#| v: beauty queen on a silver screen (the clown princess)

[ingridthered-archive]

( @ofodinn​ continued from x )  

                                       Mimicking him, Ingrid rolled her eyes at his words. Ragnar was a constant ‘hot and cold’, and the ‘cold’ part definitely wasn’t Ingrid’s favourite. “I’m not really a child when I’m in your bed, am I?” Sarcasm was loud and clear on her voice. Ragnar sure knew how to say the right words to make her feel uncomfortable, to make her want to be angry and the all the ridiculous things that a woman would do when hearing the wrong words. She just wouldn’t let herself freak out about that, her reasonable self was screaming out loud, controlling her mind and the most important, her words.

                  “What on earth were you thinking when you confirmed Ubbe this…?” She pointed at him and herself, then back at him. “Whatever it happens between us.” She let out a loud sigh of pure frustration, still staring him. “You could’ve told him Margrethe was being delusional. Or what you just told me, that I’m a child. Or you could’ve said nothing. And if you want me to leave…” She shrugged.  “Then I will, if that makes it easier for you just say the words. At least none of us would have to deal with the all the shit that will come if Ubbe shares with his brothers that you’re having whatever we have with someone young enough to be your daughter.” 

[joeygoeshollywood]

My 25 Favorite Films of 2017

It’s hard to believe that 2017 is already coming to a close. Here’s my 25 favorite films from the year!

25. Girls Trip

Perhaps it’s the Bridesmaids or The Hangover of 2017, Girls Trip is a fun, buddy comedy about a group of women who try to rekindle their friendship during a trip to New Orleans. Queen Latifah and Jada Pinkett Smith are always reliable and Regina Hall is an underrated lead, but it’s breakout star Tiffany Haddish that gets the biggest laughs. 

24. All The Money in the World

All The Money in the World is a good film on its own, but what makes it historic is what went on behind the scenes. Ridley Scott pulled off the impossible by replacing its disgraced star Kevin Spacey with Christopher Plummer with only roughly a month ahead of its original Christmas release. The film is based on the events of the 1973 kidnapping of John Paul Getty’s grandson. All The Money is a highwire thriller, but it’s Plummer’s brilliant, cold-hearted performance that steals the show. 

23. Okja

Korean director Bong Joon-ho behind such films as The Host and Snowpiercer debuted this gem. Okja follows a girl’s battle to protect her “superpig” from a juggernaut company that plans on turning her pet into food. This action adventure was easily one of Netflix’s strongest original films to date. The stellar cast includes Tilda Swinton, Paul Dano, Jake Gyllenhaal, Steven Yeun, Lilly Collins, and newcomer Seo-hyeon Ahn. 

22. Battle of the Sexes

Emma Stone and Steve Carrell face off as Billie Jean King and Bobby Riggs in the most historic tennis match in history. Battle of the Sexes is a fun, empowering, nostalgic sports dramedy from Little Miss Sunshine’s Jonathan Dayton and Valerie Faris. 

21. Stronger

Based on the incredible true story, Stronger follows Jeff Bauman and his struggle for normalcy after surviving the Boston Marathon bombing. Time and time again, Jake Gyllenhaal proves to be one of Hollywood’s most under-celebrated actors today as he arguably gives the most challenging performance of his career. Tatiana Maslany (Orphan Black) also deserves praise for her raw, emotional supporting role. Stronger is a powerful, moving biopic that reminds us that there’s always hope even in the darkest moments. 

20. Split

After releasing numerous duds, it appears that M. Night Shyamalan is finally making a comeback. Split kicked off 2017 with a wild psychological thriller surrounding the kidnapping of three young women who’ve been imprisoned by a man with multiple personality disorder. James McAvoy gives a memorable performance as he channels well over a dozen personalities. 

19. Wonder Woman

Wonder Woman broke the glass ceiling on many fronts: one being the first female-lead superhero blockbuster and such a blockbuster was directed by a woman. Gal Gadot made her big-screen debut as the Amazon princess in Batman v Superman: Dawn of Justice, but she absolutely nails it in her first solo flick. Many have considered this film to be the strongest film in the DC Cinematic Universe yet. 

18. Alien: Covenant

Ridley Scott certainly kept himself busy this year. In the latest chapter of this deep-space horror franchise, a colony ship makes a fatal detour on a planet filled with our favorite aliens. Accompanied by an all-star cast, Michael Fassbender is on double duty with two fantastic performances. While Prometheus settled the groundwork, Alien: Covenant returned to its heart-pounding roots that made these films such a big success. 

17. It

Very rarely do remakes exceed its predecessors, but the 2017 remake of Stephen King’s It really deserves praising. Bill Skarsgård managed to make Pennywise his own with his terrifying interpretation of the murderous clown. That being said, the film heavily relies on the tremendous cast of young actors including Jaeden Lieberher, Sophia Lillis, Finn Wolfhard, Jack Dylan Grazer, Wyatt Oleff, Chosen Jacobs, and Jeremy Ray Taylor. Filled with good scares and disturbing imagery, It will have a new generation afraid of clowns. 

16. Darkest Hour

Gary Oldman gives a transformative, Oscar-worthy performance as British Prime Minister Winston Churchill in Darkest Hour. The film takes place during the chaotic transition period the United Kingdom face in the midst of WWII and gives a glimpse of Churchill’s bumpy start to his successful era of leadership. Darkest Hour is a captivating drama with sprinkled humor throughout. 

15. Get Out

Part horror, part thriller, part social satire, Get Out marks the directorial debut of funnyman Jordan Peele. An interracial couple is put to the test when the black boyfriend visits the white girlfriend’s family, but once he gets there, he’ll learn that her family may have something sinister planned for him. While it’s sort of hard to explain it, Get Out is a unique, thought-provoking, movie-going experience unlike any other in 2017 that’s carried by a strong cast and an intriguing plot. 

14. The Wedding Plan

Chances are you haven’t heard of The Wedding Plan, but it’s one of the most relatable films of the year. This Israeli romantic comedy follows an anxious bride-to-be who decides to keep her wedding date after her fiancé dumped her just weeks before and literally relies on faith in order to find a groom before she walks down the aisle. Yes, the plot’s that zany, but Noa Koler’s heartwarming and heartbreaking performance truly carries the film. 

13. Dunkirk

It’s been three long years, but Christopher Nolan returned with an immersive war flick Dunkirk, which depicts the underdog WWII rescue effort of the British military that was surrounded by German troops. While there isn’t exactly a straight-forward plot, the incredible cinematography, editing, and sound design keep audiences on the edge of their seats. 

12. War of the Planet of the Apes

An epic conclusion to one of the strongest trilogies in recent memory, War of the Planet of the Apes was a rare reboot that actually exceeded its predecessors. For three films, Andy Serkis brilliantly humanizes the lead ape Caesar as the climax escalates the brutal battle between human and ape. 

11. The Shape of Water

If Beauty and the Beast and Creature From The Black Lagoon had a beautifully weird baby, it would be Guillermo del Toro’s latest film The Shape of Water. The story surrounds a mute janitor who forms a relationship with a creature trapped in the laboratory she works at and her personal mission to help him escape. She doesn’t even speak a word, yet Sally Hawkins gives one of the best performances of the year and she’s joined by a spectacular supporting cast including Octavia Spencer, Michael Shannon, Richard Jenkins, and Michael Stuhlberg. Visually stunning and emotionally enthralling, this is del Toro’s best film since Pan’s Labyrith. 

10. Call Me By Your Name

An emotionally complex film, Call Me By Your Name tells the story of a romance that blossoms between a 17-year-old boy and his father’s 24-year-old research assistant. In the wake of the #MeToo movement, such an inappropriate relationship would/should be frowned upon, but as viewers, you sympathize with Elio and Oliver not just because they’re likable characters but for the powerful performances that came with them, particularly from breakout star Timothée Chalamet. 

9. The Killing of a Sacred Deer

The closest thing to an Alfred Hitchcock film in 2017, The Killing of a Sacred Deer is a suspenseful, psychological thriller that virtually no one saw. The film follows teenager who gets brutal revenge after a doctor failed to save his father’s life. Newcomer Barry Keoghan, who you’ve might have seen in Dunkirk, gives a unsettling, outstanding performance. Between this and his last film The Lobster, writer/director Yorgos Lanthimos is proving to be a filmmaker Hollywood should watch out for. 

8. The Disaster Artist

If you haven’t seen The Room, it’s a 2003 film that has earned a cult following because it’s so incredibly bad, it became unintentionally hysterical. The Disaster Artist is about the making of that film with James Franco starring, producing and directing the film. Franco manages to earn big laughs and also give a transformative performance as the infamous Tommy Wiseau. With tons of A-list cameos and a brutal glimpse of the film industry, The Disaster Artist made the making of a painfully bad film painfully funny. 

7. The LEGO Batman Movie

Not only was this a great animated movie, it was also a great Batman movie. The LEGO Batman Movie allows its self-awareness to drive the narrative that examines Batman’s relationship on a psychological level. Filled with tons of fun Easter eggs and references to previous Batman films, this LEGO movie will leave you nostalgic and laughing til it hurts. 

6. Lady Bird

Actress Greta Gerwig makes a strong directorial debut with this down-to-earth coming of age comedy about a Sacramento teen transitioning into adulthood. In film after film, Soirse Ronan shows that she’s one of the best actresses in the millennial generation and Laurie Metcalf, who may win the Oscar playing her heartfelt but judgmental mother, shows that she’s one of the most under-celebrated actresses of our time. 

5. The Big Sick

The greatest romantic comedy since Silver Linings Playbook, The Big Sick is a rare film because it feels authentic and real... and that’s probably due to the fact that it’s based on the stranger-than-fiction true story behind Kumail Nanjiani and Emily Gordon’s relationship. Nanjiani essentially stars as himself (which he does a terrific job) and has great chemistry with his co-star Zoe Kazan. Ray Romano and Holly Hunter give hilarious, heartwarming performances as the parents who meet Nanjiani as their daughter is in a coma. From the culture clashes, the comedy industry, to the modern era of dating, The Big Sick feels more relevant than ever and can resonate with any audience. 

 4. Coco

Disney/Pixar has a gift of continuously melting people’s hearts. And they do so again with their beautifully-animated latest, Coco. Miguel is an aspiring musician in a family that has banned music after his great grandfather abandoned them for pursue stardom. And after being transported into the Land of the Dead, Miguel must track down his ancestor in order to return home. The importance of art is obviously a theme, but the heart of the film is about family, pursuing our dreams, and the significance of leaving a legacy. Coco is rich with a cast of lovable characters, great music, and a satisfying ending that may leave you in tears. 

3. Three Billboards Outside Ebbing, Missouri 

Three Billboards Outside Ebbing, Missouri may be a mouthful, but it’s also masterful work from writer/director Martin McDonagh. Frances McDormand gives an Oscar-bound performance as grieving, no-nonsense mother determined to pressure the police to solve the murder of her daughter. She is accompanied by a strong ensemble cast which include strong supporting performances from Sam Rockwell and Woody Harrelson. Three Billboards is the only film this year that will make you laugh, cringe, and anxious all at once. It’s the closest thing to Fargo since Fargo... and the Fargo TV series. 

2. Baby Driver

Edgar Wright, the mastermind behind Shaun of the Dead, Hot Fuzz, and Scott Pilgrim vs. The World, finally found commercial success with Baby Driver, a terrifically-edited heist film with the greatest film soundtrack in recent memory. Aside from the uncomfortable fact this will go down as Kevin Spacey’s last great film, Ansel Elgort proves he’s got the chops for a leading role. With lots of well-choreographed action sequences and even some laugh, Baby Driver is absolute fun and is why we go to the movies. 

1. I, Tonya

Who would have thought that it would take a dark comedy to make Tonya Harding look sympathetic? I, Tonya is a unique, Goodfellas-like biopic that gives multiple, not entirely reliable perspectives surrounding the infamous attack of Nancy Kerrigan. Margot Robbie offers a layered, grounded depiction of someone who was painted as a cultural villain. Allison Janney also knocks it out of the park as her cruel yet hilarious mother. The works of director Craig Gillespie and screenwriter Steven Rogers have spanned decades, but their collaboration here is the best of their careers. Combined with great editing and an awesome soundtrack, I, Tonya is a rare film in 2017 that isn’t just another remake, sequel, or ripoff; it skates on its own. 

[ingridthered-archive]

( modern starter for @bexruthless )

                                          No one could ever deny there was something wild about Ingrid. She was mischievous, cocky, goofy, wacky… All the Ys. But no one could ever deny that she had always been something more than responsible when needed, which was almost all the time. Ingrid had a clear sense of duty and being who she was, carrying the weight of two royal families on her shoulders and, above all, being the second in line to the Danish throne, always kept her on track. If she wanted to do something she shouldn’t, it would always be hidden. From the public and the media, for she was more than allowed having a decent private life for a young woman of her age. Though, someday, she’d be Queen of Denmark.

                    Dinners were usually the most boring ones, but her gran and father had always made sure Ingrid would sit next to at least one person that’d amuse her through the night with a nice talk. Being at a major reception surrounded by men in uniform could never be boring, though. That was probably the part she enjoyed the most of her job as a full time royal: the military. She was dressing nicely, her own father was looking lovely at his own uniform, next to her dear stepmom as they talked to one of the Lothbroks - if she remembered well, that was the eldest son of Major General Ragnar Lothbrok, and all the other sons followed their father’s footsteps in the military. Björn had recently been made a captain at the Royal Danish Navy, being the son with he highest rank in the military.

                    Before dinner would start, Ingrid took her time to interact with military women, the ones who had recently returned home, the ones who would depart soon and also the wounded. She spent more time with the wounded, as it was part of her job with her British cousins to raise awareness for that important matter. Ingrid promised to keep in touch with them, always making sure they wouldn’t see her only as their Princess, but also as a friend. Taking her seat at the long dinner table, Ingrid was happy to see one of the women was sitting on her right, as a young officer took his seat on her left. First lieutenant at the army, from what she could see by his uniform. As usual, her goofy side showed up a bit even if she was on duty - taking a good look at him, he also looked familiar, and with a serious face, Ingrid leaned to whisper. “If you call me ma’am during this dinner I’ll behead you and being in the 21st century won’t stop me.” Winking at him, Ingrid giggled loud enough to catch her father’s attention, who watched her with a satisfaction glare.

                    Seeing the woman was already talking to the other person next to her as drinks were served, Ingrid kept her attention on him. “Have we ever met before? You look familiar.” His eyes looked familiar, she tried to remember where and when she had seen those eyes before. With wide eyes and a happy face for finally remembering after thinking for a few seconds, before he could even say, Ingrid spoke again, again being too chatty. “Are you possibly Lothbrok’s son?”

[ingridthered-archive]

This is a PSA. An important one.

I’ve been roleplaying in other platforms since I was 14, and in two months, that means TEN years doing it. Writing. Creating characters, because I was never good at playing a canon character. And I know it’s not nice neither here nor ANYWHERE else being called out for a verse you have for your muse. And I’m not changing Ingrid’s modern verse because it bothers you, when there’s two other verses I’ll always be willing to plot so we get to RP.

But to clear things up, here’s more about Ingrid’s NEW modern verse:

- In MY version of the story, QEII had more than one daughter. It wasn’t just Anne, The Princess Royal. There was also another one after Anne. The Princess Alice, who was born when her mother was already The Queen. Alice married George, Earl of Stradbroke and then instantly became Countess of Stradbroke.

- The now Earl and Countess had two children: Lady Astrid Mountbatten-Windsor and Asmund, Viscount of Dunwich (who later inherited his father’s Earldom).

- Lady Astrid ended falling in love for someone really close to her family: Crown Prince Frederik of Denmark, a cousin through both her grandparents (Queen Elizabeth and Prince Philip) side. An engagement was announced, a wedding happened and Lady Astrid was instantly made Crown Princess Astrid of Denmark.

- Having a difficult pregnancy, the Crown Princess remained in bed until it was time to give birth to a daughter, and that’s how Ingrid happened. The Crown Princess died right after giving birth to her child, the new Princess of Denmark.

- So Ingrid’s full title is Princess Ingrid of Denmark, Countess of Frederiksborg. HOWEVER, being the first great-granddaughter of QEII, Ingrid was also granted the title of her mother, as a sign of respect, so in the UK she is known both as Princess of Denmark and Lady Ingrid Mountbatten-Windsor, carrying her great-grandparents surname.

- Princess Ingrid is the heir to the throne, right after her father, and yes, someday she’ll be Queen of Denmark though I have ZERO plans on writing that, and the reason behind it it’s because I LOVE the real life heir to the Danish throne.

- Ingrid is a very cocky little shit, though she is very responsible when it comes to being a full time royal, representing The Queen of Denmark (her granny) and sometimes attending events in the UK like Trooping the Colour, Royal Ascot and charity events she’s involved with cousins William and Harry.

[ingridthered-archive]

[ingridthered-archive]

We had Trooping the Colour and today is day 1 of The Royal Ascot. Being the great-granddaughter of QEII by mother and a Princess of Denmark/heir to the throne by father, there'll obviously be a drabble of my baby girl attending both and I'll even make a polyvore of what she'd wear on both occasions. Bye.

[ingridthered-archive]

                            going up, going down, anything for the crown

The first daughter of Crown Prince Frederik of Denmark, born on the first year of his tragic wedding to Lady Astrid Mountbatten-Windsor, who died shortly after giving birth to Ingrid. Holds the title of Her Royal Highness Princess Ingrid of Denmark, Countess of Frederiksborg. Heir to the Danish throne after her father, great-granddaughter of Queen Elizabeth II of the United Kingdom, but is also known as trouble. You can count on her to misbehave.

Press the ♥ if you want something from this sassy little shit or IM me for plotting.