#^ line I cut from the post because I couldn't figure out where to go with it. ANYWAY. I'M VERY HAPPY WITH THIS BRACKET

[rathologic]

Unknown Pathologic Characters, finale: Woman reanimated by the Bachelor versus Catchfly

Woman reanimated by the Bachelor Origin: Pathologic (game text) Description: An unnamed, presumably dead woman reanimated by Daniil Dankovsky in a demonstration three years before the events of Pathologic. She appeared to have glassy lips. "I attended your lecture—you demonstrated a reanimated lady. Three years ago at Lamarka's. I even took your autograph—the girl in a long shirt, do you remember? I asked you about the glassy lips too."

Catchfly Origin: Pathologic (game text) Description: A girl who invented the original shmowders during the First Outbreak. Her shmowders were effective, but toxic – Catchfly herself died from shmowder-testing. "Oooh, powders! Powders-shmowders! Shmowders are sanative mixtures. They were invented during the First Outbreak. The original ones were made by Catchfly, but they were no good; the disease would pass, but the person would pass away along with it."

[dcxdpdabbles]

Hi! I love your writing so much!! I'm currently loving your freelance inventor series! I don't see a lot of danny/bruce fics so it's always fun when you post one!! What danny thinks of the justice league, does he think they're just Bruce's extreme sports friends? Or his kids friends parents?

Danny first meets Bruce's extreme sports friends when Dick plans to introduce Wally-his first boyfriend- on a water skiing trip. It went a little hair-walled due to the misunderstanding.

He had been around the manor with some free time, so he asked Bruce if he could join once Dick brought up the trip and made a comment on how important things he needed to talk about.

Usually, Danny wouldn't have bothered, but because it was so long that thier friendship had started he felt like it was a good time to ask.

At first, both the Waynes appeared to be dancing around the subject that, for a second, Danny thought they didn't want him there. Not wanting to make them feel pressured—and a little embarrassed he had assumed he could tag along—he backtracked quickly, making up an excuse about flying out to see Dani.

There was an awkward dinner that evening, so Danny left immediately. He had planned on staying the night at Wayne Manor, but he felt he had overstayed his welcome from his silly request. Instead, he rented a hotel room in the more dangerous parts of the city.

Danny had been on the hotel's phone line all night, attempting to find a plan to take him somewhere close to Dani. He could fly with his powers the rest of the way, but he needed to create some kind of paper trail.

While he listened to the hold music of the airline representative, he felt a wave of shame. At that point, Danny had only known Bruce and Dick for a year- but with various breaks in between visits- and had thought that made them closer. Who did he think he was?

Bruce wanted their relationship to stay as business associates who occasionally hung out but nothing as important as a vacation trip. Danny had just been the idiot who thought himself more important.

Well, he would not be making the same mistake. He would only come back if it involved his work and would find his own lodging from now on. The Waynes had likely not know how to say no to him.

Idiot, Danny thought, pacing in his room and wiping away tears. Idiot. Stupid. Moron. Of course, Bruce Wayne doesn't think of you as a friend! Get a clue!

"Thank you for waiting, Mr. Fenton. A first-class plane ticket to Calais, France, has been booked for you on Monday, July 7th. Would you like to make this a round trip?" the cheerful woman asks him, and he sniffs.

"No. It's a one-way. I won't be coming back here for a while." The words feel like knives in his chest

She doesn't notice as she chirps "Alright then, that has been done for you. Thank you for using Wayne Airlines!"

Ugh, he even used Bruce's planes by accident. At least this will be the last thing he annoys the man with. The following morning, bright and early Danny is out the door with his suit case. He makes it all the way to the lobby where he bumps into a fretting Dick and some red head kid.

"Danny!" Dick cries. He flings himself onto his waist, squeezing with all his might. Danny is flabbergasted. "Danny, I only wanted Bruce to go on the water ski trip because I wanted to tell him about my boyfriend! I haven't told him I was bisexual yet, I wanted to tell him on the trip, but I made him swear not to mention it to anyone else, but then you asked to go, and Bruce couldn't figure out a way to tell you no without revealing that I wanted to talk about something important-but then you got sad, and then Bruce got sad and I-"

"Babe." The redhead cuts in. "Breath"

"Danny, please don't be mad at Bruce because of me!" Dick cries, rubbing his face against Danny's stomach. "I promise we didn't want to exclude you!"

Danny's heart melts, both by how cute Dick is and the knowledge that Bruce was just a good dad and not any of his insecure-inspired conclusions. "Oh, Dick. I'm sorry you felt that. I promise I'm not mad, and I'm so proud of you. Thank you for sharing that part of yourself with me."

He leans down to hug the boy, grinning as the ten year old sighs. Then he directs a glare at the redhead. He looks about twelve and frankly, Dick is far too young for a boyfriend. "Who's this?"

"I'm Wally West-"

"I asked Dick"

"Oh."

Dick leans back. "This is Wally. He's my best friend and boyfriend! Wally, this is Danny- he's like my second dad."

"It's nice to meet you, sir!" The redhead gulps as Danny's eyes narrow.

"Pleasure." He says in a voice that means anything but. "Dick, sweetie, how did you get here? Does Bruce know where you are?"

"Wally and I...ugh took a cap." Dick everts his eyes. "Bruce was talking to his friends trying to convince them to go on the trip too. He wanted to prove you were his special friend to his regular friends."

A thrill ran through Danny. He was Bruce Wayne's best friend!? "You know I think I can take you kids back home myself. Maybe we can still make a water ski trip!"

Both boys blink owlishly. "Yeah...maybe. Let me just call Uncle Barry to make sure he's going, too."

Wally sprinted to the front desk to borrow their landline while Dick stayed behind, babbling to Danny about how he knew he was bi and how he met Wally. Mentally, Danny was drafting a lecture to give Bruce for allowing his boy to date a co-worker and friend's nephew, especially at this young age! He didn't let his thoughts appear on his face, only nodding and smiling between Dick's word vomits.

Meanwhile, on Wally's side, he uses the Justice League hotline to speak to his Uncle. His call was transferred to the meeting with all the original founders as he used the emergency code accesses Barry had taught him.

His call was placed on speaker for everyone to hear.

"Code Teal for B! Code Teal for B!" he hissed into the phone. The rest of the members sat up straighter and sent Batman looks of alarm. Code Teal was a spouse or lover who thought a hero was cheating on them because of the mission's old hours. We needed to come together to cover for them.

Batman was hiding his face in his hands. ".....Confirm Code Teal."

"Oh and before I forget Code Artificial red for Dick and me" Wally shouts, ignoring the imploding shouts from Batman or Uncle Barry.He hung up not wanting to explain that the boys had chosen to use Fake-out-make-out in order to convince Danny to stay.

He wouldn't mind dating Dick, but maybe later when they were both older. Not that Danny needed to know that.

[stevieschrodinger]

I don't know, ficlet AU sort of thing.

Alpha Steve has a YouTube channel that, kind of, started by accident. Steve is not the most confident reader, like, at all. The words get kind of muddled and he got into a habit of just sort of trying to rush it, figuring he was going to mess it up anyway, so get it over with, right? And then he just sort of stops reading, even though he enjoyed it, because he couldn't get his brain to slow down and the muddling got worse and...yeah.

So one day, his platonic soul mate bestie suggests he read out loud. To someone. If he reads every word out one at a time, knowing it has to be clear enough for the other person to follow, that'll slow him down.

So, he tries it, but only for Robin. And it sort of works, kind of, and then she hits on him using something so he can only see the line he's reading, like a bit of card with a letterbox cut in it, and...Steve is on fire.

The words don't get muddled up so much, and his reading is slow and even, and he needs to read to someone, and Robin can't always be there. It becomes his own pet project, he reads out little bits of books he likes, parts of articles he has enjoyed, poems, whatever, and starts his own little you tube that has like, five followers, and they're all people he knows.

And then suddenly, almost overnight, Steve finds himself with four thousand followers. A very large portion of them are very clearly Omega, from the comments, and Steve suddenly finds himself with a lot of fans who are using his videos for white noise. He's literally reading thousands of Omegas off to sleep.

Which is...nice. Steve likes it. The hits and followers on his videos seem to settle down after a couple of weeks, and then, after having so many comments about how settling Steve's voice is, how the Alpha is relaxing and safe. Steve thinks fuck it.

As a test, he makes a ten minute video directly for that audience. He builds a nest, films it POV. He films the view of someone walking through the bedroom door, of what they would see as they climb into the nest, then resting the camera on his own chest.

Then he starts talking. Tells the omega how perfect they are, how much he cares for them, wants to protect, keep safe. How soft they are as he pets them, how warm and cosy they are in their nest. How snuggles with the omega are Steve's favourite thing.

He deliberately keeps everything as vague and gender neutral as he can. The video fucking explodes. Goes viral. Millions of hits, thousands and thousands of followers. Robin and the kids think it's hilarious, and encourage him to keep going, claiming he's doing a public service.

Hundreds of copycats spring up, but no one pulls it off quite like Steve.

He knows there are Omega out there getting off to his videos, despite there being absolutely nothing sexual about them, but Steve figures, whatever makes people happy.

He gets so many positive comments, omega telling him how much comfort he brings them. He has some regular commenters that he gets to know, too, which is nice. Sometimes he even takes requests, small things, the colour of his shirt, the time of day he shoots his videos, certain words and phrases.

One supportive commenter always stands out though : EdDio86. Steve's pretty sure he's male omega, and he's always so grateful when Steve posts a new video. The guy clearly has a lot of trouble sleeping, and apparently Steve really helps. They have a little back and forth in the comments, learning little bits about one another. Steve likes this omega.

Steve also gets the impression the omega is sorely lacking any comfort in his life. Considering the length of his comments, the guy never asks for anything.

Until he does.

At the end of a comment, always ever so politely thanking Steve, EdDio86 admits he's 'in a bit of a pickle' and could Steve, please, do a video where 'the omega' is with pup? Could Steve tell the omega that the pup is fine, and healthy, and that the omega is doing good and the pup is okay and everything will be okay...but cool if not. Bit of a weird request, I know, sorry to be a bother.

And Steve suddenly doesn't give a shit about the consequences of just,,,dropping his personal email out into the world like that, because he wants to tell this guy these things personally.

[excalculus]

I saw some mentions of rabies going around again and have no clue what's set it off this time, but given recent scientific developments I want to revisit the idea of curing symptomatic rabies.

First things first: there is still no practical way to do this. The famous Milwaukee Protocol fails far more frequently than it succeeds, and even the successes are not making it out in anything like a normal state. It's been argued that it should no longer be considered a valid treatment [1] due to these issues; any continued use is because there's literally nothing else on the table.

However. There are now two separate studies showing it's possible to cure rabies in mice after the onset of symptoms. The lengths you have to go to in order to pull this off are drastic, to put it mildly, and couldn't really be adapted to humans even if you wanted to. But proof of concept is now on the board.

long post under the cut, warnings for animal experimentation and animal death. full bibliography at the end and first mention of each source links to paper.

Quick recap - rabies is a viral disease of mammals usually transmitted through the saliva of an infected animal. From a contaminated bite wound, it propagates slowly for anywhere from days to months until it reaches the central nervous system (CNS). Post-exposure vaccination can head it off during this phase, but once it reaches the CNS and neurological symptoms appear it's game over. There will typically be a prodromal phase where the animal doesn't act right - out at the wrong time of day, disoriented, abnormally friendly, etc. This will then progress to the furious (stereotypical "mad dog" disease) and/or paralytic phases, with death eventually caused by either seizures or paralysis of the muscles needed for breathing.

That's the course we're familiar with in larger animals. Mice, though, are fragile little creatures with fast metabolisms.

In the first study's rabies infection model, lab mice show rabies virus in the spinal cord by day 4 after infection and in the brain by day 5. Weight loss and slower movement start by day 7, paralysis starting from the hind limbs from day 8 on, and if not euthanized first they're dead by day 10-13. [2]

This study (fittingly conducted at the Institut Pasteur) had two human monoclonal antibodies, and wanted to see if there was any possibility they could be used to cure rabies after what we think of as the point of no return.

Injecting the antibodies into muscle saved some mice if done at days 2 or 4, and none if done later, even at high doses of 20 milligrams per kilogram of body weight of each. Conclusion: targeting the virus out in the rest of the body is no use if it's already replicating in the CNS.

Getting a drug past the blood-brain barrier is, to use a highly technical term, really fucking hard. It's the sort of problem that even the best-funded labs and biggest companies in the world routinely fail at. And that's for small molecule drugs, which are puny compared to antibodies.

But this isn't drug development for a clinical trial. This is a very, very early proof-of-concept attempt, which means you're willing to ignore practicality to see if this idea is even remotely workable. So you can do things like brute force the issue by cutting through the skull to implant a microinfusion pump, which lets you deliver the antibodies directly into the normally-protected space around the brain. Combine this with the normal injections, and you can treat both the CNS and the rest of the body at the same time. Here's a survival graph of treated mice. X axis is days, Y axis is percentage of mice in that group still alive.

Figure 2A from reference 2, accessed February 2024

The fact that the blue, green, and purple lines did anything other than sink horribly to zero is unheard of. When the combination treatment was started at day 6, 100% of the mice survived. Started at day 7 (prodromal phase), 5 out of 9 mice recovered and survived. Started at day 8 (solidly symptomatic, paralysis already starting to set in), 5 of 15 mice recovered and survived. And when they say "survived", they kept these mice all the way to day 100 to make sure. Some of them had permanent minor paralysis but largely they were back to being normal mice doing normal mouse things. So, success, but by pretty extreme means.

Enter the second paper [3]. This was a different approach using a single human monoclonal antibody against Australian bat lyssavirus (ABLV - closely related to rabies, similar symptoms in humans) to try for a cure without needing to deliver treatments directly into the CNS. They also made a luminescent version of ABLV that let them directly image viral activity, so they could see both where the virus was replicating and how much there was in a live mouse.

Figure 1 from reference 3, accessed February 2024

Mice infected with ABLV start showing symptoms around day 8. You can see in the figure that at day 3 there's viral replication in the foot at the site of infection, which has shifted into the spine and brain by day 10. So what happens if you give one of these doomed mice one single injection of the antibody into the body?

Done at day 3, the virus doesn't make it to the brain until day 14, and while disease does set in after that around 30% of the mice survive. Days 5 and 7 are much more interesting. Those mice still develop symptoms at day 8, but the imaging shows the amount of virus in their spines and brains never gets anywhere near the levels seen in untreated controls, and within days it starts to decrease. Around 80% of day 5 and 100% of day 7 mice survive.

Okay, sure, you can stop another lyssavirus, but technically you did start treatment before symptoms appeared. What about symptomatic rabies?

The rodent-adapted rabies strain CVS-11 starts causing symptoms as early as day 3 after infection, and untreated mice die between days 8 and 11. The same single dose of antibody saved 67% of mice treated on day 5 and 50% of mice treated on day 7. Without making the luminescent version of the virus there's no real-time imaging of the infection, but you can still track symptoms.

Figure 2 from reference 3, accessed February 2024. CVS-11 is the name of the rodent rabies strain and F11 is the name of the antibody.

Disease score is a combination of several metrics including things like whether the mice are behaving normally and whether they show signs of paralysis. In untreated mice it goes up and up, and then they die. If one of those lines starts coming back down and continues past day 10 or so, that's a mouse that recovered. The success rate isn't as good as against ABLV, but again, this is a rabies strain specifically adapted to rodents and treatment wasn't started until it was well-established in the CNS.

So how on earth is this happening? The antibody neutralizes both ABLV and rabies really well in a test tube, but we've already established that there's no way a huge lumbering antibody is making it past the blood-brain barrier without serious help. Something about the immune response is clearly making it in there though. And it turns out that if you start trying this cure in mice missing various parts of their immune systems, mice without CD4+ T cells don't survive even with the treatment. By contrast mice without CD8+ T cells take longer to work through the infection, but they eventually manage it and are immune to reinfection afterwards.

To grossly oversimplify the immune system here, CD4+ are mature helper T cells, which work mostly by activating other immune cells like macrophages (white blood cells) and CD8+ T cells (killer T cells) against a threat.

Normally, T cells are also kept out by the blood-brain barrier, but we know that in certain specific cases including viral infection they can pass it to migrate into the brain. In the brains of the infected mice for which antibody treatment either wasn't given or didn't work, you can find a roughly even mix of CD8+ and CD4+ T cells along with a whole lot of viral RNA. But in the brains of those successfully fighting off the infection, there's less viral RNA and the cells are almost exclusively CD4+. So the antibody doesn't work by neutralizing the virus directly - something about it is activating the animal's own immune system in a way that gives it a fighting chance.

Again, neither of these proof of concept treatments is really workable yet as a real world cure. The first one is almost hilariously overkill and still has a pretty good chance of failure. The second is less invasive but careful sequencing still shows both low-level viral replication and signs of immune response in the brains of the survivors even at day 139, so it may not be truly clearing the virus so much as trading a death sentence for life with a low-level chronic infection. But now we know that 1. curing rabies after symptoms begin is at least theoretically possible, and 2. we have some clues as to mechanisms to investigate further.

Not today. Not tomorrow. But maybe not never, either.

References:

Zeiler, F. A., & Jackson, A. C. (2016). Critical appraisal of the Milwaukee protocol for rabies: this failed approach should be abandoned. Canadian Journal of Neurological Sciences, 43(1), 44-51.

de Melo, G. D., Sonthonnax, F., Lepousez, G., Jouvion, G., Minola, A., Zatta, F., ... & Bourhy, H. (2020). A combination of two human monoclonal antibodies cures symptomatic rabies. EMBO molecular medicine, 12(11), e12628.

Mastraccio, K. E., Huaman, C., Coggins, S. A. A., Clouse, C., Rader, M., Yan, L., ... & Schaefer, B. C. (2023). mAb therapy controls CNS‐resident lyssavirus infection via a CD4 T cell‐dependent mechanism. EMBO Molecular Medicine, 15(10), e16394.

[mishy-mashy]

Something I made in a post that I think'll be lost in the texts + expanded a bit more

These panels are chronological events following AFO's pursuit of Yoichi's Factor.

AFO could tell if people were related through a Quirk. AFO and OFA also are connected to each other. In Kamino, AFO could confidently tell All Might that OFA had been passed on, so all that All Might had left were leftover embers.

When AFO killed Kudo, he asked where Yoichi was. He knew Kudo wasn't the holder of Yoichi's Factor at that time. He also realized when looking at Yoichi's hand that Yoichi's natural Factor was so weak he hadn't registered its existence. This implies AFO could sense Factors since he was young, and Yoichi's natural Factor never stood out to him.

Below are three panels of Bruce (right to left). Bruce fought, AFO killed him, and looked away in disinterest.

When he beat down Bruce, he already had a sense that Bruce didn't hold the Factor anymore. That's why, rather than yell in his face to figure out where it is and interrogate for a long time, he pulled up his corpse to inspect him better.

Bruce's corpse isn't resisting anything. Look at his feet; AFO literally dragged him. Bruce is already dead. Yet he's looking for something from him.

Bruce doesn't have anything for him. Nothing AFO wants.

When he looks away, he's dismissing Bruce, because Bruce doesn't hold Yoichi. AFO is wondering where Yoichi is, because he knows now that he's out there somewhere. Thus the pensive look to the wind.

After Bruce is killed, AFO and Garaki meet for the first time. Shinomori has Yoichi at this time, and AFO never comes close to him, so AFO is lost. He doesn't have any leads, and Yoichi has vanished.

Now that he knows Yoichi can transfer, it's possible for Yoichi to be kept out of his reach for the rest of his life. So meeting Garaki and having access to Life Force gives AFO more time to search.

Yoichi is still missing for 18 years though, because Shinomori is in hiding. AFO couldn't find him during the Fourth's turn.

This is why, when he encounters Banjo, the Fifth and active wielder of OFA [Yoichi], AFO is smiling.

It's been a long time, but Yoichi's in reach again. He knows where he is now. And this is the first time he's encountered the current holder.

Thus his shock.

[Yet... you never behave as I wish.]

It was the first time a Quirk wouldn't let itself be stolen. This was AFO's first encounter with this wall: it doesn't transfer without the holder's consent, and requires willpower stronger than all the holders combined to override that.

The holder is never going to give him that consent. To override the collective willpower, he's going to need something greater.

Meanwhile, look at Banjo's arms. Shinomori is the catalyst to tip OFA over the edge, that an unprepared vessel will be destroyed by how strong the Quirk is.

Banjo's arms are both messed up below the shoulder, just like Midoriya used to be. And like Midoriya uses Blackwhip to reinforce himself and stay standing, Banjo uses Blackwhip to hold his fist / arm together. His hand is being wrapped to stay in a fist.

(What I think is) The reason the limbs turn red, and then purple, from breakage, is a matter of blood vessels. Small, itty bitty, fragile things.

Using OFA breaks the whole area, from bones to blood vessels, causing internal bleeding. Thus the redness. But breaking those vessels again in a second go turns the area purple, because it causes instantaneous internal bruising.

But En wasn't ripped apart by using OFA. There's a cut on his thumb that lines up with the path of destruction; AFO sliced him in half. Otherwise, he wouldn't have that cut if it were just OFA.

It's hidden by the text in [... you never behave as I wish], but depending on where you see this chapter, you can see he got cut on the thumb. It's clearer where we see Nana take his hair from him, in [I only want... to make you mine!]

I have a post in drafts about En being cut in half rather than it being because of OFA, but I also hit an image limit, so I'm gonna end here. Ta.

[snek-panini]

Today I've got binderary book #3 to share! It's a lighthouse (burning) by books-and-omens. This is a really excellent canonverse (sort of) historical setting liminal ghost story-esque fic that I read practically in one sitting sometime last summer. It's fantastic, well-characterized, angsty and fluffy and fairly plotty and with some really unique worldbuilding. I honestly can't sing its praises enough; it's one of the only times since taking up this hobby that I've known I wanted to bind something before I actually finished reading it.

Have a look at the rest of the photos under the cut; this one came out really well and I'm in love with it.

For this cover we have lineco book cloth on the spine, a strip of chiyogami paper that I got in one one ChibiJay's random paper packs, and blue-gray sketch paper for the primary gray space. It's a little hard to tell in the photos but the HTV for the titles is in two different colors, silver for "a lighthouse" and pewter for "(burning)". The effect is more pronounced in person and I love it. The pewter came in a multi-pack of cricut foil HTV and I can't seem to find it on its own anywhere, which is a shame because it's beautiful. The sort of streaky effect on the cover was unintentional but I'm kinda liking it? It's a more porous paper for drawing or painting or something, and I tried to wax it for waterproofing, but when I used the heat press to get the title on the wax darkened in the spots where the glue was applied to the cover board. At first I was disappointed, but the fic features a really massive unnatural storm, and it sort of looks like water running down a windowpane, so I'm leaning into that and calling it an aesthetic. The back didn't get this heat treatment, so it doesn't have the pattern.

Top view, showing the bookmark and handmade end bands. The bookmark is a navy blue ribbon cut from the inside of a shirt, and I chose red and white because there are so many picturesque lighthouses that have red and white stripes. It's the only color in the book that's not blue or gray. The endpapers are a navy blue silk moire, and I had better luck with them than I did with the platinum ones on my Persuasion bind even though they are the same brand. Maybe it's practice or maybe navy just hides more sins than platinum.

For the title page I went fairly simple (for me anyway) with just a frame I pulled from rawpixel. It suits the story, though, being set sometime around or before the early 20th century. I also played with text colors on the title page, with some words being grayed out to mimic the effect on the cover. The section break is me getting clever with a feature of my printer. I often use a gray line to denote section breaks, but for whatever reason my printer doesn't like them and often makes them blurry. It is only these lines that come out blurry; larger images don't do this even if they are complex. So for this one, where a major feature of the story is trying to figure out what's real and what's a supernatural occurrence, I made one that was deliberately heavier in the center so it would come out sort of smoky or fuzzy, like it wasn't quite real and couldn't be clearly seen. It doesn't look this fuzzy in the unprinted file but I love the effect and I feel very clever for manipulating the printer like this.

I'm going to show off some interior shots but this bit contains spoilers for the story, so if you don't want to see that then maybe skip the rest of the post.

I wanted to get creative with my title placement since a lot of my binds look very similar inside, and this concept really let me try that out. The plot of the story is that the reason there are so many supernatural phenomena at this lighthouse is that someone in the future ran an experiment to harvest energy and accidentally cracked spacetime with it, and bits of the future and the past and the might-have-been are seeping through the cracks, and the longer the cracks exist the more seeps through them and the worse the ghostly stuff gets. At first it's not clear whether there's anything weird happening at all, and it becomes clearer that something is wrong the further in you get because the cracks are worse. So I had this idea for a vintage lighthouse illustration with an overlay of cracks in glass, that become more defined as the story progresses until something is done and they're sealed up in the end. I am not a visual artist and even this straightforward concept was too much for my skills, so I chose the lighthouse and the crack overlay and my amazing husband did the actual image manipulation. There are five different images, with the cracks invisible in the first and final chapter and most visible in chapter 10 and 11, when the characters are trying hardest to fix the problem. I'm really really proud of how well this turned out.

And that's it! I have several more binderary books to post but they are all still waiting for titles before I do the photos, so I don't know when I'll have them up.

[rindragon-from-twewy]

Forte swap au character intros part 2!!!

I love these so much genuinely I'm just so happy with where my art style's been at recently!

Ok I have a lot to say so it's under the cut. Remember; Spoilers for the og story!

I'll go from right to left since that's the order I designed them in (buckle in, this is a long one-)

Fubuki now has Spectral Projection. I liked the idea of giving it to her as she and Vivia are basically polar opposites so giving her his forte would really shake things up. Instead of calling her "Princess" and stuff, I think people would rather call her "Sleeping Beauty" and the themes of that fairy tale would end up seeping in to chapter 4, as well as its mystery labyrinth. Her hair flower is now a rose as a further reference to that. I used nightwear as references for her clothes, imagining them mostly being made out of more silky fabrics for that "rich girl" aura. I kept her hair down and messy and really just focused on making her look comfy. After all, if she's sleeping all the time, she should be in the appropriate attire for doing so, no? But thankfully The Chief gave her some wellie boots so she's not running around the city in soggy slippers. Her tattoos are now a string of stars on her collar bones to further emphasise the idea of dreams/sleep and also the "Z" in her name stands for "Zzz" because I thought they'd be funny. The last name "Bramble" is not only another reference to roses and sleeping beauty but also to Bram Stoker, the author of Dracula because yes, the vampire themes have been ripped away from Vivia and given to Fubuki instead!

Moving on to Halara- I knew right away that by giving them Time Leap, I should make them look more like a time traveller. Initially I wanted to try to make them look like they'd fit in well with the line up for the various Doctors in Doctor Who but unfortunately I couldn't figure out a way to do that without just... putting them in one of the outfits. So I instead decided to use steampunk as a main reference. I like to think that they stare at their pocket watch just to ignore people or as a passive aggressive way of telling them that they're wasting time. Their shoulder tattoo is meant to vaguely resemble an hour glass since that seemed appropriate. I had no idea what I wanted to do for their shirt under their coat so I settled on that black turtleneck tank top that makes the fangirls go crazy and made sure to give them Fubuki's necklace so that they can use their forte! The hardest part was deciding to give Halara goggles instead of glasses. They just seemed wrong without their glasses but it was just as wrong to have glasses and goggles? And so I settled on no glasses. (Mostly cuz I forgot to add them in and by then, I was used to looking at their empty face lol-) When they first arrived in Kanai Ward, Chief gave them the frilliest umbrella at the store because it had the same colours as their coat. Lastly, for their name chance, I changed it to "Clocksmith". It's the name of the profession for a watch mender, similar to Clockford and also "Smith" is the last name The Doctor uses when he needs to use a fake human name.

I'll be deadass, I did Vivia's design at like 3am and was running purely on vibes. So there isn't much perpousful intention behind him like the others. His hair now covers his left eye to make using Post Cognition much easier (sometimes it just activates on its own thanks to his eye already being obscured) but just underneath it you can see his tattoo; a big purple tear streak. I think I was watching a fnaf video at the time so. Marionette reference. Now you may be asking: Why is his hoodie so cropped? Why are his trousers so low cut? Idk- because I think it looks cool? I probably should've (and will in future) give him more bandages around his torso cuz looking at it now, that's not really that many. His big sleeves cover his hands and yes, I know that combining those sleeves with that stances just screams "Hatsune miku", that was completely accidental but I'm kinda here for it??? Gave him like 9 belts cuz I like drawing belts and I feel like his suicial ass would've been put in a real straight jacket at least once. People probably aren't sure if he's a real human entity anymore so Shinigami would probably call him a zombie. But nevertheless, The Chief makes sure he eats something at least once a day cuz his rib cage is definitely visible. For his last name, I changed Twilight to Midnight because it's got the "night" from Halara's "Nightmare" while still being a time of day.

And that's about it. Wow that's... a lot. Honestly if I didn't aspire to be a show runner, I'd probably settle for being a character designer. I'm super excited to show off what I've got in store of this AU's storyline but I've still gotta introduce a couple other characters first! ^vO

[soleminisanction]

So. What actually happened between Secret and Spoiler?

The meat of this story goes down in Young Justice (1998) #30.

Taking place sometime shortly after the YJ crew returns from their adventures in space with Doiby Dickles, the story proper opens with a scene of Steph trying to follow Tim home to find out his identity and getting caught to establish that tension in their current dynamic for anyone who wasn't also reading Robin at the time.

As a refresher, when they decided to date (which was a couple of publishing years back at this point, during the events leading up to No Man's Land) Tim had tried to talk Steph out of it because he couldn't tell her his secret identity and he didn't think that was fair. Steph had responded with, quote, "I don't care about any of that, Robin. I just want to be with you." But she'd recently decided she wasn't happy with that arrangement after all and had been sneaking around trying to learn his identity behind his back.

This issue is very cathartic to me because it's one of the only times she's called out for violating her boyfriend's privacy, which starts here:

Couple of things to make note of here: Greta's not attacking Steph. We'd previously seen what it looks like when she uses her billowing clouds of angry smoke to attack (against Harm and the Pointmen, for example), and that's not what's happening here, she's just really pissed off. Steph is the one who escalates the whole thing to violence with that kick.

And while there is an element of jealousy here -- Secret did follow Robin home to get a look at his girlfriend -- the thing that's set her off isn't seeing Steph with Robin, it's learning of and seeing her self-centered justifications for her plans to continue trying to violate his boundaries. Which, it should also be noted, is something that Secret could do much more easily, but chooses not to. So it probably just pisses her off even more to learn that her crush is dating someone who'd disrespect him like that.

So they take it outside.

Where Greta, despite her anger, is almost certainly holding back because... yeah, let's face it, Steph doesn't actually stand a chance in this match-up. She has no powers, she hasn't even trained with Cass at this point; I don't know where she got that grenade but she's otherwise working with like a red belt in strip mall aikido and a bunch of gear she probably bought out of the back of a magazine. Secret is a sentient hellportal, a conduit between the realms of the living and the dead. She's pissed off, but she's still mostly focused on calling Steph out with her words rather than physically harming her.

Which Steph responds to with, again, a grenade and... this:

Why yes, that sword does come out of nowhere for a single panel and then vanishes into the ether, never to be explained or mentioned again. I find that hilarious. I suspect the script just said "Spoiler cuts the power lines" and left Todd Nauck to figure out how that worked.

But uh, speaking of how that worked -- in Greta's defense for how she'll behave later on in this post, Steph just clearly tried to kill her first. Like. I assume that any grenade a Bat is carrying around isn't so high-powered that it's actually going to hurt somebody if thrown at them directly so for all my joking I'll give her a pass for that, but the power lines?

Steph, of course, has no way of knowing that electricity is Greta's weakness, let alone that it's a trauma trigger for her. But she also has no way of knowing that Greta isn't an average metahuman teenager who would just, y'know, die from being hit with several hundred to several thousand volts of electricity. Which is part of a trend in Steph's characterization -- she's always had a tendency to make rash, dangerous decisions like this and only consider the ramifications after the consequences smack her in the face.

And once again, this is Steph's escalation; Greta only lets loose after Steph tries to low-key murder her. But I did say in my previous post that she was explicitly trying not to kill Steph here, right? That's because she's not:

"Oh," she says, directly to Steph's face. "I'm not going to kill you, but you're going to wish I had!"

The issue ends with Tim giving the girls a lecture about trust that... honestly, doesn't actually make much sense, but it's only there to set up the bullshit Bruce would soon pull in Robin to wrap up the whole Steph-and-Tim's-secret-identity subplot.

Instead, I'll just take this moment to point out that these two pages are the only part that anyone besides Steph and Greta themselves actually saw: Steph, overpowered and running like bugger all while a furious Greta hunted her down. Tim and Red Tornado don't have any other context for this encounter, and anyone else hearing about it would have even less.

We should also probably address the question of whether Greta was actually trying to hurt Steph here and: no, I don't think she was. Not physically, anyway. I think when she tells Reddy that she "just wanted to scare" Steph, she was telling the truth. Which, mind you, means she was going to dump her into a terrifying hell dimension and give her a repeated taste of her own mortality. But it wouldn't have hurt her; it didn't hurt the gang when they teleported through it in issue 19. And, frankly, between this issue and the shit Steph pulls over the course of the Robin issues around this subplot... I think she deserved it.

I never said I wasn't a hater.

Now, to be fair, Steph has no way to know this. She doesn't know Greta, and she doesn't have a reason to think kindly of her. And like I mentioned, it's an important part of Greta's storyarc that her powers and her connection to death makes her friends suspicious of her, and that suspicion sadly drives her to Darksied.

Which is why I'm inclined to think that their next encounters, brief as they are, are deliberately framed. First in issue 50:

And then in issue 54, during the storyline where Secret has allied herself with Darksied:

This leads into Greta basically eating Steph for reasons that don't actually have to do with their conflict -- she's already eaten the D.E.O., ie, the people who held her prisoner, and would continue to eat, it's implied, everyone on Earth except the members of Young Justice, saving them for last as we come to climax of the story. That probably counts as "trying to kill Steph" so technically speaking Greta has tried to kill Steph once, it just wasn't the time everybody thinks about or in a jealous rage. It wasn't personal at all, she was just part of a checklist.

The important bit I wanted to focus on was Steph and Tim's descriptions of their past encounter, and the fact that Greta calls it an exaggeration. With that context, I'm inclined to think that "almost killed me in a jealous rage" is the way that Steph framed their story to other people, not necessarily because she was trying to manipulate anybody, but because that's how she, Stephanie, internalized and interpreted the event.

Because Steph, demonstrably, doesn't think she was doing anything wrong. If she wants something, like her boyfriend's secret identity, or whatever, she will come up with excuses and justifications why she should get to have it ("He's testing me! He wants me to figure it out!" etc.) and no one can change her mind. So it's inconceivable to her that this person who clearly has a crush on her boyfriend would actually be mad at her for the reason they say they're mad at her; clearly, to her, Secret was jealous, and therefore Secret must have been the aggressor. Plus, she was big and scary and Steph (to be fair) had no way of knowing that Greta was mostly just having trouble keeping her emotions under control.

And because nobody else saw what went down between them, people were more inclined to believe Steph's story over Greta's, partially because Greta was clearly the overpowering victor when Red Tornado and Robin arrived on the scene, and partially because Greta's powers mean people, even her friends, tend to be suspicious of her, which is a key point in her personal, rather tragic storyarc.

---

So, to summarize, because I know this has gotten rambly: Greta followed Steph home to investigate her and was angered by her violating Robin's privacy. Steph escalated their dispute into violence, and then further into attacks that could be perceived as lethal until she bit off more than she could chew. Robin and Red Tornado, arriving at the tail end of the fight, only saw the much more powerful Secret overwhelming normal human Spoiler and were therefore more inclined to believe Steph's version of the story which, naturally, framed her as the victim and Greta as the aggressor, when it was in actuality a more even fight fueled by anger rather than jealousy.

[echantedtoon]

Upper Moon Househusbands: Gyutaro

(This is inspired by @rottencoreflesh101's Househusband Upper Moon posts. (Warnings: Their blog does contain NSFW elements and themes that not everyone may like or be comfortable with AND is only for 18+ folks. Just a heads up. But this WILL STAY Sfw.) I did link to the post in question down below. This is probably not gonna be very long and it's from the perspective of a female reader.

Househusband Upper Moons Concept- @rottencoreflesh101

Demon Slayer- Koyoharu Gotouge

Original Post:

Gyutaro's route is more modern au type.)

@six-eyed-samurai

Chop. Chop. Chop.

Went the sounds of a knife. Clever lifted high over his head only to be repeatedly slammed down onto the chopping block. Meat slicing and blood running from the flesh. A clatter of the knife sounded throughout the kitchen as boney hands clamped onto the cut portion-

"This beef needs more basil."

A voice grumbled out annoyed and pouting he'd forgotten about such an important ingredient for meatloaf. He knew he should've just made katsu curry tonight but noooo. He wanted to try this new recipe he found online instead. He was already starting to regret it from all the mess around him. ..and on him. Crap. This apron was a gift too. With a hiss of annoyance and a grip that threatened to squish the beef in his hands, the man ultimately dropped the uncooked food back into the pan and turned to wipe off his hands.

"Fuck this. I'm making meatballs instead."

But first he might as well clean up some of this mess first. It annoyed him more than the failed attempts of 'meatloaf' both left on the countertops and in the trash. A sink full of dishes was in his line of sight as he turned to wash off his hands only making him give pause before hissing even more annoyed. This day couldn't be any worse could it? His annoyance distracted him from noticing the click of the doorknob but not the creaking of the door opening which he snapped around to wide eyed. Oh no-

"Honey, I'm home!" A woman's voice called out before footsteps approached followed by the closing sounds of a door. "Honey!...Gyutaro?"

More footfalls were hand-

"DON'T COME IN THE KITCHEN!!"

They stopped and there was a pause until they approached again moving towards him, his shouting only sealing his fate.

"Are you ok in there?"

"IM FINE!! I-I'M JUST-..MAKING DINNER!! GO RELAX!!"

Closer and closer footsteps. "Are you alright? You sound mad."

"IM PERFECTLY FINE!"

"Are you sure? Because you-"

He froze as your figure stepped into the doorway leading into the kitchen. Your smile dropping into a stare at what stood before you. The kitchen...WAS A MESS. The table and nearby countertops were piled up with what looked like mini burnt bricks, random dishes, and black crumbs from the black bricks except for the middle of the table where freshly cut raw beef was sat on top of a giant wooden cutting board. The sink was piled up with even more random dishes and next to it the oven was left wide open. The air held a mix of different spices, cooked beef, and burnt food. An iPad was propped up on a clean part of the country and it played some kind of cooking show episode. And in the middle of it all was your tall husband. He looked like he'd seen a ghost with how he was staring at you wide eyed and the apron over his body covered in stains and....were those scorch marks?? He stood frozen with his hands half way under the running water of the sink, lavender soap bar in one hand. You both just stood there staring at each other for a long moment.

"So..I see you've been making dinner," you settled on carefully stepping into the kitchen.

"Uuuuuhhh.." Was all he managed to get out as he watched you step into the kitchen and looking around stopping on the nearest burnt loaf of.. meat?

You rose a brow. "So what are you making?" 

...He finally frowned turning back around to finish washing off his hands. "I TRIED to make meatloaf."

"Meatloaf?" 

"A western recipe I found online. Tried making it but apparently none of it wanted to work!" You waited patiently for him to finish washing his hands before drying them on his long apron scowling. "Last time I try anything like this!"

"You must've been pretty busy today." You mumbled taking a look at the leftover uncooked meat. "We're you going to try again?"

A hand turned off the annoying talk of the iPad. "Nah. Figured I'd just make meatballs or something since I already know how to do...But I can't do anything with this mess."

"I'll help you clean up." His eyes turned back to you as you grabbed the nearby trashcan and was already moving some of the burnt remains back into the bag. 

"You don't have to-"

"I want to. It'll be faster if we both just cleaned up. I'll cook too. That way you can have a break."

He stared at you before sighing. "M' sorry."

"It's perfectly fine. It's the thought that counts. Besides you always did look cute being so domestic."

He choked on air as you chuckled.

[emphasis-on-the-oopsie]

Embroidery of @herosplatling-replica's Intern wearing a sweater and surrounded by flowers (red rose, purple lilacs, and flax flowers) for artfight!

This took me 3 weeks (though I had a bit of a hiatus in between trying to make the design and the actual embroidery and another one day hiatus due to flooding, so I only actively worked on it for 11 days), 12 thread colors, and all of my sanity </3

Process under the cut and in progress pictures will be in a reblog :]

I started making different drafts of the design on July 13, though I already had plans for it earlier. I always liked embroidering flowers, and using chain stitches for sweaters was something that was in my mind for a while, so I got the idea of Inny in a sweater surrounded by flowers! I actually asked Jenn what an Inny sweater would look like + what flowers she associated with them trying to be Sneaky.

An old theme idea I had was 'gifts,' because I wanted the sweater to be similar to the one Inny receives from their future mom-in-law and for them to be holding two bouquets from their partners! Unfortunately I couldn't figure out how to find a good pose with inny holding two bouquets so i had to settle on this </3

I didn't work on it for a while since I worked on another embroidery attack and I had to wait for the thread to be delivered, so I continued on July 23. I settled on a design, drew it inside a 5 by 5 in box because I didn't want the design to be too big, polished and lined the sketch, and drew it on the fabric using carbon paper and blue ballpen for details I missed.

July 25 onwards, I worked on it whenever I had the free time and energy to do so. I worked on it even when I was incredibly sleep deprived and had a headache </3 (don't do this it will make you mess up more AND more likely to make you hate embroidery when you work until 2 am). I shared progress pictures to my friends (shout out to wally and mochii for watching me go insane).

The stitches I used were: back stitch (outlines and the heart shape), chain stitch (for the sweater), woven rose stitch (roses obviously), lazy daisy stitch (purple lilac), and satin stitch (everything else). Most of the thread colors I ordered online, with some of it coming from my stash (fun fact i actually ordered a different color for the sweater, but i ended up not liking it cause it didnt contrast well with the colors of Inny's monitor. I found the light purple and pink from my stash and decided to use both, and im very happy with the end result.)

I finished it on August 1 at around 11 pm, where I was both happy that it was done and absolutely EXHAUSTED. I lost my sanity throughout the process. I needed to hype myself up so I could get it done

I woke up at 7 am on August 2 to take better pictures of it with natural light cause my room lighting did NOT do the project justice. Glad to say it made it look even cuter

Ummmmm I don't know how to end this post, but as a bonus for anyone who reads to the end of this post have an alternate picture of this project <3

That's all, and thank you for reading!

[casual-praxis]

Okay, so I know I said I wasn't going to do much with this AU since I was focused on a different one at the time (and I still am), but I've been thinking about the post-canon for this AU a bunch and I couldn't get it out of my head.

The designs are fairly simple (most changes occur post-canon), but there's still a few details in there that I'd like to talk about! Peep below the cut for more yappin' if you'd like.

(I just figured out how to add line breaks yeehaw)

I started with Green since I had the clearest picture of her in mind. I like to think they all got a mishmash of traits from the original Link here, so Green has the og Link's ponytail, but its length was divided between her and Red. All in all, she resembles Link the closest but isn't an exact match. I also made the executive decision that she simps for Zelda. She's just really worried about her future girlfriend, okay?

Blue didn't quite turn out how I'd hoped, but if I ever do something more with this stage of the AU, I can always make adjustments. Her hair is supposed to be the fluffiest, matching the og Link's texture. She's a little insecure about it making her look "too girly" or cute since that's not at all the image she wants to have, but she learns over time that being cute and badass can still go hand in hand.

Red is the one I was looking forward to drawing most, but she's still fairly simple as well. She wears her hair in a side ponytail to "not step on Green's toes", but also because she thinks it's cute (she and Blue don't see eye to eye on this early on, as you can imagine). She has a bomb-shaped hairbow that she made herself (tying into her post-canon shenanigans), but I haven't yet figured out when she acquires it.

Vio was supposed to be holding her bow here but I couldn't quite figure out how to draw it at that specific angle, so it's in hammerspace for now. Outside that, Vio's design has the most variety. She's meant to learn emotions over time within this au, and this progression is marked by the flowers in her hair. She starts out with none, but as they journey, Red starts to teach her the basics, and with it weaves Zelda's favorite flower into her braid. Once she joins up with Shadow, she's gifted a violet (because Shadow thinks it's punny, and for subtext reasons) that she starts using to pin her bangs out of her face. The flowers begin to wilt as time goes on, first the wildflowers, then the violet, until none remain and the final act is approaching. Shadow gives her one last violet before dying, though Vio doesn't actually start wearing it until the Four Sword is put back and they remain behind. Lots of lore for this one.

Finally is Shadow, who I'm actually surprised turned out so well. I went back and forth on whether I wanted her to wear the hat or not, but I ended up deciding against it since none of the others wear their hats either. Her hair pretty much acts like Shadow's hat in canon, it moves independently of her and the tips of it are smokey and wisp around. Along with Red, I have decided she is short. It just felt right. She does have claws and fangs, but she keeps them a little more on the down low until a suitably dramatic moment occurs to reveal them.

And that's all that comes to mind for now. I've had this idea floating around in my brain since I got back into the fandom, but never had the motivation to poke it too much and see what it do.

The post-canon is what I've mainly been focused on, so maybe I'll try and doodle a few things for it sometime. I took inspiration from one of the bonus comics in the manga where they all stay split after the sword goes back, so that's the canon ending for this au.

It goes fairly far into the future, with all of them settling into their own lives somewhat independent of each other (they all see each other multiple times a week with the exception of Vio, who travels a lot with Shadow ((who may or may not have been brought back through dubious dark magic rituals))).

The brainrot is real, but hopefully entertaining for anyone who made it this far.

[reds-skull]

Post script on Not Alive, Nor Dead

Like I mentioned yesterday, I have a lot to say about the fic now that it's done.

The TLDR is that I'm leaving an option for a sequel. No promises though.

Leaving the rest of it under the cut because idk how long it will end up.

Okay, so first thing I gotta admit is that I didn't plan shit lmao. I had the start very clearly in my head, which were the scenes I talked about in the first post I made about revenant AU. But the entire plot line with Graves being a secret revenant? Hell, even the whole 'revenants and non-revs are getting kidnapped around the world' was not planned.

The scene in chapter 4 with the PMC was the introduction for the anonymous PMC, but I didn't think of making Graves and in extension Shadow Company all the work of a revenant. I was debating even making him a revenant at all, up until I wrote the chapter introducing him.

This approach, of not planning shit, is what made me excited to sit down and write every day. It felt like I was discovering the story myself.

It's also a fucking miracle the story is coherent in any shape or form.

Now, I did write a few things before starting. They were a small overview of the character arcs I want the 141 to go through, and a brief about each revenant's powers, because those things need to be consistent.

The arc overview isn't accurate anymore, it has a version of Gaz's storyline that I didn't manage to fit in, where he has a fear of heights, and overcomes it throughout the fic. The only one really left unchanged was Soap, who had the whole "my powers are too destructive" thing ongoing for most of the story.

Speaking of Soap, the Konchar mystery? I was figuring it out while writing the 3 chapters before introducing 'Konchar'. There are some inconsistencies because of that, specifically in a line where Soap says something along the lines of "I did something on my Reaping, something that if I could replicate, I might've not been let on the team." which kinda makes sense but kinda doesn't, considering all that Ghost has done.

Ghost's struggles with Limbo were something I added after wanting to give him a parallel to Soap. Originally, Ghost's role was to be the guy that has already gone through what Soap is going through, already knowing everything and having as much control on Limbo as he can. But making Limbo this uncontrollable realm was more interesting... also having it reflect Ghost's mind and emotions was cool.

One of the most pleasant surprises was how Price's powers interacted with everyone else's. I think it was the best power to personality match I made, he's not as scary as the others at first glance, but the ability to bore into the minds of his enemies, the way no one can keep secrets from him? Makes him terrifying. It's not made clear in the fic, but the reason it took Price so long to figure Graves out is their previous encounters. Graves knew how to divert his thoughts away from his Shadows, and stop Price from finding out.

What made Price realize Grave's Shadows aren't human is he tried to read their mind, only to find a list of commands. Graves tried to keep them away as much as he can, but it was inevitable. Shepherd knew it, which is why he ordered Price to keep his mouth shut almost instantly.

Since the way revenants get their powers must be linked to the way they died, some revs were easier to find powers for than others. Obviously the 141 was first, some at the time I started thinking about how they died didn't have a canon near-death experience, like Price and Soap.

I took Ghost's og backstory, and the idea of Limbo was gotten from the fact he died in a coffin, in a state of in between life and death. What Limbo does to people was just 'scariest thing I could imagine' type of situation. In the end, I don't know if Limbo is scarier when Ghost couldn't control it, or when both he and Soap could.

With Soap, I knew I wanted something with explosions, so it was a no-brainer to make him die from one. I mentioned in another post, but revenant AU was originally at the very beginning just a thing of 'what if I put mw characters in my original magic system?', and in that scenario, Soap was the only one with powers, which were control over anti matter, meaning anything he touches or touches him explodes. The only scene from that one is of Soap pushing Ghost away and getting shot to high hell, only to go and explode the people that tried to kill him - which is chapter 8.

I chose to use Gaz's iconic hanging out of a chopper scene, because I found it funny tbh lol. Later, when I thought of how exactly he died, it became more serious.

Price's were just kinda random tbh. I figured telepathy is a good ability for a Captain.

Rudy obviously dies in the house fire he almost did in the campaign. Alejandro was harder, but I thought of how Graves locked him up in the black site prison alone, so I went for something similar.

It's not mentioned in the fic, but Farah was the youngest to die from all of them. The house collapse in the start of her flashbacks in mwi, where her father pulled her out of the rubble? She didn't survive it. She's a very rare revenant, to be Reaped when she was a kid.

Farah and Ghost's og backstory have a lot of similarities, in my mind they're parallels to each other. What Farah had that Ghost didn't, however, is other people, a community. I think that's why she didn't lose herself the way Ghost did.

Alex's was difficult, because his canon near-death experience was being exploded, like Soap. I used the fact he's ex CIA, to figure he probably took part of many covert operations, and one went wrong. He was caught, so now he can go invisible. This was the thing I failed to make clear the most in the fic, I think, since a few people asked, more than anything else.

Thomas Anderson, the revenant with underwater breathing abilities, was originally made just for Ghost to roast him. When chapter 8 rolled around, and I needed a random revenant to kill there, I thought using the one established would make sense.

Accidental foreshadowing like this was what carried the fic, tbh. It was like a huge session of 'yes, and'ing myself. A little bit of bullshitting confidently, sometimes it felt like that lmao.

The wedding vows in chapter 31 were, again, unplanned. Ghost said "till death do us apart, Johnny?", so I started looking up Christian wedding vows in English because I don't fully remember them. Later I thought "wait, Soap is Catholic, maybe they have a different version." and then I thought, "shit, he's fuckin' Scottish, he won't use fucking American Catholic vows." (maybe he would idk).

Anyway, I found the Celtic vows present in the fic, which sounded like a metaphor, so perfect I couldn't use them just for the original joke they were meant for. So Soap ends up reciting literal wedding vows at the man.

[here's a link to the website I found the vows at]

Last thing is the whole Makarov tie in to Konchar. I was thinking about how we never really dove deep into why Konchar did what he did, besides having his Reaper tell him "you have to kill Soap before he kills you". I heard an advice somewhere, that in world building you have to dive in two questions for it to be believable.

So, let's take Konchar for example. First question is, "how did Soap killing Konchar not bring on an international incident between Kastovia and the UK?". The answer is, "Konchar was an army deserter." Second question is, "why did Konchar desert the army?", and the second answer is, "because he left to work with Makarov."

We don't need to know why he left, not at the point I left the fic at. Those two answers would be enough for readers to not feel like there's a plot hole there, at least according to that advice I've heard.

NOW, with all of that out of the way, I wanted to post the notes I've made on each revenant's powers, because I thought it could be interesting for someone. AND! I kept some deleted scenes, and it would be a shame to just let them rot in the Google Doc lol.

First up, list of revenants and their powers:

[These aren't 100% accurate anymore, as they were written before I started writing the fic, and I only added stuff to them]

Ghost - limbo: is able to send a circle around him into “limbo”, a space between life and death, that no one can escape. Filled with his enemies. Only way to survive is if ghost brings you to the eye of the storm, where he keeps himself safe of his own powers. Ghost can be killed by any means if taken by surprise and doesnt activate his powers.

If stands still too long, inky hands start grasping at him from the ground. Prefers to sleep elevated.

Died in a coffin.

From chapter 21 and beyond - able to wield to withstand fire in his right hand.

Soap - explosion: cant be killed by explosions, and can explode anything he touches. Any injury with the root cause being explosion (fall from high building, debris scratches, etc.) will be healed, but he does feel pain from it. Gunshots cant kill him (the bullets shoot with explosions). Can be killed by any melee attack, poison, electricity.

Fire burns from his fingertips, hard to put out. Spreads when agitated. Hot to the touch.

Died from a fall because of an explosion.

From chapter 21 and beyond - able to wield the protective light in his left hand in Limbo.

Gaz - gravity: can manipulate gravity of himself and objects he touches. Cant die from falling. Can be killed by any means, but hard to catch and aim at while at motion.

Usually floats a couple inches off ground.

Died in a helicopter accident.

Price - telepathy: can talk and transmit simple ideas to other around him. Can feel emotions of others. Can be killed by any means, but Price can manipulate the enemies thoughts and distract them.

His thoughts can “leak” if left unguarded.

Died after being abandoned and without comms.

Alejandro - phase: can phase through solid objects, including bullets. Can be killed by any means if caught by surprise.

Sometimes accidentally phases through things.

Died in captivity.

Rodolfo - ice: can lower the temperature of anything he touches rapidly. Can freeze and jam guns. Can inflict ice burns. Can be killed by any means beside fire.

Breath always visible, cold to the touch.

Died in a fire.

Farah - steelskin: can deflect any attack to her body. Bullets, knives, rockets. Can be killed by poison easily, as needles cant pierce her skin and therefore medical administration is hard to give.

Skin shines oddly.

Died from a stab wound. [changed to what I explained above]

Youngest to become a revenant.

Alex - invisibility: can become invisible. Otherwise can be killed by any means, hard to spot.

Skin sometimes flickers.

Died when got caught.

Graves - shadow company: can create “shadows”, puppets he controls. Can be killed by any means, but hard to get through his shadows.

Doesnt have a shadow of his own, eyes become milky and vacant, leaking after a while.

Died from betrayal.

[I didn't manage to find a place to add this - yes, Graves died after his squad betrayed him. His powers are a replacement for the whole army. His last line, "Me? I am the army." was what he boiled down to. Limbo's victims marking him a traitor was two fold. He betrayed the 141, Vaqueros, the UFL and basically everyone around him, but he also betrayed his own Reaper, who gave him powers to not go through that very thing. It's also another reason why chapter 30 is called 'Die As You Live'.]

Kirill “Konchar” Bogomolov - telekinesis: can move objects with his mind. Can protect himself from any physical attack, and redirect them towards the attacker. Is a revenant of the Pull, like Gaz.  (name means “Lord” and “devotionalist”) First death from RPG, second death by Soap.

Now, for the cut content. Most of these are one scene, usually one that didn't fit the emotinal arc of the characters, or the direction was going somewhere I didn't like. There's one that is a page and a half long, and that chapter was one of the hardest to write, so I practically restarted it at one point.

I'll try to add the context they were originally in if I remember.

[Context: the scene in Chapter 5, where Ghost watches the night sky out of a window, unable to sleep, and Soap comes to speak with him for the first time since they fought about Soap's tendenticy to let himself get hurt. Soap says he heard rumors about Ghost, and Ghost asks what they said.]

“ (rumors) That you murder our soldiers.”

Something akin to fear rang through his chest. So he knows… He supposes it was meant to happen eventually.

Soap’s face, for some reason, doesn’t lose its newfound cheerfulness.

“And what do you think about those rumors?” Hell knows why he wants to keep hearing him talk.

“Well, that makes the two of us.”

… What.

“What?” Ghost intelligently mutters.

Soap’s eyes widen, face not unlike a child caught with his hand in a cookie jar.

[Reason to cut: Soap wasn't supposed to admit that yet. He also wouldn't have done it in such a non-chalant way, with how heavy the guilt weighs on him.]

[Context: Chapter 10, where Ghost was showing his powers to the Vaqueros and Graves.]

The Captain’s voice fills his head, “field’s clear, go ahead Lieutenant.”

Ghost glances one last time at Soap’s figure, no more than a small speck, far, far away from him.

He closes his eyes. The warm air of Las Almas dissipates into the chill of Limbo.

He opens them, confused. The void is quiet, the residents of Limbo looking at the distance, calm and still. It reminds him of… before.

Ghost frowns, narrowing his eyes to try and see what caught their attention. There, a far away point flickers.

A small, white flame. Where… Soap was standing. 

Ghost blinks and stumbles back. Price instantly sounds in his mind, “Simon, what’s going on?!”

“I saw something there…” He makes eye contact with the Captain, who is now jogging towards him, Gaz and Soap behind him. “Light… from Johnny.”

It can’t be… how is Soap able to affect Limbo? Every single spiritulogist he met agreed on the fact he’s a sort of master over Limbo, that the realm is a manifestation he’s inseparably linked to.

The only thing others can do there, is die.

“What do you mean light?” Price urges on.

“A small flame. Where Soap was. The victims were all staring at it.”

The 141 members reach him, Johnny rushing to him, “are you alright?”

Ghost gapes at him, “you’re different. I’ve… changed you.”

Soap frowns, “what are ye on about?” he steps closer.

Ghost takes a step back, “stop.”

The Sergeant stills, a hurt expression flashing on his face before he schools his features.

Price invades his mind, “Simon, you have to calm down-”

“Calm down?! I fucked up Soap! I need to-”

The ladder patterns. Ghost turns around.

“SIMON RILEY”

“Reaper”, he exhales shakily.

“YOU’VE DOOMED YOURSELF. IT IS TOO LATE.”

“What are you talking about?!” Ghost screams, “you keep saying I’m gonna die, while Johnny keeps suffering!”

“I DO NOT CARE ABOUT OTHER REVENANTS, SIMON.”

The Reaper leans in to shriek in his ears, Ghost clutching his head uselessly.

“YOU ARE INTERTWINED.” 

Ghost cries from the pain. His Reaper does not falter.

“KILL HIM FIRST.”

His vision fades along with the Reaper’s words.

“Ghost! Fuck, someone get a medic” Someone shouts above him.

Another voice interjects, “he’s not injured, Sergeant. He’s with his Reaper.”

“From my experience, that doesn’t make me holler and pass out!”

A third person joins the conversation, “shut it! He’s waking up.”

Ghost groans and makes a move to rub his eyes, only to be stopped by his hard-shell mask. “Simon? You alright son?” Price asks, bringing the smell of fresh flowers and a soft bed to him.

He gets up (when did he lay down?) and mutters, “fine”. His voice hoarse from screaming. He takes in his team, the three of them concernedly crouch beside him, except Soap, who’s pacing around.

The Sergeant stops and eyes him warily. 

“My Reaper’s mad.” he says in lieu of explanation to the others.

Soap stops, and looks down at him, still avoiding his stare, “it’s because of me, isn’t it?”

He sighs, “when those arms started grabbing ye I thought it was gonna-”

“What arms?” Ghost gets up.

“The dark arms from the ground, don’t tell me you didn’t noti-”

Ghost grabs the front of Soap’s shirt, “you fuckin’ see them?!”

The Sergeant struggles against his iron tight grasp, “aye! Thought I was hallucinating last night, fuckers made a pass at me-”

Ghost pushes him away, “fuckin’ hell”. 

What the fuck is going on?! Nobody can see the victims outside of Limbo. It’s almost like…

“He has some of my powers…” Ghost whispers to himself.

But that’s not possible? 

[Reason to cut: chapter wasn't working out for me. Characters not reacting in character. Reaper not supposed to show up just yet, and what it says kinda repeats previous encounters.]

[Context: chapter 13, instantly after Rudy and Gaz confront Ghost on his relationship with Soap.]

What, do they think he and Soap are sleeping side by side every night, comfortably tangled under the thin sheets? That he warms himself on his Sergeant’s eternal flame, that Johnny brushes his charred, calloused fingers over his arms, his shoulders, his neck, chasing away the cold, inky grasp Limbo always has on him? That Ghost reciprocates, that he holds Johnny’s face softly, bringing them closer and closer until-

[Reason to cut: out of character. Ghost doesn't think about affectionate actions, he jsut does them. Too early in the story for him to express such wants.]

[Context: I don't remember honestly. Entire scene was cut. Might be later in chapter 13, before Graves threatens Ghost.]

He catches Alejandro pacing around the base one day, frowning and arguing with Rudy in Spanish. From what Ghost can pick up, it’s something about an American. He’s pretty damn certain which one.

“Vargas, any issues?” he stops him before the man pops a blood vessel.

Alejandro glances at him, scanning their surroundings for eavesdropping ears. “Come with me.”

The three enter the Vaquero Commander’s office, Rudy locking it behind them, “it’s about Graves.” Alejandro starts pacing again, “fucking gringo is ordering his shadows to collect intel on us.”

“What?” that’s a huge fucking development.

Rudy is quick to correct him, “we can’t prove anything. But yes… Graves knows more than he should.”

“He knows about secret tunnels we have under the base, and weapon stashes that not even Price knows about. We got fucking Shepherd trying to get us to use locations for the mission he shouldn’t even know exist.”

Ghost feels the tension climb up his spine, “what the fuck do you think he’s playing at?”

Alejandro exhales loudly, “whatever it is, [I didn't finish the sentence]

[Reason to cut: Decided that Vaqueros wounldn't suspect Graves, and he wouldn't risk his powers found by using Shadows to spy on them. Didn't like where the scene was directing the story.]

[Context: chapter 19, when Ghost asks Gaz for help with showing emotions with Soap. Gaz asks why can't he now.]

Garrick nods thoughtfully, “and what is it that stops you? Fear?”

Ghost clenches his teeth, this conversation feels like pulling them out one by one, “I’m not afraid of him.”

“Wasn’t saying that sir”, Gaz thrums on his boot, “could be rejection, or… shit. Of course.” he stares at Ghost, eyes soft.

“The fuck’s it?” he glares back.

Gaz releases his powers, standing up in front of him, “you need to get over your fear of feeling.”

[Reason to cut: out of character. Wouldn't confront emotions head on. Unnatural for Gaz to just state that, rather have it implied. Not where I wanted Ghost's mentality to go.]

[Context: no idea. Probably after Ghost sent Soap to Limbo, and he gained an immunity to it.]

“We don’t have to be afraid, Simon. You can’t hurt me anymore.” Johnny whispers

[Reason to cut: don't remember.]

Tumblr is starting to lag, which means this post is huge lmao. Again, thank you to each and every one of you! The response to the fic was amazing, I never expected my little revenant AU to turn into something this big!

I loved the experience of writing Not Alive, Nor Dead. You can certainly expect more from me in the future!

For now, I have to focus on uni, and after that I have a few ideas for comics I wanna do. Might make a few oneshots in between, but no big projects like this one just yet!

[ashlynniis-bracketeers]

THE EIGHTH CHEF - The Eighth Chef Meursault Concept - The Eighth Chef Meursault Tenderizer

So... This is a lot. I'll be putting a lot of this + some extra stuff under a cut, because this will be a three-mile-long post otherwise rofl.

Yes, I have been firmly sucked deep into the Limbus Hole™, how could you tell? Anyways, have a fan ID (including Pre-Uptie art).

A Walpurgisnacht ID for Meursault, of Greta (Distorted cannibal shark lady, the only surviving member of the "Eight Chefs") from Library of Ruina.

This all started because I thought "Meursault deserves a cannibal ID, he deserves Eating People Privileges™ after what he dealt with in Hell's Chicken", and I told this to @cult-of-the-gundead who then said "the only cannibal left for an ID is Greta" and I went "who's Greta" and she sent me down a rabbit hole of the funny shark lady. So this is a very self-indulgent fan ID concept lmao.

Drawing the mock-up Pre-Uptie art kicked my ass, it's technically a remake of my previous attempt at designing the Pre-Uptie art (which will be under the cut). I cannot digitally paint worth a piss, so this time I didn't try to mimic the painterly style (thank hell). I tried to do an Uptie III art, but I couldn't figure out anything or how to make it look right, and the thought of animating it like the UTIII art in-game made me feel extra stabby, so maybe some other time lmao.

I hope you like it!

Cut time:

Design notes for THE EIGHTH CHEF:

The composition of this is supposed to be a call-back to R.B. Chef de Cuisine Ryōshū's (i.e. Pierre Ryoshu) Uptie III art

The pot with the bone in it is a reference to the pot appearing in some of Greta's pages in Library of Ruina

The teeth (+ jawbone) and seven tongues are meant to be those of the other Eight Chefs, as Greta described their autocannibalism as "They kept going until their teeth and tongues were all that's left".

The infinity sign in the background is meant to be a play on the number eight, as the symbol is often seen as the numerical symbol for the number eight placed sideways. There are no longer eight chefs…

Design/Concept notes for The Eighth Chef Meursault Concept:

The name "Benthic Witch" is derived from the fact that Greta's Distorted form is that of a shark (i.e. a creature that lives in water), and from the tale of Hansel and Gretel, where a cannibalistic witch attempts to fatten up Hansel before eating him (because Greta is a cannibal).

Meursault's face is supposed to always be framed in shadow in Teetering E.G.O, with only the red glow of his now-extremely-wide eyes being seen. The pattern of his mouth-covering combined with the mouth/teeth of the shark hood are meant to look like glowing eyes from inside a sharp-toothed maw.

The primary silver-and-white colors of the E.G.O are based off of Greta's sharkskin colors, while the white triangles lining the edges of the apron (and the edges of his gloves and boots in Teetering E.G.O) are meant to resemble teeth. The pattern resembles a mouth further on his apron in Teetering E.G.O.

So, he has a Volatile E.G.O gimmick similar to Dawn Office Fixer Sinclair. Playing off of the fact that we never see non-Distorted Greta, I played around with whatever her E.G.O could have possibly been, even in a Volatile/incomplete state.

Meursault is a mystery, but one thing we know is this: He Corrodes hard if he Corrodes with Electric Screaming. He's also memed as having an "Anti-Distortion Shield". So, going along with this ID of him being a cannibal and going murderously bonkers, I've given him "Teetering Off of the Edge of E.G.O": He has two different versions of his E.G.O state he can enter depending on Sanity/unique resource count, being Volatile and "Teetering" E.G.O. The main difference between the two gameplay-wise is that Teetering E.G.O state makes all of his attacks indiscriminate, so he can end up targeting and killing your teammates like 90% of Corrosions. He's supposed to basically be on the very edge of Distorting when in Teetering E.G.O.

If you want to see my gameplay/mechanical concepts, I'll link this Google Doc. I haven't been able to use that LCB ID/EGO generator site without it breaking lmao. I'll also screenshot the important stuff and put it here (in a reblog, as this is already reaching the character limit lmao) in case the file gets corrupted or something. Feel free to comment of my incompetent balance, I have no idea how to balance the numbers in this game rofl.

The old version of "THE EIGHTH CHEF" and my first drawing of Gretsault will be below

[jordanrosenburg]

Argylle - A Breath of Fresh Air

**Spoilers Ahead**

I just got back from seeing Argylle with a friend. I knew I had wanted to see it because I like a lot of the actors in it, but I had seen the trailer so many times that I felt like I had already watched it.

That trailer couldn't have prepared me for the unadulterated fun I was about to have. Every other line out of Sam Rockwell's mouth was laugh out loud funny. What kept me drawn in, though, was the editing. The splices between Rockwell and Cavill was seamless. I know with modern technology, they easily could have greenscreened a lot of it, but it still must have taken a while to film all the same fight scenes in the same exact way to make the cuts as seamless as they were.

The score and soundtrack were brilliant. Between the funky tunes used for the fight scenes, and the dramatic notes used during what would be dramatic in a regular spy thriller, had me enjoying every minute. I will be looking up the soundtrack playlist on Spotify and listening repeatedly.

Henry Cavill is no stranger to playing a spy. In between Superman movies, Cavill starred in The Man from U.N.C.L.E. The latter was another movie that didn't mind being silly and wasn't afraid to have its comedic moments. Because Cavill has played so many daring roles over the years, where he's been the hero or the brute or even just the eye candy, he was the perfect fit for Argylle. You can tell he was having a blast, and not taking things too seriously. The audience isn't supposed to take it seriously either. The Argylle books in the movie are a personification of how cheesy those sorts of books and movies can be. The eye-rolling puns, the use of a femme fatale, and crude jokes.

Back in the day, that's how most James Bond movies were. They had their serious moments, but Bond was a cheeky spy who liked to fuck and crack wise with his villains. He was suave and sure of himself and a badass. But there was a transition in the 90's when the Austin Powers movies started rolling out. Now, I'm a huge fan of Austin Powers movies, I'll watch them any time, any place. But those movies, being replicas of the old Bond films but with more humor, outlandish sex, and over the top puns, made it difficult for the new Bond films to be silly. Suddenly, they were getting more and more serious, with more and more over the top action scenes and explosions.

Argylle brought back the silliness and the goofiness, and the ability to laugh at itself. Suspension of disbelief, etc etc. Sometimes you just need to sit back and let yourself enjoy the ride. Throughout the film, as the layers kept being peeled back, I kept thinking, "What is this movie?!" I can usually figure out what's going to happen, but the twists and turns in this film kept throwing me off, and that kept me in my seat and having fun.

There's a scene where Bryce Dallas Howard's character, Elly, thinks she's seen her parents die in cold blood. Rockwell is driving her somewhere in the south of France, and he asks her if she's okay. Howard, astonished, asks, "Am I okay? Am I okay?!", and then she started crying. This made me lean over to my friend and say, "all of us @ Elmo the other day", and we burst into hysterics. (If you're unfamiliar, Elmo's X account posted asking how everyone was, and there was a surge of responses of people using memes to show how not well they all are.)

A little more than halfway through, we find out that Elly's real name is Rachel Kyle. She had gotten into a bad accident on a spy mission and had no memory. The bad guys brainwashed her into thinking she was someone else, and it worked. The Argylle books she wrote as Elly, were really just memories coming back to her. We were made to believe her books were predicting future events, but really, it was the past. Samuel L. Jackson explained that to her. Rockwell then had to calm Howard down and get her to settle into the information. Slowly, Rachel remembers who she is. She hasn't lost all of Elly, but she makes it seem like she has in order to complete the overall mission.

Rockwell thinks that Howard has double crossed her, but in a very Knives Out fashion, she explains that she knew if she shot him in the chest in just the right spot, he wouldn't die. We learn that the two were lovers back in the day. Not only did he feel betrayed, but he was heartbroken. Later on, she double crosses the bad guys, finds her cat, then finds a room with all the weapons she could possibly need to get out. Rockwell finds her there, and they're able to hash things out. She assures him that they're on the same side.

This leads into one of the most incredibly choreographed fight scenes I've ever seen. You can tell the actors were having an incredible time. Smoke pours into the corridor and the two come out shooting. While throwing in body rolls and other dance movements, they take everyone out. This also included Howard lifting Rockwell up, much like how Dua Lipa was lifted up during the beginning of the movie by Henry Cavill, spread eagle. The shots used every time there was a lift like this was not subtle. We get it, it's an innuendo for sitting on someone's face. And it was funny every single time.

Then the next fight scene happened, which gave Howard a moment to shine. They were trapped in a room that was slowly filling with oil, so they couldn't shoot their guns. She remembers she's actually good at ice skating, and puts together makeshift skates. She sticks a knife into a gun, then rushes out like a hockey player. I thought I was going to pass out from laughing so hard. It was the perfect mix of hockey style skating and figure skating. Were these scenes filled with CGI and body doubles? Yes. Did it make them less fun? Absolutely not.

Everything works out in the end because of course it does. Her ending is given to Argylle and Wyatt. Personally, I think Henry Cavill and John Cena should have kissed, they were clearly in love. I thought they would have since Rockwell and Howard kissed. All of the scenes paralleled one another, so why couldn't that one? I digress.

For one last big laugh, at the end of the movie, Howard is back to pretending to be Elly the author, and is doing a book reading of the final Argylle book. She's taking questions from the audience, and she calls on a man. He stands and knowingly smiles. It's Henry Cavill, only he has a curly mullet and a southern accent. What is it with British actors and doing southern accents that brings me so much joy? He says, "I don't have any questions, but I'm sure you have a couple for me", and winks.

There was a post-credits scene. It was supposed to be the actual Argylle book's first film adaptation. The scene takes place in a bar called The King's Man. An Easter egg thrown in by director, Matthew Vaughn, who has also directed the 2021 film by the same name. We couldn't tell if it was serious or not, but I'd love to see a movie based off the fake books. I think mostly because the writer, Jason Fuchs, and Matthew Vaughn, should definitely team up again.

Even though there were parts reminiscent to other spy movies, this is one of the most creative movies I've seen in a while. This is my favorite kind of satire. There are so many movies that are just remakes of remakes of remakes these days. It feels like there are no original ideas left. So, this was a breath of fresh air. It was so funny and so brilliant with a star studded cast. I bet this movie was so fun to work on, you could just feel that energy radiating from the actors. There were some slower parts, but that's to be expected. For the most part, my attention was kept. It was one of those movies where I left thinking, "I can't wait for this to come to streaming so I can watch it again".

I don't think Howard is the strongest actor, and some of the plot between the good spies and the bad spies was a little confusing. I found a lot of that hard to follow, maybe that was supposed to be on purpose. Most spy movies aren't always clear on what the main issue is.

Anyways, if you're looking for an escape from the cold, or an escape in general, this is definitely the movie to see.

[felassan]

if you missed the live N7 Day 2023 cast reunion panel, the rewatch link is here.

here are some notes on trivia and other bits of particular interest from the panel, under a cut due to length –

An audition D.C. Douglas did for Legion can be listened to here. he said it's quite different to what you may expect. He also mentioned an audition for Legion where he was given a eulogy to read and the voice direction from BioWare was that they were looking for something like HAL 9000 but with a little more emotion.

D.C. said on Legion's death scene[s], "it's the innocent emotion coming through" "but with the intellectual understanding of the macro".

Alix Wilton Regan originally auditioned for EDI, didn't get it and then was called back for Sam. BioWare were like "[Sam]'s really London"; AWR was like "I'm from London, I got this, I can do London". months later she was recording for Sam, saw lines for EDI coming up and wondered "who was the woman that got the role of EDI?" when she heard EDI's voice, she was like "omg, she's so hot, yeah I totally get it, I had a real life crush on her in the booth playing Sam, who had a crush on her in the game. I was like 'ohh.. now I get it, I hear it, I see what went on in casting'".

some of the earliest stuff Mark Meer did in ME was a lot of demo stuff, like figuring out how various alien species would sound. BioWare brought him in very early on, during the concept art stages. this is what he was working on for BioWare and then they 'basically upgraded him'. He did a presentation for BioWare demoing how a typical salarian could sound, how a typical krogan would sound, etc, and during this presentation BW had him do some scratch dialogue as a salarian bartender. there was a scene where the bartender was talking to Shepard, who Mark was also voicing during the scene, so he was basically talking to himself. during this process BioWare said that they would like him to audition for the role of m Shepard. "After call backs etc, the rest is history". when BW told Mark, oh btw, f Shepard is played by Jennifer Hale, Mark was super thrilled. "It was like being told the other person in the dual role was Meryl Streep or something".

when Ali Hillis got the role of Liara, at that time she was with her first voiceover agent. Liara's voice in the games is pretty similar to the voice Ali first came up with for her for the audition. they also gave Liara a bit of a mid-Atlantic accent in the first game.

Ash Sroka auditioned for the roles of Liara, Tali and one other character. for the Tali read, she was given a long monologue about Tali's Pilgrimage. she left the booth thinking that if she didn't get the part it was okay, because she'd gotten to read this beautiful monologue and really feel that character. she felt an instant alignment with Tali.

for Grunt's audition, Steve Blum pitched his voice as deep as he could. BioWare said to him that they were going to be pitching Grunt's voice down in post-processing, so he didn't have to do that, but he couldn't help himself and did it anyway. he said that Grunt is a "half-ton child" and self-described as a half-ton child, so things worked out really well. he also mentioned that "it helped me personally, because I'm emotionally under-developed and Grunt is a baby so it was some nice free paid therapy for me, and the fact that people actually responded to it was a bonus, it's kind of amazing".

William Salyers didn't realize he was being brought in to take over the role of Mordin in ME3. he'd been sent audio references and knew that this was a species found throughout the game, and thought that the character he'd be doing was going to be like an assistant or something. the first day in the booth, BW asked him "do you think you can do the match [match the ME2 voice]?" and he was like "I don't know what you're talking about but yes". William was in ME2 as 'Incidental voices' and felt rly fortunate to 'graduate' to Mordin in ME3. when recording Mordin's death-redemption scene in ME3, he & the voice director were both in tears.

for the voice direction in ME1, BW wanted it to feel like an episode of 24 - they didn't want dialogue lines being like screamed or yelled out like they were in a lot of games from around that time. it was supposed to be much more realistic and human in feel.

when developing Kaidan's voice, BW asked Raphael Sbarge to speak to a stickie note on the wall, because they wanted it to feel like there's a sort of sense of the military, that cadence that comes from really speaking to someone else in a directed way.

Shepard and ME have a very special place in Jennifer Hale's heart

a submitted question from the community asked Mark and Jennifer how their perception of Shepard evolved throughout the trilogy. Mark said that the way it was explained to him by BW was that, as they went, they had a little more leeway in Shepard in showing the toll the war was taking on them. "We also got to watch Shepard develop these relationships with the characters in the games. These were their closest friends, their true companions through all of this." this made it possible to sort of humanize Shepard more and more as the series progressed. Shep starts out very by the books regardless of paragon/renegade etc, they're very military, an officer, they're used to giving orders and used to being under pressure. and especially by the time they got to ME3, it was now like, "now you can show a little bit more vulnerability, now you can show a crack in the shell a little bit, especially after the events of ME2 where Shepard literally dies and was resurrected, what does that do to a person?" Mark mentioned that he thinks this is common to all versions of Shepard. by the time you get to ME3 there's a real sense of getting "past the armor, emotionally and spiritually". Jennifer agreed and added that the way voice acting was done in video games also developed over the years from ME1-ME3. by ME3 it was more done in the way like how you would shoot a film, that kind of acting.

Jennifer mentioned that both she and Shep are really freakin stubborn

on Next Mass Effect:

a submitted comment from the community said "Hopefully we get to see or hear you again taking part in the continuation of the Mass Effect story in any way." Jennifer replied "yes, I vote yes to all that".

Ali talked about the moment she discovered Liara was going to be in the next ME. "I have a couple of friends who are close friends and really big ME fans. Usually they're the first ones to alert me of anything ME before I ever see it in the trades, online, on socials etc". she clicked on the link to the trailer she was sent "and I was like.. wait.. what? I think I was just looking at the link and then had to play it again, and then probably like a lot of you I tried to zoom in on it and look at it, like is that...?"

here D.C. said "Um, asking as the voice of an entire species [the geth], do you, you didn't know anything?" Ali said "No, I had no idea, do we ever? I think as we all know, seeing something like that is no guarantee of anything. I was like, is that Liara? Liara's daughter? Liara's mother? is that back in time, is that forward in time? I know as much as anyone, but it was really shocking. like when you were a kid on your birthday and there's a big wrapped present from your parents and you don't know what it is. I know as much as you guys, your guess is as good as mine."

Mark: "As far as what I'm looking forward to, there are endless possibilities. Again as Ali said we, we know about as much as you know, so it could go anywhere. past, future, who can say? Are we gonna see, is this gonna be the First Contact War? is this gonna be far in the far future? where could we go? The Codex is very big as those who have spent ingame time reading it know and that's a very well thought out and fleshed out universe, so the possibilities are endless".

Jennifer: "Just to add to that, what I always tell everybody in the community is email [BioWare] and tell them what you want. they don't know if you don't tell them. telling us doesn't, we appreciate it so much but it actually won't get anything done."

Raphael: "If you feel strongly, we would encourage you to speak up [on that]".

a submitted question from the community asked the cast what they're most excited to see in the next game. AWR: "We're most excited to to see us in the next game, right [winking theatrically]". the cast were all like 'yeah' and nodding and AWR said "emails, emails, emails".

D.C: "The poster, the teaser poster that they put out for Mass Effect 5 shows what looks to be a crater and the outline of Legion and it looks like there's a little dead geth in that poster, so all I know is, and I am the voice of all geth, so."

[source]

[professorspork]

director's commentary sdau emerald scene

You know, I really should have seen this coming but I didn't.

Let's put it under a cut bc moderate spice and considerable length:

This scene went through more iterations and re-writes than the vast majority of its brethren.

I dug around in our chat history to find the exact moment we generated the idea, because this one wouldn't have happened without you. and you know what I learned?

it dates to mid-January 2023, which is literally before I started posting newsbees. this idea is OLD. it is some of the EARLIEST MATERIAL of sdau.

I told you I was reading this for fic research in the middle of an unrelated discussion about Emerald; you then joked that all you could think about was Emerald at the sex club giving vytal fic vibes, just bored out of her skull while people throw themselves at her, and I said I hadn't come up with a role for her yet.

you: emerald would try to go to the sex club after getting out of a toxic relationship the way blake did and then she'd be there for 15 minutes and nope the fuck out and run away me: which, actually-- she could be one of blake's one-off partners where after about 5 minutes blake's like "you are allowed to leave we really don't have to do this" and em's like OHTHANKGOD

I briefly considered a much crueler idea in which Blake witnessed Emerald and Cinder doing a scene together, but we quickly agreed that the original idea was the better one.

I haven't been able to find chat history about it, so I'm moderately certain that I didn't tell you about the fact that I'd decided to read poor Emerald for filth and give her the Mommy kink until I started showing you the scene in its original incarnation, in mid-July of 2023 (which has the benefit of showing just how long this project has taken me, lmao).

me: emerald. sweetheart. when you say mommy kink most people assume that means you wanna be coddled and not that you want to be negged. just. just saying me: emerald do you know what mothers are me: emerald

That first version of the scene differed in several keys ways from the final product, but the most crucial of those was that in the first go-around, Blake actually agreed to give Emerald her number. Em asked for it, and Blake said "Sure, I'd like that," and then the scene ended.

I sat on that for *checks time stamps* approximately 29 hours before I broke the news to you that, upon reflection, I didn't buy it; I just couldn't believe that Blake would be in a healthy enough place mentally to do that. the better and more accurate thing for the story would be for Blake to chicken out and then regret it, because she couldn't be for Em what Sun had been for her.

you: oh no why are you doing that it makes me sad me: because if blake is in a cool enough place to do that with em her actually exchanging numbers with yang doesn't hit as hard you: but now I'm so sad me: i mean it's still ME i'm sure i'll find a way for her to encounter em again before the end

(hmmm. Did I do that in the end? I SUPPOSE WE'LL HAVE TO WAIT AND FIND OUT, DEAR READERS.)

from there, once I'd figured out what the scene was truly for, it was still a lot of effort and tweaking before I got it to read how I wanted to: threading the simultaneous needles of being lowkey arousing but also inarguably unsettling from the jump, so that you're seeing those red flags but maybe, like Blake, thinking they can be overcome until it's very obvious they Can't. I struggled with how to frame it so that it came through that Blake was being... mmm, let's say reckless without crossing the line into Blake being irresponsible, and I wasn't happy with my first stabs at it. in the very first draft, after Em says says she doesn't want to discuss her burn scar and adds "There, that's a boundary, since you wanted one so bad," the prose goes 'There is absolutely no way they are fucking at this point, given Emerald's attitude, and… Blake doesn't know why she stays.'

Which: why would I tell the reader that? It's way too on the nose, and drains the scene of all tension! it also made the spanking moment read as overtly didactic in a way that I didn't like and hadn't intended, so. I tried to drill down into what I thought it was about.

adding the flashback moments to Blake's encounter with Trifa helped considerably; that wasn't in the first draft at all, though the fact that she'd had that encounter was already canon. taking a look at it again, I realized weaving those two together was an opportunity to show why Blake "lets" Emerald make this mistake and indulges her, because it's the same thing Blake went through and she understands it. massaging the tempo and timbre of my vocab took some doing so Blake wasn't in full-on panic attack mode and thus making it all seem WORSE than it already was.

and the final thing I changed was just... twisting that knife more and adding to their rapport. the original draft was brief; it went right from Emerald giving the Cinder backstory to Blake being like "congrats on past tense" and then it was the phone number ask. it was important to me to elaborate on why these two had chemistry, on how they were parallel, and on just how much they liked each other and vibed-- on just how much of an opportunity Blake was missing out on. so Blake laughing more at Em's jokes, and getting the Mercury context, that all came later.

in total, I think this scene had like five or six discrete iterations before reaching its final form.