#漆黒

[power-sahara]

#姉貴から #誕生日プレゼント #頂きました ❣わーい(^o^) #真澄 #漆黒 #あらばしり #茅色 https://www.instagram.com/p/Cot4s8hv1tt/?igshid=NGJjMDIxMWI=

[sharp7datwikk]

さてさて、信州の酒蔵の代表的な純米吟醸酒を飲み進める『信州純吟浪漫』をスタート。 この日は、『宮坂醸造㈱』の『真澄 純米吟醸 漆黒-KURO-』を。艶のある吟醸香、しっかりと感じる酸味と穏やかな甘味、終盤にやや苦味を感じつつ、やはりスッとキレていく。味わいのバランスと変化が良くて、ついつい杯を空けてしまいます。 こちらを基準酒として、これからぼちぼちと♪ #諏訪市 #日本酒 #真澄 #純米吟醸 #漆黒 #kuro #信州純吟浪漫 #japanesesake #mythrobbing #myeos_m100 #mononofu_daily #mononofu-senses https://www.instagram.com/p/CoRGLQhPq4X/?igshid=NGJjMDIxMWI=

[cluseller]

skebリクエストありがとうございました！

FANBOX https://cluseller.fanbox.cc

PATREON　　https://www.patreon.com/cluseller

[sexybritishllama]

been scrolling through some of the dawntrail opinions on 5ch today

[kyotakumrau]

2024.02.16-17 sukekiyo at Kyoto Gekijo

I really wanted to write about each show separately but then the 17th was filled with too many exciting things and there was no time. So I'll try about them together. And because of the setlists it also feels like they both belong together anyway.

2.16 The first day flow felt like the young idol started bright and excited, innocent, but then fell, experiencing the dirty side of love and people, but wanted to find love somehow anyway. And it finished with 呼吸・kokyuu...

As the BGM they are playing another movie (sound only).

5 minutes to and then at 6:30 the theatre buzzer sounded to signal the start of the show.

They had the usual see through screen in front of the stage (always done for the seated shows). sukekiyo and the tour name appeared as the snow was softly falling in the dark. At the same time band members walked on the stage, Takumi first, followed by Yuchi and Mika, then utA and Kyo last.

And Takumi started the piano melody of Margaret. It's so nice that they again chose to start with the last song from the previous tour, like they're creating a connection between then and now.

The stage was mostly their normal setting, but Kyo's stand had a dark bouquet laying in the middle of the table, I'm pretty sure it was the one with the doll in it that he shared in his Instagram story. There was also a high chair on the right side of his stand, right next to it.

And a new addition were big light bulbs hanging on wires over the stage, one over each band member hanging lower and four more a bit higher, nine in total. When グロス・Gloss started they lit up but dimmed when song got quieter.

During 愛した心臓・Aishita shinzo Kyo was dancing, he also came close the screen stretching his arm towards audience. (but I'm always unsure how much they can see from the other side because of how the light works on the screen), he crouched when dancing. Kyo was very dancey, utA as well (I was sitting on utA's side that night, aisle seat though).

They all wore outfits from their last artist photos. utA's hair was more standing, full 90s visual kei style. Kyo changed his look having a very different hairstyle. Because he shaved his head to get a new tattoo in January his hair is still very short, like in Citta he glued things on though, for sukekiyo he had two thin pink braids, one on each side, styled in a way they created two rings. And he had the porcelain doll effect make up, shiny face with drawn eyebrows, dark eye make up and full lips. The back of his dress is quite open so we could see his tattooed back. And he wore pink tabi boots to complete the look. (you can check those tweets 1️⃣ 2️⃣ to see fans drawings of him, just pls don't repost)

Both Candis and Valentina were quite fun with the pen lights. And this part had a lot of dancey songs that even come with set dance moves... But since it was a seated show it was only Kyo dancing, with other band members rocking and jumping as well, fans had to endure and stay in their seats😂

With 口に林檎・kuchi ni ringo the stage went darker and Kyo was lit up by his mic stand's pink light. aftermath followed with the soft dark mood in the venue and the video on the screen. Some of the autumn temple has been edited and changed to pink cherry blossoms with petals scattering. Kyo sang standing by his mic stand, illuminated in pink.

And after the song ended Takumi played the piano melody that starts the session. Kyo softly walked towards the chair and sat with one leg over the other, very dignified, like a film noir singer or a diva. A black clothed staff member walked on the stage from the left side holding a make up case and started to 'do' Kyo's make up. He patted Kyo's face with a towel, he then used a sponge and a brush, then 'did' Kyo's lips. I don't think he actually changed anything but it was a part of the performance. Kyo stayed seated almost motionless through the whole process.

Then Kyo softly got up and walked to his mic stand, the session continued as Kyo joined singing. The cheerful idol from the start of the concert was gone by now, the innocence lost. The want, the hurt, the darker feelings took place to create someone new.

訪問者X・HomonshaX had Kyo dancing like a bug, very different from the way he danced as a cute idol.

It felt to me that the lights towards the end of the performance were changing between red - fiery, angry and strong - and blue - calmer and sadder, to me it felt like there was a battle of various emotions inside of our heroine. I aways have a ton of respect for Mika who is creating the visualisations for the shows. Like during 変わってくれませんでしょうか・kawattekuremasendeshouka? when the front screen is very simple and the sides are dark with water falling over Kyo in the middle as the rain is supposed to wash everything away.

During 夢見ドロ・Yumemidoro Kyo was dancing more seductively, even wrapped his leg around the mic stand, baring it to the people. During Scarlet Kyo was pointing his lips with his index finger, 'I want you to kiss me'. Even broken things want to find love.

And at the end the acceptance came and resignation. Ending with 呼吸・kokyu had many people crying, if they were not crying by then anyway.

At the end Kyo slowly turned and left the stage. The end credits started on the screen, the audience was clapping as the rest of the band members slowly left as well. But many people kept crying even then (yours truly included).

But we did get the Gion Matsuri tour announced! 4 days at Kyoto MUSE! I wonder how many people will manage to hit all tickets on one account... I'll try😂

2.17

One more thing that was different was Kyo's stand, on the second day there were no flowers there. So I guess it was a present for his birthday?

The setlist flow was was different on this day. They started with 訪問者X・homonshaX and Kyo's bug dance. He was also pointing at the audience as he sang.

During グロス・Gloss the light bulbs lit up again. There was one moment when Kyo made a movement raising his arms like he wanted to catch his light bulp between his hands.

The video for The Hole had a mix of colours and Kyo was dancing. He definitely had more of a seductress in his movements on the second night. He stretched one arm and moved the other with the music and switched them. The idol songs following felt quite different because of the way they started the set and the mood.

After aftermath the staff came again to 'do' Kyo's make up and it was followed up with a session. At the end the stage was quite dark with a simple spotlight on Kyo.

With 論外な生き物として・rongaina ikimono toshite I love how the song switches from soft to heavy, from Kyo carresing the mic stand softly to him headbanging.

And the hair set he had made it kinda interesting for headbanging 😆 he had thin pink braids glued to his hair again, this time the loops were shorter so the end of the brace was behind the loops. So they bounced when Kyo moved. He wore a cropped black top with puffy sleeves and strands of pearls over it. Flowy pleated black skirt and again pink tabi boots. Make up was very similar to the first night. (fan's drawing)

The rest of the band members had different outfits too. utA again had a very classic v-kei outfit, this time his hair was styled to the right side. Takumi had a long white collar outfit. Mika I couldn't see, from my seat Mika was obstructed by Kyo's iPad stand 😅 Yuchi had a sleeveless Nike top with long gloves, he changed his hair style too to add more braids.

I can't play any instruments and I don't have especially trained ears, but I'm always impressed with the sound quality at sukekiyo shows as well. I can cearly hear all instruments and they create this amazing harmony together. And I also enjoy the fact that band members use different instruments for some songs (like aftermath). I could hear the wonderful bass promised by Yuchi, Mika's powerful drums, utA's guitar, especially during solos, Takumi's piano and guitars. And Kyo's voice. 🖤

For ただ、まだ、私。・tada, mada, watashi. there was no visualisation on the screen, so it looked like there was no screen besides a bit of a smoke by the floor. There was light coming from the back of the stage and very lightly the band members silhouettes appeared above the stage. And because of this the stage appeared to be very deep.

I liked the flow of the last part of the setlist, it didn't feel as gut wrenching as the first night.

The end credits started aready during Margaret and Kyo calmly left as soon as the song ended. The rest of the band followed as fans started to give applause.

I'm so curious what we will see in Tokyo. Only one more performance left.

[yyh4ever]

Welcoming a New Year of Harmony

"Yu Yu Hakusho 100% Maji Battle" New Year Event

This event was first held on New Year 2020, the Year of the Rat. Puu dressed up as a little rat is too cute.

Story: Yusuke, Kuwabara, Kurama, Hiei, and Puu gather for the New Year?

Vídeo:

Also, enjoy the BGM in the video! It's a folk instrumental version of the anime opening theme "Hohoemi no Bakudan", played with traditional Japanese musical instruments. 

Translation:

"Welcoming a New Year of Harmony"

Yusuke: Year's over! Happy New Year!

Puu: Puu, Puu!

Kuwabara: I wonder what kind of year it's gonna be, I'm so stoked!

Kurama: Happy New Year. Wearing a kimono is kind of uplifting.

Hiei: Hmph

Yusuke: Ouch, hot, hot! I wonder why New Year's zouni soup is so tasty!

T/N: Zouni is a Japanese soup containing mochi rice cakes. It is a tradition to eat zouni on New Year's Day.

Kuwabara: I know right! After we finish eating, let's start the kakizome!

Didn't you use to do that when you were a kid?

T/N: Kakizome is "the first calligraphy". It's when people write the New Year's resolution on a paper, usually on the 2nd of January.

Yusuke: I'll pass! After eating the zouni, I'll take a nap.

This is the New Year of staying home sleeping!

Kuwabara: Oi, oi, you'll get fat if you keep eating and sleeping!

Hiei: .....

Kurama: Hiei, what's wrong?

Hiei: What's that?

Kurama: Oh, that's called "mochi". It's a food of the Human World, often found lined up on New Year's dining tables.

It's delicious, would you like to try it?

T/N: Mochi is a Japanese rice cake, and a traditional food for the Japanese New Year.

Hiei: I don't want it.

Kurama: Is that so? ... But it's a New Year's staple.

Kurama: Huh, Kuwabara-kun...?

Puu: Puu...?

Hiei: ?

Kuwabara: *Stomach growling*!! My, my stomach hurts…

Yusuke: Dude, you were the one preaching people! Here, lie down.

Yusuke: That's what happens when you get carried away and eat too much.

Kuwabara: Ugh ... 10 mochis, I ate too much after all...

Hiei: Humpf, idiot.

Kuwabara: Whaat ... Hiei, you should try it too!

You dare say such a thing, cause you've no idea how delicious mochi is!

Yusuke: Ahhhh ... here we go again!

Yusuke: The New Year ain't gonna change anything! They will always be like that, right?

Kurama: Ha-ha-ha, what do you think?

Yusuke: Happy New Year for now!

Kurama:  Yes, I also wish you a Happy New Year!

T/N: The New Year's greeting in Japanese - kotoshi mo yoroshiku onegaishimasu - means something like "I look forward to working with you this year" or "I look forward to your help and support in this new time". I translated Yusuke and Kurama's lines simply as "Happy New Year", because that's the most common translation for this expression.

-The End-

The guys wearing beautiful kimonos, the big brushes for the first calligraphy of the year, the tradicional soundtrack ... everything is too beautiful! It's such a pity that Maji Battle is going to end. I hope they release an OST CD.

I wonder if Hiei tried the mochi, do you think he liked it? The answer will be in the event about the New Year 2021, which I'll post later🤭

Happy New Year! 2023 is The Year of the Water Rabbit. 🐇

[knotes-tmbr]

漆黒のシャルノス　メアリ・クラリッサ・クリスティ

[bens-things]

Detective Conan: The Raven Chaser (2009) dir. Yasuichiro Yamamoto

[izumokaoru]

自分のカレンダーに書いてあったから一時間ぐらいで描いた

もう１６年なんですね

[siim-tv]

【コスチューム】漆黒の兜

目次 ▼【グラクロ】【コスチューム】漆黒の兜の基本情報 ▼【グラクロ】【コスチューム】漆黒の兜のステータス ▼【グラクロ】【コスチューム】漆黒の兜の着用可能キャラ ▼【グラクロ】【コスチューム】漆黒の兜の評価 【コスチューム】漆黒の兜の基本情報 部位 ビューティー レアリティ UR 入手方法 神器ショップ 価格 ダイヤ30個 【コスチューム】漆黒の兜のステータス HP＋1410 回復率＋3％ HP吸収率＋1％ 【コスチューム】漆黒の兜の着用可能キャラ 【誇り高き兄】ワイルド 【コスチューム】漆黒の兜の評価 神器ショップにて交換できる こちらのコスチュームは神器ショップにて個別販売されている。個別なのでURでもダイヤ交換ができ、マイレージのホークの残飯の器で交換することもできる。 魔神王みたいな兜をかぶる 魔神王がかぶっていたような黒くてかっこいい兜をかぶった見…

[natukusa]

妖怪でっかきゅうり狂戦士に接触した楽団V!VO、エピソードの情報量が多い。

[jpopstreaming]

🆕🎶 「 パーティー・イン・ザ・ダーク 」 new single by 夕闇に誘いし漆黒の天使達 is now available worldwide! 🌐 Listen now and discover new sounds from Japan on our weekly updated playlist 🎧 https://spoti.fi/3lgjH73

[empty-movement]

Bud of the White Rose: EVERYTHING

HEY. HI. VANNA HERE. Yes, I've seen the countless messages, mostly on Tumblr, begging for links to download the musical, a static accessible copy of the script, and lyrics in Japanese for the main banger, Absolute Darkness: The Rose Garden.

I've procrastinated on this for many reasons! The script was worked out live in the subtitles, making it...kinda hard to translate back into a normal format. Thanks Notepad++ as always for that one. Also, I've felt like I should make a website for this content, and I still think that, but it also has impeded my sharing the content, and that sucks. But you know what? WE HAVE A FORUM. And unlike Discord, this will be archived and permanent! (Yes, I will do the 2019 Black Rose one as well, gimmie time)

2018's Musical Utena ~ Bud of the White Rose: Script & Everything Else!

(Oh, did you want the 2019 Blooming Rose of Deepest Black? Made that post too!!)

Ok fine, I know most of you want the banger lyrics and are too lazy to click for the thread:

M6: Absolute Darkness: The Rose Garden (plays after Saionji loses the duel) (Note, the romanization is via google, though I did check that it sounded right! The Japanese is from the program book.)

WAKABA: Wrapped in a nostalgic fragrance…​ 懐かしい香りに包まれた​ Natsukashii kaori ni tsutsuma reta​ NANAMI: …sealed with the wax crest of a red rose, a formal invitation arrives.​ 赤い薔薇の刻印に 飾られた招待状​ Akai bara no kokuin ni kazara reta shoutaijou​ MIKI: A white rose is pinned to the chest, this becomes the target.​ 胸に差した白き 薔薇を目印にして​ Mune ni sashita shiroki bara wo mejirushi ni shite​ JURI: The desperate search for you, a pursuit that begins on the night of the ball.​ 君を探し求める 舞踏会の夜​ Kimi wo sagashimotomeru budoukai no yoru​ SAIONJI: A heavy gate opens… and then! The sharp point of a sword—​ 重い扉は開き 鋭き剣先は​ Omoi tobira ha hiraki surudoki kensaki ha​ TOUGA: …plucks at the strings of destiny, and the music swells…​ 運命の音楽つま弾く​ Unmei no ongaku tsumabiku​

EVERYONE: The two of you begin to dance, and before long hurt one another.​ 君と君を求む者が舞う やがて互いを傷つける​ Kimi to kimi wo motomu mono ga mau yagate tagai wo kizutsukeru​ EVERYONE: A dance turned to a duel. Just like puppets…​ 決闘と化し まるで人形のように​ Kettou to kashi marude ningyou no you ni​ EVERYONE: …at the mercy of a god’s rhythm, two shadows suspended in absolute darkness.​ 神のリズムに翻弄される 漆黒に浮かぶ 二人の影​ Kami no rizumu ni honrou sareru shikkoku ni ukabu futari no kage​ EVERYONE: The rose garden… And you — the Bride.​ 薔薇の花園 花嫁の君​ Bara no Hanazono hanayome no kimi​ ANTHY: When the rose petals are scattered…​ 輪のバラの散らされた (As in the program, but not accurate to the sung lyric, which I will use from here on.)​ 一輪の薔薇の散らされた (Accurate to the lyrics, credit to barafubuki's initial Japanese script)​ Ichirin no bara no chirasa reta ​ ANTHY: …you turn up your face to the heavens…​ 天空を見上げれば​ tenkuu wo miagereba​ UTENA: …and there you see the illusory castle that will descend, someday.​ 幻の城いつか御許に 舞い降りる​ Maboroshi no shiro itsuka mimoto ni maioriru​

EVERYONE: At the mercy of a god’s rhythm, two shadows suspended in absolute darkness.​ 神のリズムに翻弄される 漆黒に浮かぶ 二人の影​ Kami no rizumu ni honrou sareru shikkoku ni ukabu futari no kage​ EVERYONE: The rose garden… And you — the Bride.​ 薔薇の花園 花嫁の君​ Bara no Hanazono hanayome no kimi​ EVERYONE: We’ll never be separated again!​ 二度と離さない…​ Nidoto hanasanai…​

M25: Absolute Darkness: The Rose Garden ~ Reprise ​ NANAMI: Grasping for control…​ 狂わされた運命​ Kuruwasareta unmei ​ MIKI: …of a mad fate…​ 支配された​ shihai sareta​ NANAMI: …a spirit bound without hope…​ 魂縛り付けて​ Tamashii shibaritsukete ​ MIKI: …to a vast world of emptiness.​ 広がる虚無の世界​ hirogaru kyomu no sekai​ SAIONJI: There in the smoldering fire is an indelible portrait…​ 炎で燃やしつくしても 消えない肖像​ Honou de moyashi tsukushite mo kienai shouzou​ WAKABA: …rescued by a shadow from inside the frame.​ 絵の中から救ってくれる あの人の影​ E no naka kara sukutte kureru ano hito no kage ​ JURI: Countless illusions of who you are, overlapping each other…​ 無数のあなたの幻影が 重なり合ってかつての​ Musuu no anata no gen'ei ga kasanariatte katsute no​ EVERYONE: …and painting over the real you.​ 自分を塗りつぶしていく​ Jibun wo nuritsubushite iku​ ANTHY: Even in absolute darkness, I feel your warm hands pulling me forward…​ 漆黒の闇もあなたの手の温もり感じ前に進む​ Shikkoku no yami mo anata no te no nukumori kanji mae ni susumu​ ANTHY: …toward the sunlit garden that's surely ahead.​ 光の庭に��どり着く日は きっと来る​ Hikari no niwa ni tadoritsuku hi ha kittokuru​ ANTHY: Then, you'll let go of my hand, and it won’t even matter if we’re separated…​ その時にあなたが手を離して 去っていっても構わない​ Sonotoki ni anata ga te wo hanashite satte itte mo kamawanai​ ANTHY: …because your warmth will stay with me, for all eternity…​ 温もり忘れない きっと永遠（とわ）に…​ Nukumori wasurenai kitto eien (towa) ni…​ ​ (dialogue cut - note that there is also dialogue occurring over and between the lyrics from here, so I will only note large breaks)​ ​ NANAMI: Grasping for control…​ 狂わされた運命​ Kuruwasa reta unmei ​ MIKI: …of a mad fate…​ 支配された​ shihai sa reta​ NANAMI: …a spirit bound without hope…​ 魂縛り付けて​ Tamashiishibaritsukete ​ MIKI: …to a vast world of emptiness.​ 広がる虚無の世界​ hirogaru kyomu no sekai​ SAIONJI: There in the smoldering fire is an indelible portrait…​ 炎で燃やしつくしても 消えない肖像​ Honou de moyashi tsukushite mo kienai shouzou​ WAKABA: …rescued by a shadow from inside the frame.​ 絵の中から救ってくれる あの人の影​ E no naka kara sukutte kureru ano hito no kage ​ JURI: Countless illusions of who you are, overlapping each other…​ 無数のあなたの幻影が 重なり合ってかつての​ Musuu no anata no gen'ei ga kasanariatte katsute no​ EVERYONE: …and painting over the real you.​ 自分を塗りつぶしていく​ Jibun wo nuritsubushite iku​ ANTHY: Even in absolute darkness, I feel your warm hands pulling me forward…​ 漆黒の闇もあなたの手の 温もり感じ前に進む​ Shikkoku no yami mo anata no te no nukumori kanji mae ni susumu​ ANTHY: …toward the sunlit garden that's surely ahead.​ 光の庭にたどり着く日は きっと来る​ Hikari no niwa ni tadoritsuku hi ha kittokuru​ ANTHY: Then, you'll let go of my hand, and it won’t even matter if we’re separated…​ その時にあなたが手を離して 去っていっても構わない​ Sonotoki ni anata ga te wo hanashite satte itte mo kamawanai​ ANTHY: …because your warmth will stay with me, for all eternity…​ 温もり忘れない きっと永遠（とわ）に…​ Nukumori wasurenai kitto eien (towa) ni…​

(dialogue cut)​ ​ EVERYONE: When the rose petals are scattered…​ 一輪の薔薇の散らされた​ Ichirin no bara no chirasareta ​ EVERYONE: …you turn up your face to the heavens…​ 天空を見上げれば​ tenkuu wo miagereba​ EVERYONE: …and there you see the illusory castle that will descend, someday.​ 幻の城いつか御許に 舞い降りる​ Maboroshi no shiro itsuka mimoto ni maioriru​ EVERYONE: At the mercy of a god’s rhythm, two shadows are suspended in absolute darkness.​ 神のリズムに翻弄される 漆黒に浮かぶ 二人の影​ Kami no rizumu ni honrou sareru shikkoku ni ukabu futari no kage​ EVERYONE: The rose garden… And you — the Bride.​ 薔薇の花園 花嫁の君​ Bara no Hanazono hanayome no kimi​ EVERYONE: We’ll never be separated again!​ 二度と離さない…​ Nidoto hanasanai…​ ​ (credits/cast walk-on)​ ​ UTENA: When the rose petals are scattered…​ 一輪の薔薇の散らされた​ Ichirin no bara no chirasa reta ​ UTENA: …you turn up your face to the heavens…​ 天空を見上げれば​ tenku wo miagereba​ UTENA: …and there you see the illusory castle that will descend, someday.​ 幻の城いつか御許に 舞い降りる​ Maboroshi no shiro itsuka mimoto ni maioriru​ EVERYONE: At the mercy of a god’s rhythm, two shadows are suspended in absolute darkness.​ 神のリズムに翻弄される 漆黒に浮かぶ 二人の影​ Kami no rizumu ni honrou sareru shikkoku ni ukabu futari no kage​ EVERYONE: The rose garden… And you — the Bride.​ 薔薇の花園 花嫁の君​ Bara no Hanazono hanayome no kimi​ EVERYONE: We’ll never be separated again!​ 二度と離さない…​ Nidoto hanasanai…​

(credits/cast walk-on)​

UTENA: When the rose petals are scattered...​ 輪の薔薇の散らされた​ Ichirin no bara no chirasa reta ​ UTENA: ...you turn up your face to the heavens...​ 天空を見上げれば​ tenkū o miagereba​ UTENA: ...and there you see the illusory castle that will descend, someday.​ 幻の城いつか御許に 舞い降りる​ Maboroshino-jō itsuka omoto ni maioriru​

EVERYONE: At the mercy of a god’s rhythm, two shadows are suspended in absolute darkness.​ 神のリズムに翻弄される 漆黒に浮かぶ 二人の影​ Kami no rizumu ni honrō sareru shikkoku ni ukabu futari no kage​ EVERYONE: The rose garden... And you — the Bride.​ 薔薇の花園 花嫁の君​ Bara no Hanazono hanayome no kimi​ EVERYONE: We’ll never be separated again!​ 二度と離さない…​ Nidoto hanasanai…

[shanks]

漆黒の伊菩 

[gon-iii]

黒揚羽

2016年、祖光院。

漆黒の揚羽が、鮮やかな彼岸花に訪れる。