#腿 Legs
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Kitten Natividad
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Mum only wants to eat the same tried and tested foods every time we went out but me and my trusty camera like to experience new dishes. We both love Feng Food (台湾味 “丰”) which sells Taiwan-style foods so that is a compromise.
Yeah, mum went for the same old Guan Miao Mian with Specially Marinated Pork Chop (猪排关庙面) at S$12.80+. Between this and the fried rice version, I preferred the latter as I am the “rice bucket” kind of guy. :D The pork chop is flavourful with the ginger seasoning coming through and the meat so tender and juicy.
As for me, I picked this limited Sunrise Crispy Chicken Cutlet Rice (日出鸡腿排饭). Limited as in they only have a fixed number of this S$13.80+ dish to sell each day. A big piece of boneless chicken leg fried crispy occupied one half of the bowl. The white rice is drizzled with the gravy from their braised pork and topped with an over easy egg. Coupled with two side dishes of pickled cucumbers and vegetables to complete the dish. Just from looking at it already makes your mouth waters.
#Feng Food#台湾味 “丰”#Taiwanese#Northpoint City#Guan Miao Mian#关庙面#Pork Chop#Noodles#Pickled Cucumbers#Spring Onions#Sunrise Crispy Chicken Cutlet Rice#日出鸡腿排饭#Fried Chicken#Boneless Chicken Leg#Crispy#Braised Pork Gravy#Over Easy Egg#Pickled Vegetables#White Rice#Food#Buffetlicious
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丝袜勒肉~
#反差#foot#leg#白丝裤袜 白丝萝莉 白丝袜 肉丝袜 肉丝 肉丝丝足 恋物癖 护士约炮 护士 大学生兼职 学生约炮 学生丝袜 嫩b 少女 少女映画 萝莉幼女 足控 丝袜脚 高中生 高中女生 高中生约炮 高中制服#原味内裤#萝莉足控 萝莉御姐约炮 文爱 原味高跟鞋 原味黑丝 长腿 长腿 黑丝 腿模 腿部 腿袜 腿 腿照 母猪 南宁 马桶 艺术生 出卖 舞蹈 舞蹈约炮 舞蹈生 萝莉 小学生 全国交友 叫床 叫小姐#对镜自拍
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室友进卫生间看到我在发骚,会不会传染给她╮(╯▽╰)╭
#foot#leg#母犬#舔穴#舔脚#足控#文爱#反差女#萝莉足控 萝莉御姐约炮 文爱 原味高跟鞋 原味黑丝 长腿 长腿 黑丝 腿模 腿部 腿袜 腿 腿照 母猪 南宁 马桶 艺术生 出卖 舞蹈 舞蹈约炮 舞蹈生 萝莉 小学生 全国交友 叫床 叫小姐
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I can't…!!!!!!
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游戏有我好玩?哼╮(╯▽╰)╭
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Bettie Page
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冰人奧茲
Similaun man
同人創作 二次創作 漫畫
舞首
布魯瑪
headswap
長腿
long legs
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Found this on an old CD. Haven't seen it in 15 or 20 years. It was marked "Foothill Boulevard." No idea where it originally came from.
Anyone?
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Current family photo featuring two non-furby entities, flatbread (the arctic fox) and leggings (the arctic hare)
#furby#safefurby#allfurby#shaggy the boi#pancake batter juniper#lizzz Silvertongue#the wise fruit#random rat rattle#the two big bois’ names are actually 饼饼 and 腿腿 if anyone can read Chinese#leggings has his name from his ridiculously comical jellyfish legs which were blocked by Gold Lime in the picture
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Hedy Lamarr, White Cargo (1942)
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Mara Corday
(old friend of Clint Eastwood)
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Erlang Shen in Traditional Chinese Painting Pt. 1
Searching the Mountains (搜山图) for yaoguais is a classic theme in Chinese traditional painting starting in Southern Song Dynasty. It exists in several versions featuring different commanders, and a major category is Erlang Searching the Mountains. One of its best preserved copies is by Lu Zhi (陆治), dated to the 16th century during the Ming Dynasty and currently owned by the Museum of Fine Arts in Boston. The painting is on a silk scroll with a dimension of 61 x 806 cm (24 x 317 inches). As it's impossible to fit the entire painting in one frame here, below are the sections with Erlang (Fig. 1) and his hound, Xiaotian Quan (Fig. 2).
Fig. 1. Toward the beginning (the far right side) of the scroll.
Here is one classic representation of Erlang Shen in traditional art, where he wears a three-peaked hat (三山帽), holds an unsheathed sword, and strikes a distinctive pose, now known as the Erlang pose (二郎腿).
The three-peaked hat signals authority and wisdom, given its broad associations with nobility, Daoism, and scholar-officialdom. This is an interesting and intentional substitution for the helmet, as Erlang Shen is otherwise in a full suit of armor here.
The sword has become a staple in Erlang's image since his absorption into Daoism, where swords signal character and status, serving a more ritualistic than pragmatic purpose.
"Erlang pose" is commonly used in everyday speech to refer to any crossed-leg postures with only one foot on the ground, and it carries a connotation of casual confidence. Many native Chinese speakers are not consciously aware of its origin, just as native French speakers might not know that numbers like 86 (quatre-vingt-six) are remnants of the vigesimal (base-20) system.
The page on Erlang's right-hand side holds his hunting bow, and the guard to the page's right holds Erlang's spear. Other non-human-looking figures surrounding Erlang are part of his troop.
It is worth noting that Erlang's troop is called Grassroots Gods (草头神) because they are not formally enlisted in the Celestial Court but are recognized by Erlang. One could say that they, including Xiaotian, might've been considered yaoguais if not for Erlang. This might be why in Black Myth: Wukong, the game maker combined different lores to have Erlang's sworn brothers mentioned in JTTW be the yaoguais he previously subdued in Investiture of the Gods. As such, in the portrait section of the BMW journal, their names appear under Characters rather than Yaoguais.
This detail may open up many interpretations. For one, it shows Erlang's attitude toward yaoguais isn't simply antagonistic and the boundaries between yaoguais, humans, immortals, and gods are more fluid. Looking beyond Black Myth: Wukong's framing, the very concept of grassroots gods suggests that Erlang Shen believes in true merits—yaoguais who harm humans need to be subdued, while those who do good or are willing to redeem themselves can ascend to godhood. This is quite different from viewing yaoguais as inherently evil and untrustworthy, and is consistent with Erlang's traditional depiction as unconventional and charismatic.
Fig. 2. Toward the end (the far left side) of the scroll.
Xiaotian Quan is depicted as a white sighthound in this painting (Fig. 2). The beautiful women in the foreground are yaoguais, and their paws are showing under their gowns. This reflects another subtle rule in Chinese lore: yaoguais who look just like humans are more likely to be evil as they rely on disguises, while yaoguai-looking characters are more likely to be positive and even immortals or gods as they have nothing to hide with their true forms. It's a curious theory when you consider Sun Wukong's evolution in Chinese lore. His earliest depiction is as a lewd ape yao who often shows up as a white-robed scholar, but by the time of JTTW, he appears as a monkey throughout the story without needing or wanting to pretend to be a human.
#erlang shen#xiaotian quan#chinese painting#black myth wukong#journey to the west#investiture of the gods#sun wukong#chinese folklore#chinese mythology
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