#{ apologies that this took a while ;; }
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Dream’s dnf fanart likes
June 21st
a comic of Dream and George at the NBA game
a George taken picture of Dream driving
Dream and George holding hands and doing finger hearts, wearing yellow plaid private school style outfits
George holding the sides of Dream’s mask, the mask changing expression
Dream, top left, wearing a dnf coloured cat ear beanie and holding a dnf flag, telling George, bottom right, to say ‘happy June’
George swimming after mermaid!Dream
George hugging Dream from behind, face pressed against his back
George and Dream half-face portraits
Dream, in a dnf coloured cat ear beanie and a shirt that says ‘I’m his’, holding hands with George, who is wearing a shirt that says ‘He’m I’s’ and dnf coloured socks
multiple little dnf drawings (cat!George sleeping on top of dog!Dream, Dream and George pointing at a dnf flag with the words ‘fucking dnfer’ on it, etc etc)
Dream doing geoguessr irl, a tiny George on his shoulder
-Happy VidCon!-
#dreamnotfound#dnf#dreamnotfound fanart#Dream__Fanart#twitter#he has returned!! it's only been 20 days lmao#I feel like someone needs to get a dnf coloured cat ear beanie to him at this point#apologies that this took a while#I was lazy and then I had real life stuff to do lmao#as always I do encourage you all to check out the rest of the art he liked#also drusic HYPE
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PRINTER?? or brick phones :3
hi its been like 4 months enjoy
#pig does art#objectum#objectum art#OURGGHHH SORRY it took forever to do that last panel my apologies#but seriously youre so real for this. printers are BEAUTIFUL!!!!! i love their shapes... their design their little lids and trays.#gosh they're awesome. gave affection to my own printer while making this they're so beautiful#longest fuckin art id in my life lets get it
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Nimbasa Trio🚇⚡
Annndd a Pixel Version! (Was having fun experimenting with Ibis Paint's filters)
#nimbasa trio#submas#subway boss ingo#subway boss emmet#gym leader elesa#subway boss nobori#subway boss kudari#kamitsure#ingo#emmet#elesa#slight; thirdrailshipping#and nimbasabattleshipping and conductor shipping#BEHOLD#one hodgepodge of an art piece#i apologize it took so long but yknow how it is#ANYWAY i had fun coloring this piece#elesa being her corny self#but her boys love her irregardless#ingo really is testing emmet's cain instinct rn#(no but srsly; i find it hilarious he has a haxorus that has mold breaker?? and sends it out mostly with emmet's eelektros???)#its ingo's turn to be the menace of a sibling#(the pixel version is there because i was busy experimenting sround ibis paint's fx while doing the final touches and i liked it <3)#art#fanart#anime art
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pokemagma art raffle request for @homestar1812!
"Ingo meets Larry. The ultimate 'I LOVE MY JOB!' vs 'It's a living'"
#they're vibing 👍#thank you for such a good request! this was so fun to draw <3 apologies that it took me a while to fulfil#muppet man meets normal guy#ive not drawn submas in forever tbh its nice to be back#and never drawn larry before! :O#submas#sbms#subway boss ingo#subway master ingo#larry pokemon#pokemon larry#gym leader larry#pokemon#pkmn#pokemas#(i guess??? i imagined this would happen on Pasio haha)#// tikart#ingo#larry#// tikposting
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ive been thinking about taco and balloon forming a little alliance post s1/ pre s2 where they'd (begrudgingly) work together planning on how to break into hotel OJ to steal stuff to take back to their makeshift camp like food, blankets, pillows, etc,,, anything that could be useful to them
#UGH TUMBLR DIDN'T SAVE MY DRAFT R U KIDDING ME WROTE A TON#ok let me go over this again as i remember#balloon ends up encountering tacos makeshift camp wandering in the woods#i like to think balloon makes close to zero noise when he walks around#kinda floats around if u will#taco figures she could use this to get balloon to sneak into hotel oj to get her stuff#well. she tells balloon its “for the benefit of both”#balloon and taco parallel eachother in so much#both of them put up a “mask” as a strategy to further into the game which lead to both of them losing all of their relationships after s1#although both of them eventually ended up feeling guilty for what they did it took taco much longer#i think their alliance worked decently well for a while but balloons guilt and need to apologize is what drove them apart#by the time of that one scene s2 ep7 where balloon goes up to apologize and has his conversation with oj they'd already drifted apart#i think I'll doodle some more stuff with them eventually im still waiting to my charger to come in the maaaailllll#all of this has probably already been pointed out but im having fun and they've been on my mind a lot lately#so#shrugs#im screaming into the void#ii taco#ii balloon#inanimate insanity#phonification
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WHEN YOU SEE THE CHART TOMORROW, YOU'LL BE NUMBER ONE!
tumblr's gonna CRUNCH the quality of this one but I don't CARE. AFTER NEARLY TWO WEEKS ON AND OFF. IT'S DONE. I haven't put this much effort into a piece since 2021
great god grove has a goddamn CHOKEHOLD on me and I'm so!!!!!!!! I love this fucking game I needed to make a big piece about it. here's two other versions since the text and bandages cover up some stuff I worked hard on
inspekta/hector my god damn beloved. I love many characters from the game but this THING won't leave my head and I hope he never does
#great god grove#great god grove fanart#great god grove spoilers#ggg spoilers#inspekta#inspekta great god grove#inspekta ggg#hector great god grove#hector ggg#I will not apologize for using so many tags I am DISABLED and this took A LOT OF ENERGY. AND WE WANT PEOPLE TO SEE IT#there's a bit of religious imagery in here. one's pretty obvious the other's more subtle#oh and the song is lifetime achievement award by lemon demon#daitex's daipictions#bgang art#I was ominous as fuck while updating my friends on this fjghdkfjhf#now if you'll excuse me I need to eat something and then go conk out on my bed
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Baby’s first Mouthwashing fanart
#WE’RE SAUR BACK#HIIIIII#HUZZAH#mouthwashing#mouthwashing fanart#I love this game so much it’s actually inhumane#anya mouthwashing#curly mouthwashing#art#fanart#my art#slay#I sprint excitedly to my undisclosed destination#before abruptly tripping over what seemed like nothing at all#hundrends upon thousands of Daisuke Mouthwashing pictures come spilling out of my pocket#now splayed all across the ground for onlookers to see and judge me vehemently for#I scramble to stuff each picture back into my pockets#all the while the horde of strangers point laugh at my misfortune#tears begin to stream from my eyes uncontrollably#prompting a little boy to cut through the crowds laughter with his piercing call#“STOP!!!!!#the boy yells before admitting to being the one who had tripped me#albeit accidentally#the then chastises the cruel horde of onlookers for their malevolence#before promptly kneeling down to help me gather up my pictures#all the while he apologizes profusely for putting me into this situation in the first place#one could say the little boy took responsibility.#????? what the hell man#anyway#MOUTHWASHING!!!!!
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patience being tested. being forced by a bizarre unfortunate situation to adhere to university requirement technicality by taking this simple basic elementary "introduction to environmental history" class.
this class is from facilitators/program which do, like, "history of the American frontier" or "history of fishing and hunting" and still basically subscribe to that old-school twentieth-century idealization and celebration of characters like Teddy Roosevelt and reverence for a mythical arc-of-history-bent-towards-justice narrative of the often-clumsy but ultimately-benevolent US federal government and its mission to "save nature" through the miracle of "sustained yield," while heroic federal land management agencies and "heritage" institutions lead to way, staffed by exceptional individuals (appeals to nostalgia for the frontier and an imagined landscape of the American West; ego-stroking appeals to flattering self-image that center the environmentalist or academic). where they invoke, y'know, ideas like "ecology is important because don't you enjoy cross-country skiing in The Woods with your niece and nephew? don't you like hunting and fishing?" which makes it feel like a time capsule of appeals and discourses from the 1970s. and it invokes concept of "untouched wilderness" (while eliding scale of historical Indigenous environmental relationships and current ongoing colonial violence/extractivism). but just ever-so-slightly updated with a little bit of chic twenty-first-century flair like a superficial land acknowledgement or a reference to "labor histories" or "history from below," which is extra aggravating when the old ideologies/institutions are still in power but they're muddying the water and diluting the language/frameworks (it's been strange, watching words like "multispecies" and "Anthropocene" over the years slowly but surely show-up on the posters, fliers, course descriptions, by now even appearing adjacent to the agri-business and resource extraction feeder programs, like a recuperation or appropriation.) even from a humanities angle, it's still, they're talking at me like "You probably didn't know this, but environmental history is actually pretty entangled with political and social events. In fact, we can synthesize sources and glean environmental info from wacky places like workers' rolls in factories, ship's logs, and poetry from the era." and i'm nodding like YEP.
the first homework assignment is respond to this: "Define and describe 'the Anthropocene'. Do you think 'the Anthropocene' is a useful concept? Why or why not?" Respond in 300 words.
so for fun, right now in class, going to see how fast i can pull up discussion of Anthropocene-as-concept solely from my old posts on this microblogging site.
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ok, found some
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I think that the danger in any universal narrative or epoch or principle is exactly that it can itself become a colonizing force. [...] I’m suspicious of the Anthropocene as concept for the very reason that it subsumes so many peoples, nations, histories, geographies, political orders. For that reason, I think ideas like the Anthropocene can be a useful short-hand for a cluster of tangible things going on with the Earth at the moment, but we have to be very careful about how fluid and dynamic ideas become concretized into hegemonic principles in the hands of researchers, policymakers, and politicians. There’s so much diversity in histories and experiences and environmental realities even between relatively linked geographies here in Canada [...]. Imagine what happens when we try to do that on a global scale - and a lot of euro-western Anthropocene, climate change and resilience research risks doing that - eliding local specificities and appropriating knowledge to serve a broader euro-western narrative without attending to the inherent colonial and imperial realities of science and policy processes, or even attending to the ways that colonial capitalist expansion has created these environmental crises to begin with. While we, as a collective humanity, are struggling with the realities of the Anthropocene, it is dangerous to erase the specific histories, power-relations, political orders that created the crisis to begin with. So, I’m glad that a robust critique of the Anthropocene as a concept is emerging.
Text by: Words of Zoe Todd, as interviewed and transcribed by Caroline Picard. “The Future is Elastic (But it Depends): An Interview with Zoe Todd.” 23 August 2016.
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The Great Acceleration is the latest in a series of human-driven planetary changes that constitute what a rising chorus of scientists, social scientists, and humanists have labeled the Anthropocene - a new Age of Humans. [...] But what the Anthropocene label masks, and what the litany of graphs documenting the Great Acceleration hide, is a history of racial oppression and violence, along with wealth inequality, that has built and sustained engines of economic growth and consumption over the last four centuries. [...] The plantation, Sidney Mintz long ago observed, was a “synthesis of field and factory,” an agro-industrial system of enterprise [...]. Plantation legacies, along with accompanying strategies of survival and resistance, dwell in the racialized geographies of the United States’ and Brazil’s prison systems. They surface in the inequitable toxic burdens experienced by impoverished communities of color in places like Cancer Alley, an industrial corridor of petrochemical plants running along the Mississippi River from New Orleans to Baton Rouge, where cotton was once king. And they appear in patterns of foreign direct investment and debt servitude that structure many land deals in the Caribbean, Brazil, and sub-Saharan Africa [...]. [C]limatologists and global change scientists from the University of London, propose instead 1610 as a date for the golden spike of the Anthropocene. The date marked a detectable global dip in carbon dioxide concentrations, precipitated, they argue, by the death of nearly 50 million indigenous human inhabitants [...]. The degradation of soils in the tobacco and cotton-growing regions in the American South, or in the sugarcane growing fields of many Caribbean islands, for example, was a consequence of an economic and social system that inflicted violence upon the land and the people enslaved to work it. Such violent histories are not so readily evident in genealogies that date the Anthropocene’s emergence to the Neolithic Revolution 12,000 years ago, the onset of Europe’s industrial revolution circa 1800, or the Trinity nuclear test of 1945. Sugarcane plantations were already prevalent throughout the Mediterranean basin during the late middle ages. But it was during the early modern era, and specifically in the Caribbean, where the intersection of emerging proto-capitalist economic models based on migratory forced labor (first indentured servitude, and later slavery), intensive land usage, globalized commerce, and colonial regimes sustained on the basis of relentless racialized violence, gave rise to the transformative models of plantations that reshaped the lives and livelihoods of human and non-human beings on a planetary scale. [...] We might, following the lead of science studies scholar Donna Haraway and anthropologist Anna Tsing, more aptly designate this era the Plantationocene. [...] It is also an invitation to see, in the words of geographer Laura Pulido, “the Anthropocene as a racial process,” one that has and will continue to produce “racially uneven vulnerability and death." [...] And how have such material transformations sustained global flows of knowledge and capital that continue to reproduce the plantation in enduring ways?
Text by: Sophie Sapp Moore, Monique Allewaert, Pablo F. Gomez, and Gregg Mitman. "Plantation Legacies." Edge Effects. 22 January 2019. Updated 15 May 2021. [Bold emphasis added by me.]
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Geologists and other scientists will fight over [the definition of the beginning start-date of the Anthropocene] in scientific language, seeking traces of carbon dioxide that index the worst offenses of European empire which rent and violated the flesh, bodies, and governance structures of Indigenous and other sovereign peoples in the name of gold, lumber, trade, land, and power. [...] The stories we tell about the origins of the Anthropocene implicate how we understand the relations we have with our surrounds. In other words, the naming of the Anthropocene epoch and its start date have implications not just for how we understand the world, but this understanding will have material consequences, consequences that affect body and land.
Text by: Heather Davis and Zoe Todd. On the Importance of a Date, or Decolonizing the Anthropocene. ACME An International Journal for Critical Geographies. December 2017. [Bold emphasis added by me.]
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From Aime and Suzanne Cesaire, C. L. R. James, Claudia Jones, Eduoard Glissant, through Sylvia Wynter, Christina Sharpe, and so many others, critical anticolonial and race theory has been written from the specific histories that marked the Black Atlantic. [...] Glissant also reminds us, secondly, of how cunning the absorptive powers of [...] liberal capitalism are - how quickly specific relations are remade as relations-erasing universal abstractions. [...] This absorptive, relations-erasing universalism is especially apparent in some contemporary discourses of […] liberalism and climate collapse - what some call the Anthropocene - especially those that anchor the crisis in a general Human calamity which, as Sylvia Wynter has noted, is merely the name of an overdetermined and specific [White] European man. […] [T]he condition of creating this new common European world was the destruction of a multitude of existing black and brown worlds. The tsunami of colonialism was not seen as affecting humanity, but [...] these specific people. They were specific - what happened to them may have been necessary, regrettable, intentional, accidental - but it is always them. It is only when these ancestral histories became present for some, for those who had long benefitted from the dispossession [...], that suddenly the problem is all of us, as human catastrophe.
Text by: Elizabeth Povinelli. “The Ancestral Present of Oceanic Illusions: Connected and Differentiated in Late Toxic Liberalism.” e-flux Journal Issue #112. October 2020.
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The narrative arc [of White "liberal humanism"] [...] is often told as a kind of European coming-of-age story. […] The Anthropocene discourse follows the same coming-of-age [...] script, searching for a material origin story that would explain the newly identified trajectory of the Anthropos […]. Sylvia Wynter, W.E.B. DuBois, and Achille Mbembe all showed how that genealogy of [White subjecthood] was [...] articulated through sixteenth- through nineteenth-century [historiographies and discourses] in the context of colonialism, [...] as well as forming the material praxis of their rearrangement (through mining, ecological rearrangements and extractions, and forms of geologic displacements such as plantations, dams, fertilizers, crops, and introduction of “alien” animals). […] As Wynter (2000) commented, “The degradation of concrete humans, that was/is the price of empire, of the kind of [Eurocentric epistemology] that underlies it” (154).
Text by: Kathryn Yusoff. “The Inhumanities.” Annals of the American Association of Geographers, Volume 11, Issue 3. November 2020.
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As Yarimar Bonilla suggests in regard to post-Irma-and-Maria Puerto Rico, “vulnerability is not simply a product of natural conditions; it is a political state and a colonial condition.” Many in the Caribbean therefore speak about the coloniality of disaster, and the unnaturalness of these “natural” disasters [...]. Others describe this temporality by shifting [...] toward an idea of the Plantationocene [...]. As Moore and her colleagues write, “Plantation worlds, both past and present, offer a powerful reminder that environmental problems cannot be decoupled from histories of colonialism, capitalism, and racism that have made some human beings more vulnerable [...].” [W]e see that contemporary uneven socioecologies associated with the rise of the industrial world ["the Anthropocene"] are based [...] also on the racialized denial and foreshortening of life for the sacrificial majority of black, brown, and Indigenous people and their relegation to the “sacrifice zones” of extractive industry. [...] [A]ny appropriate response to the contemporary climate emergency must first appreciate its foundations in the past history of the violent, coercive, transatlantic system of plantation slavery; in the present global uneven development, antiblackness, and border regimes that shape human vulnerability [...] that continues to influence who has access to resources, safety, and preferable ecologies [...] and who will be relegated to the “plantation archipelagoes” (as Sylvia Wynter called them) [...].
Text by: Mimi Sheller. “Thinking Beyond Coloniality: Toward Radical Caribbean Futures.” Small Axe (2021), 25 (2 (65)), pages 169-170. Published 1 July 2021. [Bold emphasis added by me.]
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Indigenous genocide and removal from land and enslavement are prerequisites for power becoming operationalized in premodernity [...]; it was/is a means to operationalize extraction (therefore race should be considered as foundational rather than as periphery to the production of those structures and of global space). [...] Wynter suggests that we […] consider 1452 as the beginning of the New World, as African slaves are put to work on the first plantations on the Portuguese island of Madeira, initiating the “sugar-slave” complex - a massive replantation of ecologies and forced relocation of people […]. Wynter argues that the invention of the figure of Man in 1492 as the Portuguese [and Spanish] travel to the Americas instigates at the same time “a refiguring of humanness” in the idea of race. [...] The natal moment of the 1800 Industrial Revolution, […] [apparently] locates Anthropocene origination in […] the "new" metabolisms of technology and matter enabled by the combination of fossil fuels, new engines, and the world as market. […] The racialization of epistemologies of life and nonlife is important to note here […]. While [this industrialization in the nineteenth century] […] undoubtedly transformed the atmosphere with […] coal, the creation of another kind of weather had already established its salient forms in the mine and on the plantation. Paying attention to the prehistory of capital and its bodily labor, both within coal cultures and on plantations that literally put “sugar in the bowl” (as Nina Simone sings) […]. The new modes of material accumulation and production in the Industrial Revolution are relational to and dependent on their preproductive forms in slavery […]. In 1833, Parliament finally abolished slavery in the British Caribbean, and the taxpayer payout of £20 million in “compensation” [paid by the government to slave owners for their lost "property"] built the material, geophysical (railways, mines, factories), and imperial infrastructures of Britain and its colonial enterprises and empire. [...] A significant proportion of funds were invested in the railway system connecting London and Birmingham (home of cotton production and […] manufacturing for plantations), Cambridge and Oxford, and Wales and the Midlands (for coal). Insurance companies flourished [...]. The slave-sugar-coal nexus both substantially enriched Britain and made it possible for it to transition into a colonial industrialized power […]. The slave trade […] fashioned the economic conditions (and institutions, such as the insurance and finance industries) for industrialization.
Text by: Kathryn Yusoff. "White Utopia/Black Inferno: Life on a Geologic Spike". e-flux Journal Issue #97. February 2019. [Bold emphasis added by me.]
#sorry for being mean#instructor makes podcasts about cowboys HELP ME#and he recently won a New Business award for his startup magazine covering Democrat party politics in local area HELP#so hes constantly performing this like dance between new hip beerfest winebar coolness and oldfashioned masculinity#but hes in charge of the certificate program so i have to just shut up and keep my head down for approximately one year#his email address is almost identical to mine and invokes enviro history terms but i made mine long before when i was ten years old#so i could log in to fieldherpforum dot com to talk about enviro history of distribution range changes in local reptiles and amphibians#sir if you read my blog then i apologize ive had a long year#and i cant do anything to escape i am disabled i am constantly sick im working fulltime i have NO family i have NO resources#i took all of this schools graduate level enviro history courses and seminars years ago and ran the geography and enviro hist club#but then left in final semester because sudden hospitalization and crippled and disabled which led to homelessness#which means that as far as any profession or school is concerned im nobody im a retail employee#i was doing conference paper revisions while sleeping on concrete vomiting walking around on my cane to find outdoor wifi#and im not kidding the MONTH i got back into a house and was like ok going back to finish the semester the school had#put my whole degree program and department in moratorium from lack of funding#and so required starting some stuff from scratch and now feel like a hostage with debt or worsening health that could pounce any moment#to even get back in current program i was working sixteen hours a day to pay old library fines and had to delicately back out of workplace#where manager was straight up violently physically abusive to her vulnerable employees and threatened retaliation#like an emotional torturer the likes of which i thought existed only in cartoons#and the week i filed for student aid a massive storm had knocked out electricity for days and i was clearing fallen tree debris#and then sitting in the dark in my room between job shifts no music no phone no food with my fingers crossed and i consider it a miracle#sorry dont mean to dramatize or draw attention to myself#so actually im happy you and i are alive
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Gotj Girl tiiiime~! Finally got my earlobes pierced, just kept forgetting ahsfjghaf
(first three pics taken by @rosedosed btw!)
#trans#transgender#goth#Roos and I said we'd go together but we kept forgetting while hanging out#Hopefully the first piercing of many! I really wanna get helix piercings and maaaybe an eyebrow piercing too but we'll see.#Also apologies the last pic is shitty#anyway WAHOO I feel nice today :>#Roos's cam is better and she took the first three
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House M.D. but it's when a character says the name of the episode
#house md#prince's talk tag#flashing#repitition#so as i was watching this show i noticed they'd say the episode title in the episode#so i wanted to see how many times they did it#the people on livejournal who made transcripts of the episodes are my saviors and without them this would of been so much harder to do#thank you all for your service and i hope wherever you all are you're having a great day#sometimes they would use a variation of the word like in the episode poison they would say 'poisoned' or 'poisoning'#i did not include those instances#there was an instance in 'merry little christmas' where they do play the song in the show#but since ella fitzgerald was not a character in the show i did not include it#where as in the episode 'joy to the world' the students are singing it in the concert so i did include that#i apologize for the tonal whiplash when you get to that part but it did make me laugh#one of the times kutner says 'locked in' is overshadowed by the POTW's voice over but i assure you he says it and thats why its in there#out of the main characters from the one who said the title the most to least are#House > Foreman > Wilson > Chase > Cuddy > Adams > Cameron and Taub > Kutner > Thirteen and Park#this took a bit to do lolol its probably been done already but i wanted my own#there is a chance im missing some on technicalities but idc. im fine with this#there are two more i wanna do but with a character saying another character's name but ill do that some other time#EDIT: When I was making this video I was unaware that the Pilot episode went by two names: 'Pilot' and 'Everybody Lies'#Basically everywhere I looked the first episode was only referred to by 'Pilot'#which I found weird bc i remember seeing somewhere that the last episode was paired with the first episode in terms of title#but i couldn't find hard proof so I decided to leave it out at the time#well i checked again last night and yea the pilot IS also called Everybody Lies so I updated the video#I also think it goes well with the fact that House does say 'Everybody Dies' in the finale so another reason to fix it#AND he says it without Wilson while he and Wilson say the title of the pilot sooooo yea hehehehehe
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Res AU Joronia drawings. Character rambling and bonus doodles under cut.
This AU takes place a good while after the events of Triple Deluxe happened. Since then, Taranza's mostly recovered mentally from everything. He was able to move on from his grief and (somewhat) forgive himself. Now that Joronia's in his life again, seemingly back to her former self, some of those wounds he'd thought were fully healed have started to ache again. He still feels ultimately guilty for what happened to her.
He's thrilled that Joronia's been given a second chance at life, but is somewhat wary deep down. This feels to good to be true, that she's just back with seemingly no strings attached. The other shoe could drop any day now, and he could lose her all over again. Fearing this, he wants to make the most out of what could be a short time to be together again with his friend.
Joronia senses that there's a distance between the two of them now that wasn't there before. It shouldn't be surprising; he's probably still hurt from what she did. Other people definitely are. She's determined, though, to work hard to make it up to everyone she's hurt, and to prove to them (and herself) that she's not really like that, that she's capable of being better.
The Mirror's influence twisted her mind and her perception of reality. It made her feel like she was inadequate, and that everyone else were enemies to be subjugated. Now, she's supposed to be normal and better, but she still feels like there's something wrong with her head. She still doesn't feel good enough, and it still feels like everyone hates her. It's hard to trust herself. She's not sure if it's some lingering effect of the Mirror, or if there's just something inherently wrong with her now. She's scared.
She's afraid that something will happen, that she'll revert to how she was as Queen, and that she'll hurt Taranza again. Someone who'd always helped her, who'd stuck with her even when she was absolutely horrible to him, and who's kindness she's relying on again now, staying at his home as she worked on getting her life back together. She's a burden on him, and she always has been. She hates it.
Still, her deepest, most selfish wish is that they could be real friends again.
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These two need to have a long, honest discussion about their feelings toward each other and themselves. Both of them are absolutely terrified about that prospect, though, because they each think that the other secretly resents them to some degree. If they actually talked through it, they'd quickly realize that they both want the same thing.
#apologies for anything confusing or whatever in the text; it took me a while because i'm not very good at expressing my thoughts with words.#i hope that all made sense and that i was able to get my ideas across coherently. i really struggle with that; sorry.#if you have any questions for me; please comment on the post or send me an ask and i will do my best to answer.#also please remember none of the details for this AU are set in stone at the moment and all this is subject to change somewhat.#kirby series#res!au#taranza#joronia#queen sectonia#i need to stop posting things this time of night. everyone's asleep so i end up reblogging it in the morning so people can actually see it.#anyways if you read all that you win a cookie. you can redeem that in my ask box.
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this started as me thinking abt scarab & prismo's constrast in heights & colors between their 2d & 3d forms, it ended as a scarab x old man prismo post and im not apologizing for it
partly inspired by this post
#and im not apologizing for it#prohibitedwish#adventure time#fionna and cake#adventure time: fionna & cake#atfc#at:f&c#scarab the god auditor#scarab#prismo the wishmaster#prismo#old man prismo#rizzmo if you will#prizzmo?#arkos draws#unfortunetedly when he slept he took all the rizz with him#none left for prismo#it reappers every once in a while#i always talk abt how prismo is an old man#time to put my money where my mouth is#rizzmo's clothes are a mix between a sleeping hat & robe and a wizards outfit
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Magnus for Gaza commissions are closed now! But their carrd with all the donation links are here:
>>> Their tumblr: @magnusforgaza
(Previously unedited):
>>> How to commission / Commission guidelines
Magnus for Gaza is a fan-led fundraiser for Palestinians in Gaza. If you donate to any one of these fundraisers, submit your receipt through this form and you get to have a TMA commission done by one of over 400 volunteering TMA artists and writers, including me!
#apologies this took a while to get out but yes i'll be one of the many artists you get a tma commission from! :]#sharing around helps! this'll be open until the org reaches commission capacity#the magnus archives#tma fanart#tma#*boop* art#palestine
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I offer Zenos pen sketches, except this was his goofy ass ARR phase: also known as his early military career stuck doing grunt work and traffic control in the capital.
#ffxiv#sketch#zenos yae galvus#emet selch#solus zos galvus#look his short story just made me think of an awkward teen phase#where he was diligent at his job#but still very new to it#not too dissimilar from the WoL ends up running into a lot off bullshit along the way#like... you know#pulling over his own great grandpa while he's driving his civilian car (he's trying to sneak away to visit atticus)#one man only used to ever walking a single show hound having to deal with the war hounds for once#and his struggles of being hydaelyn's eepiest soldier#was i inspired by the existence of young sephiroth? probably. I do not apologize lmao#welcome to my brain these are my contributions to the ff community v-v#I will always be glad of and get a chuckle out of the idea that zenos is a prodigy but still fumbles kind of character#the knowledge that even he probably had the stumbling phase on things that actually took his attention is pretty endearing ngl#it also means I get to write him panicking when he realizes hes stagnating in the beginning for adven!zenos
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Surprise @pointyfruit! I'm your secret skeleton! 🎃🦴
On a long and spooky night, two particularly oddly familiar skeletons can be seen visiting a very large collection of pumpkins, what silly shenanigans will they cause there?
🦴Close-ups below!🎃
#aquadoodles#DCABeeTeamH24#fnaf dca#dca fandom#fnaf au#dca au#skeledca#(Or should I say I'm the one who drew for your skeledca? hehe)#this one took a while to finish apologies for the delay!#hope you had a great Halloween!#learned some new stuff while making this too yippee!#Moon has acquired a new lil friend
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Ok so here's my thoughts on dungeon meshi as a D&D party finally.
Okay so Laios and Falin's players (P!Laios & P!Falin) are actually brother and sister in real life. P!Laios got his sister to join him in the D&D game he was in. She was pretty shy and so wanted to make a healer character.
So their party plays the campaign for a while. Maybe a couple years or so. Mostly it doesn't have all that intense of a plot, but everyone's enjoying it.
Then in the dragon fight, Falin's player asks the DM if she can save Laios from the dragon's critical hit bite. The DM says sure but she only rolls like a 13, so the DM lets her save him by sacrificing her character, and she agrees.
Everyone's quite shaken up about it all, and to up the stakes the DM has the couple DMPCs/hirelings they had leave the party.
And now we get to the main focus of this headcanon. After P!Falin died, she wanted to make a new character, with a really different vibe from her old one, especially since she had gotten a lot more comfortable playing D&D now. In real life, she and P!Laios enjoy cooking together a lot, so she talked to the DM and P!Laios about it, and out came Senshi- P!Falin's new character!
P!Laios decides to try to help support P!Senshi's desire to focus more on cooking by taking out a book on monster cooking which he put in his inventory as a bit during character creation.
Basically it went like this
DM, (thinking to DMself: they're pretty overleveled now for the earlier layers of the dungeon, I should try and make it harder on them): so, you're running low on money. Even without the hirelings to pay, you need to sacrifice some of your expenses or sell some of your equipment to afford everything you lost.
P!Laios: Hey DM, how much do our rations cost? Because remember that meme book that I gave myself during character creation on cooking monsters?
DM: *very large sigh*
P!Senshi: *barely-restrained giddiness*
That's the main headcanon, but I also have other minor little headcanons about the other two player's characters.
Chilchuck's player has had some antagonistic DMs who loved torturing their players with traps in the past, so when they were told by the DM that the campaign was going to be "a pretty realistic dungeon crawl", P!Chilchuck decided to make the most roguey rogue of all rogues to ever rogue. They maxed out the trap-finding score to the point where the DM had to actually start including more traps for Chilchuck to feel a bit more useful, since the DM never actually planned on using very many traps in the campaign.
Marcille's player is a huge anime fan, and has made on-and-off jokes this whole time about the dungeon being some sort of bad isekai plot.
DM: Marcille, you feel a wet splash on the top of your head, only seconds before a slime drops on top of you.
P!Marcille: Oh? It's on my head? Is it suffocating me? Choking me perhaps...? Restraining me?
DM: Fuck you. Also you take 2 acid damage.
*everyone laughs at the DM's pain*
DM: There is a large plant monster in front of all of you
P!Marcille: Oh? Does it have vines? Like, tentacle-ish vines?
DM: You know what? It does now. It's rolls a 17 on grappling you. Have a good time with that.
P!Marcille: *waggles eyebrows* okay then
DM: I am going to hit you with my car covered in hammers rigged to explode multiple times and hammers go flying everywhere
While all of this is going on the DM is actually secretly very pleased to make a bunch of worldbuilding around the dungeon ecosystem and monsters and everything.
#yes im giving the DM (the DM/the DM's/DMself) pronouns no i will not apologize#the new characters that come in could just be new people#or maybe the “hirelings” (aka their earlier party members) weren't actually DMPCs at all and just took a short break from playing#before coming back with new characters#the DM is also having a good time actually starting to implement the plot they came up with a while ago into the story#(at least thats what i assume is going on with what we're hearing about that jester character who probably assasinated the king or whatever#dunmeshi#dungeon meshi#delicious in dungeon#falin dungeon meshi#falin touden#falin#laios dungeon meshi#laios touden#laios#senshi dungeon meshi#senshi#chilchuck dungeon meshi#chilchuk tims#chilchuck#marcille dungeon meshi#marcille donato#marcille#my headcanons#d&d#dunmeshi as a dnd party
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