#—not based on care or relationship to the boy. but on kekkei-genkai. but trying not to take it out on tenzō whose just Doing His Job

[mokutone]

A dumb lil headcanon I have is that Yamato was assigned Naruto’s legal guardian in shippuden. (And that before it was Hiruizen, then Kakashi, then Jiraiya) just for convenience because he’s watching over Naruto all the time anyways.

oh god. sorry my response got really long but the fact is anyone even breathes a word of yamato being fatherly to naruto and i lose my shit and start beating my fist against the earth sobbing and shaking and etc.

now TO BE FAIR. i think if anyone should be naruto's legal guardian it should probably be iruka because iruka was the one who took care of naruto when naruto needed it most, and canonically naruto thinks of iruka as a father figure so much that he like, asks him to act as his father at his wedding, and he has this whole moment as a kid

THAT SAID. i like ur ask, and when it comes to the idea of legal responsibilities, i find the idea of Yamato being granted (even temporary) guardianship over Naruto to be extremely funny and entertaining.

i think yamato would personally take a lot of pride in that and really enjoy it. i think he would love nothing more than to have a practical, obligatory tie to enable him in his desire to take care of the people he loves. i also think that he would be obnoxious about it, at least a little bit. partially because his sense of humor is a little weird, and partially because he has no idea how to act as a guardian figure.

like i think he'd say shit like "bedtime! that's an order!" and naruto would be like "oh, piss off!" and then yamato would use his scary face and naruto would get even more frustrated, and the whole time yamato would be like "wow, naruto is a great kid (if a little disobedient!) and this is such a fun game we are playing, even if it tires me out :)"

unfortunately i think, out of all the guardian/mentor figures that naruto has had, (sandaime, iruka, kakashi, jiraiya, tsunade, those elderly frogs, yamato...) i think yamato is the one he is least close with, and would least like to be a permanent fixture in his life.

i'm not saying that he doesn't like yamato, just that...i would be really surprised if there's a point after yamato gets captured, where naruto is like "man, we should really save yamato!" y'know?

i could be wrong! i haven't gotten there yet. but like. i'm not anticipating it. thats okay tho i love naruto and hes got a lot going on.

picture below is more related to the tags than the text

[warsmith-38]

How I would do RWBY Pt. 0

Disclaimer: It is easier to improve what already exist than it is to create something new. Boy howdy do I know that. That being said, I believe that RWBY has more than its fair share of flaws and this is how I would do it differently if I was behind the reigns. This is just a collection of my opinions and ideas which in the end will probably amount to nothing. I felt the need to do this because my brain just decided ‘nah motherfucker, you ain’t thinking of anything else from now on’ and this is the end result for nothing else would satisfy my rage.

I wouldn’t quite call this a complete re-haul, but more rather a rework with some of my own brand of polish. It’s not a compete rebuild from the ground up in a different world with different concepts and themes, but how I would go about a second go around with the series from the base that is already there. If a detail is missing from my musings then assume it is either unchanged or removed, depending on context.

If some of my complaints were addressed after I stopped watching, I honestly don’t much care. If it takes longer than 4 seasons to fix what I view as fundamental problems, then it’s far too little too late for me. I paid scant attention to the series post my stopping point and liked little to none of what I saw.

Please do not take this as a specific attack on anything other than the writing of the show itself. This is not directed or targeted against anyone, regardless of position or feelings on the topic at hand. If you ignore what I just said and decide to take this as an insult, then I say that you need to be more self-secure in your tastes and interests.

Things I would remove + reason why

Silver eyed warriors as a concept- it’s more or less the same concept as dojutsu from Naruto. It’s the fucking sharingan (rubygan). It’s not quite chosen one level, but crap like this is the blight of good protagonists. It’s fucking eugenics that makes you awesome not your own skills or training but on your bloodline. No need for personal development or life-changing hardship when you have a built in power that can be cultivated like a fucking bumper crop.

Maidens- Wasn’t intended originally and only made the overall story more cluttered with power creep and plot device. It’s a similar problem as above. No need for training or anything if people can just kill the person who has the power currently and take if from them. Which, at that point, why do you want that power if you’re already strong enough to kill and take it from the person who has it to begin with? It’s something someone just shouted out and they rolled with it because it sounded cool in the moment.

The Relics- McGuffin dragonballs that serve as plot device and little else. A story can be told without needing to monotonously race for Excalibur or the holy grail. Considering the Maidens, I doubt that the relics were intended in the first place and as such if you can’t tell a story without throwing something in after a few seasons because you realized that you didn’t have a plot, then you’re not that good at telling stories.

Oscar- The show didn’t need more main protagonists when what was already there wasn’t being given enough characterization to begin with. For that matter-

Quite a few characters- The cast is cluttered and convoluted enough as is with seemingly important characters getting the shaft in favor of yet another new character that would barely do anything. Time and effort seems to be put into one-off schmucks that would be better served making the story not need poochie the dog, let alone several. Character integration is not ‘create a character to do one thing and then pretend they don’t exist’. There’s already plenty of characters than can be used wherever.

The overt shipping bait, especially if it’s just going to be taken up or abandoned on a whim- I don’t mean relationship building, I mean the obvious baiting of a relationship that, in the end, might not even happen. All it does is dumb down characters and character arcs, draw out pointless scenes, and make the fans have conniptions one way or another. People are pissed off whenever things don’t go their way with shipping so the only winning move with these people is not to play their game. Looking at you Klance and Zutara. Either don’t do anything or have a fucking plan and stick to it and not make complete swerves when fans get uppity. If it genuinely matters to you, then pretend whatever ship happens at whatever point, I don’t care.

Changes to the world that I think would go over better-

Everyone has a level of aura with a naturally high level generally meaning that they might be able to unlock a semblance. A semblance is unlocked through some sort of specific event, typically a stressful one IE: Yang and Ruby are caught in the woods by grimm and Yang gets frustrated and scared at not being able to defend her sister before getting angry and her rage mode semblance unlocking. Not everyone who unlocks a semblance goes into combat schools but it is a requirement for acceptance into most of them. Having the potential to unlock a semblance seems entirely random but has a higher chance with genetics.

There are two types of semblances: 1 is hereditary like the Schnee glyphs, changing only slightly, if at all, through the generations. 2 is a random personal power like Yang having her rage mode as compared to Raven’s portals. Whichever you get tends to be random with the occasional exception depending on genetics and the specific semblance.

Every 1 in assumedly 10 people who have semblances have the potential to have two semblances, often times, but not necessarily, being one hereditary and one random. The process of unlocking the second semblance involves immense emotional distress and in some cases might not even happen for the individual who has the potential, period, thus skewing data. This gives an enhanced type power but isn’t protagonist exclusive. It shows a higher than average power capacity, but isn’t a gamebreaker to the same level as a fucking kekkei genkai or getting the powers of a fucking demigod. A good amount of characters would only have one semblance and be considerable badasses despite it and even be able to beat a couple of the few that have two.

Establish Menagerie as the official Fifth Kingdom, the newest of the great kingdoms. Maybe not the singularly strongest or most influential, but make it so Menagerie and its people, the faunus, have a considerable role in the world’s affairs, if even from an isolationist standpoint. Don’t have them as even a semi thriving entity that isn’t a kingdom because that only begs the question as to why the kingdoms are so important to begin with then.

Make the White Fang a faunus supremacist group that has very little support, if any, from the faunus people as a whole. Faunus right issues are history for the vast majority of the world and the White Fang as a whole is only using the problems in Atlas with the SDC as a means of trying to gain power. There are actual faunus rights groups trying to make things better for their race in Atlas and other marginalized areas but the White Fang dislikes them on the grounds that they go against their goal and it makes them look even worse.

Fucking pronounce names correctly, I mean, Christ. Weiss, the word, is pronounced like ‘Vice’. It’s an actual fucking word. It’s the German word for white. It’s like saying tor-till-uh not tor-tee-ah. Blake is Bella-doe-nah not Bella-dawn-uh. Shit like that. No you don’t need to put on a heavy accent to say these words but pronouncing things so inaccurately just makes you look like an ignorant rube (no, that was not a pun). I don’t fucking care what your reasons are. Why use these words in the first place if you’re not even going to try to say them right?

Ozpin is order to Salem’s chaos. Ancient demigods of both archetypes vying for power across the ages and the innocent peoples of the world be damned in the crossfire. Neither are entirely good nor evil but both are not exactly helpful to the free peoples on the world and the continued livelihood thereof. Their progenitor god created them to try and guide humanity in a balanced way. That seemed to work at first, but then failed like a bad marriage and they waged war ever since like a bad divorce. The grimm are a creation of Salem’s to test humanity and make then stronger through conflict. Ozpin ranges from the lawman to the fascist fairly duplicitously. The two can only be permanently killed by each other but neither wants to get too close to the other because of that exact same reason. If killed by other means, they will resurrect after a fashion no worse for wear.

Overt changes to (and complaints about) Ruby Rose- It is a crime that the titular character has so little actual character beyond just being ‘Hyperactive Anime Protagonist #235’. Most of her (few) character traits are tell not show, and of course she’s got the fucking rubygan bloodline ability crap. She has next to nothing that isn’t allotted by default to most anime protags on the grounds of the stereotype. For the main character to have less character than any of the members of the fucking B-team is a travesty.

1. Give her a clear rebellious streak, a distinct problem with authority, and a headstrong attitude. Daddy doesn’t want her to be in danger, so she decides to become a huntress. She’s told to stay put, so she hunts down Roman. She’s told that she needs to stay home and recover, so she sets out on her own not thinking about the exact consequences. Make her the impetus for the team’s involvement with the problems of the world in the early seasons. Make her a driving part of the plot, not just being along for the ride or because someone else said so.

2. Give her blood knight tendencies. Make her VERY willing to get into a fight with the bad guys, not just fights in general, but fights against bad guys. Nothing over the top, but enough that she has a scene or three where she says “Shut up bad guy, skip to the part where we get to kick the crap out of you,” or something of that nature. Hyper combative characters are fun and ethical.

3. Give her more traits as a mechanic and weapon nerd. Include scenes of her fixing everyone’s weapons for fun or being able to analyze an opponent’s fighting style based on the type, design, and/or wear & tear of their weapon, make her a polyglot of weapons that can be at least proficient in using just about any weapon. Come to think of it…

4. Anything that could give her actual character traits. They don’t even have to be all that major traits, just give her enough so that we actually have a character with more definition than printer paper. She’s the main character, the titular character at that. This isn’t a video game with a blank-slate protagonist. If the main character isn’t even really a character, like, at all, then what’s the fucking point?

5. Convert silver eyes power into a second semblance for white fire vision that kills grimm like nothing else. Gotten as a hereditary semblance from Summer. Which is also why Summer was specifically targeted by Salem on the grounds that it makes her just a little too dangerous for her long-term plans. This makes it so she isn’t just the fucking chosen one, but still has a clear definitive reason to be involved against the big bad because, y’know, dead mom. Yes, this kinda goes into the whole ‘bloodline is what determines importance’ thing I wanted to be rid of, but it’s only a chance two generations instead of a massive lineage of nonsense and keeps more of the onus of involvement on Ruby herself.

6. Give her a very clear motivation that’s deeper than surface level. ‘Oh, I want to do the right thing’ is a flimsy as balls motivation especially compared to the rest of her team that has that AND an actual reason for thinking that way. Why does she want to be the good guy? What happened in her life that makes her this motivated to doing the right thing? Yang has her desire to find her mother (which, come to think of it, doesn’t necessitate being a good guy), Blake has wanting to make up for being a terrorist, Weiss has her desire to step out from under the shadow of her family’s reputation, even fucking Jaune, the b-team protagonist, who wants to live up to his family reputation, has a proper motivation to be involved in the story. WHY is Ruby involved beyond ‘I’m the main character’ level reasoning? As much as admitting it makes me wish to commit Sudoku, even SAO has better main character motivations. Good god, I need hooch after typing that.

Overt changes to (and complaints about) Yang Xiao-Long- Her arc was mostly fine, barring some of the pacing. Raven being a maiden undercut the message of ‘screw that deadbeat bitch, go to your real family’ by making her important to the overall world state and confirming a measure of later relevance but that’s more a flaw with Raven than Yang.

1. Keep her motivation about getting strong enough to find her mother but add in the clear desire to kick her ass for leaving her and Tai. Of course it’s more about just getting the answers to her questions, but the ass-kicking should also be a major component.

2. Amp up the rivalry between her and Mercury. Mercury was designed as an opposite to Yang, I mean for fuck’s sake, look at him. Consider their respective backstories too; both raised in a single father home yet one was supported and loved (if a little neglected) while the other was horrifyingly maimed and abused. Punch vs kick. It works.

3. Make her more protective of her little sister, explicitly going along with her personal crusade to keep her safe (safer, rather). If she’s supposed to be the good older sister, maybe just maybe, something more than lip-service to that idea should be done. Hell, maybe she can be overprotective like their father, or even the exact opposite, not really giving a shit and then learning to give one. That might lead to a little tension and growth between the two of them.

4. Make her semblance consistent. Is she supposed to have super saiyan rage mode or is it energy buildup and dispersal? Is it supposed to be both? Just make it rage mode, for the sake of fuck, and don’t flip-flop. Speaking of…

5. Give her anger issues. Flesh out her being the kind of gal that would start a fight in a nightclub when she doesn’t get what she needed with little justification. This would stem from abandonment issues from Raven, Summer (inadvertently), and Tai and her general thrill seeking personality. This could lead to tensions and dramas until she overcomes it and learns to use her aggressive feelings and not let them use her.

Overt changes to (and complaints about) Blake Belladonna- Shitty-kitty is shitty, here’s why.

1. Do something with the hypocrisy of being, more or less, princess of Menagerie, a world power albeit a minor one, and joining a band of terrorists that do more harm than good for the people they claim to represent. It’s like a trust-fund baby joining some charity organization in Africa for a few weeks, doing jack-shit to help, joining some jihadists, and then acting like she’s Mahatma Gandhi.

2. Make her arc less about running away and fighting Adam, more about realizing that running is for assholes and try to find her team to at least apologize for cutting and running like she did. Doing that and stopping Adam are not mutually exclusive. The friend thing should be the priority. As it stands she is almost rewarded for abandoning her team just to focus on her own problems.

3. Make her arc involve going from ‘There’s no such thing as pure evil’ to ‘Okay maybe some people are just too evil to work with’. Some people are too far gone and, despite still having good traits, will only ever continue to do evil things and don’t deserve the benefit of the doubt. Not everyone has some sort of good motive beneath the surface and, even then, does that matter when the only action they do is objectively evil? Still, y’know, save who you can, like Ilia.

4. Have Belladonna not actually be her last name. If she’s the daughter of a the chief of Menagerie, the closest thing the faunus have to a unified racial leader, then how the unholy shit does nobody recognize her name? She is, again, princess of Menagerie, yet nobody recognizes the name in a grander context. Have ‘Belladonna’ be a cover name so she can hide her identity better so that she’s using what should be a very recognizable real name in a tournament that is broadcasted worldwide. Her real family name could be “Nightshade” or some shit like that.

5. If she’s supposed to be ‘The quiet one’ maybe actually have her be quiet and not make big speeches every season or have loud arguments with her team. Just a fucking thought. If she’s still supposed to do that, then make her ‘the opinionated one’ or ‘the kind of mean one’ or even ‘the one who doesn’t shut up’. Blake, as seen, or rather heard, is not the quiet one.

6. Have her actually fucking interact with Ruby. Maybe they have a two-person book club. Maybe Blake teaches Ruby to meditate or something. Anything, anything at all would be fine, anything more than nothing at all. Blake’s whole interaction with the team shouldn’t just be through Yang and cursory scenes with Weiss.

Overt changes to (and complaints about) Weiss Schnee- You can’t solve racism with like two scenes.

1. Make the racism thing a much more gradual decay rather than more or less disappearing after a single conversation. Hell, make jokes about it, ‘oh, no, one of my best friends is a faunus,’ stuff. It’s hard to unlearn an upbringing of hate, but she’s trying type stuff.

2. Involve her at least a little with the White Fang plot. It only makes sense that the heiress of the company that still more or less has slave labor is at least semi-involved with the plotline involving terrorists that want that company destroyed. Make her subject to assassination attempts at a young age, or even have her been kidnaped at a young age and held hostage, getting her scar in the process.

3. As evident by some of the intros, her rival was supposed to be Emerald. This could be serviceable, at the very least. The street rat pickpocket that had to learn life lessons the hard way and was taken in by the baddies VS. the rich heiress born with a silver spoon but raised by a dickhead. There’s potential there and it is a crime that it is not explored in the slightest. Even Yang and Mercury had a minor fight.

4. Like Yang, make her semblance consistent. Is it supposed to be summoning or physics altering magic symbols? These are two completely different powers, it’s not like super speed also giving super reflexes or whatever. Just make it one or the other, don’t bullshit us on these things. Or, hell, make it a second semblance she gets during the course of story.

5. Emphasize her loneliness. Make the main onus of her personal arc be about how she goes from this prickly, spoiled, opinionated, brat to a warm and caring friend who only wants the best for everyone. Yes, this might be the main intention in canon, but I feel it could have used a little more refining.

Overt changes to (and complaints about) Cinder Fall- If she’s supposed to be Ruby’s chief rival and foil then she needs a lot of work to even be close. She shouldn’t be nothing but the rival, but at that same time she should have that be a considerable part of her characterization and role in the series. I feel the best way to do it is to have their similarities highlight their differences in both character and design. Basically, make her the Vergil to Ruby’s Dante.

1. Make her Ruby’s age. Being the same age as Ruby while initially outclassing her, and even veteran hunters, provides risk and contrast between the two. Throw in an evil sadistic streak compared to Ruby’s happy-go-lucky personality to further the contrast and you’ve got a good little yin-yang thing for them. It also shows just how bad someone can turn out if raised to be a killing machine.

2. Keep her using the bow/twin swords as a comparably simple weapon in contrast to Ruby’s, even in universe, overcomplicated Scythe/Sniper rifle. Both weapons are long range marksmen’s weapons as well as vicious close combat weapons but are still very different in essence. Also make sure she keeps the red with black and gold color scheme is contrast with Ruby’s Black with red and silver. Even minor visual cues can work to the rival schema.

3. Make her one of the people who have two semblances. Pyromancy (pyrokinesis? Fire bending, she has fire bending) and dilated perception (bullet time) so that Ruby’s super speed and the dilated perception cancel each other out, adding a little extra tension to the fights now that both parties’ signature abilities are moot points against each other.

4. Make her competent. She kills Ozpin and Pyrrha and then she either fails or draws every fucking fight she has afterwards baring nameless jobbers here and there. Even before that, she needed help to take down Amber and even manages to fuck that up. The more failures she has and the less intimidating she is. Too much of that and she’s just a jobber that makes you wonder why she was ever seen as intimidating in the first place. When that happens then Ruby beating her is just the status quo and not a triumph of any sort.

5. Make her Ruby’s long lost fraternal twin sister. Incredibly cliché, I admit, but siblings make the best rivals, especially twins. Once again, it’s all about adding the similarities and the contrasts. In this case it creates the ‘there but for the grace of god go I’ idea with the two of them. Ruby seeing it as how evil she could have turned out and Cinder seeing it as how weak she could have been (Eventually becoming how good she could have had it because I’m a sucker for redemption arcs) Who said that?

Overt changes to (and complaints about) Team JNPR- JNPR was fine-ish but the over focus on Jaune and the underutilization of Ren + Nora early on are both issues. B-team should not get jack shit before the A-team gets the lions share.

1. Downplay Jaune’s screen time. I doubt this is a particularly controversial statement. Jaune is not the titular character. This is (technically) a shoujo not a shounen. It’s supposed to be about the girls more than the guys. It kind of undercuts that idea when the guy (the side guy at that) gets the lion’s share of characterization, attention, and growth before the girl (the main girl) does.

2. Make Ren and Nora actual characters earlier on. Comic relief is all well and good, but either extend that to the whole team or make these two characters more than just comic relief in the early parts of the story. Make them, y’know, actual characters. They ain’t gotta be all that important, but they do have to be actual characters.

3. Make Pyrrha’s deathflags less blindingly obvious. We all knew Pyrrha was going to get clipped. The self-sacrificing type, all the musical and visual cues throughout, being based on Achilles, and ‘oh she just confessed to the boy she likes’. Homegirl was waving deathflags like an insecure redneck with the confederate flag. When you foreshadow obvious things that much it’s not a surprise to the audience when it happens and the reaction of the in universe characters seems overdone. If it’s not supposed to be a surprise then, whatever, but that’s clearly not the case if you’re going for just shock value. It’s fine for a character to die, but for the love of Jaysus you got to do something with it more than ‘this character’s sole purpose is to die for the angst and to up the stakes’. Pyrrha was just a plot jobber.

4. Make them a little more independent in the overall plot. Give them their own full sub-plots, have them go on their own little adventures, have them do things completely separate from RWBY that has plot relevance but not overtaking the main story in grandeur or importance. B-team gets B-plots and are cool in it of themselves.

Overt changes to (and complaints about) Qrow Branwen- Take or leave this, I just felt the need to include this because reasons.

1. Just make him Dante from Devil May Cry. Just make his personality the same as Dante from Devil May Cry. Make him stylish and cool but low-key a massive dork. He’s too cool to drink or smoke or anything harsher than PG-13. This series could use a guy like that, says I.

2. Make his semblance something that makes sense and isn’t just an angst generator. How do you even quantify ‘bad luck aura’ as a power? Make it short range teleportation as a connection to Raven’s portals. Make it so that he can direct the bad luck at will. Do SOMETHING with it that isn’t just an excuse for mostly pointless character angst.

3. This technically also counts as a Raven change but whatever. Make the Branwen family old nobility and not a loser bandit tribe from nowhere. Or at least make it so they used to rich or something. They come from a family that had a good amount of cash and even a chateau in Mistral. After the money dried up and the chateau ransacked by grimm, the Branwen twins had differing opinions on how to proceed. Qrow fully integrated into the hunter thing while Raven ran away and became a bandit, using it as further excuse to skedaddle on Tai and a recently born Yang.