#“just make one for me!” i literally can get fired for that. no.

[rafesangelita]

₊˚⊹˚ 𐙚 WHEN YOU KNOW, YOU KNOW | PROLOGUE

a pogue!sweetheart!reader series by rafesangelita ©

SUMMARY: nothing could’ve ever prepared you for the handsome kook that came crashing into your life.. quite literally. it’s hard to think that at one point you and rafe didn’t know one another, especially since you two have spent every passing day together for the last four months.

WARNINGS: drug use, driving under the influence, reckless driving, rafe arguing with ward, descriptions of a mild injury, mentions of addiction and sobriety, blood, reader tends to rafe’s wounds, fluff, opposite of slowburn, forced proximity (?), time skip (from four months ago to the current day), slight angst

AUTHOR’S NOTE: ahhhhh!! it’s finally here, and i couldn’t be more excited to share this with all of you!! all feedback is deeply appreciated <3 feel free to ask to be added to the taglist if you’d like!

LINKS: series masterlist | next chapter

WORD COUNT: 2.8k

rafe set a new record for himself tonight, and he wasn’t proud of it. not only did he lose count of the lines he snorted off of topper’s coffee table, he also had ward blowing up his phone. “aye, man, i don’t think you should be driving.” topper slurred, downing the alcohol in his glass. cleaning the residue from his nose, rafe shook him off, stumbling through the crowd of people in the living room before hopping in his truck and peeling out of the packed street.

jaw ticking, rafe cursed to himself when his phone started ringing, ward’s contact lighting up the screen. “i’m going home already, alright? yes— yes, dad! i know we have a meeting with some investors in the morning.. what? no i’m not fuckin’ high!” he rambled on, feigning offense when his father called his bluff. “just stop— i know, okay? i’ll be there in a minute—” before rafe could finish his sentence, he took a sharp turn, swerving onto the curb before hitting a light pole.

you were locking up the icecream parlor when you heard the high pitched squeal of tires against the pavement, a loud crash making you jump from your spot in front of the door. spinning on your heels, your eyes widened when you saw a black truck just feet away from the main street, smoke billowing from under the hood. unsure of what to do, you looked around to see if anyone was nearby, but of course, the strip was always empty at this time of the night.

“son of a bitch!” you heard someone groan before they tumbled out of the front seat, falling face down against the concrete. you gasped, dropping your purse before running across the street. “are you okay?!” you helped the stranger sit up, wincing when you saw blood dripping from his nose. he stared at you wide eyed, his pupils blown as you kneeled in front of him. he opened his mouth to speak but no words came out.

“it’s okay, you don’t have to say anything.” you reassured him, slipping off your cardigan before holding it against his nose. you noticed the open gash on his brow, your heart sinking when you saw his eyes soften. “we really need to get you to the emergency, do you have a phone?” rafe shook his head, leaning back against the tire of his truck. “no. well, yes, i have a phone.. somewhere.. but i can’t go to the emergency, not like this.” just then, rafe felt a sharp pain shoot up to his temple from his neck.

“yes, like this! you’re all scraped up.” you said incredulously. “no, i mean i’m not sober.” as if he was waiting for you to judge him, rafe watched as your expression didn’t falter. “i promise you, going to the emergency and getting help from a professional is a lot more better than not going at all. your truck can always be replaced; you can’t.” your words lit a fire in his chest, the sincerity in your tone making him crack a pained smile.

“i’ll go to jail for this, and i just can’t do that right now. i have to be somewhere in the morning, my dad will kill me if he finds out..” remembering that he was on the phone with ward before he crashed, he scrambled up to find the device, only to groan and plop back down on the street. still holding the pink cardigan to his head, you guided his hand to hold it for you. “what are you looking for? i can try to find it.” rafe let out a shaky breath, mumbling “my phone.” before you got up and spotted it near the tire.

turning it over, you held it up for him to see. it was completely shattered. “i don’t think it’s going to work..” you handed it to him, a bitter laugh falling from his lips. “what the fuck?” he breathed out, holding his head in his hands. you’ve never seen someone look so defeated before, your feet moving on their own before you could think. “do you think you can walk? my place is only five minutes away.” rafe looked up like he couldn’t believe the words that just came out of your mouth.

“your place?” he repeated, half shocked and half confused as to why you’d offer him help. “yes,” you nodded, taking his hand in yours, “i don’t have a phone there, but i can at least get you cleaned up..” rafe tried to weigh out his options, only to realize he didn’t have any. “are you sure?” he was truly at your mercy. “yes. here— just keep holding this to your head, let me go get my purse and we can be on our way.” you left him with your cardigan, running across the street and grabbing your bag before getting him up.

“i’m a lot stronger than i thought.” you joked, attempting to lighten the mood as you wrapped one of rafe’s arms around your shoulders. “fuck, what about my truck?” rafe leaned his weight on you, nearly making you topple over before you took a step. “someone will find it and call a tow, you could call the towing company tomorrow,” you explained to him, “do you have anything valuable in there?” rafe laughed, shaking his head. “just my piece of shit phone that has no value now.” he grunted, walking with a slight limp.

“hey, uhm, what’s your name?” rafe looked down at you, both of you sharing a glance before he looked away. despite him not being in the right state of mind, there was no doubting how insanely pretty you were. “y/n.. and yours?” why on earth were you getting butterflies right now? “rafe.” was all he replied before he started asking you an abundant amount of questions. rafe learned a lot about you in the short five minute walk to your camper. what you did for a living, where you currently worked for some extra money, what your hobbies consisted of.. along with being a pogue.

“so.. you live all alone in this pink camper in the middle of the woods? aren’t you scared some psycho will come across it and want to know who’s inside?” he asked, genuinely concerned. “a psycho?” you flashed him a playful smile, “like you?” rafe watched as you unlocked the small screen door, a chuckle threatening to slip from his throat. “i would laugh if it didn’t feel like i had a thousand needles stabbing me in my brain right now.” he swallowed thickly, accepting the hand you offered him to step in.

he was immediately hit with the smell of freshly baked cake and vanilla frosting. he loved it. “i know it’s really small in here, but you could just take a seat right there on that little couch and i’ll go get my first aid kit.” rafe did as you said, eyes darting around your space. pink florals, white lace trim, usually he’d be irked by this kind of decor, but for some reason unbeknownst to him, he didn’t mind it this time. rafe leaned back on the soft sofa, settling into the cushions while you scrambled for the little first aid kit somewhere in your bathroom.

spotting the small box on your little shelf, you grabbed it before making your way back to where rafe was sitting. he opened his eyes momentarily, finding you even more pretty now that darkness didn’t surround you two. he kept his gaze on you, watching as you took your bottom lip between your teeth. “sorry about this..” rafe took the pink cardigan away from his head, the fabric now stained with blood. “oh, don’t worry about it,” you smiled, “you needed it more than i did.”

pressing a damp cloth to his nose, rafe groaned when you applied the slightest bit of pressure. “i’m sorry!” you pouted, taking a seat next to him. rafe reassured you he was alright, a groan leaving his lips as he clutched his stomach. eyebrows knitting in confusion, you lifted his shirt, your eyes widening at the sight. he was scraped and bruised, a small wound adorning his lower abdomen. “here, lets get this off.” you pulled rafe’s t-shirt over his head, both of your cheeks heating at the compromising position.

“we could stop if this is too weird for you—” you shook your head, taking an ice pack out of your freezer. “no, it’s okay.” you pressed the cold bag to his skin, still wiping away the dried blood on his face. “i’m not sure how far you live, but i don’t think it’s a good idea for you to walk anywhere.” your voice was barely above a whisper, the sound of it soothing rafe more than any kind of medicine he could take right now. “don’t worry about me, i’ll be fine.” rafe watched your fingers dance across his stomach, your nails sparkling underneath the dim lighting of your camper.

you thought for a moment. “i guess what i’m trying to say is; i think you’re better off staying the night here..” you trailed off, meeting his gaze, “you’ll be able to get to a phone in the morning and call whoever you need to. you should just get some rest right now.” rafe was stunned. you wanted him to stay? “i don’t know..” he sounded uneasy, not because he didn’t want to, but because he couldn’t help but feel like he was imposing. “it’s okay, i swear! you could take my bed since there’s no way you’ll be able to sleep on this little thing.”

“no, no way, i’m fine with sleeping on the floor.” you smiled at him, eyes flickering down to his lips. “no, really, it’s okay…?” you trailed off, unsure of what to call him since you didn’t know his name. “rafe.” he answered. “rafe,” he liked the way his name sounded rolling off of your tongue, “i’ve fallen asleep plenty of times over here, i’ll be fine on the couch.” you got up, wringing out the towel you were using to clean him up. “i just have one rule, though,” rafe held the ice pack to his stomach, humming as you grabbed some ointment and a couple of bandages.

“you can only lay in my bed if you’re clean.. and you need a shower.” the corner of rafe’s lips quirked. “if you want to see me naked all you have to do is ask.” you blinked, pushing his chest softly. “that’s not what i meant.” you giggled. “i’ll get you a change of clothes, just get in there for right now.” rafe was already too far in to look back. getting up with your assistance, you guided rafe to the bathroom before shutting the door behind him. “there’s clean towels and wash rags on the shelf!” you called from the kitchen, yawning as all of tonight’s events started to catch up with you.

rafe didn’t know what to make of all of this. one minute he was high out of his mind, crashing into a light pole with his dad on the phone, and the next he was inside some gorgeous girl’s camper getting tended to before using a strawberry scented body wash in her shower. what the fuck was his luck? taking his time in the shower, rafe thought about how he’d explain everything to ward tomorrow, from the towed truck to the cuts and bruises.

he wondered if ward would even care.

by the time rafe was done, he was stepping out of the bathroom smelling like a slice of strawberry cake with nothing but a towel wrapped around his waist. he glanced over at the couch, your back facing him as you slept soundlessly. moving aside the pink curtain that concealed the doorway to your room, rafe slipped into the sweatpants you left out for him, settling underneath your silky soft sheets shortly after.

how was it that you just happened to be the only person around when he crashed? how did he crash right in front of where you worked? and why were you being so nice to him? rafe had so many questions and couldn’t think of any logical answers. he didn’t believe in fate, but looking back on it, that seems to be the only explanation. the next day he woke up to his clothes freshly washed and wearable again, your music playing softly in the kitchen. “good morning!” you chirped, your hair and makeup already done for the day.

“hey..” rafe was still shirtless, his eyes following your every move. “what time is it?” he took a seat at the little booth by the wall, his head no longer pounding the way it did last night. “it’s about to be ten. i was debating if whether or not i should’ve woken you up earlier, but you really needed to sleep.” you leaned back against the counter, admiring the handsome man in your camper. “your wallet should also be with your clothes there on that chair,” you started, “..so i was thinking; the little store just right outside of these woods has a pay phone that you can use.”

rafe nodded. “yeah, that sounds good.” he couldn’t think of the last time he woke up without wanting the day to be over with already. “hey, listen— uhm, i owe you a huge one for everything you’ve done for me.. i apologize if it was an inconvenience in any way, but i really do appreciate you.” rafe got up, grabbing his wallet from your room. “here. please take it.” you looked down at the hundred dollar bills tucked between his fingers, shaking your head as you moved his hands away.

“absolutely not.” you laughed. “no, please, take it.” rafe got closer, opening one of your palms before closing it around the bills. “rafe, i don’t want it!” you backed away, “i’m serious.” rafe let out a sigh. he already knew how this would go, so instead of urging you to keep it, he placed the money on your dresser after he was done changing. “well i guess i’ll be leaving now.” you masked the disappointment on your face by offering him a smile. “yeah, i guess so..” without saying a word, you and rafe stared at each other before he wrapped his arms around you, the action giving you butterflies.

before you could say or do anything, he pulled away and left, leaving your camper feeling more emptier than usual. you walked over to the door where you watched him walk away until you couldn’t see him anymore, a pout on your lips as you did so. while you were sure that you would more than likely never see him again, you couldn’t be more wrong. that day was the first of approximately one hundred and twenty one days, and counting, that you two would spend together. rafe came back to you the next day with a brand new pink cardigan to replace the other one you so selflessly let him ruin.

one icecream date turned into several, which then progressed into him coming over to your place with an overnight bag, his very own toothbrush now taking a spot next to yours. which then led to him picking you up and dropping you off at work, and so on until he finally said that you were his. you two spent the entire summer underneath the trees, rolling around in the grass as you two gasped each other’s names into your mouths, sharing sweet kisses and an even sweeter love that continued to grow with no intentions of ever stopping.

rafe had gotten sober out of fear that he wouldn’t remember what a love like this felt like if he was high all the time, and without judgement, you were there with him every step of the way. you stayed by his side when he felt like all hope was lost, and for that he could never thank you enough. although ward wondered where rafe would go off to, he didn’t bring himself to care as long as he was doing what he needed to do for the family business. with his dad off of his back, and you to come ‘home’ to everyday, he could say that he was truly happy.

even now as you two sat in your favorite diner, sharing a milkshake and laughing at whatever the other was saying, you felt no worries when you and rafe were together, your heart threatening to burst at the seams everytime you looked at him. everything was perfect.. at least for now. all good things must come to an end, and when you two are threatened by none other than ward himself, the love bubble you two have been mindlessly floating in is suddenly popped.

taglist: @percysley @oceandriveab @archiveofvirtue @weirdowithnobeardo @mattyskies @ankoluvly @cnnamongrl @b3bybunny @littlelamy @nemesyaaa @lovinqbella @jeonmochi99-blog @corpsebridenightamare @whorelaud @mymvlody @idontknowwhyimhere33 @ursovaine

[sonarspace]

⋆✴︎˚｡⋆STUDY BREAK (FT. GOJO)

꒰ synopsis. being in the same class as gojo satoru was bad enough; having him as the professor’s insufferably smug assistant made it worse. content. college au. nsfw. (teasing. slight praise kınk. fıngering. oräl. p in v. multiple ōrgasms.) wc. 5.3k. an. to clear up any confusion 😭.. satoru’s a senior student + the professor’s assistant in the course you’re both taking. (fic is kinda all over the place so idk if this works but let’s pretend like it does).

there’s something about gojo satoru that drives you insane. not in the fun, heart-fluttering way that comes with a secret crush or the thrill of banter. no—this is the kind of insane where you want to hurl something, preferably at his stupidly smug face.

“class,” he drawls, leaning lazily against the desk at the front of the room, his shirt slightly rumpled like he doesn’t give a damn—and he doesn’t. “these papers? a mixed bag. some of you really impressed me. others… well.” his lips curve into a smirk. “let’s just say the recycling bin was hungry.”

you groan inwardly, already sensing where this is going. he’s done this before, holding your work hostage like it’s part of his routine entertainment.

“and here,” he continues, brandishing a paper like a prop. your paper. “is a prime example of someone… almost getting there. strong ideas, decent execution, but the conclusion? oof. fell harder than my GPA sophomore year.”

a few students laugh. your jaw tightens, the heat in your chest bubbling up into something sharp and biting. he doesn’t have to name you; everyone knows exactly whose paper he’s waving around.

“anyway,” he finishes with a shrug, tossing the paper onto the desk like it’s disposable. “there’s potential. keep at it.”

you don’t even wait for class to end before your resolve solidifies: you’re going to kill him. maybe not literally, but metaphorically? absolutely.

you don’t plan on storming to his dorm room. it just… happens. one moment, you’re replaying his smug grin and the way his eyes gleamed when he mocked your paper, and the next, you’re standing outside his door, your fist raised to knock.

he answers quickly, and the sight of him makes you falter. his hair is damp, sticking out in soft tufts like he just got out of the shower, and his plain white t-shirt clings to him in a way that’s almost—no. you shake the thought away.

“well, this is unexpected,” he says, leaning against the doorframe with a grin that’s all teeth. “if you wanted private tutoring, you could’ve just asked.”

“don’t flatter yourself,” you snap, brushing past him into the room without waiting for an invitation.

he whistles low under his breath. “feisty tonight. to what do I owe the pleasure?”

you spin to face him, your hands clenched at your sides. “what is your problem with me?”

he blinks, his smirk faltering for a fraction of a second before returning full force. “problem? sweetheart, i don’t have a problem with you.”

“you humiliate me in class,” you say, your voice rising. “you make these comments, you single me out—what, are you that bored with your life?”

“humiliate?” he echoes, feigning a wounded look. “i think you mean ‘motivate.’ you’re one of the smartest people in that class. if i don’t push you, who will?”

“that’s bullshit,” you fire back, stepping closer. “you don’t ‘push’ anyone else.”

“because no one else is as fun,” he replies easily, his grin tilting into something sharper. “the way you react, the fire in your eyes—it’s addictive.”

your breath catches, the heat in your chest spreading to your cheeks. “you’re insufferable.”

“and yet, here you are,” he says, his voice dropping just enough to make the air between you feel heavier. “in my room. alone.”

“because you drive me crazy,” you snap, the words tumbling out before you can stop them.

his eyebrows lift slightly, as if he’s genuinely intrigued by your outburst. “good crazy or bad crazy?”

he takes a step closer, too close. the kind of close that makes your pulse stutter and your instincts scream at you to step back—but you don’t. instead, you stand your ground, your jaw clenched as he waits for your answer, his gaze steady and almost daring.

“what does it matter?” you mutter, your voice quieter now, the heat of your earlier anger ebbing into something more uncertain.

“it matters,” he says, his voice low as his eyes flicker to your lips. “because I need to know if I can do this.”

before you can ask what he means, he leans in, his lips brushing against yours like he’s giving you the chance to pull away. but you don’t. his hand finds your waist, tugging you closer as the kiss deepens, his mouth hot and insistent against yours.

it’s like a dam breaking. weeks—months—of tension and unspoken words all come crashing down in a rush of heat and urgency. his other hand slides into your hair, tilting your head to kiss you deeper, and the sound you make in response is embarrassing and needy, but you can’t bring yourself to care.

you should stop this. you should push him away, tell him he’s crossed a line. but the way his thumb brushes against your waist, the way he tilts his head just right, the way he kisses like he’s been waiting for this moment as long as you have—it’s addictive. you can’t stop. you don’t want to.

but then reality slams into you like a cold gust of wind. what are you doing? your chest tightens as the weight of it crashes down all at once, the heat between you dissolving into something sharper, more terrifying.

you pull back abruptly, your breathing uneven. “i can’t.”

he blinks, his expression softening from one of heat to confusion. “what?”

“this—this is a mistake,” you stammer, backing away. your hands feel clumsy as they fumble behind you for the door. “i shouldn’t have come here.”

“wait.” his hand reaches out, almost instinctively, but you’re already opening the door, your chest tight and your mind racing as you step out into the hall. you don’t look back, even as the warmth of his touch lingers on your skin.

────

you avoid him after that. in class, you sit as far from him as possible, claiming a seat in the back corner, close to the door. the usual tension he brought to the room—his teasing remarks, his piercing gaze when he caught you rolling your eyes—feels conspicuously absent. he doesn’t call on you, doesn’t glance your way, doesn’t even acknowledge you.

it’s been weeks since that night in his dorm, and as the semester nears its end, the distance feels heavier with every passing class. his silence, once the thing you desperately wanted, now presses on your chest like a weight. you wonder if he regrets it, if he’s just as caught in the what-ifs as you are—or if he’s already forgotten.

the final project looms, deadlines creeping closer, but the distraction isn’t enough to stop the quiet ache that’s settled in your chest. you remind yourself it’s for the best. boundaries were crossed, a line you know you shouldn’t have stepped over. it doesn’t matter how he made you feel, how his kisses left you breathless and yearning. none of it matters.

and yet, every time you leave class, you rush, head down, praying he won’t stop you. and every time he doesn’t, the ache grows.

when class ends today, the air feels heavier than usual. your peers chatter around you, their voices blending into background noise as you pack your things quickly, eyes fixed on the door. if you can just slip out unnoticed, avoid another day of walking the tightrope you’ve been balancing on since that night—

but then a hand wraps gently around your wrist, warm and familiar.

“you’re avoiding me,” he says, his voice low and steady. there’s no edge to it, no teasing grin or smug undertone. just quiet certainty, like he’s stating a fact.

you freeze, your heart thudding in your chest. it’s been so long since he’s said anything to you that the sound of his voice directed at you feels foreign.

“i’m late,” you mumble, tugging your wrist weakly in an attempt to free yourself. “let me go.”

“you don’t have any classes after this,” he says, his grip loosening but not letting go. his eyes meet yours, calm but resolute. “i checked your schedule.”

your jaw tightens, irritation flashing through you. “you shouldn’t have access to my schedule.”

“probably not,” he admits with a shrug, a hint of the old satoru creeping into his voice, “but i’m me.”

you open your mouth to snap at him, to tell him to back off, but he cuts you off first. “come have coffee with me.”

you blink, caught off guard by the casual offer. “what?”

“coffee,” he repeats, his tone light, as if this is perfectly normal. “you like coffee, don’t you?”

“that’s not the point,” you snap, yanking your wrist free from his grasp. “what is this, some weird apology?”

“it’s not weird,” he says, his smirk faltering slightly now, his expression open and strangely earnest. “it’s just coffee. with me.”

you stare at him, struggling to find the right words. “gojo,” you begin, your voice heavy, “you and i are not friends.”

his face falls, the shift so quick and unexpected that it makes your stomach twist. you see the way his shoulders tense, the way his gaze drops for just a moment, but you force yourself to look away. without giving him a chance to reply, you turn and push past him, your steps quick and unsteady as you leave the classroom.

the ache in your chest grows with every step, and even as you round the corner, out of sight, the image of his expression lingers. there’s no relief this time. only guilt.

────

you don’t know why you’re here. no, that’s a lie—you know exactly why you’re here. the memory of his expression, the slight drop of his shoulders at your retort, has been looping in your mind, making it impossible to focus on anything else.

your feet carry you down the familiar path to his dorm, the ache in your chest twisting tighter with every step. before you can talk yourself out of it, your fist is already knocking on the door.

it opens almost immediately, and the sight of him steals the breath from your lungs. his white hair is a mess, sticking up in chaotic directions, and his glasses are perched crookedly on his nose. there’s a faint crease on his cheek, like he’d been leaning against a book, and his shirt hangs loosely off one shoulder, rumpled from sleep or hours spent working. he looks… soft. disarming. almost painfully cute.

“coffee,” you say, holding up the cups like a white flag. “can i come in?”

his lips twitch, a hint of a smile breaking through the haze of surprise as he steps aside. “bribery, huh? didn’t think you had it in you.”

his dorm is as cluttered as you remember—papers and notebooks sprawled across his desk, a blinking laptop shoved precariously to one side. you set the coffee down on the edge of the desk, your gaze catching on the scrawled notes and dense blocks of text.

“grading?” you ask.

“research,” he replies, dropping onto the edge of his bed with a tired sigh. his hand rakes through his already-messy hair, making it stick up even more. “finals prep. you know, glamorous TA things.”

you hand him a cup, your fingers brushing against his as he takes it. the simple contact sends a jolt up your arm that you stubbornly ignore. “thought you could use it.”

he hums as he takes a sip, his lashes fluttering briefly before he lets out a quiet sound of approval. the noise is so low, so soft, it makes your stomach twist. you glance away quickly, your grip tightening on your own cup.

“about the other day,” you start, the words quiet and tentative.

he glances up, the coffee still in his hands. his expression is unreadable, but his fingers still against the cup, like he’s waiting for the other shoe to drop. “you don’t have to explain,” he says, setting his cup down on the desk. “if you don’t want this—if i got it wrong—just say so.”

“it’s not that,” you blurt, the words tumbling out too fast, too raw. warmth floods your cheeks, creeping down to your chest. “i just… i don’t know what this is.”

he doesn’t respond immediately, doesn’t fall into his usual teasing deflection. instead, he stands, crossing the small space between you with deliberate steps. his gaze holds yours, steady and unguarded, and it makes your stomach flip in a way you can’t control.

“let me show you,” he says softly, his voice low, uncharacteristically serious.

he’s so close now, his hand brushing against yours, his touch light, almost hesitant. and then his lips are on yours, and everything else fades away.

this kiss is nothing like the first. there’s no uncertainty, no restraint. his hands find your waist, pulling you flush against him as his mouth moves against yours, hot and insistent. your grip on the coffee slips, the cup hitting the floor with a dull thud as your hands find his shoulders, clutching at the fabric of his shirt.

when his hands slide under your shirt, the roughness of his palms against your bare skin makes you shudder. he guides you backward, his body pressing into yours until the backs of your knees hit the mattress. you sink down, the weight of him grounding you as he follows, his lips trailing fire along your jaw and down your neck.

his hands are everywhere—tracing the curve of your waist, brushing the underside of your ribs, exploring like he’s memorizing every inch of you. when he pulls back to look at you, his lips are curved in a wicked, breath-stealing grin.

“you’re infuriating,” he murmurs, his voice low and rough as his eyes rake over you, drinking in every detail.

“you’re worse,” you manage, though your voice is barely more than a whisper.

his grin widens, and his laugh is warm against your skin as he dips his head, his teeth grazing the sensitive spot just below your ear. “you’re already so worked up. it’s cute.”

“shut up,” you snap, though the way your hips arch into his touch betrays you.

“make me,” he challenges, his lips brushing against yours before descending lower, kissing down your collarbone and tugging your shirt higher with every inch. his hands roam greedily, tugging the fabric over your head and tossing it somewhere behind him without a second thought.

his mouth is back on you immediately, nipping and kissing along the swell of your breasts as his hands work the clasp of your bra. when it comes free, his lips part in a satisfied hum, his hands kneading your soft skin like he’s savoring every second of this.

“so fucking perfect,” he mutters, his voice husky as he leans back slightly to take in the sight of you. his gaze is heavy, filled with something dark and hungry that makes your stomach twist in the best way.

“stop staring,” you grumble, though the heat in your cheeks betrays the sharpness of your words.

“can’t help it,” he says, his grin tilting into something softer, more genuine. “you’re gorgeous.”

before you can respond, his mouth is back on you, his tongue flicking over your nipple as his other hand trails down your stomach, fingers dipping just beneath the waistband of your pants. your breath hitches as he pauses, his gaze flicking up to meet yours.

“can i?” he asks, his voice quieter now, his expression serious.

you nod, and he wastes no time. his fingers hook under the fabric, tugging your pants and underwear down in one swift motion. the cool air against your bare skin makes you shiver, but the warmth of his hands is there immediately, coaxing you to relax under his touch.

“look at you,” he murmurs, his voice low and thick as his hands part your thighs, his gaze drinking in every inch of you. “so fucking pretty.”

your cheeks flush, and you try to turn your head away, but his hand cups your chin, gently coaxing you to meet his eyes. “don’t hide from me,” he says, his thumb brushing against your cheek. “not tonight.”

his other hand slides between your thighs, his touch featherlight at first, teasing. when his thumb brushes over your clit, a jolt of heat shoots through you, and your hips buck involuntarily.

“sensitive,” he murmurs, his lips curving into a wicked grin. “i barely touched you, and you’re already squirming.”

“shut up,” you snap, your voice shaky as your fingers clutch at the sheets beneath you. but the way your body reacts—arching into his touch, chasing the pressure—makes it clear that his teasing isn’t far from the truth.

“you don’t really want me to, do you?” his voice is low, almost a growl, and the sound of it sends a shiver down your spine. “i think you like when i talk to you like this. when i tell you how good you’re doing, how fucking beautiful you look right now.”

your chest heaves as his fingers dip lower, sliding through your slick folds with infuriating slowness. every movement feels deliberate, calculated, like he’s savoring every second. when his fingers finally slip inside you, the stretch makes your head fall back, a gasp tumbling from your lips.

“that’s it,” he murmurs, his thumb circling your clit as his fingers begin to move, slow and deliberate at first. “you feel so fucking good, baby. so perfect.”

your hands fly to his shoulders, your nails digging into his skin as he curls his fingers, hitting a spot that makes your vision blur. “oh my god—gojo—”

he tuts sharply, his fingers pausing inside you, his thumb stalling its maddening rhythm. your head snaps up, breathless and confused, to find him staring down at you with a dark look, his lips curving into a smirk that doesn’t quite reach his eyes.

“no,” he says firmly, his voice low and commanding as he tilts his head. “say satoru.”

“w-what?” you stammer, your heart racing as his fingers remain perfectly still, the tension building with every passing second.

“not ‘gojo,’” he says again, his free hand sliding up to cup your jaw, tilting your face toward his. his thumb brushes over your bottom lip, his grin sharpening. “say satoru.”

you hesitate, your breath hitching as your body trembles beneath him. he presses his fingers deeper, curling them just enough to make your toes curl, and your resolve shatters.

“satoru,” you gasp, your voice breaking on the syllables.

his smirk widens, something dark and triumphant flickering in his eyes. “good girl,” he murmurs, his thumb resuming its slow, torturous circles on your clit as his fingers pick up their rhythm again, harder this time, deeper.

your head falls back against the mattress, your body arching into his touch as the pleasure builds again, higher and hotter than before. his name tumbles from your lips like a mantra, breathless and needy as he drives you closer to the edge.

“that’s it,” he coaxes, his voice dripping with praise as his free hand slides down your body, his touch possessive. “just like that, baby. let go for me.”

the coil in your stomach tightens to the breaking point, and when he curls his fingers just right, pressing against the perfect spot, it snaps. your orgasm crashes over you, white-hot and overwhelming, and his name spills from your lips in a broken moan.

“satoru—fuck—”

“that’s my girl,” he murmurs, his voice rough with approval as he works you through the waves of pleasure, his movements slowing but never stopping until your body goes slack beneath him, trembling and spent.

he pulls his hand away slowly, his gaze fixed on you as he brings his fingers to his lips, licking them clean with a deliberate, satisfied hum. “even better than i imagined,” he says, his voice dripping with arrogance, his eyes gleaming as they roam over your flushed, trembling body.

you blink, your breath still uneven as his words settle over you. “wait—” you say, your voice catching slightly. “you’ve thought about this?”

his grin widens, slow and deliberate, and he leans down, bracing himself on his forearms so his face is just inches from yours. “oh, sweetheart,” he murmurs, his voice low and teasing, “you really think i haven’t?”

your cheeks flush even hotter, your pulse racing as his words sink in. “you’re—” you stammer, at a rare loss for words. “you’re ridiculous.”

“ridiculous?” he repeats, feigning offense, though the wicked glint in his eyes never falters. “i’d say i’m a man of focus. you’ve been in my head for weeks, driving me insane with that sharp mouth and the way you look at me when you think i don’t notice.”

“i don’t—” you begin, but his lips curve into a knowing smirk, cutting you off.

“you do,” he insists, his tone softening just slightly. “and every time you glared at me, every time you rolled your eyes or bit back some little retort, all i could think about was how much i wanted to shut you up. like this.”

his lips capture yours again, and this kiss is slower, heavier, laced with an intensity that makes your toes curl. his hands roam, sliding over your bare skin with a reverence that feels almost out of place against his words.

when he finally pulls back, his gaze is still on you, his expression uncharacteristically serious. “and now that i’ve got you,” he says, his voice dipping into something darker, “i don’t think i’ll ever get enough.”

the weight of his confession leaves you breathless, and before you can respond, his lips are trailing down your body again, his hands parting your thighs as he settles between them.

“what are you—” you start, but his eyes flick up to meet yours, and the look in them steals the rest of your words.

“relax,” he murmurs, his lips curving into a soft, almost mischievous smile. “i’m not done tasting you yet.”

his hands slide to grip your thighs, pulling you apart with ease as his lips descend, brushing over your inner thighs, teasingly slow. his tongue flicks out, hot and wet against your skin, and when his mouth finally finds you again, you feel your body arch instinctively, your breath leaving in a sharp, unrestrained gasp.

he’s relentless. his tongue drags up your folds in a languid stroke before circling your clit with maddening precision. his mouth is hot, the slick, wet sounds mingling with your soft moans, and his breath—warm and uneven—fans against your skin with every movement.

his hair brushes against your thighs, soft and messy, and your fingers thread through it again, tugging sharply enough to make him groan against you. the vibration of it sends a jolt of pleasure straight through your core, and your hips buck against his mouth.

“satoru,” you gasp, but it’s barely coherent, your voice breaking as he latches onto your clit, sucking just enough to make your toes curl. “oh my—”

the cold press of something against your inner thigh pulls you out of the haze, just barely. it’s sharp, unfamiliar, and you glance down—his glasses. they’re still perched on his nose, slightly crooked, the metal frame fogging faintly from the heat of his breath. he’s so lost in the moment, so focused on the way his tongue works against you, that he hasn’t even noticed.

your hand drifts down, brushing against the cool frame, and you slip them off without a word. the absurdity of it—the way he’s been eating you out with his glasses still on—makes you want to laugh. the corners of your mouth twitch, and a soft sound bubbles up in your throat, but then his tongue presses flat against your folds, dragging up in one slow, deliberate motion, and the laugh dissolves into a sharp moan.

your head falls back against the pillow, your hand tangling back in his hair as you toss the glasses onto the bed with the other. the noise they make as they hit the mattress is faint, drowned out by the obscene wet sounds of his mouth, the low hums of satisfaction he lets out as he devours you.

“fuck,” you whimper, your thighs trembling as his tongue flicks against your clit again, faster now, more insistent. your body arches instinctively, chasing the pressure, and his hands tighten on your thighs, pulling you even closer to his mouth.

he growls against you, the sound low and rough, vibrating through you in a way that makes your toes curl. his tongue dips lower, teasing your entrance before sliding back up, and the sharp scrape of his teeth against your swollen clit has you seeing stars.

“so fucking sweet,” he mutters, his voice muffled against your slick skin. “can’t get enough of you, baby.”

you can’t respond, can’t think. the only thing you can focus on is the way his tongue works against you, precise and relentless, building the heat in your stomach until it’s unbearable. your fingers twist in his hair, pulling harder, and the groan he lets out in response sends you spiraling.

“satoru—” his name falls from your lips like a prayer, breathless and broken. he doesn’t stop, doesn’t let up, his mouth dragging you closer and closer to the edge until you can’t hold on any longer.

your orgasm hits you hard, ripping through you in waves that leave your entire body trembling. your hips jerk against his hold, your moans loud and unrestrained as you ride it out. his tongue slows, working you through every aftershock until you’re left panting, boneless against the bed.

when he finally pulls back, his chest is heaving, his lips and chin glistening with your slick. his hair is a mess, strands sticking up where your fingers had tugged, and his eyes—those impossibly bright blues—flick up to meet yours, gleaming with satisfaction.

“twice,” he says, his voice low and teasing as he wipes his mouth with the back of his hand.

he sits back on his knees, his hands smoothing over your trembling thighs as he takes in the sight of you—flushed, panting, your chest rising and falling as you try to catch your breath. his grin is lazy, self-satisfied, like he knows exactly what he’s done to you.

“you’re staring,” you mutter weakly, your voice barely above a whisper.

“hard not to,” he replies, his tone low and full of amusement. his fingers trace lazy patterns on your skin, his touch soft, teasing. “you look so fucking good when you come.”

your cheeks burn, and you want to glare at him, to tell him to shut up, but the words catch in your throat as he reaches for the hem of his shirt. in one fluid motion, he pulls it over his head and tosses it to the side, the movement effortless and maddeningly confident.

your eyes follow the shift of his muscles, the way they ripple under his skin, lean and defined. a faint sheen of sweat glistens across his chest, catching the dim light, highlighting every sharp line and curve. your gaze drifts lower, down to the sharp ridges of his abdomen. the faint trail of white hair starting just below his navel draws your attention, leading your eyes further, until his hands move to the waistband of his boxers.

he doesn’t rush. he hooks his thumbs under the fabric, dragging it down slowly, deliberately, letting the anticipation coil tighter in your stomach. as the fabric falls away, your breath hitches.

he’s fully bare now, and your mouth goes dry.

his cock is… breathtaking. thick and flushed a deep pink at the tip, already leaking beads of precum that catch the light as they drip down the length. it’s long, the kind of length that makes your thighs press together instinctively, wondering how he’ll fit, but the heat pooling low in your stomach burns hotter, overriding any hesitation.

his hand wraps around it, and he strokes himself slowly, his thumb swiping over the head to collect the wetness there. the motion is deliberate, almost lazy, and the soft groan he lets out sends a shiver down your spine.

you’re staring—you know you are—and he notices, his lips curving into a wicked grin as his eyes flick up to meet yours.

“don’t worry, baby,” he murmurs, his voice low and teasing as he leans forward, the head of his cock brushing against your folds, slick and hot. “i’ll make it fit.”

his words send a shiver through you, his voice low and dripping with confidence. the weight of his cock against your folds, hot and heavy, is enough to make your hips twitch instinctively, chasing the friction. but he doesn’t push in right away—of course he doesn’t. instead, he drags the head up and down your slick, letting it catch on your clit with every pass, teasing you until you’re squirming beneath him.

“satoru,” you whimper, your nails digging into his shoulders. you’re not above begging at this point. “please.”

his grin widens, his head dipping to press a kiss to the corner of your mouth. “what’s the rush, baby? we’ve got all night.”

“satoru,” you repeat, more insistently this time, and he groans at the sound of his name on your lips, his cock twitching against you.

“fuck,” he mutters, his voice tight now, losing some of that smug edge. “you sound so pretty when you beg.”

he lines himself up, his hand still wrapped around the base as he presses the head against your entrance. the stretch is immediate, a sharp, overwhelming mix of pleasure and pressure as he pushes in slowly, inch by inch.

“holy shit,” he breathes, his voice rough as his head falls forward, his hair brushing against your cheek. “you’re so fucking tight.”

your fingers clutch at his shoulders, your breath catching as he sinks deeper, the fullness stealing every coherent thought from your mind. he pauses halfway, his free hand sliding up to cup your jaw, tilting your face toward his.

“you okay?” he asks, and there’s something softer in his voice now, his eyes scanning your face for any sign of discomfort.

you nod, your voice shaky as you answer. “yeah. just—keep going.”

his jaw tightens, and he exhales slowly, pressing a soft kiss to your forehead before he starts to move again. every inch feels impossibly deep, your walls stretching around him, and when he finally bottoms out, you both pause, your breaths mingling as you try to adjust.

“fuck,” he groans again, his voice strained as his hips twitch against yours. “you feel so good. better than i ever—” he cuts himself off with a shaky laugh, shaking his head. “shit, you’re perfect.”

you can barely respond, the stretch and fullness leaving you trembling. but then he starts to move, pulling out almost entirely before sliding back in with a slow, deliberate roll of his hips. the drag of his cock against your walls is enough to have you moaning, your head falling back against the pillow.

“that’s it,” he murmurs, his voice rough and approving as he sets a steady rhythm. “good girl. taking me so well.”

your hands trail down his back, your nails scraping lightly against his skin, and the groan he lets out sends a fresh wave of heat through you. his movements quicken, the sound of skin against skin filling the room, and every thrust has him hitting that perfect spot deep inside you, making you cry out.

“satoru—” his name falls from your lips again, and he leans down, his teeth grazing your neck as he thrusts harder, deeper.

“you’re gonna make me lose my fucking mind,” he growls, his hands gripping your hips tighter, holding you in place as he drives into you. “you feel so good—so fucking perfect for me.”

the coil in your stomach tightens with every roll of his hips, the pressure building higher and higher until it’s unbearable. his thumb finds your clit, rubbing in tight circles that make your vision blur, and your moans grow louder, more desperate.

“come for me,” he demands, his voice rough and low in your ear. “let me feel you.”

the command sends you over the edge. your orgasm rips through you, your body arching into his as you cry out, his name spilling from your lips like a prayer. your walls clench around him, and the sensation makes him groan, his thrusts growing erratic as he chases his own release.

“fuck—” he gasps, burying himself as deep as he can go as he comes, the heat of him spilling into you, thick and warm. his head falls to your shoulder, his breath ragged against your skin as he rides out the last waves of pleasure.

the room is quiet except for the sound of your heavy breathing, the air thick and charged as he finally pulls back, his weight pressing into you as he collapses onto the bed beside you. his arm slides around your waist, pulling you against his chest as he presses a soft, lazy kiss to your temple.

“told you i’d make it fit,” he murmurs, his voice still rough, but there’s a hint of smugness there, his lips curving into a small grin.

you can’t help the laugh that escapes you, your body still trembling against his. “you’re such an asshole.”

“yeah,” he agrees, his tone light, teasing, as he brushes a strand of hair from your face. “but you like it.”

you roll your eyes, but there’s no heat to it, your lips curving into a faint smile as you bury your face against his chest. “shut up, satoru.”

“never,” he replies, and the warmth of his laughter vibrates through you, grounding you as your breaths slowly even out.

an. gojo with glasses... *hnnggghh*

DO NOT COPY, TRANSLATE, OR REPOST MY WORK ON OTHER PLATFORMS!

[gayeddieagenda]

❤️ 🎵 Number 9 if you’re still doing the prompts? thank you!! I hope you’re having a good day!

another scene prompt game! - 9: listening to the other’s heartbeat + ❤️ 🎵

--

“Huh,” Buck says.

Eddie knocks his ankle against Buck’s. “What?”

“I’m not trying to freak you out,” Buck says. He has his serious face on and that, more than anything, makes Eddie squint at him, suspicious. “When was the last time you went to the doctor?”

“Buck,” Eddie says. “I had a checkup a month ago, jackass.”

“Texas doctors?” Buck says skeptically. Eddie huffs at him. Buck adjusts his grip on Eddie’s arm, pressing his index and middle fingers more firmly into Eddie’s wrist. “It’s probably nothing. It’s just, I can’t find your pulse.”

Eddie rolls his eyes up to the ceiling. “Jesus Christ, Buck!”

“I’m being serious!” Buck tries another spot on Eddie’s wrist, then another, shaking his head both times: nothing. “You should definitely have a pulse.”

“Oh, no,” Eddie says, deadpan. “What if I’m already dead?”

Six months. Eddie waited six months to see Buck in person again. Buck had made a noise like a dying animal on the phone, when they realized that he was going to be in the first hour of a 48-hour shift when Eddie and Chris got in from Texas.

Then, when Bobby asked if Eddie wanted to be scheduled for the last 24 hours of the same shift or wait four more days until his first shift back, Eddie signed on for the earlier shift without thinking twice about it. It meant not waiting a second longer to be back where he belongs—at the 118, on the job. It also meant this: seeing Buck for the first time since…since Texas, since everything, surrounded by all their coworkers.

“Don’t worry,” Buck says. “I have something else I can try.”

Buck releases Eddie’s hand. Eddie draws his arm back to his body, unconsciously reaching his other hand up to grip his wrist where Buck’s hand had been holding him a second ago.

Buck gestures at Eddie’s neck. “Can I—”

“Go ahead.”

“I don’t want to say it,” Buck said. His voice was low and frustrated through the phone. “Not like this.”

“Sorry,” Eddie said, feeling furious, feeling lightheaded. Feeling alone, in a silent Texas house three sizes too big for him. “This is it. I’m here. You’re there. If you’re pissed at me, I’d rather you just tell me.”

Buck reaches for the collar of Eddie’s turnouts. He peels back the velcro strip covering the neck, then undoes the top snaps—one, two, three. He hooks two fingers of one hand on Eddie’s chin, tilting his head back. Sets two fingers of his other hand on Eddie’s neck, just below his jaw, in the divot just behind his trachea, just in front of the muscle.

It’s stupid. Eddie’s fine. He fell down, that’s all. He was rounding a corner to get back to the engine when a kid came sprinting around the other side, running at full force. She ran headfirst into his stomach and they both went sprawling on the grass. Buck caught up to them first, checking over the kid and giving her a sticker after telling her she should consider a career in wrestling. Eddie pushed himself up from the ground, angling to sneak back to the engine and drop off his gear. Buck caught his arm, giving him a where do you think you’re going? look.

So, now they’re here. Sitting in the back of the ambulance, parked in South Pasadena at two in the morning, Chimney’s classic rock radio station still playing quietly from the front seats. The kitchen fire that called them out was put out half an hour ago, but when the upstairs neighbor cracked his door to figure out what had brought a fire truck to his driveway, his cat bolted. Chim spotted her up a tree in the backyard—literally, a cat stuck in a tree. It doesn’t get much more stereotypical than that.

Chimney’s got it handled, apparently, though it’s been twenty minutes and he and the cat are both still in the tree. Eventually, he’s going to get the cat down or some new emergency will materialize from nothing and someone will come looking for Buck and Eddie—but for now, for a minute, they’re alone.

The pads of Buck’s fingers are gentle on the side of Eddie’s neck. His hands are warm. Buck presses in, just enough pressure on Eddie’s throat for him to feel it.

He’s looking Eddie in the eye while he touches him. Eddie looks back. He takes in a slow breath, feeling his throat expand under Buck’s hand. Watches Buck blink back at him. They’re so close like this, Eddie can see where Buck missed a spot shaving just below his sideburns, where Buck’s hair dried flat to his head when he had to pull on his helmet straight out of the shower. He can see where his eyes are crinkling at the corners, like he’s trying to hold back a smile.

“Nope,” Buck says. “Still nothing.”

“Oh, no,” Eddie says dryly. “Do you need to start CPR?”

“I’m sure I can think of something else before it comes to that.”

“I’m not taking off my pants for you to check my femoral.”

“I wasn’t going to do that, Eddie. We’re at work.”

Buck takes his hand off Eddie’s neck. Eddie misses it immediately.

He backs up a little, as far as he can get in the cramped quarters of the ambulance. He rests his hands on his hips, giving Eddie an assessing look.

“I’m not pissed at you,” Buck said, voice low. “That’s why I don’t want to have this conversation now.”

“When do you want to have it?” Eddie asked. He’s angry, and he’s picking a fight, and he can’t stop himself, when this is how he gets to talk to Buck now: in broken halves of conversations, eight hundred miles away. “When you visit in six months? When Chris graduates high school in four years?”

“Come on,” Buck said. “That’s not fair.”

“Then tell me why you’re mad at me.”

“Would you like my opinion?” Eddie asks.

“Pretty sure I’m the firefighter here, thanks.”

Eddie rolls his eyes up to the ceiling. “Didn’t realize.”

“Here,” Buck says.

His hands are back on Eddie’s jacket, undoing the rest of the snaps and opening his jacket. He hooks a hand in Eddie’s suspenders, pulling lightly at them, adjusting Eddie until he’s sitting on the edge of the gurney, knees between Buck’s legs. Eddie goes easily.

Buck places a hand on Eddie’s chest, above his heart.

They’re at work, Eddie reminds himself. It’s two in the morning and it’s Pasadena, it’s the distant sound of Chimney going here, kitty-kitty, and the low hum of the radio.

Buck glances at the ambulance doors. They left them open a crack, but all they can see through the gap is the empty street, cast in yellow and red from the streetlamps and the fire engine lights. No one’s looking for them.

Buck turns back to Eddie. He leans in in one movement, replacing his hand with his ear to Eddie’s chest.

It’s awkward, kind of. The ambulance isn’t exactly roomy and Buck is folded in at a weird angle to get his face to Eddie’s chest. Eddie knows he still smells like the kitchen fire, like smoke and burnt fish and sweat. Any second, someone’s going to realize they disappeared and come barging through the ambulance doors and into this, into the tableau that is Buck leaning on Eddie’s chest.

Eddie breathes, chest rising and falling. Buck moves with it.

He was scared to see Buck again. He can admit that now, with Buck in front of him, the way he couldn’t when he was still in El Paso.

There’s a conversation they’ve been waiting to have. They started it a month ago, on the phone, Buck in his loft and Eddie in the kitchen of his rented house in El Paso. By now, Eddie’s pretty sure he’s figured out where this conversation is going to end. He knows he’s not going to find out here, in the back of an ambulance in Pasadena.

They decided, by mutual agreement, that they wouldn’t touch it until after the shift. They kept their word. Instead, Buck’s been doing…this. Messing with Eddie. Sticking close to him. Touching him, under the barest pretense of medical necessity.

It—this, them—has been an idea in Eddie’s head for so long that he started to lose track of what it was, exactly, that he was waiting for. It doesn’t feel real, that Buck could say something on the phone and a month later Eddie could be in Los Angeles again, cashing checks they wrote when they were eight hundred miles apart.

“I’m not angry with you, Eddie,” Buck said, low, into a phone speaker in Los Angeles. Into Eddie’s ear, in an empty room in El Paso. “I’m in love with you.”

Buck’s head resting on Eddie’s chest is real.

It’s right here. It’s the easiest thing in the world, for Eddie to put his hand on the back of Buck’s neck, where the soft ends of his hair curl. For him to breathe in, slow, and feel the weight of Buck leaning on him.

“Yeah,” Buck says finally. His voice is quiet in the back of his throat. Eddie can feel it in his chest. “Found it.”

[postcardsfromheapside]

No. I wasn't missing the point of most criticism. Literally, I saw post after post of people saying they wished the characters could be mean to each other. Some posts were more specific, like "I don't like Taash," (and I'm sure you can imagine what THAT'S about) and some were more ambigious but cited DA2 and how everyone was bitchy toward each other.

I honestly don't care where you work and what you do, because hopefully most of us after the age of 30 have experienced an adult job where we have to be reasonable with our coworkers, even if we strongly disagree, or outright dislike them. I had the suspicion that most people who think that there is "no conflict," or "low conflict" or "bad writing" in this game haven't experienced this kind of setting in any capacity. What I'm now hearing is that you might have, but you didn't absorb any of the dialogue, or switch out your party to listen to banter, which is an essential function for picking up information in any DA game.

I walked around Arlathan with Lucanis and Harding, and they have a whole ongoing conversation in which she threatens him with one of her special arrows. And he agrees that if Spite should take him over, she should do something about it. Harding isn't frightened, because Harding isn't a pushover, but she's not taking any shit either. Did you walk around with just the two of them right after recruiting Lucanis? Did you frequently visit the rest of the companions so that you could see just how much Lucanis and Davrin *didn't* get along? Neve mentions what sounded like a knock-down drag out fight.

**Just because this isn't explicitly mentioned to you doesn't make it bad writing - it means you haven't had the time we had with Inquisition to play the game over and over and switch out your party so you can see everyone's interactions with each other. You will actually have to play the game multiple times and switch your party out a fair amount in order to see these interactions. Or wait for people to post them to tumblr. You can complain about how unfair this is, or remember that Inquisition has 10 years on this game, and it's been out for just shy of a month.**

Why in the absolute fuck would Davrin manufacture conflict between himself and someone he could easily conjecture isn't pro-slavery based on the fact that within five minutes he could find out she's from Dock Town, she's a private investigator working with the Shadow Dragons, and LITERALLY WHEN YOU GET ONTO THE DOCK WITH HIM, her first priority as she's running back to Minrathous is to say "if the dragon wrecks havoc, the Venatori will take over." Davrin isn't an idiot, he could pretty well surmise that she's not "pro slavery" with only the barest of interactions and Rook saying "yeah Neve's cool."

Why would Neve yell at you? Why is it bad writing for the writers to give Neve a personality you don't agree with, because you're uncomfortable with how she reacts? Neve's an adult who is used to working on her own and people not showing up for her - she says this MULTIPLE TIMES - it's actually a large arc of bonding with her, as a friend and a lover. She's not going to scream at you, she's so far past the point of being loud about disappointment, she's on the other side, for one, and for another, she does in fact understand that the entire North of Thedas is on fire and blighting Treviso is pretty fucking bad when it has no major defenses. Rook doesn't endlessly apologize. She came back after a short pause and while I didn't have her healing abilities after that, it didn't take long for me to boost my bond with her back up and feel like we were friends again.

This honestly feels like you're having a personal reaction that you need to examine, and it's not something to do with the writing, since the game mechanics and the dialogue don't actually bear out what you're putting down here.

All of the companions who have conflict initially have to figure out how to trust each other and it sometimes takes most of the game for them to do that. If you didn't spend the time listening to their banter as they work their way through it, that's not Bioware's problem. That's you. And...I don't want to have repeated conversations where I go into Emmrich's (my romance) room and "vent"? I didn't do that with Cullen. I didn't do that with Anders. Why would it suddenly be a thing here? But if you listen in to people's conversations, they do express dismay and doubt and fear about the various quests they've been on. Again, it feels like you didn't spend the time eavesdropping or taking people out and listening to banter.

I have no idea what you're talking about with flirting. I flirted with every companion at first even though I knew I was running for Emmrich, and all of them responded according to their personality. I romanced Cullen in Inquisition, and he was pretty quiet initially, until you get to Skyhold, and similarly, most of the companions here retain a certain reticence until the game progresses. But if you're looking for people who get flustered - Lace and Bellara absolutely do! And Emmrich isn't flustered, but he's taken aback a few times before he collects himself and flirts back - though whether you'd actually recognize it for flirting, I'm starting to wonder. The fact that you can't tell with Neve is actually making me tilt my head at the screen, and I say this as a self-confessed disaster who is very very bad at knowing someone is interested. Even I can tell what's going on in DA romances.

This is probably a lost cause, but I urge you to either spend time playing the game again, or watch someone else who really loves DA (and is Veilguard positive) play so that you can watch without being in the thick of it, and hopefully experience more dialogue and different choices.

No, I'm not done yet, I'm house sitting and she left me snacks and soda and not even god could keep me from venting my spleen at this point.

"I wish the companions were meaner to each other in this game, like in DA2."

While I think there's a larger argument to be made discussing the similarities between DA2 and Veilguard, I need everyone to get so close to me right now about a glaring difference:

DA2 involved a ragtag group of assholes with their own agendas coalescing around Hawke's personality or exchange of favors. There was no larger "goal," except maybe Varric's expedition - everything else is encountered as circumstance. You wend your way through your companions' stories while a city winds ever tighter into itself, a spring about to literally explode.

There's zero reason for these people to be nice to each other. They have no point in being around each other except Hawke. They can bitch at each other all they like.

Rook becomes Varric's second in command (I've seen one post say it's about 6 months before the events of the game) with an explicit purpose: find and stop Solas. Harding and Neve are recruited as experts in their respective fields for this particular goal. When it all goes to shit, Neve recruits another expert, Lucanis, to deal with the fallout, and Harding finds Davrin, *also* an expert in his field (monster hunting). When Rook has to make a particularly consequence heavy decision, two more are added to the crew: Emmrich (Fade expert) and Taash (dragon expert). All of these people are extremely competent, and know from the jump that they have one particular goal in mind.

They join ready to work together on Day 1 because if they don't, there's simply no other alternative. It's lights out. Even when they mistrust each other, the direness of the situation is not lost on them. Infighting serves no purpose. That's why the struggle is directed inward: clean up your own house, so we can move as a single unit.

Honestly the fact that what people took away from this game was "I wish my friends were meaner to each other" and not "wow, I wish we all worked together to keep evil dictators from taking over" is fucking mindblowing when I sit back and reread this.

[jweekgoji]

Hiiiii, I really love your Yan! Sentinel x Prime!Reader, also your SentinelxReaderxStarscream are the best as well! I am a huge fan of both works and both characters, your writings are so *chef kiss* Can I request a somewhat mix of both please? Maybe the Prime!Reader are close with Starscream and it makes Sentinel angry/jealous? Obviously you don't have to, but if you do write for it please take your time :3

Prime!Reader/Starscream/Sentinel

tw: jealousy, rivalry (between Starscream&Sentinel), gender neutral reader. word count: ~1270 a/n: good to know you enjoyed my other fics~ sorry for making you wait too long! the last weeks are exhausting ~_~

Being one of the 13 Primes is no simple task when you have to stand between two fires.

The incoming attack from the Quintessons didn't give you a single cycle of peace either. Over and over again, you've had to brainstorm a new plan with your brothers and sisters on how to push the enemy away from Cybertron. It's exhausting.

At times, you long to lock yourself away in your own chambers, switch off your audio receptors to finally get a break from it all. But luck never seems to be on your side. Every new day started with a new problem, and for some reason, you only had to hear about it from two bots you knew.

Starscream and Sentinel.

Your day could start with an early call from Starscream, where your subordinate, though not literally, hinted at having him accompany you at all times. His presence is absolutely required!

Well that's just Prime.

But when you hear a knock on your door, you don't have to guess twice to find out who it could be. When you finally open the door, standing before you is none other than your faithful servant, Sentinel.

“You look as beautiful as ever,”  Sentinel smiles as he looks in your optics. “And your armour is so wonderfully polished, as I can see.”

Starting your afternoon meeting with compliments was something he was used to, even if his attempts to charm you with his speeches never worked. You are many cycles older than him, Sentinel's behaviour only amuses you at best.

“Zeta Prime would like to discuss something with you, let me escort you to him,” he holds his servos behind his back, taking a couple of steps back from the doorway.

“Zeta wants to see me?” you have a momentary thought. In the current time, that means another long meeting, hours of planning and working out...You nod.

“After you,” he humbly motions for you to go through first, his bright blue optics just drilling your own.

As you walk through the long corridors of the tower, the loud clacking of heels comes from somewhere behind you.

“There you are! I've been waiting for you for like practically half an hour now! Where were you all the time...’ Starscream says in annoyance, his wings twitching faintly as the high guard notices...him.

For a moment, a spark of competition runs between your two subjects. Fortunately, or not for them, it never caught your attention, though perhaps you simply preferred to turn a blind eye to it. You have too many responsibilities right now to waste time on those two.

Sentinel still holds that casual pose, helmet tilted slightly, as if the mere sight of the enraged flyer gives him some kind of enjoyment. It doesn't even help that he's standing behind you, you can't even see that nasty grin on Sentinel's face! Oh, how that slimy, hypocritical glitch is annoying-.

“Not now, Starscream. I'll deal with this later. Wait for me here,’ you calmly respond, then turn around and disappear behind the doors of the hall, where the rest of the Primes are already waiting.

The door slams shut, leaving the high guard and the advisor alone. Starscream frowns, his red optics aimed at Sentinel, who looks equally displeased.

Even though Sentinel was lucky enough to see you first today, the advisor had to come up with all sorts of excuses for you to pay the slightest bit of attention to him. He's occasionally lucky because you prefer Starscream's company to his own! Or so he thinks at first. As one of the Primes, you spend a lot of time on the battlefield, which makes you more often accompanied by Starscream.

Sentinel hates that. Most of the Primes, even Zeta himself calls on him far more often than you do! He's YOUR advisor, how can you care more about some guard?

Knowing Sentinel, if you were even with him for almost all of your time, any side glance would make him extremely jealous.

“You're doing this on purpose. Wasting their time on something that isn't helpful in the war,” Starscream crosses his arms over his chassis, not even hiding his displeasure.

“Me? I would never ,” the Sentinel makes an indignant look that is painfully unserious. “I'm just a mere asvisor to them, helping out with a word here and there. Are you afraid of getting screwed, perhaps?’

“To whom, you? Don't be ridiculous,” Starscream rolls his optics, then steps closer to the Sentinel. “They hardly notice you.”

“You want to bet, Screamer?”

“Bet.”

You don't know how long it's been since you left them alone, but by the time you arrive, Starscream and Sentinel are there, waiting for you. Not a hint of hostility between them, which is surprising. Whatever had happened there during your absence, they had found another target.

After that day, you completely forgot about such a concept as “peacefulness”. Every day, personal space was violated by one of them. If Starscream insisted on accompanying your every move, Sentinel would surely find another reason to distract and then steal you away from poor jet.

It went on like this time after time until you decided to end this madness once and for all.

When Sentinel unexpectedly received your message, he was hardly strong enough not to give the slightest sign of how extremely pleased he was. You, waiting for HIM, in your chambers? Oh, how much that could mean....

How surprised he was to see none other than Starscream at the door- Oh, lovely. Just when he's fantasising about nice things, you find a chance to ruin his dreams.

Had you left them alone for a split second, another fight would surely have broken out, but luckily neither of them have time to utter a word before you suddenly open the door.

“Come in.”

Starscream and Sentinel throw each other a quick fleeting glance, but not another word and they enter your room. It's large, rich, in your style. They've rarely had the chance to be here, even for a moment.

You stand beside your desk, seated in the centre of the room. You can recall many nights spent at it, searching for solutions to Cybertron's problems. Your gaze is neutral, though inside you are far from calm.

“May I ask the reason why you decided to call me and...’’ Sentinel pauses briefly before looking at his colleague again. Starscream gives him the same look, as if daring him to make yet another annoying comment.

“Your behaviour,” you begin first again, closing your optics for a moment, trying to remain calm.

“It's all Sentinel's fault,” Starscream blurts out sharply, pointing at the blue-and-gold fur.

“Of course— stop. What?!” Sentinel exclaims, now it's his turn to be outraged.

“Incompetent, arrogant toady, he should have been removed from his position a long time ago, ” Starscream continues to recount, which can't help but cause Sentinel's optic to twitch.

“I'm talking about the both of you.”

Well, that certainly got their attention. And thankfully, so did shutting up.

No matter how tempting the idea of removing the two of them from their positions and sending them away, you can't raise your hand and dismiss them. How lucky you are that one of your brothers, while drinking high grade energon, blabbed to you about everything and gave you some wonderful idea.

“Whoever completes as many of my errands as possible during the week will receive a special reward from me.”

You pause again for a moment, watching their reactions. Both of your best subordinates look startled, but, extremely interested. For that reason, you continue.

“I expect excellent results. Don't disappoint.”

[bullet-prooflove]

Buck + ferry ⛴️ flowers 💐 firetruck 🚒

Tagging: @kmc1989 @mckinleysbones @sophiah2253 @qutequeersstuff @gatefleet

Buck meets you at Catalina Island during a call out. You’re dangling from a top rope halfway down a cliff face, rendering first aid to another climber, whose hanging 50 feet up in the air after knocking himself unconscious. It takes them a while to get down to you, they’ve come by air rescue because the fire truck can’t make the ferry trip to the island. They have to find the right anchor points to rappel down safely, bringing their kit and a backboard with them.

He can tell you’re on the job from the way you relay the information regarding the other Luis, the other climber’s condition. You use the same terminology, talk in a calm precise manner and you’re not squeamish, especially not about the bone that’s sticking out of the guy’s arm.

“They’ll get him down and then I’ll clip you in with me, the two of us we’ll go down together ok?” He says to you as Eddie and Chim begin to guide Luis’s form further down the cliff face.

“Honey,” You drawl, fixing him with a shrewd stare. “Trust me, I’m perfectly capable of finding my own way down.”

Honey…

For some reason the term makes Buck’s cheeks color.

As you start the descent it becomes clear to him that you’re a skilled climber, your movements are smooth, careful and in coordination with his own. The two of you set a quick pace as you abseil down the cliff. If it were any other circumstance he’d probably find it fun, but Luis has just woken up and he’s screaming blue murder because he’s just realised his forearm looks like something out of a gore movie.

“You’re one of us aren’t you.” He says when you both reach the bottom and you give him a quizzical look as you unclip the carabiner from your rope. “A firefighter?”

“Mountain rescue.” You tell him loosening the harness around your waist. “I usually work out of the national park. Today’s my day off, I thought I’d get some time in on a different rockface so I came out here to the island and then-” You gesture to Luis, shaking your head. “- your guy over there ends up bashing himself on a couple of boulders trying to get a picture with those flowers sticking out for the ‘gram.”

He's about to respond when Bobby calls out to him, he turns his head to acknowledge the words and by the time he turns back you’re already walking away to pack up your kit. He guesses you won’t be doing much more climbing today.

He can’t stop thinking about you on the way back, he takes out his phone and Googles the Los Angeles Mountain Rescue website, he finds your name on the Team Section. He spends the rest of the shift going through your Instagram feed, scrolling through your pictures, getting a sense of the person you are.

Fun, adventurous, a little wild, a little soft.

All traits that appeal to Buck in a partner.

“Are you gonna keep cyber stalking her?” Chimney asks as he drops down on the couch alongside him. “Or are you actually gonna do something about it?”

Sliding into your DMs reminds him of his dating app days and Buck, he’s not looking for something casual, he wants to settle down, experience something real.

It’s a few days later that you run into each other, literally. He’s grabbing a smoothie order for the firehouse when he collides with you in the doorway, he’s skimming through your feed again, whilst you have your eyes fixed firmly on your own screen. He apologises as he knocks the phone out of your hand, bending down to pick it up and that’s when he sees it. His profile live on your screen. It looks like he’s not the only one that’s been doing a little cyber stalking.

“I didn’t get a chance to introduce myself the other day.” He says as he hands the phone back to you. “I’m Buck.”

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Like My Work? - Why Not Buy Me A Coffee

[jadewritesficshere]

Eddie x fem!reader (reader wears lingerie, no other descriptions of reader given except mentioning hitting that spot just right)

Contents: lingerie, both are a lil pervy tbh, humiliation, crying, praise kink, sub!Eddie, this is literally just horny ramblings

18+ only

It wasn't every day you came back to your house and your best friend had broken in. Maybe, every other week at best.

Usually, Eddie would be high eating your snacks (you were thinking about getting a lock for the cabinets). Or he would be watching whatever show you recorded and tease you about spoiling it (you threatened to use the VHS to beat him over the head and strangle him with the VHS ribbon if he did).

But, you had no clue Eddie was even in your house today. His van wasn't parked in your driveway when you came home. His shoes weren't in a haphazard pile at the front door. You had 0 clue he was there.

Not until you heard a thump coming from your bedroom. Which, your first thought went to the knickknacks you had that someone could be stealing (they wouldn't cause to a normal person it was junk but to you they were memories).

You grabbed a knife from the kitchen (you weren't gonna die without a fight, besides you learned a thing or two from the horror movies Eddie made you watch). You quietly pushed your bedroom door open and-

Shit.

Eddie was standing in your room in front of your mirror. Miles of pale skin just on display, scattered with contrasting dark tattoos he had. Nothing on, save for your lilac lingerie.

The palest purple lace bra, you can see from the back isn't even clipped correctly, missing the hook entirely. But the color is striking on Eddie. The lace thong cuts high on Eddie's ass, and you try not to gawk at the little black heart tattooed on his cheek. Eddie's scars seem softer amongst the lace.

How often did Eddie do this? Come over and put on your lingerie? Stand in front of the mirror and rub his fingers over his one hardened nipple. You couldn't see from where you were, but you knew his cock was hard. He'd be leaking all over your underwear, marking them.

Eddie lets out a little moan and it ignites a fire in your gut. You lick you lips as you watch Eddie, which maybe makes you a pervert but really it is your house and he is wearing your clothes so if anyone is-

Fuck why is it so hot?

"So-" you clear your throat. Eddie let's out a screech (that you are pretty sure ruined your eardrums) as he whirls around. He tries to cover himself with his arms, curls in on himself. And Holy cow he is hard.

He is big, so big, the tip just peeking out of the waistband of the panties. You can see the pearly translucent precum already dripping onto the underwear.

"I- fuck, I'm aha listen I can exp- i can explain!" Eddie fumbles over his words. You blink a few times tearing your eyes away from his massive dick (oh it would feel so good it would hit every spot just right).

Eddie's face is red, tears welling up in his eyes. "Oh Baby, no," you rush over, pausing when Eddie flinches. You gently put a hand out on Eddie's shoulder, drawing him into a hug, " It's- it's okay. Please don't cry." "Don't hate me." You gasp in shock, pulling back to look in his eyes," I could never!"

Eddie's eyes are wet, filled with unshed tears. His nose is turning a bit red, from embarrassment, shame, or sadness you can't tell. But his cheeks are such a pretty pink you think it'd look nice elsewhere on his pale skin.

Eddie hides his face with his hair, shuffling his feet a bit. "So..." you pause unsure how to ask it politely so you just go for it," I can see this is a kink thing...but like, what kind?"

Eddie shrugs," Wanted to feel pretty..." You frown," You are pretty Eddie." Eddie shakes his head and gestures to his abdomen," Not with these."

Eddie really should not be drawing your eyes any further south then his face. Cause your pulse kicks up and the fire inside you lights back up your spine. You can't help but notice his dick is still hard as a rock.

"You are too pretty." "Not really." "Yes!" Not-" You shove Eddie lightly, causing him to stumble back and fall onto the bed. Eddie's eyes widen in shock as he peers up at you.

"Don't talk about my best friend that way! You are too pretty. And handsome. Funny. So talented," You sigh and step forward, into Eddie's parted legs. Eddie leans up on his elbows and blinks rapidly at you. "You're so fucking pretty Baby." You murmur, hand reaching out lightly touching his thigh.

Eddie let's out a whine before looking startled at himself. You can't help but notice his dick twitch under the pale purple lace. "You like being called pretty?" You smirk. "Like when you call me Baby," Eddie replies softly.

You aren't sure who moves first, but suddenly your arms are wrapped around each other. Your lips meet Eddie's without hesitation. His are slightly chapped but still soft, molding perfectly against your own.

You run your hand down Eddie's neck, to the pale bra strap and snap it. He gasps and you take the chance, slipping your tongue into his mouth. He tastes of weed, mint gum, and just Eddie.

Eddie moans against you, hips bucking forward seeking friction. You pull back, gasping for air. Eddie let's out a whine," No, come back-" "I ain't going anywhere Baby."

Eddie's eyes flutter shut as he bites his lip. He hums as you kiss his jaw, lightly nipping at his pulse point. He shivers against you, hips bucking forward again. You suck lightly as you decide to give him some relief.

Your hand snakes down, grasping him firmly. You lightly squeeze through the lace, giving just enough friction as you move your hand.

"Look so good in my lingerie Baby, you should wear it more often." You murmur between kisses. Eddie nods absently, gasping and moaning beneath you. "Got a red pair that has some nice straps, you'd look so metal and so so pretty."

Eddie freezes, mouth falling open. His brow wrinkles slightly as he moans, pleasure overtaking him. His hips spasm, even his thighs twitch, as he comes. You can feel your underwear get soaked along with part of his stomach.

You stroke him through it, extending his pleasure until he whimpers and pushes at your hand. You pull back, smiling softly at his face. Eddie's eyes flutter open, darting down to your lips. "Kiss?" He asks quietly, unsure. You simply smile and kiss him again.

[zvtara-was-never-canon]

The only way i could see Canon Katara interested on Zuko is if he somehow did his Heel Turn long before the start of the show and has become a freedom fighter akin to Jet, but without the murder.

Obviously, this is impossible, there is no way that a young Zuko could become a better person without his exile, his enviroment is just not place that encourage

Sorry for the last question i send, i made a mistake and send it sooner than i wanted.

But anyway, what i tried to say that, even if that ridiculous scenario that i propossed where to happen, Zuko would be a very different characther from his Canon self. Plus even if he has become Katara's type, there is no way to know if Katara would be Zuko's type on that scenario lol

***

Once again, guys: pre-scar and exile Zuko was already dealing with a ton of bagagge, and post-redemption Zuko was already a "freedom fighter but without the murder." Katara saw him at this worst during all of book one, at his somewhat less of dick moments (Ba Sing Se), and at his best after his redemption - and she wasn't attracted to him at any of these points.

"I don't support war, genocide and/or murder" is the bare minimum for Katara to not want somebody dead. Compassion is an obligation, not something that immediately makes a guy be a potential boyfriend in her eyes.

We have the answer of what would take for her to be into Zuko, and that answer is not "He can't be a villain anymore" but rather "He can't be Zuko." He can't be a dork that says the wrong thing in a funny way, she'd get mad. He can't want to live in the Fire Nation, there's nothing there for her. He can't be as stubborn as she is, otherwise they're gonna fight (just look at how many times she fights with Toph). He can't take himself too seriously, she'll just mock him for it (ask Sokka).

She wants the guy that literally sweeps her off her feet to charm her, or the guy that notices she's feeling left out at a party, dances with her, and smoothly tells her to ignore everyone's eyes on them because "it's just you and me." She would NOT react well to a guy that screams "SHE'S NOT MY GIRLFRIEND!" in the middle of their date (just see how well it worked for Aang when he went "I mean, if it was between kissing you and dying")

And we do know what Zuko's type is: Mai. Gloomy yet sweet, bitchy yet unbothered, out-spoken yet doesn't feel she owes anybody any explanations ever, can handle herself but likes being pampered, apathetic yet caring, has nothing prove yet can be quite arrogant, stubborn yet understanding, aloof to the world in general yet obviously crazy about him in particular.

Zuko might catch brief feelings for someone like Jin (nice, sweet and cheery), but long-term he needs someone as messy as himself so he can relate, but with the kind of mess that balances him out instead of encouraging his worst traits - the yin to his yang. He was not kidding when he said "You're so beautiful when you hate the world"

Katara loves life in general too much for her and Zuko to relate to each other in that regard. She doesn't even know what the word "apathy" means. She doesn't have an "unbothered" bone in her body. Girl went through a ton of trauma and still wasn't anywhere near gloomy, quite the contrary. And she has a bad temper, just like Zuko, which they both know is a bad combo, hence them surrounding themselves with more chill people (Aang, Iroh, Hakoda, Mai, etc).

They're not each other's type AT ALL, hence there being no spark when they become friends. Hence them being not just embarassed, but weirded our and uncomfortable when people mistake them for a couple.

There's a reason zutara fics re-write their personalities completely: there's no other way to force them together because they're fundamentally incompatible. The real Zuko would NEVER be attracted to the real Katara, and vice versa.

[ramblingautisticman]

Recently read All New Wolverine #6 and found out Gabby has kids.

And she named them Logan and Wade.

Our boys' legacy will live on forever. She admits that they are huge handfuls and Laura bassically says "what did you expect?"

And I can't stop thinking about how from the day Wade met Gabs, They were quote "Best friends" end quote.

Like this girl is somehow this mans daughter. "Oh because adoption?" Literally no. And this can be taken as "Wade acts childish" OR Iykyk-

Gabby is exactly how Logan would have behaved minus the truama and if he was raised/ accepted with the knowledge of his claws.

Our boy Logan fits with Wade so much because they are so similar it is unreal. So to see Wade so quick to help Gabby and support her through the craziest of ideas (COUGH "dont tell your sister" COUGH) Not because hes "her friend" but because he knows that Logan is stubborn ASF and if someone dosn't go with this little murder munchkin- someones gonna get hurt. And he'll be damned if its her.

This is actually so beautiful too because while they both can heal, you have "Im in pain 24/7 so this is nothing to me." and "I CAN'T feel pain so I need someone to make sure I dont push myself too far"

Everyone says how Laura is copy and paste of Logan (no duh, they were both extremely abused, experimented on, and were raised to be tough) but no one talks about how Gabby literally has Wade's batshit crazy smile. How Wade HANDS her matches and sits to watch the fire with her. How Wade doesn't tattle on her because he wants her to trust him, and he knows he won't let anything happen to her. How Wade GIVES her chloroform(!??) And tells her it would be irresponsible to NOT give her something to knock someone out if she feels introuble?

Logan can have Laura. He can argue with her all he wants. Wade and Gabs are gonna go play paintball and then get ice cream. WITH sprinkles.

This being said, I think Laura struggles to connect with Wade the same way Gabby does. I think Gabby doesn't struggle to connect with Logan, though, because of how instictivly paternal he is and the fact that he can see tiny innocent James inside Gabrielle.

They are all so over protective of Gabby and it makes me feel sorry for when she gets a boyfriend.... can you imagine trying to have a study date with a girl when both her father AND her sister is the fucking Wolverine? And on top of that her other papa is a phycopathic maniac that will infact throw you off a 10 story building if you make his little girl cry, scrape you off the concrete and throw you in a blender, bake you into a pie, and feed you to your parents...

IM SORRY SHE NAMES THEM WADE AND LOGAN!? THATS SO FUCKING ADORABLE!? MY HEART CANT TAKE IT! Also, no idea if they are in the comic or if it shows how they act, but headcannoning that Logan is the batshit crazy one this time and Wade is the more chilled one, purely because that is really funny in my head?

And Wade is like- so good with kids? Noone ever mentions it, but he really is. Yeah, okay, in his own insane Wade Way (that should be a trademark), but Deadpool 2 is literally him helping a kid because he sees this traumatised abused boy that he NEEDS to help. Someone no one else wants to give a chance, and here Wade is, literally taking him under his wing and protecting him every second.

I've seen some of the panels with him and Gabby (I need to actually read the comics but jesus, there are so many?), and he is so so adorable. The fact he just instantly (similar to Russel in the movie, not exactly the same obviously, but ya know) decides "this is my kid now. I will protect them with everything I can. No one will ever hurt them again." is just- so heartwarming and people don't appreciate it enough!!

I think the girls would definitely struggle to connect to Wade alot because I feel like Wade is ALWAYS the funny, happy dad? He wouldn't want his girls to see him hurt or upset or anything else, so he's always making jokes and bring dramatic, while Logan is the more serious one who you can talk to about anything.

Also, Wade being the overly supportive dad is so fitting. He's stood there filming Gabby just doing something EXTREMELY illegal like "you're doing great sweetie!" and after he is getting her any snack she wants to treat her for doing a good job.

[descendant-of-truth]

Okay I waited to get this out there because I didn't want to be a bummer the second it released, but. The story in Shadow Generations was... kind of nothing. Which sucks, because it had literally everything going for it.

Shadow gets plunged into a white space where people and places from different points in time are unceremoniously dropped in due to the power of the Time Eater, and that means Black Doom is here to try to manipulate Shadow again. Shadow starts developing alien mutations that mess with his sense of identity and only make Black Doom stronger, but he's determined to use them to take him out for good.

At the same time, Maria and Gerald Robotnik are here, and of course the first thought on Shadow's mind when he discovers them is how he can find a way to save them from their original fates. So he's got two goals: defeat Black Doom, and save his family.

This setup is really good. It's immediately engaging for all sorts of reasons, from the surface-level "whoa cool alien powers!!" to the heartbreaking implications of Shadow being forced to say goodbye to Maria and Gerald again. (Because naturally, we've seen where the games go from here and we know the timeline isn't changed that drastically.)

And it's clear to see that the people involved in working on this game were passionate about it, too. The animation and cinematography is quite good, and while I have my critiques (I still don't think the character models are that great), so much effort was put into making Shadow the coolest guy ever, and I think it paid off. He's both very cool and shows a wider range of emotions than we've seen from him in a while, which is always a plus for me.

I mean, goodness knows that Shadow needed his character to be revisited and given respect after, what, over ten years? The step up that this is can't be overstated.

And yet.

The story itself is so empty.

Let's go in order:

The game opens with a narrated recap of Shadow's basic history in order to catch people up. I can't say it doesn't technically serve its purpose, but given the fact that the premise of the game is exploring Shadow's past, it's a little weird to spell it out at the start like this. If you're a newcomer to the series and don't know much about Shadow, wouldn't it be cooler to find this stuff out by progressing in the game?

It also leaves out crucial details that, while they could arguably bloat the scene, provide a lot of relevant context that a first-time viewer isn't privy to.

"At the last moment, Shadow remembered Maria's final wish... to protect her beloved planet and all who lived there."

The last moment of... what, exactly? What made him remember, what made him forget in the first place?

In order, these are the answers the scene doesn't give you:

The last moments before the ARK crashed into the Earth, which would've caused catastrophic damage.

Amy was the one who pleaded with Shadow to give everyone a chance, which echoed what Maria told him, triggering the full memory.

It's actually unclear if Shadow forgot what Maria said as a natural trauma response or because Gerald messed with his memories on purpose, but this would have been a great opportunity to clarify.

It also leaves out the fact that Shadow teamed up with Sonic to save the world after he tried to destroy it, so that's two connections with other characters he has that are completely left out in the recap. I know we're finally getting back to showcasing Rouge and Omega as his best friends, but he does hold respect for Sonic and Amy, too. Plus, his interactions with them in SA2 were so iconic, why leave them out?

Then again, I suppose Rouge and Omega aren't in this recap either... which is really weird, the more I think about it.

But even as it's describing the moment he chooses to be a hero, they don't show him in his super form alongside Sonic, he's just... what, on fire?? I don't know what that's supposed to be depicting, it just looks cool.

"Shadow didn't understand why Black Doom expected him to be the vanguard for his invasion of Earth."

A fine start, but shouldn't we have gotten a passing mention of Shadow's amnesia somewhere in here? He spent two whole games trying to remember who he was, and Black Doom's whole tactic was to exploit his desire for answers. That's important characterization for both Shadow and Black Doom that we're missing out on, here.

"Shadow the Hedgehog. The lone, dark warrior who judges the world by his own code."

This is maybe best addressed in a separate post, but. does anyone else find this description of Shadow kinda odd? "Lone warrior" I get, even with his friends he's not big on groups, but it's everything else.

Yeah, he judges the world by his own code, I guess, but his actions are all in service of following Maria's code. It's Sonic that lives solely by what he wants without much influence from others, not Shadow.

And what exactly makes Shadow a "dark" warrior? He's been explicitly characterized as someone who doesn't kill as recently as the prologue animation to this very game, where he goes out of his way to save a pilot when he doesn't need to. His entire life's purpose is protecting the world, and this doesn't involve killing or torturing people, so... what exactly is the dark part of his morality. Nothing about this recap has given me reason to believe he's anything but a heroic person with a traumatic past, and the subsequent game will only reinforce that.

I guess he did kill all the Black Arms, but that's not something the game ever treated as an immoral action. Shadow blows up Black Doom and the comet his people live on and all of our heroes cheer as he does it. It happens in the True Ending and everything, where Shadow's supposed to be proving himself as a hero for real, so that can't be the example of him being a Dark Warrior.

Is it because of how he treated Infinite, a character that this game doesn't acknowledge despite featuring a level from Forces? We'll never know. They just want you to accept the idea that he's Darker and Edgier than Sonic based on his surface-level demeanor alone, which... given that the objective of this game is to showcase Shadow's nuance, this is really out of place. Overall, not a great scene.

That said, the first real cutscene is pretty good, and it immediately showcases how unnecessary that recap was by showing how excited Maria was to meet Shadow for the first time. From that scene, we learn that Shadow was artificially made, that he's "the Ultimate Lifeform," that Maria was likely close to him, that this happened on some place called "the ARK" which is in space, etc. Why did we have a narrator tell us all of this a minute ago when we were just about to see it for ourselves?

I do have one nitpick, though - Shadow claims that he arrived at the ARK "an hour ago," and Rouge on the other end of the comm is already at Sonic's birthday party. Rouge only agreed to help Shadow get to the ARK if he would go to Sonic's birthday party afterwards, but how was Shadow supposed to have time to do anything up there if Sonic's party was that soon? I was under the impression from watching the prologue that Sonic's birthday was at least a week away, because how else would Rouge expect him to conduct a full investigation and potentially fight some huge battle before then?

Oh and the Time Eater shows up in two places at once (at Sonic's party and on the ARK), I feel like it would've made more sense to have it grab Shadow after it was done with everyone else. Now I'm gonna be forced to ask "why doesn't the Time Eater multiply" for the rest of the game. Whatever

Moving on, our first real sign of things to come is the fact that Omega does not have a proper speaking role despite showing up in the first cutscene. He's right there, conveniently next to Shadow, but as soon as you think they're going to talk to each other... you're dropped into the hub world. Speaking to Omega results in text bubble dialogue, wherein Shadow is mysteriously hit with Silent Protagonist Disease and we don't get to hear anything he says. Effectively, Omega just. talks at Shadow three times, saying nothing of interest. and it's completely optional.

I repeat: all of the dialogue from one of Shadow's best friends is OPTIONAL, and Shadow himself says nothing to him. Yeah, we're off to a great start.

(Omega even says that he's going to assist Shadow, and I just. I have to laugh. I'm so sorry Omega but in terms of physical actions, you're genuinely going to do less here than in Forces)

Shadow: "No. She's gone. I'm seeing things."

Pardon?? Seeing things??? I'm sorry but there is no way that Shadow can see and recognize Maria from that distance but not from ten feet away with her back turned. He's also never been implied to have super-vision, so the whole scene just doesn't make sense, and frankly adds nothing to the story.

Even if he doesn't mean literal sight, then 1) why did he phrase it like that, and 2) I kinda don't care. He doesn't need to be able to sense Maria's presence or whatever's going on here, because he's just as shocked when he actually sees Maria properly later. It builds suspense I suppose, but I feel like it would've been more impactful to discover that Maria was really here the same way Shadow does; in the cutscene where he saves her.

But before they can reunite, we've got the first proper cutscene with Black Doom:

Black Doom: "You defeated us, but the Black Arms live on. And this temporal anomaly has accelerated my plans to revive my forces and consume the world."

I'm gonna be real with you guys. I have no idea what he's talking about here.

The game makes zero attempt to really explain how the Black Arms "live on" despite Shadow blowing up their entire comet along with Black Doom himself, and going into the game, I kinda thought it was just... time displacement. Maria and Gerald are brought in from a time they were alive, so I thought it would be the same with Black Doom, but no - he revived himself before the Time Eater even got involved.

Which I'd be willing to accept if they gave me an explanation for it, but they didn't, and the whole foundation of the plot suffers for it.

Plus, what the heck does he mean that the temporal anomaly has "accelerated his plans to revive his forces"?? The Time Eater's powers don't... accelerate anything. At all. They pluck things out of time and freeze them in a void. How does that help Black Doom's plans whatsoever?

If the idea is that he's going to pluck his own forces out of time and bring them back that way, why not just say that? Why are they withholding such basic information from us? It doesn't create intrigue, and the story doesn't even treat it like there's a gap in our knowledge to begin with. I think it's genuinely supposed to be the whole explanation, and that's a problem because it explains very little.

Then you've got the Black Moon, and this thing annoys me to no end because guess what?? Despite gradually opening more eyes and cracking open every time you complete a level, it's never once explained what it is or what it's for. All it does is turn the white void into a red void and open a portal to Even More Radical Highway. Maybe I'm forgetting something from an optional piece of dialogue, but that only creates a different problem, which is that you should never lock basic understanding of the story behind optional dialogue.

Why does it have eyes? Is it a living creature or some weird bioweapon? It's oddly mechanical for a creation of the Black Arms; even their weaponry is organic, as this very game tells us through Omega, so what's its deal??

You'd think it would have something to do with time, considering the framing of this scene:

Shadow says "perhaps I can change their fate" and then looks to the Black Moon as though it may hold some relevance to this new plot thread, but. nope. it just takes you back to Radical Highway.

And hey, look at that, I was so busy complaining about the moon that I seamlessly transitioned into one of my biggest issues with the game: Shadow says this. and never follows up on it. EVER.

I'm not kidding, there's literally NO point in the game where we're shown Shadow trying to do ANYTHING to change Maria and Gerald's fates. There's no scene where he attempts to understand the void better, he never investigates anything, he makes exactly zero attempts to accomplish one of his main goals. of BRINGING HIS FAMILY BACK TO LIFE.

What is the point of them being here, then.

No, I'm serious, literally why are they here if we don't get to see Shadow try to save them?? By the time the final cutscene rolls around, they start fading away back to their own time, and suddenly Shadow's like

(WHY ARE YOU SURPRISED, YOU DID NOTHING TO PREVENT THIS OUTCOME)

But I'll talk more about Maria and Gerald later - for now, since we're on the topic of Shadow having odd reactions to things, how about those stages and bosses, huh?

Well guys, I'm pleased to announce that despite there being dialogue in some of the stages, absolutely none of it provides context to the locations Shadow visits or his thoughts on them! If you didn't play Heroes and have no idea that Bullet Station is where Shadow found a destroyed Shadow Android, kickstarting a new layer to his identity crisis, then congratulations, this choice of level will mean nothing to you.

And before anyone tries to be like "the Sonic Generations levels don't get commentary from Sonic on their significance to him, either," it's a problem there, too. But it's an even bigger problem here, because they went out of their way to choose levels that have real emotional significance to Shadow and then proceeded to do nothing with it.

Isn't this the game where we revisit Shadow's story up until this point? Would it have been so hard to drop a line of dialogue indicating that Shadow's not thrilled about returning to Bullet Station? Maybe add a brief cutscene where he finds the same broken android from before, and says something like "hmph, I can't believe I let that thing make me doubt myself for so long," thus demonstrating his growth?

Here's a fun fact: Shadow has zero cutscenes that happen inside of levels. This is something Sonic beats him at, by having one cutscene that takes place in a level (Chemical Plant). This should not have been a high bar to clear, but they fell short somehow, anyway.

(Space Colony ARK doesn't even use the Final Chase music. The Shadow game starts out with a song exclusive to Sonic rather than him. He actually has more ARK-related music than Sonic does and they still didn't use any of them. How did they mess that up)

This problem only gets worse when they start pulling in levels from Forces and Frontiers - games that this Shadow hasn't experienced yet and wasn't there for, respectively. Once again, on principle, this is a cool idea! Shadow getting a peek into what his and Sonic's futures have in store? The confusion over when these events take place, if they're even connected to him like the others have been? Great stuff

And hey, if he's going to Chaos Island, and we saw from the trailers that the volcano is exploding in Act 1, then maybe we could even see Super Sonic fighting Knight in the background in Act 2! The debris from their fight could even act as platforming challenges, can you imagine how cool that would be? What will Shadow think of the advanced tech on the island, or of seeing Sonic fight something so massive? Surely this is a great opportunity to elevate Frontiers even further--yeah of course they don't do that.

No Knight fight in the background, which is... fair enough, I guess, but then why bother with the volcano exploding? It only does that moments away from when Sonic is about to fight Knight. Yeah, it looks cool, but we didn't need it. The more egregious problem is still the fact that Shadow has no observable thoughts or opinions on being sent to unfamiliar terrain in the future, though.

The bosses all have dialogue, though, which is a step up on a technicality and little else. Most of the dialogue from Shadow is just him being a self-aggrandizing badass who doesn't see any of the bosses as threats - even Neo Metal Sonic, who he should really not be so confident in beating all by himself, considering that he. didn't do that before. It actually took eleven other people to defeat Neo Metal, including Super Sonic, but I guess he just doesn't care at this point.

If they wanted to, it would've been easy to make him overconfident on purpose due to his new Doom powers, make an arc out of it, but no. Shadow's just Like This now, apparently.

There's a similar power scaling issue in Sonic Generations too, where Sonic can somehow defeat Perfect Chaos without his super form, but the game had dropped location-specific cutscenes so long ago that it was hard to feel like it was even canon at a certain point. The game never cared about making sense or really being anything, but Shadow Generations doesn't get that excuse. The bosses having the most mid-gameplay dialogue tells us that they're Definitely Happening, and so I care more about them as a result.

Which takes us to the moment that I truly realized that this game had no interest in doing anything with its material: the Mephiles boss fight.

Shadow: "What's this? A seal of some sort?"

Okay real quick before I get into my big issues with this fight: I know it's a magic glowing artifact, but what about it actually looks like a seal, specifically? Does Shadow just have a sense for this kind of thing? I don't recall him ever demonstrating that ability before.

I feel like this line is just here to clarify what it is for people who don't know, but since Shadow also doesn't know, it's just kind of weird. I'm not even sure why he's in the Scepter to begin with, considering that Shadow's sealing attempt in this room was a failure, but whatever.

Of the three bosses in Shadow Generations that precede the final boss, Mephiles is the only one that can both speak and had a relevant dynamic with Shadow that would be interesting to revisit. The Biolizard is cool but doesn't have a personality, and Neo Metal had no real opinion on Shadow. (In Rivals 2, Shadow and Metal Sonic have a developing friendship, but this has unfortunately never been brought up again. If they did so here, it would only have been on Shadow's end, since Metal hadn't gotten to that point yet.)

But Mephiles? So much of his character revolves around Shadow. It was Shadow who sealed him away originally, and it was Shadow's form that he took when he broke free. He's the main antagonist of Shadow's story in 06, and even though his primary goal is rejoining with Iblis, he takes a vested interest in trying to manipulate Shadow over to his side by showing him the worst of what humans will do to him - not unlike Black Doom, honestly, though he was focused on Shadow's past instead.

Plus, it's been so long! We thought we would never get to see Mephiles again! What have you got for us, game?

Mephiles: "I will defeat you, then restore myself to the timeline." Shadow: "I don't know what you're talking about, but I will crush you all the same." Mephiles: "What? Did you forget about me AGAIN?"

*deep sigh*

Contradictory dialogue back-to-back. I see. Cool.

Mephiles should not be surprised that Shadow doesn't remember who he is, because he literally JUST SAID that his goal is to restore himself to the timeline. He KNOWS that he never existed, and therefore SHOULD KNOW that nobody he encounters will remember him. I'm convinced that he only reacted this way because the writers thought it would be funny, and that's it.

Even if it made sense, though, Mephiles isn't supposed to be funny. He's supposed to be ominous and threatening. For as much care that went into recreating this environment and his powers/body language from 06 (and I gotta say, this whole section looks extremely nice), none of that same care really seemed to go into his personality. He's just as drab as Neo Metal, occasionally repeating lines from 06 so that you know they played it and not much else.

The end of the fight features some absolutely unhinged dialogue from Shadow for no reason, though.

Mephiles: "No... I want... to exist...! Shadow: "There is no future for you. Ever."

Look, I get it, they've done nothing but fight this whole time . But Shadow has no personal beef with this guy. Even if they're going with the idea that Shadow wouldn't care to learn what Mephiles is rambling on about (kind of boring, and why wouldn't he be curious about why someone like this has it out for him), there's no reason to go so far as to say he'll never have a future. Is this the "dark" part of that "dark warrior" thing they were talking about in the beginning?? Kind of a random place for it to jump out of him, if so.

The kind of intensity coming from Shadow here would be justified if he remembered who Mephiles was, but he doesn't. As it stands, it gives off the impression that he didn't actually process a single thing Mephiles said about wanting to exist and restore himself to the timeline, and just said the first cool, edgy retort that came to mind. Which makes the sentence both less cool and even more out of character.

After this boss finished playing out, all I could feel was disappointment and a creeping sense of emptiness. If this was how the game was handling Mephiles, of all characters, if this was the extent of what they were willing to do with an idea... the rest of the game suddenly seemed much less exciting. I got to this point, realized how comparatively little of the game was left, and thought oh no.

Now, uh... where was I in the story, again?

Oh right, Shadow was about to go save Maria. I actually have no notes on that scene, it's pretty good and I liked that Maria was immediately thrown off by his aggressive fighting style and whatnot. It implies a lot about what Shadow used to be like without really showing or telling us, and that's pretty neat.

The following cutscene where Gerald explains how Shadow's growing powers only make Black Doom stronger in the process is also fine, there's nothing super specific for me to gripe about it in isolation.

And this good streak it has going is immediately interrupted by the worst, most nonsensical scene in the entire game.

Sonic: "I found you, Shadow!" Shadow: "The blue hedgehog... of all places..." Sonic: "You have something I need." Shadow: "You can wait until my business is finished." Sonic: "Yea sorry, but that Chaos Emerald and I have a date with a monster!" Shadow: "Well then, it'll be a date to die for."

This is. a really stilted conversation, no matter what way you look at it. On one hand, it's repurposed dialogue from two different scenes haphazardly mashed together, neither of which should represent their current dynamic anymore since they were both antagonistic at the time. And on the other, it just... completely lacks character from both of them. They're so unbelievably dry despite their attempts to sound quirky, it's actually impressive.

I have to ask - have the script writers not heard the incessant complaints from fans about there being too many references in modern Sonic dialogue?? Because this scene plays out like an actual parody of that trend, the kind I would expect to see on twitter or something. I initially saw the animation for this cutscene without audio due to leaks, and I thought it looked pretty cool because the animation was nicely done.

Boy, when I tell you I was stunned to discover that THIS was the actual, official dialogue. What happened here?? Why is this what Sonic cutscenes are turning into?? In a game that costs $50-$60??And people are saying it's the best Sonic game???

Somehow, the god-awful dialogue isn't even the only thing that's wrong with this scene, but I'll compile the rest in bullet points to speed it up a little.

Shadow suddenly shows up in Sonic's section of White Space, despite it not being visible from a distance and therefore giving no reason for Shadow to venture out that far

Sonic says he "found" Shadow as if he was looking for him, even though the only people Sonic has seen here other than his and Tails' past selves are people who were at his birthday party

Classic Sonic is neither seen nor mentioned despite the extremely fun potential of having him interact with Shadow

A purple portal conveniently shows up in front of Sonic and Shadow while they're talking for no reason

The boss fight with Sonic is just a cutscene (lame), and Shadow gets taken out completely by one solid bonk from Sonic (even lamer)

The fake Chaos Emerald switcheroo, while clever, is presented as if it was done deliberately when it was clearly a coincidence that it got knocked out of Shadow instead of the real one

(I guess this technically happens before the Mephiles fight so my faith in this game was already plummeting, but I was willing to tolerate this scene being bad because I could understand them not wanting to add too much to Sonic's side of things. They had completely free reign with Mephiles and still delivered nothing, which is why it really cemented itself in my head)

The one thing I really liked here was seeing Shadow almost use his Doom powers to defeat Sonic, deciding against it, and his hesitation being what lost him the match. Shadow refusing to fight Sonic on unequal terms is some really good characterization that I was happy to see.

Black Doom: "The promised time is nigh upon us, Shadow. Soon, you will be mine."

So did we ever learn what the "promised time" was, exactly? I've played every route of Shadow the Hedgehog (some more than once) and still can't remember. If he's referring to the time when Shadow awakens his full power then I guess it makes sense, but otherwise it's kind of an oxymoron considering that time doesn't exist in White Space.

Gerald: "He has grown a new body, and used the nebulous nature of time in White Space to accelerate his plans for revenge."

Shadow, buddy, your animation is positively kickin' right now but Gerald, I'm gonna need you to do literally anything other than just repeat the same lackluster explanation we got earlier as if that's going to make it any less confusing. What ABOUT the nebulous nature of time? Is time not largely just frozen here?? We're somehow around 3/4s into this story and I still have NO idea how anything works

Maria calms Shadow down from his frankly justified anger by holding his hand and talking about how she doesn't want him to be driven by darkness. They find a way to throw in the fact that apparently Maria named him "Shadow" because the presence of a shadow can show you where to find the light, and it's... nice? Very wholesome, but it feels awkwardly placed and I'm not sure anyone was seriously asking why he was named that. Like, of all the questions to spend this game's limited screentime answering, "why is he named Shadow" was probably not at the top of most people's lists.

And before you have a chance to think about it, we're already at the endgame.

Shadow: "I'm letting go of that destructive anger."

Wow, and in the very next scene after it was brought to your attention, too! You sure do grow fast, Shadow!

Okay, all jokes aside, there's not much I can say about the pacing in this game other than It's Rushed and Bad, but I think it's finally time to talk about Gerald and Maria.

Gerald first: He's mostly just here to give out exposition. His relationship with Shadow is much less focused on than Maria's, which I find to be really frustrating because I always had a lot of questions about how those two interacted. In SA2, we only know him as a grieving, hate-filled man who was heavily implied to have scientifically messed with Shadow's mind - not long after they had both just lost Maria - in order to make him inclined towards Gerald's revenge plan.

In Shadow's first game, we see a side to him from before then, when he really seemed to care for Shadow and we got some clarity on the purpose of the Eclipse Cannon and whatnot. But what were their average interactions like? Who was in charge of Shadow's training? If it was Gerald, did that ever create a sense of distance between them? Shadow never has warm, nostalgic flashbacks of him, so I assumed their relationship either wasn't as close or he has too many conflicting feelings now for those memories to be very comforting.

This game decides to lean into Gerald being a kind, supportive man, but regardless, Shadow's feelings should be a lot more complicated, no?

I'd imagine that, in a way, it's a relief to have this Gerald around again. It would make it easier to pretend that the man who used him in an attempt to destroy the world and go against everything Maria stood for was just... a fluke, or something.

But still, Shadow knows that he would do bad things to him if Maria died. It's already happened.

Dark Beginnings also suggested that either Shadow was there when he shot down by the firing squad (unlikely given the context), or he watched the recording that played at the end of SA2 enough to be able to see it in his dreams. Neither of those are good for his psyche, and would only add to the number of emotions he has to suppress whenever they interact. There is, of course, none of this nuance within the game itself, despite it being right there and ready to be worked with.

Then you've got Maria, and. hoo boy.

I take no real issue with any of Maria's traits that are on display. Her being a nice girl with boundless energy and goodwill does not make her boring, and I've always been fascinated by her character. So, I need you guys to understand that it's with a heavy heart that I must say that Maria is... barely a character in this game.

And like, she doesn't exactly have a history of being deep or complex. But we've also only ever seen her in Shadow's memories up until this point, and that means this game was a unique opportunity to flesh her out more.

When a character is as idealized by another as Maria is by Shadow, and we only see them through that lens, it's natural to assume that the depiction isn't completely accurate. I was never in doubt that Maria was kind and gentle, or that she was always there to help Shadow when she knew he was struggling, but I always wanted to know what she was like outside of that. What makes her angry? What was she like on a bad day, when she inevitably got frustrated at her lot in life? How did Shadow comfort her? What was her sense of humor like?

While we technically learn more things about Maria in this game, there's never a point where she acts differently from Shadow's vision of her. She's not really shown to have flaws, and she's only really there to be saved and offer emotional support. It's like... a textbook example of what you shouldn't be doing when writing a female character, having her be defined entirely by her relationship with the male lead and never speaking up or complaining about her own problems or feelings. They don't even make a point out of it, that Maria tempers herself to be "perfect" for other people or anything like that.

Why don't we get to see how she and Shadow would handle an argument or something like that? Especially this Shadow, who's all shaken up by everything? Wouldn't it be beneficial for both of their characters for Maria to be seen as herself, the way she was in life, rather than just the nicest moments she and Shadow had together?

I'm gonna make a comparison here that people aren't gonna like, but... I think Elise is honestly shown to be a more nuanced character than Maria is. And this is coming from someone who thinks that she was also mishandled in her game.

Similar to Maria, Elise is genuinely a deeply caring person, and lives mostly isolated with a condition of sorts that makes her life difficult. Her most important relationship is also with the male lead of her respective game, but she doesn't exist solely for his benefit. (Amusingly, Sonic actually seems to be there primarily to further her arc, so it's a bit of a role swap there.)

But we see more from Elise than just Being Nice all the time. We see her being resolute and bold in the face of danger, or disappointed when she has to go back to the castle. We watch her try her hardest not to cry and retain her strong, regal exterior when faced with overwhelming emotion.

We get to see her open up and laugh and become more confident, we watch as someone who's been forced to put her feelings aside for the convenience (and safety) of others her whole life finally break down and shout something selfish for once. And then we watch her ultimately choose to do the right thing, anyway. Her strength of character is shown to us by putting her in situations that challenge her, and the narrative never once shames her for being imperfect; it's actually encouraging her to be her real, flawed self.

Why does Maria not get this same treatment? Why don't we get cutscenes of her being excited about the new environment she's in, or frustrated that her symptoms are making it difficult to do anything here? When does she get to be selfish? Why can't she get upset at people treating her like she's frail, even if it technically "makes sense" for them to do so?

We're told, in Gerald's journal, that some of the people aboard the ARK doubted that Maria was really sick due to her symptoms not being clearly visible. Because it's his journal, we only get to hear his feelings on the matter, but in the full game, we never once get to know how it makes Maria feel, the person this is all about to begin with. They absolutely could have incorporated this into a cutscene somewhere, but they didn't.

Once again, I have to ask: what is the point of Maria and Gerald being in this game if this was how they were going to be written? Not only does Shadow fail to even attempt to save their lives, he doesn't even walk away from the experience with renewed understanding of who they were as people.

So what even happens in this story, then?? Every single aspect of it is dragged down constantly by the game's refusal to do anything with what it has:

Shadow revisits places from his past, but has nothing to say about them

Shadow visits places from the future, but has nothing to say about them

He has nothing relevant or interesting to say about any of the bosses

Mephiles trying to restore himself to the timeline is a plot point that exists solely within his boss fight and nowhere else

He doesn't struggle with any of the bosses, emotionally or physically, turning them into a boring power trip

He barely struggles with his Doom powers, the things that are supposed to be giving him an identity crisis

Sonic is not a playable boss fight and he also says nothing relevant or interesting

Classic Sonic doesn't even get a passing mention

The Team Dark friendship is supposed to be a highlight but Shadow never speaks to Omega, who also never shows up in cutscenes, and Rouge is just kinda there

Maria and Gerald never meet Rouge and Omega, or anybody else on-screen, despite it being extremely easy for them to run into each other

Shadow's relationships with Maria and Gerald are barely explored past their surface

Most importantly, Shadow is never shown making any sort of effort to save Maria and Gerald from their fates, despite it being one of his primary goals

...Oh yeah, I forgot to complain about how Shadow barely struggles with his Doom powers. I was gonna go on a whole spiel about how it would've been super easy to make into an arc and how it was wildly underutilized despite being a major selling point of the game, and the only real consistent conflict whenever Black Doom isn't on screen.

Well. Anyway. Once the White Space becomes Red Space (something that once again makes me question how far away Sonic's area is, to not be able to see this happening), Shadow magically gets over his "destructive anger" and goes to Radical Highway one last time for the epic final boss.

And it certainly is epic, I can't deny that. A massive technical improvement over the first fight against Devil Doom, and I'm not about to sit here and act like the wings aren't cool. But I can't say it feels very rewarding, since I never really understood what was going on and Shadow didn't really struggle that much to get to this point. Not to mention, he's still acting all high and mighty during boss fights, which makes it feel stale really quickly. Black Doom isn't really that interesting by himself, so Shadow kinda needed to carry that fight, but no, it's just more of the same.

One last point before I wrap this up:

Where was Emerl???

Correct me if I'm wrong, but a promo animation for a game should, in theory, provide you some idea as to what kind of things to expect in the game itself. While a lot of them take their share of creative liberties, I don't think they're in the habit of putting spotlight on entire characters who never appear in the game at all.

This is THE GAME where we bring back the people from Shadow's past that he's lost, and Emerl most certainly qualifies. He's from the more recent past, yes, but Shadow still cared about him and absolutely would have been affected by his death. There's no way that, had he been in the story, Shadow wouldn't have been determined to save him as well. But no, he's just there to be a cool lore detail in Gerald's journal.

Which means this is yet another depiction of Emerl where we refuse to acknowledge his personality. Do they seriously think Emerl is more interesting as an emotionless killing machine that Gerald researched in his spare time? Where's the fun-loving kid who mimicked everyone around him, splicing things he heard them say together to communicate and creating funny tonal whiplash? Where's the robot with the soul that Gerald gave him, that was nurtured by Sonic and his friends?

Not in this game, apparently! They went out of their way to canonize Battle and still managed to treat it with zero respect. Kind of impressive, really, and just another footnote in the trend of this game not actually caring to do anything with Shadow's past.

There are definitely moments in this game that I like, but that's kind of all they are: moments. The game's total cutscene runtime is around 30 minutes, and that means there's not enough time in any of them to get anything done. A scene that's good in isolation is tainted by the fact that it's all there is.

And it's just... so baffling to me. There are so, so many points in this game where you could have fit additional cutscenes in. We could have had one after each act, or at least after each level. Give us more cutscenes after activating things in the hub world or something. I mean, a game that claims to be this story-driven doesn't usually need an excuse to throw cutscenes at you, and they certainly didn't need to force each scene to be so unbelievably short.

If they really needed to downsize on cutscene length for some reason, then maybe they should have just made a less ambitious story. The game wants to do so many things at once, but it doesn't have the time to do any of those things justice. We could have gotten a short, sweet, well-done little story, but instead we get a story that easily needed at least two hours to tell crunched into a measly 30 minutes.

I mean, Dark Beginnings in its entirety is half the length of the full game. Think about that for a second.

This game's story was supposed to be something, man. It's getting so much praise for what feels to me like the bare bones structure of a story, and it's frustrating because I know this series can do better. The writer of this game can do better, and I know that because I've read his other Sonic material and it feels much more complete than this does.

I was genuinely looking forward to this game, is the thing. I really didn't think it would be this lackluster, because like I said at the beginning of this post, it had everything in the world going for it. But no matter how nice it feels to have a Shadow who isn't wildly out of character for once, that alone can't carry an entire story.

Shadow Generations is a mess of good ideas executed in the least interesting, most nothing way possible. Its only real saving grace is its animation, and the fact that Shadow generally feels like himself.

Except for when he's talking to Sonic. What the heck happened when he was talking to Sonic

[postcardsfromheapside]

I need to be salty for a hot second about people who are upset about aspects of Lucanis' romance.

I'll put everything else under the break for spoilers, but in general, I am so disappointed in a large portion of this fanbase who apparently thought "disaster" meant "romantasy," but also it's in keeping with how a lot of people seem unable to put things in context.

One of the complaints I keep seeing run past is that the scene where you commit to a relationship with Lucanis seems pefunctory, or out of the blue, there's nothing really romantic about it, it's too similar to the platonic route, etc, etc, ETC.

I romanced Emmrich, but I've seen other people's versions of romancing Lucanis. I'm just going to kind of word vomit here, and hope I can come up with something cohesive.

As someone who id's with Lucanis for "generational abuse" and "dumpster fire disaster bi" and "using socially acceptable drugs as coping mechanisms in place of addressing your problems" reasons, it's been really fucking annoying watching the almost deliberate misinterpretation of his character even after Mary Kirby dropped several explanations on social media. It's like a large part of the fanbase saw all that and turned into the "yes yes, very sad...anyway!" meme and went right on fetishizing him...then got mad when he didn't turn into the seductive Dom with wings they were hoping for.

You commit to Lucanis after (what I consider) a very intense scene inside his "mind prison." He's struggling so much internally that Spite wrests control of his body from him in front of witnesses and begs Rook to help them. Lucanis would never ask Rook to do so on his own, he's terrible at asking for the help he truly needs. Spite drags Rook into the Fade Ossuary and demands they free Lucanis from his self-imposed prison. And whether you're a friend or would-be lover, Rook slowly talks Lucanis out of a host of self doubts regarding his family and friends. Can he trust himself not to hurt other people, now that he's saddled with this affliction? Has he disappointed the people he cares about most? Do these new people he's coming to care about actually trust and care about him? The rooms are filled with fragmented thoughts that peter out into regrets. You're literally seeing Lucanis' fractured and complicated emotions.

One of them tore a hole straight through me: "You'd have to kill me...And Spite would die."

You'd have to kill him to get rid of the demon. And he'd regret the death of the demon that's protected him and given him strength, through a brutal year of betrayal and torment. I don't know if y'all remember the scenes in the Ossuary of the failed experiments and the corpses you had to pass to get to his jar of blood. It wasn't fun.

When you break out of the mind prison after helping him bond with Spite, it's intimate and momentous, even on a platonic route. You've seen desperate and lonely parts of him he'd never willingly show anyone.

As you're convincing Lucanis that it's okay to leave his mind-prison, you tell him you understand that it's easier to deal with problems like the Ossuary and Zara than healing and living with Spite, potentially hurting people he cares about. But he wants to. It's Rook's job to help him see a path out, a way for him to make the struggle easier so he can begin to heal himself.

I need to stress: you aren't "fixing" him. You're acting as his lighthouse, regardless of whether you're a friend or a lover. Sometimes people need help. He's still going to have to do the work to get there.

As a friend, it was extremely rewarding to come back to the kitchen and see him doing exactly as I'd hoped: moving on with the business of *living*. He made a nice dinner for everyone he's come to care for, and a special dessert for Neve. Cooking is where Lucanis finds creativity, and comfort, and connection with his friends and family. He isn't very good with words, but he will note everything you consume, and try to make you feel loved by expressing it that way.

Which is why I think it's important you don't dismiss the commitment on the romantic route. He remembers YOUR favorite drink and makes YOU a special dessert if you're romancing him. Lucanis isn't going to get poetic. You've already made him feel raw. You've seen the ugly, embarassing parts of him. What is he supposed to say? Usually it takes Spite reaching through his body to actually be direct. Instead, Lucanis reaches for food, his favorite medium, to try and apologize for inadvertently showing you those things, to thank you for helping him despite seeing what he considers the most shameful parts of him. Your commitment is letting him know that you value him, that he has nothing to be ashamed of, that you understand what he's trying to express with his struggling communication skills, which appear to get better as your relationship progresses from there.

It's weird that some of y'all don't feel that this is heartfelt and important, because you'd rather him act out some sensuous fantasy trope. It's also weird that some of you haven't figured out that many scenes in RPG's can be similar on platonic and romantic routes with tweaks to shade context.

(Also just in case this comes up: cooking is not his "love language" - that whole concept was invented by a misogynistic weirdo and we should remove it from our ideas of communication)

Anyway, this guy is my Rook's bestie and I'll go down swinging for him, you should appreciate the fuck out of him and stop acting like his writer didn't craft a perfectly funny little weirdo who is bad at showing people his tender parts and terrible at interpersonal relationships.

[lygma-nygma]

Being a batfam fan is funny because people will make a post like “here’s my headcanon-“ and it’s just something that’s directly canon to the story then post about major canon events and get everything wrong.

[deoidesign]

Time and Time Again comes back tonight!

Thank you all for being so patient with me, I know it was a long hiatus.

My health was struggling, my arm was (is) hurting, and I decided it wasn't worth it. I'd rather be slow!

So thank you for giving me that grace, and I hope you'll be there with me for the rest of the series.

[themintman]

Please share the Sims I would be so gracious 🙏

erm I wasn't sure if you meant post them to Tumblr or actually make the Sims public so imma do both.

They definitely aren't perfect but I tried my best!!

And, ofc, here is my account so you can find them. Sorry for the keyboard smash name this is my dad's account from like seven years ago I'm trying to change it 😭

the title is just "Jack and Nurm"

Uhh I used stuff from the packs below, idk if it'll let you download them without these but if it does just change the missing traits/clothes:

Island living

Cats & dogs

Realm of Magic

Holiday celebration

Erm so like yeah!! If anything is inaccurate or you think something would work better feel free to change it! I tried to make them accurate to how I see them, but tbf I do sometimes mix up headcannon and cannon, misinterpret stuff etc, plus it was tricky trying to decide on aspirations n such, there's no "legendary adventurer" or "cartography" themed traits to my knowledge lmao

[carnivalcarriondiscarded]

okay wait laughingstock concept Incoming: so im imagining some of the neighbors (maybe Julie & Frank) noticing that Barnaby & Howdy are a lil fruity, yk yk. and Julie's like damn, i guess we have to play matchmaker here.

so naturally they wind up getting the whole neighborhood involved. everybody's a wingman here. Poppy's dropping hints when Howdy drops off groceries, Wally is constantly asking Barnaby to go get him things from the bodega, etc etc. Howdy and Barnaby are facing this sudden change in town-wide behavior with slight concern and bemusement

eventually - lets say Julie, Sally, and Wally - get Barnaby into the bodega and then abruptly leave like "don't have too much fun without us you two *wink wink nudge nudge*". once they're gone (read: very obviously hiding outside & watching through the window) Barnaby & Howdy turn to each other like:

Barnaby: you think we should tell them we're already married?

Howdy: let them have their fun - they'll figure it out eventually

[jazzically]

ok how bout i go through it (spoilers ahead for both the album and for tma!! i'd personally recommend going in blind and then reading this review)

lmao i say that like a question but you already know i will hold you here until you are done listening to me talk and talk and talk and t

SPOILERS BELOW!

1. spiraling down is an absolute VIBE. i am really really enjoying this

OHMG THEY SAMPLED MICHAELS LAUGH THATS SICK!!!!!! THIS IS GENUINELY INCREDIBLE. 8/10 because its a great song absolute banger but doesnt really mesh with the spiral/themes of insanity as much as it could imo

additional notes: omg how did i not catch the door opening/closing noises at the beginning and end of the song on my first listen. hello.

2. this is glorious ambiance. omg. OH MY GOD OH MYG OD THAT'S TERRIFYING

holy CRAP

HOLY CRAP DUDE JUST go listen to this i am BLOWN AWAY by the production quality and attention to detail

corruption is flawless so far

JESUS

that was 10/10 hands down glorious. very sinister. i wont spoil it for you but it's an experience

3. YAAAAAS I LOVE BREAKBEAT its chill in like a desolation type way

really really sick bass going on here holy shoes

THIS ONE IS ACTUALLY AMAZING I LOVE THEM ALL I LOVE THEMMM they're all different and magical and vibey in their own ways

ok im kinda getting the style of this artist now. i rescind my earlier comments about the spiral not being spiral-adjacent enough for me. for this style it's PERFECTION

DOES SHE FEEL IT!!!!!? BECAUSE IT'S ALL HAPPENED BEFORE!!!!!

4. OMG THIS IS ABSOLUTELY INCREDIBLE. STRAIGHT FIRE

this is really reminding me of milwaukee protocol A6 (milwaukee protocol is another fantastic underrated album that i highly recommend)

5. the use of sfx in this project is completely insane it's gorgeous dude

OOOOGH

i can see you seeing me ...

oh my lord jons voice in the background

HOLY CHRIST THAT BEAT DROP

LITERALLY BONKERS

im in AWE *explodes*

this is what played during 200 actually. i make the rules

this is actually genuinely fantastic music though. i did noT expect it to be THIS good

6. WHOA I AM SPOOKED

i ADORE THIS ONE !!!!!!! IT'S PERFECT FOR THE DARK!!!!!

7. THAT WAS INCREDIBLE I HAV E NO WORDS it sounded like a lovely deep purple

8. WOW OK STRAIGHT FIRE RIGHT OFF THE BAT????

YOOOOOOOO THIS IS BEAUTIFUL

every time i think of the flesh as a fear i remember jonny saying he was proud of its justification (fear of being nothing more than your body, fear of being warped and horribly disfigured beyond recognition, fear of being hurt and of being chopped up and consumed) and YES JONNY I AGREE YOU SHOULD BE

anyway totally amazing

OH HELLLLLL YESSSSSSSSSS THEY USED A CLIP FROM KILLING FLOOR MY FAVORITE MAG (well it's the one i say is my favorite — definitely top ten at least)

IM GETTING ACTUAL CHILLS JESUS

9. AYE THAT WAS SICK

oooooh ???

HOLY FRICK.

THE USE OF DRUMS IN THIS IS BRILLIANT DO YOU HEAR THOSE RIDES CRASHING

the best way i can articulate my thoughts is this: these songs sound exactly like a poetic description of the fears they convey

OHHHH MYY GOOODDDD THIS IS SOOOO GOOODDD

!!!!!!you can tell a tonnnn of work went into these

im going to need to relisten to this all the way through,, oh my

10. i predict this one will either sound incredibly muffled or earsplittingly loud

hmm ok so far very mellow

OOOO STRINGS

this kinda beat is right up my alley

11. AAAAAAAbsolute vibe. loving it. lovvve. definitely very interesting

12. OH MY GOD OH MY GOD OH MY GOD!!!!!! IT'S EVERYTHGING!!!!!! iT'S EVERYTHING I HOPED IT WOULD BE I ABSOLUTELY LOVE THIS IM SCREAMING AND SBBING DYING ON THE FLOOR i "fell" in love with the vast a while ago (he h heh) and i have NEEDDED something like this in my life this is the most amazing vast ambiance i have eEVER heard oh mygodoogodmy god new go-to unlocked 100000000000/10

13. OH M GEE LONELY IS PERFECT TOO!!!!!!!!!!!!!! FLAWLESS!!!!!!!!!!!!!!!!!! this could work for vast too i think but it's more melancholy. it sounds like it would play in martin's domain. screaming screaming internally i feel so

its making me feel things bro

oh this is just gorgeous all around

im obsessed im CRAZY

the slow descent...into "maybe it's better this way".... the loss of self. so acutely conveyed through music.

that gentle pause that says i dont know what to do anymore now that im alone; i guess i just keep going.

AAAAAAAAAAAAAAAAAAA I LOVVVVVE for the second half of the song they somehow made drums belong in the lonely hello??

THE ECHOES are hurting me in my soul this is BRILLIANT.

NNNNO STOP THEY ADDED MORE PAIN

14. TERMINUS!!!!!! LETS GOOOOO!!!!!!!!! oh i am fEELING this minecraft end dimension ahh sound ok get it

i really like that they put the end at the end lol

it needs no ritual, for in its infinite patience it knows inevitability

me when i slowly approach death with this playing

aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa

ENNNNDDDING NOTESSSS

this entire album is so so so beautiful please feel free to check it out 👍

tbh tma video game when?? and also please hire this guy for it??

HELLO. I GENUINELY CANT PICK A FAVORITE. i adore them all for different reasons.

i like how hunted is really long and sort of repetitive — it articulates that feeling of the never-ending chase. also its STRAIGHT FIRE so ive just been listening to it over and over

corruption is BRILLIANT for a variety of reasons i love love love that one

currently listening to ceaseless watcher because both the BASS and the BEAT DROP are INSANE im so normal about this audio art of this other thing that im also very normal about

ehehe thanks :D

guys btw i found this fabulous af tma fan album — fourteen tracks, one per fear — largely instrumental but it's ABsoLUTEly AMAZING. epicest ever. it's called "panopticon" and is by harvo.