#《 i feel like it has to be on my end because it's happened twice with two different rp partners 》

[diekleinesuesse]

Hello there! Are your request open? Because I was wondering if you would be able to write something for A Date With Death? If they are open, then wonderful!

Here is the following request: Sunshine has been having terrible nightmares about the 'bad' endings actually coming true, to the point, they call Grim/Casper for comfort and maybe ask him to come over, just to make sure nothing bad happens?

Thank you for reading, hope you have a nice day/night.

Through the Shadows, You’re My Light

Warnings: a date with death beyond the bet spoilers, use of Grims Real name, mention of blood, indirect mention of dying

The clock read 2:47 AM, the numbers burning like tiny red flames in the darkened room. Sunshine sat upright in their bed, clutching the blanket as though it might anchor them back to reality. Their heart raced, pounding erratically in their chest like it was trying to break free. Another nightmare, vivid and cruel, leaving their throat dry and their body drenched in sweat.

They had tried everything breathing exercises, grounding techniques, even staring at the glow-in-the-dark stars on their ceiling for what felt like hours. None of it worked. Their mind refused to let go of the image of Casper cold and distant, the light in his eyes extinguished. Or worse, gone entirely.

The thought of losing him, of seeing those endings come true, clawed at their sanity. Sunshine reached for their phone, their hand trembling as they opened their contact list and scrolled down to his name. “Casper 👻🤍,” it read, though they’d saved a little ghost emoji next to it for fun.

For a moment, they hesitated. It was the middle of the night, and Grim was likely asleep or busy doing whatever mysterious work Death itself did at odd hours. But the fear gnawed at them, sharp and relentless. Taking a deep breath, they pressed the call button.

The phone rang once. Twice. On the third ring, his voice came through, warm and calm despite the late hour.

“Sunshine?” he asked, the faint rasp in his voice betraying that he’d been asleep. “What’s wrong?”

Sunshine hesitated, their throat tightening. “I… I’m sorry to call you so late. I just…” They trailed off, struggling to find the words.

“Sunshine.” His voice softened, a gentle coaxing. “What happened?”

“I had a nightmare,” they admitted, feeling a lump rise in their throat. “It’s stupid, I know, but it felt so real. You were sitting right in front of me covered in blood and suddenly it was like you were you… were gone, or…” Their voice broke, and they bit down hard on their lip to stop the tears from falling.

“Hey,” Grim interrupted, his tone firm but kind. “It’s not stupid. Not to me.”

Sunshine closed their eyes, letting his voice wash over them like a balm.

“Do you want me to come over?” he asked. “I can be there in ten minutes.”

“I don’t want to bother you,” they murmured, though the longing in their voice betrayed them.

“Sunshine,” Grim said again, his voice steady and reassuring. “You are never a bother. Not to me. If you need me, I’m there. Always.”

Their breath hitched at the sincerity in his words, and they nodded even though he couldn’t see it. “Okay,” they whispered. “Please. I just… I need to see you.”

“Ten minutes,” he promised before hanging up.

Sunshine sat in the quiet, their heart still racing but a spark of hope now warming their chest. True to his word, there was a knock at their Window almost exactly ten minutes later.

When they opened it, there he was Casper, his eyes sharp and focused entirely on them. Without a word, he stepped forward and wrapped them in a firm but gentle hug.

Sunshine melted into him, burying their face in his chest as tears finally spilled over. He held them without hesitation, his hands rubbing soothing circles on their back.

“I’ve got you,” he murmured, his voice low and steady. “I’m here, Sunshine. Nothing’s going to happen to me. I promise.”

They clung to him, the weight of the nightmares easing with every second he held them.

“I was so scared,” they whispered.

“I know,” he said softly. “But listen to me. Those nightmares ? They’re not real. See I’m right here and you can feel me right?”

Sunshine pulled back just enough to look up at him, their eyes searching his. “But what if something happens? What if-”

“Shhh,” he interrupted, his hand coming up to gently cup their cheek. “Nothing’s going to happen. Not to me, not to you. We’ve faced worse together, haven’t we?”

They nodded, a small smile tugging at their lips despite their tears. “Yeah. We have.”

“Then trust me,” he said, his thumb brushing away a stray tear. “You’re stuck with me, Sunshine. I’m not going anywhere.”

The sincerity in his gaze left no room for doubt, and Sunshine felt the last of their fear begin to ebb away.

“Will you stay?” they asked, their voice barely above a whisper.

“As long as you need me,” he replied without hesitation.

That night, Sunshine slept soundly for the first time in weeks, nestled in the warmth of Casper’s arms. And though the shadows of their nightmares still lingered at the edges of their mind, they knew they’d be okay. Because with their favorite Grim Reaper by their side, the nightmares didn’t stand a chance.

Ahhhhhhhh I hope you like this and thank you so so much for being my first request 💋💋💋💋💋

[nothingenoughao3]

I will say this forever as long as there is breath in my body, and couching my observations with love for Titan AE overall:

This movie's first two acts feel like Draft 3, but the final act feels like Draft 1.

There is a stark difference in quality and characterization. This is true across the board, although the biggest sins were committed against Korso. Here, let me count the ways:

Cale's arc from a cynical dope to a hero feels like it's missing a vital beat to tie it all together. I understand that Bluth and Goldman were experimenting with "less is more" storytelling, and overall I respect the approach, but this one comes off as an omission of editing and not a deliberate storytelling choice. They did remove a bit where Cale visits a human drifter colony for the first time. That is, I think, where his turnabout was supposed to happen. The "my brother has a photograph of Earth" scene is a poor substitute for him being surrounded for the first time by other people he's previously dismissed as scum. Those people welcoming him in would make him feel shame for his prior behavior. Unlike the bit where he tries to skip the human line and flat-out deny his own humanity, he embraces it. There's your impetus for him to transform into a full hero... an impetus that isn't really there in the finished film.

Gune feels stupider in Act 3, and does things we never imagined him doing based on the first half, such as piloting the entire fucking ship AND operating weapons (two separate systems that required two operators before) while screaming "WHO'S YOU'RE DADDY". it's korso btw

Stith has more lines in Act 3. She spends most of the movie growling, grunting, and being borderline nonverbal compared to Preed's snark--then she starts snarking along with everybody else. I don't mind this change, but it is a change, an inconsistency which points to a major change having been made in earlier parts of the film unreflected in the later parts. (I assume Joss Whedon was responsible for this.)

Akima's job in Acts 1/2 is different than in Act 3. Assume for the sake of argument that the inconsistencies are not "because her job is to be the girl" and are from the same issue as the rest of this list. Akima starts out hanging around the pilot's area of the Valkyrie, but only while Korso's not there--which is consistent throughout Acts 1/2. She CAN pilot but it's not her job; I'd say her job is probably supposed to be a medical officer (which is why Korso leaves Gune and Preed to watch the ship, why would you NOT leave your best pilot to keep the engines warm, and also why she recognizes the Gaoul when nobody else does--because girls have empathy she's into biology). All of the above goes away in Act 3, where they lean super-hard on her being the pilot to end all pilots and forget that she's supposed to be a medical officer. This all points to Akima's job having changed at least twice during the script editing process, and said process was arrested before they really settled on her purpose. Also she's a girl who serves any purpose so long as she has purple hair and flirts with the MC.

Hey remember how Gune built this device with a button on it that he didn't know the purpose of in his very first scene? Remember how he tries to run an analysis of this device in his next big scene? I do and you probably do, BUT THE MOVIE JUST FORGOT ABOUT IT. We had a Setup scene, a Reminder scene, and no goddamned Payoff scene. It should have come up when Gune was blasting at Drej ships! He should have hit the button and launched it into space and taken out a bunch of Drej! Or hey, what about it being used in an attempt to kickstart the Titan, only it doesn't work and they have to engineer the Drej Energy idea by the seat of their pants? But it never comes up again, because they didn't finish editing the script and forgot about including the Payoff!

And now Korso. Oh Korso. Look how they massacred my boy.

There is the shape of something great here. Korso being a nihilist pretending to be an optimist has great dramatic potential! Him melting down because he realizes that Cale's taking all this rah-rah New Earth bullshit seriously could be great. There are even other tacks they could have taken up where this could still conceivably make sense.

What if Korso thought he could manipulate Cale into going along with the mission, then appear to agree with what Cale's been saying this whole time just as Cale changes his own mind? Imagine that conversation! Korso quietly saying that Cale's right and there's no hope and maybe they should just give up, Cale having to fight against his boyfriend mentor and his own words being thrown back in his face. Great fucking cinematic potential.

Or, or! Korso thinks he's saving humans from the Drej by destroying the Titan. What if he sincerely believes the best way of helping humans is disarming them so the Drej have no reason to kill anyone else? That would be in line with the caring, heroic man we met in Act 1 and saw throughout Act 2. And it's always more interesting to have an antagonist who thinks they're virtuous or heroic.

What if Korso doesn't view his betrayal as a betrayal? What if Cale and Korso are fighting over who is the proper Savior of Humanity and how humanity should be saved?

Great shit. Dramatic. Delicious fodder for ficcing. And tragically not what happened. Instead Act 3 kicks in and suddenly Korso only cares about money and grabbing what he can. Okay. Who do I sue for whiplash.

There's still a decent story to tease out of this--his "World blowin' up changes a man" line highlights that it's not so much money motivating him as trauma. This feels like the direction Act 3 leans into by the end. Korso telling Cale that it's fine if Cale kills him, Korso running to rescue Cale when he really didn't have to, Korso sacrificing himself (whether you think he's dead or not)… these are the actions of a reckless man who does not care about his own life. A traumatized man still haunted by the Earth being destroyed, feeling responsible for said destruction in ways he can never actually make up for, okay, also delicious, good stuff, but.

But that's Korso on the Titan, who feels very different from Traitor!Korso on the Valkyrie. Traitor!Korso punching Gune, threatening the the crew, talking casually about murdering Stith, fistfighting Cale, abandoning Cale and Akima at New Bangkok, being so determined to murder Cale and Akima that he risks everyone's necks and his own ship in the Ice Rings… this feels like a guy who is in fact just motivated by grabbing whatever he can and fuck everyone else.

We can and should apply whatever Watsonian explanations we can devise for Korso's inconsistency here. But the reality, I think, a Doylian one: Korso's inconsistent because his character arc was supposed to have a major editing-related alteration, riiiiiiiight around the point when they stopped editing the script and had to put it into production.

I'm probably totally off-base with this claim but it sure does feel like it's true.

Brought to you, exclusively, from me and my “still-bitter-about-the-shitty-writing-for-Korso-in-the-second-half” ass!

[girlitfeelsgood]

At least once a fucking week I am jerked awake in a panic early in the morning, thinking the house is on fire or something, because a truck is making an extremely loud beeping noise while it's backing out of the street my house is on

[wayfinderships]

I have my gripes with the new P.ersona 3 remake but MAN... I'd be a liar if I said that watching a video of the beginning portion of the game didn't feel like home-

[cloudbends]

well. (Scratches desk. Bashes my head into the wall over and over again /pos)

[deckosbades]

Preparation: I have a bag of lays potato chips, a (which I will eat later, potentially after both films), I am also brewing tea and I have my water filter in my fridge. I have seen Babe Pig in the City, or maybe the original Babe(1995) at least partially on television, and am familiar with the oft referenced phrase "that'll do pig that'll do".

I am currently recovering from a bout of pneumonia, and am taking a break from gaming because my controller doesn't quite work right. If this film makes fun of neurotic gamers of sickly Victorian chimney sweeps I will be upset.

The first streaming website I tried had the worst bitrate I've ever experienced so I had to swap only two minutes into the film.

4:01 Did the farmer just fucking die??? 4:18 Okay he didn't die, he's just terribly injured 4:46 That's a gnarly hand injury 5:02 I am the singing rodents 5:58 I hate these white dudes. For now I'm gonna just stop writing my thoughts and experience Babe Pig in the City (I definitely lied when I said this and started writing notes again) 9:36 Word spread fast to all the sheep. They must be big gossips 11:55 Decent amount of flight safety for a pre-9/11 film 13:00 Can't trust cops, even when they're dogs 16:30 Love the pig man and the singing rodents 18:55 This woman is lovely 20:47 California has lovely architecture 23:44 Racist orangutan? 25:59 Video player begins buffering indefinitely, have to swap again 26:10 I was worried for the little rats. I'm glad they're okay. 26:40 Those cops just got cooked. 27:10 Cooked twice 28:04 This is just like Ranma 1/2 36:19 Average American gun club 39:01 Open Sesabob 42:20 The amount of action in this movie is thrilling. I didn't realize how hardcore Babe was 43:26 The dog actor is so happy. Just look at his tail 44:31 For some reason I didn't think pigs could swim 45:07 Holy shit That's brutal 45:27 Babe knows right from wrong 🥲 50:07 streaming sites just aren't what they used to be 😔 I'm feeling almost biblical imagery from this scene. Pig is the saviour figure 51:33 What a polite fish. He still feels the beauty of kindness as well 56:14 Goth pig is some drip The other pigs are here 😒 1:01:08 Was the first Babe movie this sad by the two thirds mark? I am deeply saddened right now. 1:01:54 He's got a fucking gun holy shit 1:02:40 Ableist pound 1:05:27 Name drop 1:05:52 Babe really is a saint-like figure Or perhaps a moses figure 1:08:14 These pig men are consistently wonderful people 1:09:44 Thelonius has experience the original sin. 1:11:45 What a sad day it is when internet streaming sites aren't reliable. My anime streams are much more consistent. If I had my VPN or I wasn't on college internet I would have just torrented it :( 1:12:00 I hate nimbies 1:16:07 I have finished my potato chips 1:20:51 Just give her the damn pig 1:21:55 He is dedicated to protecting the champagne 1:23:00 I love this film. Thank the pig 1:24:08 The struggle is never ending 1:27:00 He said it :)

Preparation: I have finished my lays. I am going to start Poor Things (2023). I know nothing about this movie. I also have a bottle of water prepared.

Not sure what connection there is between these films. I will have to watch and see

1:13 Quilted introduction images 3:48 Is that Willem Dafoe? 4:19 Many weird things happening. Piano playing with feet on the keys, odd vocalizations and bubble creation. No English spoken so far. Chimera animals, and fisheye lenses. I do not believe that is Willem Dafoe It is Willem Dafoe I checked 10:18 So far a deeply uncomfortable film in comparison to Babe Pig in the City 11:30 I would describe the cameras and imagery as almost myopic. 15:58 This feels like a Greek tragedy 16:33 Willem Dafoe was definitely the right casting choice 18:42 Again a deeply upsetting film. A challenging work of art for certain. 22:21 The film is interested in theatre imagery. I think Babe is similar in a way 23:21 God that looks disturbing 27:30 This is definitely one of the films 29:15 I would not describe what is happening as a positive romantic relationship 32:47 The combination of 20th century value adherence and 21st century value avoidance is what adds to how uncomfortable the film is. 35:21 I fear she might kill him 35:34 This film also seems interested in heights. 36:59 Oh goodie, cutting up brains 38:49 She seems to have a powerful understanding of herself and her surroundings but not of other people or societal norms. 41:08 Oh gosh, the first color shot in the entire film. Did they teach her what contraceptives are? 41:55 Oysters always struck me as an erotic food for some reason. 45:05 I did not realize how much scifi was present 46:01 As the film and her understanding of reality expands it feels like the framing and the cinematography does too? Like the audience is experiencing the film from her POV right now. 47:40 Reality is both beautiful and upsetting 50:30 Bella's so real But also Again, this film can be described as myopic. Everyone is so focused on one detail or themselves. 53:47 First character to recognize Bella, her real name is Victoria Blessington 54:42 The music is once more deeply unsettling She is again dancing childishly but it's so macabre 56:48 Films like this make me very anxious, I must keep watching. 58:17 Very surprised he has not yet brought her bag to Godwin 58:56 He told her not to fall in love with him, and she was really good at that I think. 1:00:26 This film is deeply interested with fucked up family relations. 1:01:27 You could not have paid me to get into that chest 1:04:05 Feels like a theater set again, but that seems completely intentional. 1:05:15 Just remembered that she is developmentally a child and she is currently drinking a lot of alcohol 1:08:05 "Polite society will destroy you" you said that first Duncan 1:09:20 You broke the man's heart Bella 1:10:04 They found another????? 1:10:19 She has found transcendentalism it's over 1:10:50 "It is indicative in me and it is definitely indicative in all" she is so real 1:11:25 I love the way she creates similes 1:13:57 No shot what the fuck 1:15:55 A slow exploration of so many human ideas. Birth and death, love and sex, and kindness and cruelty. 1:17:35 Showing a child impoverished dying children. 👍 1:23:00 Interesting seeing her handwriting is still childish, but her art is beautiful. It was shown in a previous shot. 1:26:26 I don't know how to put my feelings about this film into words consistently anymore 1:27:55 No music, just ambient creeking. Incredibly uncomfortable once more. 1:36:56 A very catholic idea 1:38:15 Good joke. I am happy with how much French I remember from middle school. 1:41:15 Freud would be having a field day 1:41:58 "c'est vrai" -> that's true 1:42:20 He's still here? 1:43:18 She has the craziest insults 1:43:45 I was starting to believe they would not come back to these two. 1:47:15 This movie utilizes its soundtrack so well 1:48:26 Big decision to provide no subtitles. Middle school French once more paying off. 1:51:58 Crazy visuals. Lowkey reminds me of filmcow 1:54:15 I am compelled to be intrigued 1:58:33 Once more, Freud would be incredibly proud 2:01:13 I am enraptured 2:04:17 Holy shit 2:15:40 They put a goat in him holy shit

Final thoughts overall: Reviewing my notes I see some similarities. First I'd like to say that IMDB was wrong when it rated Babe Pig in the City a 5.8/10. It was good, and I liked watching it. First thing I think is interesting about Babe is how biblical all the imagery felt. I described Babe as a Christ like figure, but that's not accurate I think. Definitely feels biblical though. Like Babe demands religious iconography. Babe is purity and innocence and kindness. I also liked Babe's voice a lot. All the animal actors did great jobs also.

In comparison Poor Things felt biblical and also didn't. It couldn't have been an accident that Bella refers to Godwin only as God. He is definitely playing god, but it didn't feel like a religious genesis story in the same way. It felt more like religious transgression. I wrote down around the 16 minute mark that Poor Things felt like a Greek tragedy, and I still feel that way after completing it. Maybe not a Greek tragedy, but if you transplanted some of the ideas in Poor Things into Greek mythology I wouldn't bat an eye. For both I don't actually know how much of that is vibes, and even how much of it was intentional.

In terms of characters, I think both Babe and Bella are interesting characters because of how innocent they are. And how they cause a lot of trouble in a lot of situations with good intentions. Bella definitely scared me a little bit more (I thought she would kill someone, and I was surprised that more characters didn't die in Poor Things honestly speaking). Babe also plays a little bit with that sense of discomfort. When Thelonius talks about how Babe is a pig meant for human consumption, and then Uncle Fugly kidnaps him, I was more than a little bit worried about Babe! Poor pig! I was also surprised that they outright killed uncle Fugly. In a way Babe was a little bit more brutal than Poor Things. I think you were right to say that Babe had one of the most brutal animal drowning scenes.

In terms of plot structure, a lot happens in both films. Babe goes form farm animal, to entertainer, to heist distraction, to Christ figure, and that's only a little bit past the halfway mark. Bella similarly accomplishes a lot even by the halfway mark. I do see parallels for the events, where they are on some level both fish out of water stories, and I am constantly left worrying about Babe and about Bella because they don't always understand the consequences of their actions or their circumstances. Thelonius is similar to Willem Dafoe. Both are good films that on different levels left me compelled and a little bit confused.

okay i know i got some followers out there who have nothing better to do. Can you watch babe pig in the city and then follow it up immediately after with poor things and get back to me on your findings

[binnie]

you guys.... i'm going down a spiral and I need advice

[finalhaunts]

-

[inbabylontheywept]

The Motherfucking Lizard King

No one at work trusts my boss. 

He's smart. He works hard. He's not trustworthy. He hasn't actually fucked anyone at work over, but he's ruined his last two marriages with affairs, and got dumped by his third fiance when he wouldn't sign a prenup. The fact that we all know this is just a hazard of working in a small town. 

Anyway: The thought process of the people in the lab is that if he screwed over his first wife, and his second wife, and was probably planning on screwing over his third wife, it would be insane for him not to screw us over. After all, what kind of idiot treats their employees better than their spouse? 

I dunno. His kind, I guess? He's had a few chances to fuck us over, and he hasn't taken them. Opposite really. When our parent company was doing furloughs, he stayed in the office almost a hundred hours, talking and talking and talking his way up the corporate ladder. And in the end, no one at our site got furloughed. 

He's pulled strings like that before. And it baffles me, right? Because it really does make zero sense. He'll move the heavens and the earth for us, but his wife and kids are afterthoughts. It feels like any moment, he's going to look into the mirror and realize how stupid that is. It feels like I'm betting on him making the same stupid mistake again, and again, and again - like it would be less cynical to believe he was, eventually, going to stab me in the back. But he hasn't yet, and as far as I can tell he's been making that mistake for close to fifteen years, and it's already cost him everything it can. If he was going to learn, he would have by now. 

So my position on him is that if he wanted to date someone I cared about, I'd warn them off. I don't trust him there. But I tentatively trust him to be my boss. Maybe one day he'll stick the knife in and twist, and everyone will say Ah, Babs, we warned you, but for now, I accept that he's doing a very predictable, very irrational thing, and I've made my peace with it. 

---

My job has glue traps. 

No one likes the glue traps, but we don't have a lot of options. Poison's banned by state law, spring traps are banned by company safety, and several non-lethal options tried in the past failed to work. The mouse problem can get pretty bad if it's ignored, and there's some real health hazards in that. Our site has never had a positive hantavirus test, thank God, but the big base about a half hour away has. That guy's gonna be on oxygen the rest of his life. 

If a mouse gets caught, we just euthanize it. But more than mice get stuck. Lizards can wander into those traps too, and the people working there have different feelings about the lizards. They don't pose nearly the same kind of risk mice do. They're chill little guys, and they keep the moths away, and they're just 

You know. They're friendly. There's something to be said about walking into a room, and hitting the light switch, and seeing two little guys on the wall start to do pushups as soon as they see you. 

People used to just euthanize the lizards too, but I had pet leopard geckos as a kid and I couldn't take that so I wound up googling how to free animals from glue traps. Now, when a lizard gets stuck in a trap - which happens once or twice a week - I get some vegetable oil from the breakroom, and a little plastic fork, and I'll spend fifteen to twenty minutes just kind of gently prying the little guys out. 

I have a team of technicians that help me operate one of the larger machines. They're real blue collar guys, ex-airforce, and they make me look like a little kid. Being an engineer means they'll look to me as a leader sometimes, which is a wild experience. And I started helping the lizards for my own conscience, but one of the crazier consequences of it has been that it seriously boosted my leadership cred. Because those guys see me, and they go: Hey. If he's willing to fight for a lizard, he's gotta be willing to fight for me. 

I cannot overstate how nice that is. Most engineers that want to make a change to a maintenance practice, or try an upgrade, they have to work their asses off to get the techs to buy in. But I can just ask. They already trust me to do good. They know I'm new, and they know I'm not the smartest engineer in the building, but they also know I'm the one who gets lizards out of the glue traps. 

And just because of that, they're willing to follow me. 

---

My boss has a meeting every month or two. It's typically basic house cleaning stuff - reminders about routines we've gotten lazy on, and updates on future projects. Maybe some warnings about problems coming from higher up in the company.

People are, in my opinion, a bit too cynical about the meetings. It stems from people not trusting our boss, which again, I understand, because it would make so much more sense if he wasn't trustworthy. It's a testament to the man's incredibly unhealthy priorities that he is. But as we made it to the end of the meeting, one of bullet points was: 

Do NOT mess with animals in the building. 

So I looked at my techs, and they looked at me, and when he got to the point, he was so scathing I actually just wanted to crawl under a rock and die. He said basically that he'd heard some reports about someone in the building handling animals that found their way in and got stuck, and that he just wanted to emphasize how insanely inappropriate that was, not to mention dangerous, and that if he needed to speak to anyone about it again, there would be severe consequences. 

I was willing to just take the shame and move on. I was. But one of my techs is old. Old enough he could've retired two years ago. And his actual literal goal is to one day get angry, yell at someone, and storm out. That's how he wants to retire. So instead of biting his tongue like everyone else, he stood up and said: I hate the glue traps. You hate the glue traps. We all hate glue traps. But we've all sat here for years, ignoring the little things that get stuck in them, watching them die, and then Bab's comes in, and he is the first person in decades to give enough of a shit to start pulling the lizards out. And I don't want him to stop. 

Get humane traps or shut up but we are not going back to the old way of just letting things starve. 

And my boss actually froze up. He got all wide eyed and stared at Marc, and then the other techs jumped in, and there was a very small but intense rebellion in the meeting and my boss kept trying to interrupt while getting absolutely bowled over by this gang of angry middle aged air force vets, and eventually he just went 

I will speak with Babylon about this afterwards! After! And then he will speak with everyone else, but I have more points to cover. 

So they went silent, and my boss rushed through the last five minutes, and we all adjounred. The techs really didn't like that I was going in alone - they thought our boss was going to try and shout me into compliance. Marc in particular was like, Look, if he tries bullying you, stand your ground, and if he threatens anything, just come get us, and we'll give him hell. 

So armed with that, I went to my boss's office. I sat in the chair across from him, and he kept his composure for maybe five seconds before just flopping back into his chair. 

I had no idea you were saving lizards, he said, but I'm glad you are. I always hated seeing them die in the glue.  

I wasn't expecting that. I was about to ask him what the comment from the meeting was about then, but he answered that before I even got the chance.

A snake got into the building last week, and - someone picked it up and chased a coworker around. Turns out that coworker was severely afraid of snakes, and now it's a shitshow. We're a small site, and now I can't ask those two to work together anymore, to say nothing about how the snake fared after all that. Being upset about that is a reasonable thing, right? 

And he gave me a look like he actually wanted an answer, so I said Yeah, totally, chasing a coworker around with a snake is a dick move. Especially if that coworker is already afraid of snakes. 

And he said Exactly! and then we sat there a few moments longer. He looked so incredibly tired that I did, actually, feel kind of bad for him. And then he somehow managed to sink even further into his chair, and said

Look, I know I'm not a good guy. But I'm not evil. I'm not some sort of crazy asshole that's going to demand that everyone watch lizards starve to death. When you go back downstairs, could you try to pass that on? That I'm not evil? 

I said Sure because it wasn't a hard request, and he looked relieved. I actually made it halfway out before I realized I had a question. 

Who grabbed the snake? I asked. 

Not supposed to talk about it, he said. But whoever comes to mind first is probably right. 

ThatGuy? I asked. And he looked me in the face, nodded his head yes, and said No. 

---

The techs seemed a little disappointed that they didn't get to storm the boss's office, but were otherwise in good spirits. They were actually a little bit embarrassed to hear about the snake story - apparently, it wasn't much of a secret. It'd just slipped their minds because it happened three weeks ago. 

We did maintenance after that, the same basic repairs we did every week. The meeting had been stressful and it was a relief to work with my hands. When the parts were reinstalled, everything cleaned and smooth and ready to go, Marc found me again. 

You know what the lesson of today is? he asked. And there were quite a few answers to that that I could have taken - from don't assume the worst of people to be careful with how you spend your trust - we all need it more than we think. 

But instead I said what? because I wanted to hear what his answer was going to be. 

That I got your back, he said. Then he clapped one very, very large hand on my shoulder, gave it a good squeeze, and walked back to dosimetry lab.

---

The next day, Marc gave me a package and told me to open it in my office. I was suspicious, but I followed the request.

Cardboard gave way to a small baggie, obviously full of fabric, which opened to reveal a t-shirt that read

"I Am the Motherfucking Lizard King."

I looked at it, I loved it, and then I got an idea. I went to my boss's office and knocked on the door. When he opened it, I asked him if he would be willing to allow something very unprofessional to happen for morale building purposes.

How unprofessional? he asked. I held the shirt up in answer. He gave the shirt a short look over and snorted.

You can wear it on weeks without customers, he said. Which just so happened to include that week.

I'll pass on that it came with your blessing, I replied, and he looked oddly relieved.

Thanks, he said. And then I went downstairs.

---

The techs were very, very happy to see the shirt. And while my boss's reputation remains in tatters, and probably will be until he moves (or dies), the next time there was a meeting, there was quite a bit less complaining about how mere presence. Which is, I guess, a start.

We'll see if he squanders it.

[inkskinned]

what is with men being mad any time a woman raises her voice where did that even come from. someone posted a video of a small electrical explosion, and the top comment was of course the woman screams. the second comment is women try not to scream challenge, level impossible. i had to go back and watch the video again. there is, somewhat fainty, a little gasp emitted off-camera, more of a yelp than a scream. it is mostly lost in the crack of the explosion. afterwards, you hear her voice, shaken, say, are you okay?

i am helping one of my friends train her voice pitch lower, because she wants to be taken seriously at work. she and i do each other's nails and talk about gender roles; and how - due to our appearance - neither of us have ever been able to be "hysterical" in public. we both appear young and sweet and feminine. she is cisgender, and cannot use her natural voice in her profession because people keep saying she appears to be "vapid". we both try to figure out if our purposeful voice lowering is technically sexist. is it promoting something when you are a victim to it?

a storm almost sends a pole through a car window. in the dashcam, you can hear the woman passenger say her partner's name twice, crying out in alarm. she sounds terrified. in the comments, she is lambasted for her lack of calm. how is that even fucking helping?

in high school, i taught myself to have a lower voice. i had been recorded when i was genuinely (and righteously) upset; and i hated how my voice sounded on the phone speakers when it was played back. i was defending my mom, and my voice cracked with emotion. it meant i was no longer winning the argument: i was just shrieking about it.

girls meet each other after a long summer and let out a little joyful scream. this usually stops around 12-14, because people will not tolerate this display of affection (as it has the effect of being passingly annoying). something about the fact that little girls can't ever even be annoying. we are trained to examine each part of our lives (even joy) for anything that could make us upsetting and disgusting. they act like teenage girls are breaking into houses and shrieking you awake at 3 in the morning. speaking as a public school educator: trust me, it's not that bad, you can just roll your eyes and move on. it does not compare to the ways boys end up being annoying: slurs in graffiti, purposefully mocking your body, following you after you said no. you know, just boy things.

there's another video of a man who is not allowed to yell in the house, so he snaps his fingers when he's excited about soccer. the comments are full of angry men, talking about how their brother is unfairly caged. let him express himself and this is terrible to do to someone. eventually the couple has to address it in a second video: they are married with a newborn baby. he was trying not to wake the infant up. there is no comment on the fact women are not allowed to yell indoors. or the fact that it could have been really alarming or triggering for his wife. sometimes i wonder if straight men even like women, if they even enjoy being in relationships with them.

for the longest time, i hated roller coasters because it always felt inappropriate and uncomfortable for me to scream. one of my friends called me on it, said it was unusual i'm so unwilling. i had to go to my therapist about it. i don't like to scream because i was not raised in a safe situation, and raising my voice would have brought unsafe attention towards me. even when i am supposed to scream, it feels shameful, guilty. i was not treated kindly, so i lack a basic form of self-protection. this is not a natural response. it is not good that in a situation of high adrenaline - i shut up about it.

something very bad is happening, i think. in between all the beauty standards and the stuff i've already discussed - this one feels new and cruel in a way i can't quite express. yes, it's scary and silencing. but there's something about how direct it is - that so many men agree with the sentiment that women should never yell, even in an emergency - it feels different.

is the word shriek gendered automatically? how about shrill or screech? in self defense class, one of the first things they tell you is to yell, as loud and as shrilly as you can. they say it will feel rude. most women will not do this. you need to practice overcoming the social pressure and just scream.

most women do not cry out, even when it's bad. we do not report it. we walk faster. we do not make a scene. what would be the point of doing anything else? no matter what we do, we don't get taken seriously. it is a joke to them. an instagram caption punchline. we have to present ourselves as silent, beautiful, captivating - "valuable."

a woman is outside watching her kids when someone throws a firecracker at them. she screams and runs towards her children. in the comments, grown men flock together in the thousands: god. women are so annoying.

[astronomalyy]

Thinking about the lifespans of Dungeon Meshi elves... The fact that they're completely unnatural alters my brain chemistry, because you can tell just how haphazardly the demon implemented their wish. They live five times the length of tall-men, so they age at a fifth of their rate. It's simple maths and the implications are terrifying. No wonder their birth rate and population are declining - their early development is so slow that at the age of two, they're still unable to stand.

They don't reach adulthood until their eighties. What does the infant mortality look like? How many elves succumb to illness or injury before they're fully mature? It only takes one accident to lose the child you've been raising for decades - and could you bring yourself to care for another? Add to that the implication elf culture has no idea how to process grief... just look at the way the Canaries treat Rin after the death of her parents. They're callous and insensitive and detached - part of that's racism, but there's also an element of pure cold ignorance. They don't even recognise the emotion on her face.

And that's just scratching the surface... does elven memory accommodate their extended lifespan? Once you reach two hundred or so, do the years start blurring together? Kabru mentions that their temporal awareness is remarkably poor.

Two years feel like a few months. Their lives are longer but not fuller. They're older but not wiser than the short-lived races, and most refuse to understand this. Those that do grasp it are interesting - namely Otta, who's ostracised for pursuing half-foot women.

A 30-year old elf is a young child; a 30-year old half-foot has entered middle age. Otta is in the equivalent of her late twenties. She knows that her elven lifespan makes her no more mature than a half-foot - but she also acknowledges that it creates a rift between herself and her partners, and not just in the eyes of society. 'She dumps them as soon as they pass 30', but probably not for the reasons Lycion assumes. For this to be a pattern, decades must have passed - it's possible Otta doesn't want to watch them die as she herself barely ages. No doubt some of her previous lovers have already passed away. In the end, all living 400 years accomplishes is leaving them out of sync with the rest of humanity.

Marcille's perhaps the best example. As a half-elf, she's got 95% of her life ahead and the thought terrifies her. She's going to lose everyone she loves, over and over and over again, and this cycle has barely even started. She runs at a different pace. This context adds so much to her dynamic with Falin in earlier chapters.

Marcille loves her! She's scared for her! Maybe even of her! She's grown attached to a short-lived girl who she met as a kid when Marcille was a teaching assistant! Biologically and developmentally, they're the same age, but chronologically she's twice as old as Falin! Considering what happened to her mother, is history repeating itself? Her feelings towards Falin are tangled and messy and fascinating. They're also more than a little homoerotic, which makes Marcille's infantilization of her friend all the more interesting. It feels like her way of resolving their power imbalance, of remaining a responsible (former!) authority figure... but it's also a coping mechanism. She's frightened by the ways Falin is maturing and changing - aging - and keeping her mental image of her friend as young as possible is her way of denying the march of time that's destined to sever their bond.

Marcille's dream of lifespan extension would remove the need for this obfuscation, render them equal... only, they already are! This desire is imposed onto Falin, but it's primarily for Marcille's benefit. Watching her fight for a world nobody wants, for reasons both selfish and altruistic... it's as tragic as it is understandable. I love this manga.

[storusangel]

STUDY SESSIONS

a/n: ohhhh my god, i finally finished this. it's been half finished for months but i did it!! hope you guys enjoy!

cw: fem!reader, dom!satosugu, praise kink, pet names (sweetheart, baby, sweet girl), slight petplay (like if you squint really hard), fingering, manhandling, double vag pen., biting, squirting, creampie, oral f!receiving, overstim, aftercare, MINORS DNI

word count: 4.5k

satoru and suguru are the stars of your university.

they have it all — the looks, the grades, the girls (and guys). and in your shared BIO 141 class, better known as your human anatomy and physiology class, they’re known for being top of the class, never having failed an exam. you, however, have been falling behind in that said class. 

but it truly isn’t your fault. you can’t help that the two men sit at a perfect angle for you to gawk and stare at them for the entirety of class. yeah, it’s not your fault at all! in fact, it’s your stupid professor’s fault for placing the two pieces of eye candy directly in your line of view!

it’s tuesday again and your professor is rambling on about the limbic system or something of the sort. you don’t really comprehend what he’s saying because it seems the two pieces of eye candy have gotten matching tattoos. a dark betta fish on suguru’s right bicep and a lighter one on satoru’s left. 

you can’t help but let your mind wander to how those arms would look holding you up as they’re pounding into you. dirty words being whispered into your ear as you try your best to keep up with them. “such a good slut for u-“

your name being called out by your professor yanks you out of your trance. you blink twice, ripping your eyes of the two boys but not before they could catch you staring at them. 

“i asked you a question.”

“s-sorry professor” you wince at how silly you sound stuttering after being caught daydreaming in class.

your professor just sighs and instead of repeating his question, he tells you to stay after class to meet with him. you can feel the eyes of your classmates boring into you, the immature snickers make you want to go back to your dorm and stay there forever.

or better yet, go to satoru and suguru’s shared apartment and let them fuck the embarrassment away.

you shake your head in an attempt to refocus your attention. before you can tune in to what your professor has to say, you see satoru and suguru steal a quick glance at you and whisper to each other. 

“gojo and geto, i’d like you two after class as well”  

once more, the class erupts into whispering to their nearest friend before the professor regains their attention once and for all. you also stop your mind from wandering too far into your daydreams about what could happen after class and return your attention back to the professor who was clearly irritated. 

in an effort to save yourself from embarrassment, you head down to see your professor as soon as class ends to end the conversation before the two boys can tune in. 

“i assume you understand why i wanted to see you?” his voice is sharp, an underlying tone of dissatisfaction.

“yes sir, i know my grade in your class need some work but i will do my best to bring it up” 

his reply is quick. “i know you will because gojo and geto will be tutoring you.”

you truly don’t know how to feel. getting the chance to be around your crushes is both amazing and horrible. thinking about how they definitely know you’ve been staring at them every class makes you feel nauseous. thinking about being perceived isn’t your favorite thing, but thinking about how they’ll be around you, teaching you the course that you’ve completely missed out on due to your very vivid daydreams. 

“wait, what?” god, satoru’s voice sounded much sexier when it was right behind you. 

“you heard me. both of you will be helping her understand her classwork until the end of the semester.” and your professor's voice sounded much scarier when it was in right front of you. “i’ll know if you two have truly put enough effort in when i see her grade on our next exam.”

you’re too ashamed to make eye contact with the two boys, a wave of embarrassment flooding your face knowing that your two crushes now know your biggest academic insecurity. the room is silent until suguru speaks up, “okay, we’ll need your number though” yeah, suguru’s voice was just as sexy as satoru’s. 

you hear your name being called. you finally make eye contact. “sorry, what?” your voice is meek, smaller than you remember it to be. satoru laughs, “your number, sweetheart. so we can set a date for our sessions. you know, the tutoring ones?” satoru calling you sweetheart makes you want to implode, he has to know what he does to you. what they do to you. 

“oh, here” you leave as soon as you give them your number. suguru’s “we’ll text about planning later” giving you the greenlight to get the hell out of there before you somehow manage to embarrass yourself even further.

-

xxx-xxx-xxxx added you and xxx-xxx-xxxx into a chat

unknown: you free this weekend?

you: who is this???

unknown: aw man :( all that staring in class and you can’t even remember who we are, we’re hurt baby

- 

you stare at the message. okay. so you know who it is. and you also know that they know your grades are horrible because you’ve spent almost every class openly drooling over them. no big deal. it’s not like your sessions will be in a private area.

-

unknown: satoru and i talked, we think it’ll be best to tutor you at our place since there’ll be less distractions there.

-

okay then. you’ll just have to work on your nerves before this weekend. you have time. right now you’ll be using that time to try and get over the fact that satoru called you baby.

the next few days pass by a little too slow for your liking but soon you’re getting ready for your date with the two boys. wait, tutoring session with the two boys. you couldn’t help but dress up a little, adding a matching set underneath your skirt and blouse.

-

satoru: i’m outside, come out whenever you’re ready

you: coming out now! which car is yours?

satoru: you’ll know it when you see it ;)

-

you head out slightly confused but when you see a white corvette flashing its blinkers at you, you understand what satoru meant. before you reach his car, satoru gets out to open the door for you. the small giggle you let out doesn’t go unnoticed by him. 

a wave of confidence runs through your veins as you tell him he’s “quite the gentlemen” when he buckles your seatbelt for you before sitting in the driver's seat himself. his response is a quick wink and then you two are off to their apartment. you try not to stare too hard at him throughout the ride but you can’t help but let yourself indulge in a few glances that lasted longer than they should’ve.

soon enough you two have reached the apartment and satoru parks the car. this time you don’t hide your staring. his effortless moves have you squeezing your thighs together. why is this turning you on??? you have got to be ovulating. 

satoru calls out your name. “you ready?” you blink. “o-oh, yeah i’m ready.” he grins and unbuckles you before sliding out the car to open your door. their apartment is cleaner than you expected, and also way larger than you expected it to be. “you finally back satoru?” you turn around to see suguru in sweatpants and stark contrast to satoru’s shorts. “hi, thanks again for tutoring me” you say. they both let out a soft chuckle and suguru returns the greeting.

they show you to a room that you truly didn’t expect for them to have in their place. there’s a shelf stacked with different books and another bigger one beside it with their trophies. there are two desks but one of them is currently situated with three chairs. you’re deep in thought about how you would love to be bent over the desks as the two boys make you take them over and over and over again.

this time it’s suguru calling your name to draw you out of your daydream. “you can take a seat on the middle chair. do you have anything in specific that you need help understanding?” oh right, you came here to be tutored. “um, everything? well not like everything but maybe the latest subject? i haven’t had the time to actually go over the notes i took.” 

a lie, you didn’t take any notes. your notebook is filled with small doodles and occasionally a sentence from a slide the professor left on the screen for too long. you place your hands in your lap when the two boys take a seat on either side of you. “no need to be nervous, sweetheart. we’re here to help you.” satoru has got to know that him and his stupidly attractive voice aren’t helping you and you want to turn to suguru for help but he’s just as bad. “he’s right, pretty girl. you’ve got to relax, you won’t be able to remember anything when you’re shaking like that.”

to make it even worse, they each place a hand on your bare thighs. satoru rubs his soft fingers up and down while suguru squeezes your thigh gently before using a thumb to make circular motions in a single spot. you can feel your body heating up and it takes everything in you to not squeeze your thighs together because it would make your want need for them way too obvious and quite frankly, you’re still embarrassed they caught you staring.

satoru makes eye contact with suguru, a silent communication between the two of them. he gives your thigh a gentle pat before he starts to speak. “do you work better with rewards, baby?” you turn to look at him. you aren’t sure what he means exactly and you’re feeling a little overstimulated by all the touching, the pet names, and their attention in general. you’re by no means a virgin, though you aren’t too far from it, but for some reason they make you so nervous you can’t think straight. 

suguru says your name in a voice that sounds like it’s reserved for scolding puppies but right now it just turns you on even more than you are. “answer satoru, he’s not big on being ignored” apparently you don’t turn your head fast enough because satoru’s hand moves from your thigh to grasp your face gently, but not too gently, forcing you to look him in the eyes. “he’s right, baby. i don’t want to be rough with you just yet. i’m gonna ask again and i expect an answer. would you like us to give you rewards?” despite his words being slightly threatening, you bite your lip to hold back a whine. you squeak out a “yes please” and return to suppressing your whines because suguru still has moved his hand further up your skirt, his fingers grazing dangerously close to your soaked slit. 

“good girl. now let's get started” satoru removes his hand from your jaw but suguru only moves his hand back down to your lower thigh, giving you one more squeeze. the tutoring session goes something like this; suguru and satoru take turns explaining different topics covered during your last class. once they’re done, satoru quizzes you. everytime you answer correctly, suguru moves his hand up and satoru praises you. but every time you fail to answer a question correctly or fast enough, suguru slips his hand away and satoru reminds you that “only smart girls get rewards”. 

this method seems to work because you’re starting to answer correctly more often until you’re only answering correctly and suguru’s fingers are grazing your panties. “oh, she’s soaked, satoru. i think this sweet thing deserves a bigger reward. she’s been listening so well” a small whimper leaves your lips and you turn your head to satoru, your eyes begging for something more than some light touches accompanied by a few praises. 

to prove his point even further you really do start to beg. “please satoru, i need it so bad. ‘ve been so good, please” you can tell it works because he immediately coos at you. “d’awh, i think she deserves a reward too, suguru. we should give it to her” and with that satoru leans in, pressing his lips into yours. his soft, pillowy lips against yours make you almost forget suguru’s hands are on your panties.

almost. 

suguru pulls your panties to the side, raking his middle and ring finger through your folds, collecting your slick. he traces them downwards before bringing them back up to circle around your clit once, twice, three times and then he repeats the process. once he’s deemed his fingers wet enough, he slips one in pumping and curling wasting no time before adding in a second one. 

kissing down your neck, satoru rips your blouse open and pushes your bra down. lithe fingers trace around your nipple making you arch into satoru. you let out a breathy moan into satoru’s mouth, followed by more whines when suguru adds a third finger and starts to scissor them to stretch you out. you can feel satoru smirk against your lips when you start to struggle to kiss back. 

satoru removes his mouth from you, drinking in the sight of you. the sweet, shy girl in their class who couldn’t help but keep her eyes off of the two boys. the same girl who struggled to keep eye contact and who was barely vocal when they were present is now writhing in their chair. your back arching into satoru, a silent plea for him to keep touching you. and your hips grinding on suguru’s fingers, begging him to keep going. 

and most importantly, your voice has finally found itself to be heard. your pleas of “can’t, ‘s too much” and “wan’ more, please don’t stop, please” echo throughout the room. satoru takes two of his own fingers and pats them on your lips, a signal for you to open your mouth. you comply, wishing they would keep praising you. as if he can hear your thoughts, satoru mutters a “atta girl” when he slips his fingers into your mouth. 

he lets them hit the back of your throat a few times and when you gag, he pulls them back. not entirely, but just enough so that you’re still drooling on them but aren’t entirely gagging. he moves his fingers in a scissoring motion for some time and then he pulls them out. before you can even think about missing his fingers in your mouth, he moves them down to your clit, rubbing calculated circles. 

suguru moves his fingers faster, curling them upwards till they hit your sweet spot repeatedly. “i think our sweet girls about to cum, satoru” suguru breaks the silence between him and satoru. “i think so too” you can’t tell if it’s the way they’re talking about you as if you weren’t there but you cum the second the two speak, your body shaking as they help you ride it out. suguru shallowly pumping his fingers in while satoru slows his circles on your clit. suguru leans in to give you a kiss, his lips doing most of the work as your body recovers from your mindblowing orgasm. 

you yelp into suguru’s mouth when satoru pats your clit a little too hard. you want to say something but he taps your clit one more time before watching more slick dribble out of your cunt and onto the chair. suguru is the first to speak. his lips trail towards your ear leaving soft kisses in each place he covers. “you did so well for us, sweetheart. how’re you feeling?” as he speaks, satoru wipes the tears from your eyes and rubs comforting circles on your cheek.

your heart throbs at the attention. you understand what suguru is asking; are you still up for more? or are you done for the time being? you bite your lip before you speak.

“m-more, please. want more. want both of you. please.” satoru places a gentle kiss on your lips. “you’re so good for us, baby. a perfect listener. you think you can take us both? you think your tight little hole can fit both of us?” you moan out loud at his words.

“i don’t know, satoru. she might not be able to handle us.” suguru’s teasing you and you know it, but you don’t care. the thought of them leaving you so wet and needy for them may have your cunt clenching on nothing but you think you might die if you don’t feel them stretching you out.

“nonono, please. please don’t. need it so bad. need you two so bad. wan’ your cocks in me, now. don’t care if it hurts” you think you might’ve broken them because now it’s them who can’t wait till you're done speaking. 

suguru stands up, dragging you up with him before he rips your panties off in one go. satoru, now standing behind you, is pushing your skirt as far up as it can go before pulling his dick out of his pants. suguru following his lead. 

they each keep one hand on a hip, keeping you upright. you feel satoru slip his dick between your folds from behind you, coating himself in your slick before pushing the tip into you. “oh, fuck. satoru, you’re so big” you hear suguru groan from in front of you. he’s using the same hand he fingered you with to stroke himself, waiting for you to adjust to satoru. 

satoru slowly pushes all the way in, stopping every inch or so when you let out a whine of discomfort. “breathe, baby. breathe” satoru may think he’s helping but his velvety voice in your ear is only turning you on more. your pussy doing anything but loosening up. after some time, you slowly grind your hips back onto him, letting him know you’re ready for him to move.

he starts with shallow thrusts and soon he’s going all the way back out before slamming his hips forward. your body shakes in their arms. you’re sure if they let go, you’d fall onto the floor. satoru’s pace doesn’t stay that way forever, though. you cry out a “s’toru, mo-move please” when you feel him slow his thrusts until he comes to a complete stop. 

“shhh, baby. suguru needs to feel you too, doesn’t he?” your eyes widen. you recall your words from earlier, you still want them more than anything but a feeling of uncertainty hits you. as if they can feel your unease, satoru nuzzles his nose into your neck while suguru rubs comforting circles into your hip. suguru gives you a kiss, wet and open mouthed. “you’ve been so good for us, yeah? we’ll take care of you” suguru whispers in your ear. his voice makes you clench harder around satoru.

you know satoru felt it because his mouth hasn’t left your neck and you can feel a grin spreading on his face. “we’ll go slow for you, sweetheart. you don’t need to do anything but be good for us. you can do that, right baby?” they wait for your response. though they’re both aching to be inside of you, they want to make sure you feel the same.

the room is silent when you speak. “p-please, wanna’ be your good girl” and they’re off. satoru stays still inside of you, instead moving one arm to wrap around your waist and his other hand to spread your pussy for suguru. “you gotta relax, sweet girl. there’s no way suguru’s gonna fit when you’re clenching down on me like that” suguru chuckles at the other man's words before he starts to squeeze his way in. satoru moves the fingers that were spreading you open to your clit, rubbing circles as suguru continues to push himself inside of you. 

your whines only get louder when they’re both finally inside of you. suguru is the first to speak. “you look so pretty like this. all stretched out on our dicks. i think we should keep her satoru.” satoru hums in agreement. “i think we should too. it’d be so nice to come home to her waiting so patiently for us to fuck her, take care of her” he lowers his voice adding a “and to love her” before you can process his words, satoru pulls all the way out and all the way back in. you let out a borderline pornographic moan and you feel them both twitch at the sound. 

“p-please move” you sniffle. and move they do. when suguru pulls out, satoru pushes in. and when satoru pulls out, suguru pushes in. the room filled with your whines and cries of “‘s too much”, “can’t take it”, and “wan’ more”. they do their best to give you everything you need. satoru uses a hand coated with your slick to make you face him so he can smash his lips against yours. 

he’s rough with his kiss. shoving his tongue down your throat, making you suck on it and pulling it out just so he can nibble on your lips. suguru, on the other hand, has made himself busy with your neck. he leaves bite marks wherever he can, kissing the same area he bit softly as if he was soothing the pain. “ha-harder”

satoru breaks the kiss with a groan. “our girl is so greedy, suguru. should we give her what she wants? i’m not sure i heard a please” suguru, still busy with your neck, grunts softly in feigned disappointment. “i thought we had trained her better than that. maybe we shouldn’t give it to her” you shake your head at their words “no! n-no please. i’m sor-ry, i’ll be good. don’ stop, please”

this seems to satisfy them because they listen. and they listen well. they not only move harder, but somehow deeper too. suguru has one of your legs lifted in the air while satoru keeps you steady at your waist. your moans get louder and louder, a warning that you’re getting close. you know satoru and suguru are aware but you know better than to cum without asking. 

“c-can i? please ‘ve been so good, wanna cum s-so bad” you’re practically sobbing and they can feel themselves throbbing around you. satoru kisses your cheek and says something along the lines of “you can cum, baby” but you aren’t listening because suguru bit that spot on your neck and satoru hit that spot in your cunt and you’re seeing stars when you squirt on them. 

they only get in a few more thrusts before they fill you up with their cum. “holy shit” satoru chuckles “didn’t know you were a squirter, baby” you whine out in embarrassment, wanting to hide your face in your hands but you feel too tired to do anything.  

you whimper when suguru pulls out, followed by satoru. the feeling of being empty being foreign after being stuffed so full. suguru carefully places your leg down, making sure satoru is still holding you up. you’re not sure what he has planned because he has that stupid grin on his face that he and satoru share when they’re about to do something devious. 

when around forty seconds have passed and the only thing that’s happened is satoru leaving wet kisses along your back, you think you’re in the clear but your legs being moved. each one gently placed on the shoulder of a very handsome suguru who is currently on his knees between your legs. you want to protest, tell them you’re still recovering from the last orgasm but suguru presses a kiss to your clit. 

the constant stimulation has your clit protruding out, begging for attention, so how could he not kiss it some more? the sounds from between your legs are no less than obscene. suguru is groaning into your cunt. he kisses, sucks, bites, and you would be a fucking liar to say that it doesn’t feel as good as it hurts. “you have the sweetest pussy, pretty” he moans out between kisses “tastes so good”

satoru thinks he’s going to go insane. he would much rather be between your legs but he knows there’ll be more chances for him to do so in the future. for now, he’ll focus on pressing those kisses you seem to love on your back and neck while using one hand to show each of your tits equal amounts of attention. and also whispering dirty words into your ear that only shove you closer and closer to the edge you’ve been teetering on. 

“does suguru’s tongue feel good, baby? you like being used by us? you wanna come all over his face like a good girl?” you do. you want to be nothing but the best for them. you wish they would never stop praising you. “y-yes, fuck, wanna be your good girl. wan’ to cum so bad, please can i?” you know nothing of pride, you only know suguru and satoru are making you feel so good that you can barely remember your own name.

it’s only when suguru says your name in that rough voice of his before telling you to come that you remember. you cum hard on his face, his mouth never stopping but only slowing down and moving to place gentle kisses on your clit. “you did so well for us, sweetheart” satoru moves his hands up and down your sides to sooth your trembling body. when suguru leaves to grab a washcloth to clean you up, satoru is still whispering comforting praises into your ear. he backs up to sit himself in a chair and tugs you into his lap. “shhh, it’s okay, baby. i got you”

suguru returns with a wet washcloth. “can you open up for me, pretty? jus’ gonna clean you, nothing else” satoru knows your body is capable of moving just yet so he takes your whine as the okay for him to spread you open for his friend. once suguru’s done, he presses a chaste kiss to your forehead. 

suguru dresses you in one of his oversized shirts before satoru takes you to his bed. they let you sleep while they clean themselves up before joining you in bed as well. you wake up later that night to two sleeping boys and an ache between your legs. they each are touching you in their own ways, suguru nuzzled into your neck and satoru’s hand wrapped possessively around your waist. you find yourself drifting back into sleep and the next time you wake up, there’s a note on the bedside table.

“we stepped out for a bit but we’ll be back soon with breakfast, baby ;)” 

-

tuesday comes by again once more and this time you’re the only one staying behind. the past three days have been spent “studying” at suguru and satoru’s place and you’re finally ready to hear about your test results from your professor. when he returns your paper, you know there’s only one thing to do.

you text the two boys a picture of your grade on your exam making sure the big 98% written on top of a “nice work!” is clearly shown.

-you: i think i deserve a reward

©storusangel. any and all forms of modifications, reposts, and translation of my work are prohibited.

[cl-0v3r]

Mel is alive, but at what cost

Mel was nearly killed TWICE, her mother began being a struggle, she'd been thrown aside and trying her best to stop her, her boyfriend is not doing well, neither is anyone else (can't blame them) and the fact that she hadn't cried or spoke much about this situation to anyone a single time?? She IS upset about every single thing, yet she stays strong and enduring every bit of torture. The most she did was tell Jayce that Ambessa put her palm on the table, and let him know that she is going to push for hextech. That's it, nothing remotely related to her feelings.

The fact that she was constantly looking at Caitlyn, being able to understand her grief and knew she was in pain?? Mel knows this feeling. She'd went through it.

And in the end SHE has to pay the price of her mothers incompetence.

The intro is very much foreshadowing, we know the hands represent black rose/LeBlanc.

This is what happens in act one, she gets kidnapped by them. The lyrics do correspond to the characters as well (not just Mel, everyone.)

"Tell you you're the greatest" plays as a petal of the black rose floats down the screen, I think it adds significance to the power this organization holds, possibly the Medardas greatest foe.

"But once you turn, they hate us" both Ambessa and Mel were present in this line, I think its foreshadowing for when Ambessa switches up for whatever reason and goes against both Piltover AND Zaun. And Mel WILL go through change as well, a change that could hurt her relationship with others, and receive interest from others too.

"They hate us" could be read individually too, I feel like its a sort of "realization" ?? Perhaps Ambessa WASN'T the one that switched up, maybe Piltover switched up on them, and maybe Mel JUST got out of wherever she's taken to, and saw the mess Ambessa had done to her city??

I think this represents ACT TWO.

The hands pull away and it sort of looks like Mel is fighting back, a "get away from me" type of scream. you know what this reminds me of??

Don't mind me just pushing my Jinx/powder-Mel parallel agenda

Here is when i think Mel truly learns about LeBlanc/BR, she curiously and slowly goes to grab the rose, she learns about the history between her Mother and them, Kinos death, and most of all, learns about HERSELF. The lyrics speak otherwise.

"Pray away, I swear

I'll never be a saint, no way"

This feels like a parallel to caitlyn of sorts if that makes sense. Caitlyn had done everything to try and stop the council from attacking the Undercity, she kept her mouth shut when Jayce asked about Jinxs grenade, she was willing to protect Vi and the undercity, but how many times has she been tossed around? She'd been burned, exploded, kidnapped (god knows what happened during that time) and hit in the face by the same person, her MOTHER died because of the same person. She has every right to go insane. And she is hunting ONE person, which is Jinx. Although she is harming the people around her along the way.

What if Mel goes through a similar situation? Her mother pushed for war in her city, she dragged the enemy along with her even if she didn't mean to, she manipulated everyone around her INCLUDING Jayce, she LITERALLY got Mel hurt from the chembarons attack and killed so many people during a MEMORIAL to get her hextech weapons, Elora is most likely DEAD, not to mention whatever happened in the past between them. And the thing is, this will NEVER end throughout the entire season.

And what if she learns what she is? That she's 'blessed' by Kindred? The fact that the wolf is quite literally in her blood?

I feel like the "ill never be a saint, no way" also sort of indicates Mel will realize she'll never be able to push for peace and mercy like she always hoped for no matter what, and she comes to accept that as much as it hurts. But not like how ambessa accepted the wolf, but she sort of realizes she needs to push a little violence, towards nobody but the one and only, Ambessa "fine, if you want me to be like you, I guess I'll be like you towards YOU." Type of acceptance.

I think its also related to Mels new outfit too, she's dressed like her mother, in red and all of that. I will still stand by the idea that she has plans to decieve, but she will do something she doesn't want to do.

Mel was left with no choice, that lyric sounds like realization, acceptance, but also like a plea at the same time, an "I'll never be who I wanted to be" because in the end, she's still a Medarda, she's still her mothers daughter, she still has violence in her veins, she will never not suffer from the weight her name holds, and she will never escape it either, its like a shadow.

The Characters won't be themselves at their core this season. And those vital parts of their characters that represent them are no longer there in the intro, they all have given up what makes them, THEM design wise. (e.g.) Vi without her tattoo, Viktor hiding his identity with the mask. And the thing is, they did that to themselves because they do self-harm, they're changing themselves because THEY want to, they're forcing themselves to do that, they think they're undeserving and they're erasing their past selves.

But Mel? Mel doesn't have her gold accessories, Jewelry, or her Armor, she'd been stripped bare and hidden away because of the brutality of her name. She pays the price her mother brought to HER city. She's forced to change herself against her will, because nobody is giving her a chance to push for her ideals.

This entire theory never ends, and with all of this? I kinda do see Mel actually committing Matricide, it lifts the "Ambessa will die" theory further.

[luludeluluramblings]

Socialite!BatSis!Reader x Yandere!Bat Family

☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️

A/N: Hi! I don't know where the fuck this came from. But, it has plagued me for months. Inspired by Labour and the Fruits by Paris Palmoa, Please Don't Cry for Your Daughters Eve by Lydia the Bard, and Curses by the Crane Wives. This my attempt at being dark, so either this fucks you up or I fucked up. Apologies for both.

Warnings: Fem!Reader, Implied assault, neglect, yandere themes at the end

☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️

You got the Wayne looks, the Wayne charm, the Wayne name, but you’re fragile. Bruce would tell you. Damian would tell you. (Not so kindly.) Everyone in the manor would tell you.

But, charm and good looks still have their uses. And, everyone in the family despises all the galas they need to attend.

So, when Bruce offers to take you to one, you up the charm, you dress your best. You use your finest manners and all the proper ways your Momma raised you to your advantage. And, you flourish.

You can tell from the slight smile Bruce has on his face on the way home. The hint of pride in his eyes at your job well done.

You can’t help your family or Gotham as a Bat. But, you can help them as a Wayne.

The socialite. That’s your roll. Not a bird, not a bat. A little social butterfly. Drawing the public attention away from the things that go bump in the night.

You like your role. Sure, you're not bounding over the Gotham skyline saving people from muggers and insanely themed villains. But, you're helping your family, and that's what matters to you.

At least, that's how it starts.

It was special to you in the beginning. Going to charity gala's and events with your father, Bruce. No one else in the family enjoys going to these events. It was your own personal father and daughter bonding time, in a way.

But, as you got older the pressure started and the distance between you and the others grew.

You were a music box ballerina. Spinning in place to the same tune over and over again while sitting on a dusty shelf. And, Bruce would wind you up to dance every time he need his social butterfly to charm Gotham's public.

Soon you had a whole team of faceless people picking out your dresses, changing your style, cutting your hair. You couldn't be anything less than a vain air-headed heiress, because that was your role. Brucie needed someone to follow in his footsteps, not Batman.

The dresses got more expensive, the flashes got brighter. The diets got stricter.

And, the distance grew farther.

And, then Bruce stopped going with you to the galas.

You weren't upset the first time. Or, the second time. Or, even the third time.

It was the fourth time that things started to crack.

Sure, Batman was needed. Sure, there was Justice League business. Sure, there was a patrol that ran late. Sure, there was a breakout at Arkham.

But, the fourth time, when you found him and the rest of the family laughing in the cave, it really didn't feel like they were focusing on the good of Gotham while you were struggling to smile sweetly at men twice Bruce's age wanting to take you home.

Still, you powered on. Kept doing your part. You were making the family proud afterall.

Right?

It was the ninth time it happened that you broke.

The nineth time you had gone to a gala alone in an expensive dress you didn't pick, one that showed off way too much skin. One that seemed to tell everyone in that grand ballroom that you were up for the taking. One that just barely hid the bruises from their fingers and palms under the fabric.

You wore that placating smile and that dress all the way home. With a driver you didn't know at the wheel of the car Bruce sent for you. The backseat empty even if you sat on it.

When you got home, you walk in on something that made each cracked piece of you ache.

Apparently it was game night. Everyone that mattered was playing Mario cart of all things.

"Look at that Cinderella’s back from the ball." Jason was the first to notice you standing in the doorway of the room. And, his words burned.

Cinderella. Cinderella. Back from the Ball.

"Hey, glad you’re back. Hope you had fun." Dick didn't even glance at you as he spoke, took focused on beating Stephanie who had her tongue sticking out as she concentrated.

"God, those galas are so boring, I don’t know how you do it." Duke says in passing. It would be meaningful if he hadn't said the same thing the last six times you had come home.

Tim and Damian were also playing the game, with Tim occasionally nudging Damian to mess him up. Like typical siblings.

Barbara was in the room as well, a book on her lab to read. Only you could tell she hadn't read much, judging from where her book mark was located.

"Good job." Bruce says absentmindedly. You can't even tell if its directed at you or at the blueshell Damian just managed to hit Dick's racer with.

Words don't even leave your lips as you exit the doorway, pieces of you falling to the floor as you wobble to your room.

Cinderella. Cinderella.

The clock striking twelve in your mind as you feel the rotten pumpkin sinking in your gut and the magic wearing off.

You don't notice that Cassandra seems to hear it too as she watches you. Like she can hear the shards falling to the ground. And, she's unsure if she needs to warn the family that something just broke down the hall.

As you enter your room, taking in the fancy decor. It feels disgusting. The magic is gone. It's all rotten and you want it gone.

Cinderella. Cinder. Cinder.

Your tear the fabric of the dress as you take it off. Tears falling down your cheeks s you struggle against the fabric and clasp. Expensive gemstones falling to the floor as your finally rip it free.

There bruises under your dress. Finger prints on your bones. And, you're choking on air as the fabric rubs your skin as it falls to the floor. The fabric ripples like water and you hate it. You want the opposite of cool rippling water. Water drowns, and you need air.

Your skin feels to hot and each bruise burns.

Cinder. Cinder.

You're Cinderella and you crave ashes. You need air, but smoke will do instead.

Instead of letting it lay on the ground like it's dead, you throw open that grand window in your room and chuck it out the window. Watching as it flutters and falls to the grass in a heap, the breeze doing nothing to cool your anger on and underneath.

It’s not enough. Not enough. It's not going to be enough.

More. Cinderella. Give it more.

Your closet door was cracked when you left for the gala tonight. Now you break it the rest of the way and grab each hanger carrying a pretty dress in a bag and throw it over the ledge.

Still not enough. Needs more ash.

Cinderella. Cinderella.

You break you dresser as you rip out the drawers. The wood splintering as you throw it out the window and on to the pile of dresses on the night dew covered grass.

You want to throw more, but you chest is heaving and your hands are shaking. Instead you stumble out of your room with just the bruises on your skin and towards the kitchen. You don't even hear the pans and cabinets doors slamming as you search for the matches.

Before you can find your light, you find a bottle of fancy wine. One that reminded you of the smell of this night.

You grab it, not caring that another bottle falls and shatters by your feet. Drawing attention, but not yours, as you finally find the matches and wobble out the door towards your pile of soon to be ash.

Cinderella. Cinderella.

You're laughing as you shatter the bottle on to the fabric. Lighting up a single match and then throwing the entire box at it the pile.

It catches light quick and the air around you finally matches the heat under your skin.

“What the hell do you think you’re doing?” You can barely hear Bruce's voice from behind you as your laugh. Turing to face him and the rest of the family's horrified faces at the sight of you.

You can barely restrain the giggles.

“I’m Cinderella. Cinder fucking Ella.” You spin like the little figurine you are. Like the pretty paper ballerina before she burst into flame.

Bruce rushes towards you, words spilling from his lips as terrifying thoughts fill his head at the sight of the bruises illuminating your skin.

“What happened tonight?”

“You would know if you had been there. But, you weren't. You never are.”

“Listen, you said you liked the galas-“ Excuses, excuses. You made enough for him and the rest of them in your own head that you don't want to hear more spoken out loud.

“I did! I did! But, that was when I had my father there to keep me safe.” You mock, spinning out of reach and looking at the flames.

They don't last long. The wood from your broken dresser drawers the only thing keeping the fire going. The expensive fabric not lasting long at all. Pretty things rarely ever do.

“But, no. I’m just another little one of your pawns in this family. Only you didn’t fuckin’ train me on how to fight off wandering hands. You taught me that I just had to grin and bare it.” Bitterness trips from your lips as you wipe of that sweet tasting wine from the night off your mouth.

“What happened?” His voice almost shakes. Almost, but not quite. You were the fragile one. The paper ballerina. The little Cinderella of the family.

You weren't suppose to break under his care.

But, was there any care if he let you fall from the shelf after he so haphazardiously placed you on it between uses?

“I’m not a whore.” You whisper to yourself. Words that had been dying to say to the hands that touches to tonight. Words that you wanted to shove down the throats of the strangers that pinched your skin, that gripped you too tight and too close.

“I’M NOT A WHORE!” Instead you scream it at him. Uncaring if you don't look pretty and perfect while doing it. Uncaring if your voice cracks from the way the emotion bubbles from your chest.

Startling enough, Bruce wraps his arms around you. Like he was trying to shield you. Like he was trying to keep you safe. Like he should have done. It feels awkward and tight. Your arms pressed tightly to your chest at an awkward angle. Your legs giving out at you sob and scream at him.

“Don’t touch me. Don’t you touch me. Let me go— I don’t want you to touch me.”

“I’m sorry. I’m— I’m so sorry.” His whispers over into your hair as he clutches you close. So close that you feel more bruises forming on your skin.

Cinderella. Cinderella.

“I’m not—" Your voice breaking as you wail. Like the child you are in his arms.

Through your tears you watch Dick turn away, followed by the others. Cass lingering to brush your hair back as Bruce holds you tight.

You don't see his fist clench so tight his knuckles turn white.

You don't hear the silence in the cave as Jason changes out the bullets in his gun.

You don't feel the chill in the air as Damian scouts out the fancy house.

You don't feel the fear of God that Tim puts into grown men as that watch their wealthy drain to zero before their eyes on screens.

You don't watch as Barbara makes a few calls and plants evidence of crimes that can't be covered up.

You don't see Stephanie ripping out teeth.

You don't see Duke letting Gotham go dark as terror reigns for that one long night and day.

You just see Bruce, holding you close and apologize over and over again while Alfred puts out the flames behind you.

☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️

A/N: Yeah, I love the thought of Reader being the one to be the Socialite Wayne while everyone does vigilante stuff. But, interacting with Gotham’s elite would suck so much and so many things could go wrong.

A/N: Apologies if I missed the mark with it or if it’s all over the place.

A/N: I just really loved the imagery of standing in front of a fire of expensive burning dresses while screaming at Bruce naked as the day you were born much to the rest of the family’s horror.

[sharkylass]

ALRIGHT, I ASKED FOREVER AGO, BUT WHO WANTS TO HEAR ABOUT MY ISA LOOPS AU??

Heads up this contains a lot, and I mean A LOT of spoilers for In Stars And Time. Including: = Act 6 spoilers, including main mystery and secret encounter = Minimal Act 5 stuff = And a bunch of extra stuff that happens through Act 3 and 4. SO BASICALLY ALMOST EVERYTHING, FINISH THIS GAME COMPLETELY BEFORE READING (ESPECIALLY THAT ACT 6 ENCOUNTER, IT WILL LITERALLY BE THE FIRST THING I MENTION UNDER THE CUT)

With all those warnings out of the way-

IN REPETITION AND CHANGE

Initial Concepts:

I feel it's important to show these sketches because they were the first ideas I ever had. I wasn't even entirely sure I wanted to make an AU at this point, I didn't even know how I'd approach it. But I started sketching and it's been on my mind since- SO! Isa is stuck in the timeloop. I know what his wish is and he DOES have a Loop equivalent! The grumpy dandelion guy is Roboro (it/they/he). Their name is a very small play on Ouroboros and they call Isa "Seedling". However, this post is not about them, as I'm gonna talk about it and Isa's dynamic in a separate post. In short, Isa is his normal loud self up until Act 3, right? They beat the King, they reach the end, and whoops, the loop isn't broken. So now, what happens is that Isa starts getting his brains out. He starts thinking more analytically and tries to problem solve.

The more stuck he gets in his head, the less he's able to perceive his friends as real people, and more like them holding him back. Because even if Isa explains that he's smart, that they shouldn't be surprised if he says something, shock of all shocks, reasonable- They'll forget it the next loop.

So Isa is stuck with trying to portray his confident, loud, supportive facade- Which is fine! It wouldn't be the first time! But it progressively gets more and more frustrating, as he tries to find answers and simply looses the energy to pretend to be stupid.

TL;DR: Isa in the timeloop, unlike Siffrin, becomes more distant and cold rather then something more akin to Sif's mania.

NOW, MORE ART!!!

KILL KILL KILL:

I imagine Isa didn't have this encounter the same way that Sif did. Yeah, frankly, Isa is pissed with the sadness- But that's not why he goes through with this.

In this moment, Isa is trying to kill two birds with one stone. He's trying to get through this quickly, as well as reassure Mira that they can do this! If he shows how strong he is, then she'll feel safe right???

Poor Isabeau forgot that whenever he shows that he thinks ahead, he scares people. How could he forget that? How could he forget that he's inherently---

Family Quest:

I still think Odile is the one to call out to him (same with sus quest).

The hangouts I'm still figuring out, cause I don't think they'd too similar to base game- But, fun fact, at the end of this run, everyone agrees to keep travel together!

Isabeau brings it up, can't hurt if you can fix your mistakes right? And everyone agrees. The relief on Siffrin is the most palpable thing Isabeau has ever seen.

In this moment they love you. In this moment they all love you. In this moment---

Death Screen:

He loops back anyways. (This is one of the initial concepts that I ended up animating. This line in particular is when he reaches the end)

Act 5 Tarot Card:

NOW TO SEE MORE OF HIS PASSIVE AGRESSIVE SIDE

Thanks to @the-bitter-ocean for prescribing tarot cards to Isa (THEY ALL FUCK SO HARD) and for the RAW ASS LINE

If interacted with in act 5, predictably, Isa tears it apart. He doesn't need the divine judgement upon him, he's faced everyone's perception his entire life.

However, he tears it methodically. Tears it once in even pieces, twice, three times, and one of the pieces once more. In a way he isn't even getting his emotions out, it's like he's actively trying to tear it apart so it stops nagging him, like he wants to shut it up. Though, the Judgement card symbolizes rebirth, absolution and inner calling. In Act 6 he'd be able to look at it and find comfort and confidence in the card.

Act 5 Mirror:

And lastly, I have the Act 5 mirror picture. I haven't quite figured out how to make the normal ones work yet, however, I couldn't let go of the idea that Isa would not want to be in the picture.

The idea of seeing himself at all makes his head hurt and his stomach squeeze. The memory haunts him as he stands to the side and says the word. He didn't think the mirror would catch him.

AAAAND THAT'S ALL THE ART STUFF FOR NOW!!

I still have quite a bit of it to post, especially about Roboro, but I'm gonna leave it here for now.

I still gotta figure out the hangouts and potentially the dagger equivalent- but I have ideas for Bad Touch, the glass equivalent, and some extra little things that didn't happen in Siffrin's loops.

I needed to yap about this, because I've been slowly stacking up ideas and writing and I needed to share it at some point- If anyone read all this and has questions and stuff I fully welcome 'em!!

[wonderjanga]

Marvel and the YJ

So, Marvel in the YJ. He’s one of their den mothers and all that. So like, in this AU, and in fact in all of my posts so far, Billy’s kept it under wraps that he’s a kid. So, as a result, the YJ think he’s just this really cool big brother (dad (they just don’t know it)) type of dude. Like he’s so nice. And he’s so nice to them especially. Like, he treats all of them the same way he treats adults. He doesn’t doubt their abilities, and when they fail, he’s still there to encourage them to get back up and he doesn’t even make them feel bad about it.

Like, the one time he was asked to spar with the YJ cause they wanted to for funsies I guess, he positively whooped their asses and somehow, someway found a way to still compliment their abilities, even if they didn’t last that long because the battle was a little one-sided. To be fair though, they had asked him not to go easy, which he didn’t. In the end, he got promptly scolded by Canary heavily when she found out he quite literally used Kid Flash as a rag doll and threw him at Aqualad. She said that the entire tape of him having a “friendly spar” with those kids, was essentially just him bullying them. To which Billy tried to defend himself by saying those kids were plenty capable. The defense didn’t work.

Then, there was this time Kon mentioned he couldn’t fly and Marvel offered him a lift. This somehow ended up with Marvel sort of T posing mid air as Kon and Robin hung on one arm, Artemis and Aqualad hung on the other arm, then Kid Flash held onto one leg while M’gann held onto the other.

Flash: “Wow.” *looking up at the YJ and Marvel* “That’s… actually kinda majestic, not gonna lie.”

Superman: *also looking up at Marvel and the YJ* “Is it though? What if one of them falls?”

Flash: “Eh. I’m sure it’ll be fine.”

Kid Flash proceeds to almost slip off and fall, which almost gives both the speedster and Kryptonian a heart attack. Thankfully, he catches himself by moving his feet really fast to boost himself back up. Worst part in their opinion is that Marvel didn’t even seem to notice.

Then, there was the time M’gann with Robin about something. Batman was also working nearby on a computer.

M’gann: “Hmm… We need advice.”

Robin!Tim: “We need an adult.”

Batman: *keeping an ear out cause he’s always happy to help one of his kids*

M’gann and Robin!Tim: *thinking before they speak up at the same time* “Marvel.” *they then both walk out of the room to find the Captain*

Batman: *a little upset that Tim did didn’t come to him for help but also a lot more concerned as to why they thought Marvel was a suitable choice to ask for advice, especially considering the fact that just earlier that day, he had caught the man scribbling on one of the meeting tables like a 5th grader scribbling on their desk*

Contrary to what Bruce thought might happen (I.e. something going wrong) apparently Marvel’s advice wasn’t too bad, seeing nothing had gone wrong yet. (He later found out that the two had asked for the best advice on how to incapacitate your enemy quickly. He found this out when he saw Tim throat punch a man. Said man went down almost immediately. When prodded for information for as to why he did that, he proudly proclaimed “Cap taught me”)

Also a little tidbit from the Marvel Cursing post about the YJ thinking that Marvel called one of them a dumb cunt. Courtesy to @helps-the-writing-brain-go

Billy’s recently noticed that the kids are acting funny. Though, he supposes it’s not a bad funny. If anything, whatever’s got them acting weird has got them doing better on missions, but still. It’s weird. What’s weirder is that whenever he compliments them, they shine twice as brighter than they normally do. What’s even weirder than that is that whenever they’ve messed up recently they look twice as nervous. Speaking of which, this was one of the moments they’ve messed up.

Marvel: “So… Uh- that didn’t go so well.”

YJ: *obvious signs of anxiousness on some and subtle on others*

Marvel: “But that’s okay! But that’s okay.” *trying his best to make the anxiety in them disappear* “We just have to try to be better next time. Like, and I hate to say this, maybe try calling in an adult next time? Like me? I could’ve zoomed over and helped you guys.”

YJ: *look at each other*

Artemis: “Wally’s the one who said that we shouldn’t call you in a try to do this on our own.”

Kid Flash: *dramatic gasp* “You know why I said that! It would’ve helped us all if Kaldur had tried to put the fires near the gas tanks out with his water powers!”

Aqualad: “I was busy being attacked by nearly five different people.”

YJ: *dissolve into arguing*

Marvel: “Wait. Wait. Wait. Wait. Wally what did you mean by it would’ve helped you all? Me not being there would’ve been good?” *confused*

YJ: *immediate silence*

Kon: “Wally found out that you think one of us is dumb cunt.”

Kid Flash: “Dude! You guys need to stop ratting me out!”

Marvel: “What.” *stares in befuddlement*

M’gann: “And then he told us. So we’ve been trying to think of ways to not be uh… dumb cunts.”

Marvel: *blinks rapidly* “Again, what? Wally, where did you get this information from?”

Kid Flash: “When you were making cookies! I heard you say blah blah blah, what a dumb cunt.”

Marvel: *still staring in confusion*

Kid Flash: “Then, when I asked what you were talking about, Mary said you were talking about our performance on missions.”

Marvel: “…Okay. I’m going to be completely honest with you. I don’t remember a thing of what you’re talking about.”

Marvel then goes on to make a speech about how they’re wonderful heroes who shouldn’t let one person’s words guide them, especially in risky situations like a mission. He then told them that he was now going to stress bake and make some Minnesota cool whip, jello, fruit, not really salad, salad. (Courtesy to @jedipirateking) On the bright side though, the speech did leave the teens feeling better.