#{ good cop bad cop routine. works every time // answered }

[puppetwoman17]

Very tempted to write a Spectacular Spider-Man(cartoon) fanfiction taking place during Across The Spider-verse.

Most events are largely the same, but instead of traveling to 42, Miles is running around different earths. He ends up on the earth where TSSM takes place( don’t know the number, so I’ll just call it Earth tssm). The spiders have been dispatched to look for him, and some have been told to keep watch over their own earths for him.

On TSSM Peter’s end, he’s been in the society for about a year after the s2 finale, making him halfway to 17 in my fic. After all the shit he’s been through, he distances himself from everyone else, save for Captain Stacy and the Daily Bugle’s Foswell, (er, “Patches”), who are the only people who know(or have an inkling) that he’s Spider-Man.

He also tends to spend more time on Society work, limiting his time in his own earth. While this causes problems for his aunt and school, you can see this really take shape with New York. Especially the villains. People from Electro to Tombstone to fucking Silvio Manfredi notice that Spidey’s been showing up less and less, even disappearing for weeks on end. He rarely works with the cops anymore, and the battles have started to become less quippy than usual.

Needless to say, the villains are both scared, and pissed. Scared because if Spidey’s quiet, then shit’s serious. Pissed because they’re needy bastards who feel ignored.

Thus begins a manhunt for Spider-Man, from none other than the people he fights every day. Turf wars between the Six, Manfredis, and Big Man are put on hold for this one instance, all in favor of finding the wallcrawler and getting answers out of him(also cause they’re actually kinda worried about him, like, it’s SPIDER-MAN).

I’m thinking of getting the Lizard involved, maybe changing some things to make it so the Connors family knows Peter is Spider-Man because he came to them after he got bit and tested out his powers with their help. Connors can still turn when his emotions get the better of him, but he’s on the good side now. Through the undernet, he finds out something’s wrong with Peter and is like: why didn’t the kid call me when something went wrong? So he comes back to add more fuel to the fire.

Speak of the devil: Spidey returns from another awful—I mean, UPLIFTING week over at SS HQ. He’s tired, Miguel is his usual annoyingly loud self, and Miles is still not found. Even worse, it’s been found that Miles is in HIS earth, so it’s HIS responsibility to bring him back. Great.

You can imagine how hard it is to get back into a normal routine(for like a couple days at least). His aunt keeps asking where he’s been, his classmates think he’s a drug addict, his villains are starting to pry into his private life too much(which is kinda nice to know that they’re worried about him, but it tends to border on obsessive sometimes), and the other Spiders are getting antsy. Especially Miguel. Very much so Miguel. All the while, Peter deals with his own issues on the Canon. The good and the bad. The relief of finding out that his trials and losses are set in stone and not his fault, and the anguish that he could’ve been Miles, desperate to save Uncle Ben now that he knew what would happen.

All the while the villains of New York are trying to gauge why so many spider-like vigilantes are entering THEIR hero—ahem—nemesis’s turf and why he always returns to the city with bruises despite no one seeing him prior.

Trying to come up with a title is hard tho. Stuck between:

The Spider Society: Spectacular’s Story

and

Converge on The Spectacular Spider-Man

Now that I’ve written it down, there’s a lot going on here. I’m hoping to maybe start on this when I complete my other fic. No promises, but I’m interested.

[androgynealienfemme]

Remember when we all agonized over our fantasies? For many years we struggled with the guilt about what we saw behind our closed eyelids. We would talk about our rape fantasies, our fascination with being over-powered. We'd talk with our hands over our eyes about our jerk-off routines. The image that took us by force was often male. We knew that in those guilt-ridden fantasies, the responsibility was no longer ours and there was no consent involved.

Many of us felt like traitors in the grip of, and betrayed by, nonlesbian, unfeminist, and self-destructive sexual fantasies.

The party line, via Andrea Dworkin and, later, Sheila Jeffreys, was that lesbians raised in a hetero-patriarchal society could not help but internalize oppression and turn it into self-hate. Every lesbian was advised to examine and analyze her fantasies, recognize them for the damage they represented, and work to change them. Later (Jeffreys again), the still aroused but guilt ridden were directed to cease fantasizing at all. Apparently divesting oneself of the taint of misogyny was impossible. The only answer was no fantasy at all.

We at our side of the fringe, who looked like we were having a good time in spite of it all, were approached by lesbians who couldn't seem to abide by the no fantasy party line edict. We explained to them that even though many of us might jerk off to gang rape, torture, daddy in our bds, and other undeniably incorrect imagery, it was really nothing to lose sleep over.

We emphasized the simple difference between fantasy and reality. We explained the control we had over our fantasies that we didn't have in the real situations. We did not lust after real rape, real incest, or real torture. The pull was in our ability to finally direct what happened to us. The eroticism, we soothed, was in the power we had for the first time to control the uncontrollable.

Well, we lied. The power is not in the ability to control the violent image. It is in the lust we have to see how close we can get to the edge. It is in the lust to be overpowered, forced, hurt, used, objectified. We jerk off to the rapist, to the Hell's Angel, to daddy, to the Nazi, to the cop, and to all the other images that have nothing to do with the kind of lesbian sex that entails murmurs of endearment, stroking of breasts, and long slow tongue work. And, yes, we also dream of the taking. We dream of some-one's blood in our hands, of laughing at cries for mercy. We wear the uniform and the gun; we haul our cocks out of our pants to drive into a struggling body. Sometimes, we want to give up to the strangler's hands. Sometimes, we need to have a dick as hard as truth between our legs, to have the freedom to ignore "no" or to have our own "no" ignored.

Many of us graduated from the university of self-destruct. Some of us are street survivors, incest survivors. We lived with abusive boyfriends or drifted through years of substance use. We carry many kinds of scars. All of us see ourselves as the "other," as the "alien queer." We each have our own history, but what links us is what we lust after. Those images, that sex, keeps us alive - out of prison and locked wards, abusive relationships, and bad-odd fights in bars.

We don't need to be judged, pitied, or analyzed. We practice the kind of sex in which cruelty has value, where mercy does not. We arrive at places where adrenaline inspires us. What keeps those of us who refused to abandon our "unacceptable" fantasies sane is the knowledge that there are others like us who would not leave because we scream, "Kill me," at the moment we orgasm.

We lied to you about controlling the fantasy. it is the lack of control that makes us come, that has the only power to move us."

-"Sex, Lies, and Penetration: a Butch finally 'fesses up" Jan Brown, The Persistent Desire (edited by Joan Nestle) (1992)

[triviareads]

Are Scarlett Scott books good? I want to start reading

I like her books— what you can expect from Scarlett Scott is routinely high heat levels and solid sex scenes, and heroes who are generally down bad (obsessed even) with the heroine, and heroines who aren't afraid to reciprocate that desire.

I do think some series of hers are better than others, purely on a plot level. For example, she has a series of mostly suffragette heroines and I don't think it was very effective because it was espousing a very White Upper-Class Feminism (similar to Evie Dunmore) and the heroines weren't actually doing much for the cause. There's also a series that focuses on thwarting Fenian (Irish) terrorists and that personally irritated me because there are a bunch of (English) heroes worked for the Home Office and they're like "*I* believe in Irish Home Rule" but the implication is that because their government doesn't, they act in the government's interests, which feels like a cop-out.

I think where Scarlett shines is books with high levels of interpersonal drama and less political themes (well, with one exception imo). Here are some books by her that I'd rec:

From her Sins and Scoundrels series:

Duke of Depravity: My FAVORITE by Scarlett, one of my favorite historical romances actually; it's high heat and humorous because of the way Crispin is initially this drunken mess panting after Jacinda, his sister's governess, and he's so obsessed with her bod that he's personally insulted by her fichus (which he keeps stealing for Reasons) but it also gets really emotional as time goes on and Crispin deals with the full extent of his wartime PTSD and survivor's guilt, and Jacinda grapples with possibly having to betray the man she loves.

Marquess of Mayhem: Morgan is another PTSD-riddled military man who comes back to England hellbent upon revenge against the man who tortured him (see: the next hero EL CORAZON OSCURO), so he purposely compromises the man's sister (there's some leg massaging involved) and then marries her with the intent of making her life miserable except a) Leonora is a lot more resilient than he gives her credit for and b) his version of "miserable" is telling her that all he wants from her is sex which leads to a very hot "whose pussy is this" moment.

Earl of Every Sin: Honestly you'll get a lot of the same plot and characters development that you get in Marquess of Mayhem but the hero is an ex-Spanish guerilla/possible war criminal named Alessandro (why does he have an Italian name? god knows) who goes by his moniker (that we're not entirely sure he didn't give himself) EL CORAZON OSCURO and for that alone I'd rec this book.

Misc:

The Millionaire Marquess: This answers the question "what would happen if An Offer From a Gentleman was actually hot?" Grey is a marquess who is immediately obsessed with his friend's housekeeper and propositions her for an affair multiple times until she accepts for a month exactly. Fran's origins are also very similar to Sophie Beckett's, which I thought was interesting because her character is very different from Sophie's.

How to Love a Dangerous Rogue: One of Scar's more sedate romances but really emotional and romantic: Tansy is the lady-in-waiting to a princess who is engaged to King Maximilian in order to overthrow the despotic regime back home (the fake kingdom of Boritania), however, the attraction between Tansy and Maxim cannot be denied. The illicit attraction and doomed love vibes were really well done, especially by the end where they know time's running out but they still want to spend every last minute with each other.

Heartless Duke: While the politics in this book is annoying (this is a part of the Fenian series), I do love the sort of unhinged dynamic that has a heroine holding a child at gunpoint, the hero shooting her, and she does spend a decent portion of the book chained to a bed afterwards :D

Novellas:

Sutton's Sins: I'm reccing this for the face-sitting and Rafe's general handling of Penelope's trauma in a really sweet but really hot way.

Sutton's Surrender: Your classic but really well-done stuffy lord who's secretly super horny for the spunky, lower-class heroine and he hates himself for it. Also, the hero has a kitty named Rosebud and it's the cutest thing.

[clarklovescarole]

October 1938: Dancing Shoes

October 1, 1938 – The Evening Independent

Hollywood is taking off its hat to the officials of the county fair of Pomona.

The day before Gable left for the east, he and Carole Lombard visited the fair. Officials announced over a loud speaker in the grandstand:

“We are honored by the presence of Carole Lombard and Clark Gable. Let them have a day of fun by themselves like the rest of us. Let them go where they want without being molested. Please don’t ask them for autographs.”

The crowd was a good sport about it and, as a result, the fair wins tremendous good will in Hollywood.

October 2, 1938 – Los Angeles Times

Carole Lombard. Last of the Hollywood madcaps. At the Santa Fe station saying good-by to Clark Gable. Feeling I might be asked what Carole was wearing when I got home, I said to tone of the Fred Harvey waitresses at the station: “What’s that Carole Lombard is wearing so I can tell my wife?” 

Answer was, “It’s a beige dress.” So I said, “What kind of hat is that?” And the waitress said, “Listen big boy, I’ve got five hungry men here screaming for food. I’m busy. Get yourself another stylist.” Well, anyway, I can honestly say I did my best.

October 4, 1938 – Los Angeles Times

Clark Gable is taking his pals up to the Rodeo in Victorville October 14. Long before he knew Carole Lombard, Yucca Loma was his old camping ground. He’d go out every night rabbit shooting with all the kids.

When celebrity-seekers found out about it, Clark moved on. Nice to know he’s going back because gang up there adore him.

October 4, 1938 – Salt Lake Telegram

Property Man Killed In Fall On Set

Edmund Fellegi, 25, a studio property man, died late yesterday of injuries suffered when he fell from a high catwalk almost at the feet of actress Carole Lombard during the filming of a movie scene.

Fellegi plunged into a crowd of extras. One, Boyd King, was struck a glancing blow.

October 4, 1938 – Morning Post

That telephone call we told you Eddie Mannix put through to Canada to intercept Clark Gable was highly successful.

Clark returned Sunday and started his conferences for “Idiot’s Delight” today. He had planned to come back Thursday to help Carole Lombard celebrate her birthday and she was really surprised when he walked in Sunday – nearly a week ahead of schedule.

October 4, 1938 – St. Louis Globe Democrat

Apropos of nothing, Miss Lombard’s favorite nickname for Clark Gable is “Moose.” He calls her “Toots.”

October 6, 1938 – Los Angeles Times

Clark Gable likes duck hunting. Carole Lombard likes Clark Gable. Carole believes when you like a man you should be very interested in everything he is interested in. So Carole has bought a shotgun and is being measured for duck-hunting pants, etc., so she can show how interested she is in the things in which Mr. Gable is interested. Will the band please play rather softly: “Love, You Funny Thing, Look What You’ve Done To Me” … 

October 11, 1938 – The Times Tribune

Clark Gable and Carole Lombard were at the county fair, minus dark glasses, or any other disguise, and were delighted at getting to the grandstand without a single demand for an autograph. But they reckoned without the man at the microphone, who immediately spotted them and broadcast their presence. From then on, it was every man – and woman – for himself.

October 13, 1938 – Sydney Morning Herald

Carole Lombard always beats Clark Gable when she plays him at tennis, not because she is a good player, but because he is a bad one. 

October 15, 1938 – Commercial Appeal

Gable Does Dancing Behind Closed Door

Behind closed doors and with a husky studio cop to keep away visitors, Clark Gable started dancing lessons today to prepare him for his role of a hoofer in “Idiot’s Delight.” 

The cop was Clark’s own idea to ward off the ribbers who have been planning to give him the works when he began practicing his tap routines. But Hollywood ribbers are not to be denied.

The star managed to keep the stage clear of all but himself, instructor George King and a piano player. 

But when the trio came out for lunch, the cop handed them a box tied with a pink ribbon. 

It was from Carole Lombard, and inside the box were a pair of dainty ballet slippers and a frothy ballet skirt. A black velvet panel on the front of the skirt had the initials “CG” embroidered in silver spangles.

October 17, 1938 – Philadelphia Inquirer

Carole Lombard “Scarlett” Boom On

The “Carole Lombard-For-Scarlett-O’Hara” campaign started by the fans became hot over the weekend. David Selznick realizes that after all the publicity, which in his case has been too extensive to be valuable, he needs a pulmotor to revive interest in “Gone with the Wind.”

La Lombard and Clark Gable would be a team guaranteed to bring the most reluctant ticket buyer into the theatre. Moreover, Carole has never been as popular with the fans who, since her income tax story, have bombarded her with mail. 

Also the rushes on “Made For Each Other” prove that Carole is just as fine a dramatic actress as a comedienne.

October 17, 1938 – The Province

Clark Gable brought back two lovely silver fox furs from Canada for lucky Carole Lombard – on condition he could put them around her neck himself… 

October 18, 1938 – Courier Post

In all the years Clark Gable has been emoting before a camera he has never had anything that got his goat so much as the dancing steps he has to do in “Idiot’s Delight.”

For two days behind a barricaded set guarded by a policeman, Clark has rehearsed his hoofing numbers with a professional. Carole Lombard, of course, has been having the time of her life kidding him and Saturday she had him ready to say goodbye to the whole thing when she sent him a pair of ballet slippers, size 12, and a man-sized ballet skirt with “CG” elaborately embroidered with loving hands.

October 18, 1938 – The Shreveport Journal

Clark Gable gave Carole Lombard a new Cadillac for her birthday. Who wouldn’t be a blonde? Carole gave Clark a pink ballet dress with C.G. in tinseled letters a foot long on front of it, ballet slippers, 11-D and sent them to the set of “Idiot’s Delight.” Shows what she thinks of him as a dancer.

October 22, 1938 – Star Tribune

Traffic almost stopped when the Andy Devines walked in with Carole Lombard and Clark Gable. Carole looked very smart in the popular dubonnet shades. 

October 22, 1938 – Buffalo Evening News

A strangely assorted quarter that meets once or twice a week in the valley for rounds of bridge or badminton is composed of Clark Gable, Carole Lombard, and Mr. and Mrs. Andy Devine. The Devines have many other intimates, but Gable and Lombard keep much to themselves. When they do step out socially, it is invariably over to Andy’s ranch. 

October 23, 1938 – Norfolk Virginian Pilot

No star in pictures is a more eager and enthusiastic prankster than Carole Lombard. On one occasion, she sent Clark Gable a broken down motor car of ancient date as a Valentine. 

It was the nearest thing to a complete wreck that she could find on four wheels. Gable, however, wasn’t an easy victim. He had the car rebuilt with a high-powered engine, special gears, a shiny paint job and glittering chromium-plated parts. When he had installed every improvement he could think of he drove it forth and continued to drive it for months afterward.

October 26, 1938 – Indianapolis Star

Hollywood Café Cashier Doesn’t Tire of Glamour

(Cashier at Beverly Hills Brown Derby talks about the stars she sees while on duty)

“Clark Gable and Carole Lombard come in, usually arguing about the silliest things. The other night it was about what kind of cigar Clark should have for an after-dinner smoke.” 

October 27, 1938 – Fort Worth Star Telegram

A carillon to Clark Gable and Carole Lombard for the sportsmanlike way they accept the public’s interest in their private affairs.

October 28, 1938 – Los Angeles Times

Carole Lombard received a fan letter at the Paramount mail department from Mr. and Mrs. Jack Franklin, 114 N. Breed St. They announced they have named their newly born boy and girl twins, Carole and Clark (Gable)…

October 31, 1938 – San Francisco Examiner

…the Andy Devines celebrating their fifth wedding anniversary with Clark Gable and Carole Lombard.

[invcntions]

@nxnsense sent  “  ♣ koa n zeke  ”  based on this meme

who is the better dancer? i think probably koa because he’s just here for a good time in life, but honestly all i see at this question is them slow dancing at some point after getting back together and it being the softest moment ever for them. who likes the outdoors more and who likes the indoors more? it’s a cop out to say but i truly think they’re both very well matched? they're happy indoors and doing cute things together at home but obviously they both also enjoy getting out to nature for a little while and taking a break away from the world. who’s a cat person and who’s a dog person? i feel like in general they’re both dog people and tell me why one day i could see zeke just buying a puppy for him. their schedules actually work quite well for it and they both have company when they’re home alone while the other is at work. who’s more social? probably koa, he just loves people and talking for hours with strangers at the bar so you know after zeke’s been at work all day he’s still trying to drag him along to come hang out with their friends. who makes the bed every morning? again probably koa but that’s because their schedules mean he gets out of bed a fair bit later than zeke. who likes to keep the house cold and who likes to keep the house warm? i can see zeke being happy to keep it at like a very nice warm temperature while koa is still in the mindset of only turning the heating on when you need it because it’s expensive. who takes longer getting ready? i want to say zeke. he just strikes me as having a good morning routine to get ready for work/the day while koa just sort of runs out the house to be where he needs to be. who likes scary movies and who likes funny ones? so koa loves a bad scary movie while i can see zeke being a funny movie person but honestly if they’re both there watching it together then i don’t think either of them are very picky. who screams when they see a bug and who ends up killing it? neither scream but zeke is in charge of killing the bugs. i feel like koa always suggests they take it outside until he’s the one in charge of doing so then he’s like um never mind you can kill it. who is more technology challenged? probably koa, zeke gives me the vibes of someone who knows everything their smartphone can do whereas koa is just not bothered at all, he doesn’t have apple pay or anything like that set up. who would be more likely to burn something in the oven? again koa, he’s not a bad cook but he gets distracted easily especially if he’s forgotten to set the alarm on the oven. who talks in their sleep? i can see this being zeke, just like on the border for being awake when koa comes home early in the morning after a long shift and trying to talk to him but it being mostly incoherent while koa is just there like okay bby, whatever you say. who leaves the cap off the toothpaste? koa, again he just forgets things because he just too distracted by moving on to something else. who likes getting dressed up more? probably zeke, he’s more used to it whereas koa definitely feels a little out of place at any event he needs to dress up for.   who’s better at tying ties? for sure zeke. koa has only worn a tie a few times while i feel like it’s a far more common occurrence for zeke and he’d help koa straighten it out whenever they’re going to a fancy enough event that he’d need one. who recorded the answering machine message on the house phone? oh my god, so the thing is it was probably koa one day when he was bored and i could see zeke not getting around to changing it for a while and any time he just didn't answer the phone because he was in the middle of something he would of had koa’s voice chatting away on the answer machine in the background. who’s better at planning romantic things? they actually both are, koa does the small things like cooking a romantic meal for them on a random evening because zeke’s had a long day whereas zeke does the big things like… randomly buying a holiday home lmao. who takes up more space in the closet? i see this being zeke. he just strikes me as a dapper guy okay has a lot of clothes, especially given he needs work things and casual things. who has more of a sweet tooth? probably koa, he doesn’t have a massive one but he’s definitely tempted by sweet things. who drinks more often? well...  it used to be zeke. now he’s sober obviously koa, though i think in general koa never really drinks when zeke is around anyway just in solidarity (and so he can continue to make out with him without feeling bad for it) but still occasionally when he’s at the bar he does. who is most likely to laugh during a serious situation? absolutely koa, probably uncomfortable laughter to diffuse the situation.

[officerianhowell]

@atrickofthetoxin​ said:  “We all do terrible things sometimes. That’s expected. It’s baked into us from the start.”

              “Tell me somethin’ I don’t know.” The words come alongside a smile as Ian settles back into his chair, listening to the metal creak and groan. “Doesn’t mean we always have to do those horrible things, though. We have a choice.”

[ianhowellgcpd]

📂 📂 📂

{ ABOUT IAN   //   ian rarely introduces the people he knows (whether it be through the GCPD or…otherwise) to his father. this isn’t through some misguided attempt to protect the older man: ian just simply hasn’t found many people he’s comfortable with his father knowing. the two exceptions (so far) are Polar ( @polarprotector ) and Jonah ( @supernovamuses ) in varying verses.   –   the original nickname(s) that ian gave to GCPD detectives bullock and gordon were “wingus” and “dingus.” who was who depended on the day and ian’s annoyance levels with them.   –   ian enjoys watching super trashy reality shows like keeping up with the kardashians, and has a habit of commenting on the fashion choices made in each episode, even when he’s alone (or as alone as you can be living in an apartment with very thin walls). half of his neighbors now know that khloe’s choice in louboutin heels undoubtedly clashed with her dress and necklace last week. }

[mylordshesacactus]

This came up in the group chat again today and--

You know what the really obvious answer is to the problem of police procedurals? In the sense that people clearly enjoy the tropes, the varyingly high stakes, the feel of a competent highly-trained organized team doing good together, the variety of storylines you can get, the operational style, etc, but are sick of copaganda?

SAR procedurals.

Why do we have seventeen thousand police procedurals when we could have this instead???

Search and rescue procedurals would solve all the problems actually.

Like, you get that well-oiled machine thing. You get the radio protocols. You get the sense of organization, of rank, of a command structure, but without them being cops. Hell--in an SAR group you can even have the much-maligned plotline of “someone goes off the book on a hunch and ends up being right” and still have consequences attached to that but not, like, an intrinsic argument for routine violation of human rights.

You get the case-of-the-week and the variety; I feel like this is why firefighter shows don’t get nearly as popular, because there’s only so much variety you can get out of “there is a fire” compared to all the things that can go wrong in a police procedural (or an SAR show, especially if you were clever about where you set the story.)

You get the recurring diverse cast and their interpersonal relationship developments, and pretty much every cop show archetype slots gorgeously into an SAR group as well.

You get the wide variety of possible stakes; SAR teams sometimes have intense heart-pounding time-sensitive missions, sometimes they have lost hikers who are almost certainly fine, sometimes there’s suspicion of foul play...Christmas episode about returning a lost kid to his family against all odds, anyone? Sometimes there’s a search that’s been going for weeks and someone has to call it and be the bad guy...you could get GREAT drama over two team organizers butting heads about how no, dammit, we’re not calling in the cadaver dogs yet, we’re not giving up like that--

(Oh yeah also you can have some great canine recurring characters.)

Instead of “internal affairs is the bad guy because cops being held accountable for their actions is evil” you can get, like....tension between the rookies and the human remains detection teams, because if you’re new to the SAR culture you may not understand or appreciate the work that HRD dogs and their handlers do, see above re: the sense of giving up. You get the opportunity to engage with real-world issues and social justice but like, without them being cops. The world is your fucking oyster.

OR, YOU KNOW, WE CAN MAKE ELEVEN MORE SHOWS ABOUT COPS, I GUESS--

[classic80sand90smovieloves2]

Meeting and Dating T.B. Player

(Not my gif)(Requested by anonymous)

- Just to start things off: Ethan Embry once said in an interview that he named his character Toby/Tobias because that’s what T.B. sounds like. (The initials originally stood for The Bass Player as a sort of inside joke). So that’s what I’ll be calling him.

- You and Toby were introduced to each other by Faye. Prior to being introduced, the bassist had spotted you at your job, and while he was just one of the hundred or so people that would have been in or around your store that day, you were the most beautiful girl he’d ever seen.

- He quickly developed a crush on you and soon enough, it had become routine for him to spend his free time lingering around there. Sometimes he’d loiter out front by the window, other times he’d come in and pretend to shop; occasionally buying something so that he didn’t look completely suspicious. Either way, he’d always sneak glances at you and try to work up the nerve to ask you out. 

- He’d always try his best to come up with something clever to say; even something not so clever if need be, but any time he came face to face with you, his mouth went dry and he lost his train of thought; only managing to say a shy hello and stutter out short, quiet answers to all of your polite customer service questions. 

- Finally, after a month or two of him wasting his savings on random things he didn’t need, he decided that it might be in his best interests; emotionally and financially, to ask for a little help. 

- So, after practice one day, he asked if he could talk to Faye and; after asking her vague questions that left him with little reassurance, he finally told her who the mystery girl was and to his surprise, she actually knew you.

- Granted, the two of you weren’t sisters or anything, but you had been friends in high school and she wouldn’t have minded catching up with you. So when he got over his initial shock and asked if she “thought she could introduce the two of you or maybe bring you around sometime”, she smiled and said that she’d see what she could do; leaving him smiling widely and excitedly making his way out of the garage. 

- Keeping her promise, she took a trip to the store you worked at and greeted you with familiarity, catching up with you as she looked around the shop and pretended as though her being there was just a coincidence. 

- After a bit of conversation, she asked what time you got off and told you that you should come and see her boyfriends band rehearsal, saying how they were really good and that you’d love them. You doubted her opinion of them; it was her boyfriend after all, but you liked hanging out with her in high school enough to be willing to sit through potentially bad music in order to reconnect; you didn’t have any plans anyway. 

- So you arrived at her house the next day and she introduced you to everyone; giving a special little “and this is Toby” as he tripped over something on the floor. 

- He gave you a big, somewhat embarrassed smile and an awkward wave as he greeted you; though his previous humiliation faded as soon as you mentioned how you “think you’ve seen him around your store”; as though you’d actually be able to miss him with how much time he spends there. 

- You don’t know how hard he had to work to keep his attention on his playing with you sitting on the couch only a few feet away from him. It was like driving down a long stretch of road with a cop right behind you: he felt the need to pay special attention to every little thing he did; as though he’d royally mess up and you’d think he were a loser for the rest of your life.

- And yet, his playing seemed completely trivial in comparison to the ability to finally talk to you. Now that you’ve been introduced he feels as though he can speak to you like a normal person; even if he’s still a bit shy from time to time. 

- So the two of you start to get to know each other and even begin hanging out outside of the usual places you’d come across one another. He sort of follows you around like a lost puppy: asking if he can come whenever you’re doing something or offering his help whenever you may need it; all while asking Faye about what you thought of him. 

- You think it’s kind of cute and while you certainly have your doubts, it’s sort of hard not to realize a guy has a crush on you when he’s offering to carry your groceries and eagerly walking you home from work every day. 

- He spends months making himself into your number one man and once he’s proudly become the first person you call whenever you need help; or just want company, he finally decides that it’s time for him to shoot his shot. 

- So he tries he luck and does so, asking if you’d like to go out with him sometime and smiling at you when you agree, asking “yeah?” with a little smile just to make sure that you actually do. 

- For your first date, he takes you to an arcade loaded up with quarters and the two of you have the time of your lives. He probably tries to win you one of the big stuffed animals that they have hanging up but only manages to get you a little prize. You act like it’s the same thing and kiss him on the cheek, effectively showing that you really don’t mind and cheering him up completely. 

- He definitely asked Faye if the two of you talked and if you had a good time or wanted him to call you. She finds it really cute to watch both sides of your relationship fall in love with each other.

- Your first kiss happens a few dates later. The two of you are at a county fair and he’s redeemed himself and managed to win you a big teddy bear so you’re sitting on a bench at the end of the night with the huge plush on your lap. One thing leads to another and though he’s still kind of nervous, he works up the courage to lean over and kiss you. …He’s still not sure if actual fireworks went off or if it was just the kiss. 

- Once again, he calls up Faye when he gets home but this time, he doesn’t need any advice, he just needs to let out his giddiness as he borderline shouts and talks a mile a minute. 

“I did it! I kissed her! Oh my god! She hasn’t called you has she? Oh my god I love her. I mean it, I really love her.”

- Mr. White might want the two of you to ease up on the pda in an effort to appeal to the ladies in the audience but it’ll all be done in vain since Toby’s incapable of stopping the lovestruck looks and the adorable nickname filled greetings he gives you; even when he’s meant to be playing a bachelor. Which means it doesn’t take long for the man to give up and just let him be “the taken one”. 

- Thankfully for everyone, most of his preferred pda is completely sweet and family friendly so you won’t have to train him in an attempt to keep up his all American reputation. 

- He honestly adores girls who are naturally affectionate; he even tends to prefer it over being affectionate himself. He’s a bit shy so having someone who will take the lead and lean their head on his shoulder or hug his arm is a win win for him. 

- He can never get enough of pecks on the lips and cheek kisses. 

- Soft, sweet kisses that have you breaking apart in a smile. Kissing him is honestly like magic medicine: no matter what mood you’re in, it’ll cheer you up in an instant. 

- He loves using pet names and having them used on him. He alternates between calling you by a nickname, calling you honey, calling you baby, and calling you a multitude of other pet names on the daily. 

- Please don’t use his full name when speaking to him because he will think that you’re upset with him and it will momentarily give him a heart attack. 

- The two of you rarely go a night or day without cuddling; so long as you can help it. You tend to snuggle as close together as possible so you usually end up being a tangled mess of limbs once you’re safe and sound under your covers. 

- You sort of mommy him from time to time. He’s a child at heart which means he isn’t always the most responsible person in the world, because of this, you’ve somewhat taken to taking care of him.

- You’ll act like a nurse when he’s sick, fuss over him, have him lay his head on your lap or shoulder, borderline baby talk him, etc. Every time you do, he looks at you like you hung the moon; you’ll never feel as loved as you do when you catch his eyes on you after you just got finished doing something sweet for him.

- You can always count on him to help you out with whatever you need him to. Just because he finally has you as his girlfriend doesn’t mean that he’s stopped being your voluntary slave. He still acts like your butler, he just gets rewarded for it to the highest degree.

- Whenever he goes and gets something, he always gets you one; regardless of whether you asked for it or not. If he’s thirsty than you have to be, right?

- He always gets all bright eyed and flustered whenever you compliment him and call him handsome. Your praise means the world to him, no matter how often you give it.

- You thought you were his cheerleader? Good one. He’s constantly fawning over you: everything you do is great to him and every accomplishment of yours is like one of his own. Not even your own parents are as proud of or supportive of you as he is.

- Once the band really takes off, he treats you to a bunch of fancy dinners and expensive dates; wanting to share his new and exciting lifestyle with you as best as he can.

- He genuinely doesn’t care how long you take to get ready: he’s always patient and willing to wait and will still compliment you on how good you look; even as you’re running late because of it.

- Going to ice cream parlors.

- Spending entire days at amusement parks.

- Going to Disneyland. For a man who wants to be in the army, he sure loves childish things. 

- Movie dates.

- Dancing together.

- Sometimes Toby just completely disappears and that's just something you’ll have to get used to. He gets distracted pretty easily so don’t be surprised if he occasionally shows up late when you're supposed to go out or is gone when you turn to look back at him. 

- Going sight seeing with him.

- Having your romantic moments interrupted by the guys in the band, or his manager; especially while he’s on tour.

- Listening on the radio for his music and excitedly freaking out whenever it plays. Your entire family probably thinks that you’ve gone somewhat crazy but at least one person is just laughing and shaking their head at you as they sigh about young love.

- Celebrating all of his accomplishments together.

- Validating his ideas and making sure that he knows he’s appreciated in the band.

- Going to his shows and/or on tour with him.

- Whenever you’re around him before he goes on a television show or on stage, he has you check him over and give him a good luck kiss; usually leading to you having to pull him back quickly so that you can wipe the lipstick off his lips.

- He namedrops you constantly: doesn’t matter if he’s on the stage or on a radio show, if they have a chance to say something, he’s going to bring you up like the lovesick puppy that he is.

- He thinks it’s absolutely adorable whenever you ask for autographs and things like that; regardless of whether it’s for your loved ones or just for yourself.

- Whenever he’s on tour, he always remembers to send you letters and little gifts in the mail. And whenever you’re able to visit him, he makes sure to get you something before you leave so that you can take it home with you and not miss him so much. He’s definitely gotten you some little plush that you clutch to your chest while you’re in your pajamas and on the phone with him.

- He always makes sure that you have pictures together before he leaves for any extended period of time.

- Good morning, goodnight, and other check in phone calls whenever you can’t be around each other.

- He definitely picks you up, in a tight hug and spins you around whenever he’s really excited and/or is reuniting with you after a long time.

- He gets so excited whenever you get him any kind of gift or surprise him with a knock on his dressing room door. It’s a close second to the puppy that you surprised him with when he came back from tour to visit you: even if it was technically just yours, it’s partially his now and he may or may not refer to it as “the baby”.

- He might be the star of a world famous band but he still runs in front of you to open doors and holds his gold suit jacket over your head when it’s raining. No matter how famous they got, Toby always stayed humble and treated you like the most important thing in the world.

- Your family would have no choice but to love him. He’s handsome, young, famous, polite, and intent on joining the military: he strikes out on all the typical 1960s ideals. He’s like a more familiar Elvis.

- Writing him letters once he’s in the army.

- He won a purple heart in Vietnam but something tells me that if there was a wasp or a spider in your home or near you, he’d be two steps away from using you as a meat shield. He’ll be brave but only for you and only by throwing the nearest book at it or jumping to hit it before jumping back as quickly as he can.

- He literally can’t leave if you don’t tell him you love him; or whatever your version of it is: it gives him a complex. He’ll go to leave and say it, repeat himself when you don’t say it back and if you don’t say it then, he’ll immediately think that you’re mad at him and make that stereotypical stressed out hum noise before doubling back to see what’s wrong or if he can finally make you say it. 

- A lot of the time, Toby is just oblivious to other peoples interest in you and even if he wasn’t, he’d be kind of flattered by it: like he’d pat himself on the back for scoring such catch. Even so, he’s more insecure than jealous, usually needing a bit of reassurance before he’s back to his happy go lucky self again. 

- Toby is a sweetheart but he’s wholeheartedly willing to kill for you. He was getting ready to go into the army, he’d be more than capable of fighting to protect you and he’d do it in a heartbeat. 

- I honestly think that he’s incapable of fighting with you. He’d absolutely hate doing it and would do whatever he could to stop an issue from turning into an argument. The two of you have had maybe one fight in your entire relationship and it’s due in part to his ability to talk things out like an actual adult. 

- He always offers a genuine apology whenever he messes up and most of his mistakes are just that; mistakes, so it’s pretty hard to hold them against him. 

- He tells you that he loves you constantly and is prompted to say it by the littlest of things. 

- Pretty early on in your relationship, you had him over for dinner at your house; probably at the insistence of your parents, and you were entirely sure that your father would scare him off with all of his overprotective questioning. But then, your dad asked a question like “what do you want with her” and before anyone could protest, he responded with “well I intend to marry her, sir.”, as though it were the most obvious and sure thing in the world, stunning everyone into silence. Ever since then, you’ve been sure that he was the one. 

[blackwoolncrown]

”This essay has been kicking around in my head for years now and I’ve never felt confident enough to write it. It’s a time in my life I’m ashamed of. It’s a time that I hurt people and, through inaction, allowed others to be hurt. It’s a time that I acted as a violent agent of capitalism and white supremacy. Under the guise of public safety, I personally ruined people’s lives but in so doing, made the public no safer… so did the family members and close friends of mine who also bore the badge alongside me.

But enough is enough.

The reforms aren’t working. Incrementalism isn’t happening. Unarmed Black, indigenous, and people of color are being killed by cops in the streets and the police are savagely attacking the people protesting these murders.

American policing is a thick blue tumor strangling the life from our communities and if you don’t believe it when the poor and the marginalized say it, if you don’t believe it when you see cops across the country shooting journalists with less-lethal bullets and caustic chemicals, maybe you’ll believe it when you hear it straight from the pig’s mouth.”

>>Copied here in case anyone gets paywalled when they click the above. The full article is...a lot.<<

WHY AM I WRITING THIS

As someone who went through the training, hiring, and socialization of a career in law enforcement, I wanted to give a first-hand account of why I believe police officers are the way they are. Not to excuse their behavior, but to explain it and to indict the structures that perpetuate it.

I believe that if everyone understood how we’re trained and brought up in the profession, it would inform the demands our communities should be making of a new way of community safety. If I tell you how we were made, I hope it will empower you to unmake us.

One of the other reasons I’ve struggled to write this essay is that I don’t want to center the conversation on myself and my big salty boo-hoo feelings about my bad choices. It’s a toxic white impulse to see atrocities and think “How can I make this about me?” So, I hope you’ll take me at my word that this account isn’t meant to highlight me, but rather the hundred thousand of me in every city in the country. It’s about the structure that made me (that I chose to pollute myself with) and it’s my meager contribution to the cause of radical justice.

YES, ALL COPS ARE BASTARDS

I was a police officer in a major metropolitan area in California with a predominantly poor, non-white population (with a large proportion of first-generation immigrants). One night during briefing, our watch commander told us that the city council had requested a new zero tolerance policy. Against murderers, drug dealers, or child predators?

No, against homeless people collecting cans from recycling bins.

See, the city had some kickback deal with the waste management company where waste management got paid by the government for our expected tonnage of recycling. When homeless people “stole” that recycling from the waste management company, they were putting that cheaper contract in peril. So, we were to arrest as many recyclers as we could find.

Even for me, this was a stupid policy and I promptly blew Sarge off. But a few hours later, Sarge called me over to assist him. He was detaining a 70 year old immigrant who spoke no English, who he’d seen picking a coke can out of a trash bin. He ordered me to arrest her for stealing trash. I said, “Sarge, c’mon, she’s an old lady.” He said, “I don’t give a shit. Hook her up, that’s an order.” And… I did. She cried the entire way to the station and all through the booking process. I couldn’t even comfort her because I didn’t speak Spanish. I felt disgusting but I was ordered to make this arrest and I wasn’t willing to lose my job for her.

If you’re tempted to feel sympathy for me, don’t. I used to happily hassle the homeless under other circumstances. I researched obscure penal codes so I could arrest people in homeless encampments for lesser known crimes like “remaining too close to railroad property” (369i of the California Penal Code). I used to call it “planting warrant seeds” since I knew they wouldn’t make their court dates and we could arrest them again and again for warrant violations.

We used to have informal contests for who could cite or arrest someone for the weirdest law. DUI on a bicycle, non-regulation number of brooms on your tow truck (27700(a)(1) of the California Vehicle Code)… shit like that. For me, police work was a logic puzzle for arresting people, regardless of their actual threat to the community. As ashamed as I am to admit it, it needs to be said: stripping people of their freedom felt like a game to me for many years.

I know what you’re going to ask: did I ever plant drugs? Did I ever plant a gun on someone? Did I ever make a false arrest or file a false report? Believe it or not, the answer is no. Cheating was no fun, I liked to get my stats the “legitimate” way. But I knew officers who kept a little baggie of whatever or maybe a pocket knife that was a little too big in their war bags (yeah, we called our dufflebags “war bags”…). Did I ever tell anybody about it? No I did not. Did I ever confess my suspicions when cocaine suddenly showed up in a gang member’s jacket? No I did not.

In fact, let me tell you about an extremely formative experience: in my police academy class, we had a clique of around six trainees who routinely bullied and harassed other students: intentionally scuffing another trainee’s shoes to get them in trouble during inspection, sexually harassing female trainees, cracking racist jokes, and so on. Every quarter, we were to write anonymous evaluations of our squadmates. I wrote scathing accounts of their behavior, thinking I was helping keep bad apples out of law enforcement and believing I would be protected. Instead, the academy staff read my complaints to them out loud and outed me to them and never punished them, causing me to get harassed for the rest of my academy class. That’s how I learned that even police leadership hates rats. That’s why no one is “changing things from the inside.” They can’t, the structure won’t allow it.

And that’s the point of what I’m telling you. Whether you were my sergeant, legally harassing an old woman, me, legally harassing our residents, my fellow trainees bullying the rest of us, or “the bad apples” illegally harassing “shitbags”, we were all in it together. I knew cops that pulled women over to flirt with them. I knew cops who would pepper spray sleeping bags so that homeless people would have to throw them away. I knew cops that intentionally provoked anger in suspects so they could claim they were assaulted. I was particularly good at winding people up verbally until they lashed out so I could fight them. Nobody spoke out. Nobody stood up. Nobody betrayed the code.

None of us protected the people (you) from bad cops.

This is why “All cops are bastards.” Even your uncle, even your cousin, even your mom, even your brother, even your best friend, even your spouse, even me. Because even if they wouldn’t Do The Thing themselves, they will almost never rat out another officer who Does The Thing, much less stop it from happening.

BASTARD 101

I could write an entire book of the awful things I’ve done, seen done, and heard others bragging about doing. But, to me, the bigger question is “How did it get this way?”. While I was a police officer in a city 30 miles from where I lived, many of my fellow officers were from the community and treated their neighbors just as badly as I did. While every cop’s individual biases come into play, it’s the profession itself that is toxic, and it starts from day 1 of training.

Every police academy is different but all of them share certain features: taught by old cops, run like a paramilitary bootcamp, strong emphasis on protecting yourself more than anyone else. The majority of my time in the academy was spent doing aggressive physical training and watching video after video after video of police officers being murdered on duty.

I want to highlight this: nearly everyone coming into law enforcement is bombarded with dash cam footage of police officers being ambushed and killed. Over and over and over. Colorless VHS mortality plays, cops screaming for help over their radios, their bodies going limp as a pair of tail lights speed away into a grainy black horizon. In my case, with commentary from an old racist cop who used to brag about assaulting Black Panthers.

To understand why all cops are bastards, you need to understand one of the things almost every training officer told me when it came to using force:

“I’d rather be judged by 12 than carried by 6.”

Meaning, “I’ll take my chances in court rather than risk getting hurt”. We’re able to think that way because police unions are extremely overpowered and because of the generous concept of Qualified Immunity, a legal theory which says a cop generally can’t be held personally liable for mistakes they make doing their job in an official capacity.

When you look at the actions of the officers who killed George Floyd, Breonna Taylor, David McAtee, Mike Brown, Tamir Rice, Philando Castile, Eric Garner, or Freddie Gray, remember that they, like me, were trained to recite “I’d rather be judged by 12” as a mantra. Even if Mistakes Were Made™, the city (meaning the taxpayers, meaning you) pays the settlement, not the officer.

Once police training has - through repetition, indoctrination, and violent spectacle - promised officers that everyone in the world is out to kill them, the next lesson is that your partners are the only people protecting you. Occasionally, this is even true: I’ve had encounters turn on me rapidly to the point I legitimately thought I was going to die, only to have other officers come and turn the tables.

One of the most important thought leaders in law enforcement is Col. Dave Grossman, a “killologist” who wrote an essay called “Sheep, Wolves, and Sheepdogs”. Cops are the sheepdogs, bad guys are the wolves, and the citizens are the sheep (!). Col. Grossman makes sure to mention that to a stupid sheep, sheepdogs look more like wolves than sheep, and that’s why they dislike you.

This “they hate you for protecting them and only I love you, only I can protect you” tactic is familiar to students of abuse. It’s what abusers do to coerce their victims into isolation, pulling them away from friends and family and ensnaring them in the abuser’s toxic web. Law enforcement does this too, pitting the officer against civilians. “They don’t understand what you do, they don’t respect your sacrifice, they just want to get away with crimes. You’re only safe with us.”

I think the Wolves vs. Sheepdogs dynamic is one of the most important elements as to why officers behave the way they do. Every single second of my training, I was told that criminals were not a legitimate part of their community, that they were individual bad actors, and that their bad actions were solely the result of their inherent criminality. Any concept of systemic trauma, generational poverty, or white supremacist oppression was either never mentioned or simply dismissed. After all, most people don’t steal, so anyone who does isn’t “most people,” right? To us, anyone committing a crime deserved anything that happened to them because they broke the “social contract.” And yet, it was never even a question as to whether the power structure above them was honoring any sort of contract back.

Understand: Police officers are part of the state monopoly on violence and all police training reinforces this monopoly as a cornerstone of police work, a source of honor and pride. Many cops fantasize about getting to kill someone in the line of duty, egged on by others that have. One of my training officers told me about the time he shot and killed a mentally ill homeless man wielding a big stick. He bragged that he “slept like a baby” that night. Official training teaches you how to be violent effectively and when you’re legally allowed to deploy that violence, but “unofficial training” teaches you to desire violence, to expand the breadth of your violence without getting caught, and to erode your own compassion for desperate people so you can justify punitive violence against them.

HOW TO BE A BASTARD

I have participated in some of these activities personally, others are ones I either witnessed personally or heard officers brag about openly. Very, very occasionally, I knew an officer who was disciplined or fired for one of these things.

Police officers will lie about the law, about what’s illegal, or about what they can legally do to you in order to manipulate you into doing what they want.

Police officers will lie about feeling afraid for their life to justify a use of force after the fact.

Police officers will lie and tell you they’ll file a police report just to get you off their back.

Police officers will lie that your cooperation will “look good for you” in court, or that they will “put in a good word for you with the DA.” The police will never help you look good in court.

Police officers will lie about what they see and hear to access private property to conduct unlawful searches.

Police officers will lie and say your friend already ratted you out, so you might as well rat them back out. This is almost never true.

Police officers will lie and say you’re not in trouble in order to get you to exit a location or otherwise make an arrest more convenient for them.

Police officers will lie and say that they won’t arrest you if you’ll just “be honest with them” so they know what really happened.

Police officers will lie about their ability to seize the property of friends and family members to coerce a confession.

Police officers will write obviously bullshit tickets so that they get time-and-a-half overtime fighting them in court.

Police officers will search places and containers you didn’t consent to and later claim they were open or “smelled like marijuana”.

Police officers will threaten you with a more serious crime they can’t prove in order to convince you to confess to the lesser crime they really want you for.

Police officers will employ zero tolerance on races and ethnicities they dislike and show favor and lenience to members of their own group.

Police officers will use intentionally extra-painful maneuvers and holds during an arrest to provoke “resistance” so they can further assault the suspect.

Some police officers will plant drugs and weapons on you, sometimes to teach you a lesson, sometimes if they kill you somewhere away from public view.

Some police officers will assault you to intimidate you and threaten to arrest you if you tell anyone.

A non-trivial number of police officers will steal from your house or vehicle during a search.

A non-trivial number of police officers commit intimate partner violence and use their status to get away with it.

A non-trivial number of police officers use their position to entice, coerce, or force sexual favors from vulnerable people.

If you take nothing else away from this essay, I want you to tattoo this onto your brain forever: if a police officer is telling you something, it is probably a lie designed to gain your compliance.

Do not talk to cops and never, ever believe them. Do not “try to be helpful” with cops. Do not assume they are trying to catch someone else instead of you. Do not assume what they are doing is “important” or even legal. Under no circumstances assume any police officer is acting in good faith.

Also, and this is important, do not talk to cops.

I just remembered something, do not talk to cops.

Checking my notes real quick, something jumped out at me:

Do

not

fucking

talk

to

cops.

Ever.

Say, “I don’t answer questions,” and ask if you’re free to leave; if so, leave. If not, tell them you want your lawyer and that, per the Supreme Court, they must terminate questioning. If they don’t, file a complaint and collect some badges for your mantle.

DO THE BASTARDS EVER HELP?

Reading the above, you may be tempted to ask whether cops ever do anything good. And the answer is, sure, sometimes. In fact, most officers I worked with thought they were usually helping the helpless and protecting the safety of innocent people.

During my tenure in law enforcement, I protected women from domestic abusers, arrested cold-blooded murderers and child molesters, and comforted families who lost children to car accidents and other tragedies. I helped connect struggling people in my community with local resources for food, shelter, and counseling. I deescalated situations that could have turned violent and talked a lot of people down from making the biggest mistake of their lives. I worked with plenty of officers who were individually kind, bought food for homeless residents, or otherwise showed care for their community.

The question is this: did I need a gun and sweeping police powers to help the average person on the average night? The answer is no. When I was doing my best work as a cop, I was doing mediocre work as a therapist or a social worker. My good deeds were listening to people failed by the system and trying to unite them with any crumbs of resources the structure was currently denying them.

It’s also important to note that well over 90% of the calls for service I handled were reactive, showing up well after a crime had taken place. We would arrive, take a statement, collect evidence (if any), file the report, and onto the next caper. Most “active” crimes we stopped were someone harmless possessing or selling a small amount of drugs. Very, very rarely would we stop something dangerous in progress or stop something from happening entirely. The closest we could usually get was seeing someone running away from the scene of a crime, but the damage was still done.

And consider this: my job as a police officer required me to be a marriage counselor, a mental health crisis professional, a conflict negotiator, a social worker, a child advocate, a traffic safety expert, a sexual assault specialist, and, every once in awhile, a public safety officer authorized to use force, all after only a 1000 hours of training at a police academy. Does the person we send to catch a robber also need to be the person we send to interview a rape victim or document a fender bender? Should one profession be expected to do all that important community care (with very little training) all at the same time?

To put this another way: I made double the salary most social workers made to do a fraction of what they could do to mitigate the causes of crimes and desperation. I can count very few times my monopoly on state violence actually made our citizens safer, and even then, it’s hard to say better-funded social safety nets and dozens of other community care specialists wouldn’t have prevented a problem before it started.

Armed, indoctrinated (and dare I say, traumatized) cops do not make you safer; community mutual aid networks who can unite other people with the resources they need to stay fed, clothed, and housed make you safer. I really want to hammer this home: every cop in your neighborhood is damaged by their training, emboldened by their immunity, and they have a gun and the ability to take your life with near-impunity. This does not make you safer, even if you’re white.

HOW DO YOU SOLVE A PROBLEM LIKE A BASTARD?

So what do we do about it? Even though I’m an expert on bastardism, I am not a public policy expert nor an expert in organizing a post-police society. So, before I give some suggestions, let me tell you what probably won’t solve the problem of bastard cops:

Increased “bias” training. A quarterly or even monthly training session is not capable of covering over years of trauma-based camaraderie in police forces. I can tell you from experience, we don’t take it seriously, the proctors let us cheat on whatever “tests” there are, and we all made fun of it later over coffee.

Tougher laws. I hope you understand by now, cops do not follow the law and will not hold each other accountable to the law. Tougher laws are all the more reason to circle the wagons and protect your brothers and sisters.

More community policing programs. Yes, there is a marginal effect when a few cops get to know members of the community, but look at the protests of 2020: many of the cops pepper-spraying journalists were probably the nice school cop a month ago.

Police officers do not protect and serve people, they protect and serve the status quo, “polite society”, and private property. Using the incremental mechanisms of the status quo will never reform the police because the status quo relies on police violence to exist. Capitalism requires a permanent underclass to exploit for cheap labor and it requires the cops to bring that underclass to heel.

Instead of wasting time with minor tweaks, I recommend exploring the following ideas:

No more qualified immunity. Police officers should be personally liable for all decisions they make in the line of duty.

No more civil asset forfeiture. Did you know that every year, citizens like you lose more cash and property to unaccountable civil asset forfeiture than to all burglaries combined? The police can steal your stuff without charging you with a crime and it makes some police departments very rich.

Break the power of police unions. Police unions make it nearly impossible to fire bad cops and incentivize protecting them to protect the power of the union. A police union is not a labor union; police officers are powerful state agents, not exploited workers.

Require malpractice insurance. Doctors must pay for insurance in case they botch a surgery, police officers should do the same for botching a police raid or other use of force. If human decency won’t motivate police to respect human life, perhaps hitting their wallet might.

Defund, demilitarize, and disarm cops. Thousands of police departments own assault rifles, armored personnel carriers, and stuff you’d see in a warzone. Police officers have grants and huge budgets to spend on guns, ammo, body armor, and combat training. 99% of calls for service require no armed response, yet when all you have is a gun, every problem feels like target practice. Cities are not safer when unaccountable bullies have a monopoly on state violence and the equipment to execute that monopoly.

One final idea: consider abolishing the police.

I know what you’re thinking, “What? We need the police! They protect us!” As someone who did it for nearly a decade, I need you to understand that by and large, police protection is marginal, incidental. It’s an illusion created by decades of copaganda designed to fool you into thinking these brave men and women are holding back the barbarians at the gates.

I alluded to this above: the vast majority of calls for service I handled were theft reports, burglary reports, domestic arguments that hadn’t escalated into violence, loud parties, (houseless) people loitering, traffic collisions, very minor drug possession, and arguments between neighbors. Mostly the mundane ups and downs of life in the community, with little inherent danger. And, like I mentioned, the vast majority of crimes I responded to (even violent ones) had already happened; my unaccountable license to kill was irrelevant.

What I mainly provided was an “objective” third party with the authority to document property damage, ask people to chill out or disperse, or counsel people not to beat each other up. A trained counselor or conflict resolution specialist would be ten times more effective than someone with a gun strapped to his hip wondering if anyone would try to kill him when he showed up. There are many models for community safety that can be explored if we get away from the idea that the only way to be safe is to have a man with a M4 rifle prowling your neighborhood ready at a moment’s notice to write down your name and birthday after you’ve been robbed and beaten.

You might be asking, “What about the armed robbers, the gangsters, the drug dealers, the serial killers?” And yes, in the city I worked, I regularly broke up gang parties, found gang members carrying guns, and handled homicides. I’ve seen some tragic things, from a reformed gangster shot in the head with his brains oozing out to a fifteen year old boy taking his last breath in his screaming mother’s arms thanks to a gang member’s bullet. I know the wages of violence.

This is where we have to have the courage to ask: why do people rob? Why do they join gangs? Why do they get addicted to drugs or sell them? It’s not because they are inherently evil. I submit to you that these are the results of living in a capitalist system that grinds people down and denies them housing, medical care, human dignity, and a say in their government. These are the results of white supremacy pushing people to the margins, excluding them, disrespecting them, and treating their bodies as disposable.

Equally important to remember: disabled and mentally ill people are frequently killed by police officers not trained to recognize and react to disabilities or mental health crises. Some of the people we picture as “violent offenders” are often people struggling with untreated mental illness, often due to economic hardships. Very frequently, the officers sent to “protect the community” escalate this crisis and ultimately wound or kill the person. Your community was not made safer by police violence; a sick member of your community was killed because it was cheaper than treating them. Are you extremely confident you’ll never get sick one day too?

Wrestle with this for a minute: if all of someone’s material needs were met and all the members of their community were fed, clothed, housed, and dignified, why would they need to join a gang? Why would they need to risk their lives selling drugs or breaking into buildings? If mental healthcare was free and was not stigmatized, how many lives would that save?

Would there still be a few bad actors in the world? Sure, probably. What’s my solution for them, you’re no doubt asking. I’ll tell you what: generational poverty, food insecurity, houselessness, and for-profit medical care are all problems that can be solved in our lifetimes by rejecting the dehumanizing meat grinder of capitalism and white supremacy. Once that’s done, we can work on the edge cases together, with clearer hearts not clouded by a corrupt system.

Police abolition is closely related to the idea of prison abolition and the entire concept of banishing the carceral state, meaning, creating a society focused on reconciliation and restorative justice instead of punishment, pain, and suffering — a system that sees people in crisis as humans, not monsters. People who want to abolish the police typically also want to abolish prisons, and the same questions get asked: “What about the bad guys? Where do we put them?” I bring this up because abolitionists don’t want to simply replace cops with armed social workers or prisons with casual detention centers full of puffy leather couches and Playstations. We imagine a world not divided into good guys and bad guys, but rather a world where people’s needs are met and those in crisis receive care, not dehumanization.

Here’s legendary activist and thinker Angela Y. Davis putting it better than I ever could:

“An abolitionist approach that seeks to answer questions such as these would require us to imagine a constellation of alternative strategies and institutions, with the ultimate aim of removing the prison from the social and ideological landscapes of our society. In other words, we would not be looking for prisonlike substitutes for the prison, such as house arrest safeguarded by electronic surveillance bracelets. Rather, positing decarceration as our overarching strategy, we would try to envision a continuum of alternatives to imprisonment-demilitarization of schools, revitalization of education at all levels, a health system that provides free physical and mental care to all, and a justice system based on reparation and reconciliation rather than retribution and vengeance.”

(Are Prisons Obsolete, pg. 107)

I’m not telling you I have the blueprint for a beautiful new world. What I’m telling you is that the system we have right now is broken beyond repair and that it’s time to consider new ways of doing community together. Those new ways need to be negotiated by members of those communities, particularly Black, indigenous, disabled, houseless, and citizens of color historically shoved into the margins of society. Instead of letting Fox News fill your head with nightmares about Hispanic gangs, ask the Hispanic community what they need to thrive. Instead of letting racist politicians scaremonger about pro-Black demonstrators, ask the Black community what they need to meet the needs of the most vulnerable. If you truly desire safety, ask not what your most vulnerable can do for the community, ask what the community can do for the most vulnerable.

A WORLD WITH FEWER BASTARDS IS POSSIBLE

If you take only one thing away from this essay, I hope it’s this: do not talk to cops. But if you only take two things away, I hope the second one is that it’s possible to imagine a different world where unarmed black people, indigenous people, poor people, disabled people, and people of color are not routinely gunned down by unaccountable police officers. It doesn’t have to be this way. Yes, this requires a leap of faith into community models that might feel unfamiliar, but I ask you:

When you see a man dying in the street begging for breath, don’t you want to leap away from that world?

When you see a mother or a daughter shot to death sleeping in their beds, don’t you want to leap away from that world?

When you see a twelve year old boy executed in a public park for the crime of playing with a toy, jesus fucking christ, can you really just stand there and think “This is normal”?

And to any cops who made it this far down, is this really the world you want to live in? Aren’t you tired of the trauma? Aren’t you tired of the soul sickness inherent to the badge? Aren’t you tired of looking the other way when your partners break the law? Are you really willing to kill the next George Floyd, the next Breonna Taylor, the next Tamir Rice? How confident are you that your next use of force will be something you’re proud of? I’m writing this for you too: it’s wrong what our training did to us, it’s wrong that they hardened our hearts to our communities, and it’s wrong to pretend this is normal.

Look, I wouldn’t have been able to hear any of this for much of my life. You reading this now may not be able to hear this yet either. But do me this one favor: just think about it. Just turn it over in your mind for a couple minutes. “Yes, And” me for a minute. Look around you and think about the kind of world you want to live in. Is it one where an all-powerful stranger with a gun keeps you and your neighbors in line with the fear of death, or can you picture a world where, as a community, we embrace our most vulnerable, meet their needs, heal their wounds, honor their dignity, and make them family instead of desperate outsiders?

If you take only three things away from this essay, I hope the third is this: you and your community don’t need bastards to thrive.

RESOURCES TO YES-AND WITH

Achele Mbembe — Necropolitics

Angela Y. Davis — Are Prisons Obsolete?

CriticalResistance.org — Abolition Toolkit

Joe Macaré, Maya Schenwar, and Alana Yu-lan Price — Who Do You Serve, Who Do You Protect?

Ruth Wilson Gilmore — COVID-19, Decarceration, Abolition [video]

[disturbedbydesign]

The Widow and the Wolf - Chapter 1

Pairing: Bucky Barnes x dark!exWidow!reader

Summary: After Natasha Romanoff took down the Red Room, the former Widows scattered to the wind. Raised to be a killing machine and released into the world with nothing and no one, you decided to use your newfound autonomy to take down the bad guys of your choosing. But now Natasha is riddled with guilt for leaving you on your own. She wants to recruit you, rehabilitate you, make you part of a team again. But the rest of the squad has reservations, and no one is more against you than Bucky Barnes.

Warnings: Graphic violence; Mentions of domestic violence, rape, pedophilia, human trafficking, child sex trafficking; eventual Dubcon (not Bucky); eventual smut; slow(ish) burn enemies-to-lovers. [More warnings will be added as necessary but these are the Big Bads.] 18+ only, no minors.

A/N: This is canon-adjacent in that I just decided to pick and choose who I wanted to write for and what parts of canon I wanted to use. Best not to think too hard about where it falls on the timeline because the canon is a mess and we all kind of hate it anyway.

If you prefer to read on AO3, you can do so here.

Chapter One

You’ve been tracking him for days, not that it was hard. His patrol schedule is always the same, as is his after-hours routine: drinks at the Irish pub on Reade Street with the other boys in blue. It’s a cop bar but you waltz right in, looking lost even though you know the name, rank, and various misdeeds of every guy in the place. He looks at you, because of course he does—his wife assured you that he has a wandering eye, among his other sins.

You take a seat at the bar. “Double vodka rocks, please.”

The bartender pours you your drink and you take a deep pull, savoring the burn of it. Then you wait, but it doesn’t take long—it never does. Sergeant Thompson sidles up to the barstool next to you.

“Hey darlin,” he says, his breath reeking of cheap beer. “You lost?”

You turn to him with an innocent smile. “Evening, officer.”

“It’s Sergeant,” he says, tapping his badge, “but I won’t hold that against you. So, what’s a pretty young thing doing in a dive bar with a bunch of old men?”

“I was supposed to meet a friend for dinner but she bailed on me. Figured I’d grab a drink before I head home.”

“And where is home?” he asks, not that it’s any of his business, but cops think they deserve answers to any questions they feel like asking.

“Williamsburg,” you lie.

“You’re pretty far from home, then,” he replies, even though you both know that you aren’t. He takes a sip of his beer and the foam leaves a trace like a mustache before he licks it clean. “It’s late. Why don’t you let me drive you? Wouldn’t want you on the subway this time of night.”

“It’s only 8:30,” you say. “I think I’ll be just fine.”

He leans in conspiratorially. “Well, I really shouldn’t be telling you this—open investigation and all that—but we’ve been on the lookout for a guy in the area, serial rapist, real nasty piece of work.”

That’s one thing the two of you have in common at least.

“I’d feel a lot better if you’d let me take you home, darlin.”

“I suppose it couldn’t hurt,” you admit. “Can’t get much safer than the NYPD, right?”

He laughs and so do you, knowing that nothing is farther from the truth—especially when it comes to this guy.

Sergeant Thompson speeds across the Williamsburg Bridge with his flashers on, headed toward the address you gave him. Of course, that’s not actually your address—you don’t have a home anymore—it’s just one of many rundown warehouses in the neighborhood, variously used for impromptu raves and as drug dens and, in your case, a private place in which you can take care of business without fear of being interrupted.

“This is me,” you say, waiting for him to let you out of the back of the cruiser where he insisted you ride—caged in like a helpless animal, or so he thinks.

“This place?” he asks. “Looks like it’s about to collapse.”

“You’d be surprised what they can do to these places on the inside—gentrification and what have you. My rent is astronomical.”

“Still,” he says, “I’d like to walk you up. Looks a bit unsavory.”

“If you insist, Sergeant.”

The second you get up the stairs to the top floor, you inject him with the etorphine, straight into the jugular, and down he goes. It never gets old—how easy it is, when they think that they are the predator and you are the prey. You drag him into the loft where you’re already set up for a long night’s work.

When he comes to, he’s fixed to the chair with (among other things) his own handcuffs, mouth taped shut and a rag shoved in for good measure. You don’t want to hear him talk; it’s time for him to listen. His day of reckoning has come. He starts to squirm but between the cuffs and the duct tape and the sedative still coursing through his veins, he’s not going anywhere. Even if he did get free, you could take him down easy. It’s what you were trained for. It’s what you were born for.

“Welcome back, Sergeant,” you say, and he screams something unintelligible through the rag which, if you had to guess, would be some combination of “cunt” or “bitch” or any of the other choice words he likes to use on his women.

The tarps are laid meticulously around the room, placed strategically to catch any and all evidence of what you’re about to do. When he notices them, he goes still, because he knows. Part of him knows.

“So,” you say, pulling out the Thompson file, “this is quite the impressive resume you’ve got here, Sarge. Lots of civilian brutality complaints, including a few choice allegations from female prisoners. Oh, and then there’s the domestic violence and marital rape. You’re a real charmer, huh?”

There’s more muffled screaming but you ignore it—the last gasps of a dying man.

“Here’s the thing, Sarge. I know you think that you’re above the law, because you are the law, but you aren’t. Your wife is real tired of your shit, and me? Well, let’s just say that my motto is protect and serve.” You lean in close enough to smell the salty sweat on his brow. “And unlike you, I actually mean it.”

You pull your favorite knife from your thigh holster and slit him from ear to ear. “See you in hell, Sergeant.”

You sit on the edge of the table, swinging your legs and watching him bleed out. It doesn’t take long. The actual disposal is the real work. You set about chopping him into manageable pieces and you find yourself missing the days when you didn’t have to cover your tracks alone, when there was a clean-up team to take care of it for you.

But you’re freelance now. You’re not a Widow anymore. She made sure of that.

Sometimes—like right now, when you’re dripping sweat and every muscle in your body is screaming its exertion as you saw through bone after bone—you hate Natasha Romanoff. You know why she did what she did; you understand that, objectively, it was the right thing to do. But did she ever stop to consider the repercussions of her actions? She got out early and found a new family and became one of the Good Guys. But you? You entered the Red Room with nothing and you left with nothing.

They always said you were born to be a killer. It’s all you’ve ever known. So what exactly did she expect you to do? You may be free of the mind control, but you never had the chance to develop a mind of your own. Killing is all you know. At least now you get to pick your own targets.

Once you’ve got Sergeant Thompson all squared away, you pack him up in the trunk of his cruiser and drive upstate, listening to the 80s station you like. It occurs to you that most people have heard these songs a thousand times—so many times that they know the lyrics instinctively, can sing them without even having to think about it. It’s all new to you, though. You can’t decide whether it makes you sad to think about all you’ve missed or whether you’re lucky that you get to experience for the first time what everyone else is already tired of.

When you get to the farm, you dump Thompson in the holes you’ve already backhoed, then you hop on the Cat and fill them all in. You shoot a text to Mrs. Thompson from your burner—just a thumbs-up emoji—and she replies with a smiley face. It was only so long before he would have killed her; she knows it as well as you do. The only people that will grieve the dearly departed Sergeant Thompson are a bunch of assholes who are one false move from ending up in your web.

You didn’t charge Mrs. Thompson your usual rate—just what she could afford without drawing the attention and ire of the Mister. Sometimes, depending on the circumstances, you even work pro bono. After all, you only kill people for money who you would happily kill for free. You consider it a service, something for the greater good of society. You’ll take money, sure—you need it to live and to continue your work—but not from people who can’t easily spare it.

You have standards. You have a code. That’s the difference between the you that served as a mindless weapon wielded by others and the you that decides for yourself how to use the gifts you’ve been given. No women. No children. No collateral damage. Only Very Bad Men who’ve done Very Bad Things. You don’t see the harm in it, not really, and as you settle into bed you come back to the thought you often have before a fitful night of sleep: who’s the real avenger, Natasha?

*****

Natasha wipes her brow and throws the rag down on the mat, grabbing a bottle of water and chugging half of it before she wipes her mouth with the back of her hand. Bucky has barely broken a sweat from their morning sparring session, and he doesn’t even try to fake it. He’s in an especially grumpy mood.

“This is a bad idea, Natasha.”

“To some people, maybe,” she says, “but I want to bring her in anyway. I don’t understand how you of all people are against me on this, Bucky.”

“Uh, for starters, she’s a serial killer.”

“That’s a bit of a harsh assessment, considering the circumstances. And do I really need to remind you that the same could be said about the two of us? That a lot of people still say that about us?”

Bucky sighs, because he knows she’s right, but this is different—you are different. “It’s not the same,” he grumbles, but he’s not entirely sure it isn’t, and that’s what’s really bothering him.

“Look,” Nat says, taking a step toward Bucky, “I need to try, ok? I know what she’s going through because I went through it, except she’s completely alone out there with nothing and no one. You and I… we had people behind us, helping us.”

“And what if she says no?” Bucky asks. “Are you just gonna let her go on doing what she’s doing? She’s killed… how many is it now?”

Natasha mutters something under her breath and Bucky looks at her expectantly. “What was that, Tasha?”

“25 people in the last 6 months,” she states, her mouth set in a hard line.

“Exactly,” he says.

“I would like to point out that they were all very bad people. So...”

“Tasha,” he says, and he puts his hand up to silence her. “I can’t help you on this. I’m sorry. I want to, but I can’t.”

Natasha huffs out a laugh. “You know what, Barnes? You’re real high and mighty for a guy who–”

Natasha stops herself when she sees the ice-cold look in Bucky’s eyes. “Go on. For a guy who what?”

“Nothing,” she says. “I’m sorry. I’ll go on my own.”

“Well, good luck to you. Hope you don’t get your throat slit.”

Bucky stomps off and Natasha is left wondering if she’s about to make a huge mistake. She knows you’re volatile, that a part of you must resent her, but she needs to make it right. At the very least, she needs to try.

Natasha grabs her tablet and scrolls through the latest intel on your whereabouts. She’s just missed you in New York, but she thinks she’s got a jump on your next target: some coke dealer down in Miami with a predilection for underage girls. Just a brief glance at this guy’s file is enough to make Natasha’s blood run cold. She knows why you do what you do. If she’s honest, it doesn’t bother her one bit that you’re doing it. It’s the thought of you out there on your own, filled with hate and anger and thirsty for bloody vengeance, that frightens her. Because maybe one day—left to your own devices, lost in the chaos of your troubled mind—getting the Bad Guys won’t be enough for you. Maybe you’ll decide that some of the Good Guys aren’t so good after all. Maybe you’ll even be right.

She contemplates being honest with Steve and telling him where she’s headed but decides against it. Steve isn’t on board with her plan. Natasha doesn’t fault him for it—he doesn’t understand, he couldn’t. Bucky, though... that’s a disappointment, and it surprises her. If anyone knows what it feels like to spend your life as someone else’s weapon, it’s Bucky Barnes.

Natasha waits until nightfall to “borrow” the Quinjet, and she finds Bucky waiting for her when she gets to the hangar.

“I’m coming with you,” he says, “but only as back-up. She’s dangerous, Natasha.”

“Maybe so,” Natasha replies, “but only because she’s afraid.”

*****

You knew that she’d be coming for you sooner or later. Might as well get it over with. Your little stilt cabin on the outskirts of the Everglades isn’t quite set up for company but at least it’s tucked away and difficult to access. You’re surprised she brought him, though—that was a mistake. You and she could have a nice long conversation, but you have nothing to say to the Soldat.

You climb up the tree to your lookout platform and hoist your sniper rifle onto your shoulder, following their slow but steady progress through the knee-deep swamp water, trying to line up a decent shot as they weave in between the bald cypress trees. When you see your chance, you take it, and you put one about an inch from where the Soldat’s metal arm meets the flesh of his shoulder. It ricochets off, as intended, and he jumps forward to shield Natasha. You hear her laugh through your earpiece.

“Relax, Barnes. It was a warning shot. If she wanted to hit you, she would have.”

“She did hit me,” he snaps.

You smile as you descend from the tree to meet them.

“Well well well,” you say. “If it isn’t the Murder Twins. To what do I owe this unwanted visit?”

“You know why I’m here,” Natasha says.

“Yes,” you reply, “but why is he here?”

The man she calls Barnes looks at you with disdain and you give it right back to him. You can tell that shot in the arm really pissed him off and it pleases you to no end.

“He’s just watching my back,” she says. “That’s what happens when you’re on a team.”

“Right, The Avengers. How adorable.”

“Listen,” Natasha begins, but you stop her.

“Let me save you the trouble of whatever little speech you have prepared. I’m not coming with you. I’m not going to Widow rehab and joining your ragtag group of misfits. And I’m not going to stop doing my work just because you come here and bat your eyes and smile pretty at me.”

“Your work?” spits the Soldat. “Is that what you’re calling it?”

“Bucky, don’t-”

“Let him talk, Romanoff,” you say. “He obviously has some… opinions. Now that he’s got the mask off, he can finally speak for himself.” You take a step towards him, your rifle in hand but not pointed at him. “So speak, Soldat.”

He looks flustered and not a little bit angry. You can tell he doesn’t like to be called by that name. “Killing people isn’t work,” he says.

You huff out a laugh. “And what is it that the two of you do, exactly? Run a coffee shop?”

“We are not the same,” he says, and you smile because you know that he doesn’t actually believe that—how could he after everything he’s done?

“I think we are exactly the same, Soldat, with one huge exception: you’re still letting other people tell you what to do, and I’m done with all that.”

“This is pointless,” he says.

“Now that is something you and I actually agree on.” You turn to Natasha. “You should go while you still can. I have work to do.”

But Natasha just won’t let it go. “I should never have left you alone,” she says. “This is my fault. Let me fix it.”

“I don’t need to be fixed,” you snap, and you raise your rifle and point it directly at her head. “Leave, Natasha. And take your little pet with you.”

The Soldat grabs her arm gently. “Let’s go, Tasha. She’s hopeless.”

You feel a pang of something then—some indescribable form of melancholy. You try to keep it off your face but you can tell from the look in his eyes that he sees it. A minute tremble of your lip, the quick double blink—it gives you away, and now you’re really pissed off.

“Leave. Now,” you yell, and it pierces through the sweltering darkness. “I’ll make you sorry if you don’t.”

You watch Natasha and the bionic man make their way out of the swamp. You don’t turn your back on them, not that you think they’ll try to take you by force. That would be unwise and Natasha knows it. Once you’re satisfied that they’re gone, you return to the cabin. The bloodied man in the linen suit lays strapped to the bed where you left him, squirming and shouting around the gag in his mouth.

You have to stop yourself from making this a messy affair, but the anger you feel—at her, at him, at everything—is making it difficult to temper your darker urges. You’re not one for torture, even though this man absolutely deserves it for the horrible things he’s done. You almost give in, but you remind yourself that this is a job—it is work, despite what the Soldat may think—and you have to remain professional.

You grab the man’s file off the desk and pull a chair up next to the bed. “So, Mr. Garcia, where were we?”

CHAPTER TWO >>>

[deadbiwrites]

a video of supergirl grabbing lena luthor's ass starts circulating and it's very embarrassing for sc but extremely funny to their friends

(I am SO sorry. Where do these hide? Why do I never see them? How long has this been here?!

Anyways, have some cute nonsense!)

The day starts like any other, honestly.

Like, sure, Kara’s never thrilled when she wakes up 20 minutes late and has to use superspeed to get through her morning routine and into the office on time, but it happens regularly enough that she’s just sort of used to it by now. Like, the sky is blue, the grass is green, she manages time poorly. Whatever.

But she does get to work on time, with just enough to spare that she can make a brief detour to Nia’s desk for the coffee her protege has already bought for her, thank her profusely (with perhaps minor promising of firstborn children), and slip into the morning meeting just as Snapper, James, and Lena start handing out assignments for the day.

“Well, well, good of you to join us, Ponytail. Let me guess, a family emergency kept you out all night again?”

‘I mean, that Abraxian wasn’t my family, technically, but someone’s family, so…’ “Something like that. Sorry.”

Lena catches her eye and quirks a brow in question, but Kara just shrugs easily and sips her coffee, pulling a silly face at her friend when Snapper’s attention moves away from her. When her eyes uncross, she can tell Lena is fighting not to laugh, eyes sparking with mirth as she bites her lip. Kara takes another sip of coffee, feeling a bit smug that she can get Lena to smile without even having to say anything to her. That’s real talent, right there.

Especially since Lena has to stand up at the front with James, who has been by turns cold, dejected, and surly toward her since their breakup (a big, real, final one) a few weeks prior. Lena had said that the whole thing was a mistake, that she should’ve never gone for it in the first place because she’d been right the first time- they’d had some chemistry, after all, but it certainly wasn’t compatible long-term. 

Which… Kara can certainly relate. Like, a lot.

Especially about the whole… James being kind of wounded about it part. That part had really sucked- when he’d done it with Kara, who he’d gone on like, a date with, it’d resulted in him deciding to become a vigilante. Rao only knows what he’ll do when it’s someone he dated on and off for over a year...

“Ponytail!”

Kara jumps, realizing too late that her wandering attention hasn’t gone unnoticed. “Yes, sir?”

Snapper rolls his eyes. “Great, now that you’ve stopped orbiting Saturn, you wanna go get that article started?”

Kara’s eyes widen slightly in a panic as she realizes that she has no idea what he’s talking about. “Uh…” Behind his back, Lena catches her eye and nods subtly. Thank Rao. “Yes. I super do.”

Lena snorts, James sighs deeply, and the meeting is adjourned.

**

“So what exactly am I supposed to be doing today?” Kara asks Lena as they stroll out of the conference room together.

“Well unfortunately for you, you have to interview a big-time CEO. You have a meeting scheduled with her in three hours.”

“You?” Kara asks hopefully.

“You’re very sweet,” Lena chuckles. “No, Elena Watts. She’s a real estate developer, and she runs a nonprofit organization for homeless youth. It’s one of the articles we’re doing for next month’s spread. Contrary to popular belief, Cat and I weren’t the only women with high-profile jobs in this city. ”

“Oh, that’s pretty cool! Have you met her?”

“Not personally, no, but I have donated to her charity- it’s a very good cause, especially the outreach they do with queer youth.”

Kara elbows Lena gently. “You’re such a softie.”

“Mmm, maybe. But if you tell anyone, you’re fired.”

Kara clutches a hand to her chest, feigning horror. “Why Miss Luthor, what a blatant abuse of power!”

Lena shrugs. “I’m a Luthor, darling, I have to keep up appearances somehow.”

“Ouch,” Kara laughs. “See you at lunch?”

“Only if lunch includes a milkshake- I have a teleconference with both boards today. Unless you feel like joining me?”

“Wow, well as fun as that sounds, I’m gonna go do literally anything else.” Her comms crackle to life, alerting her of a hostage situation downtown, and Kara sighs. So much for a work day. “Alright, well, I’m, um, gonna go… see what I can find on Elena Watts. Maybe over another cup of coffee at Noonan’s.” She widens her eyes a bit, trying her best to convey that she’s going to be on Super-duty for a little while.

Thankfully, Lena picks up on it and grins. “You just want sticky buns.”

“Lena, I always want sticky buns. They’re like, my second favorite thing to eat.”

“Oh? What’s the first?” Lena asks, voice just a bit lower than usual. 

Kara opens her mouth and closes it, flushing slightly as she averts her gaze and adjusts the laptop bag on her shoulder. Stuff like that has been happening more and more, and she’s not 100% sure what to do about it. Because on the one hand, it makes her stomach do flips and tie up in knots and makes her brain do this… staticky thing where nothing filters in or out, just a pleasant buzz of how funny and smart Lena is and how much Kara likes hanging out with her and being flirted with (because that’s definitely what’s been happening, even if neither of them is really ready to address it) and just generally looking at Lena.... who is currently biting her lip and grinning up at Kara, and that buzz makes her kinda dumb, which is just really unhelpful. But on the other hand, it’s also kinda awesome and Kara really enjoys it, and-

“Kara?”

She spaced out again. Crap.

“Um. What time are you free for lunch?”

Lena sighs, seeming slightly disappointed that Kara isn’t flirting back at the moment (and thank Rao Lena can’t read minds), but she smiles back easily enough as they step off of the elevator. “I should be done by two.”

Feeling emboldened, Kara turns so she’s walking backwards in front of Lena and grins. “It’s a date,” she says with a grin, ducking forward to press a quick “friendly” kiss high on Lena’s cheek. She whirls and jogs out the double doors, leaving Lena smiling exasperatedly after her.

**

It is genuinely baffling to Kara that people still commit crimes in National City. It’s not even an ego thing, really, since Kara tries to keep herself humble (even when she manages to wrap up a hostage situation within twenty seconds of arriving on-scene without injuring any of the criminals or damaging the building too badly). Like, yeah, she gets that there’s a certain element of crazies who just sorta gravitate to places with a local hero, the big-bads who have their own suits and geek-toys and abilities. Them, Kara gets. Kinda sorta. But the regular ones, who are armed with like, pistols? Or knives? Just regular man made stuff without even the benefit of magic or kryptonite or something?

Why? 

She’s sure that if she asked, Lena would have some sort of statistical thing about large cities and poverty and all sorts of other factors that would end up making Kara feel like a jerk for being uncharitable to the criminal element of her city, but at the moment she’s mostly too annoyed by the fact that she has to spend her weekdays chasing them around instead of chasing stories.

Once all the hostages are freed and the cops secure the scene, Kara departs, flying into the alley behind Noonan’s and changing into her regular clothes before she heads inside to do a bit of research before her meeting with Elena Watts in a few hours (just because she’d used it as a cover doesn’t mean it was a bad idea…). She finds her favorite little two-person booth tucked into a quiet corner, plugs in her laptop, and gets to work, asking the waitress to please keep both the coffee and the sticky buns coming.

She gets a surprising amount done by the time she needs to leave for the interview, having a good foundation for what she wants to write and who Elena Watts is.

Ms. Watts turns out to be a pretty nice lady around Eliza’s age, if a bit busy and distracted by the steady flow of people in and out of her office. She answers all Kara’s questions with aplomb, happy to elaborate on most every point and eager to draw attention to the rising issue of homelessness among children and teens in the US.

“When I was young, my dad lost his job at the auto plant. It was supposed to be a temporary layoff, but the factory never reopened. We ended up losing the house, and we lived so far from our extended family that staying with them wasn’t much of an option. We lived in our SUV for six months, sleeping at shelters every now and again, if we could find one that allowed families to stay together. We showered at the local YMCA. Five people and a dog, living and sleeping in an old station wagon- even now, it sounds ridiculous. Eventually, we got back on our feet, but I never forgot that. It was just six months, but it was- and remains- the scariest, most uncertain time in my entire life, and it shaped me in a lot of ways I didn’t expect. And there are kids and families who do that for years. I just want to help them the way I wish that someone had been able to help us.”

At the end of the interview, Kara thanks her profusely for her time and for sharing her story before hurrying off to CatCo to type up a draft for Snapper (“What’s wrong with you, Ponytail, why is everything you bring me sappy and sentimental?”), which she finishes an outline of just in time to send it off before running to Big Belly and L-Corp for lunch with Lena.

She greets the newest in a series of secretaries (Anna? Amy? Ava? Lena’s really missing Jess, these days, but from what she’s told Kara, Jess is kicking butt in her new role as VP of Operations and will probably take over for the COO when he retires in a few years), and the girl waves her in distractedly.

And that’s when Kara’s day goes from normal to not, because inside the office are two masked men holding a stone-faced Lena at gunpoint on her balcony and demanding… something, probably. Kara’s a bit distracted by the loaded gun aimed at Lena’s head.

“Hey!” she yells, attracting both their attention. They whirl on her and Lena’s eyes widen in alarm, and Kara suddenly realizes three things- 1) she’s in her Kara Danvers clothes, not the supersuit, 2) she can’t speed into the suit now that they’re both looking at her, and 3) she has no plan.

Crap.

“Who the hell are you?!” one of them demands.

Kara… doesn’t have a good or snappy answer for that, and instead does the only thing she can think of- she throws the large milkshakes she’s carrying at them as hard as she can.

Which, in retrospect, is too hard, apparently because while yes, it is both funny and gratifying to see two grown men get absolutely leveled by a tasty dairy treat to the face, the one closest to Lena manages to elbow her in such a way that she falls backwards over the rail with an instinctual scream that makes Kara’s heart fly into her throat. She whips off her glasses, and by the time she’s out the window and speeding toward Lena’s flailing form, the suit is materialized. She gets under Lena, catching her carefully and dropping a bit further before slowing down (because she’s been made aware that when she doesn’t, the people she’s saving may as well be hitting the pavement), finally coasting to a stop about 20 feet from the ground.

Lena’s face is screwed up in a forced sort of focus, her hands clutching tightly at Kara’s shoulders and cape as she holds her breath.

“Are you okay?” Kara asks quietly.

Lena swallows thickly and nods, eyes still firmly closed. “I’m alright. Thank you- I’ll admit, I wasn’t quite sure how to get out of that one.”

“What was that? What did they want?”

Lena cracks an eye open. “Oh. you know, just my quarterly assassination attempt. I think my mother was starting to miss me, so she wanted to reach out.”

Kara snorts. “That really shouldn’t be funny.”

“Maybe not, but here we are.” Lena shifts a bit in Kara’s arms, cheeks a bit flushed from the adrenaline rush, and clears her throat. “Not to be rude, Supergirl, but do you think that perhaps we could continue this conversation… on the ground?”

“Oh. Oh! Yeah, sorry. I forgot we were, uh, flying.”

Lena chuckles as they ascend slowly back up to her office. “You forgot you were flying?”

Kara shrugs with an easy smile. “I guess you have that effect on me.”

Lena huffs a laugh against Kara’s neck, eyes squeezed shut again. They alight on the balcony, finding the two men still unconscious, covered in Kara and Lena’s lunch. Lena sighs as Kara sets her down, pinching the bridge of her nose. “What a mess.”

“Yeah, sorry, I sorta… panicked.”  

“I was so looking forward to a milkshake too…” Lena laments playfully.

“Well, then I have good news and bad news,” Kara says. She reaches out and gently wipes a bit of her own chocolate shake from Lena’s cheek with the pad of her thumb, tucking it into her mouth on instinct to get a taste of it. “The good news is, you do, in fact, have some shake on you!”

“Whats the bad news?” 

“Also that you have some shake on you.” Kara laughs, gathering the two men in her arms and hefting them a bit so they’re easier to carry. “I’ll get you another one. Be right back.”

She drops the men at the police station with a brief explanation before flying back into the office. Lena hands over her discarded glasses with a wry grin.

“I figured you’d need these before the police arrive.” She’s putting on a brave front, but she’s clearly still more than a bit rattled, if her too-bright eyes and thundering heartbeat are anything to go by. Kara steps closer and opens her arms in invitation, and Lena doesn’t hesitate to step into them. “Thank you,” Lena says fervently, tucking her face into Kara’s shoulder and wrapping her arms tight around Kara’s waist. 

“Always,” Kara promises, daring to press a reassuring kiss to Lena’s temple (and getting a bit of Lena’s strawberry shake for her troubles) before wrapping her up even tighter in her arms. “Are you actually okay?”

“I mean, my fear of heights has been reaffirmed,” Lena jokes, “but aside from that, I’m not hurt.”

“Good. I don’t like, love people pointing guns at you. Just so you know.”

“I’m not a fan either, for the record,” Lena drawls, burrowing even closer. “Even though I know you’ll save me, it still puts a damper on my day.”

Kara huffs a laugh. “Same.”

They stay like that for a few minutes, until Lena’s calmed down enough to stop shaking and calls her assistant (Audra, apparently) in, telling her what’d happened and that the police would be arriving shortly to take her and Kara’s statements, and please advise the security team to let them up discreetly. After the cops arrive, it’s a blur of questions, and Kara has to concentrate on telling the story of how she’d panicked and thrown the milkshakes at the men, and one of them had knocked Lena over the balcony (all true), and Kara had yelled for Supergirl, who had knocked the men out on her way to Lena (also technically mostly true. Technically. Mostly.). The police are sure to tell Kara that next time, she shouldn’t throw things at people with guns, and also to tell them both how lucky they are that Supergirl had shown up when she did.

“She’s always there when I need her,” Lena agrees, throwing a sly wink over the officer’s shoulder at Kara.

Kara just shakes her head and smiles. Even almost dying isn’t enough to make Lena not flirt with her. The woman is truly a marvel.

Kara’s comms crackle again, accompanied by Alex’s custom ringtone on her cell, and after assuring the police that she has no issue with giving another statement if they need her to later, hurries over to the DEO (making a quick stop in the back alley to change into her suit).

**

When Kara arrives, she’s told that J’onn and Alex are waiting for her in the Directors’ offices. She makes her way there, waving to the agents and scientists she knows. But it’s very weird, because every time one of them sees her, they start giggling before quickly hurrying off in the opposite direction. Like, literally everyone is whispering and pointing and giggling, and it’s giving Kara such visceral flashbacks to high school that it’s all she can do to not check her cape for a taped on sign that says ‘Kick me’ or ‘Freak’.

(Kids are mean.)

By the time Kara gets to her destination, she’s fully paranoid, sure that someone’s playing a prank on her, somehow, and that everyone but her is in on the joke. She opens the door with more force than intended and catches it just before the handle puts a hole in the wall, throwing Alex and J’onn a sheepish smile. She closes the door extra gently and leans against it heavily. J’onn and Alex just stare at her, looking thoroughly unimpressed.

“Busy day, Supergirl?” Alex asks, and after half a lifetime of spending time with her, Kara recognizes that she, too, is trying not to laugh. 

Kara’s had enough. “Okay, do I have something on my face? Or on the suit? Is someone messing with me?”

J’onn’s brow furrows. “No.”

“Then what’s the deal? Why is the entire DEO like… laughing at me? Did someone accidentally vent the lab fumes out into the main hub again?”

“No.”

“Did someone see me crash into that billboard last week?”

J’onn’s frown deepens. “What?”

“No,” Alex answers.

“Then why is everyone laughing at me?!”

“I mean, if I had to guess, I’d say it’s because of that,” Alex muses, nodding toward the big TV on the wall beside Kara.

She steps back to watch the news coverage of her dealing with the hostage situation this morning and frowns. “What, those guys? That was routine, what’s so funny about tha-”

“No, no, not that. That,” Alex clarifies, cranking up the volume.

“...reports are saying that the CEO of L-Corp, Lena Luthor, experienced an attempt on her life early this afternoon. Sources claim that she fell from a considerable height-”

“Hey, she was pushed,” Kara corrects.

“Shh!”

“...caught by Supergirl, who may have gotten a little… familiar with her.”

And there’s a video (clearly recorded on a cell phone but not the worst quality Kara’s ever seen) of Kara catching Lena and slowing to a stop above the sidewalk, of them talking quietly, of Kara’s hand definitely on Lena’s-

“Oh. Oh no.”

“Oh yes,” Alex drawls, clicking the TV off with relish, a large, evil-big-sister grin spreading across her face. “Congratulations, Supergirl- the world just watched you grope Lena Luthor’s ass.”

“But I’m not- I wasn’t groping, I was catching! My hands weren’t… If it was groping, I’d be all up on her, and I wasn’t!”

“Camera begs to differ. It’s already trending on Twitter in National CIty.”

Kara puts her head in her hands and groans. “Why?! I was trying to save her!”

“You were definitely trying to save part of her,” Alex agrees. “Granted, it’s a very nice part...”

Kara’s head pops up, and she shoots Alex a look that’s between a pout and a glare. “You’re not helping.”

Alex feigns confusion. “Am I supposed to be helping?”

“Alright, enough,” J’onn cuts in before Kara can retort. “We just wanted you to be aware. I don’t think that this is going to be taken for anything more than it is- a humorous moment in the middle of a successful rescue. You shouldn’t worry about the press.”

And truth be told, Kara isn't worried about the press- she’s worried about the fact that she’s going to have to face Lena after this. Lena, who she knows for a fact has google alerts set for herself, Kara Danvers, and Supergirl, a gesture which is normally actually sweet and kind but is right now definitely gonna bite her in the-

“Okay! So, is that all?”

Alex blinks, looks over at J’onn, and shrugs. “I mean, yeah. Try not to make a habit of groping your crush when you’re in the suit.”

“I wasn’t groping her-”

Alex grins. “So you admit you have a crush? Interesting…”

“Alex!”

**

J’onn’s prediction is mostly right- no one seems to be taking the shots of her grabbi- saving Lena as anything other than a funny blip of a moment in their coverage of it.

He was wrong about the sheer scale. The clip had gone totally viral in a matter of hours, and seemingly every major network in the country has run the clip at least once as a bit of filler-fluff, and almost every major network anchor (including the ones at CatCo, the traitors) has made at least a passing joke about Supergirl being ‘Super-Handsy'.

Which means that Kara is very late getting back to Lena’s office with replacement food. But like, she’s been busy, okay? It’s not like she’s avoiding Lena, or something, because she’s embarrassed- which she isn’t, because she didn’t do anything bad or wrong and-

Anyways, it’s well past sunset by the time Kara gets to Lena’s office door again. She hesitates outside it for just a moment before shouldering the door open and knocking tentatively.

Lena’s attention jerks from whatever she’d been absorbed in to Kara, and a relieved smile blooms across her face. “Hey there.”

Kara finds herself equally relieved to not experience a repeat performance of earlier scary situations. “Hi,” Kara says, unable to resist smiling back. She raises the bags and cup carrier. “I bring grease and milkshakes. Again.”

“Oh thank god, I’m starving,” Lena says, rolling her chair away from her desk and rising into a deep and probably much-needed stretch. Kara very determinedly does not stare at the slight sliver of soft tummy that appears between her blouse and skirt at the motion. “I’ve been staring at this screen for several hours. And Sam called to yell at me- she says hello, by the way- she and Ruby are in town next weekend.”

“Good!” Kara crosses the room to the couch as Lena does, easily spreading out the veritable buffet of fast food she’d brought over the coffee table. “I mean, not good that she yelled at you, or that you’re still at work, Miss Luthor,” she says pointedly, receiving only an unapologetic shrug in response. “But good that, um-”

“I get it,” Lena chuckles, resting a hand lightly on Kara’s knee and boy, if that doesn’t make Kara’s brain go fuzzy and dumb again… “Thank you, for checking in.”

“Of course I was gonna check on you, Lena,” Kara huffs. “Plus, I know you probably didn’t get lunch, so…”

Lena hums around a mouthful of burger, chewing until she can politely speak again. “Well it’s delicious. Did you make it yourself?” she teases with a sly grin.

“Oh, yeah, totally. Slaved away over a hot stove for this- I just wrapped it in Big Belly wrappers so you wouldn’t feel bad about it.”

“Very clever.” Lena pops the lid off of her milkshake and drags a fry through it (an advanced culinary delicacy Kara had horrified her with initially but had eventually become a bit of a guilty pleasure). “Although I have to say, traditionally you’d have to buy me dinner before you grabbed my ass.”

Kara chokes on a pickle. “Oh no,” she groans, dropping the burger onto the wrapper on the table and dropping her very red face into her hands as Lena laughs beside her. She peers out from between her fingers. “I am so sorry, I was just worried about you hitting the pavement and like, catching you in the least jarring way and I wasn’t paying attention to where my hands were and I didn’t even notice until I got back to the DEO and-”

“Well I have so say, I feel a bit offended that you didn’t even realize you were copping a feel...” When the only response is another groan and a deep flush spreading from Kara’s neck to the tips of her ears, Lena relents. “Kara, Kara, it’s fine!” she laughs, pulling Kara’s hands away from her face and giving them a grounding squeeze. “Nia’s been sending me memes about it all day, which has improved my mood significantly. On the grand scale of fallout from assassination attempts, this one was at least funny.”

“I know that’s supposed to be comforting, but all it makes me wanna do is wrap you in bubble wrap forever,” Kara informs her.

“Pass on that. But seriously, don’t worry about it- I know it wasn’t on purpose- unfortunately for me, you’re too noble to do something like that,” Lena laments playfully.

And whether it’s the knowledge that Lena is not, in fact, upset, the overall weirdness that has been this day, or this delicious burger fueling it, Kara feels a bit emboldened. “Hey Lena…”

“Yes?”

“What if I wanted to grab your butt? Just, y’know, as a hypothetical. For future reference.”

Lena quirks a brow at her, fighting a smile as she contemplates this. “Hmm. Strictly hypothetically?”

Kara scoots a bit closer on the couch. “Sure.”

 “Well, you’ve already bought me dinner…”

“And lunch, technically. Even if I gave it to the bad guys.”

“True. Plus you saved my life, so that gets you some points, probably.”

Kara pauses in her sly scooching. “Oh, hey, wait, no, that’s not-” 

“Kidding, Kara. I know you’d never use that to your advantage. I, however, have determined that strong moral fibre and nobility do, in fact, earn you more points, which is my choice on the matter and you get absolutely no say in it.”

“Oh. Um, alright, I think.”

Lena stares off into the middle distance, tapping her forefinger thoughtfully against her chin. Finally she shrugs. “Yes, I think you’re fulfilled the prerequisites for a bit of grab-ass today.”

Kara snorts, Lena laughs, and soon enough Kara takes her up on the offer.

**

“Hey Kara, remember that time you grabbed Lena’s ass and it made international news?” Nia asks around a mouthful of mushu pork.

“You mean last week? Yes, I remember,” Kara drawls. Beside her/halfway sitting on her lap, Lena snorts.

“That was the best.”

Alex glares. “Um, excuse you, no. No it was not. I had to sift through so much thirsting over my sister on like, every social media platform. It was the worst day of my life.”

Brainy’s brow furrows. “Surely that cannot be correct, Alex. Statistically speaking-”

Alex holds up a hand, cutting him off. “Trauma can’t be measured, Brainy.”

Kelly chuckles and presses a consoling kiss to Alex’s cheek, and it makes the tough agent melt into a doe-eyed puddle of mush that Kara snorts. And she says they’re gross... Kara sneaks a glance at Lena from the corner of her eye, and she catches Lena looking at her. She leans close and jostles her gently as she drops her head onto Lena’ shoulder. “We’re never gonna live that down, are we?”

“Probably not.”

“We have the worst friends.” When this elicits nothing but a chuckle, Kara tips her head back to see Lena still looking at her, a soft smile playing at her mouth and shining in her eyes. And like, this whole thing they’re doing is new, with the kissing and the actual dates and the... everything else. But the thing where Kara catches Lena looking at her and she doesn’t look away? That freakin’ knocks her out, every single time. “Hey,” she manages.

Lena grins down at her. “Hi.”

So yeah. Maybe the initial circumstances weren’t ideal, and she doesn’t love the mockery that’s been heaped upon her by all of her friends and loved ones (including Winn, who’d sent a missive from the future that literally just said ‘LOL’). But the fact is, Kara muses as she surges up just enough to kiss the corner of Lena’s mouth, that she doesn’t regret a thing.

[peralta-guaranteed]

good trope or bad trope: one of them waking up from surgery or something and being so high on drugs they forget they're together and the other has to explain it

good trope GOOD trope good trope! and this was probably just a question but I couldn't resiiiist

-*-

It's kind of sad to think about the fact that Amy is already used to monitors beeping in a cold hospital room around her squad and, mostly, around her partner. They've been in so many horrible situations, so many little moments where she's had to worry about them, that today she's almost glad she doesn't have to. Jake's surgery had neither been scheduled nor planned, and there had been a whole lot of panic leading up to it when she drove him to the hospital wincing in pain, his arms clutched around his lower stomach, but the doctor's told her they came in early enough for it to be a more routine procedure rather than an emergency. And now his appendix was out, and he would be hurting and healing for a while, but the trepidation about that is nowhere close to the fear she's used to feeling while sitting in these uncomfortable hospital chairs, wondering when the person in the bed next to her would wake up. The last time she'd been in this position, Rosa was hooked up to so many many more machines, and she looked like a bad wax figurine of herself, all pale and stiff.

Jake looks almost fine, no breathing mask or tube down his nostril, just a little beeping heart monitor and some infusion in his arm. The nurse told her he'd be waking up soon when she lead her into the room, and that they could probably go home later that evening already.

(She also told her that he'd been one of the more amusing patients she'd had under anesthesia, which was not a surprise, and that he'd been asking for her every time he groggily opened his eyes for just a few seconds, which was not a surprise either.)

He blinks awake slowly, eyes darting around the room as if to figure out where he is, before they land on her and stay stuck, his forehead creasing in confusion for a second before he grins.

"Heyyyy, it'sa Santiago!" He tries in a croaky voice, and Amy reaches for the cup of ice water the nurse brought in to hand it to him. He's shaky, but he can handle it alone, she notes almost subconsciously - she remembers enough moments where she's had to feed him ice chips instead because he could barely move his arms.

"Hey." She answers with a softer smile as he gulps down almost the whole cup - considering he still hates water, he must really need it. "How are you feeling?"

"Oh, just splendid, thanks." He quips before trying to sit up more and wincing, the stitches in his stomach upset. "What the hell did I do this time to end up here?"

"What?"

"I mean, I don't remember a chase or a fight, but it sure feels like I took a knife to the stomach or something?"

They look at each other, equally confused, before Amy shakes her head.

"You dont remember-? It wasn't a work thing, Jake, your appendix almost burst."

"Ah dang. That's not even a cool story for a new scar." He sighs as he leans back a bit against the pillow and carefully palms the space where she knows the skin is going to be light pink and rougher than usual from now on. "Sorry they made you wait around for my stupid ass to recover, or is the squad at least taking turns?"

She stares at him, her mind racing, and it seems to make him nervous. He's still trying to go for that usual grin, but his eyes are darting around, sticking to parts of her without looking directly into her eyes, and she can see he's getting fidgety. Mixing that with what he's saying, and the way he's saying it - his voice is different, somehow, more - guarded, or distant, it's hard to explain, but she only remembers it from a long time ago - makes her suddenly realise.

He's been given some very heavy duty painkillers and narcotics, she hears the nurse's voice in her head, so he might be disoriented or confused for quite a while. It shows differently in lots of people, so I can't tell you what to expect, but he'll be back to normal once it passes through his system.

He doesn't remember, she thinks. He doesn't remember... a lot.

"Jake." She gets his nervous attention back, trying to school her voice into something calm and friendly, instead of the equally nervous and somewhat excited giggle she wants to let out so bad. "I think you're still working through your medication. Can you tell me what the last thing you remember is?"

He leans back again and stares at the ceiling, and it's hard to read the emotions on his face.

"Just... regular work stuff, to be honest. Nothing big."

"Okay, then what is the last big thing you can think of?"

"Uh." He swallows, and Amy refills his water cup, but he doesn't take it. "I, uh, I remember Hoytsman kidnapping me." He laughs a short laugh, obviously trying to make it seem lighter than it ever was, but that's not the only reason Amy feels her heart jump.

His mind is stuck before their relationship. After Sofia left him. He thinks he's woken up after being injured at work, and there's no one there waiting for him except for a work partner who he's been trying so hard to pretend he doesn't like anymore, and for whom he obviously has to play the "I'm okay!" role still.

"Wow. Uh. Okay." She babbles, trying to find a way to be gentle and not confuse him any more. "Then, uh, I guess, well, your medication should pass soon, I think, and you'll remember more, so don't worry-"

"Amy." He's staring at her when she finally looks up, and notes her shorter hair, her far more comfortable outfit than the pantsuits he sees her wear at work, and even while high on drugs it's not that hard for him to put two and two together. "How much am I missing?"

"Quite a lot." She finally admits, but drops her look down into her lap, to her folded hands, and she unconsciously covers her wedding ring before he can see it. "A few years."

"Years?!" He squeals while leaning forward and then groans, because that has definitely upset his wound.

"It's okay, the nurse said it would happen." She quickly tries to calm him. "It's - you'll remember when the anaesthetic passes properly, so it's alright."

"Alright, yeah." He nods and finally settles into the pillow again, as silence envelops them for a few awkward moments, in which Amy's mind races through all the things he's missing right now.

"Okay." He interrupts her sad little mental storybook of their life's drama. "Let's play a game until then, huh? I call it 'Shock&Tell'."

"Jake-"

"It's easy, you'll get the rules. Basically, you tell me stuff I don't know right now and see how shocked you can get me."

"That's not funny-"

"Oh, I think it is. I know how much you like to have me speechless." He grins at her, and she can't resist.

"Title of your sex tape."

"Amy Santiago!" He gasps with a laugh, but there's hesitation in his eyes, and she remembers they weren't exactly at a flirting stage back where he is right now. "For that alone, you have to play a round with me."

"I can't think of anything shocking at the moment." She lies, and he sees right through her.

"Okay, then tell me the worst thing you think happens to me in those years, and the best. From your opinion."

She sighs and stares at her hands again, but she knows he won't let up - he's not gotten any less obnoxious from back then to now.

"Alright. The worst thing. You went to jail." She states, matter of fact, and watches his eyes practically bulge out of his head.

"Holy shi- WhAT?! Like, for a crime? Or-what-did I-what?!"

"You were innocent!" She says as fast as she can, and watches him deflate only a little.

"I sure fucking hope so! But still, what- how- why- ?"

"You and Rosa were framed by a criminally corrupt cop. It took us a few months to get evidence against her and have her sentenced instead."

"A few months." He whispers and stares at his hands, scrunching up the blanket he's wrapped in.

"You weren't alone." Her voice is soft and calm now, seeing him in such a state of unrest, and it takes all she has not to pull him into a hug - it'd probably both confuse and actually hurt him right now, given the stitches. "I mean, you were alone in prison, but we- the squad - we were all fighting for you and Rosa, and Charles and I visited you, and we- I- we never gave up on you."

He smiles, soft and a little broken, but he nods, as if that was something he'd always expect.

"Okay, now the best thing. Because lemme tell you, Santiago, you have to make up for that suckerpunch."

She smiles much wider now, almost grins as she leans forward to finally reach for his hand, entangling their fingers (to which he goes along almost automatically) and feeling her rings clink against the one on his. Jake's eyes are frozen on her hand in his, where he can see a shiny wedding band over what is clearly his Nana's old engagement ring, and he's barely breathing.

"Oh my god." He whispers a moment later, squeezing her hand almost painfully tight as he looks at her again, and she's still smiling.

"We're married?"

"Yeah."

"To- to each other?"

"Yeah, you doofus." She laughs.

"I'm- I'm your husband." He whispers again. "Even thought I went to jail?!"

"Well", she still laughs softly at the absolute shine in his eyes, the awe on his face. "You proposed after that. But I would've married you before, anyway." I would've married you before a lot of things you don't remember, she thinks but doesn't dare say, for fear he'll ask about those other things.

"You're my wife." He says, still stunned, and she nods. "We're married."

She nods again, and watches as the confused awe on his face turns into an almost relieved joy, and his bottom lip trembles as tears start rolling down his cheeks.

"Jake..." She whispers in turn now, her free hand (that is not currently being gripped by both of his) cupping his face and wiping away some of the tears that keep flowing.

"You're happy?" He asks with trepidation in his voice, and Amy wonders if the emotional rollercoaster is another side-effect of his medicine or just his lowered inhibitions. "I'm a good husband?"

"I couldn't wish for a better husband. You make me very happy." She's almost close to tears now herself. "I love you so much."

He gasps at that, and pulls her still gripped hand up to his face, pulling her closer to him in the process.

"I love you, Amy." is his answer, and she realises he means it, even with all the things he doesn't remember, all the things he doesn't know yet. "I love you so much. I can't believe I get to marry you."

His tears have calmed down a little by now, and she fixes her awkward pose of leaning forward and having both arms reach for his face by climbing up onto the bed with him, as he lowers their hands and looks at her with stars in his eyes and so much love on his face, she can't resist to pass the last few inches and kiss him.

His eyes are still closed when she pulls back and touches her forehead to his, and he's whispering again.

"Wow."

"Well, that's certainly an appreciated reaction." She giggles.

"Don't tell me I don't react like that every time you kiss me, because there's no way I'll believe that."

"Yeah." She smiles again as he opens his eyes and smiles back. "Yeah, you kinda do."

And just to prove it, she kisses him again.

[officerianhowell]

@madeofstxrs​ said:  ❤️ - bish u know all my muses wanna suck face with Ian pfft    | meme |

There’s a quiet gasp that’s far too dramatic to be real. “I had no idea.”

“Not gonna lie, though, I am not opposed at all.”

[ianhowellgcpd]

💬 // x"DDD

send 💬 and i’ll bold how my muse feels about yours:

i hate you | i don’t like you | i don’t care about you | i don’t know you | i know you (unfortunately) | i look at you from afar | you’re my friend | you’re my best friend | you’re like family | i care for you (even if you’re an asshole) | i love you

i want to:

kill you | punch you (but i’d probably break my hand if i tried so that’s gonna have to wait until i get super strength or something) | ignore you (but that’s kind of impossible) | know more about you (BECAUSE ALIENS!) | be friends with you | hang out with you (you break into my house, this one’s unavoidable) | hug you (you’d stab me) | kiss you (ech!)

[xskyll]

The BNHA x Chobits AU that no one, not even Mineta, asked for.

The ramblings of my mind under the cut. Warning, it’s loooong.

Okay, so bear in mind that I only watched four episodes of Chobits and it was probably about 14 years ago, and also I didn’t really like it, lol

-Todoroki finds Midoriya laying on some bags of trash next to a dumpster.

-First he’s like “oh no, I need an adult,” because for all his “training,” dad never actually told him what to do when he found a dead body, (this is the summer before he starts U.A., so he’s still living at home). Endeavor is away for a week, and Fuyumi doesn’t count to him (sort of an Aristocats, “she’s not [an adult,] she’s just a sister!” thing). While he’s trying to remember that the police exist, he notices this dead body has very strange ear-like things. He comes closer to investigate. There are lots of weird body types in the world, because of quirks, but these things look metal, which isn’t unheard of, but something about these ears just strike him as unnatural.

- Good news, it seems like a robot, not a dead body. The ears open easily, and there are buttons inside. A power button (that’s right CHOBITS!! It’s in the ear! My love story isn’t going to start with molestation), some USB ports, an aux port, a slot for a microchip or SIM card or whatever, some sort of safety switch (he flips that on)…what really convinces him this is totally a robot are the blutooth and volume buttons (that’s right, Midoriya in this au can charge phones AND he’s a speaker, although the volume buttons’ primary function is to control the volume of his voice).

- He has no good reason for taking this thing home. It weights a ton, it’s awkwardly naked, except for some bandages wrapped around it, which do nothing to hide how anatomically correct this robot is, and he already has a phone charger, so he really has no use for it. 

- He feels weird about it though. While he was checking out the ears, he touched its face and the skin was soft and warm. He checked for a pulse, just out of curiosity, and found one. It looks like a person, aside from the ears, and it feels like a person. He feels bad leaving it in the trash. So he takes it home.

- Cue comedy routine where he gets this thing, not just in the house, but to his room without Fuyumi noticing.

- Once in his room, he hits the power switch. Nothing happens. He holds the power switch. Bingo. Robo-boy powers to life, bright, adorably large green eyes open. He’s holding it in his arms, and it’s still all tied up. It looks up at him and says hello.

- He drops it.

- He apologizes as he picks it back up, tugging at the wrappings to try to get its arms free. He realizes he needs to get pants, or at least boxers, for it, because it’s awake now and very much naked.

- For the very first time, he realizes that this adorable, thin-yet-lean-muscled, between 14-16 looking robo-boy might have been someone’s weird sex doll. They probably threw it away because they found a real person to date and they didn’t want them to know about their underage sex robot. This also sort of explains the pulse; the mystery pervert person probably programmed a fake pulse and did something to make his skin warm, to make him feel more real. Gross.

- He’s broken from these thoughts when the robot speaks. It says, “Please insert memory bank files or turn on base memory.” Todoroki is already freaking out, because this thing wants its memories, and he doesn’t have them. He opens the ear again and investigates. Next to the empty slot, there’s a small button labeled BM. Base memory? Sure, why not. He pushes it.

- The robot goes blank faced for a few seconds. When he comes to, he looks at Todoroki, then the room, then down at himself. He flexes his arms, trying to break the bands around him, but stops, saying, “Safety mode is on.”

- Todoroki finishes helping unwrap him, awkwardly doing so while pointedly looking away, once he gets to his lower half. Once he’s free, he goes and gets a pair of boxers and throws them in his direction. “Can you put them on?” He’s curious if the robot can do something like that unaided, and also he doesn’t want to cloth it himself, because even though this is a robot, it looks like a very cute boy his age. And it has a pulse. He can’t stop thinking about that.

- The robot puts on the boxers, after inspecting them for a second. He honestly does struggle to figure it out for a moment, cause he has zero common sense, but he does figure it out. It probably takes him about a minute. Once they’re on, he stands and starts inspecting the room.

- “Do you have a name?” seems like a dumb question, but he asks anyway and the robot answers, “I’m Project Midoriya.”

- Background info time. Midoriya is not fully a robot. He was kidnapped just seven months ago, coming home from school. It was the day of the sludge villain attack, but he got nabbed before they could cross paths. AFO wanted a quirkless person to experiment on. He did his research and found Midoriya Izuku, a quirkless boy with no friends and little family, who wouldn’t be missed very much. He’s confident enough that he won’t get caught that he titles his new project by its name: Midoriya. Midoriya’s memories are still in his mind, but they’re suppressed. AFO found it easier to backup his memories to a chip, so he could remove them as needed. When they were installed, Midoriya responded best to his own name anyway, so calling him that was also the easiest thing. Without his memories, AFO found him a bit annoying, because he had no social skills or common sense. He needed to be taught, which he didn’t have the patience for, so usually he just left the memories in. He was a timid boy anyway and easy to intimidate, especially if he threaten to hurt his mom.

- The cops figure his disappearance was maybe a runaway situation, but given his track record and the profile on him they’d compiled from listening to his mom, classmates, and teachers, they figure it’s more likely a kidnapping or murder. Fun fact though, he got kidnapped the day Bakugou told him to kill himself. Obviously no body is found, but he knows people go to forests to hang themselves, or put weights in their pockets and drown themselves. Those bodies can take years to find. So while all of this is happening, Bakugou is out there just every day, “what have I done, what have I done, what have I done?” When they finally see each other again, Bakugou freaks out and Midoriya’s suppressed memories are triggered. Bakugou demands answers, Todoroki is confused and defensive, and Midoriya is just, “System overload. Shutting down,” and then face plants to the floor.

- Anyway, back to Shouto. He asks Midoriya if he remembers anything. Midoriya has exactly one memory (or at least, one easily accessible memory), and it’s this: “A man. He looked like this.” He put his hand over his face. “He said, ‘Sensei put so much work into you. Why are you so useless (Deku)?’”

- More bg info, AFO gave Midoriya to Shigaraki, telling him to try to make him useful, and Shigaraki DID try for a couple of months, but he was over the whole situation after basically one day. With his memories, Midoriya was scared and traumatized, had morals, cried a bunch and sometimes tried to escape, and was just UGH. He could mute his voice, but even that didn’t help, cause this kid was just sooo annoying. Without his memories he was awkward and boring and still annoying. Eventually he just yeeted him into a trash heap, but took his memory chip, since it technically contains LoV information.

- Midoriya considers his only memory and thinks being called Deku feels sort of normal, so he says as much. “Deku might also be my name. You can call me that, if you want.” Todoroki says he’ll stick with Midoriya, because Deku isn’t a nice name for his new robot friend.

- So the first section of the story after this is fairly light-hearted. Todoroki has to keep Midoriya a secret from Endeavor and Fuyumi (I feel like she does find out eventually, but agrees to help hide him, as she sees it’s good for her little bro to finally have this (maybe?) living thing/person to talk to and take care of.) Speaking of care, Midoriya is very easy to care for. He can eat, drink, and sleep, but doesn’t need to. He has some sort of self-charging system. Most of his “care” involves teaching him social skills (which oof, blind leading the blind, but they say teaching is the best way to learn, so this is actually good for Shouto too). Embarrassing stuff happens. Fluffy stuff happens. It’s a good time.

- Shouto spends the summer with Midoriya this way. Most of their interactions are fluffy and light, but not all. The first time he comes back to his room after training with his dad, he learns two things: Midoriya has first aid knowledge programmed into him and he’s capable of crying. As the trainings continue, Midoriya eventually reveals that he has over a hundred fighting styles programmed into him and knows over 70 ways to kill a person, but he can’t access any of that information while his safety is on. Todoroki is just like, “Uuuuuh, that’s really good to know…but we’re gonna keep the safety on for now, okay? I hate my dad but also please don’t murder him. He’s famous so we wouldn’t get away with it. Also murder is bad, don’t kill people.”

- Midoriya wants to know if all heroes are like Endeavor and Shouto is like, noooo and shows him the debut video of his personal favorite hero: All Might. Watching this video is the first time Midoriya has a “System overloading. Shutting down” moment. Shouto has an absolute panic attack, because if Midoriya reboots and his memories are wiped, then he’ll have lost the best friend he ever had. But Midoriya restarts and he’s fine. He explains that sometimes he shuts down, to prevent a system failure, which would damage his…idk, hard drive or whatever. He quietly admits that the All Might video is very familiar, and he thinks maybe it used to be important to him. Shouto questions him about his memories and Midoriya theorizes that perhaps he has them backed up, but he isn’t sure how to access them. 

- This is exciting for Shouto, because he thinks maybe if Midoriya experiences more “triggers,” like the video, he might regain his memories and be able to shed some light on the general mystery of where he came from/who made him/what his purpose is. Whenever Endeavor is away, he tries to sneak Midoriya out, so he can see the real world. He isn’t too concerned about his ears, because in a world of quirks, there are plenty of odd looking people around. So far he’s been wearing Todoroki’s clothes, which a little too big on him, so they go shopping and get him clothes. None of their outings seem to trigger anything, except one time when they pass a park where Midoriya and Bakugou used to play as kids. Midoriya grows quiet and seems far away for a moment, but he doesn’t overload and shakes off the familiar feeling.

- Whenever they see All Might stuff he’s just !!!!!!! He can’t remember why he likes All Might, but he remembers how he feels about him. The more All Might stuff he sees, the more his old feelings return. One day they pass a large All Might poster and Midoriya says, “I think maybe I wanted to be like him, once.”

- Eventually Todoroki starts school. He feels bad about leaving him, but Midoriya is content to stay in his room and occupy himself until Todoroki comes home. He’s part computer, so he’s a total boss at helping with math homework. He likes doing homework with Todoroki in general, because he likes learning. This is great for Todoroki’s grades because again, the teaching thing helps everything stick better for him. 

- The attack on USJ happens and Todoroki sees Shigaraki, who has a hand on his face, and he’s like, “Shit, shit, shit, this is the guy who threw away Midoriya,” and he has NO idea what to do with that information. Midoriya belonging to the LoV does explain the “70+ ways to kill” programming though. He tells Midoriya what happened and Midoriya is kind of whatever about it. He says, “Maybe I belonged to villains, but I belong to you, now.” And Shouto is like, “No, no, no, no. You do not. You belong to yourself” and Midoriya is just ????

- I think for the Sports Festival, Midoriya convinces him to use his fire. It’s sort of like, “It’s your power, even though its origin is Endeavor. Just like how everything I can do is my power, even though I was programmed by villains. Being made by villains doesn’t make me a villain. Using the resources they gave me doesn’t make me a villain. Being Endeavor’s son doesn’t make you Endeavor, and using your fire doesn’t either.” Todoroki turns off Midoriya’s safety, confident he has nothing to fear.

- Midoriya watches the Sports Festival on tv (using his blutooth, he can actually just hear the volume in his head, so he can watch silently). He sees Bakugou. Seeing him on screen doesn’t have a huge impact on him, but he does feel something. Fear, unease, admiration, and affection. He’s confused and uncomfortable, and ends up looking away from the screen whenever he’s shown for too long.

- Shouto actually starts making friends at school. Being with Midoriya has taught him a lot about being kind and the joy having other people in your life can bring. Still, he doesn’t trust anyone enough to tell them about Midoriya. He’s terrified of losing him.

- For the Hosu incident, Midoriya is home alone, probably doing something on Shouto’s laptop. He sees the breaking news and is just, “Welp, that’s where Shouto, the official best person in the world, is, so guess I’m going to Hosu to make sure he’s safe.” He leaves the house alone, for the first time ever, and just runs to Hosu. Idk how far away Hosu is from the Todoroki residence, but Midoriya doesn’t fatigue and he’s also outrageously fast, so it’s fine. Also he can see in the dark, but only if he activates his night vision, which makes his eyes glow. Not good for sneaking, but very pretty and cool. I’m not sure how he finds Shouto, or how Shouto found Iida, but I imagine Stain is like, seconds from skewering him and then Midoriya comes out of nowhere and collides with Stain (which is a big deal, cause remember, Midoriya is filled with metal parts and is super heavy). They fight together and at some point Stain cuts Midoriya and he bleeds, which for Shouto is like !?!??! And then he licks his blood and the paralysis works and Shouto is just !!!!!!!!!!!!!!

- Later, after the life threatening stuff is over, Todoroki has some seriously thoughts about this, because what if Midoriya is human? Or part human? That would be a huge development, and also kind of relief for him, because he sort of feels like he’s been falling in love, but he’s been desperately stomping down on those feelings, because he knows falling in love with a robot probably isn’t healthy. But falling in love with a half robot? I mean, Iida could be called part robot, with his legs, if you want to get technical about it. And Todoroki does want to get technical about it, thank you very much. If Iida is dateable, then so is Midoriya.

- Back to Hosu. They beat Stain and, after securing him, Todoroki tells Midoriya to go home, before his dad arrives. Once he leaves, he begs Iida not to tell anyone he saw him and promises to explain later. For ease of narrative, Native was unconscious the entire fight.

- Endeavor shows up, as does the Nomu. It takes Shouto but Stain rescues him. At the hospital, Todoroki explains the Midoriya situation to Iida, revealing that this incident was the first time he realized Midoriya had blood in him. Iida agrees to keep the secret, but urges Todoroki to tell someone. Maybe Aizawa. He agrees to consider, but he doesn’t want Midoriya to get taken away and like, locked up to be studied or something. He and Iida become better friends, bonding over almost dying together and sharing the secret of Midoriya. 

- Midterms! Shouto scores higher because he has an awesome robot tutor. He doesn’t actually care, but good for him regardless.

- Summer field trip time. Midoriya can’t come, obviously. I’m thinking during this time, he decides to sneak out of the house and explore on his own. He feels guilty, because Shouto would worry if he knew, but he just feels this draw. He feels like maybe his old memories were important, and he’s becoming curious. He keeps thinking about the boy from the Sports Festival and about All Might. He ends up in his old neighborhood. He sees his middle school and he doesn’t remember anything, but seeing the building makes him feel lonely and sort of bad about himself. It reminds him of Shigaraki calling him Deku, and the familiar feeling that gave him. He leaves and finds himself on his old street. He isn’t close at all to his old home - he can barely see the apartment building - but he can still see it. He almost shuts down, but turns away quickly and starts back the way he came. He doesn’t remember anything, but seeing that building fills him with overwhelming emotions. The strongest one reminds him of his feelings for Shouto, but it’s different. He can’t place it, but he knows he’d die to protect Shouto, and he feels like maybe he once knew someone in that building that he would also die to protect. Once he gets home, he realizes he’s crying. He decides to sleep and he dreams of green eyes and a smile that looks like home.

- Shouto is injured during the villain attack and goes to the hospital. Once he’s released, he agrees with Kirishima that they’ll go rescue Bakugou. That whole thing pretty much goes at it did in canon, except All Might never found a successor, so he’s more powerful. He defeats AFO and does not have to retire, though he’s feeling an overwhelming pressure to find a successor now, because he knows he’s hanging on by a thread.

- Dorms!! Shouto is bringing his boy with him. He figures he can hide him just as easily there as he can at home. Getting him in is a little tricky, but he manages. From there, it’s smooth sailing.

- Except not really, because living with 18-19 other people (19 if Hitoshi is in the class, which, maybe) is way different than living with 2. Midoriya is discovered in like, a week and everyone is freaking out, most of all Bakugou, who basically breaks down. He tries to hit Midoriya and screams at him, about thinking he was dead and going to his funeral and how it was his fault and having to face his mom and did Midoriya even think about his mom??? As previously mentioned, Midoriya just shuts down and face plants to the ground.

- Shouto finally learns Midoriya’s full name. Midoriya Izuku. A+ name. Very cute. He plans to use it immediately.

- Bakugou’s insight changes the situation completely. Now they know Izuku was once 100% human and something awful happened to him. They end up bringing him to Aizawa and explaining the situation and everything they know. Todoroki gets scolded, cause Izuku could have been dangerous and he should have known better, but he doesn’t even pretend to have regrets. Endeavor would have made him throw Izuku back into the trash where he found him. His best friend isn’t trash.

- Now the name of the game is helping Izuku restore his memories. Bakugou is a huge help, but patience is required, to keep Izuku from overloading. He remembers bits and pieces at a time, all centered around Bakugou. Aizawa agrees to let him attend classes, so they can keep an eye on him. He’s also hoping a school setting might trigger more memories. He meets All Might and he doesn’t even get to announce his system malfunction before he’s out. He sees him, starts smoking at the mouth and hits the floor. All Might is very alarmed.

- Tsukauchi is made aware of the situation. He wants to keep things under wraps though. If the LoV is aware Midoriya is out and about, they may target him. If they can restore his memories though, they may gain insight into the group’s plans. That being said, he thinks it’s only right that they tell Inko. They tell her they have information on her son and make her sign a contract, agreeing not to release any information. Once she agrees, they brief her on what they know and, at the end, bring in Izuku.

- Izuku has been talking with Bakugou about his mom, to prepare for this (he usually wants Shouto with him for these conversations, and Shouto and Bakugou sort on inadvertently become friends). He can’t remember her at all, but he remembers the face in his dream. He knows it’s her. While talking, he’s shut down a few times (which drives Bakugou up the wall, and also scares him a little, cause he kind of looks dead when it happens), but he thinks he might be ready to see her now. He’s brought in and he does not shut down, not fully, but he comes close. He definitely glitches a little, maybe doing a quick reboot, quick enough that he doesn’t even fall, and his voice comes out cracked and metallic when he speaks, and there are sparks in his mouth, but he manages, “Mom?” They both cry and she holds him while he tells her, voice wavering between sounding normal and sounding robotic, that he doesn’t remember her, but he loves her, he knows he loves her so so much and he knows he’s missed her, even though he didn’t know who she was. It’s very emotional, and extremely hard for both of them when they finally have to separate, because Izuku can’t go home with her. She’s allowed to visit though, and each visit helps him restore little pieces of his memory. Between her and Bakugou, he starts making enough progress that he stops shutting down when he gains a new memory, and he starts remembering his old hopes and dreams. He doesn’t remember what AFO did to him, but he remembers enough of his past to feel self-conscious now, about his body. He breaks down one day and Shouto holds him while he grapples with his identity, his humanity, and his future. 

- I’m picturing a scene where he’s crying and Shouto takes his face in his hands and explains all the beautiful things about him that make him human, and he finishes up with something corny like, “I know you, Izuku. You’re human. You have to be human, because I’m in love with you.” And then they KISS and it is ROMANTIC!

- He decides he still wants to be a hero and he becomes a real member of 1A, instead of just a visitor. The whole class helps him design a costume and come up with a name and in general are just like, “Cyborg Hero, yay!!”

- And that’s all I got. I think eventually he would fight the league, and probably retrieve his chip, giving him 100% of his memories. There’s a LOT of trauma to deal with there, because he was basically torn apart and put back together several times by AFO, but they do gain all the information they need to take down the LoV for good. And the Overhaul arc is in there. Izuku might still intern with Nighteye, because All Might is like, “Robot successor? Maybe???” and he wants Nighteye’s opinion. Nighteye can’t see his future, because he’s not fully human, but eventually he gives his stamp of approval. Eri is rescued and that’s a very personal fight for Izuku, because he identifies with what she’s gone through. And of course she loves him and thinks his ears are cute and his glowy eyes are pretty.

- Oh, and the School Festival. I honestly don’t even know what to do with him. He can learn any instrument just by like, downloading some YouTube tutorial videos. He can learn any dance by watching it once. He’s really strong, really fast, and can also operate as a speaker (though that can be awkward, cause it’s through his mouth, so he’d just be standing there with his mouth open). They might keep his role same as canon, idk. They’d probably all fight over him.

- I’m sure none of this was anything like Chobits. Sorry. I just think the ears are neat, really, and liked the idea of Izuku being a cyborg (Chobits isn’t even about cyborgs, lol).

Sorry this is outrageously long! If you want to write this into a full fic, feel free to use my ideas! Just give me a shoutout, maybe? And tell me about it, so I can read it!