thus far?
Once we were on an Indonesian tour, our gig got cancelled because of the police. They pounced on our visas. It was the hometown of our tour mates SNK, and the members were sorry for us and the bassist even cried for us. They made a secret show for us and it was at some studio at midnight. It was late and we hadn’t had a chance to promote the show that we didn’t expect it would be crowed but all the audience people from the cancelled gig came and enjoyed our gig. We felt them and it was really moving.
Why did the Indonesian police give you guys such a hard time?
After our first show in Indonesia we stuck in the venue for over a hour. A police man never stopped speaking in Indonesian but we couldn’t understand and didn’t know what happened. So it was frustrating. After we were released we heard from Prabu (who is the guitarist and singer in Saturday Night Karaoke) about the reasons. It wasn’t our fault but at that time we couldn’t do anything. And at the 4th city in Bandung, the venue was outside, maybe we did our rehearsal in prayer time, or not, or no reason, anyway: police saw us and stopped our show. SNK members were really angry because there was no reasonable reason. Before leaving there, SNK did a jam singing “fuck the police”. That was really awesome and it was impressive. And then they made a secret show for us, so we could keep touring.
What inspired that
amazing cover art? Is there a reason behind each piece of it (say, the snake) or is more random?
The cover was drawn by our bassist’s partner ‘Pallo’. He designed our logo, sticker and the jacket of our first EP. Every object he draws has its own meaning but he said it’s just meanings he gave and he wants people understand as they feel.
What sounds are you interested in exploring moving forward?
Faster, tighter, more powerful but lyrical.
For such a joyously ferocious band, would you ever be
interested in trying a “slower” record, or would that feel like going against your core ethos?
We have thought about slow music or a concept or slowness but we are too lazy to try something different. We listen to many different genres of music and try to express in some different ways too but after we complete any new songs, only fast songs are there.
Look out for Keep Drinking!! come March 8th via Damnably, and catch Drinking Boys and Girls Choir live in Austin at SXSW.
from The 405 https://ift.tt/2IvZsl7
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Drinking Boys And Girls Choir - Secret Revenge (Marriage Licence, 2021)
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Music rec roundup 11/01/2021 - 11/07/2021
Albums:
Undir Köldum Norðurljósum by Kælan Mikla (primary genre: darkwave)
Azerbaijani Gitara by Rüstəm Quliyev (primary genre: guitar music)
Angela by Caixa Cubo (primary genre: jazz)
Tradição by Bia Maria (primary genre: folk pop)
Priče sa hard disc-a by Retrospektiva (primary genre: synthwave)
我不要别的历史 / No Need For Another History by 海朋森 / Hiperson (primary genre: post punk)
Marriage License by 드링킹소년소녀합창단 / Drinking Boys and Girls Choir (primary genre: skate punk)
Weekly features:
Goth Tuesday: “Dark Music Mixtape #10 (2019): Post-Punk, Gothic, 80s, Synth, Wave, Lo-Fi”
Playlist Wednesday: “NEW ERA - A Synthwave Chillwave Mix For When Covid Is Gone”
Lo-fi Thursday: “Rainy Days In Tokyo [Lofi Hip Hop / Jazzhop / Chillhop Mix] - Beats to chill/study/relax”
Favorite album this week: 我不要别的历史 / No Need For Another History by 海朋森 / Hiperson
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[M for Montreal × MU:CON] 드링킹소년소녀합창단 Drinking Boys and Girls Choir https://youtu.be/sCWdMZJ5vdE 본 영상은 한국콘텐츠진흥원이 주최하는 국제 음악마켓 MU:CON(뮤콘)의 파트너 페스티벌, 캐나다 M for Montreal 의 2021년 온라인 쇼케이스 참가를 위해 제작되었습니다. Artist : 드링킹소년소녀합창단 Drinking Boys and Girls Choir 00:08 There is no spring 02:32 Odoby 04:15 Attention 06:05 I'm Not A Machine 07:06 My Second Universe 10:21 Wish #드링킹소년소녀합창단 #DrinkingBoysandGirlsChoir #DBGC #MUCON #MforMontreal #KOCCA #한국콘텐츠진흥원 KOCCA MUSIC
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크룩스 음원 발매 기념 공연! #크룩스 #버닝햅번 #드링킹소년소녀합창단 #초록불꽃소년단 #팻토이즈(살롱 노마드 Salon nomad에서)
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Drinking Boys And Girls Choir - Odoby (Marriage Licence, 2021)
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