#β π±π₯π’ π―π¬π°π’ ππ«π‘ π±π₯π’ π±π₯π¬π―π« β headcanons β―
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Anna is likely begrudgingly accepted in society, like Pierre was. But it likely improves very slightly when he becomes Count.
Regardless, she's keenly aware that the only reason she has anything is because of him. Both of these things factor greatly into her views on marriage, as she knows that she's likely viewed as beneath a good marriage, but too above a poor/serf marriage.
#β π±π₯π’ π―π¬π°π’ ππ«π‘ π±π₯π’ π±π₯π¬π―π« β headcanons β―
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Like her brother, Anna was also friendly with the Rostovs and the Bolkonskies. But she was closest to Sonya/Sonya and Vlad, Marya, and possibly Andrei.
#β π±π₯π’ π―π¬π°π’ ππ«π‘ π±π₯π’ π±π₯π¬π―π« β headcanons β―#β π±π₯π’ π―π¬π°π’ ππ«π‘ π±π₯π’ π±π₯π¬π―π« β sonya β―#β π±π₯π’ π―π¬π°π’ ππ«π‘ π±π₯π’ π±π₯π¬π―π« β the bolkonskies β―#β π±π₯π’ π―π¬π°π’ ππ«π‘ π±π₯π’ π±π₯π¬π―π« β the rostovs β―
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Even after her aunt Lyuba tells her the truth about Svetlana, Anna still considers Lyuba to be her mother more than Svetlana. In her mind, Svetlana gave birth to her, but Lyuba raised her, therefore, Lyuba is her mother.
#β π±π₯π’ π―π¬π°π’ ππ«π‘ π±π₯π’ π±π₯π¬π―π« β headcanons β―#β π±π₯π’ π―π¬π°π’ ππ«π‘ π±π₯π’ π±π₯π¬π―π« β mama β―
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When Pierre went to Borodino, and Napoleon matched toward Moscow, Anna was likely either with Marya or the Rostovs.
In the case of being with Marya, she tries to help Nikolai get them all out of Bogucharovo, and helps with Nikolushka and seeing to Prince Nikolai's affairs. She would also go with Marya to see Andrei and the Rostovs. And would generally stay with Sonya while Marya stayed with Natasha.
In the case of being with the Rostovs, she tries to be helpful however she can. She helps Natasha with Andrei, helps Natalia and Sonya with the house, etc. She'd still probably spend most of her time with Sonya, though.
#β π±π₯π’ π―π¬π°π’ ππ«π‘ π±π₯π’ π±π₯π¬π―π« β headcanons β―#β π±π₯π’ π―π¬π°π’ ππ«π‘ π±π₯π’ π±π₯π¬π―π« β sonya β―#β π±π₯π’ π―π¬π°π’ ππ«π‘ π±π₯π’ π±π₯π¬π―π« β the bolkonskies β―#β π±π₯π’ π―π¬π°π’ ππ«π‘ π±π₯π’ π±π₯π¬π―π« β the rostovs β―
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Generally speaking, Anna is timid and generous like her brother, but she's not as socially awkward. She's more sure of herself, and is only shy because of how people view her.
Because of this, she's herself the most when around Pierre, Sonya, Marya, and Andrei.
#β π±π₯π’ π―π¬π°π’ ππ«π‘ π±π₯π’ π±π₯π¬π―π« β headcanons β―#β π±π₯π’ π―π¬π°π’ ππ«π‘ π±π₯π’ π±π₯π¬π―π« β pierre β―#β π±π₯π’ π―π¬π°π’ ππ«π‘ π±π₯π’ π±π₯π¬π―π« β sonya β―#β π±π₯π’ π―π¬π°π’ ππ«π‘ π±π₯π’ π±π₯π¬π―π« β the bolkonskies β―
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Anna usually to call her brother Pyotr or Petenka, and uses Pierre when she's feeling especially tender. But when she's angry with him, she calls him Count Bezukhov.
#β π±π₯π’ π―π¬π°π’ ππ«π‘ π±π₯π’ π±π₯π¬π―π« β headcanons β―#β π±π₯π’ π―π¬π°π’ ππ«π‘ π±π₯π’ π±π₯π¬π―π« β pierre β―
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Anna harbors a deep dislike, and even hatred, for anyone that tries to manipulate Pierre. This is especially true of the Kuragins. She never trusted Vasily, and was afraid of Anatole and Hélène. But all the same, she tried her best to protect her brother and stand up for him.
#β π±π₯π’ π―π¬π°π’ ππ«π‘ π±π₯π’ π±π₯π¬π―π« β headcanons β―#β π±π₯π’ π―π¬π°π’ ππ«π‘ π±π₯π’ π±π₯π¬π―π« β pierre β―#β π±π₯π’ π―π¬π°π’ ππ«π‘ π±π₯π’ π±π₯π¬π―π« β the kuragins β―
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Like Anatole, Anna also can't stand Dolokhov. She may lighten up a little toward the latter, though, after he apologies to Pierre and rescues him from the French.
#β π±π₯π’ π―π¬π°π’ ππ«π‘ π±π₯π’ π±π₯π¬π―π« β headcanons β―
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Anna tries to offer Sonya some money in the hopes of helping her break free and find her own happiness. Sonya, of course, doesn't accept.
In threads where Sonya marries Pierre, she encourages her brother to confess his feelings before it's too late and he potentially loses her forever.
#β π±π₯π’ π―π¬π°π’ ππ«π‘ π±π₯π’ π±π₯π¬π―π« β headcanons β―#β π±π₯π’ π―π¬π°π’ ππ«π‘ π±π₯π’ π±π₯π¬π―π« β sonya β―
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Anna & Pierre are uncertain how many siblings they have, as Kirill couldn't remember and never really kept track.
#β π±π₯π’ π―π¬π°π’ ππ«π‘ π±π₯π’ π±π₯π¬π―π« β headcanons β―#β π±π₯π’ π―π¬π°π’ ππ«π‘ π±π₯π’ π±π₯π¬π―π« β pierre β―#β π±π₯π’ π―π¬π°π’ ππ«π‘ π±π₯π’ π±π₯π¬π―π« β father β―
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Anna is also slightly scared of Katishe, but is civil to Olga. And if circumstances had been different, she may also have been friends with Sophie.
#β π±π₯π’ π―π¬π°π’ ππ«π‘ π±π₯π’ π±π₯π¬π―π« β headcanons β―#β π±π₯π’ π―π¬π°π’ ππ«π‘ π±π₯π’ π±π₯π¬π―π« β the mamontovas β―
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Though Anna does love Kirill, she never quite gets over or forgives the fact that he brushed her aside, that his actions made life harder for herself and Pierre, or that he's the reason she can't really be welcomed in society or find her other siblings.
She is always grateful that he did everything he did for Pierre and herself, but the resentment is always there right alongside the love and gratitude.
#β π±π₯π’ π―π¬π°π’ ππ«π‘ π±π₯π’ π±π₯π¬π―π« β headcanons β―#β π±π₯π’ π―π¬π°π’ ππ«π‘ π±π₯π’ π±π₯π¬π―π« β father β―
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Kirill treated Anna better than his other children because of Pierre's interventions. It's possible that because of this, she may have been his favorite daughter, but it really didn't matter much. Pierre was his favorite child and the only one he really wanted anything to do with. Anna saw him even less than Pierre did.
#β π±π₯π’ π―π¬π°π’ ππ«π‘ π±π₯π’ π±π₯π¬π―π« β headcanons β―#β π±π₯π’ π―π¬π°π’ ππ«π‘ π±π₯π’ π±π₯π¬π―π« β pierre β―#β π±π₯π’ π―π¬π°π’ ππ«π‘ π±π₯π’ π±π₯π¬π―π« β father β―
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Regardless of who Pierre marries after the war, Anna is godmother to at least one of his children, especially when he marries Sonya.
#β π±π₯π’ π―π¬π°π’ ππ«π‘ π±π₯π’ π±π₯π¬π―π« β headcanons β―#β π±π₯π’ π―π¬π°π’ ππ«π‘ π±π₯π’ π±π₯π¬π―π« β pierre β―#β π±π₯π’ π―π¬π°π’ ππ«π‘ π±π₯π’ π±π₯π¬π―π« β sonya β―
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Tag Drop; Muse
#β π±π₯π’ π―π¬π°π’ ππ«π‘ π±π₯π’ π±π₯π¬π―π« β fc β―#β π±π₯π’ π―π¬π°π’ ππ«π‘ π±π₯π’ π±π₯π¬π―π« β headcanons β―#β π±π₯π’ π―π¬π°π’ ππ«π‘ π±π₯π’ π±π₯π¬π―π« β music β―#β π±π₯π’ π―π¬π°π’ ππ«π‘ π±π₯π’ π±π₯π¬π―π« β quotes β―#β π±π₯π’ π―π¬π°π’ ππ«π‘ π±π₯π’ π±π₯π¬π―π« β likes β―#β π±π₯π’ π―π¬π°π’ ππ«π‘ π±π₯π’ π±π₯π¬π―π« β wishlist β―#β π±π₯π’ π―π¬π°π’ ππ«π‘ π±π₯π’ π±π₯π¬π―π« β clothes β―
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