#‘they’re what’s wrong with society’

[bunniehunn]

hughh I wanna talk about the queer theming and iconography in Disney villains/twst characters but I don’t want to look like a freaking nerd

Edit: I put my take in the og tags

[deadpoetsandlivinglegends]

Results are in:

Scrooge outfit: Neil, Todd, and Cameron

Heart Boxers: Knox, Charlie, and Pitts

Pink robe: Meeks and Keating

I will forever be indebted to anyone who draws fanarts of them in these outfits

[phantomsies]

getting all the education/degrees I can and planning so I can get the fuck out of this country >>>>

[jasontoddenthusiastt]

I think fans want Jason to be a good person or be becoming one. To have a character that is well meaning and compassionate but decided murder is ok and to stand against main heroes who’s beliefs and actions go against the people he cares about and wants in his life. It’s confusing for people. People want their fav characters to be happy. But Jason can’t have his family’s support and follow his moral code. He’s cares about people and Gotham, and he’s an asshole who kills. It’s messy. It’s not black and white. I don’t even think Jason cares about being a good person or in the right anymore. I think he cares about what will save the most people instead.

Oh my goodness gracious I’ve been bamboozled

Batman’s definition of Good is not synonymous with absolute good/right no matter how much dc insists it is. Torture, battery/assault, surveillance, those are all condemnable actions too. I won’t get into the exhausting and frankly dumb debate of comic book morality wrt killing because I’ve already reblogged plenty of posts from other people who explained my thoughts on the matter far better than I ever have the patience to sit down and articulate. I also just think the notion that there’s something to be done about fictional characters who kill nazis and senseless murderers is stupid. Jason’s point is that the “main” heroes’ sanitized definition of right has its unaddressed holes and flaws which ultimately result in more preventable fatalities, and that he’ll work to correct those missing spots.

He doesn’t not care about doing what’s right. What he doesn’t care about (at least during his Winick characterization) is whether Batman thinks he’s right or wrong, because he sees the flaws in Batman’s methodology (and since he has a mind of his own). Batman’s methods alone cannot address Arkham’s revolving door and the rogues that come and go through those doors who have no intention (or capability from the doylist pov) of ever changing or undergoing redemption. Jason knows that he’s minimizing the number of preventable deaths by killing his targets, typically Characters Who Simply Do Fucked Up Shit Just Because, Why The Fuck Not?

Secondly, Jason is compassionate … to a fault. That was his fatal flaw. If he wasn’t so hell-bent on saving his potential birth mother he just met from that bomb despite everything she did to him prior, he could have protected himself instead, however slim his odds of survival were. What about his relationship with his other parents? He was a caregiver during his early childhood years for Catherine, until her death. Even mature adults who are financially stable find being a caregiver to a dying parent to be extremely burdensome on their bodies and minds, but he never complained about it or resented Catherine for being unable to care for him. Despite how none of his parents have really been what he needed them to be, he doesn’t blame them for their failings, and even continues to think highly of them (Bruce included).

And post-death? Enter Lost Days. Despite being dead set on plotting his revenge on Bruce, he constantly sidelines this in order to save other victims who are helpless like he once was. His own anger, trauma, and mission don’t remain his priority. (Sound familiar? Something something my own trauma above my son’s, mission above all else, etc.). Why would he waste precious time and risk his own life to do this if he wasn’t empathetic towards these victims or didn’t care about doing the right thing. He is simultaneously horribly traumatized and full of rage, and also incapable of ignoring what’s happening to victims around him (even as he claims that it’s indeed not his priority). And in that same vein, the entire premise of his rebirth outlaws run was that he doesn’t care if the public views him as a villain, an outlaw, so long as he can protect Gotham. And anyway where is this portrayal of him not caring about being in the right anymore. Almost every modern Jason story is about him grappling with where he stands with Bruce/Batman. During the early 2000s was probably the last time he did not care (hello, tentatodd??).

Jason has very evidently been portrayed as a kind and compassionate character. He is also simultaneously a calculated killer who doesn’t hesitate to kill when he deems necessary, and does so without remorse. It’s called being a Complex Character With An Edge™ that as you said, people so often claim to love. However when he fulfills that latter part, that seems to upset people because “killing bad”, and they then try to shave off and round out all his edges and claim he shouldn’t be that angry. In that case I guess you should just stick to liking traditional one-dimensional characters instead of claiming to like Jason but then encouraging his character assassination attempt by dc. Lol.

Lastly, who said anything about the batfam making Jason happy? Just because he’s written nowadays to want acceptance from Bruce (a shoddy attempt at forcing a non-existent nuclear batfamily), doesn’t mean that it’s a sound decision or that it does his character justice. I certainly don’t empathize with the idea that Jason needs the family’s approval or acceptance to be happy. (And anyway he has enough outlets for angst and pain aside from the batfam hello explore his other sources of trauma and do more deep dives into how he thinks when he’s alone). I don’t want them to magically make up and become one big happy family. This is not disney Lol. Besides, there are plenty of stories from dc that have that type of “wholesome” (hate that word utilization) characterization for Jason (Li’l Gotham, Tiny Titans, wfa, and even new stuff like the brave and the bold mini) and that is sufficient imo. Jason fans who are invested in the character deserve accurate, nuanced characterization and well-written stories, whether they be from his robin days (e.g., Batman: The Cult) or as red hood.

[swordmaid]

i want to start on the drizzt books for the drow content but so much of the drow infos I found from like the old handbook reeks of so much misogyny to me that i just want to stick to my own headcanons LMFAO

[m0thlegs]

y’all learned the term “media literacy” and have not shut the fuck up since

[starbuck]

I don’t believe in categoric “love languages” but, along those lines, providing is so important for me in my relationships, romantic and otherwise. I love you, so I provide for you, and maybe you’ll do the same for me. I want to be in a constant cycle of giving and receiving with my loved ones. I want to feel safe and appreciated and make others feel the same way. I want to anticipate their needs. I want them to openly express their desires to me without shame. If you want it, it’s yours. I love you.

[teaboot]

Goddddd I hate this crap. It looks so normal but if you look at it for more than 5 seconds it’s such a clear cut example of the subtle nudge towards tradwife “return to tradition” ass crap

Like

Why the 1940’s? Was that a more romantic and pure time somehow? Soldiers exist TODAY, so why that period? Was there something about that time that made relationships between men and women better somehow?

And why the obviously retro fashion? The finger waves, the red lipstick, the white lacy dress- What makes THIS SPECIFIC image so special? The time period? The relative modesty? The feminine appeal?

“to remind him what he’s fighting for”. You mean like a reward, an object, or a trophy? Á WHAT, the white picket fence and 1.5 kids, instead of a WHO? A dream of a perpetuated social ideal, a symbol?

Like GOD, it’s all so subtle that it’s soooo easy to believe that calling it out is an overreaction but all together it’s such a “women are better when they’re conservative objects / men should desire traditional femininity / the past was a purer time / reject modernity embrace tradition” message

Like literally tradfem tradwife dogwhistles everywhere it’s ridiculous

Like BRUH I hate to break it to you but pop-pop was giving his best friend a handy behind the barn in 1935 and gam-gam was mailing him nudes, people have ALWAYS been people and roleplaying a farmsteading settler family and having bad missionary sex with your submissive tradwife girlfriend isn’t going to make high quality furry porn and taxes and high fructose corn syrup and whatever else you think is wrong with moderns society stop existing, FUCK

[sttoru]

𖠵 I’M YOURS.

𝝑𝑒 𝐒𝐘𝐍𝐎𝐏𝐒𝐈𝐒. you visit your husband during his work hours to hand him his lunch which he forgot at home. his subordinates are surprised to see their superior act so gentle with you—a total opposite to how he usually is when finding and punishing outlaws.

tags. wild west sheriff!kento nanami x wife!female reader. fluff, smut. set in the wild west (1860’s - 1890’s). blǒwjob. size difference (reader short), p in v -> unprotected, breeding themes, creampié, semi-public, hair pulling. traditional views of marriage. nicknames: darling, sugar, sweetheart. wc: 6.4k

the southern parts of the county are sweltering under an unrelenting sun, and most of the townsfolk have retreated indoors to escape the heat. kento nanami - the town’s sheriff - is taking a quick break, having just returned from breaking up a violent brawl at the local saloon. damn drunkards, he thinks as he shakes his head. they have been causing havoc all afternoon, threatening to turn the place into a shooting gallery. he had to put them in their place.

kento strolls to a nearby window, silently critiquing the poor job done on the grimy glass. his eyes scan the wagons that roll in and out of town to keep watch for anything out of the ordinary. but before long, his thoughts wander, and he found himself thinking of you. his dearest. his beloved. his world— his wife.

the blonde man wonders what you’re doing right now. are you preparing supper, or perhaps knitting him another one of those scarves in preperation for the colder weather?

one of his hands slips into the pockets of his slacks, fingers brushing against the handkerchief you gifted him. he smiles as he traces the embroidered flowers. their colors are still vibrant despite the constant wear. it has become his lucky charm over the years.

kento sighs as he catches a glimpse of a couple in the distance. they share a kiss, the woman waving her partner off with a handkerchief of her own as her husband leaves on his horse. the sight has his jaw clenching as guilt creeps in. he had left home in such a hurry this morning, that he hasn't kissed you goodbye properly. he hopes that you didn’t take it personally.

it is a small thing, but he makes a mental note to apologise for that later.

kento turns around from the window he’s been staring out at for the past couple minutes as one of the deputies hustles a trussed up outlaw into the office. the other male slams the wooden door shut behind them which rattles the place. the outlaw is a scruffy looking fellow and his wild eyes dart nervously between kento and the shotgun-toting deputy.

the blond sheriff pinches the bridge of his nose in frustration. just when he thought he could have a peaceful break... duty calls.

“got ourselves a lil’ troublemaker here, sheriff,” jake says and gives the outlaw a rough shove forward. the man stumbles, nearly falling to his knees before catching himself.

kento’s jaw clenches as he looks the outlaw up and down, his hazel eyes hardening. he aims to keep the peace in this small town, and that means dealing with the dregs of society from time to time. anything to keep the folk safe. especially if it meant protecting his dear wife.

“ye damn pieces of shit,” the outlaw spits, glaring defiantly at the two authoritive figures standing in front of him, “i ain't done nothin’ wrong, ya hear?”

there it is; the cliché line nearly every sentenced outlaw utters whenever they’re caught. kento runs a hand through his hair and scoffs as a muscle in his jaw ticks. one thing he hates are shameless outlaws who claim to have done no wrong.

this man before him has been on countless bounty posters, plastered all over the county. wanted dead or alive, for assault, murder and robbery. bart cavanaugh, the thug’s name is.

kento barks out a harsh laugh, but his face doesn’t show an ounce of emotion. the deputy shifts on his feet. the young man had seen that face on the sheriff countless times before. it’s intimidating and scary, the tension in the room palpable.

“done nothin’ wrong? boy, y’ve been stealin’ and killin’ yer way through half the damn county. and now y' got the audacity to stand there and lie to my face?”

kento steps forward and looms over the outlaw, his broad shoulders squared. his hand drifts to rest on the butt of his holstered revolver. the metal is cool and reassuring against his palm.

“jake, go fetch the preacher. tell him to start diggin' a new grave,” kento orders without taking his piercing eyes off the outlaw. his free hand shoots forward to grab a good handful of the man’s matted hair, yanking it back roughly. the sheriff’s eyes are cold and calculating, “looks like we got us a hangin’ to do ‘fore sundown.”

the outlaw’s eyes widened in fear and he tries to take a step back, but kento’s strength is not to be matched. “but... but you can’t!” he stammers, “i got my rights, i-i'll have ya know that!”

“rights?” kento huffs and releases the thug with a rough shove, dusting his hand off on his blouse as if he touched something filthy. “the only right ye got is the right to wait here and take what's comin’ for ya.”

it did not take long before the outlaw is sentenced, hauled outside and led toward the gallows. kento stretches his arms above his head, feeling the tension slip from his shoulders. another task crossed off the list. he can only hope that the rest of his break will pass quietly without any more disturbances.

the exhausted sheriff drops into the wooden chair behind his desk and leans back with the nth sigh of the day. his fingers fumble with the drawer, and after a moment of rummaging, he pulls out a cigar. he strikes a match and lights it up before placing the stick between his lips. kento closes his eyes and inhales deeply, letting the burn of the tobacco settle his mind.

minutes slip by in silence—just the quiet flicker of the lamp and the rhythmic sound of his own breathing. then, the front door creaks.

kento’s eyes flicker open. a loud prayer sounds in his head; please lord above don't let it be another caught outlaw. not another deputy or bounty hunter with some new problem to throw his way.

however, when he looks up, all the weight on his shoulders vanishes in an instant. there you are - his wife - standing in the doorway like an angel sent to pull him from the depths of his workday hell. the stress, the frustration, all of it fades away in your presence.

kento squints through the haze of cigar smoke as you walk inside with a beaming smile on your face. fuck, you're beautiful. a dream come true.

he takes a long drag and holds it in his lungs before exhaling slowly. the smoke curls around his tired face. his hazel-colored eyes narrow as they rake over your figure. a little provocative, he thinks, not wearing a shawl on your exposed shoulders. especially around these parts of town—with other men lurking that aren’t your husband.

“well, well, if it ain’t my sweet lil' wife,” the blonde rumbles, setting the cigar down in the ashtray. kento leans back in his chair which causes the wooden furniture to creak under his muscular frame. “what brings you ‘round these parts, darlin'?”

it is unusual for you to visit him during work hours. normally, you’d be at the house, attending to your duties. taking care of your cozy home, or perhaps socialising with the other wives around town at one of your regular gatherings. kento didn’t expect to see you here, yet the sight of you is a welcome surprise. even more so when you look so radiant, as if the sunlight itself has wrapped around you.

“ah, you forgot your lunch dear,” you explain with a warm smile. your voice carries a familiar tone that always seems to soothe your husband. you nod politely to his colleagues who’re staring at you in awe and curiosity. you continue, “i started to worry. i can’t possibly have my husband starvin’ at work, now can i? ain't so proper as y’r wife.”

your words make kento’s heart lighten. the smile that has faded from his face the second he left you this morning, finally finds it way back. his entire demeanour softens and his body relaxes.

the two deputies, who have been going about their duties in the background, can’t help but glance over at the scene unfolding. they exchange a bemused look as they watch kento’s demeanor shift the moment you walked into the office. it’s almost comical how quickly the stern, commanding sheriff transforms into a doting and affectionate husband.

kento stands up, his tall, imposing figure towering you as he approaches. the gun belt slung low on his hips clinks softly with each step along with the spurs on his boots. he reaches out, taking the cloth wrapped box from your dainty hands. his calloused fingers brush against your skin, sending a jolt of electricity through him.

“well, much obliged, sugar. yer a real sight for sore eyes,” kento comments, his deep voice lowering to an intimate rumble. he sets the box down on the desk before stepping closer to you. his eyes search for yours while his hands gently rub your sides.

“any time,” you shyly duck your head as you sense the tension between kento and you building up. it’s always like this between you two. the honeymoon phase? for you it’s not a phase, it’s a forever thing. until death do you part.

your hands reach up, slithering from his sides to his chest to straighten his sheriff’s badge. “has work been okay, hun?” you murmur in a honeyed voice, the one that drives kento crazy. neither of you seem to care about his co-workers standing around, lost in your own little bubble.

kento’s hand slides from your side to your throat, fingers skimming over your pulse point, enjoying the rhythm of your heartbeat beneath his touch. “work’s been a pain in the ass, darlin’. same ol’ song and dance,” he replies while his half lidded eyes dart all over your pretty face, “but now that y’re here, it's startin’ to look up.”

your conversation is casual, yet the underlying tension tells you there is more to it. even the deputies become aware of what’s playing in the middle of the office. or more so, what's about to happen if the passion in both kento and his wife’s eyes come to life.

kento can’t help but smirk as you press yourself against him. your soft curves mold to the hard planes of his muscular body, a stark contrast to the gentle hands that hold you close. his eyes darken once he catches you looking up at him through those long lashes of yours. that’s his damn weakness.

“y’know, seein' you here, lookin' like sin in that dress—it’s making me think all sorts of improper thoughts,” he starts in his deep voice. your husband lowers his head to whisper in your ear, “thoughts about bendin’ you over my desk and showin’ ya what happens to naughty little wives who distract their husbands at work.”

a shiver runs down your spine even though this is exactly what you wanted. you came here to deliver kento’s lunch, yes, but you've also missed his attention, affection and most importantly his touch. due to his job, he’s not at home for almost the entire day.

you don’t want to come off as clingy, but when you have a man like kento to call yours, you can’t help but want to be greedy.

the same goes for him as well. kento is ever the devoted lover, head over heels for you, and that includes feeling a great sense of physical attraction to you. he can’t help it—especially when you look so adorable, playing the role of the dutiful wife, visiting him at work to drop off his lunch. it’s a massive turn on.

“l-later. there are others here,” you try to play your erotic interaction off, even as you feel the insistent press of kento's clothed cock against your lower belly. your cheeks heat up as you realise that this bit of proximity had already turned your husband on.

kento licks a stripe up your earlobe, his teeth grazing the flesh before he soothes it with his slick tongue. he knows he shouldn’t be so explicit with you, not here in his office where anyone could walk in. but he simply cannot resist your charms. that pretty body and voice of yours are like a siren’s call to him.

however, he also notices your hesistance because of the company you have. kento, ever the thoughtful man, glances up at the deputies sitting around the office. his gaze hardens and his voice is filled with authority, “don't y’all got better things to do than sittin’ ‘round here?”

it’s a hidden message that all men in the room clearly understood. kento wanted them out and as soon as possible so he can take care of his wife. his duties are put on hold for as long as you need him by your side. he trusts his coworkers to deal with the rest while he’s busy attending to your needs.

the deputies scramble to their feet and grab their stetsons, hurrying out of the office with a chorus of 'yes, sir!' and 'right away, sir!' some smirk knowingly as they make their way out into the muddy streets. they know all too well about kento’s soft spot—the one woman he’d do anything for. even if it means that he ignores his work for a while.

within seconds, the office clears out, leaving kento and you alone. he turns back to you and his eyes instantly roam over your feminine curves. from the swell of your soft breasts to the flare of your hips. oh, his mouth immediately starts to water.

“now, where were we?” the blond man hums. he stalks forward until your back hits the wall with a inaudible thud. you swallow thickly as you look up at kento, who’s staring back at you like you’re a five course meal.

but beneath that passionate gaze is something so intimate. so much more gentle and loving. with every touch, his eyes still search for yours, wordlessly confirming your consent. it’s a habit of his—ever since he took your innocence on your wedding night.

kento’s hands slide down to grab your thighs. he hoists you up and encourages you to wrap your legs around the dip of his waist, holding you between his body and the wall. his eyes flicker downwards to where the skirt of your dress rides up and exposes more of your soft skin to his greedy touch.

“i need you,” your lover breathes against your lips. his mouth is an inch from yours, eager to capture it in a kiss. kento groans the second he feels your clothed cunt press against his throbbing bulge. his fingers dig into the plush flesh of your ass, “shit. i need you now.”

not a second more is wasted as your husband crashes his lips against yours. he presses you back against the wall, moaning into your mouth. this is what he missed the most. your touch, your taste— it makes him feel alive. like all his hard work is worth it.

your fingers curl into his blond locks, tugging at them as your lips move in sync. your tongues roll around each other and your lower bodies move accordingly, grinding for fiction. “are ye sure? right here?” you ask between gasps, voice muffled as his lips interlock with yours repeatedly.

kento pulls away, but not fully. he can’t let you go in any way or form. his head instantly dives into the crook of your neck, his breath hot and heavy against your skin. he immediately latches onto your throat and kisses his way down to your collarbone.

this is exactly what he needs after a hard day. the familiar perfume mixing with the faint scent of your arousal and something so homey—it’s dizzying.

“never been more sure,” your husband groans once he feels your nails gently drag down from his nape to his back, slipping beneath the collar of his blouse. little minx, he thinks, knowing exactly what makes a man weak.

kento tilts his head back so he can look into your eyes. your gaze catches his and you’re taken aback by how handsome he looks. he always does, of course, but this sight just makes you clench around nothing. it leaves you throbbing in your underwear.

the way his neat hair has now turned messy, locks covering his half-lidded eyes, biceps straining against the material of his blouse, sharp jaw clenching with the effort to hold himself back from completely ravaging you. . .

you’re soaked.

kento grins at the way your kiss-swollen lips fall apart in a small ‘o’ as you admire him. he knows he looks good and it boosts his confidence. “keep lookin’ at me like that,” he encourages as his lower body grinds against yours.

you can feel the thick outline of his dick pressing and rubbing against your clothed cunt and it causes you to jerk in place. your moans get swallowed by your husband’s lips once more, his mouth not giving you a moment to breathe as he kisses you more demandingly this time.

kento carries you to his desk, not once separating your lips from his. he sits down on his chair and settles you down on his thick thighs. your arms immediately wrap around his neck to deepen the kiss.

the steamy make out session continues for a while, both of you breathless. you finally pull back for some air and open your eyes to meet your husband’s. the way he’s looking at you, like you’re his entire world, makes you weak in the knees.

“let me take care of ya first,” you suggest in a hoarse whisper against his lips. you feel kento stiffen beneath you, his cock throbbing impatiently in his slacks at the implication.

“go right on ahead,” he bites his lip and watches your wandering hands drag down from his shoulders to his chest. the muscle in his jaw ticks as he tries his best not to intervene—to grab and bend you over his desk already.

kento’s breath catches in his throat as your delicate hands worked at his belt, the leather creaking softly as you undo the buckle. he watches, transfixed, as you tug his pants down.

suddenly, his large hand reaches out to wrap around your smaller one, squeezing it. “wait,” kento hisses and his adam’s apple bobs in his throat. he’s trying so hard not to lose control.

he takes a deep breath after closing his eyes, hips bucking lightly against your warm palm as it rests against the deliciously big bulge in his undergarments. you gently drop to your knees in front of him while giving him some time to regain his composure.

when kento opens his eyes again, he lets out a low growl from the back of his throat at the sight of you looking up at him with those big eyes. so ready, so eager to please your husband. it can make him bust a nut in his underwear.

“go on,” he whispers gruffly, letting go of your hand but not before giving it a quick kiss. that gentleman side of his never fails to make an appearance, even during sinful moments like these.

you nod and smile in excitement. you lick your lips before hooking your fingers beneath the material of the jockstraps. you slowly tug it down and free his aching cock from its confines. the thick length springs up, gently slapping against his lower stomach and leaving a smear of sticky pre-cum on the fabric of his blouse.

kento’s cock was a thing of beauty—long, thick, and girthy, with a bulbous head already glistening with arousal. veins puls along the shaft, and a faint clump of blonde curls dusted the base. the musky scent of his desire fill your nostrils, making your head swim with need.

the pre-cum trickles enticingly from the slit of his tip, a drop slithering down slowly to his heavy balls. it’s evident how much you affect the man and it makes your tummy do a flip.

“mmh— kento. y’re so hard already,” you moan as your pink tongue lolls out to lap up the sticky liquid from the head. you give it a couple small licks to tease your partner, a coy grin playing at your lips.

kento growls, one hand coming down to tangle in your hair at the contact. “fuckk, sugar,” he instinctively thrusts his hips forward, the swollen head of his cock brushing against your soft cheek, leaving pearly drops of pre-cum on your skin. “been thinkin’ about this sweet lil’ mouth all damn day. dreamin’ about them pretty lips wrapped around my dick,” he breathes heavily.

the once composed sheriff is a total mess. he squeezes the base of his dick as he gently taps your cheek with it, trying to coax your lips to part. “c’mon. ye can’t keep this from me any longer,” kento grunts with his brows furrowed.

when you blow some warm air on his tip, he throws his head back at the contact. he’s aching for relief and sitting there teasing him. he could manhandle you to comply, but he’s simply too needy for your touch to do so.

kento gulps before looking down at you. his expression is a mix of frustration, pleasure and neediness. his cheeks are flushed, blonde locks covering his eyes. he breathes out his plea in a shaky tone;

“please.”

your jaw drops at that unexpected moment of vulnerability. it’s thrilling and causes you to immediately give in to his charms. you silently hum in agreement before wrapping your lips around his tip, swallowing inch after inch slowly.

a guttural groan tore from kento’s throat as your hot, eager mouth engulfs his twitching cock. the sensation of your tongue swirling around the sensitive head, lapping up the pre that still leaks steadily from the head, was almost more than he could bear. his fingers tighten in your hair, gripping the strands as he fought the urge to thrust deep into your throat and take his pleasure.

“awh shit,” kento growls. his voice is strained with pleasure at this point, not even able to say things properly. “yer mouth feels so fuckin’ good ‘round my dick.” he watches through heavy-lidded eyes as you take him deeper, his thick length disappearing inch by inch between your plump and kiss-swollen lips. the sight of you, on your knees before him, servicing him with such enthusiasm, sends a surge of pure primal satisfaction through him.

you redouble your efforts and bob your head. up and down, up and down—a hypnotic rhythm that has the man in front of you wrapped around your little finger.

“such a good little wife—yeah, jus’ like that,” kento’s hips rock up to your downward movements, driving his cock deeper into the tight, wet heat of your mouth.

he can feel the wet muscles fluttering around him, could hear the obscene sounds of your gagging and slurping as you struggle to take him all the way. but you didn’t stop, didn’t pull away. instead, you start sucking him with a fervor that has him seeing stars.

kento’s eyes roll back and he’s trying his best not to cum on spot. he wants to last longer, wants to relish the feeling of you pleasuring him and most importantly—he wants to spend his cum well. in a place where it can take root, where it’d serve its intended purpose.

inside you.

but it’s hard. so hard. especially when you’re watching his every reaction, eyes so captivating and alluring as you suck the soul out of him.

“don’t—oh lord,” kento grits his teeth as your hands cup his balls and squeeze them, rolling them in your palm. the dual sensations of your mouth and hands working in tandem had his breath coming in harsh pants, his muscular chest heaving with the force of it.

your husband’s head tilts backwards, the chair creaking beneath him as he grips the armrests with white knuckles. he’s lost in the sensation of you worshipping his dick, your moans vibrating around his shaft as you slurp and suck with abandon. he knows he will not last much longer at this rate, knows he is going to paint your mouth white with his seed any second now.

kento doesn’t really want to, but he also does. he’s conflicted, though it’s already too late. one particular suck and his tip hitting the deepest parts of your throat sends him over the edge.

“ah, fuck! cummin’, sweetheart!” he moans loudly, his eyes squeezed shut as the first spurts of his hot seed flow from his cock. he can’t stop it, even as he tries to pull your head off due to the overstimulation.

when you finally let his dick go with a lewd, wet pop, kento gasps for air, pushing the hairs away from your face. you’re looking so debauched, so lost in the pleasure, it sends his blood rushing southwards. again.

“there ye go. swallow it all down f’ me,” he mutters quietly, voice rough as his thumb swipes away at the cum on the corners of your mouth. he watches your throat work as you drink down the taste of him.

before you can catch your breath, kento hauls you up off the floor and onto his lap, his hands gripping your waist tightly. he feels the renewed throb of his erection pressing insistently against your thigh, already aching for more.

“dammit, darlin’,” he clicks his tongue, his voice rough and ragged with lust. “y’ve got me so fuckin’ worked up— can’t hold back no more.” his callused hands slide down to grab your round ass, kneading the flesh roughly as he grinds your clothed cunt against his wet dick.

kento stands abruptly and sweeps the contents of his desk onto the floor with a crash. papers flutter everywhere as he bends you over the now empty surface, the rough wood digging into your soft skin. he can’t care less about those important documents. not when he has his wife in front of him.

he flips the hem of your dress up, the material pooling around your waist to bare your underwear-clad ass. you’re already so wet, your pussy lips clinging to the soaked fabric of your undergarments, outlining your cunt perfectly. it’s a sight that makes kento weak in the knees.

“look at this sweet lil’ ass,” the blonde man rasps, delivering a sharp smack to one cheek. the sound echoes through the office, followed by your startled yelp. “she’s g’nna be hurtin’ when i’m done with her, i bet.”

you arch your back in response to the slaps against your bottom, “mhh, kento. need you real bad.” your ass rippling with each smack to it, along with your soft voice begging for him, makes your husband dizzy.

with a muttered curse, kento rips your underwear off, the flimsy fabric tearing like tissue paper in his large hands. he tosses the ruined garment aside, leaving you bare and exposed to his ravenous touch. his callused fingers delve between your thighs, finding you dripping wet and ready.

“tsk. would ya look at that,” he groans, plunging two thick fingers knuckle-deep into your tight cunt. “yer fuckin’ soaked. practically beggin’ for my cock like the needy lil’ slut you are.”

you can only moan in response, your hips bucking back against his invading fingers. those nasty words being said by your usual sweet lover makes you crave more. the obscene squelch of your arousal fills the air as he pumps his digits in and out of your fluttering pussy. you can feel every ridge and vein on his fingers as they stretch you open so well, preparing you for his thick cock.

“that’s it, baby,” kento encourages, his thumb finding your clit beneath its hood and rubbing the sensitive nub in rough circles. “get this sweet cunt nice and ready f’ me. am gonna make you feel so good, i promise.”

kento’s fingers pump faster, plunging in and out of your dripping pussy with wild abandon. the wet, sloppy sounds of your arousal fill the room as your slick walls clench greedily around the invading digits. he can feel you getting closer, your body tensing and quivering as he worked you towards a peak.

“cummin’ already? naughty girl,” kento growls, his voice a low, dominant rumble, “can’t have that.”

with a harsh tug, he yanks his fingers from your weeping cunt, leaving you empty and aching. “kennnn,” you whine as your fingernails dig into the wooden desk beneath you. you wiggle your hips back in frustration, needing more.

kento can see your hole clenching around air, trying to draw something back inside. the sight makes him groan, his cock throbbing painfully between his thick thighs. he’s such a weak man when it comes to you.

“i hear ya— i hear ya,” he mutters, giving in quickly to your needy whine. your dear husband can’t tease you when you’re basically begging him to take you. he grips himself in one hand, stroking his shaft as he rubs the swollen head over your dripping slit.

kento slides the engorged tip teasingly along your slick folds to coat himself in your arousal as he aligns your lower bodies. with a single thrust of his hips, he buries himself fully inside you. his heavy balls slap against your ass with a faint, meaty smack.

“fuuuck!” kento cusses and his voice echoes off the office walls as he hilts his dick in your wet pussy. no matter how many times he ruins your cunt, it’s still as tight as the first time. “fuckin’ hell, sugar,” he breathes out shakily.

your silken walls grip him like a vice, the slick muscles fluttering and clenching around his fat dick. he pauses for just a moment to savore the exquisite sensation of being buried inside his wife's perfect little cunt.

however, he cannot hold back for long. gripping your hips hard enough to leave finger-shaped dents on your flesh, he begins to move, his thighs flexing as he sets a relentless rhythm. the obscene sound of flesh slapping against flesh fills the room as he fucks into you. the ancient desk creaks and shakes with each forceful thrust. it’s a wonder that old thing isn’t breaking.

“tha’s it, take it,” kento snarls. he punctuates each word with a sharp snap of his hips. the feeling of his slick dick slamming into you over and over has him nearly tearing up from pleasure. this is the way to forget about all his earlier problems

“doing so good, honey. yer squeezin’ the life outta me—good girl,” he praises in-between movements. no matter how much he gets lost in the haze of lust, he’s still the sweet nanami kento you know.

his fingers dig into the meat of your ass, kneading and squeezing the soft flesh as he drives into you again and again. you’re overwhelmed by the stretch, the pure pleasure of his dick molding your insides to fit him and him only.

your toes curl as you struggle to lay steady on your tummy. “o-oh, mmh. right there,” your eyes roll back and your body jolts back and forth in sync with his thrusts. your lower tummy and cunt are tingling, needing more stimulation to build up to that mind-blowing orgasm.

“faster, deeper, please— please,” you mewl. you can’t bring yourself to care about the possibility of others hearing you outside the sheriff’s office. let the town folk gossip and whatnot. at the end of the day, you’re the one winning by having a husband like kento.

your lover leans over your arched back, his sweat-slicked chest pressing against your shoulder blades. he kisses the back of your head with a smile playing on his lips, “as you wish.”

one hand slides up your back, tangling in your hair. kento fists it tightly, using it as a handle to yank your head back, forcing your spine into a deeper arch. the new angle lets him drive even deeper into you, his hard cock kissing your cervix with each rough thrust.

kento’s dick plunges inside your cunt with wild abandon and you’re loving it. your sweet noises intensify and you can’t think about anything else but the feeling of you being split open. the tip of his dick touches the deepest parts of you and it’s painful—but the pain is nothing compared to the mind numbing pleasure.

“there we go. gotta get all up in there, aye?” kento pants harshly against the side of your neck, his hot breath fanning over your skin. his other hand reaches around to flick your clit before coming to rest on your lower tummy, “that way i can ensure y’re g’nna end up with a swollen belly.”

the implications of his words make you shudder. you know kento’s always been a family man. always dropping hints of wanting to start a family with you when you’re ready. and he never misses the opportunity to pump you full of his potent cum when you do try for a baby.

“k-ken,” you bite your lip at the thought of it. of succeeding to conceive this time. it’d be because of this lewd moment, in his office out all places. it’s so naughty to the point it’s driving you insane.

kento notices how your body is reacting to his dirty talk and grins to himself. he isn’t clueless—he can feel the way you clench around his dick, as if you’re trying to suck every drop of cum out of his sack. “hm? yer cunt is agreein’ with me, it seems,” he hums.

your lover bites your shoulder as his hips pound against your rear with a strength that’s nearly inhuman. your insides are being turned to mush while you’re drowning in ecstasy.

“yer g’nna make such a good momma,” kento continues to whisper those words in your ears, simply to drive you to the brink of an orgasm. he kisses your earlobe lovingly as his deep voice carries on, “can’t wait to see this beautiful body change to carry my child.”

the dirty talk sure is working. he can feel you tensing, could hear the breathy moans and whimpers spilling from your lips as he brings you closer to the edge. he knows your body—knows every inch of you—and he uses that knowledge drive you utterly mad.

“ah, fuck, ken! honey,” you whine. the contrast between his honeyed voice and rough thrusts that send electric jolts down your spine, is maddening. you can feel the knot tightening in your belly, threatening to snap any second now.

kento’s eyes darken and he grunts in response. the hand that’s been playing with your clit moves to hold onto your hip again for leverage, pounding into you with a passion you’ve never felt before.

“i know,” he mutters gruffly as he watches his cock disappear into your greedy cunt, “i know, sugar. just give yerself t’ me. let go.”

that’s all it really takes. kento feels your body go rigid beneath him as your climax crashes over you like a tidal wave. your walls clamp down around his pistoning cock like a silken vise, fluttering and rippling as you cum hard.

you cry out due to your mind-blowing orgasm. your thighs tremble and your body convulses uncontrollably on the desk—eyes closed as your senses focus on the remaining pleasure.

“fuck, yes— yes yes yes,” kento grunts as your slick fluids gush out around his dick. he can feel the warm, slick heat of your juices splash against his balls and drip down his thighs. the sight of you coming undone on his dick, the sound of your screams of ecstasy filling the room, pushes him over the edge as well.

kento slams into you one final time, burying himself to the hilt in your spasming, sensitive pussy. his cock jerks and throbs inside you as thick ropes of cum erupt from the tip. he can feel each spurt of his load, can count the pulsing jets of cum as he pump you full with it.

“take it—let me breed ya real good,” he pants while grinding his hips against your ass to properly empty himself inside your pulsing cunt. kento shudders as his hips lazily move in small, shallow circles, “get it all nice ‘n deep in there.. yeaaah, good job.”

his grip on your hair tightens for a moment, forcing you to arch you back even more as he slowly rides his orgasm out, his release seeming to go on and on. he senses his hot seed sloshing inside you, can already picture it flooding your fertile womb and taking root.

finally, with a shuddering groan, kento collapses against your back. his large frame easily blankets your smaller one. he notices your body trembling beneath him, could hear the soft whimpers and mewls spilling from you lips as you came down from your high as well. despite that, he stays buried inside you, not wanting to lose a single drop of his cum.

“yer so perfect,” your lover whispers and nuzzles his face into your neck, “the most perfect woman a man could ask for.” that gentleman side of his now makes a full return, as it always does after a particularly rough session. kento takes aftercare quite seriously.

his hands rub your sides and massage your body in places he knows will be sore later on. his lips leave trails of kisses from your neck to your shoulders and back—a testament of his love for you.

after making sure you’re okay, kento eases himself up off your back, his softening dick slipping from your tender folds with a squelch. he looks down to see your combined fluids leaking out from your slit, dripping down your thighs to pool on the rough wood beneath you.

the sight makes him bite back a groan. if it wasn’t for the ounce of self control left inside of him, he’d go for a second round. but he can’t. his coworkers will be back soon anyway.

kento helps you up as well, his hands gripping your waist to steady you as your shaky legs find their footing. “mmh, my lovely wife,” he smiles at you as he cups your face into his hands. he presses a gentle kiss to your forehead and pulls you into a hug, “thank you so much. don’t think i would’ve even survived today if ye didn’t show up.”

you giggle at kento’s dramatics and hug him back tightly, body slowly recovering from the intense passion you two just shared. the fog on the nearby window, the steamy tension and the scent of sex still lingers in the air—something you have to take care of soon before others come to visit.

but for now, you’ll just enjoy the warmth of your husband’s embrace. that’s all what really matters.

[luna-azzurra]

How to Create A Villain

The best villains? They don’t even see themselves as the bad guys. They’re 100% convinced that what they’re doing is right, even if it’s messed up. Maybe they’re trying to “save the world” by doing something super questionable, or they think enforcing strict rules is the only way to keep society in check. They truly believe they’re the hero of their own story, which makes them way more interesting and real.

And Yeah, your villain might want power, but the real question is: Why? Were they humiliated in the past and now want control? Did they grow up powerless and now crave it to avoid being vulnerable again? When you dig into their backstory and show us why they’re doing horrible things, it makes them a lot more relatable—even if they’re totally wrong.

Flat, one-note villains are boring. If your antagonist is going to stick with people, they need depth. Show us what’s going on under the surface. Maybe they lie awake at night, doubting their choices, or they’re still haunted by a massive failure that’s pushing them toward their goal. A villain with personal struggles and vulnerabilities feels way more human and way harder to fully

A great Villain doesn’t just fight the hero, they reflect them. They might have totally different goals, but at their core, they share similar traits, maybe ambition, stubbornness, or a tragic backstory. When the hero looks at the villain, they should see a bit of themselves, and that’s what makes the conflict between them so intense.

When the villain finally goes down, it should feel big. Their defeat shouldn’t just be a fight, it should hit them emotionally. Ideally, their downfall comes from their own flaws, maybe they got too arrogant or made a mistake because of their obsessive goal. The best villain defeats leave the audience feeling a little sad or conflicted, not just happy for the hero’s win.

[mxrcurysb1tch]

˚₊‧꒰ა ☆‧₊˚ Astrology observations pt. VI˚₊☆ ໒꒱ ‧₊

✮ As always, take what resonates and leave the rest. xo

✮ Women with Venus in Leo want the red carpet rolled out for them in love. Give me the princess treatment, fly me to Paris, check us in at the Ritz, buy me designer, show me off. Men with Venus in Leo are pulling all the stops in love. They’re the ones splashing out, being extremely chivalrous. I know a guy with this placement and he’s usually super stingy but when his girlfriend is involved he makes sure she is treaaaateedd.

✮ I once read somewhere that mercury retrograde natives get really annoyed and frustrated when technological errors happen, when the WiFi is loading slow, when they don’t understand how something works on a computer etc. And idk about you guys but as a native myself, I can definitely relate lol!

✮ Speaking of mercury retrograde, I often find that when two natives meet each other, they either understand each other on a whole different level or they c o m p l e t e l y misunderstand each other and butt heads constantly and just generally get on each other’s nerves.

✮ 10h moons and being great musicians. I’ve noticed that a lot of musicians, especially ones that write their own songs have this placement and I think it’s because they’re so good at laying out the details of their lives in their songs and their emotions are a key component in the success of their career.

✮ *sigh* this is one I’m so tired of hearing. Capricorn isn’t just about being obsessed with money, materialism and capitalism. It’s about success, improvement, and mastery. Now I can see the overlap between the two ideas and the significations are definitely there for a reason. In our culture, the sign of success is having the money and the career, the house, so yes those things are likely to be attractive to a Capricorn. However it could just be about being successful and improving in any area of your life not just money and career.

✮ 6h stellium and/or moon might suffer from major health anxiety or intrusive thoughts, even OCD in extreme cases.

✮ Chiron 9h/sagittarius You might feel completely lost in life and like nothing has any meaning. You might have a confusing relationship with religion or be into nihilistic philosophies. Travelling and exploring the world can offer you a sense of purpose and meaning.

✮ Neptune aspects to personal planets can make a person feel very in tune with the psychic world and the energy of the collective unconscious. They might easily pick up on energetic shifts on a societal scale. The type of aspect will show how the native feels about this, what they choose to do with this ability and if it is a hindrance or help to them.

✮ Uranus aspects to personal planets can make the native very susceptible to understanding trends and behaviours in society. They may have a sixth sense predicting trends and people’s behaviours before they happen. I think this is especially prominent for those gen z that have Uranus in Pisces. Uranus aspects to personal planets can also make the native very ahead of their time, and they may propose extremely controversial or shocking ideas and observations that later turn out to be astute and extremely popular. With hard aspects, the native can struggle to harness this power for good and may rub people up the wrong way or even disgust them with their outlandish ideas. With more benefic aspects, the native can be seen as a visionary, someone to be revered and followed.

[lqfiles]

PAY THE PRICE — smau

after getting evicted out of your old place, you're left with no other choice but to look for a cheaper alternative. which is how you end up becoming neighbours with lee haechan, who has a passion for music and disturbing whatever peace and quiet there is.

or in which you found yourself a very nice apartment, the only issue? your neighbour is your friend's somewhat ex-situationship who won't stop playing his guitar at 2 am in the night.

neighbour!haechan x fem!reader

genre ; enemies to lovers, angst, fluff, probably slow burn, humour, neighbours au.

extras ; haechan is kinda an asshole | boy next door + likes everyone but you trope-ish | profanity and death jokes because they’re silly! | probably romantic tension | some mark x reader here and there | renjun and jaemin having their own e2bffs moment | probably inaccurate depiction of how someone would get evicted pls don’t shoot me 😅

notes ; i love haechan i love haechan i love haechan i love haechan i love haechan i love haechan i love haechan i love haechan <333 idk i got nothing better to do now so i’ll just start this because i know i won’t be posting any of the other long fic wips any time soon 😭

PLAYLIST ; She , Tyler The Creator — For The Night , Chloe Bailey — IDK WHAT TO TELL YOU , Bktherula — Surprise , Chloe Bailey — I Wanna Be down , Brandy — Suite Life , FLO — Is It A Crime? , No Guidnce — Round&Round , NCT U .

STATUS ; completed! (18.02.25)

profiles (1) profiles (2)

intro

1 ) jaehyun’s trophy wife

2 ) free cookies (not really)

3 ) midnight disturbance

4 ) attempted murder?

5 ) THIS IS FAMILY

6 ) haechan’s second identity

7 ) kiss buddies and useless complaints

8 ) critically acclaimed idgaf veteran

9 ) founders keepers..?

10 ) yangyang’s new interest (y/n)

11 ) a late welcome party

12 ) invest in a cage jaemin

13 ) cat fight (REAL)

14 ) the cure to a lack of sleep = cup pong

15 ) who said quiet guys can’t be freaky?

16 ) you got a girlfriend?

17 ) i DO have a girlfriend

18 ) this is life, i love life..

19 ) nah. they fucking.

20 ) let’s play apex?

21 ) whole house mad

22 ) drunken regrets

23 ) he’s got to be fucking with me..

24 ) a sincere apology letter (kinda)

25 ) are we cool or not?

26 ) we’re good (for real)

27 ) a personal guitar lesson

28 ) LIVE TWEETING YNHAE MOMENTS

29 ) a moment of vulnerability

30 ) friendly q&a between friends

31 ) that’s strange.. that’s weird..

32 ) solution to job loss = family guy (???)

33 ) what has jaehyun done for society?

34 ) ynhae bonding activity hours

35 ) an unwanted double date with yangyang

36 ) an overwhelming realisation

37 ) the universe can kill itself

38 ) a “what are we” conversation

39 ) i got that hair too, kinda

40 ) reviewing haechan’s tweet and new issues

41 ) diagnosed with the crush disease

42 ) putting your satisfaction first

43 ) some girl talk with mark.. this diva..

44 ) girls day gone WRONG

45 ) homies before hoemies

46 ) #BringBackGenderNorms2024

47 ) no one but us

48 ) the words of the DEVIL

49 ) remove the fake from life

50 ) y/n and jaemin would’ve loved this

51 ) you’re a queen and he’s just.. there

52 ) we are sooooo fixing this

53 ) spiritual connection attempts

54 ) satanic mind manipulation

55 ) cucklord

56 ) when you kinda gaf

57 ) when you been thuggin it out for so long

58 ) a second try

59 ) be careful who you call OOMF

60 ) the paid price

BONUS:

TBA . . .

TAGLIST is closed

[strayingawayy]

how not to hard launch your partner...

... the one where there's dating rumours about felix and some actress and he's hellbent on putting them to an end

i think the anon that requested this wanted some angst but i would like to spread the live laugh love felix agenda and make you smile hopefully so here you go <3 (warning: a brief mention of suicide but not really suicide)

your first mistake was letting jisung have the aux.

the second mistake was assuming felix would handle this situation like a normal person.

because now, instead of calmly addressing the false dating rumours about him and some actress, you were sitting in the back of the car with the boys, watching in horror as felix prepared to commit social suicide.

"just let the rumours die," chan begged, as he gripped the steering wheel. "don’t do anything dumb, mate please."

felix, already opening his instagram, grinned. "define ‘dumb.’"

"oh my god," you screeched, lunging for him, but it was too late.

he had hit 'live.'

the car descended into chaos.

"turn it off!" seungmin, the typically calm and composed seungmin, yelled.

"we can still stop this!" hyunjin howled.

but felix, a menace to society, just grinned at the camera like a man unhinged.

"hello, stay," he announced over the screams of his bandmates. "quick q&a session t'night!"

you wanted to die.

the comments were already rolling in at lightning speed.

— oml lixie hiiiiiii

— what’s happening why does seungmin look like he wants to commit a crime

— Wait is it true you’re dating that actress???

felix’s eyes lit up. "oh, that rumour? funny story, actually-"

jisung dived across the van, trying to snatch his phone. felix dodged at the last second.

"felix don’t-"

felix absolutely did.

"that rumour is false," he said, smiling. "wanna know why?"

you shook your head violently. "no, no they don’t-"

felix grabbed your wrist and yanked you into frame.

the comments exploded.

— what

— who is that omg

— the way hannie just threw himself to stop this and failed lmaoooo

felix meanwhile , beamed. "meet my actual partner!"

the screaming in the car reached new heights and you could only thank god that chan was a good enough driver to survive this chaos.

"delete it delete it delete it," hyunjin continued howling.

"we're not even parked yet-" chan yelled.

jisung, now hanging off the van seat, wailed, "div1 is gonna kill us!"

meanwhile, you sat there, frozen in pure horror.

"say hi, baby!" felix chirped.

you turned to him, wide-eyed, unable to use speech as a method of self expression.

felix, still grinning, turned back to the camera. "they’re shy."

the live abruptly ended, because chan finally pried the phone out of his hands and threw it across the car.

there was nothing but silence for a few minutes.

everyone just… stared at you two.

then, jisung groaned, covering his face. "you idiots."

seungmin sighed. "well. at least the whole world knows now."

you turned to felix, who looked way too pleased with himself. "what is wrong with you?!"

felix simply kissed your cheek. "now you never have to worry about rumours again, my jealous lil' baby!"

hyunjin clutched his chest, dramatically,"i need to lie down."

[loveinhawkins]

Eddie could pretend that he only says it because fear and adrenaline—a lethal combination—have destroyed his brain to mouth filter. Which, sure, there’s something in that; all things considered, he’d say that’s a reasonable reaction to the whole cursed Hawkins experience.

But he knows it’s not just that. And he knows that if he really dug deep, he’d find exhilaration lurking underneath all the fear, and maybe that’s weird, but he can’t help it—can’t help thinking, as the RV speeds out of Forest Hills, God, if we’re all actually having fun now, imagine what we’d be like with a normal Spring Break.

He grabs a moment alone with Steve, sat in the field, and the conversation turns to confessions, stupid minor things like what they sing in the shower, but they’re on a tightrope nevertheless, one wrong move pitching them into morbid territory, and Eddie has a vested interest in avoiding that, if only so Steve doesn’t look so goddamn worried—

And so, studiously casual, Eddie admits that in the halcyon summer of ‘85, he started a club. At Steve’s confused look, he adds that he was the only member, because the club existed only in his head.

“Okay…” Steve says slowly. “What was the club?”

No matter what happens next, Eddie tells himself, at least it’s gotten Steve’s mind off recounting flambé supplies.

He takes a deep breath and says that the club of one was the Homosexuals Doomed by Steve Harrington’s Legs Society.

And Steve… laughs. Lies back in the grass, full-bodied, genuine, and Eddie’s heard cruel laughter, and he knows deep in his heart that this is not it.

He laughs too, relief soon giving way to joy. “You dick,” he says, beaming, “stop laughing! I just bared my soul, Harrington.”

Steve tries to speak several times, overcome with giggling. Eventually he gets out, “I hated that goddamn uniform,” which makes them both laugh harder, and then Steve’s sitting up, and he grabs onto Eddie’s wrist, and Eddie suddenly feels the heat of summer in the touch, and maybe finally dares to hope.

“But, Eddie,” Steve says—teasing and sincere all at once, Eddie can hear it—“you just made the shorts worthwhile.”

[b1adie]

COULD VERITAS RATIO BE A WORM?

see the updated theory HERE

the answer 😏 may surprise you

ok listen to me. a long time ago aha made a worm really smart and tried to get it into the genius society. but even though that worm was smart as hell, nous did not give a fuck about it.

you know who else is smart as hell but nous doesnt give a fuck about?

heh. yeah. thats right. despite many people (including himself) feeling like nous should have recognized him a loooong time ago, that computer just doesn’t care.

now, we are left to wonder… why does nous refuse to acknowledge this man..?

i think it’s quite obvious.

my theory is that aha made a SECOND worm really smart. and Then they made the worm into a sexy guy.

and now they’re outside nous’s window, giggling, as everyone in the universe ponders why veritas ratio is not permitted into the genius society.

“what’s wrong, nous? he’s a genius, isn’t he? let him in,” aha goads.

nous is glitching in frustration. “it’s the worm again. i know it’s the worm again.”

[derinwrites]

The Three Commandments

The thing about writing is this: you gotta start in medias res, to hook your readers with action immediately. But readers aren’t invested in people they know nothing about, so start with a framing scene that instead describes the characters and the stakes. But those scenes are boring, so cut straight to the action, after opening with a clever quip, but open in the style of the story, and try not to be too clever in the opener, it looks tacky. One shouldn’t use too many dialogue tags, it’s distracting; but you can use ‘said’ a lot, because ‘said’ is invisible, but don’t use ‘said’ too much because it’s boring and uninformative – make sure to vary your dialogue tags to be as descriptive as possible, except don’t do that because it’s distracting, and instead rely mostly on ‘said’ and only use others when you need them. But don’t use ‘said’ too often; you should avoid dialogue tags as much as you possibly can and indicate speakers through describing their reactions. But don’t do that, it’s distracting.

Having a viewpoint character describe themselves is amateurish, so avoid that. But also be sure to describe your viewpoint character so that the reader can picture them. And include a lot of introspection, so we can see their mindset, but don’t include too much introspection, because it’s boring and takes away from the action and really bogs down the story, but also remember to include plenty of introspection so your character doesn’t feel like a robot. And adverbs are great action descriptors; you should have a lot of them, but don’t use a lot of adverbs; they’re amateurish and bog down the story. And

The reason new writers are bombarded with so much outright contradictory writing advice is that these tips are conditional. It depends on your style, your genre, your audience, your level of skill, and what problems in your writing you’re trying to fix. Which is why, when I’m writing, I tend to focus on what I call my Three Commandments of Writing. These are the overall rules; before accepting any writing advice, I check whether it reinforces one of these rules or not. If not, I ditch it.

1: Thou Shalt Have Something To Say

What’s your book about?

I don’t mean, describe to me the plot. I mean, why should anybody read this? What’s its thesis? What’s its reason for existence, from the reader’s perspective? People write stories for all kinds of reasons, but things like ‘I just wanted to get it out of my head’ are meaningless from a reader perspective. The greatest piece of writing advice I ever received was you putting words on a page does not obligate anybody to read them. So why are the words there? What point are you trying to make?

The purpose of your story can vary wildly. Usually, you’ll be exploring some kind of thesis, especially if you write genre fiction. Curse Words, for example, is an exploration of self-perpetuating power structures and how aiming for short-term stability and safety can cause long-term problems, as well as the responsibilities of an agitator when seeking to do the necessary work of dismantling those power structures. Most of the things in Curse Words eventually fold back into exploring this question. Alternately, you might just have a really cool idea for a society or alien species or something and want to show it off (note: it can be VERY VERY HARD to carry a story on a ‘cool original concept’ by itself. You think your sky society where they fly above the clouds and have no rainfall and have to harvest water from the clouds below is a cool enough idea to carry a story: You’re almost certainly wrong. These cool concept stories work best when they are either very short, or working in conjunction with exploring a theme). You might be writing a mystery series where each story is a standalone mystery and the point is to present a puzzle and solve a fun mystery each book. Maybe you’re just here to make the reader laugh, and will throw in anything you can find that’ll act as framing for better jokes. In some genres, readers know exactly what they want and have gotten it a hundred times before and want that story again but with different character names – maybe you’re writing one of those. (These stories are popular in romance, pulp fantasy, some action genres, and rather a lot of types of fanfiction).

Whatever the main point of your story is, you should know it by the time you finish the first draft, because you simply cannot write the second draft if you don’t know what the point of the story is. (If you write web serials and are publishing the first draft, you’ll need to figure it out a lot faster.)

Once you know what the point of your story is, you can assess all writing decisions through this lens – does this help or hurt the point of my story?

2: Thou Shalt Respect Thy Reader’s Investment

Readers invest a lot in a story. Sometimes it’s money, if they bought your book, but even if your story is free, they invest time, attention, and emotional investment. The vast majority of your job is making that investment worth it. There are two factors to this – lowering the investment, and increasing the payoff. If you can lower your audience’s suspension of disbelief through consistent characterisation, realistic (for your genre – this may deviate from real realism) worldbuilding, and appropriately foreshadowing and forewarning any unexpected rules of your world. You can lower the amount of effort or attention your audience need to put into getting into your story by writing in a clear manner, using an entertaining tone, and relying on cultural touchpoints they understand already instead of pushing them in the deep end into a completely unfamiliar situation. The lower their initial investment, the easier it is to make the payoff worth it.

Two important notes here: one, not all audiences view investment in the same way. Your average reader views time as a major investment, but readers of long fiction (epic fantasies, web serials, et cetera) often view length as part of the payoff. Brandon Sanderson fans don’t grab his latest book and think “Uuuugh, why does it have to be so looong!” Similarly, some people like being thrown in the deep end and having to put a lot of work into figuring out what the fuck is going on with no onboarding. This is one of science fiction’s main tactics for forcibly immersing you in a future world. So the valuation of what counts as too much investment varies drastically between readers.

Two, it’s not always the best idea to minimise the necessary investment at all costs. Generally, engagement with art asks something of us, and that’s part of the appeal. Minimum-effort books do have their appeal and their place, in the same way that idle games or repetitive sitcoms have their appeal and their place, but the memorable stories, the ones that have staying power and provide real value, are the ones that ask something of the reader. If they’re not investing anything, they have no incentive to engage, and you’re just filling in time. This commandment does not exist to tell you to try to ask nothing of your audience – you should be asking something of your audience. It exists to tell you to respect that investment. Know what you’re asking of your audience, and make sure that the ask is less than the payoff.

The other way to respect the investment is of course to focus on a great payoff. Make those characters socially fascinating, make that sacrifice emotionally rending, make the answer to that mystery intellectually fulfilling. If you can make the investment worth it, they’ll enjoy your story. And if you consistently make their investment worth it, you build trust, and they’ll be willing to invest more next time, which means you can ask more of them and give them an even better payoff. Audience trust is a very precious currency and this is how you build it – be worth their time.

But how do you know what your audience does and doesn’t consider an onerous investment? And how do you know what kinds of payoff they’ll find rewarding? Easy – they self-sort. Part of your job is telling your audience what to expect from you as soon as you can, so that if it’s not for them, they’ll leave, and if it is, they’ll invest and appreciate the return. (“Oh but I want as many people reading my story as possible!” No, you don’t. If you want that, you can write paint-by-numbers common denominator mass appeal fic. What you want is the audience who will enjoy your story; everyone else is a waste of time, and is in fact, detrimental to your success, because if they don’t like your story then they’re likely to be bad marketing. You want these people to bounce off and leave before you disappoint them. Don’t try to trick them into staying around.) Your audience should know, very early on, what kind of an experience they’re in for, what the tone will be, the genre and character(s) they’re going to follow, that sort of thing. The first couple of chapters of Time to Orbit: Unknown, for example, are a micro-example of the sorts of mysteries that Aspen will be dealing with for most of the book, as well as a sample of their character voice, the way they approach problems, and enough of their background, world and behaviour for the reader to decide if this sort of story is for them. We also start the story with some mildly graphic medical stuff, enough physics for the reader to determine the ‘hardness’ of the scifi, and about the level of physical risk that Aspen will be putting themselves at for most of the book. This is all important information for a reader to have.

If you are mindful of the investment your readers are making, mindful of the value of the payoff, and honest with them about both from the start so that they can decide whether the story is for them, you can respect their investment and make sure they have a good time.

3: Thou Shalt Not Make Thy World Less Interesting

This one’s really about payoff, but it’s important enough to be its own commandment. It relates primarily to twists, reveals, worldbuilding, and killing off storylines or characters. One mistake that I see new writers make all the time is that they tank the engagement of their story by introducing a cool fun twist that seems so awesome in the moment and then… is a major letdown, because the implications make the world less interesting.

“It was all a dream” twists often fall into this trap. Contrary to popular opinion, I think these twists can be done extremely well. I’ve seen them done extremely well. The vast majority of the time, they’re very bad. They’re bad because they take an interesting world and make it boring. The same is true of poorly thought out, shocking character deaths – when you kill a character, you kill their potential, and if they’re a character worth killing in a high impact way then this is always a huge sacrifice on your part. Is it worth it? Will it make the story more interesting? Similarly, if your bad guy is going to get up and gloat ‘Aha, your quest was all planned by me, I was working in the shadows to get you to acquire the Mystery Object since I could not! You have fallen into my trap! Now give me the Mystery Object!’, is this a more interesting story than if the protagonist’s journey had actually been their own unmanipulated adventure? It makes your bad guy look clever and can be a cool twist, but does it mean that all those times your protagonist escaped the bad guy’s men by the skin of his teeth, he was being allowed to escape? Are they retroactively less interesting now?

Whether these twists work or not will depend on how you’ve constructed the rest of your story. Do they make your world more or less interesting?

If you have the audience’s trust, it’s permissible to make your world temporarily less interesting. You can kill off the cool guy with the awesome plan, or make it so that the Chosen One wasn’t actually the Chosen One, or even have the main character wake up and find out it was all a dream, and let the reader marinate in disappointment for a little while before you pick it up again and turn things around so that actually, that twist does lead to a more interesting story! But you have to pick it up again. Don’t leave them with the version that’s less interesting than the story you tanked for the twist. The general slop of interest must trend upward, and your sacrifices need to all lead into the more interesting world. Otherwise, your readers will be disappointed, and their experience will be tainted.

Whenever I’m looking at a new piece of writing advice, I view it through these three rules. Is this plot still delivering on the book’s purpose, or have I gone off the rails somewhere and just stared writing random stuff? Does making this character ‘more relateable’ help or hinder that goal? Does this argument with the protagonists’ mother tell the reader anything or lead to any useful payoff; is it respectful of their time? Will starting in medias res give the audience an accurate view of the story and help them decide whether to invest? Does this big twist that challenges all the assumptions we’ve made so far imply a world that is more or less interesting than the world previously implied?

Hopefully these can help you, too.