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carolmaximoffs · 5 years ago

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THE GOOD DOCTOR

CHAPTER FOUR

Ch. Summary: Thea gets a suspicious text from an unknown number. She risks sharing her secret with the team, in hopes of finding who’s behind them.

Warnings: stillbirth, vague depiction of childbirth, loss of a child, Agents of S. H. I. E. L. D. spoilers, cursing, probably some spelling errors

Pairings (bc I guess now is as good a time as ever to add this): Sam Wilson x WOC OFC

A/N: i’m on a roll and i don’t think it’s a good one...regardless, italics are a flashback (in the form of a dream). bold italics are texts, though that i hope is obvious... things get a little weird in this chapter but it’s bc i was watching OUAT and regina’s weird tomb w all those hearts is partially responsible. i’m sorry if this isn’t your jam right away but i promise this isn’t going to be a dark fic! this is probably about as creepy as it’ll get. again PLEASE read the warnings.

Taglist (which is open!): @marvelousmrstark

THE DOCTOR AND THE CAPTAIN dance around each other for a week following lunch. She still hangs out with Wanda, and sometimes Bucky and Sam, but Steve is always miraculously busy. When Thea wakes up early to train with Natasha, Steve is always conveniently just leaving the kitchen as she enters. It isn’t until a Saturday morning that it comes to a halt.

Tony quite literally drags Steve by the ear into the med-bay, which Thea would find funny if she weren’t loath to see him. America’s golden boy, and she’d been the one to tick him off. She knew he was a cautious man, suspicious due to events in recent years, and even in his past; it didn’t stop her from feeling incredibly awkward after his seemingly blatant distrust of her.

The dark-haired man releases his hold on Steve and crosses his arms. The tips of Steve’s ears are grow red as Thea looks up from the paperwork she’s been doing, in regards to Clint’s mission injury a few days ago.

“Talk,” Tony says as sternly as possible.

“Thea, it wasn’t my place to question you about your abilities,” Steve starts, and Tony gives him a thumbs up while nodding encouragingly. Thea resists the urge to roll her eyes. “I...you made it clear you were just here as a doctor, and if that’s all you want to be then I will respect that. Thank you again for...my leg. And while I do think-”

“Alright, shows over, nice job, thanks Dory!” Tony hastily interjects, gripping Steve’s forearm and steering him out of the small office. Thea rises to her feet.

“Wait,” She commands, and they stop, Tony’s shoulders sagging. “What do you think?”

“I think,” Steve says, turning around and meeting her eyes, “That your powers could be a great asset to the team. Outside of medical situations.”

Thea realizes what he’s getting at. It takes everything in her to remain calm, lifting her chin just a little.

“Whether that’s true or not, I’m perfectly happy with what I’m doing. Thank you for the apology, Steve.” Her words come out stiff, a little sharper than she means them to. Nevertheless, Thea shakes Steve’s hand when he offers it, and maintains her rigid posture until she hears the main doors to the med-bay close.

“I tried to warn him,” Tony offers, having shifted to lean against the doorway. Thea drops into her chair with a sigh, leaning her head back as she clicks a pen absently.

“I just wish everybody would let it go. It’s not...it’s not cool, it’s not useful.” Thea sits up straight, tossing the pen aside and gripping her desk. “I mean, what would I do with my powers in a fight? Put somebody to sleep? Stop their heart? I’m not...I’m not a killer, Tony.”

“I know you’re not,” He says softly, approaching her desk to pry her fingers off it. “I won’t tell you that I agree with him, you know I do, but I will tell you it is 100% your decision.”

Thea manages a thank you, and, bless him, Tony leaves. She closes the folder on Clint’s mission after signing a few more pages and sets it into her main desk drawer. Peering as far as she could to be sure Tony was gone, she pulls a key from around her neck and unlocks a little side drawer.

Inside, only two items lay. One is a picture of her and her brother, only a year after she’d been adopted. Fury had explained his choice of family as ‘somewhere Thea could blend in, feel comfortable’, and it was perfect. The Triplett’s adopted her within 6 months of fostering her; she was home. In the photo, Antoine stands much taller than she, with an arm around her shoulders and the other wiggling into her abdomen. She, as a result of his tickling, is frozen in time laughing openly.

Thea sets the photo aside and reaches back into the drawer for the other object. It’s a locket, one Antoine had given her. Though the chain is thin, the charm attached is sizable for a necklace. It vibrates with energy that might make Thea nervous if she wasn’t so intimately familiar with it. The click of the lock coming undone still sends chills down her spine, regardless.

Within it, shrouded in the gold of Thea’s magic, beats a tiny human heart.

That night, dinner is a lonely affair. Steve had left for a mission shortly after seeing Thea, Natasha and Sam with him. Bucky and Wanda had invited her to join them for supper, but Thea feigned having work to do; Tony had gone on a date with Pepper. Now, as the stove clock blinks 9:30, Thea settles at the breakfast bar with a bowl of leftover dumplings.

She eats in silence, only disrupted when behind her, the TV clicks on. A glance over her shoulder shows her Bucky, flipping channels despite the book open on his lap. He doesn’t acknowledge her, however, so Thea returns to her meal, until her phone pings in her back pocket.

UNKNOWN NUMBER

Thea frowns at the device, but opens the message anyways.

UNKNOWN NUMBER

Funny how the good doctor avoids her powers

with friends, but not with family.

Thea’s heart begins to pound. Not only had she made sure she was alone earlier, and every time she went into her drawer, but the key is always with her. Any assistants Tony hired had never even been through the office - it was really only for paperwork, anyways, and they always left it on the desk for Thea to go through later. She feels nauseous, suddenly: the only other person on Earth who knew about the locket, and it’s true nature, was dead.

“You alright, Doc?” Comes a voice, and Thea jumps. She swallows as Bucky eyes her curiously, slipping her phone back into her pocket and nodding.

“Yeah, I...yes. I’m good,” Thea replies, but her voice quivers just enough that Bucky grips her arm as she moves past him to put her bowl in the sink.

“Thea-” He tries, but Thea pulls her arm away, giving him a tight, apologetic smile.

“Bucky, I’m fine. Seriously.” Thea insists before she ducks out of the kitchen. She can’t shake the feeling of his gaze, half pity and half suspicion, even as she shuts her bedroom door. After a moment of thought, she locks it, for good measure, and closes every curtain. No chances taken. She showers and changes from scrubs to sweats, and as she settles into her pillows she pulls out her phone again.

But not with family.

Thea still feels nauseous, and without even thinking, she types out a response.

Who is this?

There’s no immediate answer. Thea groans as she shuts her light off and tosses the phone aside. She tosses and turns until finally falling into nightmares.

2014

Thea laughs as Antoine crouches to coo over her quickly growing stomach. One month from her due date, but her brother has been devoted to her child from the moment Thea found out she was pregnant. She hadn’t even thought she could have children, nor had she really thought about them with the insane hours she worked, but she too was excited.

“Hi little bugger,” He whispers. Thea scolds him for language, but he ignores her. “I’m your Uncle Trip. We’re gonna be best friends, ‘cause your mama’s gotta be strict.”

Thea flicks his forehead, and he only smiles up at her before rising to his feet.

“I’m sorry,” He starts, and Thea collapses dramatically back into her couch. “About Ward. If we had- if I had known, Dot, you know-”

“Ant, it’s fine. Not your fault at all,” Thea tries to reason with him, but since learning of Grant’s true nature, she’d been struggling as well. Her long-time boyfriend had seemed so...so wonderful. Though Thea tried not to think about how he had seemed, tried not to think about him at all; it just spiraled until she was left wondering how much of it was lies.

Suddenly, she cries out, and Antoine rushes to her as she doubles over. His voice floats in and out of focus, the pain consuming her.

“Dot? Hey, Dot, what’s up? Dor…”

Thea feels only as if she blinks, and when she opens her eyes, she’s in a hospital bed. She’s hooked to various machines, and the room itself is crowded with people. Sound is still distorted, but Antoine is right by her side, gripping her hand. It’s a small relief.

“It’s too soon,” Thea protests as an unfamiliar woman crouched by her feet tells her to push. She doesn’t notice that she can only hear one heart monitor beeping. “Please, it’s too soon-”

With further insistence, Thea pushes anyways, the promise of ending the pain too tempting. A scream tears from her throat. It feels like only minutes before she feels all pressure lift; she'd done it. Yet the cry she expects does not come. She fees . Thea holds onto her brother’s hand for dear life.

“Ant? What’s happening? What’s wrong?” She whimpers, but Antoine is asking the doctors the same questions. Finally, they file out slowly, until only one doctor remains, a nurse standing just behind her, almost out of sight.

“Ms. Triplett, we are so sorry. Your son...was stillborn. You can...you can still hold him if you’d like.”

Thea’s body is wracked with sobs, but she holds her hands out regardless. The nurse places her unmoving child, swaddled with his eyes closed, into her arms. Antoine wraps an arm around her shoulders as Thea lets go of his hand to hold her son’s. The doctor mentions something about giving her time, and she and the nurse file out.

“He’s perfect,” Thea whispers. She stares down at where her dark fingers encase his tiny tan hand, and her crying ceases. A deep determination settles into her bones. “I want to keep him.”

“Thea.” Antoine gasps, alarmed, but she looks up at him with pleading eyes.

“Please. Please, Ant, you know I would never ask you anything like this but I-he’s my son.”

And as Antoine takes up a stray scalpel, Thea’s heart shatters all over again.

Thea jerks into a sitting position, gasping for breath. Her hands scramble for the key, feeling it still secure around her neck. Without thinking, she slides her feet into slippers and races from her room. She’s almost to the elevator when someone calls her name.

“Thea?”

It’s Sam, voice raspy from sleep. He’s still in his tactical suit, though without wings and goggles, evidently having been so wiped out he hadn’t changed. They must’ve just gotten back, then.

“Sam,” she replies breathlessly. Thea struggles to tamp down the panic trying to eat her alive as he emerges fully from his bedroom, making his way to her. “I thought you had a mission.”

“Just an in and out thing,” He replies, rubbing his eyes. “Are you alright? It’s 2:30.”

“Oh, yeah, I’m great,” Thea lies, forcing a small laugh. Sam doesn’t look like he believes her, but she presses on. “Just heading to the kitchen, glass of water, you know.”

“Then I’ll join you,” Sam says, taking another step towards her, and Thea’s heart feels ready to burst from her chest.

“No!” Sam looks taken aback. His usually laid-back demeanor is uneasy. Thea gulps, fingers coming back up to twist into the chain of her necklace. “I mean, no, thank you. I also left something, um, downstairs, in my, my office so really, you should go back to bed. Need some rest.”

She forces a laugh, but Sam only sighs, running a hand over his face. “Show me.”

Thea swallows the bile rising in her throat and tries to steady her breathing as he follows her to the elevator. No more words are spoken as they walk down the hallway past the garage, Tony’s lab, and enter the medbay. Thea takes the key from around her neck as they enter the tiny back office. He crosses his arms expectantly as she unlocks the drawer.

The locket nearly slips from her trembling hands, so Sam takes it instead, and Thea can’t find it in her to protest. He opens it, and closes it almost right after, staring at Thea with wide eyes.

“What...the fuck?” Sam whispers, and Thea feels her eyes burn with tears. “Is…is that-”

He struggles to get the words out, and Thea lets the first tears roll as she nods. Sam silently sets the locket back in the drawer and shuts it. “Who?”

Thea takes a deep, shaky breath. An understanding seems to have grown between them, though Thea isn’t sure she wants him to voice it out loud. She squeezes her eyes shut to try to block out the semi-horrified look on his face.

“It’s my son’s.”

Thea swears Sam to secrecy, but he only agrees on the condition that she’ll tell the team as soon as she can.They return to their separate rooms, Thea with the locket clasped securely about her neck. Sure she won’t be able to sleep, not now, not when someone...two someones now know her secret. She opts instead to perch in the bay window of her bedroom, staring out over the city. Thea loses exact track of time as she immerses herself in thoughts, and the sun shines high above the city when FRIDAY’s voice reaches her ears.

“Dr. Triplett, Boss wishes you’d join the team in the living room, please.”

Thea, habitually, tightens her fingers around the key, and now the locket as well. Quickly, she changes from her sleep shirt into a pullover and jeans, opting to head downstairs barefoot. As FRIDAY had said, the entire team is already spread out across the living room. Tony rises to his feet to guide Thea to sit next to him before clearing his throat.

“Birdbrain said you had something to tell us, but I knew if you’d kept something from me it must be serious,” Tony explains, and Thea finds herself nodding. “Didn’t want to uh, make you feel under any more pressure with a conference room.”

Thea nods, hesitating. She takes the beat of silence to look over everyone, feeling almost as if it was the day she’d arrived. Wanda is curled up to Vision, Natasha and Steve taking up the rest of Tony and Thea’s couch. Steve’s sat forward, elbows rested on his knees, already intently listening. Bucky lingers in the kitchen doorway. Rhodey and Sam, too, are on their feet, and when she meets his eyes, Sam gives her an encouraging nod. The surgeon is unable to voice the truth, not without any leeway. She unhooks the locket from her neck and opens it.

The moment Thea does this, gasps and murmurs flood the room. After just a few seconds, once she was sure everyone had seen it’s contents, she closes the locket and gently sets it into her lap. Tony is floundering beside her, but Thea speaks first.

“That is my son’s heart,” She croaks, a little surprised at the brokenness of her voice. She finds herself meeting Sam’s eyes as she speaks, as she hadn’t even explained it to him last night.

“He was stillborn and...I didn’t handle it very well.” Thea continues. She thinks Rhodey mutters an ‘obviously’, but he’s quickly shushed. A sob builds in her throat as she talks, but she fights it. “My brother was there...he um, he had some medical training as well, he...he took out the heart for me, and I healed my son’s body so they wouldn’t suspect anything. He’d never had a heartbeat to begin with s-so nobody said anything. His body was cremated. A year later, my brother died. He was the only person who knew about...about Philip’s heart.”

To Thea’s shock, Natasha reaches out to grab her hand. With her free hand, Thea swipes at stray tears. When Thea looks over at the other woman, Natasha is watching her with a knowing expression. Vision’s voice cracks the moment in two.

“Pardon me but...where was the father?” He asks hesitantly, and Thea laughs bitterly, to their shock.

“Out of the picture. He was a S.H.I.E.L.D. agent I met through my brother but...” Thea shakes her head, reminiscing. “He turned out to be undercover Hydra. Said he only knew me for me but, he read files on me long before he even joined S.H.I.E.L.D.”

Natasha is nodding in Thea’s peripheral, and Thea recalls in the back of her mind that Nat had worked for S.H.I.E.L.D. in the past. She must have at least some inkling of what Thea was on about. The younger woman pulls her hand back into her lap gently, to wrap both of them around the locket.

“It doesn’t matter now. He’s dead and irrelevant. But last night, I got a text from an unknown number,” Thea reveals. “It was only one thing but it...it really shook me because yesterday I had looked at Philip’s heart. And then I get that message...‘Funny how the good doctor avoids her powers with friends, but not with family.’”

“And your brother was the only person who knew, but he’s...passed on as well, right?” Steve interjects, and Thea nods. “How did Sam find out?”

Thea fights a smile. Part of her felt...relief. She hadn’t talked about this with anyone before, and never planned to. Even if the team was finding out now, she was glad to have been able to trust Sam first. She takes a deep, slightly shaky breath before going on.

“I had a dream, last night. Or a nightmare, really. I...remembered the day Philip was born. Or, not born, I guess. I don’t know. But the dream and the messages, I was so shaken up and I went to go check on the locket. The key to the drawer it was in is always...” Thea untucks the key around her neck, “but I was so paranoid...Sam caught up with me in the hallway. Had me take him down to show him. I just...I guess I knew it was time to tell someone.”

All at once, Thea’s exhaustion hits her. It’s clear to the other’s that she’s finished sharing. Steve, ever the leader, nods sympathetically and reaches over to pat Thea’s shoulder as he stands.

“Well, you did the right thing,” He states, and the sentiment is followed with murmurs of agreement from the team. “Especially with this...unknown person messaging you.”

“He’s right, DT,” Tony says, speaking for the first time since Thea had sat down. He’s risen to his feet as well, already rubbing his hands together. “In fact, give me your phone. I’ll see if I can’t figure out who’s behind this.”

Thea agrees, though she left her phone in her bedroom, and Tony tells her not to worry. After Thea promises to bring it down to the lab ASAP, the group disperses. Nat pulls her aside with a surprisingly kind smile as she makes towards the elevator.

“Philip for Coulson, right?” The redhead inquires. Thea smiles back, a little embarrassed, but she nods.

“He was one of the one’s who rescued me as a kid,” Thea elaborates as she presses the button for the residential floor. Nat nods, but she’s suddenly bumped by Sam as he slips into the elevator with Thea.

“Sorry, Nat!” He calls out as the doors close. The man spares the buttons a quick once over, but evidently they’re going to the same place. Sam settles in beside Thea without pushing a single one’ she tries to ignore the fact that he’s comfortable enough to stand so close their elbows brush, despite all he’s learned of her. They exit the lift together, not engaging in conversation, but he walks her all the way to her door near the end. Right as she goes to enter, he coughs. Thea turns back to him with a raised brow.

“I know that couldn’t have been easy for you,” Sam tells her. It’s a redundant statement, but the soft quality to his voice prevents Thea from being annoyed. “Steve was right though, because we can...you know, we can help you now.”

Thea bites back a scoff as she pushes open her door and walks inside. True to her instinct, Sam follows.

“I mean with the texts, of course. ‘Cause that’s some creepy shit,” He hastily amends. “Although...I do know a little about PTSD.”

This has Thea stopping in her tracks. She turns around, arms crossed, to meet his eyes again. Sam’s face wears a strange look she can’t read, but she raises a brow as nonverbal permission to go on.

“If you ever...wanted to talk to anyone. Not like, a shrink. Like a...a friend.” He’s nervous, Thea realizes, as he scrubs a hand over the back of his neck and shifts his weight. Despite the tightness gripping her heart, Thea gives him her most appreciative and reassuring smile.

“Thanks, Sam,” She says. He nods, more to himself than anything, and turns to leave as Thea turns back to her dresser. As she picks up her phone, she gasps. “Sam?!”

His footsteps almost echo as a new bout of queasiness washes over Thea. She doesn’t hear what he says as she stares at the screen, barely registering him so close to her as he takes a look.

UNKNOWN NUMBER You know who it is. Return to

the place it all began, for it

is the place that all ends.

#sam wilson #steve rogers #wanda maximoff #tony stark #colonel james rhodes #rhodey #vision #bucky barnes #mcu #marvel fic #mcu fanfic #mine #tgd/carolmaximoffs

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eclecticmuses · 5 years ago

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Begin Again

Author: @eclecticmuses and @mrsleopoldfitz Rating: Explicit Chapter: 14/? Relationships/Characters: Leo Fitz/Jemma Simmons, Bus Team, Antoine Triplett, John Garrett, Victoria Hand Additional Tags: Alternate Universe, Season 1 AU, SciOps Era, Bus Era, Explicit Sexual Content, Angst, Fluff, Some Humor Summary: A decade ago, Leo Fitz and Jemma Simmons met and fell in love. What should have been a fairy tale story ended in heartbreak when they found themselves caught between what they wanted most and their sworn duty to S.H.I.E.L.D. Years later, they find themselves struggling with the same question yet again after they both are recruited to Agent Phil Coulson’s elite field unit. Have they learned enough in their time apart to make a difference, or will history repeat itself?

Excerpt from Chapter 14:

“So. What should we do with the rest o’ our evening?”

Jemma smiled at his affection, snuggling in against him and resting her hand on his chest, soaking in the warmth of his body. “Well, I suppose we could always watch an old episode of Who or one of my documentaries, or we could go out to get something to eat later, though that would involve clothes…” Which didn’t sound appealing at all, as content and snuggly and limbs-heavy as she felt now. Then she huffed a tiny laugh. “You know, this might sound a bit gauche...but I think Skye would have approved.” She nodded at them and their current state of undress.

Fitz chuckled a bit in response and nodded. “She definitely would. And she’d never let us live it down, either. We’d be hearin’ about it from now until eternity, that she helped us both get laid. Nevermind that we had that pretty well handled all on our own.”

The image of Skye, teasing them both, made Fitz smile. The entire team wanted her back, and now she was thankfully on the mend. As scared as he knew Jemma was about potential side effects from the GH-325, he couldn’t regret bringing it to her. Not if it brought their friend back to them.

Read the rest on AO3!

#Fitzsimmons #Leo Fitz #Jemma Simmons #fstag #fsfic #aosficnet2 #Agents of SHIELD #eclecticfic #mrsleopoldfitz #happy Tuesday!

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ellsey · 5 years ago

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Agents of Shield Rewatch 1x20 Nothing Personal

Maria Hill! She’s talking to Pepper of course. But who’s really following her? Melinda May! My Queen!

Maria doesn’t have the info that May wants. She does have a lot of sass though.

Meanwhile our crew back in Providence Base are kind of freaking out because everyone is gone. Man when the world burns it burns quickly.

Fitz quickly runs after Simmons to help, waving off Trip on is way out. I don’t think this was maliciousness or jealousy though, I think Fitz genuinely knew what Jemma was feeling and what she needed. And also he wanted to talk to her in private.

Fitz and Simmons are a well-oiled machine and this is not the first time they have made pancakes together clearly. I like the idea of them making pancakes after staying up all night working ideas together...cut to the future where they make pancakes together after staying up all night with their child...someone write this I don’t have time

Oh no, Fitz and Simmons are about to find something awful in their own separate ways

Hahaha the tension between Daisy and Ward can be cut with a knife

Fitz is freaking out. This makes me so sad every time.

It’s very interesting watching Fitz and Simmons here. Simmons deals with everything by being very clinical and keeping everything under control. Of course, we know from “Inescapable” that this is something she trained herself to do from a very early age. Meanwhile Fitz reacts very violently to the news, letting his emotions overwhelm him. It’s very interesting that they’ve let Jemma be the cool, in control one while making Fitz the emotional one. Once again, these two sides of them work perfectly together. Unfortunately it takes them a while to completely work this out.

Coulson very quickly calms every one down and gives Fitz a task to focus him. What a good dad.

Daisy is very quickly losing her cool here. I feel awful for her.

Talbot is there! I wonder if we’ll ever get any resolution with him.

Maria Hill is there!

May is digging a grave!

The hits just keep coming

Maria looks appropriately shocked about both Ward and Garrett. You can tell that news changes a lot.

Honestly Ward’s starting to lose it at this point too but he deserves it so eh

The moment Daisy tells Ward that she knows he’s Hydra, everything changes and you can see it.

Unfortunately Garrett knew that Ward has weaknesses sigh

“I’m not a Nazi,” Ward says in disgust. If I had a penny for every time I’ve heard that...sadly I’d have way too many at this point. Yikes.

“I’m gonna throw up” seems like the appropriate response.

Y’all Brett Dalton is KILLING THIS for reals

I wish Daisy wasn’t such a good person and had just let Ward die but I understand why she couldn’t

I guess

I hate what they’ve done to Mike Peterson :(

Phil snuck onto the plane! Dad of the year right there.

Ok, it cracks me up every time that Phil turns around before he pulls out as if the sky may be full of other flying cars to possibly run into

I feel bad for Phil here because even though Maria helped him, she still doesn’t have what he needs. Phil is on his own in this one.

Well, not completely.

This conversation by the pool shows just how at the end of their ropes Fitz and Simmons are. Simmons is declaring that some people are just evil the end, while Fitz is so worried about losing everyone that he’s concerned about Jemma too.

Also Fitz insisting on hearing the words “I’m not Hydra” from Jemma just really gets to me. And then he gets the closest to telling her that he doesn’t want to live without her. Unfortunately it takes near death for him to really say how he feels.

Sadly though, Jemma is wrong about Fitz never having to find out what it will be like without her. He’s going to find this out way more than he should.

I’m talking to you writers.

There’s also something very domestic and natural about Fitzsimmons sitting together, pants legs rolled up, feet in the pool. It feels very young and innocent. Little did we know that this is really the last bit of sweet innocence they will get. Life is about to change drastically. But before it does, Jemma sweetly puts a reassuring hand on Fitz’s knee. He looks shocked and pleased and confused and I promise you Fitzy better things are coming!

But also you’ll be put through the ringer first. :(

Trip and Daisy always had the BEST dynamic and I miss it so much

Also how sweet is Trip sharing his chips with Fitzsimmons in the background and then calmly giving them space. WE DIDN’T DESERVE ANTOINE TRIPLETT.

Bring him back for the last season!!

I’m glad they (and we) got that last bit of calm before the storm.

Phil sounds so happy and relieved to see Melinda and MY HEART CAN’T TAKE IT

So it turns out Phil himself was in charge of the Tahiti program. As my niece used to say, “SKAPRISE!”

Honestly I had forgotten how much they packed in these last episodes of Season 1. They are an emotional trip for sure. This gets 9/10 on the Fitzsimmons Scale because they have a lot going on here. It also gets 10 DAISYS BEING AWESOME out of 10 on the Awesome Daisys scale. Yes I misspelled that on purpose.

Our song for this episode is “The Boy’s Gone” by Jason Mraz because Grant Ward has definitely gone home and left our crew with a lot of very confusing feelings. Also Ward has made his bed and he has to lie in it for reals.

youtube

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clairenovaking · 6 years ago

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daisy johnson for the character meme

How I feel about this character: i love her! she’s pretty much always been solidly my fave outside of phil and melinda, and i’ve loved watching her grow throughout the course of the show. i wish she hadn’t been been reduced to basically an ** hype woman this season, though.

All the people I ship romantically with this character: robbie reyes, antoine triplette, jemma simmons, bobbi morse, sharon carter, peter quill, matt murdock, alphonso mackenzie

My non-romantic OTP for this character: daisy & melinda & phil will always be my favorite dynamic

My unpopular opinion about this character: hm. i’m not sure how unpopular it actually is, but i’m not ready to see her as director yet? i absolutely believe she’ll be a fantastic one some day, but i want to see more of her in the field, with a chance to live a life not strapped to a desk and all that responsibility before she takes that title.

One thing I wish would happen / had happened with this character in canon: i just want her to call melinda mom once. just once! and i’ll be (vaguely) content!

my OTP: daisy/robbie has my heart, though daisy/trip will always be my favorite right place/wrong time ship

my cross over ship: i have a few but my favorite is daisy johnson/peter quill!

a headcanon fact: daisy is the only one that can make melinda’s tea right and it’s one of their favorite evening rituals

#whistlingwindtree #asks #meme answers tag #ch: daisy johnson #also...i love the blonde this season idk if that's still unpopular or not

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tuseriesdetv · 4 years ago

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Noticias de series de la semana

Renovaciones

Starz ha renovado Outlander por una séptima temporada

FX ha renovado Fargo por una quinta temporada

BBC One ha renovado Bloodlands por una segunda temporada

Syfy ha renovado Resident Alien por una segunda temporada

Acorn TV ha renovado Queens of Mystery por una segunda temporada

BBC Three ha renovado In My Skin por una segunda temporada

Cancelaciones

La cuarta temporada de Killing Eve (BBC America) será la última

CBC ha cancelado Burden of Truth tras su cuarta temporada

Noticias cortas

La décima temporada de American Horror Story se titula 'Double Feature'.

Erik LaRay Harvey (Del Chance) y Demi Singleton (Margaret Johnson) serán regulares en la segunda temporada de Godfather of Harlem.

The Man Who Fell To Earth se muda de Paramount+ a Showtime.

Tom Budge ha abandonado The Lord of the Rings. Amazon decidió seguir otra dirección con su personaje.

CBS ha dado más tiempo a los productores de True Lies para desarrollar el proyecto ya fuera del ciclo de pilotos de este año.

Fichajes

Lena Headey (Game of Thrones, Terminator: The Sarah Connor Chronicles) protagonizará y producirá Beacon 23. Será Aster, una mujer que llega al faro del fin del universo conocido.

Tom Hiddleston (Loki, The Night Manager) protagonizará The Essex Serpent junto a Claire Danes. Será Will Ransome, el líder de una pequeña comunidad rural.

Vera Farmiga (Bates Motel, The Conjuring) protagonizará Five Days at Memorial. Interpretará a la doctora Anna Pou, que fue acusada por la muerte de varios pacientes.

Adrien Brody (The Pianist, The Grand Budapest Hotel), John C. Reilly (Chicago, Talladega Nights), Sally Field (Brothers & Sisters, Forrest Gump), Michael Chiklis (The Shield, Gotham), Molly Gordon (Animal Kingdom, Booksmart), Jason Clarke (Catherine the Great, Zero Dark Thirty), Quincy Isaiah, Solomon Hughes, DeVaughn Nixon (Runaways, The Secret Life of the American Teenager), Delante Desouza, Rob Morgan (Stranger Things, This Is Us), Spencer Garrett (Bosch, For All Mankind), Kirk Bovill (Vice), Stephen Adly Guirgis (Vice, Russian Doll), Tamera Tomakili y Joey Brooks serán Pat Riley, entrenador de los Lakers; Jerry Buss, el dueño del equipo; Jessie Buss, la madre de Jerry Buss; Red Auerbach, entrenador de los Boston Celtics; Linda Zafrani, miembro de la oficina del L.A. Forum; los jugadores Jerry West, Magic Johnson, Kareem Abdul-Jabbar, Norm Nixon y Michael Cooper; Earvin Johnson, el padre de Magic Johnson, Chick Hearn, comentarista deportivo; Donald Sterling, antiguo dueño del equipo; Frank Mariani, socio de Jerry Buss; Earletha Kelly, novia de Magic Johnson; y Lon Rosen, empleado de Forum; en el drama sobre los Lakers en los 80.

Dianne Wiest (Life in Pieces, Hannah and Her Sisters) protagonizará Mayor of Kingstown junto a Jeremy Renner. Será Miriam, la matriarca de la familia McLusky y profesora en la prisión de mujeres.

Iain Glen (Game of Thrones, Downton Abbey), Emily Hampshire (Schitt's Creek, 12 Monkeys), Martin Compston (Line of Duty, The Nest), Mark Bonnar (Catastrophe, Line of Duty), Rochenda Sandall (Line of Duty, Criminal: UK), Owen Teale (Game of Thrones, A Discovery of Witches), Richard Pepple (Line of Duty, Gangs of London), Calvin Demba (Life, Hollyoaks), Emun Elliott (Guilt, Trust Me), Abraham Popoola (The Great), Stuart McQuarrie (The Crown, The Hollow Crown) y Molly Vevers se unen a The Rig. Serán Magnus MacMillan, líder del equipo y gerente de la instalación; Rose Mason, científica y representante de la compañía petrolera; Fulmer Hamilton, funcionario de comunicaciones; Alwyn Evans, capataz de cubierta; Cat Braithwaite, doctora; Lars Hutton, primer perforador; Grant Dunlin, jefe de equipo; Baz Roberts, ayudante de perforación; Leck Longman, mecánico de la plataforma; Easter Ayodeji, conductor de la grúa; Colin Murchison, chef; y Heather Shaw, jornalera.

Hugo Weaving (Matrix, The Lord of the Rings), Danielle Macdonald (Unbelievable, Bird Box), Shalom Brune-Franklin (Line of Duty, Our Girl), Ólafur Darri Ólafsson (Ófærð, The Minister) y Alex Dimitriades (The Slap, The End) protagonizarán The Tourist junto a Jamie Dornan.

Katie Findlay (How to Get Away with Murder, The Killing) será Rose, nuevo interés amoroso de Max (Skylar Astin), en la segunda parte de la segunda temporada de Zoey's Extraordinary Playlist.

Elizabeth Lail (You, Once Upon a Time) se une al reboot de Gossip Girl. Se desconocen detalles.

Anthony Boyle (The Plot Against America, Ordeal by Innocence) protagonizará Masters of the Air junto a Callum Turner y Austin Butler.

Kingsley Ben-Adir (The OA, High Fidelity) será el villano de Secret Invasion. Se desconocen detalles.

Justin Bartha (The Good Fight, The New Normal), Annabella Sciorra (The Sopranos, The Hand That Rocks the Cradle), Ronald Guttman (Preacher, Hunters), Gino Cafarelli (The Irishman) y Isaach De Bankolé serán recurrentes en la segunda temporada de Godfather of Harlem como Robert Morgenthau, fiscal del distrito en el distrito sur de Nueva York; Fay Bonanno, esposa de Joe Bonanno (Chazz Palminteri); Jean Jehan, responsable de las importaciones de heroína entre Marsella y Estados Unidos; Fat Gino, uno de los secuaces Vincent 'Chin' Gigante (Vincent D'Onofrio); y Monsieur 98, químico productor de heroína extremadamente pura.

Jason Behr (Roswell, Dawson's Creek) será recurrente en la sexta y última temporada de Supergirl como un kriptoniano famoso que ayuda a Kara (Melissa Benoist) cuando se enfrenta a circunstancias más allá de su control. Claude Knowlton (American Crime Story) será un apacible alien de pasado trágico y Eliza Helm será la versión joven de Cat Grant (Calista Flockhart).

Rebecca Wisocky (Devious Maids, For All Mankind) y Meagen Fay (Agent Carter, Malcolm in the Middle) serán recurrentes en Dopesick como una agente de la FDA involucrada en la regulación del OxyContin y una monja que proporciona terapia en abusos de opioides.

Alice Kremelberg (Orange Is the New Black, The Trial of the Chicago 7) protagonizará la cuarta temporada de The Sinner junto a Bill Pullman. Será Percy Muldoon, una carismática joven de una familia de pescadores.

Pam Dawber (Mork & Mindy, My Sister Sam), la esposa de Mark Harmon, participará en varios episodios de la decimoctava temporada de NCIS interpretando a Marcie Warren, una periodista de investigación.

Florence Hall (The Princess Switch: Switched Again) sustituye a Olivia Vinall como protagonista de Queens of Mystery.

Khalilah Joi (Big Little Lies, Sorry for Your Loss) será recurrente en la cuarta temporada de Station 19 como Condola Vargas, exnovia de Dean (Okieriete Onaodowan).

Jessica Plummer (EastEnders) será Emma, vecina de Jane (Gugu Mbatha-Raw), en The Girl Before.

Jessica Reynolds (My Left Nut), Mark Lewis Jones (Chernobyl, The Third Day) y Alexander Vlahos (Versailles, Merlin) serán Malva, Tom y Allan Christie en la sexta temporada de Outlander.

Vanessa Williams (The Flash, Famous in Love) será recurrente en la segunda temporada de The L Word: Generation Q como Pippa Pascal, una artista incendiaria que lleva veinte años fuera del ojo público.

Shane Paul McGhie (Unbelievable, Deputy), Aimee Carrero (Young & Hungry) y Maddie Phillips (Teenage Bounty Hunters) protagonizarán el spin-off de The Boys junto a Jaz Sinclair y Lizze Broadway.

Laci Mosley (Single Parents, Florida Girls) y Jaidyn Triplett (The Affair) serán Harper, mejor amiga de Carly (Miranda Cosgrove); y Millicent, hijastra de Freddie (Nathan Kress); en el revival de iCarly.

Margaret Colin (Gossip Girl, Veep) será recurrente en la sexta temporada de Chicago Med como la madre de Natalie (Torrey DeVitto).

Pósters

Nuevas series

Natasha Lyonne (Orange Is the New Black, Russian Doll) protagonizará Poker Face, serie de misterio con casos semanales. Creada, escrita, producida y dirigida por Rian Johnson (Knives Out, Star Wars: The Last Jedi), ha recibido compromiso de diez episodios en Peacock.

Steven Yeun (The Walking Dead, Minari) y Ali Wong (American Housewife, Birds of Prey) protagonizarán y producirán una dramedia de diez episodios creada y escrita por Lee Sung Jin (2 Broke Girls, Tuca & Bertie). Netflix, Amazon, FX y Apple estarían interesadas.

Maya Rudolph (Saturday Night Live, Forever) protagonizará y producirá una comedia de Apple TV+ en la que una mujer de vida aparentemente perfecta se ve de pronto abandonada por su marido, que la deja sin nada salvo ochenta y siete mil millones de dólares. Creada y producida por Alan Yang (Forever, Master of None) y Matt Hubbard (Forever, 30 Rock).

Spectrum ha encargado diez episodios de Joe Pickett, drama basado en las novelas de C.J. Box sobre un guardabosques y su familia en un pequeño pueblo de Wyoming que esconde décadas de secretos y maquinaciones en un ambiente de cambios políticos y socioeconómicos. Protagonizada por Michael Dorman (For All Mankind, Patriot). Creada por John Erick Dowdle y Drew Dowdle (Waco, Quarantine).

Showtime ha encargado Shaka: King of the Zulu Nation, drama sobre el viaje personal de un hombre desde una niñez estigmatizada hasta convertirse en un rey guerrero. Creada y escrita por Tolu Awosika (The Terminal List). Producida y dirigida por Antoine Fuqua (Training Day, The Equalizer).

HBO ha adquirido los derechos de A Time for Mercy, la novela de John Grisham (2020), para su adaptación televisiva. Es la secuela de 'A Time to Kill' (1989), cuya adaptación cinematográfica protagonizó Matthew McConaughey en 1996. McConaughey está finalizando negociaciones para retomar el papel en la limited series de diez episodios.

HBO desarrolla tres spin-offs más de Game of Thrones. 9 Voyages estaría protagonizado por Lord Corlys Velaryon, también conocido como The Sea Snake, personaje de la precuela House of the Dragon. 10000 Ships se centraría en la princesa Nymeria de la casa Martell, que fundó Dorne unos mil años antes de lo ocurrido en Game of Thrones. El tercero estaría ambientado en Flea Bottom, el barrio bajo de King's Landing de donde provienen Davos Seaworth y Gendry Baratheon.

FX desarrolla City Primeval, adaptación de la primera novela (1980) de la saga de Elmore Leonard en la que se basó la serie Justified. Timothy Olyphant podría protagonizar la serie, retomando su papel de Raylan Givens, o participar con un papel más pequeño. Escrita y producida por Michael Dinner y Dave Andron (Justified, Snowfall). Dinner (Justified, Unbelievable) también dirigirá. Producida por Graham Yost, creador de Justified.

Ridley Scott (The Good Wife, The Man in the High Castle) y Steven Knight (Peaky Blinders, Taboo) preparan Roads to Freedom, que contará la historia de la Segunda Guerra Mundial desde varios puntos de vista internacionales. Basada en los libros de Sir Antony Beevor. Escrita por Beevor y Knight y dirigida por Scott. Diez episodios.

CBS Studios prepara un reboot de animación de Everybody Hates Chris.

Austral, la novela de ciencia ficción de Paul McAuley (2017) ambientada en la Antártida en el año 2098, tendrá adaptación televisiva. Décadas después del deshielo de los glaciares, existe una nueva tierra llena de recursos y una nueva generación de colonos que provienen de todo el mundo. Austral Ferrado, que forma parte de un grupo de personas modificadas genéticamente para sobrevivir al clima del sur, se siente atrapada en una sociedad que la trata como un animal y luchará para conseguir la libertad. La serie se grabará en Noruega.

Showtime desarrolla una serie sobre los disturbios en el Capitolio tras la derrota de Donald Trump. De Billy Ray (The Comey Rule, Captain Phillips) y Shane Salerno (The Comey Rule, Armageddon).

Meghan Trainor protagonizará y desarrollará una comedia en NBC. No hay argumento anunciado ni guionistas asociados al proyecto.

Fechas

La cuarta temporada de The Syndicate se estrena en BBC One el 30 de marzo

La séptima y última temporada de Younger se estrena en Paramount+ el 15 de abril

Rutherford Falls se estrena en Peacock el 22 de abril

La tercera temporada de The Girlfriend Experience se estrena en Starz el 2 de mayo

The Upshaws llega a Netflix el 12 de mayo

La cuarta temporada de The Chi se estrena en Showtime el 23 de mayo

La tercera temporada de Black Monday se estrena en Showtime el 23 de mayo

Flatbush Misdemeanors se estrena en Showtime el 23 de mayo

Tráilers y promos

The Girlfriend Experience - Temporada 3

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The Irregulars

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Snabba Cash

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Rutherford Falls

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Cruel Summer

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Dad Stop Embarrassing Me!

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#series tv #television

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