#“The Patron Saint of One Way Journeys” my heart bleeds

[srebrnastal]

You really woke up one day and decided to create a drawing that fucking smite me in the heart ;-;

This is so wonderful and deeply moving, how could you

Fun(?)fact: Kudryavka means “curly” in Russian. I have no idea if the creators did this on purpose or if it is a total coincidence, but I like to think that actually his name is a small reference to Laika ;-;

The Patron Saint of One Way Journeys.

[chimaerakitten]

(via https://open.spotify.com/playlist/2eF2BW8QhNO2UesloUNkuk?si=SfOWQO6CTQy28MPE0ndjMA)

so, now that I am officially free of both finals and my work on the TQT title sequence animation, I thought it would be a good time to turn to my other bit project for this fandom, Chi’s crazy-long chronological playlist. I started this. One week after ROTT came out. ONE WEEK. I thought I’d get it done and written up in two or three days. It is now. December the 15th. Two months. TWO MONTHS, THIS HAS BEEN SITTING IN MY DRAFTS

Bellow the cut: A writeup explaining the position of each song + a little bit more commentary on it from me (spoilers. everything is spoilers all the way through ROTT below the cut):

This is a mix of some pretty typical fanplaylist fare (there is. A lot of Bastille on here) some Queen’s Thief must-haves (can you really have a Queen of Attolia playlist without Achilles Come Down?) and my own really weird music taste (Filk like Tin Soldier and Courage Knows No Bounds)

Some of the ones I’m most proud of are Monster by Starset for the Mede camp scenes in ROTT (I mean, it starts with “Under the knife I surrendered” It’s kinda perfect) Laughter Lines for Relius and Teleus (I have it on good authority that that caused a lot of heart pain for other fans) and Soft to be Strong for Irene and Relius.

without further ado, the song list:

“Eddis”—Warriors

“Thief!”—Second Child, Restless Child

The Thief

Whatever it takes—“I can steal anything”

Tin Soldier—“Nobody would mistake you for anything but a tool, Gen.”

Centuries—“His name would be carved in stone on a stele outside the basilica, and mine would be written in the dust.”

Everybody Wants To Rule the World—“He doesn’t want the queen…He just wants the pass through the mountains so that he can invade Attolia.”

Patron Saint o’ Thieves—Eugenides and the Sky God’s Thunderbolts (I will be honest. This one was chosen based on title and Vibes, tm, not lyrics)

The Only Exception—“But if there hadn’t been one that I loved, I wouldn’t have landed myself in the king’s prison.”

Thief—Before braving the temple of the Aracthus.

Come Wayward Souls—Inside the temple.

History Has Its Eyes On You—The answered prayer for silence.

The Queen and the Soldier—“You are more beautiful, Your majesty... But she is more kind.”

I’m Gonna Be (500 Miles)—Walking to Eddis.

Stand By Me—“Oh, It’s you, Eugenides.”

Family—Helen, Eugenides, and the Minister of War.

“Destruction”—Dread Sovereign

The Queen of Attolia

Run Boy Run—The chase through the palace.

Icarus—Eugenides, caught.

When the Chips are Down—“I still think tradition might hold the best solution to my problems with you.”

Achilles Come Down—Eugenides, after returning to Eddis.

Heroes—The Secret War and the expectation that Eugenides will die soon.

Burn It Down—Burning Sounis’s navy.

Sit Still Look Pretty—“It was her fiancé who gave her the name shadow princess.”

Heroes and Thieves— “She pulled the bedclothes up as far as they would go and suppressed a perverse wish to have her old nurse come to chase away the darkness, perverse because she didn’t know if she wanted the shadows to be empty or not.���

Thousand Eyes—The plan to take Ephrata.

We Remain—“There’s an easier way for a man to become king,”

Black Water—“She reached up to push the wet hair out of her face, wondering when she had sunk so low that she had begun torturing boys.”

Simple Song—"I watched you walking between the rows of cabbages and then dancing under the orange trees. I was above you, in one of the trees.”

She’s Always a Woman—"Eugenides had accepted gladly and read carefully, trying to see whether Attolia could be the monster in human guise she was accused of being, or only a woman who ruled without the support of her barons.”

Queen of Peace—“Just asleep,” Eddis reassured her.”

I’m Not Calling You A Liar—“I sometimes believe his lies are the truth, but I have never mistaken his truth for a lie.”

Losing My Religion—“You made a mistake,” Attolia agreed. “You trusted your gods. That was your mistake.”

Pompeii—The vision of the volcano.

All I’ve Ever Known—“Love I am not familiar with.”

Love Love Love—"Who am I, that you should love me?

A Healing In This Night—“And she believed him.”

The King of Attolia

Bow to the Crown— “He dropped to his knees before his queen and lowered his head almost to the floor.”

Shut up and Dance—"Her queen danced like a flame in the wind”

Carry Your Throne— It was not a kiss between strangers, not even a kiss between a bride and a groom. It was a kiss between a man and his wife.”

It’s Alright—"If it was embarrassing to wake like a child screaming from a nightmare, how much more embarrassing to be the reason your husband woke screaming.”

Believer—“like a god revealed” and the fall of the house of Erondites.

I CHOOSE YOU— “He was very likable—Eddis would have married him.”

Hunger— “I did not say that I am afraid. He is, though, I think. Afraid of his own desire for power.”

Soft to Be Strong—"I have learned that there is a flaw in your philosophy. If we truly trust no one, we cannot survive.”

Gold—Eugenides on the crenellations.

True & Destined Prince—“He is an Annux, a king of kings.”

“Knife Dance”—Human

A Conspiracy of Kings

Things We Lost In The Fire—The raid on the villa.

Constellations—Sophos and Moira in the dream library.

Welcome Home, Son—“I didn’t want a choice; I wanted to stay right where I was and build walls and share poetry with an avid audience and enjoy a swim with friends, but I didn’t want it to be my choice.”

Words as Weapons— “Eugenides looked me in the eye as if I were a complete stranger and said, “The simplest way to end a war is to admit you have lost it.”

Share Your Address— “You made a proposal in your previous letter. Perhaps it was only hypothetical?” “It was not.”

I Love You—“When I was working in the fields, I knew how unfounded my hopes were,” he said. “I was a poor excuse for an heir of Sounis when I made the proposal and then became even less than that.”

Iron—“I will go to Melenze. And hope to delay the Medes long enough to find some other solution to their imperial expansion. Of course, that assumes the king and queen of Attolia intend to honor the laws of hospitality and allow me to travel safely to the border.”

Young Volcanoes—“Just what makes you think you can get away with that?” he asked the young man standing over him with a butter-won’t-melt-in-my-mouth expression incongruous on his scarred face.”

The Fates—Sophos’s naïve speech before the first vote.

Handmade Heaven—Shooting Hanaktos and Akretenesh, lifting a hand to the sky for a lightning bolt that will not come.

I Bet My Life—"There is no reason I can see that I would not be honored to join Eddis to you.”

Flaws—“Eddis stared at him for a long time, knowing that forgiving someone because you have to is not forgiving him at all.”

For The Dancing And The Dreaming—“Are you certain that you want to be my wife?” “Absolutely,” said Eddis, quietly. “Eternally certain.”

Blood Brothers—"He had been saved by the men Eugenides sent, though he did not yet know the ferocity with which the king of Attolia had stripped those men from other posts, the capital he had expended, the secrets that had been revealed in order to send help to Sounis.”

Thick as Thieves

I’ll Believe In Anything—"If there had been any alternative, I would have taken it, but I could see none, and there was no time for hesitation.”

You’ve Got A Friend In Me—“Head wounds bleed, but we can stitch it up, I’ve done it before, don’t be afraid. Kamet, I wouldn’t tell you this if it weren’t true. I swear to you, I am not going to leave your dead body beside the road to Perf. I didn’t come all the way to this godsforsaken cesspit so that I could go home and tell my king I failed him.”

Desert Song—Costis and Kamet crossing the empire, eating caggi.

Empire—"It would be possible, I supposed, for an outsider to see disruption and think the empire might collapse, but it was too all encompassing, too well sewn together to come apart. As each smaller nation was absorbed, it was integrated into the whole, enjoying all the benefits of being in the empire.”

Fell In Love With A Girl—Kamet’s story of Marin the dancing girl.

Foreigner’s God—Kamet’s encounter with Ennikar while Costis is in the well.

The Hell If I Go Home—Kamet trying to leave in Sukir.

Stray Italian Greyhound—“If you had told me in Sukir, I would have let you go.” / “Costis,” I said, using his name for the first time since he had told it to me, on board the riverboat at the start of our journey. “Costis, I’m sorry.”

Poet—"I began this narrative in the palace of Attolia but have only recently neared its completion. I will eventually send it to Relius, when I am sure it can be delivered without interception, and I hope he will be satisfied with my account, as I would be honored to have it added to his library.”

All This And Heaven Too—“Immakuk and Ennikar,” he said. “Where?” I snapped my head around to scan the dock, and he nudged me with his elbow. “Idiot. Us,” he said.”

Return of the Thief

How Far We’ve Come—Exordium.

The Great Escape—Pheris finding a place for himself.

The Heart Is a Muscle—“Someone loves me very much, even with all my faults”

I Will Wait—“His heart is unlikely to be in his work.”

Laughter Lines—Relius and Teleus saying goodbye.

Stole You Away—“Attolia says she leaves with you”

Poison & Wine—“I think they have to show their worst selves sometimes”

United at War—“Sounis will not run…nor Eddis.”

This is War—Arrival at Leonyla.

No Light, No Light—“All wars make men monsters, all wars and all men.”

Survivor’s Song—The Etisian winds came early.

Daniel in the Den—The ambush and the Mede Camp.

Monster—“Nahuseresh tells me I am not king. We’ll see if he really prefers the Thief.”

Natural—“Once, when I said he had saved me, you said I had saved him. From what?”

Tomorrow I Leave For Battle—Before the Naupent.

March of Cambreadth—The Naupent.

Courage Knows No Bounds—A pyre that burned for three days.

Bad Blood—The pardon of Sejanus.

Call the Names—The naming of Hector and Eugenia.

Here’s To Us—Dancing on the Roof.

I lived—Pheris, and the gods were pleased.

“Alyta’s Missing Earring”—Falling and Empire

final note: I did my best to have songs have at least one meaning in the pace they were put, plus more meaning when considering the series as a whole—for example, “Tin Soldier” appears early on in the context of the king of Sounis and the Magus using Gen as a tool, but if you loop back around to it after Return of the Thief, Gen being “weapon more than child” gains a whole new meaning. "She’s always a woman” is an Irene song in the context of QOA, but the more we learn about Helen, the more it applies to her, etc. etc. Not every song is like that, but I wanted to give the playlist at least a bit of re-listen value, in the spirit of the books’ reread value.