#希望の光

[wisutponnimit]

【マムアンからの特別なお知らせ📢】 令和6年能登半島地震支援プロジェクト🎌 マムアンステーショナリーの購入で、能登半島地震の復興を支援しよう！

📅 販売期間：2024年3月11日〜4月20日 🛍️ 対象店舗：BASEオンライン特設ショップ 🎁 お買い上げ特典：オリジナルメッセージステッカーをプレゼント 💰 寄付先：日本赤十字社「令和6年能登半島地震災害義援金」

SWEET MAMUANGシリーズの売上の20%が寄付されます。また、「LOVE WILL FIND YOU WHEN YOU'RE HEARTBROKEN」のメッセージカードからは制作費などをのぞいた全額を寄付いたします。

心を込めたSWEET MAMUANGシリーズで、あなたの温かさを形に。 皆さまのご支援をお待ちしています！

詳細はプロジェクトページへ：https://note.com/wisut/n/n1ce848c4d1c6 BASE : https://mamuangchan.base.shop

[siim-tv]

【コスチューム】文武兼備

目次 ▼【グラクロ】【コスチューム】文武兼備の基本情報 ▼【グラクロ】【コスチューム】文武兼備のステータス ▼【グラクロ】【コスチューム】文武兼備の着用可能キャラ ▼【グラクロ】【コスチューム】文武兼備の評価 【コスチューム】文武兼備の基本情報 部位 武器 レアリティ SSR 入手方法 親密度 価格 ― 【コスチューム】文武兼備のステータス 攻撃力＋120 クリティカルダメージ＋6％ 【コスチューム】文武兼備の着用可能キャラ 【定めの王】アーサー 【希望の光】アーサー 【運命の継承者】アーサー 【キャメロットの剣】アーサー 【コスチューム】文武兼備の評価 アーサーの親密度コスチューム キャメロットの剣アーサーとの親密度がMaxになると報酬としてゲットできるコスチューム。武器なので主に攻撃面の強化が可能となっており、攻撃スキルが多くアタッカー性能のアーサーと相性…

[kenmyk777]

奇跡とは

奇跡とは 誰もが持ってる無限の可能性を信じれば いともたやすく起こすことが出来る 自分の無限の可能性を信じよう

[teruriphoto]

Title:Gazania/Another Sun On The Ground

Flowers are all another sun Shining on the ground.

花は地上の太陽だ。

Go to →　

https://teruriphoto.tumblr.com https://www.instagram.com/teruriphoto

[lyrasky]

Damiano David【Silverlines】和訳解説 Måneskin ダミアーノ・ダヴィドの希望の光 Ray of Hope

Damiano David【Silverlines】和訳解説 Måneskin ダミアーノ・ダヴィドの希望の光 Ray of Hope LyraのBlogへ #DamianoDavid #Silverlines #Måneskin #ダミアーノダヴィド #希望の光 #RayofHope #マネスキン #dramatic #モーネスキン #italy #hope #シルバーラインズ

9月に入っていきなり流れた Damiano David ダミアーノ・ダヴィッド(Måneskin マネスキン)のショートフィルムを見て「これはソロになるか俳優やるんじゃないの⁈」とX(Twitter )やインスタで書きましたが、本当にソロを出してしまって驚きと共にクオリティの良さに大興奮！ 「これマジでハリウッド狙ってるんじゃないの？」というハリウッド黄金時代のレトロな雰囲気がより、Damianoの良さを引き出していますね。 次々出されるソロ曲が、貫禄を増していくのがこれまた不思議。ずっとアメリカにいたような所作にダミアーノの本気を感じておるLyraです。 今日はそんなMr.ハリウッドなDamiano Davidのソロ・デビュー曲を和訳・解説しちゃいます。Damianoの歌声で、ロマンティックな気分を味わいましょう。 Continue reading Damiano…

[beforedawnwitch]

妄想してたら、いきなり発表されたThe K4senのネオポリス率に驚愕してる😇😇😇😇😇

どう絡んでも楽しすぎるが。

[kaizokuou-ni-naru]

the official one piece channel released a music video to promote volume 109 much like how they did with volume 106 and the start of egghead:

and i watched it and i started bawling almost instantly. below the cut is the rough (very rough, i'm not great at translating music) translation i did of the lyrics, so you all can cry along with me.

例えば誰か一人の命と/tatoeba dareka hitori no inochi to 引き換えに世界を救えるとして/hikikae ni sekai wo sukueru toshite 僕は誰かが名乗り出るのを待っているだけの男だ/boku wa dareka ga nanorideru no wo matteiru dake no otoko

if, for example, by saving the life of one person i could save the whole world i would be a man who only waits for that one person to declare himself

愛すべきたくさんの人達が/aisubeki takusan no hitotachi ga 僕を臆病者に変えてしまったんだ/boku wo okubyoumono ni kaete shimattanda

to all the many people dear to me i sadly became a coward

小さい頃に身振り手振りを/chiisai goro ni miburiteburi wo 真似てみせた/manete miseta 憧れになろうだなんて/akogare ni narou da nante 大それた気持ちはない/daisoreta kimochi wa nai

the gestures i learned when i was small i've showed you how to copy and i've come to yearn for something no grand ambitious feeling

でもヒーローになりたい/demo 'hero' ni naritai ただ一人君にとっての/tada hitori kimi ni totte no つまずいたり転んだりするようなら/tsumazuitari korondari suru you nara そっと手を差し伸べるよ/sotto te wo sashinoberu yo

but i want to become a hero if only to you alone if you ever stumble or fall i'll quietly reach out a hand

駄目な映画を盛り上げるために/dame na eiga wo moriageru tame ni 簡単に命が捨てられていく/kantan ni inochi ga suterareteiku 違う　僕らは見ていたいのは/chigau, bokura wa miteitai no wa 希望に満ちた光だ/kibou ni michita hikari da

for the sake of bringing this no-good movie to its climax lives were simply thrown away but no, what we dream of seeing is the light that has fueled our hopes

僕の手を握る少し小さな手/boku no te wo nigiru sukoshi chisana te すっと胸の淀みを溶かしていくんだ/sutto mune no yodomi wo tokashiteikunda

that small hand gripping mine all of a sudden melts all the hesitation from my heart

人生をフルコースで深く味わうための/jinsei wo furucosu de fukaku ajiwau tame no 幾つものスパイスが誰もに用意されていて/ikutsumono supaisu ga daremo ni youi sareteite 時には苦かったり/toki ni wa nigakattari 渋く思うこともあるだろう/shibuku omou koto mo aru darou そして最後のデザートを笑って食べる/soshite saigou no dezaato wo waratte taberu 君の側に僕は居たい/kimi no soba ni boku wa itai

so that you might deeply savor life as a full-course meal with all its many spices laid out for everyone though at times it may be bitter and full of sour thoughts and at last you'll eat dessert laughing i want to be by your side

残酷に過ぎる時間の中で/zankoku ni sugiru no naka de きっと十分に僕も大人になったんだ/kitto juubun ni boku mo otona ni nattanda 悲しくはない　切なさもない/kanashiku wa nai, setsunasa mo nai ただこうして繰り返されてきたことが/tada koushite kurikaesarete kita koto ga そうこうして繰り返していくことが/sou koushite kurikaeshite iku koto ga 嬉しい　愛しい/ureshii, itoshii

i certainly came to adulthood in the midst of these times that are far too cruel but i'm not sad, and i'm not in pain although things have just repeated like this yes, although things will repeat like this i'm happy, my dearest

ずっとヒーローにありたい/zutto 'hero' ni aritai ただ一人君にとっての/tada hitori kimi ni totte no ちっとも謎めいてないし/chittomo nazomeitenai shi 今更もう秘密はない/imasara mou himitsu wa nai

i always want to be a hero if only to you alone without any mystery left after everything, i have no secrets anymore

でもヒーローになりたい/demo 'hero' ni naritai ただ一人君にとっての/tada hitori kimi ni totte no つまずいたり転んだりするようなら/tsumazuitari korondari suru you nara そっと手を差し伸べるよ/sotto te wo sashinoberu yo

but i want to become a hero if only to you alone if you ever stumble or fall i'll quietly reach out a hand

[key-cat]

Hope is being able to see that there is light despite all of the darkness.

希望とは、真っ暗闇の中で光があると信じることを言う。

Desmond Tutu デズモンド・ツツ

[lastscenecom]

あなたが焦点を当てているものは、生活の中であなたが気づきやすいものです。常に嫌なことばかりに焦点を当てていると、それが現実の認識に色を与えることになります。その認識を変える最も簡単な方法の 1 つは、感謝の気持ちを実践することです。 その日に起こった「3つの良いこと」のリストを書き出すと、脳は過去 24 時間でポジティブな可能性のある出来事をスキャンすることになります。つまり、大小の笑いをもたらした出来事、仕事での達成感、人とのつながりの強化などです。家族、未来への希望の光。 1 日わずか 5 分で、個人的および職業上の成長の可能性に気づき、それに焦点を当て、それに基づいて行動する機会をつかむことがより熟練するように脳を訓練します。

あなたをより幸せにする科学に裏付けられた毎日の習慣 |スリニバス・ラオ著 |ミッション.org |中くらい

[noticiasarquelogicasjaponesas]

Capítulo 2: El camino hacia el enigma - Sean bienvenidos, japonistasarqueológicos, al siguiente capítulo de las ruinas Weda en el capítulo anterior estuvimos hablando de donde se localiza el asentamiento, cuáles son los ríos que lo rodean el emplazamiento, de cuando data el mismo y cuando se empezó a cultivarse el arroz. También comentamos que había misterios desde los periodos Yayoi tardío al Kofun, ya que había pocos asentamientos continuos, pero sí que hay del periodo Heian. - La primera prospección fue llevada a cabo en 2013, dichos resultados no arrojaron luz suficiente a los restos para una mayor comprensión del asunto expuesto. Habría que esperar a la segunda para qué arroja nuevas esperanzas, la cual se descubrieron restos de viviendas en foso del siglo IX d.c¿Qué se encontraron? Los restos que salieron fueron los siguientes: Un horno de herrería, con una estufa de cocina, ambos restos arqueológicos fueron tanto como un taller y una residencia. - También se encontró una fosa con una zanja que rodeaba el asentamiento, se ha excavado un producto de cobre con forma de pájaro la fecha y el propósito de su elaboración no está resuelto, todavía esperemos que próximos estudios arrojen luz a los restos y al yacimiento. - Espero que os haya gustado y nos vemos en próximas publicaciones de arqueología e historia de Japón. - 第2章：謎への道 - 日本の考古学者の皆さん、ウェダ遺跡の次の章へようこそ. 前の章では、集落がどこにあるのか、その場所を囲む川は何か、稲作が始まったのはいつから、いつ始まったのかについて話しました.弥生時代後期から古墳時代にかけての謎もあり、連続した集落は少ないが、平安時代のものはある。 - 最初の調査は 2013 年に実施されましたが、これらの結果は、露出した物質をよりよく理解するのに十分な光を遺物に当てはめませんでした。新たな希望を与えてくれる第二の発見を待つ必要があり、西暦 9 世紀の堀の住居跡が発見されました。出てきた遺跡は次のとおりです。 鍛冶屋のオーブン、キッチンストーブ、両方の考古学的遺跡はワークショップと住居の両方でした. - 集落を取り囲む溝付きの穴も発見され、鳥の形をした銅製品が発掘されましたが、その精緻化の年代と目的は解決されていません。とサイト。 - あなたがそれを気に入ってくれて、日本の考古学と歴史の将来の出版物でお会いできることを願っています. - Chapter 2: The path to the enigma - Welcome, Japanesearchaeologicalists, to the next chapter on the Weda ruins. In the previous chapter we were talking about where the settlement is located, what are the rivers that surround the site, when it dates back and when rice began to be cultivated. We also commented that there were mysteries from the late Yayoi to the Kofun periods, since there were few continuous settlements, but there are from the Heian period. - The first survey was carried out in 2013, these results did not shed enough light on the remains for a greater understanding of the matter exposed. We would have to wait for the second one to shed new hope, in which remains of moat dwellings from the 9th century AD were discovered. What were they found? The remains that emerged were the following: A blacksmith's oven, with a kitchen stove, both archaeological remains were both a workshop and a residence. - A grave with a ditch that surrounded the settlement was also found, a copper product in the shape of a bird has been excavated, the date and purpose of its production is not resolved, we still hope that future studies will shed light on the remains and the site. - I hope you liked it and see you in future publications on archeology and history of Japan.

ソース写真/source photo:https://naganomaibun.or.jp/research/east/和田遺跡・和田１号塚/

[ryotarox]

(がん細胞がぷちぷち壊れていく…人類の希望「光免疫療法」発見の瞬間「がんを光らせる実験のはずがまさかの結末に」 | 集英社オンライン | 毎日が、あたらしいから)

「そんなふうにがん細胞が割れるのはそれまで見たこともありませんでした。それに、がん細胞を光らせる実験中にがん細胞が死んじゃうっていうのは、少なくとも担当者の私は求めていない結果でしたし、どこで実験の手順を間違えたんだろうって、そればっかり考えていましたね」 実験のエキスパートである小川が「それまで見たこともなかった」と首をひねるような現象だった。 光永も困った顔でモニターを見つめるばかりだった。光永にとってもがん細胞が割れて死んでいくのは想定外だった。普通に考えれば、近赤外線を当てるだけでがん細胞が壊れるはずがない。光の出力は正常値。高出力でがん細胞を焼き殺しているわけではないのだ。（略）

そそくさとミーティングを終え、小川が顕微鏡室でその現象を小林に見せた時だった。小林が大きな声でこう言った。 「これはおもろいなあ！」 食い入るようにモニターに見入っていた。 「すごい、すごいで！　これは治療に使えるんちゃうか！」 光免疫療法が〝発見〟された瞬間だった。

- - - - - - - - - - - - - - - -

合目的性の難点。こういう大事なことに気付けるか。

[wisutponnimit]

【マムアンからの特別なお知らせ📢】 令和6年能登半島地震支援プロジェクト🎌 マムアンステーショナリーの購入で、能登半島地震の復興を支援しよう！

📅 販売期間：2024年3月11日〜4月20日 🛍️ 対象店舗：BASEオンライン特設ショップ 🎁 お買い上げ特典：オリジナルメッセージステッカーをプレゼント 💰 寄付先：日本赤十字社「令和6年能登半島地震災害義援金」

SWEET MAMUANGシリーズの売上の20%が寄付されます。また、「LOVE WILL FIND YOU WHEN YOU'RE HEARTBROKEN」のメッセージカードからは制作費などをのぞいた全額を寄付いたします。

心を込めたSWEET MAMUANGシリーズで、あなたの温かさを形に。 皆さまのご支援をお待ちしています！

詳細はプロジェクトページへ：https://note.com/wisut/n/n1ce848c4d1c6 BASE : https://mamuangchan.base.shop

[siim-tv]

【コスチューム】簡単な道着

目次 ▼【グラクロ】【コスチューム】簡単な道着の基本情報 ▼【グラクロ】【コスチューム】簡単な道着のステータス ▼【グラクロ】【コスチューム】簡単な道着の着用可能キャラ ▼【グラクロ】【コスチューム】簡単な道着の評価 【コスチューム】簡単な道着の基本情報 部位 衣装 レアリティ SSR 入手方法 親密度 価格 ― 【コスチューム】簡単な道着のステータス 防御力＋120 クリティカル防御＋6％ 【コスチューム】簡単な道着の着用可能キャラ 【定めの王】アーサー 【希望の光】アーサー 【運命の継承者】アーサー 【キャメロットの剣】アーサー 【コスチューム】簡単な道着の評価 アーサーの親密度コスチューム アーサーの親密度報酬としてゲットできるコスチューム。最大レベルの5まであげると入手できるので、料理のプレゼントや親密度専用アイテムを使ってちょくちょく親密度を上げてい…

[kenmyk777]

まさか？！ブライアン・メイが？！

この題名の書き方を見て、とあるTV番組（かなり流行ったが）で出て来るセリフだと気付いた人は恐らく自分と同じくその番組が好きだと推察される。 と、前置きはさておき、すっかりご無沙汰になった音楽動画のお宝探し。その前に実はこのブログを書くのに長文で後少しで書き終わるところだったのが、打っているうちに、何故か全て消えてしまって、愕然としながらも一から書き直している。書くのに1時間近くかかっていたのが、全て消えてしまったショックは���し切れない。で、本題だが、もう時間も遅いため、ある程度省略して書くことにした。実は今日とても良い事があり、その事への感謝と自分へのご褒美として、自宅でビールを飲んでつまみも食べてほろ酔い気分で良い感じになっていた。そしてYouTubeを観ることにして、音楽動画のお宝映像探しではなく、色々な動画を観ていて、たまたまRAINBOW…

[putschki1969]

Kaji Fes.2023 Day 2 FULL Video

»»——  CLICK ME 🎁 CLICK ME ——««

❗FOR PERSONAL USE ONLY❗ ❗CREDIT me if you SHARE on other sites❗

Yes, finally we have a recording of Day 2. Even though I was there for Day 2 back in December, I was still excited to experience the whole thing again. Unfortunately, I never got to write my report so I guess I will use the opportunity to share some of my memories and current thoughts.

Here goes nothing┗(•ˇ_ˇ•)―→

street corner: Looks like they cut this. I am surprised because they had a much longer slot for Day 2 (3 hours instead of just 2) so I was sure they would be able to squeeze all of it into the broadcast but apparently not. Oh well, can't say I am said about that because being confronted with the accordion right from the get-go at the live really didn't leave a good impression on me. I had pretty high expectations for the whole thing and this intro left me more than underwhelmed. Thank God we transitioned right to "希望の光".

希望の光: Now THIS is the intro I was hoping for. What a gorgeous melody! I wasn't familiar with the track but my God, I got goosebumps all over. I literally felt this in my entire body. The gradual build-up to a more grand-scale symphonic arrangement towards the end really impressed me. I am just obsessed with the uilleann pipes and the Celtic sound. I honestly struggle to get beyond this because I keep rewinding the video.

prelude to Act 1: The look on my face when I heard those first few notes. I was shooketh to say the least. I most definitely did not expect them to do the Kalafina block this early in the live but I knew that if they were doing the Madoka instrumentals, the most logical thing would be to transition straight into a Kalafina track. While I have never watched the anime, these are melodies I hold very dear to my heart so I loved this. It was also a great pleasure to hear Eri Ito live for the first time. I will never get enough of Yuki's more classically trained vocalists. it's such a pleasure to listen to them.

Numquam vincar: After "prelude to Act 1" this was no surprise at all but damn, I am so glad they played this. I've never actually had the chance to experience this track live even though they obviously performed it numerous times during Kalafina live intermissions. What a pleasure to be there and truly feel the epicness of that intro. Once more I was covered in goosebumps.

Magia [quattro]: At this point I knew it was coming but it was still a shock to my system. Like I said earlier, I was sure that they would wait until the very end to do the Kalafina block (that's what they had done for earlier lives) so I thought I had some time to prepare myself and get into the groove so to speak. My body certainly wasn't ready so maybe that's why my brain couldn't properly compute the whole thing. I remember not being as hyped as I expected to be and that made me kinda sad. I am so grateful that we are getting this recording and a blu-ray release because I feel like I couldn't fully appreciate the performance while I was there. Getting to see it again is a real treat and I must say, I like this much more than the previous FJ "covers" we have gotten of this song. Hikaru and Keiko sound so perfectly in tune and I just love their powerful delivery. For the most part, I don't mind the higher harmonies provided by Yuriko and Joelle. Although during some parts (e.g. mayowazu ni yukeru nara), I feel like Joelle and Keiko don't harmonise very well together but whatever, it doesn't bother me too much. On a random side note, I wasted way too much time wondering about why I thought that Keiko's arms looked kinda naked until I finally realised that the puffy sleeve pieces of her outfit were missing.

storia: I did not expect this to make it onto the setlist but I am a big fan of the song so I was happy when I heard the first notes. Overall, I think I like this version well enough although I will admit that my favourite part has always been the chorus with Keiko and Wakana so it is a bit jarring to hear Joelle for these parts. Don't get me wrong, Joelle sounds great and I feel like the harmony between her and Keiko works better here than during "Magia" but still, it can't quite touch my heart. I mean, just thinking of all the Kalafina performances where Wakana and Keiko gaze lovingly into each other's eyes while they sing the "yasashii uta..." line makes me tear up. Nothing will ever be able to replace that for me. A few days later I attended Wakana's concert where she also performed "storia". This may sound ridiculous but hearing those performances more or less back to back almost felt as if the three of them had been reunited. Even though this might have been a coincidence, just the idea of this little connection had me in tears.

君の銀の庭: Oh, another cut song. Thank God we are getting the Blu-Ray. I will be honest with you though, I am quite sad that they chose two Kalafina songs that I don't particularly like. I couldn't get as excited as I wanted to be. I think I had no complaints about this performance, enjoyed everyone's vocals and didn't really notice Wakana's absence. But I guess that's because I wasn't a big fan of the song to begin with :P

to the beginning: It will forever be a mystery to me why this is such a fan favourite but oh well, let's not linger on that. In some way, it's almost a blessing in disguise for me to not have such a strong emotional connection to these songs because it helps me appreciate the new versions a lot more. No matter how skilled of a singer Joelle might be, if I am invested in a performance with a prominent Wakana part, there is no way anyone will ever live up to that. It's 100% a me problem, I realise that but I doubt I will ever be able change that way of thinking. Anyways, this was a perfectly fine rendition.

海と真珠: Don't think I've ever heard a JUNNA song. Not a huge fan of her voice, it's just too generic for me. But there's something about this song that I like, especially that those hey-hey woah parts. The chorus is decent too. It's not a track I would skip but also not something I would actively seek out.

太陽の航路: Not my cup of tea. I can tell that there is a nice melody hidden in the chorus but it's a bit too fast-paced for me.

time to sail!: Yet another cut. I loved this. Was already familiar with it from a previous recording so I really appreciated getting to hear t live. It's somewhat of a very epic and grand-scale version of "Umi to Shinju" which I am only realising now XD

The main theme of “L.O.R.D”: Can't tell you how very much I am in love with this song. The first time I got to experience this live was in Taiwan back in 2019. The song is so fucking good, I will never get tired of it. I was utterly blown away by Joelle's vocal prowess. I know it always sounds like I am low-key bullying her but that's really not my attention. I am just forever too hung-up on Wakana to ever be able to accept anyone else taking up my favourite parts of her.

I talk to the rain: Can't wait to hear this again on the Blu-ray.

a song of storm and fire: In my report for Day 1 I did talk about tis and "salva nos" being my first introduction to Yuki Kajiura's music. I feel so privileged to have finally been there for a live performance. Needless to say, it was everything that I could have asked for. Watching the recording now doesn't even do it justice. It was so much more powerful at the venue.

ring your song: This always brings tears to my eyes. The melody is just so beautiful and when they all join in, it's literal perfection.

ことのほかやわらかい: God dammit, I really want to like this song because in theory it should be right up my alley. I mean, the instrumental intro is to die for, it's so promising but then it's just all over the place and I can't get into it T_T

夜光塗料: Not a huge fan of ASCA unfortunately and I do not care for the song either.

雲雀: Surprisingly fond of this. Very nice melody. Can see myself listening to it on a regular basis.

君が見た夢の物語: Not much to say about this except that I enjoyed Keiko's lower harmonies. It's not a bad song per se so I probably would have liked it more if it didn't have ASCA on main.

everlasting song: This is always fun although I do enjoy the version without FJ ASUKA more. I know that sounds horrible considering it's literally her song but I will never be a fan of Yuki's vocalists with a more generic voices. Wakana's "kimi no me ni..." will forever be my favourite!!

世界の果て: No thoughts really.

優しい夜明け: Joelle is a much better fit for this See-Saw song than Yuuka. Very enjoyable.

君がいた物語: A favourite of mine. Do I prefer the version with Wakana? Of course! Do I have fun with this version too? Mostly yeah! Kaori's always work for me here but I can tolerate it.

Rainbow~Main Theme~: This was a nice treat. Very fond of KOKIA as a vocalist and this is just a super beautiful song. Have always liked it.

風よ、吹け: Not as smitten with this new KOKIA song but it's nice enough. I certainly wouldn't skip it

lotus: Wow, two Hanae cuts! How rude!!

inverse operation:

目覚め: I do love the Wakana versions but I also enjoy versions with other main vocalists. And of course, Hanae does an amazing job.

夕闇のうた: I know this didn't leave a good impression on me when I first heard it and I can't say I feel much different about it now.

荒野流転: This upcoming FJ Yuuka corner didn't do anything for me, it was the point where I started to get really tired and distracted. It was a struggle to still pay attention even though these were all more up-beat songs.

Silly-Go-Round: Nope.

cazador del amor: Meh.

nowhere: The only song I actually enjoyed from this corner. ASCA thankfully used a voice that I didn't find too grating (which can't be said about rito, JUNNA and Lino). Almost wish I had stood up for this performance and the next because Keiko was spending a lot of time on the left side of the stage (I had an arena seat pretty close to the stage on the left) but I probably wouldn't have had a good view of Keiko anyway so I preferred to just watch the screen. And to be honest, I am not the type of person to stand up and do some weird moves anyway so it was probably for the best. No need to embarrass myself in front of people who actually know how to move their body.

zodiacal sign: I mean, when is this ever not an absolute pleasure?

into the world: I was hoping to see Hikaru again since almost all the other guest vocalists had had a second appearance and yay, she came back on stage for the final song before the encore! "into the world" was such a perfect ending. I definitely got choked up, especially towards the climax of the song when Keiko was really putting all of herself into it.

red rose: Not my favourite but a good track for all the musicians to shine again.

Parade: It's my favourite song from the album and a fitting ending for this behemoth of a concert. At this point, everyone was close to tears after Yuki's little speech so that made it so much more moving. Love, love, love!! Right after they all take a bow and everyone is leaving the stage, I am glad they zoomed in a bit on Keiko who was wiping away some tears and leaning on Hikaru. That moment killed me at the live.

[kamidukki]

[AKNK] The Prophecy ⚠ spoiler warning ⚠

四つの光が地上を照らし 知恵なき者に裁きを下す

Four lights will descend upon the earth, casting the judgment on the ignorants

三千世界の最後の希望は 絶望と共に生きる者

Three-thousand world's last hope lies upon those who lives with despair

二十の悪魔の魂も 天を埋める無数の羽にはまだ足りない

Twenty demon souls are missing against the countless feathers scattered in heaven

一場の春の夢は 数年以内に覚めるだろう

The fleeting dream of spring will be awaken in few short years

--- [Note] ---

Okay. Rough translation, and I'm not too sure if certain parts are even acceptable. Thankfully the butlers (and the lord and Muu) went on deciphering the prophecy among themselves so it didn't become too confusing. Below is their interpretation.

First line: four lights referred to the intelligent angels (followed by a discussion how the last angel would still missing from their knowledge if that were the case)

Second line: those who live with despair = devil butlers. Muu inquired about the 3000 thousand world part. Boschi told him there's a saying in the Eastern Land that mentioned about it. It roughly means [この世界の全て], which roughly translated into everything that makes up/is in this world (?). Idk really. Better ideas are absolutely welcome.

Third line: demon souls were literally interpreted as the demons themselves. Since it said 20, they talked about how they were short of 4 people. Muu brought up Bern (or whatever his romanisation is), but in the end they would still miss three people. A brief talk about the need to look for more three butlers ensued.

Fourth line: Boschi mentioned a four-character idiomatic compound aka yojijukugo. 一場の春の夢 (fleeting dream of spring) becomes 一場春夢 (a metaphor for the transience of glory or prosperity). Frankly? I have no idea what to make about this. They didn't elaborate much on this part. Boschi simply said something bad was gonna happen in a few years (aka a literal take) and that was it.