#łańcut

[dokuzadaiyuho]

Cafe, Łańcut

[nakedinthecity]

The Beard, 16.09.2022 Łańcut Castle Museum

[beautyofpoland]

[polish-spirit]

Grupa żołnierzy ze zgrupowania partyzanckiego AK-DSZ-WiN mjr. Hieronima Dekutowskiego w okolicach Łańcuta (1946).

[naporaizabelaphotography]

„Każda ciemna noc ma zawsze jasne zakończenie.”

[city-flag-tournament]

Bonus Poll

The current flag of Yegoryevsk, Moscow Oblast, Russian Federation vs

The current flag of Heide, Schleswig-Holstein, Germany vs

The current flag of San Giorgio Bigarello, Lombardy, Italy vs

The current flag of Łańcut, Subcarpathian Voivodeship, Poland* vs

The current flag of Moscow, Central Federal District, Russian Federation

*or Mike

[rapidhighway]

I need to see a palace soon

[ochronaobiektow]

Rozstania często skłaniają ludzi do refleksji nad swoim życiem i relacjami. Pozwalają na ocenę, co poszło dobrze, a co nie, co można poprawić i jakie lekcje wynieść z danego doświadczenia. Niekiedy rozstanie jest konieczne dla rozwoju i odnalezienia siebie w innych sytuacjach. Dzięki niemu można poznać swoje potrzeby i odkryć, czego naprawdę chcemy od życia. Warto pamiętać, że każde rozstanie jest trudne, ale zawsze daje szansę na nowy początek.

[history-of-fashion]

1556 Sofonisba Anguissola - Self-Portrait at the Easel

(Łańcut Castle)

[henk-heijmans]

Carriages, Łańcut, Poland, 1958 - by Wojciech Plewiński (1928), Polish

[matyas-ss]

Self-portrait at an Easel, Sofonisba Anguissola (1556). Łańcut Castle in Poland.

[dokuzadaiyuho]

Łańcut, Poland

[nakedinthecity]

Diana, 16.09.2022

[blooming-lenses]

Łańcut

2024/04/13

[art-portraits]

Self Portrait at Easel

Artist: Sofonisba Anguissola (Italian, 1532–1625)

Date: 1556

Medium: Oil on canvas

Collection: Łańcut Castle, Łańcut, Poland

Artist's Self Portrait

Sofonisba Anguissola (c. 1532– 16 November 1625), also known as Sophonisba Angussola or Sophonisba Anguisciola, was an Italian Renaissance painter born in Cremona to a relatively poor noble family. She received a well-rounded education that included the fine arts, and her apprenticeship with local painters set a precedent for women to be accepted as students of art. As a young woman, Anguissola traveled to Rome where she was introduced to Michelangelo, who immediately recognized her talent, and to Milan, where she painted the Duke of Alba. The Spanish queen, Elizabeth of Valois, was a keen amateur painter and in 1559 Anguissola was recruited to go to Madrid as her tutor, with the rank of lady-in-waiting. She later became an official court painter to the king, Philip II, and adapted her style to the more formal requirements of official portraits for the Spanish court. After the queen's death, Philip helped arrange an aristocratic marriage for her. She moved to Sicily, and later Pisa and Genoa, where she continued to practice as a leading portrait painter.

[naporaizabelaphotography]

„Nawet najdłuższa podróż zaczyna się od pierwszego kroku”

Lao-tzu