#‘let’s do a version of carol of the bells on the violin’ <- a bit too artsy but I can essentially get behind it

[perdvivly]

The four note melody over a minor third of the chant in carol of the bells slaps so severely. But, and I’m sorry about this Lindsey, you *cannot* do a rendition without the bells! They are a necessary ingredient of that pussy popping power!

[toomanyfeelings5]

the definitive ranking of pulp! the classics covers and summaries, from worst to best

(Note: Pride and Prejudice was not included in this list, as there were only poster and greeting card options for the work, and not an actual book or summary. Had a book and summary been provided, it would have ranked lowest for unoriginality. It’s literally just 1995 Colin Firth staring moodily at you. The caption is “Lock Up Your Daughters...Darcy’s in Town!” which is just unfortunate, frankly, and honestly laughable.) 

16. Wuthering Heights by Emily Bronte 

You take a novel that’s positively overflowing with drama and give it THIS cover? THIS summary? Absolutely uninspired. 

Here’s looking at you Cathy...

Childhood sweethearts turned star-crossed lovers, fuelled by bitter jealousy and dark revenge. She’s pretty and posh, he’s a moody brooding bastard. Heartbreak, alcoholism and plenty of illegitimate kids – it’s a perfect Northern drama.

Where is the feeling? The screaming violins playing as we read? The moors? The time skips? A hint of the positively bonkers plot that only a Bronte could compose?

15. The Picture of Dorian Gray by Oscar Wilde 

 Oh, the heterosexuality of it all. On an Oscar Wilde novel, no less. 

Hey girl...I’d sell my soul for you!” 

Dorian Gray might be as pretty as a picture, but he's paid a devilishly high price for it. He'll stay drop-dead gorgeous, but there's something nasty festering in the attic...

Pretty as a picture and still lusting after ladies? Please. Pulp! Classics, you can do better. 

14. The Great Gatsby by F. Scott Fitzgerald 

Again, we must speak the ancient chant: Oh, the heterosexuality of it all. 

When it came to loving...He knew which Daisy to pick! 

Sorry old sport, but Gatsby has a bigger house than you, prettier friends than you and a Rolls Royce to cart them all round in. To a backdrop of popping champagne corks and orchestral jazz, our hero bids to buyout his old adversary, perennial jock, Tom Buchanan and reclaim Daisy, his favourite bit of High Society totty.

Nick Carraway gets not one mention, which is odd given that he’s the narrator, the protagonist, and Gatsby’s most ardent love interest. Also strange is the cover’s insistence that Jordan Baker, known lesbian, would swoon over Gatsby. Doubly strange is how tiny the women are in comparison to Gatsby’s massive frame. What is, again, bamboozling, is how the slogan on the cover seems to imply that Gatsby knows how to pick a woman. He doesn’t know how to choose anyone, let alone love them. All Gatsby truly knows is the desperate pursuit of a fruitless dream. 

13. Romeo and Juliet by William Shakespeare 

Romeo looks like he could be Juliet’s father. Juliet looks like an Upper East Side Widow, not at all like the tween girl she really is.

Too wild to live...too young to die!

Romeo, Romeo, wherefore art thou…. Oh wait, he’s hanging around in the garden again. Will young Romeo and his Juliet ever be able to express their raging hormones? Or will their feuding families make this romance blossom into a poisoned flower? Either way, both their houses are totally plagued!

“Wherefore” means “why,” not “where,” though I do have to award points to the summary for placing the blame squarely on the feud and not on these doomed young lovers. Though again, young isn’t the operative word I’d use to describe this version of Romeo and Juliet. 

12. Robinson Crusoe by Daniel Defoe 

This is what one would expect upon seeing a pulp cover of a classic novel. Not much originality or flair is present, but at least some sense of the story is conveyed. 

Solitude was driving him nuts!

Cannibals! Captives! Coconuts!

One man’s love of the sea leaves him stranded on a desert island with nothing but a few goats, a bible and a parrot for company.

Will he ever escape? Will his new pal Friday learn to efficiently press a goatskin jerkin? Or will solitude send him totally barmy?

WILL Friday learn to efficiently press a goatskin jerkin? One must read to find out, I suppose...

11. Tess of the D'urbervilles 

Marilyn Monroe?????

She’s...no angel.

The original Wessex girl!

Tess is just a humble milkmaid when the local landowner has his wicked way. Her new beau, the smarmy Angel Clare, is none too pleased when he finds out she’s already been deflowered. What is a girl to do? Bloody revenge of course, and an ending to touch the hardest of hearts.

At least the summary blames the terrible men in Tess’s life rather than Tess herself, unlike the tagline on the cover. And while Marilyn Monroe seductively lounging about with a drink doesn’t recall the faintest essence of Hardy’s novel, one would like to imagine Tess relaxing in whatever clothes she pleased, a straw dangling out of her drink, a smile on her face as she answers to no one and spends her quiet evening in solitude. 

10. Three Men in a Boat by Jerome K. Jerome

An innocuous cover; the men’s faces hint at the comedic nature of this novel, and yet...something nags the brain upon looking at this.

To say nothing of the dog...

Incompetence, embarrassment and general disaster - no it’s not PMQs, it’s a trip down the Thames! Three hapless fellows and a world weary dog decide they need a holiday from their exhausting hypochondria. Hilarious mayhem ensues.

To say nothing of the dog indeed: Why does the dog on the cover have a human face?

9. The Metamorphosis by Franz Kafka 

All one can say upon viewing this cover is: Jeff Goldblum, is that you?

Change really BUGGED him! 

Poor old Gregor. One day he's depressed about his dreary travelling salesman gig, the next, he's roaching around the apartment and disgusting his family. All that's left is creeping the walls and eating garbage. How's his sis ever going to find a sugar daddy with her grotty bro in tow?

Gregor isn’t grotty, he’s our six-legged hero in this tragic tale. 

And yet in the end, the question that haunts us all echoes in our minds in an unceasing echo: is that Jeff Goldblum? 

8.  Alice’s Adventures in Wonderland 

Alice as a hippie is eye-catching, but not particularly creative. 

This cupcake was off her head!

What HAS happened to little Alice? Taking 'shrooms, hanging out with hookah smoking ne'er-do-wells and being dragged to court. That's gonna be one hell of a hangover!

As much as I’m intrigued by Alice wearing heart-shaped sunglasses and a peace sign necklace, the summary and the cover consist of one joke and one joke only. 

7. The Strange Case of Dr. Jekyll and Mr. Hyde 

I just like how Dr. Jekyll in this cover looks equally as fucked up as Mr. Hyde. 

No more Mr. Nice Guy... There’s a sinister man about London town with something of the night about him. Mr Hyde is mad, bad and has a penchant for bumping off MPs and other kindly innocents. Will his friend Dr Jekyll be able to stop him? Or is there something more to their relationship than meets the eye…? Only the intrepid Utterson can get to the bottom of this mystery, but what will he find in Dr Jekyll’s lab?

Points to this summary for including Mr. Utterson, and for insinuating that Dr. Jekyll and Mr. Hyde may be clandestine lovers. 

6. A Christmas Carol by Charles Dickens 

Ladies, gentlemen, and otherwise, don’t we love it when a greedy rich man gets bludgeoned by a mace into being more generous and kindly towards others?

This cat was a drag....’til a midnight wake-up call...

Christmas?! What a load of Humbug. Mistletoe and Wine just don't do it for Scrooge; he's a workaholic miser with an attitude problem. If he doesn't change his ways, he'll end up with no friends and Tiny Tim won't last the year. Let's hope some spooky night-time visitors can put the jingle back in his bells!

Ring-a-ling-a-ling, Mr. Scrooge. The mace is raised and the bells are ringing.

5.  Heart of Darkness by Joseph Conrad 

The tag-line made me, as the youths say, laugh out loud. 

Whoops! Apocalypse....

The horror! The horror!

Kurtz might be the apple of every brutish imperialist’s eye, but his God complex is getting wildly out of hand in the depths of the jungle. What on earth will Marlow find when he finally gets downriver? Devil worship? Savages? Heads on sticks? Or just another nutty white man with his knickers in a twist?

Surprisingly anti-racist summary made this jump to the higher echelons of this esteemed list, though of course that doesn’t excuse this novel’s abhorrent and embarrassing fake-deep racism. It also must be noted that the tag-line should have been “Whoops! White supremacy!” and the text of the novel should have entirely consisted of Chinua Achebe’s essay on the work. 

4. The Hounds of Baskerville by Arthur Conan Doyle

The cover alone is a winner. A rabid chihuahua out for blood? Inspired. 

Murder...Mystery...Walkies!

A desolate moor, a diabolical dog in need of a muzzle and some inbred locals; Sherlock Holmes is really up against it. With the help of his trusty sidekick Dr. Watson, Holmes pieces together a mystery that has captured the imagination of readers across the decades. All whilst practising a serious coffee and cocaine habit.

The tag-line is fun and catchy, but sadly this summary must be admonished for insisting that Dr. Watson is merely a “trusty sidekick” to Sherlock Holmes. Heterosexuality strikes again, reducing the impact of the striking cover design. 

3. Dubliners by James Joyce 

Finally! Some style, some panache, some flair to accompany these short stories about being sad and horny in Ireland. 

Stuck in the Liffey with you...

Booze, Sex and Hot Floury Potatoes… Those Dubliners are at it again!

Liars, thieves, whores and priests… James Joyce sure knew how to throw a party! This relentlessly downbeat collection explores the very worst aspects of human nature, and doesn’t leave out the juicy bits. It might not be in the best possible taste, but who doesn’t want to get down and dirty in Dublin?

The summary and cover work in tandem to wholeheartedly convince me that Dubliners is an action-packed, slick collection of stories detailing the wild escapades of a motley cast of ragamuffins, and I gotta hand it to the folks over at Pulp! Classics for injecting some bonafide vintage cool into Joyce’s work.

2. Othello by William Shakespeare 

I have so many thoughts on this. Mr. T. as Othello is fascinating, as is the tagline, “Some kind of Bard...aaaaasss.” Is this a commentary on blaxploitation media? One can’t help but recall Mr. T.’s reasoning behind his mohawk, his gold chains, to honor his ancestors and assert his living, unshakable humanity in a racist society. Is this is a genuine effort on the part of Pulp! Classics to imply that a blaxploitation-influenced adaptation of Othello could reveal deeper truths to the play that we have had yet to glimpse? 

Some kind of Bard... aaaasss

He’s a bardass brother with the love of a fine woman. That is until some cloven hoofed honky starts talking crazy about variously hued sheep tupping the hell outta each other! You gotta pity the fool who gets shafted by the green eyed monster. Let’s hope Othello can work out who to trust before it’s too late…

The fast-paced alliterative language of the summary harkens to Shakespeare’s own wit-fueled dialogue and penchant for creative language. The summary also calls Iago a devil, which is apt, and implicitly criticizes his racism, hinting at the play’s greater tragedies to come. The cover and summary also work in tandem to emphasize Othello’s jealousy and destruction: the “green-eyed monster” is mentioned, and the cover itself is a putrid green. An excellent example of what a vintage cover and summary can achieve. 

1. Frankenstein by Mary Shelly 

You all knew this was coming. 

This kid was born on the wrong side of the lab...

Frankenstein’s monster is on the rampage; terrorising the locals, unleashing murderous hell… and reading novels in his spare time. Can his petrified creator stop this reign of horror before his girlfriend gets the chop?

A James Dean-inspired creature, thereby making them a queer icon? Masterful. The creature being “born on the wrong side of the lab?” A stroke of genius; that they’re called a kid puts the poignancy of the monster’s plight into even greater relief, while simultaneously emphasizing their tragic charm. The clear distinction between Frankenstein and the creature? Reader, I exhaled in a cathartic release of tension. The loving detail that the creature reads novels in their spare time, like any other leather-jacket wearing, motorcycle-riding ruffian with a heart of gold? Beautiful. 

Truly, the obvious queer energy of this cover and summary highlights an overlooked dimension of Shelly’s great work while also paying homage to what draws us to this Modern Prometheus time after time. Do we care about the petrified creator in this summary? Not at all. He’s not on the cover, appearing both rebellious and gentle. We are here for the creature, in their leather jacket, on their motorcycle, novel sticking out of a back pocket on their jeans, ready to whisk us away to a place where even monsters like us can find solace, and be at peace, and commune with each other. We need only take their outstretched hand, and be willing to leave the mundane world for something better, for the chance to no longer be alone. 

[kevoreally]

#BuffyAt20 - S03E10“Amends”

Very late but honestly who’s keeping track?

> Hey! A previously! Reestablishing Jenny as a character! Noice.

> I get the opening violin riff from this episode stuck in my head a lot. I just wanted you to know that.

> Daniel is pretty cute. And has not really done much. Too bad.

> This street is beautifully dressed for the period - and with the snow and everything.

> Oh gosh, David Boreanaz’s Irish accent. It’s not actually the worst.

> If I’m not mistaken, the weatherman on the shop window screen is real. I love when they do shit like that.

> BUFFY. BANGS. WHY.

> Can I just say how grateful I am that Buffy did a Christmas episode? I love the holidays, so my favorite show having an episode for it that I get to watch every year - and so Christmas Carol-y! Love it.

> I almost wish there was a Christmas version of the theme. Like, sleigh bells instead of cymbal smashes. Let’s do it!

> See, Buffy? You know the bangs are a bad idea - they’re fighting you!

> Willow is awfully huffy about people not remembering she’s Jewish for someone who’s not very observant.

> I’m sorry - why are they all talking like they won’t be seeing each other over Christmas break? Like, they’re BEST friends. It makes the scene a little unnatural.

> Oz says “I know you guys have a history.” He really does. Have I mentioned how much I love Oz?

> They’re just so sweet together. I wonder, if Seth Green hadn’t left, would Oz/Willow have been endgame? Would we have ever gotten Dark Willow? Hmmm.

> Ugh, I’m glad there’s some semi-mystical roots in Two Slayers not being able to get along because I really hate how awkward Buffy is about Faith.

> Meanwhile, LOVING how awkward Joyce is about Giles, haha. Kristine Sutherland’s performance is so tense, it’s amazing.

> THE BRINGERS!!! Oh man, what a random one-off character to make season-long antagonists.

> “Your mom sent you down, huh?” “ - No.” Oh, Buffy. You’re not the best liar.

> “I like the lights.” Me too, actually, Buffy. They’re such a specific touch. I know how long putting that shit up can take.

> Twenty years later, I still think Giles is a little extra hard on Angel. The whole crossbow thing. But like. I get it. And he gets over it pretty quick, and it’s done after this episode.

> Oh, I just got the “last time you became complacent” line for the first time. Oh dip, lol.

> This scene with Angelus eating this poor maid is sort of still rather heavy TODAY, let alone twenty years ago.

> Angel and Buffy both waking up from that dream is a HELLLLLLLA great plot twist.

> I really, really appreciate Robia LaMorte coming back to reprise the role of Jenny. I think that was really cool. I get why Amber Benson didn’t want to do this for Tara, but I think it’s such a clever villain idea, being able to use dead characters.

> Hmmm. I don’t know if it’s the older I get or I’m just in a mood, but I’m a little hmmm on Buffy/Angel at the moment.

> Aww but I love Xander showing up to help. He’s starting to become the Xander I love.

> Willow just said “We’re gonna watch videos.” Omigod.

> Angel says “It wasn’t me, a demon isn’t a man.” I mean, how DOES that work? Have we ever really been given a full answer still?

> Buffy having a sex dream on the library floor is… a lot. Merry Christmas, by the way.

> If Angel has a wet dream, that doesn’t count for anything, right? (Well I mean, we know it doesn’t, we learn he can have sex in Season 5 when he dates a werewolf.)

> Eeey! It’s that shot of Angel transforming into a vamp that gets used all the time in the Angel opening credits!

> The First says “This is why we brought you back.” Which, did it? And if it did, what exactly was its aim?

> Giles says “You can’t fight The First, Buffy. It’s not a physical being.” And I’m like, IF ONLY YOU GUYS KNEW, SEE YOU IN 4 YEARS.

> “Let me get a double shot of, um - of information, pal!” Oh Xander.

> WHY IS IT SPECIFICALLY SCRIPTED THAT XANDER INTERRUPTS BUFFY?

> They CG’d Christmas lights onto the establishing shots of Sunnydale, I love when shows do that for the holiday episodes. Fuller House just did one where they forgot to decorate the neighbors’ houses!

> The dream joke Oz makes is literally Willow’s dream from “Restless.” Just a note.

> Willow says “We could do that thing” and my heart melts.

> I didn’t even know the Summers’ fireplace was functional. I don’t feel like they would actually do the upkeep for that.

> Faith showing up at Buffy’s house for Christmas means EVERYTHING TO ME.

> Joyce says “Oh that is so thoughtful” to Faith’s gifts because once again Joyce is the most amazing mom on TV.

> Okay I’m sort of engaged on the bedroom scene with Buffy and Angel but… I’m still mulling them over.

> The “But it’ll do” from The First is so sassy, which is more great foreshadowing of its characterization in the future.

> The sequence of Buffy smashing up the earth maybe goes on a bit too long. We didn’t have anything else to fill that minute with?

> The way Buffy just sort of sweeps away the Bringers’ altar is somewhat comical.

> “Alright, I get it, you’re evil, do we have to chat about it all day?” and “Let me guess, is it… evil?” are some of my favorite Buffy lines ever.

> Oh, there’s actual roofs down there with lights up. Maybe it wasn’t CG after all!

> I’m not sure this episode does enough to show us why Angel is worth saving other than Buffy loves him. Like, sure, he’s a champ for good, but we don’t talk about that much.

> Buffy’s part of this speech in this scene is ALLLL there really is. And it’s a great bit, but still. There should’ve been more.

> "Strong is fighting! It's hard, and it's painful, and it's every day. It's what we have to do. And we can do it together." Preach, B.

> Ugh, the snow always gets me. Plus, you know. Christophe Beck.

> UGH, AND THE SHOT OF MAIN STREET.

> Okay, so is anyone else aware that there was a Buffy Christmas-theme 1-800-COLLECT commercial that aired after this episode? Because if you aren’t, here: https://www.youtube.com/watch?v=dGlG-uKTnTs

> Merry Chrysler.