#“it cannot be avoided but by this... it WILL NOT be avoided but by this”
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karanseraph · 16 hours ago
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I'm not assessed professionally.
But, as a person, my experience of the world is that a lot of it does not makes sense for everyone on any logical basis I can see. So, I find myself asking why I would participate in a system (it's all systems all the way down) that doesn't make sense. Yet, I see others participating in their small talk or exploitive employment profit whatever, and I start thinking why do they continue to participate? And then so many thoughts. Do they know and they do it anyway? Do they not see the illogicalness? Or do they not understand this system is not working for others? Why don't they get it doesn't work for me? Why are they trying to get me to conform? What is really wrong here? If humans made this humans can change this. Just decide it. But we keep lingering in the mire. And it's painful.
Anyway, IDK if that's autism at all.
But my experience is often that I perceive a system is in place, but I think that system is ineffective and doesn't make sense and maybe even is harmful.
And it just breaks my brain.
Like WHY?! why are we still doing things this way? Why do we tolerate? Why aren't we all questioning everything all the time? If we're questioning, why aren't more of us saying what is wrong and then avoiding that?
Because, I cannot alone even improve my own world and experience because I am trapped in the construct of in-place systems humans made and which still don't make sense for everyone and I can't get things I need to live without some combination of money and telling other people what they want to hear ( even if that thing is untrue and/or I cannot read their mind to know what they want or expect).
Money is fake. A lot of scarcity is fake and when it's real is just logistics of distribution. Things shouldn't be a phone call. If your area collects yard waste for composting, you ought to then also be distributing free compost and/or mulches. People should share seeds. People should have land under their agency to tend trees and other plants for food. People should share food from their plants if they have surplus. No one should be forced to live in tiny cells in towers apart from nature unless they are willingly conducting dangerous wizard experiments and are sequestered for our safety, and even then the wizards should get breaks and we should bring them meals for their science contributions.
Yanno, things that make sense.
One of my favourite parts about autistic people is how you can use other peoples' reflections of them like an echolocation bullshit detector. Like they personally do not need to do shit for this to work, they just passively emit their own autistic vibe that bounces off every surface around them, and you can assess another person's level of self-awareness by how they reflect it back.
"Autistic people do not understand social hierarchy" nope, they understand you're supposed to be an authority here, but they won't politely pretend to respect you if they think you're incompetent.
"Autistic people do not understand humour" nope, they just don't politely pretend to laugh to humour you, and you are simply not funny.
"Autistic people are rude" nope, they just don't think it's polite to lie to you, and don't care about trying to tell you what they think you want to hear instead of telling you what they think.
"Autistic people sometimes have emotional meltdowns for absolutely no reason" nope, you're just insufferable to be around and the person with the lowest tolerance of your shit is simply the canary in the coal mine who breaks first.
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mayakern · 10 hours ago
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A Note From Our Founder (and some other things)/ The World's Longest Newsletter
Hey, y’all. The past week has brought us a lot of extremes: first the fear, horror, shame and despair as we realized just how dire the business’ financial situation was… and then relief, gratitude, hope, joy—so many overwhelming feelings I don’t even have the words for them all. Y’all showed up for us in a big way and I cannot even begin to express how thankful I am for that. Many of you have followed the store for years. You’ve watched as it’s grown—bloomed—and seen me do the same, as for better or worse, my identity and the business’ are so closely intertwined. So much of my life is invested in this little indie clothing brand that the prospect of it hurtling towards failure made me feel like I, too, was hurtling towards failure. But you all showed up and helped us avoid a huge crisis and for that I cannot even begin to say how thankful I am. How thankful we all are. Not only did sales rise to meet our crisis, but you showed us such an overwhelming amount of kindness—sharing our store on social media and with friends, offering us words of encouragement, telling us just how much you love our clothing and how much it has meant to you—that will touch me forever. We’re not quite out of the woods yet—our immediate payroll concerns have been addressed, but we’ll still have to get a bit scrappy and roll with the punches for the next few months, if not longer. But thanks to all of you, now our problems look solvable and not like unavoidable catastrophes. Thank you. Maya Founder/Co-Owner Maya Kern LLC
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In case you haven’t heard, we’re still running our sale—almost everything in our store, including garments that were already put on clearance, are 20-50% off. Many items are being sold at or below the amount we paid to make them to help us recoup some of our production costs. Some of our buttery soft viscose shirts are as cheap as $9 right now! This sale will be ending Sunday night at midnight US central time, so don’t miss it!
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Also, we heard from y’all that our store’s auto region detection was buggy as heck, so for your convenience we’ve added a “Store Location” drop down to the top of our store page. Many of our items are already sold out in the US, but some of those sold out garments are still in stock in Canada.
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We’ve heard y’all loud and clear—many of y’all have asked us when our petticoats will return and have also suggested that we run some preorders to help us secure funds for production. So from January 16th at 12pm Central to January 30th at 12pm central, we’ll be running preorders for our much loved petticoats! For those of you unfamiliar with our petticoats, they are a lightweight, sensory friendly under layer that adds the perfect amount of volume under our midi skirts. While many petticoats cut corners by either offering only a limited size range or by stacking layer upon layer of scratchy, flimsy tulle to create the desired volume while growing heavier with every added layer, our petticoats use fewer layers of a stiffer, higher quality tulle that maintains its volume under the weight of a skirt. Because all tulle regardless of quality can be quite scratchy, we also added a satin slip as the base layer of our petticoats to make sure that they are sensory friendly and non-irritating.
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This time they’ll be available in classic black and lovely blush. We’ll also be offering a small discount to anyone who buys a petticoat during preorders. (Please keep in mind that the blush petticoat photos are mockups and so the final color may be slightly different)
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And lastly, if you’ve made it this far, we have some production news! I could not be happier about how much y’all have loved the cozy matcha set—they’re already sold out in the US (tho our Canada store still has a few left!). Creating this loungewear set has been on my bucket list for so long and I am ecstatic that y’all share my love for them. Thanks to how good the sales have been, we’ve been able to plan more cozy sets for later this year, even though they are quite expensive to make. First up will be a spring/summer version with short sleeves and shorts. These will have a different, less warm interior but will still be made of 100% cotton.
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I have some ideas rolling around for a new cozy set or two for the end of 2025, but I’ll just let y’all stay curious about that. In truth I am so excited about the next winter concept that I can hardly bear to keep the secret, but I shouldn’t get ahead of myself.
Thanks so much for reading and have a great rest of your day!
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ooooo-mcyt · 15 hours ago
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For the record, just because Joel has been opening himself up to positive relationships more doesn't mean he's good at it.
Joel..doesn't like to be alone, and ever since Double Life, he's never really let himself be alone, inserting himself into groups and never letting go. To the point where he won, not through bloodshed, but through "family".
This does not mean I'd ever claim Joel is emotionally intelligent or good at communication.
Joel is a character who really needs people, but who loves through twelve layers of comedy and sarcasm, always making a joke out of himself to avoid having anybody look too closely. Because he needs to have people close, and wants to be loved by them, but often cannot stand to be known without some kind of buffer.
So he brushes away any sign of real emotion from Etho, he makes fun of Jimmy, he laughs it off while he gives Lizzie everything she asks for, he dodges any affection given to him in turn, and he makes "family" a running bit. Because that's easier than saying what he means.
Because he'd rather (or is convinced he'd rather, at least) live as a contradiction who needs people so much he's never let himself be alone for an episode since the first time the universe gave him a taste of real companionship, but who would rather die than be honest about it.
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inprogresspokemon · 1 day ago
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#161.5 - Found amongst forests and fields of tall grass, Sentret are very cautious Pokémon that are always on high alert. By standing on their long tails, they can get a better view of their surroundings and avoid being ambushed by predators. If a Sentret spots danger approaching, they will let out a warning cry to notify the rest of its kind. As these nervous Pokémon age, they begin to burrow beneath the ground to make a complex system of tunnels; this nest is designed so that other Pokemon cannot enter it. When outside the safety of their burrows, they will still stand on their tails until they’ve fully evolved and become fast enough to out pace their enemies.
Names: Sentret - Scoutret - Furret
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Follow for more In-Progress Pokemon evolutions!
FAQ | Social Media | Pokemon Index | Commission Information
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writing-zelda-brainrots · 2 days ago
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Listen. Re:Zero is my favourite anime. Let me just yap about this for a minute.
One idea that I keep finding myself returning to when thinking about Linked Universe fanfics is the idea of [Name] having Return by Death from Re:Zero. I have many thoughts.
For those of you unfamiliar with the series, Return by Death is Subaru’s ability to return to a specific, predetermined point in time every time he dies. The user of this ability cannot change or choose where these ‘savepoints’ are, they change automatically at seemingly random (basically, think of them as the world ‘autosaving’ from time to time).
The user of RbD cannot tell anyone about this power, as the one in control of this authority can punish the user by squeezing their heart (basically giving them a heart attack) or by killing the person the user was talking to. Though it is important to note that this restriction goes for telling about RbD directly, so if the user speaks about it indirectly (for example in riddles/confusing metaphors) or if the listener does not understand/think much of the user's mutterings/ramblings, the curse will not take effect.
The user of RbD is almost always marked with a stench of ‘evil’ that makes them irresistible to monsters, leading them to lock onto and attack the user. Though the smell is mostly faint (not even noticeable to most people) a majority of the time, it becomes stronger when RbD or the curse activates. So, the more recent the death or punishment, the stronger the smell.
You better hope that none of the Links find out about this power or how many loops you've gone through (not that the curse would let you tell anyone, anyway). It would shatter them. All they know is that when you suddenly start tweaking, it’s time to lock in. It’s not that they ‘get used to’ your odd (to put it mildly) behaviour, but they do learn to back off and kind of just let it happen after you tell them to not worry about it. It’s still unnerving, but they don’t know what to do other than offer their concerns, since you never want to explain yourself.
Time realises quickly that something is up with you. You seem to know what’s going to happen ahead of time, even if you try to not make it obvious, you’re constantly planning ahead and removing yourself from the group to ‘collect your thoughts’ when you think no one would notice. He’s seen your mood shift dramatically at the drop of a hat. One minute you’re fine, laughing and joking, and suddenly you look like you’re about to have a mental breakdown or you wake up screaming bloody murder. Eventually, it all starts to feel awfully similar to how he was whenever he travelled through time. And all the pieces start to fit into place when he realises this. You have some ability related to time travel/clairvoyance, he just doesn't know how it works. But he is determined to figure it out, even if you never want to give him an answer, always avoiding the topic and trying to lead his attention somewhere else.
Despite how much Warriors teases you for being a ‘scaredy cat,’ he honestly thinks you’re irreplaceable. You’ve gotten the group out of many sticky situations, so much so that you must have some kind of future sight or the goddesses have gifted you with the most brilliant strategic mind in history. You always have a plan, you’ve never made a mistake, you can come up with an idea that’ll get them the best possible outcome all in the blink of an eye. If only they knew… Now if only he could do something about that stupid ‘self sacrificial’ habit of yours.
When forming a plan, he wants your input. When you say that the group should avoid an area, he takes that into consideration, even if when questioned, you say that it’s because you just ‘have a feeling.’ You have yet to be proven wrong in his eyes. He’s almost jealous of you. You unmasked a whole group of Yiga soldiers after being in town for less than a day, all based on tiny ‘hints’ that you noticed (little does anyone know that it took you about 8 loops to figure that mess out). Maybe you should be the head strategist of the group, huh? Not up for it? Alright, fine, but at least try to not steal his thunder, okay?
Hyrule is like Warriors, but way more. He believes you’re the coolest person to ever exist, even more worthy of the ‘hero’ title than him. You’re undoubtedly the weakest in the group, but you never give up, you’re still out there fighting because you believe you all can win. He’d trust you with his life if you asked. Travelling with the Chain made him realise how much he needed positive connections with others, so he wants to be there for you too, especially given he’s seen your ‘mood swings’ and self worth plummet. He is your number 1 supporter, just like you’re constantly inspiring him and others around you.
He also finds that he’s often healing you. He’s noticed that on days when you’re really out of it, you inflict harm onto yourself for reasons he can’t fathom. You’d scratch yourself until you begin to bleed, usually on your arms, but sometimes on your neck as well. He’s tried to snap you out of it, and while it does usually work, he can never get you to stop for good.
Hoo boy. Twilight. So you know how he almost died? Yeah, turns out that that injury was a ‘canon event’ that you cannot change. When you forced a RbD (in other words, you killed yourself), you found out that the fight had already happened and your last respawn point was set afterwards. That was the first time that Twilight realised that there was something seriously wrong with you. While Rulie was passed out from using too much magic, and the others wouldn’t dare enter the room for various reasons, and he was falling in and out of consciousness, you stood by his bedside, hardly able to choke back tears, apologising for ‘not being able to fix this.’
Of course, he had noticed that smell on you, how it seemed to fluctuate at random but still sticking to you, and how monsters were drawn to you like moths to a flame whenever that smell spiked. It reminded him of the Twili magic that clung to him. Could you have been affected by something similar? But by what and what did it do to you other than make you an irresistible target to monsters? This and other factors cause him to be very protective of you, similarly with how he is with Wild.
Wild is down for your crazy plans, even if he has to admit that some of them sound dicey at the very best. But you have the devil’s own luck and he’s honestly thankful that you’re the lucky one out of everyone.
While he is glad that others (including himself, of course) have high opinions of you, he’s keeping a close eye on you and how much pressure is put on you. While he might not remember much of his ‘previous life,’ he’s all too familiar with what happens when expectations are piled onto someone. Because of this, he’s trying to joke and laugh with you, telling embarrassing stories because he wants people to remember that you’re a person, not a walking list of accomplishments. But should you ask for his help, he’s not going to say ‘no.’
I want you to know that of all of the links, Legend is the one most determined to know what is up with you. Yes, he teases you the same way that Warriors does, but he recognises that you are deeply messed up (takes one to know one, bitch). He’s seen that faroff, dead look in your eyes and it felt so real that - if it was not for you blinking - he could swear he was looking at your corpse.
He once cornered you (literally) in an attempt to get you to tell the truth, but when he noticed that genuine fear in your eyes, he backed off. He swears that he’ll get to the bottom of it, but knows that forcing it out of you won’t help. Even if your ‘stubbornness’ is wearing his patience thin.
Sky is basically your therapy dog. You know how his Zelda was always standing up for him? Well, now he’s doing that with you. He knows a bullying victim when he sees one. He sticks close to you when in new places and should you show any signs of discomfort, tries to distract you.
One thing that makes him nervous though, is what happens when you come into contact with the Master Sword; it burns you. With some help from Twilight, Sky knows that there’s a ‘curse’ on you, which would explain some things about you. He doesn’t like how the sword’s power isn’t enough to get rid of it, like it could with Legend’s transformations. Whatever this curse is, it’s powerful and won’t be easy to get rid of. Not like he’ll give up on finding a cure.
Four is surprised at how quickly you begin to pick up on swordplay. Did he teach you some of those moves? He’s sure he would have remembered it if he had. Maybe Sky taught you? The Skyloft knight was the best swordsman in the group, so it’s possible. But something keeps nagging at him that that wasn’t the case.
You’re hiding something. Something big; he’s absolutely certain of it. And he knows that the others know too. Still, it’s not like none of them have secrets they’re sitting on. But what could possibly be so important that you won’t tell them? It’s not that he doesn’t trust you, you’ve shown time and time again that you’re an amazing person. It’s just that he feels a little hurt that you don’t trust them enough to tell them what’s going on with you. They’re all worried about you, but if it really means that much to you, he’s sure that you’ll tell them eventually.
Wind wants to make bets with you on basically anything and everything. Is it going to rain today? Who will be the first to trip on a rock and fall flat on their face? Will the next portal lead the group to his era? Yes, these questions are often silly, but he genuinely wants to keep you happy. That’s why he’s constantly sticking to your side, telling jokes and stories, inviting you to play some stupid game of chase. Wind is a lot more emotionally intelligent than many assume (mostly because they underestimate him due to his age), so he can tell when your mental health is about to take a nosedive, despite the happy ‘mask’ that you put on.
One person who you never thought would ‘understand’ you is the Fierce Deity. You have no idea how or why, but it seems like he holds you in very high regard. Not necessarily for your physical strength or weapon skills (lord knows you could never match him or any of the Links), but he seems to ‘get’ you, like he… Respects you? He can’t help but see you as a warrior in your own right. He looks at you and he sees that look in your eyes; the look of someone who has seen death many times. It’s a trait that is highly valued among warriors (because it shows experience) and often even seen as ‘attractive.’
He is actually the only one who learns the truth about you. Fierce has seen Time repeat the day night cycle over and over so many times, so he’s more than familiar with the concept of time travel. But when he learned the method behind your power - when, in a last ditch effort, you put the mask on and his mind and memories fused with yours - his respect for you shot up sky high, but he’s also incredibly worried about you. The toll that your ability has already taken on you is immense and he knows that it’ll only get worse as the group gets closer to defeating the one behind the portals. It’s times like these that he wishes he had the knowledge and ability to give you comfort. Yes, he has more than enough strength to protect you in a fight, but being locked away in a mask (one that his host refuses to use), leaves him useless.
All he can hope for is that you two could get a moment alone, where he can tell you that ‘he knows,’ and let you let out all the emotions that you’ve been forced to bottle up for much too long. If you want to use him as a shoulder to cry on and vent out everything you’ve gone through, he’ll let you. As for why he can’t be killed by the curse, it’s because his status as a literal deity is protecting him.
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scoutofmymind · 14 hours ago
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Saw that someone said Luigi’s Reddit had a post where he eluded to a pretty heavy drinking habit in college, which then makes me think about drunk ex!luigi. I’m sorry, but you write angst too well
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Unlearn Me — { Luigi x Reader}
Content: SFW, angst, yearning, slight pining, mentions of canon back pain, ex’s reminiscing, heartbreak all over again.
W.c: 4,336 (holy shit)
Notes; Two semesters of carefully crafted distance crumbles at 3AM in the computer lab when your final project implodes hours before the deadline, leaving you with no choice but to seek help from the one person you've been avoiding since the breakup.
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Before we continue, I cannot ignore that wildfires continue to ravage Los Angeles, countless families have lost their homes and livelihoods. I urge you to consider supporting those affected through any of these donation links, additionally, Roadogs on Instagram is looking for fosters for mass evacuations of shelter dogs in California.
Foster or donate if you can. xo.
Now, let’s go.
"Mother fucker," you curse, attacking your keyboard with increasingly desperate keystrokes.
Each combination might be the one to salvage this disaster, but deep down you know it's hopeless — your software has corrupted itself into oblivion, taking six months of work with it.
"You can ask for an extension," Emma suggests, her voice carrying the weight of exhaustion that matches your own. Your roommate had burst into the media center still wearing her pink silk pajamas, immediately launching into a nervous tirade about after-hours permissions and potential expulsion risks.
Her constant hovering and worrying grates on your last nerve, and you tell her to leave.
Predictably, she refuses.
"Listen, I'm not just gonna leave you here on your own." She leans across your workspace, her body pressing against your laptop screen until it tilts halfway closed. You freeze, fingers suspended above the keys, terrified of losing what little progress you've made in this digital archaeology expedition. "There's - like - a murderer on campus."
"One girl said she was followed home," you gently remind. Under normal circumstances, Emma's mother-hen routine would be endearing — charming, even. But right now, with your project in shambles and deadline looming, her protective hovering feels suffocating. "Not murdered, Em."
"May as well have been." Emma fixes you with that look — the one that screams why am I the only rational person here? While her nails tap nervously against your desk. "Probably hasn't left her room since. And you know what? Smart girl.”
You scrub your hands over your face, your eyes fixed on the projector's word vomit — an endless stream of error messages and unintelligible code painting the drywall from a tired projector like some twisted modern art piece.
Not exactly what you were going for.
Emma stands mesmerized, "How did you even do this?" She watches the cryptic display crawl across the wall, her eyes tracking each line as if she could decode it. "This reminds me of-" she catches herself, the name hanging unspoken between you. She's learned that lesson the hard way. "This is wild.”
You can't help but notice.
Notice how she almost speaks his name, how these meaningless strings of letters and numbers somehow bridge the gap to memories you've tried so hard to bury — promises whispered under star-sprinkled skies, fingers intertwined beneath the cosmic glow.
Moments that felt eternal then, ephemeral now.
Your gaze drifts to your phone, lying face-down like a surrender.
You blink several times, trying to clear the ghosts from your vision before speaking, your voice emerging barely above a whisper, as if the words themselves might shatter something in the air, "Should I text him?" You ask, offering the idea as if it was something too controversial to be spoken aloud.
Emma shifts her weight, both from exhaustion and the sudden weight of responsibility.
Your night's trajectory now rests in her hands — she who has witnessed every shade of you, from triumph to devastation. Her own memories of him surface: the way he'd raid her ice cream stash only to replace it with a premium pint the next day, how he'd tackle the dish mountain without prompting, those small gestures that made him feel like family.
"He was my favorite boyfriend of yours," she'd told you once, in a moment of wine-honest conversation. "He was a good boy."
A good boy who made a couple mistakes.
But those mistakes had compounded like interest on a debt you never agreed to pay, until the rift between you and Luigi widened into an ocean.
Everything good had been pulled out with the tide — your trust, your shared future — swept away to depths where no light could reach.
"I-" Emma's hand finds the back of her neck, her expression cycling through a slideshow of conflicted emotions. You can see her internal struggle; the desire to crawl into her bed warring with her loyalty to you. And she knows you well enough to realize you'd stay here until sunrise if necessary. "I mean — babe, I love you, but you can't fix this." The admission seems to pain her, as if acknowledging your limitations feels like betrayal. "We aren't techies."
You stare helplessly at your gutted gallery, stripped bare by your own accidental digital vandalism. Your artwork, your portfolio, your future — all reduced to incomprehensible strings of code projected onto an indifferent wall.
"Do you think he'd come?" The question escapes before you can stop it, your eyes magnetized to your phone as if your stare alone could resurrect that old text thread, buried beneath months of careful silence.
"Of course he would."
A soft, defeated whine escapes you as you turn back to glare at your corrupted work, as if you could intimidate it into fixing itself through sheer force of will.
Emma's voice softens, "Hey, he's mature enough to understand you've exhausted your options."
A violent shudder runs through you at the thought of Luigi being your last resort.
You'd managed to exile the visceral memories — the heated arguments that left you gasping for air, the promises that turned to vapor in the morning light.
"Which are?"
Emma looks down at her Pokemon-clad self, then back at you. "Me." She gestures vaguely in your direction, "and you."
The campus sleeps around you, everyone else lost to their dreams or late-night calls home. Just the two of you remain, trapped in this dimly-lit purgatory on a Wednesday night, while error messages mock your existence with their endless scroll.
"Slim pickin's," you mutter as your fingers betray you, finding Luigi's contact with muscle memory that refuses to die.
How many times had you pressed these same digits before?
But this is different.
Different because you haven't spoken since that night in your kitchen, when you stood with your back to him, voice steady despite the trembling in your hands, "So, we aren't going to try to figure this out?" You asked, and he’d responded with some pretentious comparison about your relationship being like corrupted code, fundamentally flawed, destined to fail its own quality test.
The irony isn't lost on you — the very metaphor he used to end things is now the thread that might pull you back into his orbit. Your only connection besides the elaborate dance of avoidance across campus, treating each other's paths like holy ground neither dares to tread.
Opening the thread, you're greeted by your last exchange — your final words to him blazing across the screen in angry blue bubbles: "I want my fucking shit back or I'll make your life a living hell." Such poetry. Your new message hovers in the text box, simpler, desperate in its brevity.
Hey need help with somethin. U up??
You thrust your phone at Emma like it's burning your fingers, watching her eyes widen as they catch on those months-old texts — digital artifacts of your rage that should have been scrubbed before tonight's desperate plea. "Jesus," she whispers, amusement dancing in her expression. "I'd still be licking my wounds if I were hi-"
The familiar buzz cuts through the air, a notification chime that once made your heart leap but now makes it sink.
"What'd he say?" You mumble, gaze fixed on the mocking projection that bathes the room in its sickly digital glow, code continuing its relentless march across the wall.
Emma settles into a chair, hunching over your laptop's makeshift altar. "Said he's at Ruddy's." She squints at a fresh message. "He said 'what do you want?'" She deepens her voice into a cartoonish baritone, making him sound like a caveman discovering text messaging for the first time.
You can't blame him for the cold response — you’d scorched that earth thoroughly.
But a selfish part of you wants to delete the whole exchange, pretend this moment of weakness never happened, go back to the careful choreography of avoiding each other's existence.
But you can't.
The corrupted gallery looming on the wall is a stark reminder that pride is a luxury you can't afford right now.
His icy reception is the natural consequence of your scorched-earth campaign, those venom-laced messages sent in the throes of heartbreak and confusion.
You'd played the role of the woman scorned perfectly, even though you'd written your own tragic script.
"Just send him a picture." You wave listlessly at the wall, where your work continues its digital decomposition, folding in on itself like a dying star. The error messages stretch into an endless serpent of nonsense, each iteration making less sense than the last.
The artificial shutter sound of Emma's photo breaks the silence, followed by the soft swoosh of sending. The wait feels eternal until-
Ding
Emma's attention snaps to your phone resting on her thigh, her eyes widening. "He's typing like he-"
Sorry;m,, I’m fucked uo
Up
I am
fucked up
Emma clicks her tongue and rises, crossing the room to lob your phone into your lap, screen up. "Guess some things don't change." You manage a weak half-grin, memories flooding back unbidden — Luigi stumbling into your dorm in the small hours, wrapped in whiskeys warmth, all soft edges and desperate hands.
"Well, make up your mind." Emma's yawn threatens to unhinge her jaw, arms wrapping around herself like armor. "Are we done here, or are you gonna have him come take a look?"
I’n be there son
I’ll be rherw soo
I’ll be there soon
You stand to wrap your arms around Emma’s shoulders who reluctantly curves her arms upward to squeeze your shoulders. “Go home.” She seems reluctant to listen, staring at your phone screen as if it would take her home itself. “I promise, I’ll be just fine.”
The space between you pulses with that unique warmth reserved for someone who shares your roof, your darkest secrets, and the monthly struggle with Con Edison. "Just don't make any brash decisions."
"Oh, Em." You press a kiss to her forehead. "You think I'm so much cooler than I am."
Emma's laugh follows her as she spins toward the door, collecting pieces of herself like breadcrumbs — the scarf draped over a chair, the coat hung forgotten, the backpack abandoned when the day still held promise.
Each item a marker of how long this digital nightmare has stretched, from sunshine to moonlight.
And as if summoned by cosmic irony, the lab door swings open to reveal Luigi. "Oh - hey, E." The surprise flickers across his face before he schools his features back to neutral.
"Hey, Lu." Her greeting carries the easy familiarity of their old routine, like NPCs in a cozy game exchanging preset dialogue, their paths crossing exactly as programmed.
"You g'na help me with this?"
Emma shakes her head, patting his shoulder as she passes — a gentle handoff. "I did my time." You want to protest, but words fail as you absorb the sight of him, eight months of careful avoidance crumbling in an instant.
"Ahh-" Luigi waves, feigning disappointment through the druken haze. "Need a walk back home?"
Ever the shepherd, guardian of late-night wanderers.
It didn't matter who you were — friend, stranger, ex-lover’s best friend and roommate — his self-appointed mission to ensure everyone's safe return never wavered.
You'd once wondered if it stemmed from some deeper anxiety, his mind unable to rest until every sheep was accounted for in its fold.
Tonight though, the alcohol has mercifully dulled that protective instinct. Emma's potential disappearance into the night ranks lower on his list of concerns than usual, although Emma herself had been the one earlier to warn you of the murderer on campus.
"You still got my location," Emma reminds him — a callback to conversations past, to the day she'd granted Luigi permanent access to her whereabouts, a level of trust you'd wisely withheld.
"Right."
She presses a kiss to her fingers, flashing you a peace sign with the same hand before it briefly lands on Luigi's shoulder. Then she's gone, disappearing into the snow-globe world he'd just stumbled in from. He stands before you now, arms hanging like dead weight, his eyes somehow both wide and narrow.
"Hey," you whisper.
"Hey."
You gesture weakly at the wall where your work writhes in digital agony. "So, uh — remember that time you salvaged Professor Wren’s entire thesis when her drive crashed?"
Luigi's eyes follow your hand, professional interest temporarily overriding the awkwardness. He steps closer, squinting at the corrupted display, "Jesus," he mutters, "what did you do to it?"
"Would you believe me if I said nothing?" The laugh that escapes is more nervous than you'd like. "It just. - it started disintegrating during final checks."
He's already pulling out his laptop, muscle memory from countless late-night tech rescues. The familiarity of it hits you in the chest — how many times had you watched him do this same thing, hunched over his keyboard, bottom lip caught between his teeth in concentration?
"I can try," he says finally, not quite meeting your eyes. "But no promises. When's this due?"
"Tomorrow at nine."
"Of course it is." He drops into the chair beside you, close enough that your elbows almost touch, but enough of a distance to still feel far away. “Okay, walk me through what it's supposed to look like when it's not — uh - whatever this is."
For a moment, Luigi stares at the corrupted display where red pixels bleed and stutter across the wall. His fingers hover over his keyboard, then pause. "Wait. This is your circulatory modeling project? The one you were-“ He cuts himself off, remembering this was before the eight months of silence.
"Yeah." You swallow. "It was working perfectly until an hour ago. Real-time hemodynamics, pressure differentials, vessel elasticity. Everything." Your voice cracks slightly on the last word, feeling more helpless when you verbalize it.
He nods, already typing with uncanny precision despite the slight sway in his posture. "Show me the base code. Did you save any backups?"
"Three. All corrupted." You lean forward, careful not to crowd him as you pull up the mangled files. "It's like something got into the core simulation and just - I dunno - started rewriting them."
"Hm." His eyes scan the screen with that laser focus he somehow maintains no matter how much he drinks, that familiar furrow appearing between his brows. "These values are cascading. One corrupted variable triggering a chain reaction through the whole system." He glances at you, slightly overshooting before correcting. "When's the last time it ran correctly?"
You check your phone. "6:43 PM. I have a screen recording from then."
"Good. That's good." He pulls up a second window, his typing still flawless even as he reaches with his free hand to steady himself against the desk. "We can compare the execution logs, maybe isolate where it started going wrong." His fingers fly across the keys with a precision that seems to mock his clearly inebriated state, and for a moment, it feels like those eight months never happened. "I'm going to need coffee for this." He looks up at you from where he sat, “Or more booze.”
You land on coffee, your feet carrying you down the familiar path to the kitchenette.
The fluorescent lights flicker dimly at this hour, casting strange shadows across the linoleum, the lab's overpriced espresso machine hums to life under your touch, its gentle whirring a counterpoint to the distant sound of Luigi's typing.
Suddenly you're back in that first year, both of you hunched over at 3 AM, him teaching you the proper way to pull a shot: “You're murdering it, stop torturing the beans”, your quiet laughter echoing through empty halls.
"Got it.” His voice carries down the corridor, slurred but triumphant, snapping you back to present.
You return to find him illuminated by screen-glow, his tie loosened and dark hair disheveled. The paper cup lands in front of him — double shot, one packet of raw sugar.
He doesn't stir it, never has.
Instead, he tips the cup back, and you hear that familiar crunch of sugar crystals between his teeth, a sound that used to drive you crazy, until somewhere along the way it became endearing.
Still, the jumbled code taunts you from the screen, though its chaos seems less threatening now. Under Luigi's touch — steady despite the alcohol —- your final project is slowly remembering its original shape.
"You should have texted sooner," Luigi murmurs, tilting his head back to collect the last sugar crystals from his cup. The movement exposes his throat, his collar wrinkled where he's been tugging at it all night.
"Well," you say, watching the way his fingers dance across the keys, each stroke precise despite his obvious intoxication, "takes a minute to swallow something as big as my ego."
The corners of his mouth twitch upward, eyes never leaving the screen where broken code is knitting itself back together under his attention.
"Oh," he huffs out a laugh, the sound low and dangerous in the quiet lab, "I've seen you swallow far bigger things before."
It strikes like summer lightning — quick, bright, and leaving the air charged in its wake. The innuendo lands with no real bite, yet you find your jaw slack, a startled laugh shaking loose from your chest.
"Kidding," Luigi says, his eyes flicking from screen to you and back again. There’s a ghost of a smirk playing at the corner of his mouth, softened by the alcohol but still sharp enough to cut. You wave him back to his work, grateful for the blue glow of monitors that hides your flush. "You kinda set that up perfectly, though."
He squints up at the projection where your broken code still bleeds across the wall, letting out a soft grunt of frustration at some digital roadblock. "Just mean — ya know, you could have caught me two beers deep instead of seven."
You shrug a shoulder, watching as the projection slowly crystallizes into something recognizable. "Seems you work better under such conditions."
The lie tastes metallic.
You both know the truth.
Luigi would have come if he was sober as sunrise or drowning in bourbon. Would have come with broken ribs or pneumonia or his heart barely beating. Would have traced these familiar hallways blind, deaf, or dying — because that's what the two of you do.
Have always done.
You've seen him at rock bottom, curled into himself on cold bathroom tiles at midnight, trembling hands pressed against his mouth as if he could physically hold back the pain that wracked his body. Watched him try to explain to puzzled doctors how someone so young could hurt so constantly, the frustration in his voice when they suggested it was all in his head.
You were there through the trials of medications, the nights when existence itself seemed too heavy to bear.
And you've seen him soar; standing tall in that charcoal suit that made him look older, more polished, shaking hands with tech giants who saw in him what you'd always known was there, his future spreading out before him like a golden road, brilliant and boundless.
Now he sits here, seven drinks deep but coding like he's never been clearer, and you realize that maybe both versions are equally true.
Maybe that's what makes him Luigi — the ability to contain multitudes, to be simultaneously broken and brilliant, wounded and wonderful.
He catches you watching him and raises an eyebrow, the gesture slightly delayed, which means you must have been a bit too obvious. "What?"
"Nothing.”
His fingers pause on the keys, and even through the alcoholic haze, his gaze pins you like a butterfly to cork. "No, really. What?" The words have a slight blur around their edges, but his focus is knife-sharp.
You could deflect again, but there's something about 4 AM and code that glows like dying stars that makes honesty feel less dangerous, perhaps you’re finding comfort in the fact that Luigi is drunk, although you’re stone cold sober.
"Just thinking about that time in the Thompson building bathroom." Your voice comes out softer than intended. "When you couldn't stand up, and I had to convince the janitor you had food poisoning."
He doesn't flinch from the memory like he used to.
Instead, his mouth curves into something caught between a smile and a grimace. "You told him it was from the cafeteria." His fingers resume their dance across the keyboard, but slower now. "Got the whole place investigated by health services."
"Yeah, but got us three days off while they checked fucking everything.” you remind him.
"Got me through that week," he corrects quietly, and for a moment, the mask of that brilliant-drunk-techie slips, showing the man underneath who still remembers what it feels like to be held together by nothing but someone else's faith in you.
Then he blinks, and the vulnerability is gone, replaced by that familiar crooked grin. "Though I maintain the cafeteria deserved the inspection anyway."
The projection flickers, another section of code healing itself under his touch, and you wonder if he knows you'd do it all again.
Every bathroom floor, every late-night crisis, every moment of putting him back together - you'd choose it every time.
"Speaking of which," you venture carefully, watching his hands move across the keyboard. "How's the new treatment working?"
His right shoulder shifts in what might be a shrug, but there's a shadow of a real smile playing at his mouth.
Not the sharp, defensive one he wears like armor, but something softer, more genuine. "Six months post-op and I actually slept through the night last week. First time in -“ he pauses, considering, "Fuck, I don't even remember how long."
The admission hangs in the air between you, weighted with the two years of 2 AM phone calls, of nights spent pacing, of pain medications that never quite touched the core of the problem.
Watching him try to code through hands that wouldn't stop shaking.
"Still hurts sometimes," he adds, almost absently. "But it's different now. More like background noise than a scream." His fingers still on the keyboard, and for a moment he looks almost surprised by his own words. "Guess that's what normal people feel like all the time, huh?"
The question carries an edge of wonder, like someone who's lived in darkness suddenly discovering dawn.
You watch him roll his shoulder — a gesture that used to be followed by a wince but now flows smooth and unconscious — and think about how strange it must be, learning to live without constant pain after it's become part of your identity.
"Though I kind of miss having an excuse to drunk-code at 4 AM" he adds, but you both know it's a lie.
The code blurs on the projection as silence settles between you, charged with something that's been building for ages — through bathroom floors and hospital visits, through triumphs and failures, through pain and healing.
The alcohol has stripped away Luigi’s careful boundaries, leaving raw honesty in their place.
"You know," Luigi says slowly, finally turning from the screen to face you fully, "I never thanked you properly. For all of it."
"You don't need to-"
Your diagram pulses back to life, the holographic heart rotating lazily against the wall.
Its red glow bathes the room in a surreal warmth, catching on the sharp angles of Luigi's face, softening them into something almost dreamlike.
The light flickers across his cheekbones, turns his eyes to amber, makes the whole moment feel suspended between reality and imagination.
"I do." His voice is quiet but firm, steadier than someone seven drinks deep should manage. "Because I've been thinking — now that I can actually think clearly without-“he gestures vaguely at his back, at all the years of pain, "I've been thinking about how you're the only constant. The only person who never-“ He trails off.
You lean a little closer, drawn by the vulnerability in his voice. "Never what?"
"Never saw me as broken." He turns himself toward you, and there's something desperate in his eyes, something the alcohol has finally given him the courage to show. "Never treated me like I needed fixing. Just stayed. Through everything."
Your lips part, but the words catch in your throat. He takes your silence as a sign, turning back to the screen with a sharp exhale that might be resignation or relief — you're not sure which would be worse.
"Lu,” you say softly, and something in your voice makes his fingers still on the keyboard. "Look at me."
He does, slowly, like he's afraid of what he might find.
The neon bathes half his face in crimson, leaving the other half in shadow, and you see the moment his carefully constructed walls start to crumble.
"Time hasn’t changed that much about me.” you say, each word deliberate, heavy with meaning.
His breath catches audibly. You watch the impact of your words ripple across his face — surprise, understanding, and something else, something that makes your heart race against your ribs.
"Hasn’t it?” Luigi is focusing on you now, the reason he really came here now practically completed but pushed aside until further notice. “Eight months is a long time to hold onto -“ he gestures vaguely between you, as if he can’t quite say what it was. Hopeless devotion, the right person, wrong time.
“Not long enough to forget.”
“Forget what?”
“You.”
His breath catches again, a sharp inhale that seems to pull all the oxygen from the room. When he speaks, his voice is rough and ragged, “Maybe that’s the problem.” His gaze drifts down to watch as you lick your lips, and back up again. “Maybe you should have.”
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marxistlesbianist · 1 day ago
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It seems to me that the propensity of socialist orgs in the US to sink into covering up sexual abuse scandals emerges from the method of volunteerism that is basically universal in political organizing here. At a queer community center I used to be involved in, there was a long-standing member who had to stop going to events because their abusive ex-boyfriend ingratiated himself in the organization. My friend who is still on their board tells me that the people involved would mostly like the man gone, but begrudgingly put up with him because he is one of the most consistent volunteers, contributing far beyond what the survivor was themselves physically capable of. This is, of course, liberal nonsense, of the specific type that arises when the goal of hosting a pride event in the suburbs each year takes precedent over community empowerment. In short, it is opportunism. And whilst I haven’t personally witnessed an ML group mishandle a sexual abuse scandal, from the accounts I have read/heard, I suspect the mechanism is similar.
What I see “leftists”—including many self-proclaimed communists—in the US fail to grasp is that it is necessary for a revolutionary organization to always be building within the masses the social base for its action. A revolution cannot be made by a mere handful of dedicated individuals, and any organization running entirely off of the work of such few volunteers is treading on dangerously unstable grounds. Of course, dedicated individuals are still going to be important for an organization, but more important is a connection to the masses which allows such individuals to be found. In crude terms: everyone must be replaceable. This is for many reasons, not the least of which is that you have to be able to recall from power anyone who commits sexual abuse.
Ultimately this means that the actions of an organization shouldn’t go far beyond what the masses are themselves currently capable of accomplishing. Disruptive protests and union efforts are methods of struggle which are readily accessible to the masses, whilst education campaigns and community survival programs simultaneously increase the fighting capacity of the masses and also to deepen the party’s ties to the people. Even when the movement reaches the point of full revolutionary war, this can only be accomplished if the masses are at the point of being able to support a people’s army. Small guerrilla cells in communities with low class consciousness are perhaps able to frustrate/disrupt the capitalist state, but not overthrow it. When Newton and Seale founded the Black Panther Party, the tactic of armed patrols was decided upon as a means of demonstrating to the community how they could use the weapons they already possessed.
When an organization commits ultra-leftist errors, it risks isolating itself from the people not just ideologically but materially. The org leaps beyond where the people can/will follow, and, divorced from the motive force of history, inevitably stumbles and falls. The way to avoid this, of course, is for an organization to take proper stock of its present manpower, and to set actionable goals with an eye toward expanding their social base—the predominant method in US orgs, conversely, seems to be a sort of opportunistic ultra-leftism, where the active capacity of the masses is overstepped in service of symbolic/electoral goals which on their own do nothing to advance the political power of the working class.
Which . . . fuck. Typing that last sentence out really fills me with frustration and despair. What gives me the slightest bit of hope is reading about how these tendencies have manifested in the history of every attempted communist revolution, with the successful ones demonstrating not how to avoid such errors entirely, but how to overcome them!
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cazort · 2 days ago
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In general, I hate having to out myself as some type of queer, including being trans and/or nonbinary, in order to avoid or deflect criticism.
This is not just true of creation of art or writing of fiction. It's true of serious topics I might write about or make videos on, or talk about in person. It is true of political dialogue, stances I take on culture, on behaviors I find harmful or problematic, vs. harmless or acceptable, or even beneficial.
I want my ideas and stances to be evaluated on their own merit. If an idea is flawed, bigoted, or otherwise harmful, you can find and point out how without referencing my identity.
Identity politics that says people cannot talk on certain topics without having certain identities is awful because it forces people to out themselves. Just listen to people's perspectives. If something is wrong with it, either ignore the perspective and thus give it less of a voice and less influence, or point out why without referencing the author's identity.
So, just curious how many writers and creators will have to be forcibly outed by relentless harassment before we acknowledge that "This queer characters was written by a cishet person and that's why they're bad" is not good criticism.
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lil-liaa · 1 day ago
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My Apology (pls read)
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Hello followers and anyone who is reading this, I just wanted to apologize for copying/getting inspired by other people's mdbs without crediting the original creators, it was never my intention to copy them and I promise I won't do it again and if I do it again this time it will be crediting the corresponding creators,I also want to say that I didn't know before that this was copying because I didn't know how Tumblr worked at the time, but after reconsidering it I have to accept my mistake and be honest with you. even so I want to tell you that the people I have blocked is because of their attitude after the accusations that made me reconsider my friendship with them, for my own good, I know that i do not deserve all the hate that I received, but the truth is, I cannot control those reactions. The only reaction that matters is mine, and even after defending myself, I have to reach the point of maturity and apologize.
My measures on the subject
Now under my mdbs I will add "Collage edited by me" instead of "Images edited by me" to avoid any confusion!
I will add the user who inspired me and in any case, if it is specific, I will also add their post and if any image is edited by a specific user, they can just send me a DM and I will remove it from the mdb in all cases :)
Thank you very much for reading this and I hope you accept my apologies
Could you please help me by reblogging this to spread my apology?
Tags: @soulari @y-vna @n-americano @w3berry @smileybasics @sugarish @c-heriis @alfaire @wonjuii @koosuvi @jaes1lvr @im4yeons @y-unjins @cupid-l0v3r @tzulipss @chaeryeos @y-urios @aeraras @cg1rl @yuqi-luv @lilaquette @taroism @anqlicrosie @webrkii
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cripplecharacters · 1 day ago
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In a sci-fi story I am writing, a character suffers heatstroke. He survives but sustains some brain damage, for the second time in his life. He is shown to have some memory issues, and a loss of coordination. In the setting, there is technology available to help heal this, but due to plot reasons, he cannot access them. When he eventually does, it heals some of his nerve damage and helps with his chronic pain, but it doesn't get rid of the damage entirely, and he still greatly benefits from mobility aids and memory accomodations. I know that the "character heals their disability" plot is ableist, so I am trying to avoid that. Do you think I need to revise this character?
Hi! I don't see a problem with this - characters healing their disability as a trope is more of a problem when it comes to completely healing. When it comes to symptoms lessening or being adjusted, it's easier to think of it like someone getting an aid or a surgery - it's a way that the damage can be helped and mitigated but not erasing that it was ever there and making the character "abled" again.
Overall I really do like how this character sounds and am excited to see how it works! I also like the acknowledgment in the story that aids and surgeries as well as medications can be inaccessible for most people. Best of luck and sorry for the late reply! - Mod Bert
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loojii · 2 days ago
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*GIANT DEEP BREATH*
I LOVE YOU AND YORU DESIGNS FOR EVERY CHARACTER I KNOW SO MUCH LOVE HAS BEEN PUT INTO IT AND I LOVE YOU SO MUCH FOR IT LIKE OMG MOSTLY I GOT INTRODUCED TO YINA THE FEMALE HYENA AND THE FACT IS HIW YOU MADE HER MUSUCLAR CAUSE I LOVE ANIMAL STUDIES SO MUCH AND THE FACT IS FEMALE HYENAS HAVE MORE TESTOSTRONE THEN MALE HYENAS!!
I love them so much LIKE UGHHH BUT YINA GOT ME EXCITED BECAUSE ITS A CHARACTER BASED OFF OF AN ANIMAL SO YOU DONT NEED TO REPLY BUT I WANTED TO TALK ABOUT HWO I LOVE HOW YOU MADE YINA MUSCULAR!! So I kinda wanted to ramble to someone as awesome as you about how they court you can ignore this but I got so happy ⊂((・x・))⊃
Ahem!! In spotted hyena society, adult males are ranked at the very bottom of the clan hierarchy. That means that when it comes time to find a date, the males have A LOT of work to do to impress a female. Male hyenas are generally terrified of female hyenas, and the prospect of having to approach – let alone court – a female can elicit actual shivers of fear. Here are some of the tried-and-true tactics in a male hyena’s dating arsenal
They do the same thing humans do which os the Approach avoid behavior A male hyena approaches a female (who is usually ignoring him), and once he gets close to her, he backs off a few meters as if suddenly startled. He often repeats this over and over for minutes at a time, sometimes never even getting close enough to sniff or groom the female. As Leslie described in an earlier blog post, the male seems to be thinking, "I want you...but I'm scared of you...but you're cute....but also dangerous..." which im like oh that kinda suites ruggie yuna as its compared cause yes he cannot take her out to dinner he still is awkward which leads to some common actings for hyenas to either ne flashy to their mate or be awkward and shy away and contemplate if they had the acutal chances of getting a parter
A thing is my favorite hyena courtship behavior, and I recommend it for males of all species. A hyena male lifts one foreleg and crosses it over the other while facing the female. It is ridiculously adorable, especially when she completely ignores him but I think Yina would probs stare at him if he bowed to her I’d love to see her reaction! AHEM AGAIN SORRY FOR THE RAMBLES I JUST GOT EXCITEDDDD
Have an amazing day
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Yeah thats exactly why I made her musclar :D Or rather; why I just feel in my guts that Ruggie likes them big and strong (I just make every character thinking what the guys would want lol)
Yina definitly will see anything Ruggie does as totaly for realz omg flirting - that casual leg thingy is totally him telling her he wants to take her out so she'll ask again or visit his school
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zeroducks-2 · 5 hours ago
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tags by @nicky-olives
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I strongly agree with this point, however I think it's important to note that what's being discussed here is the fact that there is an effort from DC's part to erase every form of found family dynamic and non-heteronormative relationships from their stories, which is a different topic from the ship and let ship conversation.
What I mean with this is that of course everyone can ship Bruce and Dick, regardless of the circumstances. If Dick was Bruce's biological son there would be nothing wrong with shipping them, because it's not real and it's just people having fun playing with dolls. However queer people from all over the world have been identifying with Bruce and Dick's relationship, especially during a time where gayness and gay relationships were way more taboo and dangerous to actually perform than they are now. Queer men especially identified with how the trauma of the loss of their families makes Dick and Bruce similar (and having an estranged family was very frequent among queer people, back then even more than today), but they choose to find another family in each other. Bruce and Dick share a secret that is one of the most important parts of their life, and they can freely be themselves with each other, no need to lie or pretend. And despite the respective escapades to keep an appearance of normalcy when it comes to their "public life", they are each other's most important person, the one they could never part from,
Again, this is not something DC did *on purpose*. But queer people read into it and then DC caught on, and and for this and other reasons they started pushing the narrative of "they are father and son, and you're gross and weird if you ever think for a second that they could have THAT kind of relationship! You freak of nature! Degenerate!" And lots and lots and lots of baby queers keep nodding to this, and they shame fellow queers by repeating this same rhetoric because it works.
It's not just about ship and let ship because it's fictional, it's about a very important part of queer history which is getting flushed down the drain to protect the sanctity of a "family" which is not real and is not even a family, and about how DC itself has been complicit with this for years, same as it is complicit with pushing narratives such as how nuclear family is the only possible kind of family, biological family is more important than adoptive family, and how two people who have even just some sort of vague relationship of cooperation are "brothers" and cannot therefore have a romantic relationship.
More on that point, think of Tim Drake is now out as bisexual and has a canonical boyfriend. It would be legitimate to wonder if his first crush was Dick Grayson, or even Bruce Wayne, while growing up and seeing all these very handsome boys in skintight suits. And so DC avoids this conversation by doubling and tripling down on how Dick and Tim are BROTHERS, and how (implicitly, pushed by their own fans who are queer themselves) thinking that Tim might have a crush on him is something only a freak of nature would do. Same goes for Tim and Bruce, because they are FATHER and SON.
Of course we can ship whatever we want regardless of the dynamic. But DC has been doing this for years and a huge, HUGE chunk of their fans are lapping this narrative up, and using it to hurt other fans. It's at this point a vicious cycle.
What's up with batman and the erasing of queer history? Sry I try to interact with fanon as little as possible
There is no simple or short answer to this but to try and not make it a wall of text - Batman/Robin has always been a staple of the queer community, so much so that to this day there are "brudick" graffiti in big cities and lots of older gay couples have been using them as a reference for solid partnership which endures in spite of adversity.
Originally there was no indication anywhere that Bruce and Dick were in the roles of father and son, rather they were partners against crime, one the shadow of the other, and they would share everything both when it came to crime fighting and in their everyday lives. They're shown sleeping together, going on lake trips together, finishing each other's sentences and Dick being viciously jealous every time Bruce would "replace" him with any of the women he used to have flings with such as Talia or Selina.
Did DC mean for them to be read as a queer couple? No, of course not. Bob Kane and others wrote a partnership, an unbreakable bond which would allow these two men to overcome any obstacle together, and queer people read into it as queer people always do.
Someone else read into it though: Frederick Wertham, who called Batman a pederast and used Batman and Robin as an example of how the evil comics would corrupt young minds to send them on the way of perdition and sin. He wrote all of this and many more infuriating shit in his book Seduction of the Innocents, which was then the major influence in creating the Hayes Code, which is the reason why we never had queer characters in comicbooks and movies and anything really for decades (and we're still struggling today).
Wertham and the Hayes Code did not stop the queer community from loving Batman and Robin though, therefore what started happening was the more subtle shift towards Bruce and Dick having a father and son relationship rather than a partnership. You can see this clearly with Jason Todd for the first time: Bruce takes Jason in and treats him as his own son, the narrative calls them father and son, and there is no doubt in the mind of who's reading that Bruce perceives Jason as his child. It all went steadily downhill from there.
Nowadays, writers have Dick say character assassinating things like "I love you dad" to Bruce, Tim saying "we will save our dad" to Damian, and everyone in the fandom acting like this has always been the case and actually you're weird and you should be sent death threats for shipping Brudick, because "UMMM that is literally his son?!??!?!?". DC has been pushing the idea that these folks are a nuclear family for a while now, but whoever has actually read the comics knows it's not the case, and it used to be very different before.
Brudick, among queer people, used to be entirely uncontroversial. While Wertham raged about how it corrupted the minds of young men and the Hayes Code prevented queerness to be anything but vaguely hinted and coded in the text, queer folks didn't care and kept having matching Batman and Robin shirts.
Today queer people will call you a pedophile and a groomer and try to doxx you for posting Brudick art because apparently they're doing the fascists' job for them, either because they are genuinely misguided or because they think that if they're enough morally pure they will have a spot among the chosen ones, hell if I know. What I know is that they'd suck Wertham's cock and balls if he wrote Seduction of the Innocents today, and it's DC's fault too with their erasure of every found family dynamic among the batclan, and the way they've been pushing the idea of a "batfamily" instead, in which everyone has a strict role of son or brother or father, and shipping them makes you the antichrist.
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ablogofloveandtrash · 3 days ago
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Why was Diana so Reluctant to Open Up and Tell the Truth?
Returning from a previous post I had sent on this blog, I had theorized that Diana may have potentially gone through some experience in the past that has prevented her from being able to properly open up. I was rewatching the trial from chapter 1 and from what I could find on rewatch, is that Diana seemed to be particularly concerned about how others around her would react. And from three different lines of dialogue that I could find, is that Diana seems to be afraid of not being heard out or invalidated. Considering her bio states that she was in the popular crowds before the events of the game, it seems like Diana's fear came from the draw backs of being in the popular crowd. And in being part of the crowd, she would become much of the subject of conversation. She got so much attention on her, which may have caused her to become alienated or isolated in an emotional manner. In the screenshots I have provided, Diana has mentioned things like how others could twist her words around. Suggesting that she may have attempted to dispel or disprove untrue rumours about her. Which resulted in the aftermath not going her way and ultimately nothing was solved. The first screenshot details this aspect of her.
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And because Diana must have failed to stop these rumours, this may explain why she often blames herself for not doing the 'right' thing or perceives herself as powerless. Because, Diana was caught up in an unfair situation. The rumours may have gotten so out of hand that Diana may have been cornered and forced herself to remain quiet. Complicit that these misconstrued words were true. She has likely accepted that at the time she couldn't change what others thought about her, and as much as Diana didn't like these rumours, she must have chosen to stop saying anything.
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And this may have resulted in potential self isolation or some emotional blockage. As a means to avoid getting hurt by the people she cared about. For her own reasons, Diana seems to feel like telling the truth things would 'just get worse' in the following screen shot, the next sentence may allude to the case. But it does seem to be telling of what she feels about her self worth. She doesn't seem like her input is anything good. And that she would be better off staying quiet. Because she may have blamed herself for the rumours that occurred or worsened, because of her attempts to intervene.
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It is possible that Diana could tell Damon about this particular issue in the story in Daily Life or from the Free Time Events, since Damon still needed to persuade Diana to explain her case. With some empathy, Damon may have used the right words to help Diana feel at ease to tell the truth. Assuring that he would listen and hear her out. Which may have not been something, Diana herself couldn't have had before the free time events or the trial. It's a stark contrast compared to the second free time event. Where he made his accusation of her being suspicious and making Diana uncomfortable with opening up. Though between the free time events and in the story, no one really truly knows why Diana is so afraid to open up, and be fully honest with others around her. In relation to a character like Damon, he is someone who is used to biting his tongue when others don't trust him or have something that would antagonize him. He doesn't open up to anyone because he percieves his vulnerabilities as an exploit. Yet in a similar vein, Diana too, cannot be vulnerable around others, out of fear that she would not be listened to. Potentially invalidated, unwanted or even abandoned. Possibly out of these fears she can't bring it in herself to lose her 'friends' again, and validates her helplessness by the end of the trial. The way Diana and Damon seem to handle their experiences past and present couldn't be anymore different from one another, yet they share an underlying similarity that sets up an interesting character dynamic. Damon acts more empathetic in response to her emotional distress. And in response to Damon's empathy, Diana was able to properly open up and have her voice heard in the court room. From this interaction it maybe possible that while tension between Diana and Damon will persist, ie: "I will follow in Wolfgang's Footsteps" (this maybe the source of Damon's anger in the end, not Diana's speech, exactly as many cut him out to be), it may fall on them growing closer that may allow them to become the better versions of each other. By helping each other out and setting their differences aside, for a greater common goal.
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media-thots · 3 days ago
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Coming to a piece of media years late is really interesting in how it affects your approach to it once you finally get around to enjoying it.
I'm finally playing the Portal game duology. I've been hearing about both games ever since they were released. I've been exposed to many spoilers just through internet osmosis. Because of that, my experience is likely nothing like it was for the people who played the games on release. But I don't think it ruins the horror entirely.
I've already completed Portal (1) and prior to playing that, I was aware that a robot named Glados was not to be trusted. I didn't know exactly why she shouldn't be but cake was involved somehow. Once I started playing, I was already on guard/edge, looking for something threatening related to this robot. It wasn't hard to deduce that she must be watching me though the surveillance cameras but otherwise she didn't seem so threatening, at least the first few levels.
The testing environment turned dangerous due to the toxic water, plasma pellets, and the gun turret robots, but these were all created by Aperture. This unethical company created these unsafe environments and tools, it's their fault I'm nearly dying. While I was still unsure about this robot I kept hearing through the levels, I began to chalk up her lack of concern for these hazards to the scientists who programed her. They were unconcerned/uncaring therefore so is she. This still makes her dangerous, but not malicious.
Well. I learned to my frustrated horror that she actually is maliciously out to kill me and now I'm in a 'kill or be killed' scenario. I was frustrated because I should have known better, everything I've picked up on about this game for years says Glados cannot be trusted, Glados will hurt you. And even with the warnings within the game itself by the past test subject who left messages, I still was ready to believe that this advanced robot did not have the agency to actively choose to hurt me. And yet she did, and I had to reflect on the fact that she watched me complete test after test in eager anticipation for when she would kill me. And now I had to kill her to have a chance at escape.
Once I destroyed Glados and she claimed that this collapse would kill me too, I was okay with that, knowing that if there are any other people to be "tested" that Glados couldn't torture them. I land outside, clearly hurt but Glados lies in ruins, it's okay. And then I'm dragged back inside. And I'm newly horrified by the realization that, of course, Glados isn't the only robot in this insane facility and everything I did to get out of there didn't matter. Also, Glados must have a backup somewhere because what testing facility wouldn't have a fail-safe?
I had so many spoilers and I still was taken in by the story and got to experience the horror of it. I think that just goes to show how well it was made. Very glad I finally got around to it.
I've started Portal 2, I'm already aware Wheatley is not to be trusted but I've so far avoided the exact reason why. (Please don't spoil). I'm not happy that I'm Glados' test subject again but the puzzles have been fun. I'll update with a Portal 2 reflection once I'm done.
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startanewdream · 1 day ago
Note
Why would I think you're weak? Everyone gets nightmares."
For hinny, preferably Ginny is the one with the nightmare
Please and thank you
hope you enjoy this sort-of missing moment that could have been:
*******
Harry walked absently to the Room of Requirement. It was still early, but he enjoyed arranging the room ahead of the D.A. lesson; for today, their first real class about the Patronus Charm, he had the idea of filling the room with mirrors so people could look at themselves while they worked the spell. As he reached the usual entrance to the Room, however, he realized he wasn’t the only one who had started early.
The door was already there, even before he asked for it.
He entered carefully, just in case someone had inadvertently found out about Dumbledore’s Army. The room seemed empty — until he noticed a figure in the farthest corner. For a moment, his stomach dropped, remembering the last time he had been there alone with someone — he and Cho weren’t really speaking these days, avoiding each other’s gaze after the disastrous Valentine’s Day date —, but the sight of vivid red hair told him it was someone else.
Ginny hadn’t seen him. She was facing the warm fireplace that was always lit, mumbling to herself. Her eyes narrowed in a fierce expression as she moved her wand; nothing happened, and she sighed unhappily, stooping her feet and looking up to the ceiling—now enchanted, like the Great Hall, to reveal the day sky above. 
Harry caught himself staring at her; it wasn’t the first time he’d done so, not with him teaching the D.A. Ginny’s spellwork had always impressed him; he remembered George once telling him that size was no guarantee of power when talking about Ginny, and though Harry hadn’t witnessed her famous Bat Bogey Hex yet, he could see what George had meant. Ginny had a strong raw power; even though she was still in her Fourth Year, she’d had no problem mastering any OWL-level spell Harry had shown the class. He would often compare her with her boyfriend, her usual duelling partner, and more than once Harry had thought she deserved someone better—he hadn’t said it out loud, but Michael Corner had looked quite bland—
“Ow!”
Ginny’s voice startled Harry. For a crazy moment, he’d thought she’d read his mind and was mad at him—then he realised she looked sheepish. 
“Sorry, I thought I was alone.”
Harry shook his head. “You were, I just came in. Are you practising?”
Ginny flushed as she nodded; it suddenly occurred to Harry that it had been a while since he’d seen that. It was weird seeing her looking flustered when she had been nothing but bright around him.
“You know, I appreciate the effort, but I cannot give you house points.”
As he had a feeling she would, Ginny chuckled.
“Prat,” she called without any malice. “Sorry, I meant Professor Prat.”
Harry smiled. “Much better.” Then he tilted his head. “What were you doing? You didn’t have any problem with the Shield Spell last class.”
“Ah.” She bit her lip. Harry had a sudden urge to ask her to stop it before she drew blood. “The Patronus Charm.”
That made him blink, suddenly aware he had been looking at her mouth.
“Patronus?” He repeated, startled. “We are just getting started.”
“Yeah, but…” Ginny took a deep breath. “It annoyed me that I couldn’t cast it.”
“It was just our first lesson—I mean, not even a lesson, it was just a lecture.” 
It had been the final part of the last D.A. lesson, last week. Satisfied that everyone seemed to have mastered the Shield Spell, Harry had started the Patronus Charm, the one spell everyone was excited about. He hadn’t much time, so he’d decided to explain the theory behind the charm — the first time he’d talked more than show any spell, and rather than seem annoyed, everyone had eagerly listened to him. He had given everyone some sort of homework — to think about their happiest memory — and, in the last five minutes of the lesson, he’d let everyone try the Patronus Charm for the first time.
A few people had managed a silvery wisp, nothing resembling any shape or that lasted more than two seconds. 
“Every time I try, nothing happens.”
“I don’t think anyone can cast it in their first attempt,” Harry said. When Ginny raised her eyebrows, he added, “I didn’t.”
“How many lessons did it take you?”
“A lot,” he answered truthfully. 
Her expression didn’t change. “You were thirteen when you first learnt it.”
“And I had Professor Lupin giving me private lessons. All you got… is me.”
She rolled her eyes. “You are an amazing teacher.”
“I think you are comparing me to Umbridge, so—”
“Stop it.” She patted his arm playfully; her hand was warm. “You know you are a decent teacher, come on.”
“I noticed the downgrade from amazing to decent.”
A grin appeared in her lips as if she couldn’t help herself; Harry smiled in answer. He enjoyed her reaction.
“See, that’s better—you cannot try the Patronus Charm if you are all gloomy.”
“I wasn’t gloomy.”
“You were stomping your feet.”
“Maybe I had an itch.”
“Did you?”
“No,” Ginny admitted, and then she threw herself on one big bean couch that had just appeared behind her. “I’m really frustrated.”
Harry gave her a bracing smile as he sank on the couch next to her. “It was just your first try.”
“I got every other spell. Maybe it wasn’t perfect, but something happened.” She waved her wand absently, not seeming to notice the sparkling dust that she was casting. “Now I could yell Expecto Patronum until I lost my voice and this wand wouldn’t be more useful than a random stick.”
“I get it,” he said bracingly. “I was disappointed with myself when it didn’t improve the way I wanted—but there is no secret, you just need to keep trying.”
“It is as if I can’t get it right—every spell I try, even when I don’t cast it, I can feel it, the connection between me and my wand. But the Patronus just eludes me.”
“What memory are you using?” Harry asked before he could think it through. He smiled awkwardly. “Sorry, I know it’s personal.”
“No, it’s fine. It’s not working anyway, so—” Ginny shrugged. “I thought about when I got my Hogwarts letter. I dreamed of it since I was two—” She caught sight of Harry’s face. “What?”
“That’s what I remembered the first time I managed something. It was just this silver shadow, but—”
“But it was a start.” Ginny sighed. “I’m not even hoping for a full corporeal Patronus, just one that gets the dementors far away from me.”
She shivered, her face whitening so much that Harry felt he could count the freckles on her cheek. 
For a moment that distracted him, until a long-distant memory resurfaced. He was thirteen and recovering after meeting a dementor for the first time; he’d just fainted, but the worst part had been hearing a woman’s scream. He hadn’t been in the best condition, so he hadn’t really noticed the small girl quietly sobbing in the corner of the train, looking just as pale as now—he’d never asked what Ginny had heard, but now he got a good idea…
“You had forgotten.” He blinked. Ginny was grimacing. “You are not the only one who hears You-Know-Who when dementors are around.”
“That was not what… I never considered what you would remember.” He bit his lip. “Sorry.”
“What are you sorry for? You saved me. I was the one stupid enough to get involved with a Dark Lord.”
“You were not involved, I mean—you didn’t know who he was.” He met her gaze. “And I am sorry for forgetting what you went through. I guess it was just easier to think everything was all right.”
Harry remembered the final days of that term, when he had watched Ginny closer; after a moment’s struggle, she had looked happy, a bright version of the girl that had slowly shrinked that year. Even her brothers were visibly relieved that Ginny seemed to move on. At some point, Harry had just stopped looking for any distress sign.
Ginny sighed. “I know. That’s how I wanted you to perceive me. Not as the weak girl who couldn’t sleep at night because of her nightmares.”
“You are not weak. Why would I—why would anyone think so?”
“I still dream—”
“Everyone gets nightmares.” He thought about a graveyard, a cruel laugh, and a boy’s dead eyes. “It’s just a reminder that we survived. You survived.”
“Only because you—”
“Because you fought Riddle long enough to give me time to get there. You were eleven.”
“Saying like this makes me look stronger than I was.”
“You were strong. You are strong.” He took a deep breath. “I’m not saying this to excuse myself, but I forgot about you and Voldemort because I can’t see it when I look at you. You went through one of the worst things that any human could experience—I know how I felt just by thinking I was possessed—and yet you are here now, casting every spell, destroying those Death Eater dummies, and getting a reputation for that Bat Bogey Hex that I have yet to witness.”
He felt suddenly self-conscious of his speech, but Ginny was smiling softly now, and Harry just reminded himself that he was the teacher, he could be motivating even if it involved personal stuff. In any case, even her eyes were shining now, warmer; Ginny’s eyes were a nice shade of brown, like treacle tart.
“Let’s find Umbridge,” she suggested at last. “Then you can witness my Bat Bogey Hex, it will be epic.”
Harry chuckled. “I don’t doubt it, but I don’t think you’d want to be expelled.”
“I’d only be if I got caught,” she noted, winking at him. Then Ginny jumped, leaving a soft trace of flowers on the couch. “I’m going to get this.”
She closed her eyes, her expression confident. Harry couldn’t know what she was remembering, but a breeze filled the room, coming out of nowhere, and made Ginny’s hair move as if she was flying. Then Ginny opened her eyes —they were blazing—, flourished her wand and whispered, “Expecto Patronum!”
A silver shadow flew from her wand, dashing around the room before disappearing. It wasn’t shaped yet, but Harry could swear he saw a long snout and a floating mane.
“Yes!” She cried happily, beaming at Harry; for a moment, he thought she was going to hug him — he even opened his arms — but Ginny didn’t move. “It was something!”
“It was a perfect start,” he told her, jumping to his feet. Ginny looked bright now, and he didn’t think it was just an act. “What do you think it will be? Your patronus?”
“No idea. I think it had hooves.” She smirked. “It won’t be a stag, though, I’m hoping to be original here.”
Harry just smiled. “It’s my father. I mean, the stag represents my father. It’s a long story, I’ll tell you later.”
“Ok.” She nodded, watching him, her expression sober now. “I remembered the first time I took flight on a broomstick.”
“That’s also one of the memories I tried that first time learning the Patronus Charm,” he noted, amused. “I’m glad it worked better for you.”
“Flying made me feel free—and powerful. I think I’m done with Riddle’s voice in my mind.” Ginny paused for a moment, watching Harry, before taking a deep breath. “I was afraid that if I couldn’t cast the Patronus, it meant that, in some way, I wanted to hear him.”
“I get it,” Harry mumbled, not quite meeting her eyes now. “The reason why I got so bad around dementors was because I could hear my parents’ voices, when they were… in their last minutes. And it was the only memory I had, so for a while I hung on to them.” He risked a glance at her. Ginny didn’t look pitiful, so he felt safe enough to give her a small smile.
She shook her head.
“I think you are very generous to compare you missing your parents with my unhealthy relationship with the diary that almost killed me, Harry, but that’s just you.”
“Well, what made me cast the Patronus Charm was that I could not risk us losing another Quidditch match.”
“Priorities.”
“I can tell all the effort paid off in the end.”
“Isn’t it true that you managed to fight off a hundred dementors to save Sirius?”
“Yeah.” He grinned. “But I was thinking that Gryffindor won the Quidditch Cup that year after all.”
She grinned back. Ginny had dimples when she smiled; she could be as bright as a Patronus, Harry thought suddenly. She’d manage to cast one soon, he just knew.
He was about to tell her this when the door of the room opened. Ginny glanced at the door before taking a step back, her face only slightly flushed as she asked him, as if continuing a different conversation, “How can I help you?”
“Huh?” Harry said, confused. The group of Ravenclaws had just entered, and while they were greeting him, Cho had given him a smile, though somewhat avoiding his gaze.
“The Room,” said Ginny patiently. “You like to get the Room ready before the lesson, and I thought I could be useful—hi, Michael.”
She waved at her boyfriend, and for a moment, it crossed Harry’s mind that there was as much enthusiasm in her voice as in Cho’s smile to him. 
He shook his head. “Mirrors, it might be helpful.”
“I’m on, Professor Potter.”
“Not prat anymore? I see the improvement now.”
“Like I said, you are kind of decent, Harry.” She winked at him, clearly amused, and turned around; as mirrors appeared on the corners of the room, her boyfriend joined her, hands hanging on the inside of the pockets of his robes and just watching her.
I didn’t like him, Ron had said it once, and though Harry didn’t think he’d share this thought with anyone, he couldn't help but agree with Ron.
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plethomacademia · 3 days ago
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I'm not trying to dismiss you, that sucks and it shouldn't happen and I'm sorry that it is. I didn't mean to suggest that my experience invalidates or supercedes yours.
My point is more that when I see positive only posts, I feel like I cannot engage because, to me, this game is the sum of its parts. I now avoid talking to positive only people about the game because I don't want to ruin their good time because they only post positive things. I have made a point to tag all my critical posts so they can be filtered.
I'm not telling you what to do, just saying that it didn't match my experience, I'm sorry this is happening to you, and I wish people could chill out so you and others like you might feel comfortable talking about your issues because then maybe people like me will feel like they can join the conversation without ruining people's fandom funtime.
You know what the most frustrating thing about DAV criticism is at the moment? It's that I do in fact have criticisms. Quite a few, actually. It's a Bioware game, of course I have criticisms. No one I've spoken to or whose posts I've seen thinks it's perfect or above criticism. But the thing is, I—and I imagine a lot of other firmly positive blogs—know that if I share any of those criticisms, if I make posts discussing them and talk about the game's flaws, I will immediately be inundated by people using those complaints to insist that the whole game is garbage and the writing is bad and Bioware's a terrible studio who can't make good games and DAI (of all fucking games) was so much better and blah blah blah blah. I know that because it's happened every goddamn time I've made a less-than-positive post about DAV. And I don't have the energy to deal with that! The endless stream of bad faith criticism wears me down and having to constantly stop to defend a game I like when I'm trying to discuss its flaws because if I don't (and frankly half the time even if I do) people will use my posts to claim the whole game is garbage is exhausting, and fandom is supposed to be fun. So I can't discuss DAV's flaws on tumblr if I want to avoid that, and it is infuriating. I see people bitching about toxic positivity and people refusing to acknowledge the game's flaws, and I really want those people to take a second to consider: do the game's fans ignore its flaws and refuse to accept that anything about it is bad? Or have you created an environment that is so toxic that no one who likes the game wants to risk getting your attention by mentioning what's bad about it and they respond more aggressively than is warranted to even genuine critique in an attempt to ward you off? Because there will always be assholes who claim that genuine problems are Fine, Actually, Stop Being Such A Baby... but if people can't address the game's flaws in public without immediately getting dragged into five different arguments about how it is in fact ultimately a really solid game, they're not going to do it no matter how much they recognise those flaws.
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